#it just happened to be what i wanted to rewatch at the time and i decided to kill two birds with one stone so to speak

[icarusredwings]

hey!! do you think wade would like princess and the frog (2009)? it's my all time fav movie and i absolutely love rewatching it every once in a while (when i start forgetting it again 'x3)

All of them absolutely LOVE this movie. This is an all ages kind of movie. He asks for it by name most times calling it "Princess Tia" or "The froggies"

Older wade is completely obsessed with the way Naveen flirts with her, stares at her, tries his best after getting to know her. He's pointed out the wedding scene SO many times to Logan that it started making him a little nervous. It's quite obvious what he wanted and he was in the part of their relationship where he was scared because the last time he had a wife she betrayed him and died. He doesn't want to feel like hes replacing her either so he just swallows and silently nods. "Y-yeah.. pretty, huh?" Wade will nod with the biggest smile "Mhm!!"

He loves everything about it! He loves how Tiana came from a poor household and yet was still so full of love (he wished he had that) he loves the princess aspects of it, all of it, he thinks lottie is funny, he likes the shadowman to the point Nessa's wade giggles when ever hes on screen, logan's wade loves Mama ooni even though she's kinda weird and blind but any blind character in his head is Al and it makes him so happy when she helps the frogs, He likes that Naveen would give up his royal life just to dance and play music, he LOVES Raymond's and Evangeline's parts, he knows shes the moon and sometimes after watching this, he'll stick half his body out the window to tell her (the moon) goodnight.

"Wolvie says it's bedtime. Night night Evangeline!"

"Get in here!! You're going to fall out the damn window!" (Which has happened before)

"Oh- I have to go. Kitty's mad at me again. Night night! Don't let the bed bugs bi-"

"WADE!"

"Bye!"

Its also a little uncomfortable for him to talk about their relationship while he was like this. It felt unfair and the idea of him being intimate with a kid who was clapping and giggling over Tia finally getting her business made him feel like Lottie in that one scene where shes dancing with Naveens younger brother. "How old are you again??" "Im 6!" "Ah-..."

[downbaddetective]

I'm finally coming back to one of my previous posts. (Thank you to @m-eowdy for the reminder to finish the thought. I'm sorry if it's a little disappointing after the wait.)

Specifically these two shots of Edwin being completely covered in our two most important colors, because the symbolism here is significant to me.

I lost the original thoughts that I had (unfortunately migraines make me forget things) and by the time I was feeling kind of okay I knew that there were things I wanted to say but couldn't remember how. So, instead, I sat and rewatched the show, taking notes so that I could make sure that I wasn't making anything up.

So, color symbolism in this show is so stupidly important, and it's called out by characters in universe (thank you, Niko). We obviously see our characters in their colors, Edwin in blue, Charles in red, Crystal in purple, and Niko in pink. But it's also not that cut and dry. Edwin, in all reality, is very grey, Crystal wears a lot of different colors, and so does Niko. Obviously, part of that is because the girls aren't dead and have to change their clothes, but the colors that are worn are still significant to their state of mind and the events happening around them. With Edwin and Charles, it's very similar, though a little different. Charles' red gets darker as he is more and more affected by what happens at the Devlin house. Edwin, though, barely shows his blues most of the time, but when he becomes vulnerable, he sheds his grey layers, and we see it a lot more.

Now, I think that it's worth mentioning that Edwin and Charles swap their afterlife colors, so when they look at each other, they see their afterlife. The red and blue also give us clues as to things that they're hiding. Red being often associated with anger and blue with sadness. That being said, I'm now getting to the symbolism in the fact that Edwin is one of two* characters to be washed in both hell's red and death's (heaven's?) blue like this.

