#it may be higher for others

[chocolateshipsnickerdoodle]

*swinging*

You guys want to... know something that's been helping me mentally?

I've been. With everything going on. I'm telling myself that I'm going to live to 50 out of spite.

I don't know that, and it's hard, but if people can live to 103, it's plausible that I can make it at least half way to 100, right? I can move the goalpost later, but I can make it to 50, that's in 28-ish years, give or take a few months.

I'm going to do it. I'm going to live to 50 and I'm going to share my experiences as I do. I'm going to, one day, be sitting and listening to someone that I see as a 20 year old kid, because they're so fresh to the adult world and so lost, and I'm going to give them little nuggets of advice as to how I figured, or didn't figure, things out.

I'm going to give them little history lessons. I'm going to help them through their work week.

Maybe I'll live to 83, but that's a big number I'm not ready for yet, a good number, but I think I'm going to live to 50, and that will help me reach 30 just fine.

I want you guys to still be there when I make it, too. I believe in you guys. I know it may seem like a lot, but we've got this.

[villa-kulla]

oh nothing, just book lawrence and bellini being work husbands who have each other's backs...

....and praying together...

...and supportively sassing each other...

...and being soft ...

...and passing notes during conclave like schoolchildren...

AND WHATEVER IMPROMPTU 'GOODNIGHT SWEET PRINCE' REPRESSED TENDER ROMANCE MOVIE YEARNING BULLSHIT THIS IS

i'm crying, they're married, they're dating, they're confirmed bachelors, they're courting, they're besties, they're flirting, they're in love, they're everything to me, amen

[karmicpunishment]

nothing is a more satisfying mental image to me than the rat grinders watching the bad kids absolutely dominate the last stand in disbelief because they thought they were going to fuck up and fail

[gooseco]

[satsuha]

localization moment... this part made me curious about what the original was so i looked it up and:

in japanese, wocky says ペテン師 (petenshi) at first, which means swindler/imposter (hilarious because that's exactly what alita is) and then "corrects" himself and says 堕天使 (datenshi, fallen angel), to which trucy responds "i don't think you need the 'pe' or the 'da'." (just "tenshi" meaning angel)

in korean, wocky initially says 전사 (jeon-sa, warrior) and then says 타락천사 (tarak cheon-sa, fallen angel) to which trucy says "one of those is missing an extra line (referring to the difference between ㅈ and ㅊ) and the other has an unnecessary adjective attached." (just "cheon-sa" meaning angel)

i think it's interesting to see which parts of the original pun each localization latched onto!

[jeeaark]

Hi just here to gush

I love your art so much, the panels are so incredibly alive and colorful, i dont know how to explain it but there is so much love and passion in everything you seem to do. Sometimes I randomly think about the "please, continue" raphael comic and get this tight feeling in my chest because it's literally stunning. The colors! The movements! The Greygold! I never gave a shit about the Emperor but boy do I now because of your comics!

You dont have to respond to this publically or anything but I just wanted to hop in and say that you inspire me so much as an artist and I love going through your catalogue and rereading the whole thing ^-^

[dykedvonte]

I think it’s so ironic that the Pony Express escapes a lot if not all blame in discussion. I can’t even say I am excused from it but it’s just how hard people circle back to the characters alone without considering the environment they were made to be in.

Why would they design a ship where only two of the rooms lock? Not the bathroom? Not the sleeping quarters? We assume that all the companies in the universe are this shallow and careless to their workers but we explicitly know the Pony Express in extra vile. They are fed processed slop pack they can’t even really cook and the ration of those pack is meager at best. They hired and made people with a plethora of conflicting demeanors and beliefs work together on a mission where cohesion is important if not an outright necessity and punish them for not being happy about it. There’s no social protocols, not chain of command other than Captain’s word/choice and the only way to enforce that is with a literal firearm. They don’t allow them to celebrate freely and even took away leisure activities that would make them less stir crazy. They are only allowed a few hours of sleep despite their being no other real responsibilities or work on the ship, no matter the position or its importance. With any crew, with any level of synergy, this was a powder keg waiting for a spark.

