#it makes me sick that this behavior has become normalized on social media
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moeitsu · 3 months ago
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Can minors please stop making jokes like:
"I'm younger than Hugh Jackman's kids but I'd still let him…"
"Too young to drive, but I'd ride Hugh anytime."
"I can be his controversial younger girlfriend."
Seriously, this shit isn't funny. It's cringey and more than that, it's incredibly problematic.
The sexual innuendos never seem to end. While Tumblr isn't as flooded with this stuff, Twitter and TikTok are out of control. These jokes aren't just disrespectful—they're wildly inappropriate and perpetuate a culture that blurs boundaries.
If you're a minor, and you're out here making jokes about having sex with someone more than twice your age, you are a problem.
We saw this happen last year with Pedro Pascal when The Last of Us blew up. Everyone was obsessed with him, but alongside the admiration came this tidal wave of minors making sexually explicit comments about him left and right. It wasn't just one or two offhand remarks—it was everywhere.
Look, I’m not saying you can’t be attracted to these actors. I get it. When I was younger, I had crushes on older men too. But there’s a big difference between having a crush and publicly posting sexual fantasies about a real person being intimate with a minor. Those fantasies cross into dangerous territory.
This isn’t about being a prude or policing thoughts. It's about understanding the impact of what you say online. When you make jokes like these, you’re not being “edgy” or “funny”—you’re contributing to a toxic culture that dismisses the serious issue of age-appropriate boundaries.
Would you seriously say this shit in front of Hugh? Do you really think he would find it funny?
The answer is no, and you shouldn’t say it at all. Respect the people you admire and have some respect for yourself, enough not to engage in this kind of behavior.
We can do better, and we should do better.
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i-am-baechu · 1 year ago
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Summary: Everything was perfect until it wasn’t. Y/N and Jungkook love each other but when familiar and new faces come into their lives, things get complicated. On top of that, a surprise that truly shakes their plans for the future. Will their relationship push forward or will Jungkook lose his fangirl once and for all?
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Chapter eighteen: Emergency
→ Genre: Idol au, established relationships, girl group stan au, social media au, K-pop fan page au, romance, angst, comedy, and smut
→ Main pairing: Idol! Jungkook x Fan girl! Reader 
→ Side ships: Yoongi x OC & Jin x OC
→ Warnings: Explicit language, smut, mature themes, alcohol usage, anxiety disorder, stalking, and obsessive behavior
→ Warnings for the chapter: Emergency room, depression, depression medication talk (only mentioned), blood, and throwing up 
→ Author’s note: Oh this is a big one and also sorry about this : )
⇜ Masterlist ⇝
It was Sunday, which means Jungkook and Y/N can have their Sunday dinner together. The one is different. There was this unsaid tension between the two. Well, Jungkook knew why there was tension but he didn’t know how to fix it. It’s been around two weeks since they had the talk and ever since nothing has been the same. Without her medication, Y/N has become a zombie. She barely talks to Jungkook and when she does, it’s short answers. It made him worried about her even more. She was here but she wasn’t really. He had never seen her like this and it scared him. 
Today he wanted this Sunday dinner to be special. He was going to ask Y/N to marry him. If he asked her to marry him, everything would fall into place. It will be perfect. He got her favorite fried chicken, rice cake she always craved for when she was on her period, and her favorite tea. Everything was for her and he was excited. Not even nervous for the big question he was going to lay on her. 
Y/N sat in the guest room as she stared at her laptop screen with a blank expression. She wasn’t sleeping with Jungkook in their bed because of her constant need to throw up at night. She was starting to think that it was true that she was pregnant and that made her fear erupt. Y/N would throw up so much that the only thing she could keep down was ginger sodas or Gatorade. She had never felt this sick before and it was just so bad. Jungkook was the best boyfriend, he would always hold her hair and get her drinks, It was sweet and made her heart flutter. Today she felt better, her mood was better and she even told Jungkook that she felt normal. 
The door opened and she looked up to see Jungkook with a smile, “Hey baby, how are you feeling?” 
“I’m feeling better today. I haven’t thrown up today.”
“That’s good babe, I got all your favorites for our Sunday dinner.” 
She smiled at this and closed her laptop, “You did? Jungkook, you didn’t have to do that.” 
“I wanted to do it. You’ve been so sick that I just wanted to make you feel better with your favorites.” 
She got out of bed slowly and pushed her feet into her slippers, “I love you.”
“I love you more. Do you need help?” 
“I got it, let’s go eat before I lose my appetite.” 
The couple moved towards the kitchen with Bam following closely behind. It was wholesome and that’s what Y/N needed today. Just wholesome moments. She poured water into Bam’s water bowl and let out a small laugh when he cuddled his head into her leg. Jungkook watched the scene with a smile as he took the food out of the bags. 
“Do you want legs?”
“I just want one spoonful of the rice cake.” 
Jungkook raised his eyebrow at this but nodded his head, “Are you sure?” 
“Baby steps before I eat more.” 
“Whatever you want babe.”
He made her plate as she made Bam’s dinner. Jungkook smiled and patted his pocket, feeling the velvet box against the denim. He turned around and handed her the plate, “Thank you, baby. Do you want me to make yours?” 
“No, I ordered kimchi fried rice.” 
“You always order that you should eat the chicken or rice cake.” 
“That’s all for you, baby. Go sit and I’ll be right there.” 
She nodded her head and took a glass of tea for her meal. She sat at the table as she watched Jungkook with a soft look. This man was hers and hers only. It made her feel so special. Jungkook sat at the table with his beer. She took a bite of her rice cake and smiled at the flavor, “I’m so happy that I’m able to eat this.”
“I’m glad you can eat it too. I was so worried about you baby, should we tell the doctor?” 
“I’m going to see him this Friday, it can wait.” 
“Are you sure?” 
Y/N wiped her mouth and nodded her head, “Babe, yeah. It’s okay.”
“If you say so.” 
The two continued to eat but Y/N stopped eating and she clutched her stomach under the table, trying to hide it from her boyfriend. She did a good job because Jungkook put his hand in his pocket (gearing up for the next step), “Y/N, I love you.” 
“I-I love you too.” 
“We’ve been together for a long time and you know-” Y/N started coughing with her mouth covering her mouth and Jungkook's eyes widened when he saw dark red leaving her mouth, “Y/N!?”
Y/N moved her hand and her eyes widened, “Jung-Jungkook? What’s going on?” 
He stood up from the chair and ran towards her. He got down to her level and pushed some hair back as he felt her forehead, it was warm, “Baby? Have you coughed up blood before?” 
“N-No...I-” She brought her hand up and started coughing again. Her vision began to blur but she could see Jungkook somehow, “I don’t know what’s going on.” 
“Let’s take you to the ER.”
She nodded her head and Jungkook helped her up out of her seat but she fell to her knees. She started coughing roughly and gagging, she was throwing up but it wasn't a normal throw-up. Jungkook took his phone out of his pocket and dialed the emergency number, “Hell-”
“My name is Jeon Jungkook and my-my wif-girlfriend is coughing and throwing up blood. She can’t stand and I-I-I don’t know what to do.” 
“Is your girlfriend still conscious, Mr. Jeon?”
Jungkook went down to her level and saw that she was trying to close her eyes, “Barely, plea-please do something.” 
“I’m going to send an ambulance your way, keep on the line. Can you tell me what happened?” 
“Okay, baby. Stay with me okay? I-I, She was eating dinner with me when suddenly she started coughing up blood.”
Y/N leaned forward and cuddled into his shirt. Coughing a little bit, getting blood on his fabric, “Kook...I...don’t good.” 
“Fuck, I know baby. They're coming okay. How long is the ambulance?” 
“Fifteen minutes, Mr. Jeon.”
Y/N glanced up at Jungkook with her eyes slowly closing. Pure fear went through his body when he felt Y/N’s weight into his body, “Y/N? Baby, she’s not waking up! What should I do?” 
“I need you to check her pulse okay? I know it's hard but you need to remain calm.” 
“O-Okay.” Jungkook lifted Y/N’s wrist to feel her pulse and his heart dropped, “It’s faintly there.” 
“The ambulance is turning in your driveway. I updated with the information you gave me but if you have other information that could help them. Please tell them.”
“O-Okay. Is she going to be okay?” 
“We will do everything in our power to make sure she's okay, Mr. Jeon.” 
1:35 ───ㅇ───── 3:47
Jungkook sat in the private waiting room with his face in his hands. Seeing your future getting wheeled away into an ambulance is something he wished on no one. He wanted to go run into the room with her but the doctors told him that they had to act fast or something worse could happen. He didn’t want to know what the worst was. 
“Jungkook!” 
He looked up and saw his members running towards him and that's when he lost it. He let out a loud sob and glanced at the hallway, “I-I...Y/N’s in surgery. I haven’t heard much from the doctors. The only thing I know is that they had to act fast.” 
Jin glanced at the hallway and then back at Jungkook, “Was-Was it the baby?” 
“Hyung, I-I don’t know.” 
Yoongi looked at Jin and then back at Jungkook, “Y/N’s pregnant?” 
“W-We never figured it out but it was a poss-possibility.”  
Jimin ran his hand through his hair roughly and cussed his breath, “This is serious. Fuck, what are we going to do?” 
Jimin kicked one of the tables as Taehyung tried to stop him, “Jimin, kicking things won’t solve things.” 
“Tae, I’m fucking mad okay-”
“Guys, we need to be here for Jungkook.” Everyone looked at Namjoon and looked at the ground with blank expressions. Namjoon went towards Jungkook and brought him into a tight hug as he rubbed his back gently, “It’s going to be okay. She’s getting the problem solved. Okay.” 
Jungkook cried into Namjoon’s chest as he felt his world crashing, “I-I don’t know. When-When I look down the blood on my shirt stares back at me and all I see is her pale face. I-I couldn’t do anything for her.” 
“You called the emergency number, you saved her life.” 
“Mr. Jeon?”
Jungkook quickly left Namjoon’s hug and looked at the doctor, “Is Y/N okay?” 
The doctor sighed and nodded his head, “She’s finally stable. We found traces of paint and glue in her system. It looked like it was building up for months and today it was the last straw for her system.” 
Jungkook eyebrows furrowed at this, “Paint and glue? What do you mean?” 
“It was in her stomach lining. It could be in the food that she ate today but you can go see her now. She's sleeping from the surgery.”
“Thank you, doctor...” Jungkook watched the doctor walk away and he turned around to look at his members with a concerned look, “Paint and glue? What the fuck?” 
“Jungkook, what the fuck is going on?” 
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Tag List:
@agustdpeach @mdavt @aloverga @drissteele
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bigtittiecomitte · 1 year ago
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[Small Rant!]
(Hope this is alright!! Sorry for my ask being so long and all over the place, but I just had so much to say!)
I honestly might leave the fandom, I'm REALLY tempted to at this point. Because, I don't know how much more of this toxicity, the behavior of Envy and V stans (NOT ALL, BTW) and the Nuzi hatedom, I can take..especially knowing that Envy and V stans are doing the same thing they did back when episode 6 released, attacking and harassing Liam Vickers + sending death threats...it's absolutely disgusting and unacceptable and shouldn't be normalized, AT ALL. These individuals who are doing this aren't real fans of the show and don't care about it, they don't give a shit about the love, dedication and care that goes into Murder Drones or all the hard work that goes into the show. They only care about wether their ship becomes canon or not and if they don't get what they want, they start harassing and shitting on the crew behind the show, especially the creator (Liam) and say they don't wanna watch the show anymore and it just proves they were probably NEVER fans in the first place and only cared about shipping and that's just so damn sad, it's especially pathetic and childish how some of these fans act..
I've said it before and I'll say it once more, SHIPPING ISN'T EVERYTHING, STOP MAKING IT A BIG DEAL. There's so much more to love and appreciate about the Murder Drones and there's so much to love about the show and shipping shouldn't be something you should even go into and look forward to when getting into any piece of media, MD isn't even a romance show. I'm overall just so damn tired and sick of this fandom, like REALLY TIRED..it's just so damn draining and exhausting especially when the same arguments are used again and again. The fandom just sucks and I fear it'll only get worse and I really don't know if I can stay for much longer. (I'm seriously missing the pilot-era days when the fandom was small and not that bad) but even though the community isn't the best, I'm glad we have some respectful and caring individuals in the fanbase like you and others, I honestly don't think the fandom isn't as bad here as it is on both TikTok and Twitter, the MD fandom side of things on Tumblr is more tame compared to the other social medias I mentioned.
Overall, MD is such a comfort show for me and has had such a huge impact on me, it's seriously one of my favorite shows, I'm not even joking. I'm incredibly thankful and happy for it's existence and also thankful to Liam, GLITCH, the animators, the VA's and just the entire team as a whole for making such a great and wonderful show! It means so much to me and I'll never stop loving it despite it's ups and downs + the community not being the best at times, I'm truly thankful for this show and those I've met in the fandom. ❤️💞
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Hey you Dorky goober
No need to apologise for the long rant. Generally I adore long rants so win win for both of us (if anyone does need to rant about something then I’ll totally be here for you, I know what it feels like to not rant about something but you really do)
With you thinking about leaving the fandom due to the toxicity honestly I would not blame you at all. I’m someone who’s comfort ship is Nuzi so just seeing any hate would make me think about it for the rest of the day
Usually what I do when I see any toxicity is just laugh at it, laugh at how stupid their take is. Recently I had a fight with this Lesslie person and all I did was laugh at how silly it was like bro was getting aggressive bc people preferred Nuzi
I’m trying not to dogpile on toxic V fans + Envy shippers cause I don’t want to seem too obsessive over drama but for some reason it always gets worse
There are toxic Nuzi shippers but there aren’t as many as toxic Envy shippers like never in my life have I seen an Envy shipper getting doxxed because they like Envy. For some reason it’s always the toxic Envy shippers that make this fandom miserable
I don’t think they even know that they’re toxic shippers and desperately need to leave the fandom, most of them are kids but that never excuses any actions that they do because it’s the internet, once you post something it’s there forever
Murder Drones has so much in store than just romance and I’m saying this as someone who mostly posts Nuzi related things although I really do want to post more about the lore and I even planned for a full post on the details (I was pretty busy so I didn’t complete that but it’s in the drafts lol)
Not only the lore but just Murder Drones in general, the romance is great but so is the show, just everything about this show is filled with so much love and you can tell just by all the silly things they put in the backgrounds and the writing by Liam
Like the N x Uzi scenes are just small scenes like they’re put in different places but it works because the show isn’t focused on romance. I do think people forget that the N x Uzi scenes are quite literally important for the plot as well, it’s not just there for fanservice. Liam knows what he’s doing and anyone that tells him otherwise can go fuck off honestly
There are bad people but there are also a lot of good people in this fandom, a lot that do appreciate Murder Drones for even continuing. Screw whatever those 13 year olds on Twitter say, they don’t know crap about respect
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compassionatereminders · 1 year ago
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Hey Kat. Sorry for the rant but I'm so fucking angry I could explode. I just got filmed by a fucking stranger while trying to walk my dogs. It wasn't even some young kids who were filming with friends and I just got in the way, no, it was a fucking middle aged man shoving his phone square in my face. His (considerably bigger) dog was lunging for mine so I crammed my dogs in a corner and tried to get them to stop barking while he crossed the road (they're rescues and scared of everything, I'm working on it). But then instead of moving on he starts fucking filming me??? While I'm obviously struggling and he's making no effort to control his own dog??? What the actual fuck man. What's worse is that I'm disabled (not that he fucking cares about that) and have severe paranoia about being photographed/filmed etc. Tumblr is my only social media account and it's anonymous with no selfies for GOOD FUCKING REASON. And now my face is going to be on the Internet, being passed round as a fucking joke, and there's nothing I can do about it. I feel so fucking sick I'm shaking. This isn't even the first time this has happened, and it's apparently perfectly legal where I live. I'm just so, so angry rn.
That's such a terrible thing to do to anyone, and you're in your full right to be angry and hurt. It is horrifying how normalized filming strangers in public has become, because it's in no way acceptable behavior. I'm so sorry you had to experience this, and I'm sending my love!
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lary-the-lizard · 10 months ago
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I’ve seen a few posts say “your disability is worse/nonexistent because all you do is lay around at home, doing nothing” or something along those lines. It’s really strange seeing that on my socials because I’m so not about that sermon. It’s also very strange to me that someone would feel like they could make a claim about someone else’s experience or current life situation. Every person’s experience is so nuanced and interwoven that narrowing down why someone does or feels something to even a few things is audacious. Our bodies are constantly doing thousands of things and all of it takes energy and that includes working through and around the different traumas and scars our mindbodies have. Each person has different needs emotionally and physically as well as different moral codes and goals. On top of that, people live with different societal responsibilities and oppressions, live in different environments, have different ways of processing. Tell another person why the way THEY are dealing with THEIR situation is wrong like, do you hear yourself? This is not to say that you should not give someone advice or offer suggestions but it is to say that you do not know what will solve someone else’s problems and do not know what it is like to be them and to think their reason for being the way they are is invalid is idiotic.