Edwin's entire journey is kind of impeded by the fear of getting caught by the afterlife and being sent back to hell. Red is his constant source of fear, hell being the biggest example, but Charles in his red is also the cause of Edwin's issues. Charles is the reason why both the Cat King and Monty have some type of red associated with them during interactions with Edwin. These colors are omens for Edwin. Charles essentially shared his blue afterlife light with him. They were meant to be detectives together, and that's where it all starts, right there in that attic. The red, on the other hand, is indicative of the bullshitery that is incoming, including the worst-case scenario, aka BEING DRAGGED BACK TO HELL. RIGHT THERE. IN THE APARTMENT THAT THEY GO LOOK AT RIGHT AFTER THIS. (Even though it is definitely at least partially his own darn fault.) The fact that we see these two scenes out of order also indicates that by the end of it all Edwin has overcome the previously stated bullshitery. We see Edwin interact with these two colors as a collective much more in the show, and it's seems it's because this was Edwin's time to learn and grow, and I suspect that if we get a season two at some point, we will see that flip so that Charles can have his turn.

All in all, I am absolutely in love with the colors in this show and I will probably have more to say later but I wanted to finish at least this part of the color analysis so that I could have a resolution to the previous post. I don't think I was able to recover all of my original thoughts about the significance of these two, but I think I got a pretty good chunk of it. I do want to say that I've seen the other color analyses floating around. I will be taking a look at some point, but before doing my own, I will be avoiding them for now because I want to write about my own perception rather than accidentally just stealing other peoples work.

(* Ngl, a little worried about Jenny if we ever see a season two)

[lemotmo]

I'm not sure how you feel about getting these anymore but I thought this was hilarious so wanted to share for you at least to read even if you don't want to post. 😊

Q. I really was trying to hold onto the belief that the show wasn't going to make Eddie gay but it's really hard to see what other storyline is possible given those latest Ryan interviews. I would love to say gay or not the show would just keep Buck and Eddie as platonic best friends but there is zero chance of the show not pairing them together. They really did just use my man as filler until they were ready to tell the Eddie story. That's so gross.

A. Well, anon that's the point of a plot device. Their only reason for being is to move a larger story forward. By definition their filler characters. They have no individual significance or purpose. Their purpose is the story they're being used in. I've been telling you this for months now. Many of us have. He was never going to be anything more than a plot device. The show wasn't subtle about it either. It's been pretty much a connect the dots picture of plot device usage. Go back and watch his scenes in season 7 with this new found realization and I promise it will not be hard to see. And I agree, especially with the context the latest Ryan interviews gave, there's really not any other story it could be. He also confirmed they're not turning him into the new Bobby, and he's not siding with Gerard. So it was nice of him to debunk the latest round of ridiculous takes during the interview. If I could offer you a suggestion though I would encourage you to give the story a chance. If you pay attention to Eddie, and not your fandom people telling you to hate him, you will like him. After all there's a reason you all tried to hijack his entire backstory and history for Tommy. Let yourself enjoy the character those things actually belong too. Let yourself enjoy the actual story.

Oh Nonny! I feel joyous and happy whenever I get another of these posts in my ask box. While I'm asking people to not ask Ali any questions through my blog, I'm still perfectly happy posting her asks here. 😋

Especially since, for most of us, this is the only way to read Ali's posts and we do love her posts very much. So don't hesitate to drop something in my ask box. The only things I don't post about are the direct posts about the BT fandom, but Ali has told me she isn't replying to those posts anymore anyway, so that eliminates that problem.

As for the ask itself...

Yeah, so many of us have been saying this since day one. Tommy was only ever there to help Buck out of that closet. He was never really meant to be anything more than that. Sure, the change of the storyline because of the early renewal, gave Tommy some more time on the show, but that's where it ends.

So yeah, going back to rewatch the previous seasons, knowing what you know now? It will change the way you see Eddie and Eddie and Buck's friendship and maybe you'll find some joy in them. Just let it happen.

IMPORTANT! Please don't repost this ask and/or a link that leads straight to my Tumblr account on Twitter or any other social media. Thank you!

Heads up! For anyone who is giving me the shifty eyes for reposting Ali's updates instead of reblogging. Read this.

Remember, no hate in comments, reblogs or inboxes. Let's keep it civil and respectful. Thank you.