I’m not saying characters that made mistakes didn’t make huge ones, but I think part of the horror is that at least for some (this is targeting Jimathan) those mistakes are partly made by a force of the hand. There’s a running theme of lack of choice and being forced into something and the very nature of how The Pony Express expected them to function plays a big part.

[wonder-worker]

Thinking about Elizabeth Woodville as a gothic heroine is making me go insane. She entered the story by overturning existing social structures, provoking both ire and fascination. She married into a dynasty doomed to eat itself alive. She was repeatedly associated with the supernatural, both in terms of love and death. Her life was shaped entirely by uncanny repetitions - two marriages, two widowhoods, two depositions, two flights to sanctuary, two ultimate reclamations - all paralleling and ricocheting off each other. Her plight after 1483 exposed the true rot at the heart of the monarchy - the trappings of royalty pulled away to reveal nothing, a never-ending cycle of betrayal and war, the price of power being the (literal) blood of children. She lived past the end of her family name, she lived past the end of her myth. She ended her life in a deeply anomalous position, half-in and half-out of royal society. She was both a haunting tragedy and the ultimate survivor who was finally free.

[epickiya722]

Okay, the one thing that does bother me is that Mt. Lady is the highest ranked female Pro Hero and not Miruko.

[serpentface]

Do psychotropic drugs and/or ritual play a role in any of the blightseed cultures? A pretty broad question, lol

Yeah that’s a very broad question, the answer is about as much as it tends to play roles in real history. Alcohol is pretty ubiquitous (outside of cultures that abstain from intoxicants) and used for a variety of purposes, opioids are commonly used in some parts for pain relief or recreational purposes, stimulants (usually in mild, natural forms) are used to provide extra energy, and hallucinogens are most commonly used as part of a larger religious framework (rather than for recreational purposes). Any more elaborate answer kinda has to be case by case in a certain culture or part of the setting.

I'll just take this as an opportunity to talk about the one established sect that pretty much REVOLVES around psychoactive use. This is the Scholarly Order of the Root, which is a sort of mystery religion + elite community of scholars who currently occupy the Ur-Tree and its forest in the far southern Lowlands (southeast of Imperial Wardin, on the same land mass).

The Ur-Tree is the obligatory Huge Fucking Fantasy Tree (and its surrounding forest). It’s a mass of vegetation about a mile tall and almost as old as Plant Life Itself, its upper branches are primeval plants, which become more modern the nearer they get to the ground (and each 'level' holds tiny ecosystems, some containing descendants of LONG-extinct arthropods/other small animals). Its lowest branches and the surrounding forest are contemporary plant life, and all is connected and protected by an incomparably MASSIVE fungal mycelium network (which is itself a living god).

A lot of the Scholars' more secretive practices revolve around experimentation with substance use with the goal of expanding the Mind and transcending the body to fully connect to the Dreamlands, and they have a supply chain of traders and mercenaries called Rootrunners who traffic substances into the Lowlands. Most of their psychoactive use is in a very intentional capacity and not just like, for fun, but a LOT of them are just straight up addicted to cocaine (in the form of alchemically refined bruljenum, which is used for practical purposes of its stimulant effect during long hours of work).

All known psychoactives are desirable for experimentation (particularly hallucinogens), with each having properties that either allow expansion of the Mind, transcendence of the body, or outright divine communion. Their effects are logged in great detail and interpreted to form the basis of the Scholars' understanding of the natural world and reality itself.

The most important substance is Ur-Root, which is root matter from subterranean levels of the Ur-Tree that have both their own intrinsic psychoactive substances and a very, very high concentration of living god mycelium. The tree root contains DMT and the mycelium has its own wholly unique effects (being an actual living god). They alchemically refine it into a purer, more potent form, and use it to expand beyond the body and directly commune with the Giants, a group of entities they have identified as the only true gods.