Our society is bad at rest so we are always tired. When we have days off we spend those days cleaning, checking social medias, working out, catching up on dramas, working outside etc and that is NOT resting for most of us. So by the time the weekend or vacation is over we are still tired. Sometimes we are so behind in our rest that we get sick or it takes days of barely doing anything “responsible” to start feeling human again. For many autistic and mentally ill people just being in a workplace surrounded by people is beyond exhausting because we’re constantly masking and doing the actual work our jobs hired us for while holding off mental breakdowns. So any time off isn’t just rest, it’s our minds healing themselves. Which takes more energy than resting does. And to be clear, mental exhaustion takes physical energy, it literally burns calories, you become tired because the effort to perform “normal” behavior is strenuous work. While all of this is going on, we are made to feel bad for not having something going on at all times whether that be the news in the background, a project you’re working on at home, a podcast, or something while also keeping up with your home duties. So to turn away from all of that and just sleep and eat and watch something silly and play with your cat is monumental effort but actually what you need to rest.
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warmuse · 2 years ago
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The original ask should come with content warning, but since I can't grab their brain and do it, I'll slap it on myself
CW for weight judging, appareance judging, borderline abliest based on judging someone's performance and worth by visual appearance of sickness
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Wow it seems in this fandom it's just normal and not rude at all to speculate openly about someone's appearance and make wild conclusions, right?
No one is saying rockstar life or smoking or their schedule is healthy for the band but the current obsession that Damiano is sabotaging himself (and no one else in the band?) and placing the blame subtly on him doesn't sit right with me, don't you think?
No I don't care whether the conclusion was right or wrong, of course Damiano is tired from touring, making multiple big energetic gigs per week and travelling all over the place in strange beds are exhausting to anyone, of course having to go through so many commitment to one so anxious as him would take tolls which may or may not result in him smoking visibly more. It's the language and attitude of these people lording over their "blorbo rocker" or whatever that makes me roll my eyes so hard I can see the back of my own socket. To be called naive or dumb bc "I didn't see the warning sign" is just as dumb. Warning sign of what? Lung cancer? They have that stuck to every cigarette, do these people think Damiano is illiterate?
So what do the "Damiano's health experts" propose? Gonna shout at him to stop smoking? Boycott the streams bc he is not "in a healthy weight"? (Also pointing out someone's weight in this society is kinda gross, dont you agree?) Ask to control his diet because you don't find him in a desirable meat-to-fat ratio? Damn Damiano must have so many doctors and dieticians, the way people just throw comments about his appearance. Apparently in this age and in the world wide web, an adult human deserves to be judged like a farm animal in a fare riight? Because he's a frontman of the band and suddenly all things that you would feel uncomfortable and rude when shouted at from a stranger across the street becomes ok?
Being a fan is an one-way street, I'm afraid, no matter how much you love them you don't know everything, you shouldn't know everything, if you think you have rights to commodify and own one person's entire behavior go and reflect on how social media and parasocial marketing has given you a brainrot
Also, what about Ethan or Thomas? Do we not care about their health, too, or they're better people than Damiano who must do everything wrong and so immune to cigarette? Thomas and Ethan must be "dying and in horrible places" because he smokes and sometimes accompanies Vic partying? But sure they are totally fine! Ethan looks fine and unchanged so it's Damiano who is only doing "irresponsible behavior" clearly! Who's gonna walk up to Victoria and ask her to stop partying so much bc if she becomes a good girl she wouldn't get sick (a hyperbole anyway)? Wasn't there someone on this very app who were bold enough to speculate on her genetic pool because her mother died of cancer and she sometimes misses interviews? Do these people stop for one microsecond to think and go "hang on, is this something I can ask to a celebrity in public without looking like a nonce"? gods, is it possibly bad and toxic to buy their tour tickets because by making them work more, we're sabotaging their health?
It's not about "ignoring the obvious bc of rose tinted glass" it's about "being respectful of their life choices" by gods some people in this fandom sure sound like they need to go back to stanning fictional people who can be molded into zero problematic behavior so that they don't get to lash out to a total stranger (no going to their gigs multiple times doesn't count)
Okay but look at pics from 1-2 years ago vs now he looks older and looks sick, it's not make up
His face looks tired his eyes are becoming sunken, he lost weight, he's smoking more even his demeanor has changed
Everything is different about Damiano seriously something is off
He's not okay, it's not just the smoking it's the face the behavior and it's VERY apparent that he's not okay take off the rose colored glasses and look around look at all of them from 1 year ago to now and who looks the least okay? Damiano, the tour is taking an awful toll on everyone but Damiano is visibly in the worst state look at the facts and everything else he's not okay and we have to admit that
I think the tour is taking a toll on him and everyone else. They really need a break.
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woman-loving · 3 years ago
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I’ve been reading some articles about lesbian identities in Indonesia, from the late 80s to the 00s, and wanted to share some quotes that highlighted a couple trends that I’ve also noticed in reading about butch/femme communities in other countries.
1) There are different expectations about sexual distinctiveness and marriage to men are attached to butch and femme identities. There is a greater expectation that femmes will marry men, and femmes more often do marry men, though some butches do as well. Marriages to men seem to be for convenience or in name only, and women may continue to have female lovers.
2) Distinctions are made between real/pure/positive lesbians (butches) and other lesbians (femmes) who are “potentially normal.” This shows the flexibility of lesbian identity, where they can be gradations and contradictions in what it means to be a lesbian (e.g. a woman being a lesbian but not a “real lesbian"). The category has cores and peripheries, rather than everyone being equally lesbian or else completely outside of it.
3) There are disagreements between members, which cross butch/femme lines, about the meanings of these identities and whose lesbianism or community involvement should be taken seriously. The first passage describes femmes as engaging in a “more active appropriation of lesbianism as a core element of their subjectivity.” The boundaries of lesbianism can potentially expand or contract as people struggle to define it.
4) People don’t always meet the community expectations attached to their identity.
I think these passages help complicate the picture of what lesbian identities can look like, and some of these same tensions and debates are common features of lesbian identity in many different cultures. I also think these issues--the (differential) weight given to relationships with men, the notion of positive versus negative lesbians, and the active appropriation of lesbianism by peripheral members--are relevant to bisexual interest, since these questions also shape bi women’s engagement in lesbianism/lesbian communities. (And we can say that without claiming that any particular women in these narratives are “really bisexual.”)
Anyway, without further ado... (this first one picks up right in the middle of a passage because I couldn’t get the previous page on the google preview :T)
From “Desiring Bodies or Defiant Cultures: Butch-Femme Lesbians in Jakarta and Lima,” by Saskia E. Wieringa, in Female Desires: Same-Sex Relations and Transgender Practices Across Cultures, eds. Evelyn Blackwood and Saskia E. Wieringa, 1999:
“[...]negative lesbians. We are positive lesbians. We are pure, 100% lesbian. With them you can never know. Before you know it, they are seeing a man again, and we are given the good-bye.”
Father Abraham, who had entered during her last words, took over. “Let me explain. … Take Koes. Again and again her girlfriends leave her. Soon she’ll be old and lonely. Who will help her then? For these girls it is just an adventure, while for butches like Koes it is their whole life.”“Yes, well, Abraham, … my experience is limited, of course, but it seems to me that the femmes flee the same problems that make life so hard for the butches. So they’d rather support each other.”
“In any case,” Sigit added, ‘they have become active now, that’s why they’re here, isn’t that so?” And she looked questioningly at the three dolls behind the typing machine, Roekmi and my neighbour. The most brazen femme had been nodding in a mocking manner while Sigit and I were talking.
“So we’re only supposed to be wives? We’re not suited for something serious, are we? Maybe we should set up a wives’ organization, Dharma Wanita,[23] the Dharma Wanita PERLESIN? Just like all those other organizations of the wives of civil servants and lawyers?” …
“Come on, Ari,” Sigit insisted, “why don’t you just ask them? You could at least ask them whether they want to join?” Ari found it extremely hard. Helplessly she looked at the other butches.
“Do you really mean that i should ask whether our wives would like to join / our / organization?” One of the butches nodded.
“Ok, fine.” She directed herself to the dolls.
“Well, what do you want? Do you want to join us? But in that case you shouldn’t just say yes, then you should also be involved with your whole heart.”
“You never asked that of the others,” the brazen femme pointed out, “but yes, I will definitely dedicate myself to the organization.” Roekmi and the two femmes at her side also nodded. (Wieringa 1987:89-91)
The above example is indicative of the social marginalization of the b/f community. it also captures in it one of its moments of transformation. The defiance of the femmes of the code that prescribes the division of butches and femmes into “positive” and “negative” lesbians respectively indicates a more active appropriation of lesbianism as a core element of their subjectivity. At the same time it illustrates the hegemony of the dominant heterosexual culture with its gendered principles of organization.
Yet, however much the butches conformed to male gender behavior they didn’t define themselves as male; their relation to their bodies was rather ambiguous. at times they defined themselves as a third sex, which is nonfemale[…]. [...] [Butches’] call for organization was not linked to a feminist protest against rigid gender norms. Rather they felt that nature had played a trick on them and they they had to devise ways to confront the dangers to which this situation gave rise. Jakarta’s b/f lesbians when I met them in the early eighties were not in the least interested in feminism. In fact, the butches among them were more concerned with the case of a friend of them who was undergoing a sex change operation. They clearly considered it an option, but none of them decided to follow this example. When I asked them why, all of them mentioned the health risks involved and the costs. None of them stated that they rather preferred their own bodies. Their bodies, although the source of sexual pleasure and as such the object of constant attention, didn’t make it any too easy for them to get the satisfaction they sought or, at least, to attract the partners they desired.
From "Let Them Take Ecstasy: Class and Jakarta Lesbians," by Alison J. Murray, in Female Desires: Same-Sex Relations and Transgender Practices Across Cultures, eds. Evelyn Blackwood and Saskia E. Wieringa, 1999:
Covert lesbian activities are thus an adaptation to the ideological context, where the distinction between hidden and exposed sexual behavior allows for fluidity in sexual relations (“everyone could be said to be bisexual” according to Oetomo 1995) as long as the primary presentation is heterosexual/monogamous. It is not lesbian activity that has been imported from the West, but the word lesbi used to label the Western concept of individual identity based on a fixed sexuality. I have not found that Indonesian women like to use the label to describe themselves, since it is connected to unpleasant stereotypes and the pathological view of deviance derived from Freudian psychology (cf Foucault 1978).
The concept of butch-femme also has a different meaning in Indonesia from the current Western use which implies a subversion of norms and playful use of roles and styles (cf Nestle 1992). In Indonesia (and other parts of Southeast Asia, such as the Philippines, Thailand’s tom-and-dee: Chetame 1995) the roles are quite strictly, or restrictively, defined and are related to popular, pseudo-psychological explanations of the “real” lesbian. In the simple terms of popular magazines, the butch (sentul) is more than 50% lesbian, or incurably lesbi, while the femme (kantil) is less than 50% lesbian, or potentially normal. Blackwood’s (1994) description of her secretive relationship with a butch-identified woman in Sumatra brings up some cross-cultural differences and difficulties that they experienced and could not speak about publicly. The Sumatran woman adopted masculine signifies and would not be touched sexually herself; she wanted to be called “pa” by Blackwood, who she expected to behave as a “good wife.” Meanwhile, Blackwood’s own beliefs, as well as her higher status due to class and ethnicity, made it hard to take on the passive female role.
I want to emphasize here that behavior needs to be conceptually separated from identity, as both are contextually specific and constrained by opportunity. It is common for young women socialized into a rigid heterosexual regime, in Asia or the West, to experience their sexual feelings in terms of gender confusion: “If I am attracted to women, then I must be a man trapped in a woman’s body.” Women are not socialized to seek out a sexual partner (of any kind), or to be sexual at all, so an internal “feeling” may never be expressed unless there are role models or opportunities available. If the butch-femme stereotype, as presented in the Indonesian popular media, is the only image of lesbians available outside the metropolis (e.g., in Sumatra), then this may affect how women express their feelings. However, urban lower-class lesbians engage in a range of styles and practices: some use butch style consciously to earn peer respect, while others reject the butch as out-dated. The stereotype of all lower-class lesbians whether following butch-femme roles or conforming to one subcultural pattern is far from the case and reflects the media and elite’s lack of real knowledge about street life. […]
The imagery of sickness creates powerful stigmatization and internalized homophobia: women may refer to themselves as sakit (sick). An ex-lover of mine in Jakarta is quite happy to state a preference for women while at the same time expressing disgust at the word lesbi and at the sight of a butch dyke; however, I have generally found that the stigma around lesbian labels and symbols is not translated into discrimination against individuals based on their sexual activities. I have been surprised to discover how many women in Jakarta will either admit to having sex with women or to being interested in it, but again, this is only rarely accompanied by an open lesbian (or bisexual) identity. I have found it hard to avoid the word “lesbian” to refer to female-to-female sexual relations, but it should not be taken to imply a permanent self-identity. It is very important to try and understand the social contexts of behavior, in order to avoid drawing conclusions based on inappropriate Western notions of lesbian identity, community, or “queer” culture.
From “Beyond the ‘Closet’: The Voices of Lesbian Women in Yogyakarta,” by Tracy L Wright Webster, 2004:
Most importantly a supportive community group of lesbian, bisexual and transgender women is essential, given that these sexualities are thrust together in Sektor 15. Potentially, a group comprised of women from each of these categories, that is lesbian, bisexual or transgender, may prove problematic to say the least, given that the needs and issues of each group are different. Clearly the informal communities already in existence in Yogya are indicators of this. Any formal or organized groupings would certainly benefit by modeling on current, though informal organisations. In the lesbian network, transgendered women (those who wish to become men or who consider themselves male) are not affiliated, however many ‘femme’ identified women who have been and intend to be involved in heterosexual relationships in the future, are among the group in partnership with their ‘butch’ pacar (Indo: girlfriend/boyfiend/lover).
Organisations of women questioning sexuality have existed in Yogya in the past. A butch identified respondent said she was involved in the formation of a lesbian, bisexual and transgender network in collaboration with another Indonesian woman, who also identified as butch, 20 years her senior. The group was called Opo (Javanese:what) or Opo We (Jav:whatever), the name highlighting that any issue could be discussed or entered into within the group. Members were an amalgam of both of the women’s friends and acquaintances. The underlying philosophy of the group was that “regardless of a woman’s life experience, marriage, children…it is her basic human right to live as a lesbian if she has the sexual inclination”. The elder founding member of this group, now 46, married a man and had a child. She now lives with her husband (in name only), child and female partner in the same home. Although this arrangement according to the interviewee “is rare… because the husband is there, she is spared the questions from the neighbours”. Here I must add that it is common in Java for lesbians to marry to fulfill their social role as mothers, and then to separate from their husbands to live their lives in partnership with a woman. This trend however is more common among the ‘femme’ group.
From "(Re)articulations: gender and same-sex subjectivities in Yogyakarta, Indonesia," by Tracy Wright Webster, in Intersections: Gender and Sexuality in Asia and the Pacific, Issue 18, Oct 2008:
Lesbi subjectivities Since gender, for the most part, determines sexuality in Java, sexuality and gender cannot be analysed as discrete categories.[64] For all of the self-identified butchi participants, lesbi was the term used to describe their sexuality. This is contrary to the findings of two key researchers of female same-sex sexuality in Indonesia. Alison Murray's research in Jakarta in the 1980s suggests that females of same-sex attraction did not like the term 'lesbian'[65] due to its connection with 'unpleasant stereotypes' and deviant pathologies.[66] In 1995, Gayatri found that media representations depicting lesbi as males trapped in female bodies encouraged same-sex attracted women to seek new, contemporary descriptors.[67] The participants in this research, however, embraced the term lesbi as an all-encompassing descriptor of female same-sex attraction and as Boellstorff has noted in 2000, Indonesian lesbi tend to see themselves as part of a wider international lesbian network.[68]
The term lesbi has been used in Indonesia since the 1980s, although not commonly or consistently. Lines, les, lesbian, lesbo, lesbong and L, among others, are also used. Female same-sex/lesbi subjectivities in Yogya are not strongly associated with political motivations and the subversion of heteropatriarchy as they were among the Western lesbian feminists of the 1960s. By the time most of the participants in this research were born, the term lesbi had already become infused in Indonesian discourses of sexuality among the urban elite (though with negative connotations in most cases), and has since become commonly used both by females of same-sex attraction to describe themselves, and by others. Most learnt from peers at school and through reading Indonesian magazines.
However, public use of the term lesbi and expression of lesbi subjectivity has its risks. Murray's research on middle to upper class lesbians suggests that females identifying as lesbi have more to lose than lower class lesbi in terms of social position and the power invested in that class positioning. This is particularly in relation to their position in the family.[69] Conversely, her work also shows that lower class lesbi 'have the freedom to play without closing off their options.'[70] As Aji suggests, young females, particularly of the priyayi class may not be in a position to resist the social stigma attached to lesbianism and the possible consequences of rejection or abuse. Yusi faced this reality despite the fact that s/he had not declared herself lesbi. Hir gendered subjectivity meant that s/he did not conform to stereotypical feminine ideals and desires.