If you are interested in more of Ali’s posts, you can find all of her posts so far under the tag: anonymous blog I love.

[vindicated-truth]

I think what bothers me the most about Jeongje in rewatching now, after knowing everything, is that he seemed to care so little for Yuyeon in the end, despite the fact that she had actually been his lover.

Regardless of whether or not he was truly in love with Yuyeon, what he did to her specifically was cold and unforgivable. Dongsik and his family suffering had only been secondary to her actual death.

More than Jeongje not caring enough about Dongsik's suffering to face the truth himself, it's the fact that he didn't seem to care enough about Yuyeon herself—the woman he supposedly actually loved.

Yuyeon loved him too, and trusted him. Enough to keep their relationship going even behind her own twin brother's back. And this is what she got in the end.

This isn't to belittle the fact that Jeongje was a victim himself, because his mother is the true evil in the whole situation. And I do completely agree that Jeongje himself deserved better, too.

But it's not mutually exclusive to the fact that Yuyeon herself deserved to be treated better by Jeongje himself.

Because I would've thought—would've expected, even—that regardless of whether or not Jeongje played an active part in her death, whether or not he was the actual perpetrator, I would've expected for him to have loved her enough—or at the very least, cared for her enough—to want to know what happened to her too.

To fight for justice on her behalf too, just like her twin brother was doing all this time.

Beyond Evil paints such a bleak but entirely realistic picture of how women in society are treated, and it remains true even in this:

Sometimes it's their own boyfriends who let them down the most.

[vidavalor]

Hello lovely! I'm wondering if you have any thoughts about Maggie in Final1 5? Isn't it weird that she wants to go back to talk to Az and Crowley while Nina's working? Something about it feels off to me.

Hello right back. 💕 There's chamomile mint tea and shortbread since we're on a Maggie theme, if you'd like some. Maggie's behavior from that scene on is super fucking weird, I agree.

Before the milk run-- when Maggie becomes the only involved character whom we lose track of a bit during The Final 15-- versus how she behaves when she returns is so strange as to be something that I consider maybe additional proof that things are not at all what they seem to be in The Final 15.

On Maggie and Crowley's weird Final 15 behavior, a possible meaning to all the allusions to robbery in S2, and what Maggie and Nina might be able to tell us about what happened at the end of S2.

TW: brief mentions of show's non-consensual possession/rape analogy.

Think for a moment about how truly weird Maggie's request for her and Nina to go back to the bookshop in that moment actually is...

It's only been a matter of minutes since Maggie and Nina were basically hostages in the bookshop who were almost killed by Michael and Saraqael. Crowley saved their lives in getting them out of the shop maybe, what? It's been a minute since I rewatched that bit of it but it couldn't have been more than 15 minutes prior?

The beings in the shop but for Maggie and Nina are supernatural and so left magically without using the door but while we the audience know that these people are no longer in the shop because we were watching it, Maggie and Nina do not know that. When Maggie suggests to Nina that they go talk to Crowley and Aziraphale, they have no way of knowing if the beings that just tried to kill them are still in the shop. They didn't even see Aziraphale leave with Whoever Derek Jacobi Is Playing yet because Nina was all "where's the other one?" to Crowley when they arrived back in the shop.

Maggie is literally like: Nina, I know you opened the business you own late and are the only one working right now and have a line of 20 people waiting for their morning, pre-work coffee but what if-- just hear me out-- we just made them wait an indefinite amount of time to voluntarily go back into the place where we nearly died a matter of minutes ago that could still be full of the people who wanted us dead and we did this for no other purpose than just to tell off my beloved adopted godfather and his partner, who just risked harm to save both our lives? And to maybe then also stick our noses into their love lives in return or something?

I mean... WHAT?!?! lol

Consider, even, how even more weird that is when Maggie, just *prior* to having gone to the mini-mart, had never been more on the same page with Nina and never more understanding?