An Ur-Root trip starts off with minor visual distortion, which turns into shifting fractals that slowly obscure the vision. Eventually the senses are entirely taken over by a 'tunnel' of rapidly shifting fractals and geometries. In a complete trip, the experiencer gets a sense that they have been pushed through a membrane and entered another realm, finding themselves in a distinct experiential Space.

At this point they may encounter entities which communicate to them in a language impossible to describe but wholly understood. These beings are understood to be the Giants, or at least aspects of the Giants that mortals are capable of comprehending (they often take familiar tutelary forms of the Mantis or the Snake, or appear resembling the same type of sophont that the experiencer is, all composed of ever-shifting geometries). The experiencer often feels a sense of unconditional and endless love from these beings, though the Giants may be more hostile and may appear in the form of the Trickster (usually a cultural figure regarded as malicious, be it an animal or otherwise) in a bad trip.

(^Up until this point, this has mostly just been a DMT 'breakthrough' experience ft. 'machine elves' and the like).

They are then removed from this space and returned to something that feels like the real world, but is nearly unrecognizable. They have a sense of rapidly moving through time, and will usually see 'the spires' towards the beginning, which just so happen to look like this:

(source + some context via Implication- the spires are exactly what this art is depicting)

The experiencer continues to move across an unfathomable amount of time, occasionally 'seeing' other such flashes of unfamiliar landscapes and creatures, and yet also being devoid of all their senses, the 'seeing' is pure, unfiltered experience. There is a sense of interconnectedness with all life, and that one has become the forest (or even Life) itself. The sense of time is wildly distorted, the trip lasts only about 5 minutes but feels like an eternity and is understood as literal hundreds of millions of years.

The experiencer has usually lost any remaining sense of Self and individual consciousness during this phase (in which case this time distortion is usually a neutral or even peaceful experience), but some retain a fraction of their identity, and find themselves trapped and conscious while experiencing what feels like eternity (which can be LIFE-CHANGINGLY distressing, even after the fact).

(^This latter part of the trip is the effects of the Ur-Tree fungus).

The trip ends with a sense of rushing through the ground and back up into one's body, at which point they will abruptly return to their senses and consciousness. The details are then immediately retrieved via interview and recorded in immense detail. The whole experience is understood as having been full comprehension of the Dreamlands, communion with the Giants, and then a tour through the act of creation.

This is done as part of the initiatory practice into the inner mystery-religion of the scholars, and as needed for study by high scholar-priests. It is not taken lightly, both as it is absolute communion with the gods and reality, and in that it can be a very, very difficult experience. People who have gone through this often walk away with a permanently shifted perspective, often in a positive and/or comforting way- a sense of interconnectedness with all life, a peace with the concept of death, seeing less of a point in individual ego and the concept of Self, and comfort in the sense of divine love they (may have) experienced. This heavily influences the philosophy of the Scholars and has had effects by proxy in the religious worldviews of the region.

Details of this experience are closely guarded, and initiates are given absolutely no prior knowledge and expectations for their trip. This is seen as a necessity- their naivety will allow for a true, unfiltered experience, and can be used to gauge whether they should or should not be accepted. Those that have a distinctly bad trip upon initiation may be assumed to have been 'rejected' by the giants and thus denied full priesthood, though this largely depends on How they interpret their distressing trip- those who identify this as a test and harsh lesson in a journey to enlightenment may be accepted (as this is how fully initiated scholar-priests interpret and handle their bad trips).

This inner priesthood is only a small fraction of the Scholarly Order, and its greater function is as a hub of education and repository of knowledge, and Scholar-trained doctors can provide some of the best medical care available in the setting ('best medical care in this setting' only means so much but it's pretty solid, relatively speaking). Only a chosen few Scholars ever get to commune with the Ur-Root, and most of the divine secrets revealed in the process are kept hidden (though they indirectly influence the politics and worldview of the entire order).