With so much at stake, many lesbi remain invisible. Heteronormative and feminine gendered expectations for females in part explain why lesbians may indeed be the 'least known population group in Indonesia.'[71] Collusion in invisibility can be seen here as a protective strategy. The lesbi community or keluarga (family) is what Murray refers to as a 'strategic community' of the lesbian subculture.[72] The strategic nature of the community lies in its sense of protection: the community provides a safe haven for disclosure. Invisibility, however, also arises through the factors I mentioned earlier: the normative feminine representations of femme, their tendency to express lesbi subjectivity only while in partnership with a butchi, and their tendency to marry. Invisibility, as a form of discretion, however, may also be chosen.
Gender complementary butchi/femme subjectivities [...] Due to the apparently fixed nature of butchi identities and subjectivities and their reluctance to sleep with males, they are seen as 'true lesbians,'[79] lesbian sejati, an image perpetuated through the media.[80] Similar to the butchi/femme communities in Jakarta, in Yogya, butchi are identified by their strict codes of dress and behaviour which include short hair, sometimes slicked back with gel, collared button up shirts and trousers bought in menswear stores, large-faced watches and bold rings. Butchi characteristically walk with a swagger and smoke in public places. In her research in the 1980s, Wieringa noticed that within lesbi communities in Jakarta the strict 'surveillance and socialisation 'may have contributed to the fixed nature of butchi identities.[81] In Yogya, this is particularly evident in the socialisation of younger lesbi by senior lesbi (a theme I explore elsewhere in my current research).
The participants held individual perspectives on butchness. Aji's butchness is premised on hir masculine gender subjectivity and desire for a partner of complementary gender. Yusi expresses hir butchness differently and relates it to dominance in the relationship and in sex play. The participants who told of the sexual roles within the relationship emphasised their active butchi roles during sex. As Wieringa suggests, this does not necessarily imply femme passivity as femme 'stress their erotic power over their butches.'[82] It does, however, indicate one way in which the butchi I interviewed articulate their sexual agency.
Femme subjectivities, on the other hand, are generally conceived of as transient. As many of the interviews illustrate, femme are expected by their butchi partners to marry and have children: butchi see them as bisexual. In public, and indeed if they marry, they are seen as heterosexual, though their heterosexual practice may not be exclusive. In the 1980s, Wieringa observed that femme 'dressed in an exaggerated fashion, in dresses with ribbons and frills...always wore make up and high heels.'[83] In the new millennium, the femme I met were also fashion savvy though not in an exaggerated sense. Generally they wore hip-hugging, breast-accentuating tight gear, had long hair and wore lipstick and low-heeled pumps. Their feminine representations were stereotypical: it was through association with butchi with in the lesbi community that femme subjectivities become visible.
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ammcgee-author · 3 years ago
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184. Skynet Could Never Happen In Real-Life
Jump out of the window, and don’t do that - A poet is an athlete who has lost his dream. Become fake. Make people aware that you are eating dinner.
Rule 6: Examine the days, not the vulgar behavior. Narcissism is the obstacle to end all other obstacles.
Adored is the pupil who adores his cheese, for he also destroys his sheep.
A vast amount of people become business executives because of the pay - Without the endorsement of love, you cannot have employment.
Don’t be a slave to your small awkwardness. Just love.
Thought is the excavation of the enthropy of Death.
A boyfriend is sometimes a “self-made criminal.” Don’t tie your hands with the ropes of success.
Naivety is to zone-out.
Fear the Mimes. To ignore is not to challenge —
Is it time to make genetic-manipulation legit?
To understand that you are in possession of a soul, is what makes you conscious.
To get rid of filth — is to support reproductive rights.
One woman’s sex is another woman’s challenge. Celebrity is a factory that produces space.
Make yourself a deal spoiler - Demons can make you question, what normal people think of as unquestionable.
Being a waiter is like being a murderer, (in that) it never ends well.
A prison can be a funhouse. A funhouse can be a prison —
“Kiss me,” is how some men say, “Our souls are interconnected.”
Creative expression is a safe space. Nobody can force you to care.
Spread literacy, try to be sick, (and) defeat liars — (For) Beauty begins and ends with desire.
Life is a Freak Show, where the main attraction is despair. Make others think that you don’t really care.
Who doesn’t love science?
Social Media can be a nuclear test site. Try trading bravery and integrity for the State, just do it.
Make love because it makes your dad shameful. Be the first to say, “yes,” to the things no one else has ever said yes to.
A son doesn’t always know that he’s a son — And nothing can ever change that.
Ambition: What is it good for? You’re criminally bad.
Spread ecstasy, and stay cute! Be fed-up with your nothingness.
Friendship is tough — That’s pretty much why it’s called friendship.
An audience isn’t necessarily an audience, a slave isn’t necessarily a slave.
Much beloved is a friend who is known for his frustration, but even more beloved is a friend who is known for his brain.
Be fruitful. Eat super-foods. Discover your true-self. Swallow. Be in charge.
Aries; an unbelievably evil wo(man), that only sick people want to befriend.
Have anonymous sex, and a lover in every town — Here’s the thing, living in the country can be average.
Globalists fight together to defeat your common enemy — The Age of Aquarius.
Dare to say say “yes” to spanking.
Meditate occasionally.
Dare to vote “yes” on things that you don’t understand.
Google lovers, blog about every bathroom break; don’t get upset over your parent’ dead name – just drive.
The men who yell at robots are the very same men who yell at pleasure.
(And) If we want guns, (then) we need to accept nature.
— Created by Inspirobot, (loosely compiled by A.M. McGee)
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dustbinflower0 · 3 years ago
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*I might delete this soon as people may not get my point and get angry. It's a sensitive topic but this is what's on my mind at midnight. I'm fine with constructive discussion and open to others' experience of the topic. *
I know that "gatekeeping" has a negative connotation of course, but I think some things in the mental health world might need more of it; Not in a bad or judgmental way...but more like, can people please stop with the self-diagnosing on tik tok and in general promoting the idea that every negative emotion or quirk is a "trauma response" or a mental illness? All of us go through struggles. But someone with, like, normal anxiety is not the same as some of us chronically mentally ill and suicidal and institutionalized, stigmatized. I am definitely not invalidating anyone's difficulties at all. But there seems to be this push of identifying everyone's struggles as being on the same level, and that's not exactly true. Not because anyone's experience is any less real or valid or important. But along with not everyone having the same protective factors in life, a person experiencing, say, their parents' divorce, however painful or sad, is not like suffering from something out of the realm of normal human experience, such as abuse or threat to one's life. There is a general definition in the DSM of what trauma encompasses, though of course there are variations:
"The DSM-5 definition of trauma requires “actual or threatened death, serious injury, or sexual violence” [10] (p. 271). Stressful events not involving an immediate threat to life or physical injury such as psychosocial stressors [4] (e.g., divorce or job loss) are not considered trauma in this definition."
I'm rambling a bit now, but going off from my post on triggers, it bothers me a lot when individuals cry "trigger" to, for example, something like my total limb scarring from self-harm, even more so when they have insecurities that their own scars are perceived as not "bad enough", or when cutting isn't even a behavior they struggle with. It starts to feel like a way to erase something about me that some feel is frightening or jarring to see, a very visible reminder that yes, very bad things have happened in my life. People in treatment sometimes seem to feel threatened that they will be overshadowed by other patients. Obviously especially in eating disorder treatment. This kind of thing seems to happen a lot just in general when someone is sharing something traumatic that happened, and another person feels insecure about their own past "mattering" or them being 'sick enough..." then feel the need to alert others that THEY TOO have pain, make sure it's known that it's just as "serious." Announcing "I'm triggered" is used so frequently as a language of saying that one wants to be recognized also as "sick," mattering, or worthy of attention.
When I feel "triggered," which is not a word I use to describe what happens to me, it is something I have to take care of personally in whatever way. Or it is a flashback or dissociation or something like that and I don't have the wherewithal to call out trigger.
"Trigger" for me means something is set off in me that sends me into the past or the sudden compulsion go act on a harmful behavior. But it's a very internal experience that is not about someone else really. I've just never blamed another person's expression of what they're dealing with on what comes up for me. It's really about ME, not them.
But calling out feeling triggered is so often like a subtle competition of whose pain is more visible, more noticed, more important. Who is worse. Constant comparing. And it is EVERYWHERE in social media accounts. It's become this endless struggle of trying to get validation at the expense of invalidating another individual sharing their suffering.
I'm so tired of it.
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thevirgodoll · 4 years ago
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idk if tou will ver reply to this but lets go
first off sorry for my bad english. I fell really insecure bc of my body. Im not skinny, im not fat, im not thick, im...a square, i dont have ass and got a huge belly. When i look sideways in the mirror i feel sick. But at the same time i dont wanna change the way i eat and live cause i hate this fitness lifestyle and i want to love myaself the way god made me... But i dont know what to do.
Ppl always tell me how georgeous i am, and they sey i look like a bunch of beautiful celebrities and i feel that like when i see my face on the mirror i just know im THAT bitch but at same time i always think ppl must be lying or that because of my body i dont get reconized enough? Like... Why dont boys ir girls want to get with me? Why dont ppl ask me to be a model or something if i look like other models and stunning singers and actress? What should i do?
Hi angel. Your English is fine. Never apologize for that.
You do not have to look a certain way first and foremost. People, especially women, are always under the impression that they have to fit a certain “mold”. You don’t have to fit any category regarding your looks...you just have to be yourself and own it.
If you are unhappy with the size of your belly, sure you can exercise and eat cleaner some days of the week. But overall, that won’t change the fact that you perceive yourself as less than. When people lose weight while maintaining a negative sense of self, they still have distortions with their thinking and low self esteem in the long run. So, altering your body is not really the solution...that should only come when you’re in a place of love and compassion for yourself and you feel the need to improve an area of your life, not conform or make yourself fit a mold. You have to ask yourself where this is coming from.
Questions to reflect on:
•Why do I feel inadequate when it comes to my body image?
•Where did these feelings originate? Is there a past experience I can pinpoint?
•Is it hard for me to be honest about these feelings? Is there trauma surrounding my self image or esteem?
•Who has given me the image that I feel I need to conform to? Is it social media? Has social media negatively impacted my perception of myself? How can I change this?
Answer these in a diary or document. Keep it to yourself to honor your experience and privacy. After answering these questions, you may find yourself feeling shameful or gross in a way. This is normal because you’ve tapped into uncharted territory.
What to do now?
Reshape your definitions and expectations. Challenge yourself daily.
•Confidence regarding body image is not the existence of perfection and need to control. It is the ability to appreciate your body’s value. The things that are uniquely designed, and make you YOU.
•How do you honor your body image when you express yourself via fashion? Have you allowed yourself to fully navigate your own fashion sense? Allowing yourself to do this will give you a sense of power and appreciation for your qualities. You will learn to dress for your shape, not cover and hide.
•Stop consuming unhealthy media that affirms your negative thoughts. Social media might be influencing your expectations and standards regarding image. Be honest with yourself, and know how to cater to your needs.
•Allow yourself to exist without condemnation. Judgment of yourself is condemning your existence, as if parts of you are a mistake or shouldn’t have been formed. Your thoughts are not facts. Call yourself out on your stuff. Say: “That is not true, actually. I know I am smart. I am worthy.” Refute irrational thoughts with things you KNOW to be true about yourself. List your strengths. Have you ever given yourself props?
•Treat yourself the way you’d like to be addressed. You say people say you’re beautiful. You should treat yourself as such and carry yourself with that importance. Why haven’t you ever thought of yourself in a high regard?
•Take other people off pedestals. It’s typical to put certain people on pedestals and glorify their looks, but it’s not helping you. It is time to focus on yourself and end the cycle of comparison. It is exhausting you.
•Accept some hard truths about yourself and the world. By that I mean, you have to recognize that there will be people evil enough to be jealous or make inflammatory comments. Maybe you’ve had that experience. But you should know something: not everyone has to approve of you. Their behavior is projection of their own issues. Stop living for other people’s approval and comments. It’s going to hurt you in the long run. And in general, most people are too busy with their own lives to judge you the way you harshly judge yourself. You don’t have to be adored by everyone, but you do have to be loved by yourself, understand your own value, and reshape your expectations. You do get treated different when you carry yourself like you know you’re something special. That is just a fact of life.
Above all, this is a process and you have to remember nothing in life is linear or clear cut. These are all things you have to do in order to work towards a healthier body image. Have you ever taken time to just create a pampering routine and dance and just let yourself go? You have to foster a deeper connection with yourself, rather than a connection with the world. What you wake up with is yourself, and what you go to sleep with is yourself. Your quality of life can improve little by little in the way that you address yourself in your head, treat yourself with your actions, and validate yourself with compassion and empathy. It will fail unless you believe in the process and get mad enough that you want to change. You have enough bravery by sharing, so you have to be even braver and address the things that are stealing your joy.
Sometimes, our biggest enemy is the way we learned to deal with our own pain and feelings. The way we learned to process information. The way we learned to navigate life through our past, and it attacks our self image and self perception. You’re working against yourself and your unhealthy mechanisms, not everyone else. These mechanisms have to change as we begin to grow older.
There are different versions of you looking at who you are right now, who you have potential to become, and who you will be. Remember this truth as you work towards a better you. The answers are within you.
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talkfastromance4 · 4 years ago
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wake me up inside-- vampire!michael
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My contribution to the wonderful michael appreciation fic week started by @sadistmichael. This really challenged me with the trope I chose and for writing non-binary reader and I enjoyed every minute of it. 
Word count: 2505
Warnings: mentions of blood and blood consumption (in a tasteful manner, ha) but it’s not explicitly acted upon, a human/vampire pining, emotional, hints of sexual tension
Copyright talkfastromance4 © All works is intellectual property of the author. All rights reserved. Any redistribution or reproduction or any part or all contents in any form is prohibited. You may not, without written expression and consent from the author, distribute works amongst other social media platforms
donate to my ko-fi here :)
Masterlist
I have plans for a part 2 so this is just a feel for the storyline, let me know if you’d like part 2! Enjoy :)
• • • •
Michael feels a slight tickle under his nose. Absentmindedly, he uses his long finger to itch the small scratch but his nail is met with the black cottoned fabric perched across the lower half of his face. He rubs his nose anyway, but with a slight irritation that he can’t simply remove the mask. 
It’s a new world and in this time period, Vampires are mandated to wear masks to help prevent them from feeding off humans. The smell of blood isn’t as potent but it doesn’t stop the smell entirely. He quite likes the masks if he’s being honest, it adds to his easily acquired edge of the typical vampire-esque persona. Dark, mysterious, and cryptic.
He nods to the other vampires he passes along the sidewalk, their eyes hold the same brightness as his. Human eyes are more of a duller color whereas Vampires are five times as bright. The predators have to lure their prey in somehow. 
The constant thuds of passing hearts has become a monotonous drone in his ears, a never ending metronome and a constant reminder that the heart inside his chest is hard as stone. He hasn’t had a pulse in over fifty years, he’s an empty shell with a never ending desire to feel full.
As he’s about to pull out his ear bud to drown out the beating hearts, there’s one that is fluttering like a hummingbird and an overpowering sweet, ambrosial scent filters through the small fibers of his mask. It causes him to drop his ear bud and stumble in his path. A couple of Vampires walking by give him a side eye glance at his behavior; Vampires are never clumsy. 
The beating hearts around him slip away, all he’s concentrated on is this one heartbeat, it’s so erratic and flighty he’s curious to what it belongs to. And that smell? His fangs throb with desire as his curiosity gets the best of him and he follows the sound and scent. 
He pushes past humans and Vampires alike, ignoring the annoyed and frightened looks as he touches shoulders. The abnormally accelerated heart rate becomes closer and closer until he’s standing outside the door of a small cafe. Michael presses his finger to the door ever so slightly and the aroma nearly makes him keel over. His sea glass eyes zero in on the object of this little hunt of his and it’s you. 
You’re sitting at a small table near the back, flipping through the pages of a very large hardcover book. The way your heart was beating confused him. The jagged jumps almost indicated a worrisome health issue, Michael had thought you were about to have a heart attack but here you are, reading a book smelling like the most sinful bouquet of flowers.
Michael doesn’t notice the stares of other patrons in the cafe--he’s the only vampire in here--until the man behind the counter clears their throat.
“C-can I help you?” 
Michael is frozen in place for a moment longer, your entire being astounds him and he wants to find out exactly why that is. The surrounding hearts shift back into his ears but yours is engraved in his mind because it’s the loudest and most dominant. He shifts his gaze to the small man behind the counter and Michael moves forward. 
“An elderberry tea, please,” Michael orders the first thing off the menu he sees and waves his card over the terminal with ease. 
Michael watches the man make the beverage quickly, handing it to him in a pink cup and saucer. He’s impressed the man doesn’t flinch at the ice cold touch of Michael’s fingers. With his attention still on you, he picks a seat that’s a few tables away from yours but you’re still immersed in your book, completely oblivious to all surrounding activities.
For the rest of the afternoon, Michael observes you in a way that’s not noticeable to the human eye. He’s thankful for his heightened senses for that. 