She sacrificed her own want to go sleep behind the counter of her shop to offer to help Nina. It's a big moment of change in their relationship and shows a lot of growth for Maggie. She's gone from someone who is caring but has a tendency to only think about how things make her feel to seeing things from Nina's perspective. She's matured through the season into being someone more ready to be a partner to Nina. Maggie offering to help Nina with her morning rush-- and Nina accepting the help-- is the sweet, romantic moment showing that these two are heading in a positive direction, both individually and together.

When Maggie gets back with the milk, though? After she's been out of our sight for a few minutes? She's behaving very differently.

During S2, Maggie is shown to be a pretty guileless character. She might have the occasional judgemental moment but she's not deceptive or tricky and she really wouldn't hurt a fly. When Maggie comes back from the milk run, though, her insistence on Nina dropping everything and going with her in that moment is not just weird behavior but manipulative in a way that could not be more out of character for Maggie.

Nina has been in an abusive relationship where she was afraid of displeasing Lindsay. Maggie is aware of this, as it's been the subject of multiple conversations between them throughout the season. So, when Maggie gets so bizarrely insistent on Nina dropping her work-- her livelihood, her purpose, her job-- to meet Maggie's demands in that moment? When this isn't an emergency of any kind and isn't at all time-sensitive and there is no objective reason why Nina should be halting her job to do what Maggie wants in this moment? Maggie is being controlling in a Lindsay-like way. She keeps at it, knowing that Nina will give in and agree to go with her because Nina is used to doing that with her partner.

Nina hesitates and isn't sure whether or not to go with Maggie for a moment and I don't really blame her? This is the complete opposite behavior to Maggie before she left for the mini-mart. Maggie is suddenly acting quite a lot like her polar opposite-- the Lucifer-and-Heaven-paralleling Lindsay.

Maggie is also literally on Nina's shoulder like a devil the whole time in the scene in which she's convincing her to step away from the shop and go across the street with her to the other shop for a chat and...

...listen to what we just said there...

...it's a parallel to the thing that Whoever Derek Jacobi Is Playing is doing with Aziraphale, is it not?

So, what happened on the milk run?

Who did Maggie run into at the mini-mart that we couldn't see in the ending of S2 without it giving the game away? I wouldn't be surprised if, on this mirror-happy show, on the other side of learning in S3 that it was The Devil with the coffee in the bookshop in The Final 15, we also had a scene that showed that, while on her milk run, Maggie had a run-in with Sister Teresa's killer.

Did Hastur possess Maggie as part of Satan's plan? Was the idea to use Maggie and Nina to further trip Crowley and Aziraphale towards disaster to get Aziraphale? If so, it kind of half-worked. I'm not convinced that anything Maggie and Nina said to Crowley really mattered-- I think they weren't telling him anything he didn't already know or feel and that it's largely misdirection for the audience. What was effective, though, was the impression Aziraphale got upon seeing them leave as he was coming in.

Maggie and Nina being back in there at this weird time and then rushing out with smiles and comments like that they were "just leaving" and they were sure Crowley and Aziraphale had "a lot to discuss" seem to have led Aziraphale to assume that Crowley had asked them to come back and to the conclusion that he must have done so to tell them of his intent to ask Aziraphale to marry him. It's Maggie and Nina leaving the shop that reinforce to Aziraphale the idea that, when Crowley stands up afterwards, takes off his glasses, and says he supposes he has "something to say", that Crowley is only trying to communicate a proposal and not a plan.

It's what helps-- big time-- to lead Aziraphale to not listen for a shred of coded language for the entire scene. Neither he nor Crowley are listening for that with one another, which is why neither of them can truly understand what the other is saying, but Aziraphale's part of that is really fucked to Hell by the presence of Maggie and Nina in the shop when he came back. That's all pretty suspicious since Maggie was out of our sight for a few moments and came back fixated on the idea that she and Nina needed to go to the bookshop right that very moment and that it couldn't wait.

The Final 15 is a dark parallel to The Baby Swap plot and Maggie and Nina are full of shadows of Sisters Mary and Teresa to a point that the final shots of both of them in the series are mirror images of the final shots of their S1 characters. Nina looking through glass at Crowley departing is the last shot of Sister Mary both in 2008 and 2019, while Maggie's last shot?

