#it just seems to me they missed a TON

[staledirt87]

Something that really confuses me about TotK.

What happened to EVERYTHING

I mean there's the obvious questions like where did the shrines, divine beasts, and guardians go. The guardians were repurposed, most notably in the towers, but where did everything else go? Someone in my DnD group seems to think they just threw away the divine beasts for some reason, but I doubt that heavily.

But that's not my main greivance with what they do.

What happened to the timeline? We know this happened after Skyward Sword because Hyrule has already been founded, so we know that Demise has already cursed the hero, the goddess, and himself to be infinitely reborn. The wording is something like "Every time the land of Hylia is in danger, you will be reborn to fight it." Now, I don't know about you, but the land of Hylia seemed like it was in danger when the Demon King was rampaging across it, y'know? But where was Link?? Zelda was already there, but Link sure wasn't. Did the curse just not feel like activating?

But that's not all, because unless Zelda's time machine shenanigans unlocked this whole other timeline that goes parallel to every other Zelda game, where thousands upon thousands of years pass until Ganon reawakens, then some fuckery happens. Most notably two Zeldas at all times, and two Master swords. I do think they split the timeline again though, because no NPCs comment on the sudden appearance of the Light Dragon, but that still doesn't make sense.

If there was in fact a timeline split, it would have have to have reemerged into BotW. Why? They mention the calamity. But, Zelda was present during the whole Calamity, so what the hell was going on with the Light Dragon? BotW and TotK happen in the same timeline, but that's impossible because then two Zeldas and two Master Swords would have to have been in existence at the same exact time.

Don't get me wrong, I love the game and the mechanics, but it just irks me with how much they seemed to have overlooked.

[heybaetae]

hi

[keeps-ache]

in a cafe rn. this place is nice :>

[gorps]

I miss Lauren @queernuck. It's been so long and it still stings

[silvermoon424]

Good fucking riddance to this job. I can't believe the amount of disrespect I've been conditioned to just put up with.

[godsfavoritescientist]

How do I explain the ways in which the bill origins fic 'A Romance of Many Dimensions' by haley3 rewired my brain without needing to give paragraphs upon paragraphs of context. The fic is something like 200,000 words long. Almost every single good moment calls back to things that are set up earlier in the fic

[riwrite]

confession time theres a character ive been waffling over adding to this blog for literal yrs bc i love him a lot and have even had a solo blog for him more than once but ive always struggled to get people interested in interacting with him since almost no one has cared abt his animanga since like um. checks calendar. 2016 or so. but every once in a while im struck by intense love for him i miss him so bad

[elfsyellowflowerzart]

very busy babysitting a duo of kittens (only two months old) the last few days but i shall be drawing when i return home (this includes requests)

and also if anyone wants to see the babies send an ask and i can post them in response hehe i have taken SO many photos

[orchideae]

When I approach Yelan (or anyone else I've written), I don't just look directly at her character, but I also look at her surroundings. Both the ones that she knows by some semblance of necessity, but also those that she chooses. Like here, I talked about the Chasm, and what being 'okay' with existing down there needs to mean for a character, because it's not normal. Someone's surroundings, room, or home say a lot bout who they are and what their mindset, or specifically, their perspective is of the world. And sometimes, I think it says more about people than even the characters realize.

This brings me to the topic of the city of Fontaine. Now, I personally think it's rather obvious that a lot of the nation takes from historical France, and so when looking at it, I think it really adds to remember its monarchy, the view that the 'common folk' had of it, and its inevitable demise to non-existence today in terms of importance as a result. So my first question is, who constructed or decided on its layout? Was it Furina, Neuvillette, Egeria? Whoever it was, there's a lot that can be said about their view of the world and their placement in it when you look at locations of buildings. Look at where Palais Mermonia, its governing body, is located within the city; it sits at a rather astounding elevation in comparison to, well, everything and everyone else in the city. This frequently represents the concept of 'distance' between groups in one way or another, and seeing the consistency in other nations, this is something that is rather intriguing to me, especially keeping Fontaine's characters in mind (and considering this is the nation of 'justice'). Mondstadt has everything almost entirely uniform, with arguably the church on the highest level (but it isn't greatly elevated in comparison to all else), but it's joined with the plaza and statue which are a common gathering site for all people in the city. Liyue had the gods and adepti visibly living among the humans back in the days of the Guili Assembly for reasons of 'integration' (my apologies to numerous from our dear Guizhong!) The fact that numerous adepti now live far outside of the harbor is a different matter entirely, and the one who seems to function within a semblance of separation of sorts is Ningguang with the Jade Chamber (but I'm not one to speak on behalf of her character as I don't bear the knowledge). Inazuma also has the Tenshukaku at a higher elevation in comparison to the rest of Inazuma City. Sumeru is interesting, but ultimately Nahida was kept at the very peak of the city, far out of reach of humanity— but that's exactly the common denominator that has my interest, the distance between the 'governing body' and humanity for one reason or another.