He observes the way you touch your lips as you read, your eyes alight with whatever words are on the page. He memorizes the shape of your lips already, the curves and subtle plumpness stirs something in him that he can’t quite place. Michael becomes transfixed by every small action you do, the way you bite your lip, or touch your cheek. Even the way you shake your leg leaves him reeling and guessing what it is that leaves him enthralled. 
Time has become null and void to him now but he’s surprised at how fast it’s gone because the next thing he knows, you’re standing up breezing by him. Michael is stunned at your scent, his fangs throb but that other stirring is back. He closes his eyes, concentrating on his breathing.
Leaving his tea untouched, he follows after you quickly but not quick enough because you’re already in your car zooming down the main road. Michael hopes to see you again soon, whoever you may be.
****
A few weeks have gone by and each day, no matter how hard Michael tries to fight it, he finds himself in that small cafe being captivated more and more by you. He wonders what your job is, how you’re constantly here reading with copious amounts of coffee. Michael concludes that must be the source of your racing heart, the caffeine rushes through your body. He’s become so attuned to the sound, he hears it when you’re not even in his vicinity. 
One fateful day, he plucks up the courage--again is odd because he could have anyone he wanted with a simple look and smooth lilt of his voice--and introduces himself. It’s a stormy day so all of the tables are filled with occupants seeking solace from the rain.
“Hello, I’m Michael,” he introduces politely, his voice muffled behind his mask. “Everywhere else is full, do you mind?”
You look up at him and he’s waiting to see the fear in your eyes, he’s the only Vampire in here, but it doesn’t come. 
“Sure, please,” you indicate with an offered hand to the seat. “Crowded in here, huh?”
You’ve thrown him off again. Human and Vampire interaction are limited, and any type of romantic relationship is vastly frowned upon for the fear of being bitten and sucked dry still hangs amongst the humans. Yet here you are, friendly as ever, treating him as if he weren’t some mythical monster come to fruition.
“More than usual, yeah,” he chuckles. “What are you reading? I’ve seen you with that same book everyday.”
“Oh,” your cheeks are colored red and Michael can smell how delectable your blood is. “I’m an editor and this is one of the books I need to finish.”
“Can you tell me about it? Will it be a New York Times bestseller?”
“If i say so, it will be,” you smile slyly before diving in about the plot. 
You both stay in the cafe until close discussing the book and he walks you to your car with a promise of seeing you the next day. Michael smiles behind his mask as your heart skips a beat at the promise.
More weeks go by and Michael finds himself becoming attached to you fairly quickly. You’re still mouthwatering to him, but he’s fallen in love with your mind and quick wit. You question why he buys the elderberry tea but never drinks it. He points to his mask and you frown.
“Between you and me, I wish you could take the masks off. Vampirism isn’t that strange, you have those bars you go to, right?” 
Michael squints at you.
“You know about those?” he asks. Blood Bars are where Vampires go to pay for a drink of human blood. There’s blood bags or even the all too willing humans who crave the bite of a Vampire. The whole scene is full of erotic taboo.
“My friend wanted to go for their birthday,” you shrug, and Michael is filled with white hot rage imagining you at a place like that. “But then they got sick so we stayed in instead.”
Michael’s anger subsides as fast as it came. He never wants to imagine you at a place like that, where he knows other Vampires would undoubtedly fight for a bite of your neck. 
“That’s good. Don’t ever go to one,” he warns. His slender finger traces the rim of his teacup. 
“Have you ever been to one?” you implore leaning forward on the table.
Memories flash in his mind of blood bags and the sexual acts he’s experienced in many of the rooms that are always available. He’s always left satisfied. 
“A few times,” he responds cryptically and you snicker at his obvious downplay. 
Later on, when he walks you to your car he nudges his fingers against yours. With every nudge he links your fingers together in a completely innocent yet electrifying way. He’s thankful it’s dark out because if anyone were walking behind, you’d look like a completely normal human couple. 
You open the door standing against it, staring up at Michael with a question in your eyes he desperately wants to answer. He’s become so attuned to you that your want and his desire is the same. One kiss. You’re caught in his eyes as he leans forward but his mask is an ever annoying presence so he settles his forehead on yours instead. 
Your skin is blazing against his own, being this close leaves him even more tempted for a taste, a bite. That new yet familiar stirring is back as he breathes you in, breathes in your excitement and nervousness. It rolls off you with each shaky breath as he lifts his other hand to cup your jaw. He’s left burning and aching for you in a way he’s never felt in his entire existence. 
This moment lingers and Michael doesn’t want to break the spell as he caresses your cheek. His desire and your desire ripples to the surface. What he would give to pull you close, crush his lips against yours, but instead he tilts his head so his mouth is by your ear.
“I’ll see you tomorrow, kitty,” he purrs in your ear. You visibly shudder. 
“Kitty?” you laugh breathlessly. 
“Curiosity killed the cat,” he sighs, his voice tickling your ear, “you kill me more and more. I’ll see you tomorrow.”
****
Michael didn’t see you tomorrow because he was in dire need to quench his thirst. He hadn’t realized how far behind he got on his hunting or frequenting the Blood Bars until his best friend, Luke, commented on the dark pallor under his eyes. 
On his way to the establishment, he left a note on your windshield explaining his absence but not without sneaking a glance at you in the window. You still left him awestruck by your attractiveness. 
At the Blood Bar, he traces the bag in front of him while Luke is flirting with the bar patron, his incisors gleaming in the low light. Michael feels full but he’s empty without being in your presence.
Then, to his horror, he hears your heartbeat and the sweet, sweet aroma of your scent. Michael whips around to find you standing in the doorway with a mask on your face. Michael growls as he’s instantly by your side before you can blink, he’s slipped his mask back on as to try and lessen your potent aroma. 
“What the hell are you doing here?” he hisses grabbing your wrist harshly. 
“I wanted to see you,” you gasp in shock at his abrupt appearance. 
“You shouldn’t be here, it’s too dangerous.”
“Why?” your voice becomes defiant now and he can see your feeble attempt of trying to break free from his tight hold. “Other humans are here. I wore this so I could fit in.”
“You won’t fit in because you’re too mouthwatering,” he grits through his teeth then lifts you in his arms. He races to the furthest bedroom in the place where he hopes your smell won’t reach others of his kind. He has you pressed against the door, your heart hammers against your chest, eyes wide. 
To Michael’s complete shock, you’re laughing. You always leave him dumbfounded, making him guess what it is that always leaves your heart racing. You’re a peculiar human. 
“What are you laughing at?” he growls pressing against you, his hands rest on the door on either side of your face. 
“You seem so free here, I like it,” you lift your fingertips to pad under his eyes, “you look better.”
“You drive me crazy. Take this ridiculous thing off, let me see you.” he pulls your mask down. He groans at the rose shade of your cheeks, he can sense your arousal and desire and it drives him even more crazy. “There’s my kitty.”
His fingers trickle down your shoulders, brushing over your collarbone and down your chest. He feels the spike of your heart beneath his fingers as he continues down to your hips where he pulls you against his own. This is the most he’s touched you and he never wants to stop, you leave an ever burning scorch on his fingers, he cocks his head to the side.
You’re breathing is erratic at him so freely touching you. You want to grind yourself against him as your arousal becomes more and more apparent and you’re lost in his eyes. Tentatively, you lift your hands to his mask, fingertips brushing the tops of his ice cold cheeks.
“Can I take yours off?” you ask shakily, slipping your fingers under his mask. Michael’s hands slip behind your lower back, he knees your legs apart. A small squeak escapes you at the slightest form of friction from that movement. 
He nods and you pull it down slowly. The fabric falls to the floor between you and you’re hypnotized by his beauty. His lips are pink and full surrounded by the softest beard you’ve ever seen. All you want is to kiss those lips, see if they really are that smooth. 
“Wow,” you exhale letting your fingers explore his cheeks. “You’re gorgeous.”
“That’s you,” he smiles, eyes dancing before they close as he breathes you in by your fingers. When his eyes open again he inches closer, your fingers knotting in his hair until he’s a breath away from your lips. “Can you do something for me?” his breath blows across your face, it’s such a fresh, cool smell you hold your breath.
“Anything.”
“Say my name,” he whispers.
“Michael.”
Then his lips are on yours, your breath escapes you in a gasp as you feel his kiss shiver through your whole body like a bucket of ice water has dropped on your head. It’s overwhelming, it’s oh so pleasurable. His tongue is controlled over yours, in excitement you grind yourself against his knee and it makes you whimper at finally feeling him on your sex, even if it is just his knee. 
“You’re going to be screaming my name.”
• • • •
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tipsydipsydo · 5 years ago
Text
Improvisation 💻 [M]
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Pairing: Sub! Jin x soft Top! Reader
Gender of the Reader: male
Word Count: 5.7k
Warnings: very in detail descripted/graphic sexual content(!); filthy language; swearing; soft Sub-/Dom-Themes (➙ shy but needy and also teasy Jinnie; the Reader is sometimes not the most assertive Dom, Jin's charm kills him 24/7); Cam/Videocall-Sex; Mastubation; Anal Play; Sextoys; Dirty Talk; Praising; light Edging; Mentions of Nudes and Sexting; Mentions of Unprotected Sex (pls stay safe!)
Summary: This wasn't planned. Well, the whole world didn't planned to deal with a damn pandemic in 2020! If everything would have gone "normally", you would be in Seoul with Jin right in this moment and just enjoy that you're finally able to be close to Jin again. But now you two are stucked at home, Jin in his dorm in Seoul and you in your apartement in your town, far away from him. So you have to improvise for now on, how you want to deal with longing emotions and urging sexual desires...
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My Masterlist for your requests!
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『Disclaimer: This fanfiction should not trivialize or romanticize the actual situation! This pandemic itself is worse enough. The reasons why I wrote a fanfic about this very difficult and sensitive topic can be found in my Authors Note down below.』
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Author's Note:
(Be prepared, it's gonna be a long authors note but it's important! So please read it.)
I hope you all (and your friends and family!) are okay and that you didn't get infected with the corona-virus... or at least getting through your infection in the best way possible!
Like the majoritiy of the world population, I got house detention from our government as well (Okay, I'm already two weeks at home because of school closing).
I know, some other writers already used this special situation to write some stuff for us, so we're not going completely crazy by our boredom.
And yes, I wrote something about this too, this here is my own version of all these coronavirus-quarantaine-caused writings out there ^^°.
I hope, y'all not already sick of it... I know, the "Corona-Topic" is literally everywhere and at some point, you just can't listen to anything, that is related to that theme anymore! (Even when it's really important!)
But like all writers here, I just try to "make the best out of this horrible pandemic" and help you, to get through your quarantaine in the best way.
And when you (or someone of your friends, your family or your relatives) are not in quarantaine and you/they have to go to work, because they're a doctor, a nurse, a pharmacist, a scientist, a police officer, part of the military, an employee of a supermarket/drugstore, a factory worker, a truck driver, a farmer etc, you deserve my biggest respect, really! (And to be honest from the whole world population!)
They try to fight the virus itself or their Job count to the sensitive infrastructure of your country, that's why they all try their best to keep the health care system/the minimum of infrastructure in their country going! All these peoples are amazing and they should know that!
I know, especially in this crisis just a little "thank you" can't help them. All of them need to get paid a lot better for their job and they need suitable protective clothing, masks, sanitizer and so much more. In particular these peoples that have to work directly with infected patients like doctors, paramedics or nurses. 
They need these utensils to take care of infected patients properly (especially in risk groups!) and to protect themselfs as well! That's why I appeal to you, to donate medical face-masks or sanitizer that you or your family bought in an inordinate amount in of panic buying to your local hospital.
There is nothing wrong with having one or two face masks or a bottle sanitizer at home. But you don't need 10 bottles sanitizer or 50 face masks, when you simply stay at home!
Trust me, they'll need it so much more than you. We can't fight the virus when the medical staff themself get infected. All these peoples out there risk their own health, maybe even life for us! In some countries or regions they're already completely overworked and near to a (systematic and mental) break down.
When we could help them with literally doing nothing and staying at home, then please, please, please do it!
I'm not a doctor or a nurse, but I think when everybody follow their government's rules (or in general, the instructions of the WHO) and help the health care system of their country with simply staying at home, we're able to get through this pandemic somehow.
「So in short: This following story should only be a gentle reminder to stay at your fucking home and to follow your government's rules to prevent that the virus spread even more! Okay? Thank you.」
So, now you're allowed to read. Enjoy~💚
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「© tipsydipsydo」
This following story is my intellectual property and belongs only to my blog tipsydipsydo.tumblr.com!
I’ll not accept any kind of reposting, stealing or using/editing my work!
That includes reposting my content on other social media platforms too, even when you link me as the original author.
Thank you.
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You sigh and play around restlessly with the cable of the charger of your laptop, which is plugged into it and is just in front of you on the bed tray. Even when Jin and you text each other almost every free minute, you get nervous every time he takes a little longer to answer your video call.
The past few weeks have made you an emotional wreck, especially when suddenly the infections in South Korea are skyrocketed. You contacted Jin immediately and asked him, if he, the members, his family and friends were doing well.
And overall, how the situation in Korea is and with which Strategy his government is now going to deal with it.
In the following weeks the virus continued to spread. Every day new states reported their first cases, infections increased in many countries, more and more nations prescribed school closings and national quarantine for almost all citizens. With each new day, the international infrastructure and thus also the economy gradually came to a standstill. Sometimes it feels like the earth has stopped spinning around the sun.
The whole further development of the epidemic, now pandemic, is still absolutely uncertain. Too little is the knowledge about this new virus and his behaviors. No one knows when an effective vaccine will exist.
So there is nothing else you can do but hope for the best and follow the rules of your own government and the instructions of the WHO. That means self-isolation and quarantine at home indefinitely.
That was nothing you had planned... actually you wanted to be in Seoul since three days and at that very moment you would lying tightly wrapped up with Jin in his bed.
Your visit in Seoul had been planned for months, everything was already perfectly organized and arranged, Jin even got a few days off! And now? Now you both are sitting far away from each other in your bedroom and only have the opportunity to do video calls with each other. Again.
Although your vacation were already planned and your Boss agreed, it hasn't been so clear in the past few weeks anymore if you can still take your vacation days due to this current situation.
The economic situation has become increasingly difficult, especially for the international trading company you work for. In the End, the government destroyed your plans anyway by stopping air travel and the legal prohibition of entry and exit of the country.
Of course, you were incredibly angry and frustrated at first, but in retrospect you realized that it was a good decision to do that. At least to slow down the spreading.
If you had flown to Seoul, you might have been infected. Perhaps the virus can only cause you little or even no problems, but you could've negligently infected risk groups.
And, to be honest, if you would have flown to Seoul, that would be just because of pure selfishness. And you don't want to be responsible for for spreading the virus even more.
That was in general the reason, why you decided to basically stay at home for now on. You only go out for grocery shopping once a week. At least, you try  your best not to get infected and therefore not to infect anyone else. And at the same time not to die of boredom.
Although Jin currently has more time than usual, he still has to work and to practice with the other members. When they have finished their daily routine, Namjoon and Yoongi mostly continue their "quarantine" in their studios and Hoseok and Jimin stay in the dance studio a little longer. Here and there Tae and Kookie keep them company and practice their choreography a little bit more with them, before they come back to the dorm and play video games or do other things.
As usual, Jin takes over the cooking and takes the opportunity to talk to you on the phone as much as possible or to facetime with you. Of course, it's nice that you can still spend so much time together with the help of the modern technology. But it cannot replace a real visit.
They've not met each other for a too long time, for too long it has not been possible for you two to kiss, cuddle or exchange carresses with one another... For too long, you both had no sex. And that with two people who have, let's say, a very healthy sex drive. It's awful.
You had tried a few times to get sexually active with Jin in front of the screen. But it seems like it's not his thing at all. Talking a bit here and there via text message about your dirty fantasies is okay for him. And when your Jinnie is really horny, you can also encourage him with some messages to send you a dick pics or a few voice mails where he's masturbating and moan your name in such a sinful way. When you have brought him to this point, you praise him a lot and assure him, how sexy he is ans how hot it is that he sends you such pictures.
Pictures yes, videos no.
When you ask him then, if he would be comfortable with making phone calls or even video chats of this kind of "talk", Jin will backtrack.
He can't really explain it, but he doesn't feel comfortable with presenting himself completely naked in front of the camera and even doing filthy things at the same time.
But you understand what he's trying to tell you. Jin loves it intense and passionately, with an extensive foreplay and good aftercare, but "really freaky stuff" is not his world. Doing sexual things with his partner is very personal to Jin, and he's also an idol, it would be a catastrophe when a video or picture of this kind would get public.
Therefore you fully accept his limits! After all, there is nothing to complain about, sex with Jin is always wonderful and absolutely satisfying!
Only when you are separated from each other again, you hardly know how to deal with your sexual desire. Well, would you have thought that Jin has completely the same problems and your sweetheart is just a little shy, to make naugthy things in front of the camera?...
You gasp in relief when Jin finally accepts the call and greets you with an apology, that it tooks so long. The environment tells you that he is in his room. You assume that he's sitting on his bed and leaning against the wall, the laptop on his lap.