To me, it's one of the most eerie moments in the entire series because of how much it visually resembles Sister Teresa's death.

Basically two minutes after we hear about The Second Coming... in the same season where Maggie and Nina's partial-vavoom gives way to a (possessed?) Gabriel saying: the dead will leave their graves and walk the Earth once more... we are shown Crowley and Aziraphale's apparent adopted goddaughter unresponsive on the counter of her shop.

Is Maggie dead?

Is Maggie asleep, like we were led to believe she wanted to do earlier in the episode? Maybe. Is she comatose/unconscious? Maybe. It's just that, best I can tell, she does not take a breath during the shot which I feel had to be intentional on the part of Maggie Service, and she's in the same position as we last saw Sister Teresa in S1...

Then, there's the robbery theme and how Maggie and Nina foreshadow so much of the end of S2 back in this scene here:

In Good Omens, the shop is the character. Maggie is, symbolically, the records she sells. The show also explains that Maggie's shop used to be a part of the bookshop. Now, there are three characters, not two, who are A.Z. Fell & Co.: Aziraphale, Crowley and Maggie. At the same time, Aziraphale is also The Small Back Room. The shops are intertwined as the characters are, essentially, family in the story. The fate of one is the fate of the other, which makes what Maggie and Nina foreshadow when talking about Maggie's shop while trapped together in Nina's not just the fate of Maggie's shop in S2 but also of the bookshop.

Maggie says that if she can't close the door to her shop, someone could walk in and take records. Maggie is the records she sells so, symbolically, this means someone could take Maggie. We got a bit of a preview of that when Shax appeared to get into her mind during the attack on the bookshop and Maggie also became the one who unintentionally "let the robbers in."

These robbers, Maggie frets... they could empty her till-- take all her money on a literal level... take her mind, or maybe even her life, on another. (Not to mention the now chill-inducing use of money-related words and coins with regards to the paralleling Crowley...) These robbers could take forcible ownership of Maggie's shop-- so, of Maggie. Maggie's shop was born of the bookshop... so, they could take forcible ownership of the bookshop, too.

Not just the physical bookshop, though that, too. The symbolic bookshop. Which is not only Aziraphale but Crowley and Aziraphale.

But, if The Small Back Room was originally part of the bookshop, then the bookshop really isn't just Crowley and Aziraphale-- it's Crowley, Aziraphale and Maggie.

If the robbers come for the bookshop, they've also come for The Small Back Room because it is all born of the same, symbolic shop.

Is that what they did?

Is that why Maggie is last shown to us non-responsive in her shop?

Now, Nina's even more foreshadowing reply:

Nina said that, if she owned a record shop, she'd be more concerned about "someone breaking in and leaving more records behind."

What are records? They're the literal records in the musical and old film sense that Maggie sells, yes, and also Maggie herself. They're also books, like what Aziraphale sells, and Aziraphale himself. But they're also a third thing that's very much of note in S2.

They're also the life's work of a scrivener, like what Muriel does.

Nina foreshadows someone breaking in and leaving "more records behind"... which is exactly what happens in The Final 15.

Elspeth's graverobbing. Bildad stealing Job and Sitis' wine and food. The 1810 Clerkenwell Diamond Robbery. Aziraphale having the missing Shakespeare Robin Hood play in the box in 2.06. The robbery-based fantasy Aziraphale was telling Crowley in Lockdown: ...the other night, when a couple of young lads broke into the back and tried to steal the cash(cache)box!

The Final 15 is a robbery.

The last two episodes see the shop attacked during The Meeting Ball and into the next morning. Aziraphale is robbed blind of his entire life. Characters are taken hostage. Signals for help are tried and fail. The cop, it turns out, was a stooge for the robbers. Whoever Derek Jacobi Is Playing broke in through the open door and robbed the place blind, as Maggie foreshadowed. As Nina foreshadowed he would, what did the robber leave behind?