[jakeperalta]

not to be a hater but if coldplay's tour had 10.3m attendance and made $1.14bn and eras tour had 10.1m attendance and made $2.077bn then is the outstanding achievement not in fact just higher ticket prices

[fictionadventurer]

Top five time travel movies/books! :D

See, the trouble is that while I love time travel as a concept, I haven't actually explored the genre that much. I haven't watched/read most of the time travel stories out there, sometimes because I just haven't gotten to it, other times because I'm very picky about content, other times because most of the time travel stories I run across are either "we're a bureaucratic agency dedicated to policing time travel" or "oh, no, what if we change history?" or "I fell in love with a hunky Highlander", none of which are the parts of time travel stories that interest me.

The most accurate version of this list would be a list of Doctor Who episodes (and maybe some Star Trek ones), but you specified movies and books, which is going to make this a much more difficult list to create.

The Day of the Doctor: Haha, I cheated, because Day of the Doctor was released in theaters, which makes it a movie! (So I can use it as a stand-in for all the Doctor Who episodes that are my favorite time travel stories). Thankfully, it's a fantastic time travel story and one of my favorites. It's a genius blend of both "stable timeline" and "changeable timeline" mechanics. Three different interweaving timelines. References to A Christmas Carol. Changing major events in the show's past without changing the timeline that resulted from them at all. A rejection once and for all of the "ends justify the means" mindset that had lingered over the reboot for too long. A masterpiece.

A Christmas Carol by Charles Dickens: It's the classic Christmas story for a reason--and one of those reasons is the time travel. Going with Scrooge across decades of his own life and watching him undergo character development from that is a great use of time travel. (And there happens to be a great Doctor Who version, too!)

Star Trek: First Contact: It's fun when you get characters traveling from the future to a different time that's also in the future. Love all the worldbuilding details of these characters interacting with their past/our fictional future, and it's a pretty good story.

Shadowhand by Anne Elisabeth Stengl: The Tales of Goldstone Wood series has a structure unlike any I've ever seen in fantasy, and this book is the reason. The first three books in the series are in chronological order. The next two books are prequels that take place like a thousand years earlier. This book, the sixth, involves characters from the later time period time-traveling to meet characters from the earlier time period, and getting swept up in a legend that they've known since childhood. I remember very little about the book beyond that, but it's such a cool concept (with an unforgettable ending moment) that I have to put it on the list.

Love Strikes Twice: It's one of the very rare Hallmark movies that's actually a decent movie by normal movie standards, so I have to give it credit. Instead of the usual boring time travel plot of "oh no, what if we change history?", we get someone who's trying to change history, who does change history, and it's a good thing. The time travel mechanics surrounding that make no sense, but who cares? It's a fun story with an engaging cast, legitimately funny jokes, a sweet romance, and a solid plot.

[cobaltfluff]

a self-indulgent crossover :3c

(persona boyfriends x heartsteel league of legends)

[lord-squiggletits]

What do you think is Tarn's favorite part of being ordered to do something? That he's worth something/seen as valuable or the idea of the reward at the end? Or something else entirely?

Probably closer to your first theory: my first instinct is that Tarn seems to derive a lot of his self-worth and purpose in life from an attachment to others/an ideology (see: his whole thing with Megatron), although I honestly doubt he was like that before Megatron fucked him up with brainwashing. Being ordered to do something = being needed, and being needed = having value and a reason for living.

It also seems to me that, even as Damus, Tarn has a bit of a rash/emotional/passionate streak: very much the type to fix an ideology/set of instructions upon himself, then charge forward with a sense of purpose. If we look at Damus getting irritated at Orion for "just sitting around and waiting for the Senate soldiers to show up," it seems this guy really wanted to ACT and DO, perhaps to the point of slight recklessness/thoughtlessness. As if he equated active "doing" with productivity and "having a plan" and taking initiative, but thought of waiting as a form of weakness/giving up/not being prepared. (Ties in rather neatly with his tendency for organization maybe... weird how he's simultaneously reckless with his individual actions but also needs a sense of Order And Hierarchy to feel fulfilled on a general life level.)