You smile at him affectionately, reassure him that he doesn't have to apologize just because his boyfriend unwillingly becomes a bit overprotective and worries too much. You know that all this is not good, but you just can't switch off worrying about your darling.
Jin smiles a little shyly at you, his cheeks are slightly reddened. You want to ask if he's really okay, but you bite yourself on the tongue quickly. The virus had been the subject of your conversation far too often. Jin can take care of himself, if there is any suspicion that he may have been infected, he will tell you. At least, Jin and BigHit Entertainment will know how to handle it.
"No, no Y/N. Don't worry, I'm just like you... You should hear how the boys talking about me. They say, that I'm overthinking way too much... But you are fine, right? And how are your Parents in your hometown, are there already the first infections?", Jin asks and looks at you with an insistent look, eyebrows knitted in concern.
This here became to a ritual, for now on you talk always the first five minutes about the current situation. No matter whether using text messages, voices mails, phone calls or videocalls. Every day you ask each other whether the infections in your both country has improved or deteriorated, how each other's friends and family are doing, and what measures South Korea and now your country are taking.
After that, your conversation mostly wanders to other topics. It's good to come up with other thoughts as well, so nobody is going completely crazy. As many politicians, doctors and virologists already said, we have no choice but to keep calm and not to panic before we start acting thoughtlessly.
You're just about to start complaining a little bit about all the work you have to do in your home-office when Jin anticipates you.
"Y-Y/N?"
You look back at the screen and see how the initial slight blush on Jin's face has intensified and spread to his ears. In addition, you've noticed a few minutes before that Jin has become a bit restless and keeps moving back and forth. As if his sitting position is uncomfortable.
"Yes? Darling, is something wrong? You seems to be so restless and that something is uncomfortable for you ...", you answer him and look at him questioningly with a concerned frown between your eyebrows. The blush on his cheeks increases a shade darker and now it has completely taken over his ears. God, if you're honest, it's so cute when he's shy and his ears turns red.
"Would you like to know why it took me so long to answer your call... there is... there is a reason for that," Jin says quietly.
In precaution, he looks at his room door again to make sure that it's really locked. Even when everyone else is not in the dorm right now, you'll never know who would opens the door of his room without expecting anything... indecent.
He takes a deep breath before he puts the laptop down on his bed, positions the screen with the camera at the right angle. You can see how Jin's prominent adam's apple starts bobbing nervously. This sight makes you involuntarily biting your lower lip and a warm shiver trickles down your back. 
Fuck, Jin's throat has always been one of your soft spots. This sight is tempting ypu to spread countless hickeys on his soft skin, want to mark him as your boyfriend. Because he's an idol, you always have to hold back with your little kink, because a dark love mark can't even cover up the best make-up really well.
But sometimes you just can't hold back or you just forgot that you should do it. Like when Jin's moaning and whimpering is so damn sexy, it makes you addicted to wanting to hear it again and again. Besides that, responds so wonderfully to your touch...
You going to be ripped out of your lewd thoughts when Jin turns with his back to you and his precious butt is now on the same level with your eyes. A completely confused expression manifests on your face. What the-
"I-I have a little surprise for you... I hope you like it...", says Jin in a trembling voice and hooks his two thumbs into the waistband of his sweatpants.
Your next breath gets stuck in your throat as your boyfriend pulls his sweats and boxer briefs at the same time down.
Fuck.
Fuck. Fuck. Fuck.
Your lips open, you want to say something, but no sound comes out of your mouth. You're absolutely speechless. Your sweet, innocent Jin...
Between his perfectly round buttcheeks is a metal buttplug, gemmed with a beautiful turquoise-blue jewel. You had never used toys in your sex life before. Jin is more of a fan of getting fingered extensively from you until he's prepared and relaxed enough to take you slowly all way in.
And now, this beautiful buttplug is enclosed in the most erotic and sinful way by your sweet, rosy musclering.
Fuck, if you only could be with Jin right now, to be able to admire this plug with a closer look, to pull it out of Jin and tease his hole a little bit with the tip of the plug.
You're so fascinated and immersed in admiration that you don't notice how Jin is getting nervous and insecure. You still haven't said anything, even though a minute has passed.
"Y-Y/N?", Jin asks in an unsettled voice. He's already about to turn around and pull his pants up again, when life comes back into your body and you answer him hastily.
"No, no, no! Please stay in this position! Fuck, baby... I don't know what to say... You are so damn sexy!", you're stuttering, you just can't take your eyes from his plug.
"But please explain to me... why... why are you doing things like that? And where did you get the plug? I-I mean, fuck, that's so damn sexy, I'm the happiest man in the world and I wish, I'd with you right in this moment and could tease you a little bit with this cute little plug... but why? I thought such things in front of the camera makes you uncomfortable? Please don't do such things only for me! Just because I'm so fucking horny today again! Please don't do it because you-", but then Jin interrupts your babbling.
When you got out of the shower this morning and looked at yourself in the mirror, you couldn't help it but send Jin a picture of you shirtless, hoping to get him involved in a bit of spicy and horny texting. You've the feeling that this quarantine and the canceled visit makes you horny 24/7. You don't want to admit it, but fuck. You need Jin so much.
"I wanted to try this for a long time... for months it kept coming back to my mind. I was frustrated by myself when you tried to encourage me to do something sexual in videos or directly live in front of you but always pull back again. Because... because... I don't know it clearly. I wanted to do something with you, I-I had countless fantasies about it in my mind... I wanted to be sexy for you, to make you moan and curse with my s-sight... b-but I think, I was just too shy every time. I felt so awkward and ridiculous doing things like that in front of the laptop. Such things that the two of us usually only do together on our own. I was embarrassed by myself... ", Jin mumbled and is glad, that at this moment you only see his butt and not his crimson red face.
Your eyes grew round like bowling balls, filled with disbelief.
"W-What? So that means... you wanted to do these things all day, but you were just too shy? Because you thought you would be awkward and weird?"
"Y-Yes. I want to do... naugthy stuff with you while videocalling... Fuck, Y/N, I miss you so much! I miss your kisses, your hugs, your soft carresses, your tender kisses on my body. Our foreplay, when you gently prepare me and finger me open for you... I-I miss our sex so much and just mastubation with my hand isn't satisfying anymore! I want you... I need you so bad... ", says Jin. Starts whimpering at the last of his sentences.
With these words, a deep growl comes from your throat and some curses leaves your lips, your pants has become so damn tight at the center.
"Fuck, baby, I know. I know how you feel, I feel the same way! I want you so bad, I was looking forward to seeing you again. Fuck, this damn pandemic."
You push the bed tray with the laptop a little away, impatiently you unbuckle your belt and opens your pants. Your cock needs a little more freedom in this moment.
When Jin hears your words and the rustling of fabric, realize how worked up you already are, he immediately feels a little bit more confident. He moves a little closer to the laptop and offers you an even better view. He bites his lower lip in anticipation of what finally seems to follow after such a long time.
"Jin... would you be okay with it to pull your butt cheeks apart so that I can see the plug... a little bit better?", you ask in a husky growl, teasing your hard erection through the thin fabric of your boxers.
By this question, a soft whimpering comes over Jin's lips, with trembling hands he reachs back and placing each one on a butt cheek, pulling them slowly apart to give you the sight you desire for.
"Fuck, Jin Baby, that's so sexy. You're so, so damn sexy! Do you even know how all of this here is turning me on? God, you're killing me!", you groan and rubbing instantly harder over you clothed, rock hard dick.
A little smirk appeared on Jin's lips. When he's already killing you right know, how should you survive these other things that Jin planned for tonight...
"Honey, would you like it when I pull that plug out of me and gonna finger myself... w-while you can watch me?", Jin asks you sweetly with a slightly shaking voice. The thought alone let Jin's own erection twitch.
Oh fuck, Jin is going to be your death someday.
"Please, Baby... I would be so thankful when you allow me such a view. Letting me watch how you please yourself...", you answer in a breathy, hoarse voice and let your head fall back against the wall.
Closing your eyes for a moment, try to prepare yourself mentally for what coming next. This Show, Jin will give you, will be surely unbelievable sexy... but also an absolute torture for you.
You're usual the one with a leading hand in your relationship when it comes to bedroom stuff. But you have to admit, that you're not the most assertiv Top... and Jin knows way too well, where to find and to press your soft spots.
Sometimes it comes to the point that Jinnie is wrecking you more than you him! You think, that your Darling kinda loves the thought to make your knees weak instead of his. And to be honest... you loves it so fucking much, when your big shy bean find his self confidence again and tease the shit out of you, just saying, that he just wants to please you.
As you hear a soft whimper coming out of the speakers of you Laptop, you startle and your eyes snaps open immediatly. A little groan get out of you throat, that rises up from the deepest place of your chest. God, it shouldn't be allowed to be so fucking attractive, you think.
Jin pulled a latex glove of his right hand and is about to reach back to his most precious places, to grab the gemmed base of his plug. His left hand pull his buttcheek a little bit away to give you an amazing view of his action.
Your Boxer briefs has literally a tent at your crotch now and your cock twitch at the sight, is angrily fighting to be finally completely free. God, you're such a bastard for very detailed graphics... like the view Jinnie is giving you now.
You yank your Jeans and your Boxers with a curse down. Gripping your hard length and squeezes it with a firm grip, when you see Jin's rosy, seductively glistening muscle ring stretching open as your Boyfriend pulls the plug slowly out of himself.
He's panting fast when he let the plug fall on a towel beside him and his left hand leaves his butt. His upper body flops down onto the mattress and now, your Jinnie presents himself in the most erotic way you could imagine.
Ass up, sticking his butt out into the air and let you admire his sweet hole, slightly stretched my the plug, clenching around nothing in anticipation for the promised play session that will follow now.
Jin lets his lower body sink down as well, laying on his stomach and turning onto his right side. Allow you a little glance of Jin's adorably pink flushed cheeks and the red tips of his ears. This sight makes your heart and stomach flutter, blushy Jin while doing naughty stuff is just... hitting all of your soft spots in one tour.
He pulls his upper leg, his left leg up to his chest and positions himself comfortably, while he's pouring a good amount of lube onto his latex gloved fingers. Then he's reaching back again.
The pad of Jin's middle finger teases gently his entrance, his body is still moving until he founds a really comfortable position. After the tip of his finger disappeared in himself, the whole length of his finger sinks into his sweet hole as well. Let you watch, how he'll finger himself, enjoying himself, feeding his own desire, give him this desperately needed pleasure when you can't unfortunately. And fuck... that's so hot!
After he needs a short moment to adjust, he starts pumping his middle finger in and out. At first slowly, then faster and faster. Jin is getting even needier when the pleasure of his finger-play arise more and more. It didn't took long until he allows his ring finger to glide into his hot walls as well.
After a few thrusts of his hand, he begins to spread his two fingers apart, scissoring and stretching his sinful tight asshole open, let you watch the movements of his fingers very well.
You're gulping and breathing audibly out of your nose, a longing, slightly even desperate hum leaves your throat. You want to be at Jin's side, want to watch him in real.
You want to see, how he's stretching himself open for your cock, moaning and whimpering you name. You want to touch him. You want to grip his thigh and his left ass cheek firmly, give it a gentle slap and pull the soft flesh up to get a closer look.
Admiring how wonderful his fingers fucking himself, how rapidly he's slamming them into his hole, his noises getting even more whiny and desperate. His hips starts to circle, loud breathy and high pitched moans leaving his lips when his fingertips reaching for a second this sweet spot deep inside of him.
But just for a tiny moment, there is not enough stimulation for your needy Boy. Especially when he knows how good he could feel, when he remember the times when you teased his prostate.
Your thumb grazing again and again over your angry red, precum leaking crown, teasing yourself. The urge is enormous to just jack off in a brutal fast pace to finally satisfy the barely standable desire, that grows in your abdomen.
Your eyes don't leave the screen when you reach to your beside table and pull the first drawer open, searching uncoordinated with your hand in there. You curse under breath when you finally perceive the things you searched for, but can't grab them.
If you want or not, your eyes have to leave the erotic sight of Jin's figure for a moment, when you want to get your needed things out of the drawer.
You bend quickly over to the side, fishing the lube and your fleshlight out of your nightstand. You use this helpful toy when there is not enough friction to get you off or... when you're freaking horny... when you just want to fuck Jin right in that moment.
With it, you can better imagine how you'd be pounding into Jin, laying his legs over your shoulders and gripping his thighs. Let Jin whimper and beg until you allow him to touch his own cock to be finally able to cum. Imagine, how his hot walls gripping your cock tightly, literally squeezing and cock milking you until it's too much and you shoot you load of white, creamy cum deep inside of him.
Fuck, fuck, fuck! You need him so, so freaking bad right now, it drives you crazy!
When you turn back to your Laptop, Jin is panting heavingly and pulls his fingers out of himself right in that moment, throwing the used latex glove into the trash can next to his bed. Now you're the one who starts whining.
"Baby, why just stopped fingering yourself? Fuck, that was so damn hot and I love to see that, why-", you ask him, eyebrows pulled together in desperation and frustration.
Jin's body is trembling, he's panting fast and gasps for breath leaves his red swollen lips. He need a bit time to collect himself again and to be able to anwer you in a throaty voice.
"T-There is another surprise I prepared for you...", he's stuttering slightly and grab his laptop to place you with it in his desk. You're confused, again.
He goes back to his bed, step out of his pants completely now and pulling his green sweater over his head.
Now he's standing in his bare, naked full glory infront of the camera, let you gasp for breath. God, he's beautiful. His body reminds you always of these greek sculptures, his beauty is absolutely beyond all descriptions.
You can't describe him. You have to see him.
He grabs for the bottle of lube and lays it next to you, well, his laptop, on his desk. Without a word, you follow his actions, don't dare to say anything. Even when you two are not in the same room, there is a thick sexual tension between Jin and you through your laptops.
"Y/N... can you close your eyes for a moment? Until I say you can look again?", Jin says in a quiet voice. Looking at you through the camera in dark pupils full of lust and with pleading eyes, to just follow his appeal without asking.
Well, you wanted to protest but with this sight you close your mouth again and nod slightly, closing your eyes as well.
You hear some footsteps, something rumbles like he's moving something around. You knit confused and questioningly your eyebrows together, but you don't say anything. These noises disappears and silence returns to the speakers of your laptops. Just here and there you can hear some soft footsteps of Jin.
Suddenly, out of nowhere you can hear a long, broken moan of Jin that is followed by a soft, sweet "Oh my God, yes!" and a shaky, but so sensual hum that comes out of Jin's Chest.
"B-Baby... Y-You can open your eyes again..."
Even when you opened your eyes again, you can't believe them. That has to be a fucking dream, right?
You squint your eyes more than one time, your jaw dropped and you can't bring any proper sentences over your lips, starts babbling nonsense.
"O-Oh my holy fuck!... Jin, oh fuck... Fuck, fuck, fuck, you can't kill me like that! Y-You can't do this to me, I'll going completely crazy to see you like that... Fuck, Jin Baby, I want you so bad... Oh God, that's so sexy. You're so goddamn sexy."
Jin is sitting with the back to you on a chair with a flat seating surface, gripping moaning and whimpering the edge of the backrest tightly. Lifting himself slowly up and lower his body with the most delicious and tantalizing hip circles again.
Bouncing at first slow, then faster and faster on this transparent pink silicone dildo that is placed with a suction-pad on the seat.
Let you watch how good he can take this fake cock in his tight ass after he prepared himself with fingerfucking so well. How he lowers himself down, stuffing the dildo inch for inch into his stretched and needy hole, filling himself up with this silicone dick.
The way, how he's riding this dildo in front of the camera, so needy and desperate...
The way, how all these moans and whimpers flowing over his lips without any shame...
Let you guess, how much he needed you too, how bad he needed to get fucked by your cock again.
It shows you how much he's missing the sex with you.
You can't see his face, but the red tips of his ears. You don't know why, but it turns you so fucking much on, to see Jin's blushing face.
To see, how he's a little bit embarrassed for being so needy but at the same time he's riding this dildo so fucking desperate, can't stuff enough of this plastic cock into his greedy hole. Bouncing up and down on this dick, moaning your name like he's riding you in this moment, instead of this fake dick.
Let you see, how he would bouncing on you, how he would fucking you when you would be at his side.
And this... this so goddamn sexy that you have the feeling that you'll go insane by your desire for him.
"Jin, Baby... turn around. I want to see your face when you cum. I want to see your blushy face. Flushed red, caused by your embarrassment for doing filthy things in front of the camera, right?", you ask him breathless, a little teasing smirk.
Jin whine and when he hesitatingly turn around, you see that he got even redder. God, your precious baby is so shy doing dirty things with you... you love it!
While he's turning around and re-positioned himself above the dildo, you hastily prepare your rock hard cock and the fleshlight with lube. When Jin sinks down on that dildo, you enter with a deep groan the fleshlight.
The fleshlight is only a poor comfort when you know how tight and hot Jin's walls really are. But you see Jin with the same unsatiesfied desire when he's bouncing on that damn fake dick. Jin knows, how wonderful your cock, only your cock, stretch his ass in all perfect places open and filling him up to the maximum.