But Fontaine really takes separation to a different level in my opinion (and again, think of this when you think of the person having designed the whole city), not only because of the above which I'll elaborate more on in a moment, but also its separation from the outside world. Now, this is interesting to think about if you keep in mind that it was perhaps done in eventual protection of the city's inhabitants in terms of the prophecy (which means that this would have been constructed anywhere during or after Egeria's reign), but then why is only Palais Mermonia far above the water's reach? If the walls surrounding the city were ever breached during said prophecy, all its inhabitants are pretty much immediately caught in the flood and would drown, which tells me nothing positive of the city's 'architect' or whoever signed off on the designs. But if not done for the prophecy, then why? Stand in the middle of the Court of Fontaine and really look around you, the only sights you really have of the outside world are the sky, and it's obstructed by a fair bit of the waterways and gardens that hang overhead, which you can only properly enjoy when you take the ages long elevator to the upper level where the palace is located (which, credit due, seems freely accessible to everyone in present-time). But if you don't venture up, how much of the outside world do you get to see? It feels very secluded, very much under lock and key. On some level (and this is one of the many reasons why I think that the Meropide is so excessively important in Fontaine and it's likely why we spent so much time there; it's all to show the ever, ever important contrast and nuance between this 'autonomous nation within Fontaine' and, well, 'Fontaine'), it almost feels like a prison, regardless of how pretty it may look or come across (and despite not 'lacking rights'). And considering how people in the Meropide speak of not always wanting to return back to the 'overworld' following their sentence, I think that there's definitely quite a bit of truth in that. But again, stand there and look around for yourself.

Now to return to the original topic, but keeping the last one in mind as well, look at one other thing that I'm unsure how many have really kept an eye on: the massive effect Palais Mermonia's level has on the rest of the area (inside and outside of its walls). Have you ever walked through the city of Fontaine at any given time of day or night, north to south, east to west, clockwise or counter-clockwise circling through it; have you ever seen how it overshadows an immense part of the streets below it either entirely on its own (which to me signifies a very domineering presence), or together with those outer walls that surround the city? I know how I've spoken thoroughly with people before about how much I enjoy Fontaine and how dark it is in its storytelling, but despite how gorgeous this region with its water- and landscapes are; its city bears quite a heavy weight to me. I don't know who designed it, or ordered it to be constructed in this way, but nothing about the city itself truly, rationally, shows a healthy perspective versus its citizens.

Me: /continues on to ramble in tags because I'm me and I'm a nuisance with always more to say than I know how to coherently put into these posts.

[icewindandboringhorror]

Everytime I face a new character limit on a website that didn't have them before/used to have really long ones... AUGHHhhh the modern social media world was not made for people like me (lovers of details, rambling, elaboration, thorough explanation, and nuance)

[lucalicatteart]

Poll adventure (paventure? lol) Day 15: read the small story tidbit below the poll for more details, OR just vote based on initial impression

(✦ see past poll results + further information HERE (link) ✦)

Yesterday's poll decided that The Adventurer should purchase some new shoes for himself while he's in the city...

~

It costs quite a bit of coin, but in the end he decides that having a new sturdy pair of boots will serve him well on his travels. After he's done in the shop, he rushes back to the local inn before nightfall, eventually settling into a somewhat restless sleep..

The next morning, he orders some cheap vegetable stew from a food stall, then lounges in a park as he has his breakfast, watching the squirrels weave through flowering trees and birds pecking about in the dewy grass.. When finished with his meal (and sufficiently recovered from the emotional turmoil of burning his tongue on the soup), he quickly sells his old pair of shoes to a sketchy pawn shop before finally getting back to his journey...

By his calculations, if he he walks all day, it should only be two more sleeps before he gets to his destination, so he sets out to travel as efficiently as possible. He doesn't have the money to rent a cart, or the skill to ride a borrowed horse, but, he does have some fancy new walking shoes and a renewed sense of purpose. No more meandering through fields looking for flowers, napping in the shade, or scanning the ground for cool rocks.. He's going to focus this time!

......After a few hours, he comes across a broken down carriage in the middle of the road, with few people surrounding it, seemingly stuck trying to repair a wheel or something. It's hard to discern from afar..

Maybe if he helps them, he could get a free ride.. or some coins.. or make a new lifelong friend! Who knows? Possibilities flood his mind, this is what adventuring is all about! Wandering into interesting situations and making the most out of them!! .. But, then he recalls his previous oath.. he's supposed to focus today and not allow himself to sidetracked.. And who says he has the skills to help anyway? It could always just be a waste of time... Hmm...

What should he do?

~

~

Additional Information

the adventurer's current main quest: follow his map to reach the abandoned castle ruins and see the rare animal specialist about the mysterious egg he has

[deus-ex-mona]

man.

something midosena never prepared me for was just how comfortable the train seats are

[astrxealis]

LARS RED MAGE CAME HOME OH MY GOD

[whisperedscripts]

i am trying so hard to just let this flow and unravel on its own, trying to remember you are just busy and silence the anxiety, but it feels impossible when i feel like you keep forgetting about me or have better things to do than speak to me

[imgonnagetyoubacktv]

sometimes i miss talking to that one person who didn't NEVER turned it into a competition about who has it worse and never told me well atleast you have [x]

[floral-hex]

RAT WARS preorder arrived. This is pretty much the only album I’ve been listening to since December. Every time I try to shift to another album or band, I just end up coming back to this beast.