So I think Tarn also gets enjoyment from following orders bc eh... I'm genuinely not trying to make this a petplay thing 🤣but I'd say that maybe he gets a sense of comfort/security from being able to just charge forward and act, no need to worry about morality or questioning his own motives. Just outsource his thinking to someone else beloved, trusting, and all-wise (Megatron) so he can experience the pure bliss of fanaticism and utter self-righteousness/confidence in his own actions. He even admits to Deathsaurus that he let himself conflate Megatron with the Decepticon ideology when instead Decepticonism is based on a dream, an idea.

So on that note, it also seems to me that Tarn might like following orders specifically bc he feels a personal connection to Megatron? Megatron groomed him as a protege/his most dedicated and fanatical follower. Their conversation on Necroworld shows that Tarn quite obviously thinks the world of Megatron and wants to see him as that figure of legendary competence/willpower. I don't think Tarn just wants to have The Right Ideology so that he can Feel Good About Being A Good Person (TM); it seems like Tarn specifically wants* to have a personal connection, some sense of approval or specialness, a bond with some authority figure who not only assures that he can trust them, but that they also trust him utterly. I think it says a lot that Tarn was even able to fall in love (figuratively) with Megatron more than he was with Decepticon ideology itself. It points to the fact that what he's really missing is interpersonal connections. Er, as much as an incredibly toxic and manipulative parasocial relationship is an interpersonal connection, but I never said that it was a good connection.

*In light of recent panels of Damus I reviewed from a Tarn/Damus post I reblogged last night, Damus seemed to actually be quite comfortable challenging/questioning Orion to his face and wanting to know what their plan is and why. I think it says a lot that Damus' relationship with Orion was one between a leader and a soldier, yes, but it was also informal and non-hierarchical enough that Damus felt completely free to question Orion. When you contrast this with Tarn talking to Megatron ~4 million years later, he's suddenly switched to an attitude of absolutely worshipping Megatron and believing he has utterly absurd/impossible levels of ability, vision, confidence, willpower, etc. Seems to me like part of Megatron's brainwashing of Damus was specifically centered on wrapping his heart around his little finger for the purpose of cultivating that blind obedience. Given Megatron's thoughts at the end of his Spotlight issue (he refers to his soldiers basically as blind idiots who can be whipped into a furor with the right propaganda lines), this is a pretty common emotional manipulation tactic he used in general. It just seems like Megatron concentrated this manipulation by singling out Damus and making him feel special, that he saw himself in Damus, and that he truly cared about him and wanted him as a student. You know, an emotional connection.

Honestly, this is kinda dark tho, bc now I'm kind of sad and thinking that Tarn doesn't naturally have this level of codependence/slave-like devotion to a person and it was actually just something Megatron shaped him into as a leash of sorts... Damn, I can be horny about people sublimating their trauma/emotional issues through kink, but not in a guilt-free "haha he's a dog" way. 😔 JK I'll still call Tarn a dog (affectionate) bc it's just so true.

[tategaminu]

the rayllum comic being the most expensive one as it should be 💅

[tennessoui]

Hi Kit,

imagine Anakin (Vader) or Obi-wan had the choice to forget the other one (and everyone that happened during that relationship) - do you think they would do this?

oh absolutely not 100% no like

if the kenobi show showed me one thing it's that vader very purposefully uses the memories of anakin skywalker and obi-wan kenobi to make himself better (or to try and be better? he is thinking of that lesson from the past but it's pretty clear he doesn't win in the present lmao)

but he definitely motivates himself via hatred for kenobi because of the whole suit/lost 3 limbs thing, so i think he would cling onto that hatred vs forget him completely

and then obi-wan....i feel like it's both complicated and not

i think there's a 6 episode mini series where obi-wan thinks he wants to forget his old padawan anakin only to then actually forget him and find himself unmoored and lost in a world where nothing matters because his love for anakin was the only thing that anchored him for 10ish years

(and i'm thinking of this like a night before christmas au, where obi-wan wakes up and realizes he could never bring himself to forget anakin - not his betrayal, not his sunshine, not his thunderstorms, not his love, not his hatred, not his kindness, etc etc etc)