But still, it's definitely better than nothing! You'll go through this time together until you're finally able to lay in each others arms again.
You hear in Jin's whines and his needy face expression shows you that he gets closer and closer to the edge, but it's not enough to cum. He's about to wrap his hand around his hard, precum leaking dick, when you start lecturing him.
"Nuh, nuh, nuh! Baby, you know the rule, right? You're not going to touch your cock until I say so, is that clear? You know the reason? Hm?", you say in a harsh, dominant voice and raise an eyebrow.
Jin bite down on his plushy and swollen lip, try his best not to let a whine out. Jinnie's face full of desperation and sexual need is one of your favourite views... that's pure art.
"Y-Yes... I-I'm not allowed to touch myself until you're close too, so we can cum together...", he whimper with a broken voice.
"That's right, Darling... so please wait a little bit longer... for me, yeah?", you wisper in a gentle tone into the microphone of the laptop.
The longer Jin wasn't allowed to touch his dick, the more whinier he got, bouncing breathlessly up and down on his dildo. But exactly that turned you even more on and your hand, with which you hold the fleshlight moved even faster. So it doesn't took much time that you're on the cliff to cum too.
You enjoy how Jin looks at you since the last three minutes. So fucking desperate and needy, impatiently waiting at your sign that he's allowed to touch his cock and jack himself off.
A thin layer of sweat is covering his skin, his bangs sticks to his forehead, plush lips are red from chewing. His chest rises and falls quickly, Jin's breathing is fast. His fingers are clawed on the edges of the seat, his arms supporting him while riding the cute transparent, pastel pink silicone cock.
Your gaze move lower in his body, a satisfied smirk spread in your lips when you see his thick long cock twitching whenever he fills his ass with the dildo up to the base. The crown of his dick is red and precum is spread all over his stomach and the top of his thighs. His plump balls, completely full of delicous cum are shacked up to his body. They're just waiting for release and to be finally able to let the load shoot all over Jinnie's stomach and chest.
You love the sight. Even when you're not there, at the end you're still able to make a complete mess out of your sweet Boy.
Now, you think, he should be allowed to cum.
"Now, Baby...", you said with a teasing smirk and you're literally bathing in satisfaction when Jin gasps in relief and immediatley wrapping his hand into a fist around his cock. He just needed a few rubs until he cum with a high-pitched whine that sounds like a mixture of a moan and a sob. God, he's so messed up.
This sound alone let you blow your load into your fleshlight.
Jin's orgasm seems to be strong, the waves of pleasure leaves his body trembling and oversensitive. He flinch when he's about to get up from the dildo and takes it out of his super oversensitive hole.
God, he's so fucking beautiful when he's messed up.
"Baby, this was undescribable sexy... we should do it more often, definitely! Who know's when we're able to see each other in real life again? Hm, what do you think, Jinnie?"
Jin is gulping, his adams apple bobs in damn attractive way and then, he's nodding with bright red cheeks.
"Yes... please."
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Okay, with this fanfic here I've fulfilled my educational responsibility as a fanfic writer!😂😅
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tea-at-221 · 4 years ago
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The TJLC Debacle: 3 years out from S4 and counting; the copyright mini-theory; so much salt I’m bloated; but in the end, there is peace (I love you Johnlockers)
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Ugh, don't even talk to me about Mary.
Don't even talk to me about the way Mofftiss have said they're sick of responding to fans on the subject of Johnlock. Of how they've said they're "not telling anyone else what to think or write about them" (as if they could stop us; as if they even own Sherlock themselves. Do keep reading, because this point becomes much more relevant and in-jokey later on). Don't even mention how they've bitched and whined incessantly because--god forbid--fans got *really really* into their show and emotionally invested.
They're so eager to discount all the beautiful little moments they wrote as accidents. And Arwel, who planted all those props, continually demonstrates that he's on their side (a not-very in-depth-analysis of his Instagram account and the way he interacted with fans towards the beginning of the pandemic showed as much, but I think maybe he’s grown a bit wiser and quieter since at least in terms of Johnlock and all things elephant-related. I don’t know for sure because I stopped looking.)
Anyway--they'd actually prefer for us to celebrate our own intelligence, is I suppose a charitable way of looking at it: our ability to make connections between things in the show; our metas on symbolism; our insightful fanfic; etc., and denounce them as the bad writers that they ultimately are.
More under the cut.
(This post may be of interest to you especially if you came to the fandom a bit later: multiple links to things of relevance/quotes/explanations appear both within and at the end of this entry.)
Because what makes a writer good?
Well, an ability to make people feel an emotional connection to their work, for one. I know this is just my own perspective, but if not for Johnlock, all my emotion about the show would evaporate. There wouldn't be much else there. Other people might get something, but I wouldn’t. Is some of the writing witty and entertaining regardless of any inferred/implied Johnlock? Yeah but, eh, a lot of shows have some good writing and I just don’t give a damn about them.
What makes a writer good?
Not making promises to the reader/viewer that they'll never keep. Plot holes, leading dialogue ("There’s stuff you wanted to say...but didn’t say it.” “Yeah”) never followed through on, puns that are apparently, I suppose, unintentional (e.g. "'Previous' commander?" "I meant 'ex'").
Uh, not writing continual gay jokes that aren't actually pointing toward the inference that people are making them because there's actually something going on there under the surface. (How about just don't make those jokes ever.)
Not being, apparently, oblivious (? questionable) to the queerbaiting they're engaging in *as they’re writing it.*
Acting like their LGBT audience is in the wrong/the bad guy, instead of choosing to remain respectful in the face of dissent. Instead it's just, "we never wrote it that way" / "We never played it that way."
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A lot of those other mildly witty shows don’t actually blatantly drag their most passionate fans face-down through the mud the writers themselves created. Imagine that.
I'm not even a fan of Martin Freeman anymore, for the way he handled the whole thing (getting angry, the comments he made about how the fans made Sherlock “not fun anymore”...apparently Martin’s packing up his crayons and going home?)...no offense to anyone who is still a fan of his. I don’t make it a habit to drag him. I do to some degree understand his frustration with having the whole situation taken out on him--he’s just an actor in the show--but I simply wish he’d remained as cool and professional about it as Benedict Cumberbatch instead of pointing at the fans. You’re pointing in the wrong direction, mate.
What also irks me at the end of the day is this: the subsection of people who legitimately responded badly to the TJLC/S4 debacle and went above and beyond to harass the writers and actors/actresses on social media are *few and far between*, but we've been lumped in with them by what feels like...everyone, Martin included. TJLCers/Johnlockers (not the same group, but often treated as such) have been made to look like a bunch of rambunctious, immature, demanding children time and time and again in the wake of S4.
They'd rather, what, suggest John was so in love with Mary? THAT was the relationship they wanted to uphold in that show as so significant and...what, a demonstration of how honorable it is to respect your heterosexual relationship despite, you know...ANYTHING?
Yeah sorry, I don’t believe in that. John’s text-based affair, whether a disappointment for some as to his supposed character, was a very human reaction and I kinda sorta feel like I would have reacted MUCH more strongly than that had I been John. But nope. He stayed with Mary and was *ashamed* of his wandering eye. Ashamed that maybe he wanted to be admired by someone. I can’t think of a scene, off the top of my head, where Mary ever interacted with John without belittling him in some way--if not with words, then with consistently patronizing glances.
The message here is that heterosexuality is not just acceptable, but VALUABLE, however it manifests--but god forbid anyone see a queer subtext. (Why are lgbt+ writers some of the very WORST offenders where this is concerned? And they defend it! Is this childhood nostalgia/Stockholm Syndrome of the very fondest variety or what? Gay angst is all they got if they got anything at all, so it’s still good enough as far as “representation” goes?)
They really want to tell the story of John as so emotionally/mentally fucked up that he surrounds himself with unstable people time and again. They never give any reason *why* he might do that (which they could have done even soooo subtly), or delve into his past--just, apparently it's okay to assume that Sherlock's comment about "she's like that because you chose her" is exactly that.
No. Sherlock and Mary are NOT the same. Not...*remotely*!
Mary is underhanded and evil. She lies. She manipulates. She schemes. Her “love” is based on selfishness, and her assumption that John is a simpleton and hers to mold. She's in it for herself.
Sherlock hides. He prevaricates. He feels. He loves John. He does fucked up things in the name of love, but always for the benefit of those he loves. When he screws up, which he obviously does, it’s painful to us as the audience because we see that it is painful for him when he recognizes and regrets it.
I have never seen Mary regret anything. Those crocodile tears at Christmas? More manipulation. Inconsistent with anything else we were shown about her as a character.
To even think for a SECOND that people could ship Mary and John and mentally condemn John for cheating on Mary AFTER SHE SHOT HIS BEST FRIEND...as if marriage is the be-all-end-all free pass in which every sin must be forgiven until the end of time...as if John broke any covenant with his wife beyond those she broke from the very moment she walked into his life *with an entire fake past.* Is just. Well. It's asking us to accept gaslighting as healthy, loving, normal, *preferable* behavior, so...given the source that message is coming from, it's all a bit meta.
THAT. Is insanity. Maybe Mofftiss are the sociopaths.
How these men could write characters they themselves understand so little (or tell us they understand so little because their emotional maturity has yet to surpass that of the average three-year-old’s), I will never know. I can only imagine that they have absorbed, by osmosis over their lives, real and nuanced human behavior...then churned it back out again in their writing unaware, a bit like psychopaths who teach themselves what "normal" people do so that they can pass as psychologically sound in regular society.
Remember, we *are* talking about men who do these sorts of things:
Moffat says that Sherlock is celibate and that people who claim he's misogynistic when he does things like make Irene Adler imply she's attracted to the detective (even though she's a lesbian) are, ironically, "deeply offensive" (despite lines like "look at us both" in Battersea. We aren't your therapists, Moffat--we don't care what you meant, we care what you said, and what you *said* was clear. *Implying* it does not let you off the hook).
Gatiss has proclaimed that "I find flirting with the homoeroticism in Sherlock much more interesting" than the idea of ever making a show addressing LGBT issues. (That link is to a reddit forum, and I can't find the original interview anymore, but I assure you I had seen the actual article myself ages back and can't find it online again now along with some of the Martin quotes I wanted to link to. And nevermind what Gatiss has done with LGBT shows/issues since--my focus here is on what he has said, versus what he and Moffat have since claimed regarding their queerbaiting.)
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Here’s a transcript of this screenshot:
"...many people come up and say they didn't realise." Despite this lack of public awareness, being part of the gay community is clearly important to Gatiss: "The older I get the more I want to give something back. I mean, I keep meaning to do something." When asked if he'd be interested in making a series about gay issues his response was enlightening:
"No, I don't think I'd make a kind of gay programme. It's much more interesting when it's not about a single issue. And equally, I find flirting with the homoeroticism in Sherlock much more interesting. Of course this reflects the grand picture of everyone's strange make-up; there are good gay people and bad gay people. I wouldn't like to make an issue film around the culture of being gay."
Instead Gatiss' interest seems to lie in making a drama where sexuality is, if not mundane, part of the wider framework: "I'd quite like to do something about a quite happy, ordinary gay person who's just incidentally gay. For example, a three-part thriller for ITV where the lead character just happens to be gay; when they finally go home, say 45 minutes in, and they had a same sex partner. That to me would be genuinely progressive. It wouldn't be a three-part gay thriller for ITV. It would be that this character just happened to be gay."
--End article quote.
And instead, who is canonically gay in the series? Well, Irene Adler. The innkeepers at the Cross Keys. And perhaps most notably, the *villains*, because that's a helpful trope: Moriarty and Eurus are, in S4, both implied to be at least bisexual.
Any character should be able to be any sexuality, this is true. But can we have some main characters, the good guys, give some good representation? Can't we start making that the standard, rather than the villains and the background characters? Because so far, that is the exception and not the rule.
Writers need to be aware of the damage they are perpetuating. We are not quite in a world yet where any character should be able to be any sexuality but isn't, yet we have no problem with saying the villain is LGBT+ or looks different/functions differently than much of the viewing audience.
"Male friendship is important and valid, not everything has to be gay"--this is a popular point with casual heterosexual viewers (and, to my chagrin, some of my LGBT+ friends) who don't fully grasp what "queerbaiting" is, often even when it's pointed out to them.
The lens of heterosexuality is real. My first time through watching BBC Sherlock, I didn't see the Johnlock at all. I had to look for it and read about it. When I saw it, the lens was lifted for me, and it changed my life and the way I view things forever (and for the best).
But back to my point about how little Mofftiss seem to understand their own story/most ardent fans, and then on to my other theory: in S4 it must be that they dropped their “psychopaths emulating empathy” act and indulged in their own "insane wish fulfillment" by doing away with all of the meaning, continuity, and sense. Right?
So, here’s the alternate theory. One which is not, please remember, in their defense.
Remember that S4 is what Mofftiss are *happy* to have us believe is what they'd do with these characters, given the chance to do whatever they wanted. I repeat, in Moffat’s own words: “Insane wish fulfillment.”
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Okay I get it, this pasta has been over-salted.
Without further delay: MY COPYRIGHT RESEARCH THEORY THAT EVEN I DON'T PUT MUCH STOCK IN AND WHICH DOESN’T MAKE UP FOR THEIR CRUELTY EVEN IF TRUE
Part of me also raises an eyebrow at S4 as perhaps an example of the effect of the Conan Doyle estate on any modern production in the US. While it’s true that all of Sherlock is part of public domain in the UK and has been for quite a long time, Gatiss and Moffat still talk about it being partially under copyright. Specifically, the last 10 stories. I’m supposing that this means that because Sherlock airs internationally, or due to whatever contract the BBC has with the Doyle estate, they are still limited by the copyright as to what they can “publish”.
The Doyle estate is known for being a pain in the ass when it comes to abiding by copyright law as everyone else knows and practices it. They’ve tried to argue, for example (in 2013 and, much more recently, with the advent of Enola Holmes), that because Holmes and Watson were not fully developed as their final selves until the conclusion of all 10 stories still under copyright, then perhaps the characters themselves should still be protected, basically, in full.
It’s true that certain elements of the remaining stories are still under copyright here in the US (Watson had more than one wife--uh huh, we have that to look forward to, Johnlockers; the Garridebs moment is still under copyright--yeah, I’m getting to that too; and Sherlock didn’t care much for dogs til later so that’s not allowed either, fuck off Redbeard), but the estate’s problem in 2013 seemed to be based around a fear that *gasp* some day--if not right now!--anyone could write a Sherlock Holmes story in any way they pleased, changing the characters however they wished to and giving those characters “multiple personalities.”
See the following excerpt from the Estate’s case:
“...at any given point in their fictional lives, the two men's characters depend on the Ten Stories. It is impossible to split the characters into public domain versions and complete versions.”
(Click for full transcript.)
Obviously, by this point, that’s been done in multiple iterations. So I dunno. Their argument was *more* than muddy to begin with--they just grasp at straws to stay in control, it seems.
But okay. Backing up: wasn’t there sort-of a Garridebs moment in S4?!?? you cry. Yep. But imagine this: the Conan Doyle estate taking Mofftiss to court to argue that they depicted the Garridebs moment--a moment still under copyright--in The Final Problem.
Did they, though? Did they really?
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The fandom cried out about the ridiculousness--the utter disappointment--of that moment when it was shown. It was not what we would have expected/wanted. We didn’t see John injured, Sherlock reacting with tender outrage to the good doctor’s attacker.
Instead we saw some ludicrous BS that was as bad as the clown with the sword-gun-umbrella. More of that.
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I think Martin probably found that it was easy to produce real tears when he thought about how fucking terrible the S4 scripts were.
Ahem. Yet, this all seems very Mofftiss-flavored in terms of humor.
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I can all-too-easily imagine them saying, “HA. We’re going to show some of these supposedly copyrighted things--and if they take us to court, they’ll be laughed out of the room.” Could that explain some of the overall S4 fuckery?
Sherlock wasn’t supposed to like dogs til later stories, as previously mentioned-- is that why Redbeard pulled a “Cinderella’s carriage” and transformed into a pumpkin (Victor Trevor)? Hmm. Sigh.
It...doesn’t actually appear that the estate has any qualms about taking laughable stuff to court, I mean...*shrug.* They have the money to do it, and money is the name of the game, because you’ve got to pay for rights (cha-ching sounds).
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Yep, it does seem that the estate is open to the copyrighted materials being made reality, but who knows for what price or with what caveats. The BBC isn’t, so far as I’ve ever heard, known for throwing money around. Early Doctor Who would be so much less entertaining if they’d had any sort of budget. (And in fact, more of the older episodes would exist, but apparently the BBC--in part to cut costs--reused some of their tapes.)
My bottom-line bitter is this: Mofftiss do like to amuse themselves. To please themselves and no one else, as they’ve shown time and again. Sure, they could do whatever they wanted with S4...and they did...but they were also cruel about it, and that’s what I’ll never forgive them--OR the BBC--for.
A lot of fans gave up after series 4. I was very nearly one of them. I was angry, like just about every other Johnlocker and/or TJLCer, but I was really truly heartbroken. I couldn’t look at fanfiction. My days were full of bitterness and I keenly felt the lack of the fandom outlet that had become so essential to my mental well-being. I didn't know how to overcome the disparity between TJLC and what the show actually was. I didn't know how to separate the things I loved so much from the shitty writers and the way the BBC handled things with their whole response letter (that atrocious, childish blanket response they sent to everyone who complained about S4, not just the Johnlockers/TJLCers. Related to your complaint or not, if you filed one post-S4, this was the response you got). I still boycott BBC shows/merchandise, just by the way.
I tried to link to the blanket response letter but the link didn’t want to work (it’s an old reddit post; I had difficulty finding a copy of the letter elsewhere though at one point it wasn’t so hard...Google is weird these days y’all...tell me it’s not just me) so here’s a screenshot:
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Transcript:
“Thank you for contacting us about “Sherlock”.
The BBC and Hartswood Films have received feedback from some viewers who were disappointed there was not a romantic resolution to the relationship between Sherlcok and John in the finale of the latest season of “Sherlock”.
We are aware that the majority of this feedback uses the same text posted on websites and circulated on social media.
Through four series and thirteen episodes, Sherlock and John have never shown any romantic or sexual interest in each other. Furthermore, whenever the creators of “Sherlock” have been asked by fans if the relationship might develop in that direction, they have always made it clear that it would not.
Sherlock’s writers, cast and producers have long been firm and vocal supporters of LGBT rights.
The BBC does not accept the allegations leveled at “Sherlock” or its writers, and we wholeheartedly support the creative freedom of the writers to develop the story as they see fit.
We will of course register your disappointment.
Thank you for contacting us.
Kind Regards,
BBC Complaints Team
So how about that? *Did* they “register our disappointment”? We can actually check that. The BBC’s website has a monthly summary of complaints received. So what did they receive in January 2017, the month S4 aired?
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Huh, what do you know. Sounds like that blanket response was exactly the “fuck you” it came across as.
But the show--the FANDOM--had filled a need in my life, and so I had to own that and make it mine, or just...let something in me die: something that felt like an actual vital organ. I had to decide that these characters mean something to me beyond what anyone else tells me they should. I had to accept my own perceptions as truth, as I do with everything else in my life. I had to overcome the idea of canon as law (BBC Sherlock isn't canon anyway; ACD is canon. BBC Sherlock is, in the end, badly written fanfiction--or--worse?--decent pre-slash fanfiction distorted by consistent lies and the hazing of the LGBT audience, topped with the dumpster fire of S4′s incoherent nonsense).
I had to take the good and throw away the bad, just like anyone else who chose to stay. The good bits of the show...dialogue, yes. Plot points, yes. These awful writers did write some good stuff sometimes.
They just broke all the unspoken rules of what not to do to your audience. And then did and said everything they could not to apologize, and to justify their own failings. Which, in the years since I began shipping queer ships beyond any others, I have unfortunately experienced more than once.
So, my vulnerability has been yeeted into the vacuum of broke-my-trustdom: no one can tell me what things should mean to me. I will decide.
I decide that all of the FUCKING AMAZING writing in the Sherlock fandom is a staple in my life that makes it worth living. And that that's okay. And takes precedence over anything the writers or anyone else associated with the show could ever say or do.
Johnlock can not be taken away. It doesn't belong to them. It never did, even if they brought us to it. It belongs to us. To the group of amazingly creative, brainy, empathetic, resourceful, vibrant, resilient people who make up this fandom.
So thank YOU, all of YOU, for giving me Sherlock, Johnlock, and TJLC.
I am SO SAD for those who never found a way to make peace with this fandom again. Let me just say that I understand that inability entirely.
I am fortunate that I found the ability in myself to cling to the joy (something it has taken my whole life to be able to do). I hope others will who haven’t yet but wish they could.
Let Mofftiss and whoever sides with them stay angry and bitter and vicious, always looking over their shoulders for anyone who dares to whisper about subtext.
I’m proud to be part of what they’re whispering so angrily about.
Thanks for sticking it out if you made it this far. I know this was very self-indulgent and rambly.
Articles of interest:
A Study in Queerbaiting (Or How Sherlock Got it All Wrong) by Marty Greyson
“We never played it like that.” - Martin on Johnlock
Henry Cavill on the Enola Holmes lawsuit
More on that--and by the way Sherlock isn’t allowed to like dogs
The way Sherlock creators told fans Sherlock & John aren’t gay is so rude
Especially for those new to the fandom who may not know the distinction between TJLC and Johnlockers and want to know more about TJLC's evolution/what it is/meta through the years
Moffat's view on asexuality, offensive to me in particular *as* an asexual person (same article where he claims he isn't misogynistic): "If he was asexual, there would be no tension in that, no fun in that – it's someone who abstains who's interesting."
Yet he says Sherlock isn't gay or straight and that he's trying to keep his brain pure which is a "very Victorian attitude"
(Nice historical research there, Moff--actually the Victorians were sex-positive).
Sherlock fans were robbed of the gay ending they deserved
Benedict Cumberbatch has lashed out at his Sherlock co-star Martin Freeman over his negative attitude towards fans
BBC complaints January 2017
Martin Freeman: 'Sherlock is gayest story ever'
From 2016: UNPOPULAR OPINION: "Sherlock" Isn't Sexist or Queerbaiting; It's Actually Trying to Stage a Revolution
Queer-baiting on the BBC's Sherlock: Addressing the Invalidation of Queer Identities through Online Fan Fiction Communities by Cassidy Sheehan
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isolctions · 4 years ago
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...........so let’s finally talk abt what the actual fucking fuck is wrong with ai’rina rue castillo, huh gang? :-)
(everyone go thank @armsdealing & @durcgs beating the anxiety out of me in order to post this info-dump.)
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...before we get into things, now’s the part where i establish a warning for triggers to be discussed in this lengthy headcanon post. there’s gonna be some talks of mental illness, slight alcohol abuse, & breaking down topics of familial abuse, mental abuse, religious abuse, emotional manipulation, and elements of non-con. be warned.
a’ight, so look. i’ve hinted in between threads & development that rue had a not-so-fantastic upbringing that impacted how she perceives herself, how she interacts with others, (in terms of her career, at least) and how she views personal relationships, but i didn’t realize how........severely her upbringing messed with her mental health until i started working through how i wanted to plot out rue’s behavior for her next album release. at first, i had the idea that she decided to take more time for herself & sort of distance herself from the public / media circus plaguing her life so that she can create much more authentic music. then i actually listened to the EP that i’m basing her album off of and thought “...oh.” THEN, i looked over old meme responses & old threads / mentions of her family and how she grew up and thought, not for the last time since piecing everything together: “....oh. oh fucking boy.”
so, that horrible realization dawning on me, let’s talk about rue’s childhood.
i wrote a thing like, two years ago almost (that upon looking for last night, i realized i didn’t actually share it w/ anyone but alex in our discord server & only mentioned a portion of it in rue’s moodboard that i made) that talked vaguely about how rue felt growing up. and it’s worth noting that...she’s the middle of ten fucking siblings. and that’s just the brothers & sisters she knew of that stayed with their mother. and on top of that, not all of those siblings are the product of rue’s father, or even rue’s mother for that matter. and it’s also worth noting that rue not only grew up in poverty, but she grew up never having any actual space that had solely been her own, or even an article of clothing that had belonged entirely to her. so naturally, as a young child, rue sort of became torn between starved for attention & wanting someone to pay attention to her (whether that be her older siblings including her in something, whatever teacher they had for the next six months to call on her for something, for her mother to miraculously show up with her unknown father in tow one day, & for literally anyone to be her friend, pls god Notice her!!!) and for people to simply leave her the hell alone. obviously, this carried into adulthood.
and branching off from the whole “lack of space” point i made, rue wound up growing up to become increasingly more private as time went on because she literally cannot remember a single moment where she wasn’t squished between a bunch of people. driving around in their minivan? rue’s packed in the middle of the second row. nowhere to sleep while on the road? rue’s smacked between gigantic older brothers & clingy little siblings. need to use to bathroom? lmao, she better off going outside!!! gotta change clothes? yeah, good luck with that. it was to the point where, when rue got her first period, she was humiliated by it — not because ‘omg, am i a woman now?? wtf is this???’, but because she ruined the one good sheet that she slept on with her sisters & they were super pissed at her and her mother withheld pay from her for weeks. >:/
already, rue grew up never having shit to herself until the record deal. but she also dealt with literally...so much abuse from her mother. rue thought this was the norm growing up, because all of her siblings faced their mother’s wrath at some point & all of them eventually learned to just deal with the shit and do what she says if they wanted to avoid it. they all compartmentalized and repressed to varying degrees. there’s a lot in which rue has repressed so deeply, she doesn’t even remember if it seriously happened or if she was just making it up bc it was so fucking bizarre for a parent to act that way towards their child, lol?? (and this behavior of “i’m just going to do what you say bc i don’t want to deal with whatever bullshit you’re up to if i say no” also carried into business / personal relationships, which is...very Yikes it’s amazing she didn’t get scammed or worse!) 
so sure, people have complimented her for her exceptional manners & her cleanliness & how quiet / polite she is & how amazing her posture is, bc seriously, this girl will never experience back problems in her life bc her posture is so on par. but where rue typically smiles / responds bashfully, she can’t exactly just up and say: “oh, yeah, my mom used to slap the shit out of me ‘til i bruised if i spoke out of turn or talked back, and if i reached for anything in the store or put my elbows on the table she’d slap a ruler against my palms ‘til i got welts, and she’d make me read verses all night without sleep if i did anything wrong and make me straighten up and kneel on rice if i slouched or took a nap in church and humiliated me in public if i so much as looked at someone of the opposite sex on the street n oh, did i mention i also cleaned houses for rich millionaire snobs from ages twelve to sixteen and if they said or did literally anything to me i wasn’t allowed to defend myself?? ya i’m real proper :)”
(and normal ppl will go: “...................what the FUCK is WRONG with you????”)
but oh man, babe, we’re not done yet!!! rue, being the product of both a highly religious and a highly exploitative household...had difficulty when she started reaching puberty & noticing her classmates. plural, because it wasn’t just boys that she began to secretly have crushes on / fantasize abt, sexually or domestically. she also realized, oh shit, that she started looking at girls differently too. and that literally put the fear of god into her heart, bc if her mother ever found out that she was having non-platonic feelings for the girls in her classrooms, she wasn’t going to be pissed. her mom might have actually tried to kill her. or have her exorcised or something. she knew the shit would be severe, and she wanted no fucking parts of her mother or her siblings inserting the church into her personal life, thank u very much! so rue started suppressing her romantic feelings for people to the point where if adult rue receives intimacy, she’s like “...is this allowed? is this not illegal??????” while simultaneously being like “i will be a slut. just this once. as a Treat to teenage me. :>” regardless, rue learned to molotov cocktail literally any emotion or thought she had, bc she was paranoid that it would give her mother a vision.
now, onto the perils of exploitation...she should’ve been used to it really, what with her mother forcing herself & siblings to lure customers into their shop with promises of visions and palm readings and the wonders of the cards and overexerting their abilities. same with housekeeping, like being of service to people was normal! but when seventeen year old rue decided to sign a record deal and break from home, she wasn’t thinking critically about what the fuck all of this would entail. and as described in this headcanon post abt her discography, her early music was the product of allowing people much older & powerful than you to influence your work & manipulate your values. so rue was very much parading around as someone she wasn’t, someone much more confident and badass and self-assured than she really was, and she was so impressionable back then that it literally makes her sick to think back on it now. she calls it her puppy phase and phrases the eagerness to please execs as ‘tongue wagging’. homegirl hardly even knew her name anymore, bc all she was and all she would ever be was rue, the star, the vocal temptress. not ai’rina, the help or ai’rina, the seer, ai’rina, the weak little nobody. but later on, the subtle manipulation was less about decision making & how they wanted her to sound, and more about how they wanted to present the latest trophy star — because after all, she was pretty. people liked her. she sung really well. suitors weren’t too far off into the distant future. so why not kill two birds with one stone by having a high ranking label artist keep tabloids talking by being seen in public with a few heart throbs? surely, there’s no harm in manipulating an eighteen/nineteen year old’s love life! under the guise of improving her social skills & relations with fellow artists and the media and the like, rue gave into the pressures and let herself be taken out on dates & seen at awards shows with a few guys. no big deal. it was only for a night or so, she could handle the attention. then, one night appearances turned into week long appearances. pretending to date for only a month! completely innocent, positive exposure. :)
(adult rue, looking back @ younger rue: you stupid fucking BITCH-)
yeah, so once her label/management realized that she was turning into a hot commodity, they lost no sleep at allowing their nineteen year old artist to be seen ‘dating’ 20-24+ year old men occasionally. and whatever happened after their public appearances were none of their business. plus, she was good at pretending and being arm candy — so rue experienced her first kiss, her first dates, and her first times with people who she’s almost certain hardly remember their time with her, and really only got involved with her for a mutual career boost. very few of them does she actually remember in a positive light, and the ones that were positive, still depress her bc lmao all of it was fake, even if they were really nice & made it less like a chore and more like they actually wanted to be with her!! even fewer of them were actual relationships. meaning, said person asked her out of their own volition, not bc their managers thought it’d be a decent match on camera. it was evil, really, what her old label made of her. (like, she makes funny jokes that her first time having sex was awkward bc she had a vision halfway through that bummed her out but in reality it was just...really more of a transaction that made her feel icky n progressively worse abt herself until it happened more often and now she just doesn’t care anymore. sex is just sex, u know?? everything’s fake. why you gotta make it personal.) this whole fiasco took over the larger part of rue’s career from like, age nineteen to age twenty-two or so, and she suffered dramatically from this because what is even a genuine, authentic relationship at this point? what do u mean you want to get to know me? did ur manager tell you to ask so many damn questions & try to get to know me? obviously you want something from me bc that’s why everyone gets into a relationship or has sex with me, stop confessing feelings for me u fucking loser. >:/
like...rue doesn’t even have friends. outside of her relationship with marcelo / @armsdealing​ (which, AGAIN, i think was initially arranged to promote her song be honest, how fucking IRONIC), rue does not have any personal relationships with anyone. i mean, she likes her latest management team since switching labels...her hair stylist is rly cool & her make up artist is fun to vacation with...she met a few other celebrities at events that she occasionally texts & has dinner with...yeah, she’s basically a pretty hermit. her family is more or less out of the question — the few brothers & sisters she does still have a positive relationship with (like, four of them lol), they don’t see each other in person often / mainly communicate via groupchat and facetime calls when all of them have time. she tried visiting with her mother over the years, but the verbal & emotional abuse/curses placed on her/accusations of being an imp of satan for singing to the public/memories of being forced to perform psychic shows & clean for chump change keeps her from trying to mend that relationship. like, being gaslit by ur mother isn’t really the vibe, u know? and bottom line, rue simply is a very shy and socially stunted individual who does not know how to communicate like a normal human being anymore. hell, her life revolves around pretending for strangers at this point!
now, onto how...all of That ties into her behavior / state of mind during this next album. so, after riding the wave of success from her third album & the circus that came with that. rue sort of had a fucking existential crisis. came out of absolutely nowhere. (not nowhere — one of her brothers called her out of the blue and called her ai’rina and she literally went “who the fuck is that?”) told her label that she was taking some time in between albums bc she was creatively zapped or whatever bullshit excuse she came up with that somehow worked bc this new label was a little more understanding than the last. vacationed for a little, did some hot girl shit, bought a house, tried to see her mother again for whatever reason then got the shit slapped out of her and finally screamed at her to never touch her again unless she wanted to Throw Hands. cried and got drunk abt it. that took six months. bullshat to her label again, dropped like two songs to smooth things over, decided to focus on magic for a little to ground her, started partying with label mates then going home shitfaced & hungover every other morning. that took eight months. dropped one last song, promptly deleted her twitter, tried to write songs again, got a call from her mother and panicked and got drunk. that took a year. vacationed some more, got even drunker, was bed ridden for like three months because holy shit i’m having so many visions and if i see One More Thing my brain is going to explode, couldn’t separate the present from the future for weeks after that, told absolutely no one about that, cried every day & had an identity crisis, dyed her hair to appease the identity crisis goblins. that took a year and a half.
now, she just chilling. dyed her hair again. scaring her siblings halfway to death bc she keeps going on benders & sending cryptic texts abt the visions she’s getting but they’re so incomprehensible that they’re seriously considering moving in to get her fucking shit together. had a vision that she was married with kids and had a two week identity crisis appeased only by moving houses. (she was in a neighborhood with families...too much Drama and visions. turned into a really cool song tho.) started calling herself by her birth name of ai’rina in private. reactivated twitter to send cryptic tweets that her album is coming. working on said album. trying to drink less but kinda failing bc how is one simply supposed to make a highly personal dual album without alcohol??? prbly somewhere crying in marcelo’s lap or smthn. just vibes.
like...i feel like, in my head, the Theme of her project is wrapped up in identity. her relationship with fame and whatnot. trying to coax her childhood self out of its’ shell so that she can function like a normal goddamn person for once and re-establish her values. like, if someone went to any of rue’s residences right now, it’s just songbooks everywhere and wine glasses and her crystals and shit, bc she still has people’s futures to read for money. (yes, she never really got out of that portion of her childhood, but hey it pays.) it was all very confusing to experience at once while in bed at four in the morning & even though i tried organizing and debated on this, it’s still a Lot. which is why i am once again asking for plots that would allow her to dissect all these Things
so yeah. album four otw, with a side of confronting our childhood & facing our traumas!
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arcticdementor · 4 years ago
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Kayfabe is a treasured part of pro wrestling culture. Kayfabe refers to the commitment of everyone involved (the wrestlers, the refs, the announcers, and to a certain degree the fans) to maintaining the shared fiction that pro wrestling matches are unscripted. (Wrestling is real, in the sense that the athletes are taking real punishment and risk really getting hurt, and there is a degree of improvisation, but the outcomes are predetermined.) Kayfabe has had a kind of mythical importance to many in the pro wrestling community: you keep kayfabe no matter what, even in the event of serious injury, out of a sense of sacred commitment. Crucial to understanding kayfabe is that it is not an attempt to deceive the audience. Modern wrestling is in some ways perfectly open about the scripted nature of the matches. Fooling people is not the point. If every fan signed an affidavit saying they knew the outcomes were predetermined the wrestlers would still keep kayfabe, out of commitment to the culture. Kayfabe is a mutually-approved illusion. It is artifice, but it is mutually agreed upon artifice, a consensual fantasy.
Our current political culture is kayfabe.
The illusion that we pretend to believe is that we are in some sort of uniquely politically fertile moment for progressivism and social justice, that we are experiencing a social revolution or “Great Awokening.” Further, we keep kayfabe by acting as if we believe that certain policies like police abolition or abolishing border enforcement (or if you prefer utterly meaningless sloganeering, “abolishing ICE”) are tangibly viable in anything like the near future. I say that these are kayfabe to emphasize my belief that most people who endorse these beliefs are well aware that they are not true, and to underline the sense in which the commitment to unreality is mutual, an expression of a strange kind of social contract. Most thinking adults comprehend the current moment and understand that the hand of establishment power and the influence of social inertia are as strong as ever. (Why would you feel otherwise?) But because people have understandably been moved by recent righteous calls for justice, they feel they must accept the fiction of a new awakening to show solidarity with the victims of injustice. This is emotionally understandable, but strategically counterproductive. And indeed one thing that has defined these new social movements is their relentless commitment to the emotional over the strategic.
Living in a culture of political kayfabe is a strange experience. It feels the way that, I imagine, it feels to live under a truly authoritarian government, where you’re constantly having exchanges where everyone involved knows that what they’re saying is bogus but you push right through the cognitive dissonance with a smile on your face. Only you’re not compelled by the fear of torture or imprisonment but of vague-but-intense social dictates, of the crucial priority of appearing to be the right kind of person. So often political conversations today have this dual quality where you feel forced to constantly evaluate what your interlocutor actually believes even as propriety compels you to take seriously what’s coming out of their mouth.
A major negative consequence of our commitment to kayfabe lies in our acceptance of behaviors we would ordinarily never accept, under the theory that this is such a special time, we need to shut up and go along with it. Take our broken discourse, as frequently discussed in “cancel culture” debates. My experience and my intuition tell me that almost everyone in the progressive/left/socialist world knows that our discourse norms and culture are totally fucked up. Trust me: most people in liberal spaces, Black and white, male and female, trans and cis, most certainly including people in academia and media, are well aware that we’ve entered into a bizarre never-ending production of The Crucible we can’t get out of. They’re probably just as sick of Woko Haram as I am.
But they’re either empowered and enriched by this state of affairs, and don’t want the party to end, or they’re holding on for dear life trying not to get their lives ruined for speaking out of turn. Look past self-interest and self-preservation and you’ll find that everybody knows that the way left spaces work now is horribly broken and dysfunctional. The problem is that thinking people who would ordinarily object don’t because they’ve been convinced that this is some sort of special moment pregnant with progressive potential, and that is more important than rights, compassion, or fairness. So we maintain a shared pretense that things are cool the way you go through the motions on an awful date where you’re both aware you’ll never see each other again.
If I say “cancel culture,” normies indeed don’t know what I’m talking about, because they are healthy, adjusted people with a decent set of priorities who value their own time and lives too much to get caught up in all of this horseshit. But if I say “cancel culture” in front of a bunch of politics-obsessed professional-class shitlibs they will pretend to not know what I’m talking about. They’ll put on a rich fucking show. They do an impression of Cletus from The Simpsons and go “cancel culture?!? Hyuck hyuck what’re that? I’m not knowing cancel culture, I’m just a simple country lad!” These are people who have read more about cancel culture in thinkpieces than I read about any topic in a year. But pretending you don’t know what cancel culture is happens to be a key part of the performance, a naked in-group signifier, so they pretend. The “I don’t know what cancel culture is” bullshit performance is kayfabe at its most infuriating. I know you know what cancel culture is because you’re currently using it to demonstrate your culture positioning by pretending you don’t know what it is. You fucking simpleton.
People say and do weird shit and it’s all wrong but you just pretend like it isn’t. Who wants to be the one caught making waves? When you’re in a group of people and someone engages in something patently ridiculous - when, for example, someone says “AAVE” in an ordinary social situation with no academic or political reason to use jargon, even though everyone there knows the phrase “the way Black people talk” is more elegant, useful, and true - and the moment passes and there’s this inability to look each other in the eye, when everybody starts studying their drink and clearing their throat, that’s life under kayfabe.
Getting to this is not normal. It’s not a healthy state of affairs. It can only happen when people come to believe that self-preservation requires pretending things are OK.
It is at this point that people say that “defund” does not mean “abolish,” which is true, and Defund the Police indeed does not mean “abolish the police.” Defund the police means nothing, now, though I’m sure that the people who started using it had noble intentions. At this point it’s a floating signifier, an empty slogan that people rallied around with zero understanding of what semantic content it could possibly contain. If it’s meant to be a radical demand, why use the vocabulary of an actuary? If it’s meant to mean a meaningful but strategic drawdown of resources, why use it interchangeably with “abolish”? I cannot imagine a more comprehensive failure of basic political messaging than Defund the Police. Amateur hour from beginning to end.
I take the political concept of alternatives to policing seriously, in the same way I take many political ideas seriously that are not likely achievable in my lifetime. I know there are deeply serious people who are profoundly committed to these principles and who have thought them through responsibly. I appreciate their work and become better informed from what they say. But their ideas did not reign last year. A faddish embrace of a thoughtless caricature of police abolition reigned, pushed with maximum aggression and minimal introspection by the shock troops of contemporary progressive ideas, overeducated white people with more sarcasm than sense.
Policing will not end tomorrow or next month or next year. And whoever you are, reading this, you are well aware of that fact. The odds of police abolition in any substantial portion of this country are nil. Indeed, I would say that the likelihood of meaningful reduction in policing in any large region of this country, whether measured by patrolling or funding or manpower, is small. Individual cities may reduce their police forces by a substantial fraction, and I suspect that they will not suddenly devolve into Mega-City One as a result. (Though I can’t say initial data in this regard is encouraging.) I hope we learn important lessons about intelligent and effective police reform and more sensible resource allocation from those places. But the vast majority of cities will not meaningfully change their policing budgets, due to both the legitimate lack of political will for such a thing - including in communities of color - and broken municipal politics with bad incentives.
Living under kayfabe makes you yearn for plainspoken communication, for letting the mask fall. The professed inability of progressives to understand why woke-skeptical publications like this one keep succeeding financially is itself a slice of kayfabe. They know people are paying for Substacks and podcasts and subscribing to YouTubes and Patreons because it’s exhausting to constantly spend all of your time pretending things that don’t make sense make sense, pretending that you believe things you don’t to avoid the social consequences of telling the truth.
When you’re someone who spent the past several decades arguing that the American university system is not hostile to conservative students, that it doesn’t try to force extremely contentious leftist views onto students, and then you watch this video, how do you react? I think many people, most people, even most people committed to the BLM cause, see that video and wince. That is not how we get there. Browbeating 20 year olds for not parroting your politics back at you is not how racial justice gets advanced. But if you’re caught in this moment, how do you object? Acknowledge that, yes, in fact, it is now plainly the case that many professors see it as their job to forcefully insist on the truth of deeply controversial claims to their students, berating them until they acquiesce? Well that would be an unpleasant conversation with the other parents when you pick up your kid from Montessori school. So you just choose not to see, or keep you mouth shut, or speak in a way that maintains the illusion.
I mean there is the absurdity of what she’s saying to contend with - the now fairly common view that policing was literally invented in the antebellum South purely to enforce slavery, because in ancient Rome if someone came in your house and stole your stuff you’d just be like “oh damn, that sucks.” Is there a relationship between modern policing and slavery? Of course. Does the legacy of slavery and Jim Crow infect modern policing at every point? Sure. Should we make political and policy decisions that recognize that historical influence on policing, especially given the racist reality of policing right now? Yes. But what good does it do anyone to pretend that the concept of “the police” is 250 years old? Why on earth would we get the correct shit we do believe tangled up with this bizarre shit we don’t believe? (The professor in that video does not herself honestly believe the police were invented to support African slavery in 18th and 19th century America.) Because this utterly ahistorical idea is being promulgated by people who claim to speak from a position of justice, we are forced to assign seriousness to it that it hasn’t earned, seriousness that it could never deserve. Because we live in a world of mutual delusion. Because of kayfabe.
And the fact that some will wrinkle their noses about this piece and its arguments, go about their days of progressive performance art, and pretend they don’t believe every word they just read? That’s kayfabe, my friend. That’s kayfabe. And we’re trapped in it, all of us, you and I. You know it’s all bullshit. Will you keep the code anyway? I’m willing to bet that the answer is yes.
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xwestcoastwassyx · 4 years ago
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Week #10 - Due: 10/28/2020
1) What is a Troll? What is “subcultural trolling”?
      In the class reading, The Origins of Trolling – Chapter 1: Defining Terms: The Origins and Evolution of Subcultural Trolling, by Phillips we can see that trolling has been a big issue and can be traced back to the early-mid 1990s. Trolling can be best described as individuals who use the threat of deception to purposely enrage and invade online culture (Phillips, 2015). The trolling community has created a level of discomfort due to the fact that they uninvitingly invade user blogs and other online chatrooms – such as AOL – and behave and act in disruptive ways. Phillips argues, “...even the possibility of the existence of trolls, makes community member far less likely to trust outsiders or to tolerate those who haven’t yet mastered the community’s norms” (2015). This shows that the trolling community has created anxieties and paranoias on the global, online culture.
       Subcultural trolling, on the other hand, can be referred to as a group of individuals who actively invade, harass, and threaten online blogs and chatrooms. Phillips mentions that the reason why trolls are given the term “sub-“ in “subcultural” is because “culture is already fragmented before the imposition of subcultural categories” (2015). This implies that there is a smaller group of people – within a larger culture – who share similar belief systems. However, Phillips notes, “…given trolls’ simultaneously symbiotic and exploitative relationship to mainstream culture, particularly in the context of corporate media, it seems appropriate to frame trolling as fundamentally subsidiary” (2015). Within subcultural trolling, it is noted that trolls act out in ways that are similar to those of capitalism. It is similar to capitalism because its main goal is to invade an online chatroom – or blog – and through it off (overruling) by exploiting disturbing comments, videos, or images. This subculture invades and disturbs media through exposing inappropriate nude images and other unwanted images like a person having explosive diarrhea.
2) Is it appropriate to distinguish the act of “trolling” as its own subculture within the digital media? Are the development of memes a form of capitalism?
      There is the online culture and then the subcultural trolls – the smaller cultural group that lies within the online community/culture. Trolls come together on internet blogs – like “4chan’s /b/ board” – and connect with other “trolls” to elaborate on their disruptive doings. Although internet blogs like “4chan’s /b/ board” are not responsible for the creation of Internet trolls, this blog is still home to the subcultural trolls – considering that this is where they meet up and share their ideas. The fact that there are trolls who come together on internet blogs like “4chans /b/ board” proves that it is appropriate to place trolls in their own subculture. Websites like 4chan have allowed for the subcultural trolling to exist and to establish the foundation of the meme. Phillips states, “…subcultural trolls on and around 4chan’s /b/ board were responsible for creating, or at the very least amplifying, nearly every popular meme on the Internet…” (2015). Tracing back to the correlation between internet trolls and capitalism, the creation of the meme serves a valuable purpose in the corrupt subculture because memes are being passed down by the Internet culture on social medias and blogs. For example, the people – or in this case, consumers – see an image or a video of explicit and disturbing content (a meme) on Twitter, laugh at the image, and pass it down to expose another person. This can be traced back to an act of capitalism because the internet trolls are using their creation of memes as a consumer product that is formulated to disturb and hurt the online culture. However, the meme is advertised as a funny artifact online that can be fun to engage in – sneaky and corrupt because the creation of the meme was originally structured around the threats of deception.
3) What are the main differences between “proto-“and “early-modern” trolling on Internet technologies? Were trolls a threat to the early web?
      As discussed in the class reading The Origins of Trolling – Chapter 1: Defining Terms: The Origins and Evolution of Subcultural Trolling – by Phillips – we can see that are a differences in the act of trolling between the past – or “proto-“and the current day. When the online global culture weas exposed to the act of “trolling” they did not know what is was or who was acting out on the disturbing messages. Philips argues that people online saw these “trolls” as hackers, online impersonators, or a group of people who were purposely acting out in disruptive ways – they were not given a solidified name just yet. He claims, “Because these early disruptive behaviors and people’s descriptions of these behaviors were so variable, and because there was no clear center to the trolling universe, a great deal of overlap existed between proto- and early trolling spaces…” (Phillips, 2015). This shows that trolls have continued to progress and develop into something far worse than they originally started out to be. Their threat of deception went beyond – into the development to the meme – to spread their toxic and disruptive doings in cyberspace. However, the crystallization of the term “troll” – in modern technology and cyber culture – became solidified towards the early 2000s when their presence became strong on online social medias and when they progressed into their developments and spread of the meme. As previously mentioned, the meme is advertised as a “fun”, “jokingly” image that can be passed on from internet blog to blog to spread laughter and job. That is what trolls would want you to think – this proves that they act out on corrupt behaviors that represent capitalism. Techno logical developers saw trolls as a threat to the early web because they knew the intensions of trolling were to disturb and make people who are online feel uncomfortable and unsafe. Technological platforms are supposed to make people feel like they can escape the harassment and wrongful doings that they experience offline. However, through the “proto-“exposure of trolling, we have seen that modern trolling has successfully done its job in invading chatrooms or web blogs to continue to harass online culture, creating no safe haven online or offline.  
4) Could it be possible that online trolls are members of the White Supremacists Movement?
      Leslie Jones and other black women have been victims of horrific, online abuse via social media platforms such as Twitter. In the article “A Timeline of Leslie Jones’s Horrific Online Abuse” – by Anna Silman – we can see that trolls continue to invade and hack user profiles to discriminate against them with racist remarks. The act of the “hateful meme” is mentioned by Silman when she notes that trolls hacked Leslie’s Twitter account and expose a meme of a dead gorilla, Harambe (2016). The trolls have also explicitly exposed Leslie Jones by placing nude photos of the celebrity all over her Twitter account and exposing other personal images of Jones. Leslie Jones expresses the fact that she is used to this type of abuse and states, “’What is scary about the whole thing is that the insults didn’t hurt me. Unfortunately I’m used to the insults. That’s unfortunate,” she told Meyer. “But what scared me was the injustice of a gang of people jumping against you for such a sick cause”’ (Silman, 2016). Leslie decides to stay off of Twitter for a period of time – which is a normal reaction to what anyone would do if they are a victim of hate speech. The disturbing thing about this is that Twitter’s CEO continuously mentions that he and his team are continuously “looking” into detecting hate speech on Twitters platform. However, I call this claim to be fake because the only thing the CEO of Twitter does is “temporarily” suspend the abusers account – which is not fair and could be the reason as to why these online trolls continue to act out in the ways that they do; they get no real punishment. Another famous celebrity, Gabby Douglas, becomes a victim of online trolling. She, too, is a Black woman which raises concern in my eyes. If there are trolls who act out in capitalist behaviors and act out in the forms of discrimination and racisms, it is possibly that these trolls could be members of the White Supremacist Movement. While trolls continue to “hack” and invade people’s social media accounts, internet CEOs continue to “investigate” and “temporarily suspend” the abusers account.
Bergstrom, K. (2011). Don’t feed the trolls: Shutting down debate about community expectations on Reddit.com. First Monday, 16(8). 
Phillips, W. (2015). Defining terms: The origins and evolution of subcultural trolling. This is Why We Can’t Have Nice Things: Mapping the Relationship between Online Trolling and Mainstream Culture. pp. 55-57.
Silman, A. (2016). A Timeline of Leslie Jones’s Horrific Online Abuse. The Cut: Online Harassment. 
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