More records. Muriel.

To rob, as we know, is to steal. It's to plunder or strip a place from someone through force and/or violence. That is why it was once, in addition to being descriptive of physical goods stolen from a person, also a word that was used for rape, for which non-consensual possession has been analogous since the show's first episode. That is why some of us think that the music goes insane on the look to Crowley in the scene below. Satan is robbing Crowley-- forcing him to identify him as The Metatron to Aziraphale and the angels and to let Aziraphale go alone with him.

Satan attacked Crowley in front of Aziraphale and, while Aziraphale pretended he didn't see it, he did, which is why he led "The Metatron" straight out the door in an effort to get him away from Crowley. Because, speaking of characters behaving very weirdly... anyone have a better explanation for why guard dog Crowley sat in that chair like he couldn't get out of it and encouraged Aziraphale to go alone with a guy who once tried to kill them? It just doesn't make any sense unless his words are not really his own and there's only one character we've seen do that to him.

And if Crowley's not the only one behaving out of character, then what else happened to Maggie at the mini-mart but something similar?

What happened in The Final 15? Satan robbed the bookshop.

He and The Metatron don't give a toss about the shop itself and plan to destroy it alongside everything else once Armageddon gets rocking. They're there to get Crowley and Aziraphale out of the way for Armageddon by dividing and conquering. Just because we've yet to see blood doesn't mean this wasn't robbery by force.

Satan took hostages at the start-- letting the ones go he didn't care about go and keeping the ones most likely to influence the shop's owner: Crowley and Muriel.

Satan and The Metatron sacrificed Muriel to their plan, not caring if Muriel explodes along with the shop when they kick off Armageddon a matter of *checks watch* basically any minute now after S2. We think Muriel is better off in the shop at the end of S2 but I'm not totally sure they are. I think it actually might be one of the most dangerous places to be in right now. The bookshop didn't burn down this time-- it was burned as safe space in every possible way. It's a crime scene.

The Metatron and Satan are here for revenge. The Metatron is letting Satan have Aziraphale to get Crowley and Aziraphale out of the way for Armageddon. There is no real job offer-- it's all Satan tempting Aziraphale into falling. Satan's revenge on Crowley and Aziraphale is to force Crowley to help him take Aziraphale right out from under his nose. That's the start of it, anyway.

Besides Armageddon and daring to have a relationship and a sense of self outside of the demonic collective of Hell what is Satan really pissed at Crowley and Aziraphale about?

His kid. Adam. Crowley and Aziraphale helping Adam against him.

If Satan has been lying in wait, still very, very angry at Crowley and Aziraphale for turning his son against him and if he's now here for revenge, then who else besides Aziraphale is then most in peril here?

Yes, my Job-and-Sitis-paralleling poppet... your big, cross duck and your kids are most imperiled here and S2 showed us that your kids are not just humanity writ large but, specifically, Maggie. The Small Back Room is of the bookshop that is you and Crowley. Maggie is your Adam. Will Satan come after your daughter? It's a concept posed in your paralleling/foreshadowing story earlier in the season... actually, it was also the entire plot of that paralleling story earlier in the season as well...

I feel like not going with Ennon and Keziah's theories on Satan's behavior is probably the best way to form a Good Omens theory 😂 so I'll stick with the idea that Satan very much would dare leave a revenge body count of Crowley and Aziraphale's adopted kids, as the Job minisode proved he'd do even with the spawn of "God's favorite human", let alone anybody else.

As, speaking of foreshadowing lines, this is really even more S2 than it was about S1:

Satan will even have a whole pseudo-philosophical chat about it with you first, amused that he's standing in a place called Give Me Coffee or Give Me Death and ordering a coffee while the plan is likely for this place, the women making him the coffee, and everyone on this street and on most of the planet to be dead by tomorrow.

Maggie is the only character who actually asked for coffee using that exact word in S2.

[mama-qwerty]

Okay, so I'm working on the next chapter of Lost and Found, and rewatched the little Master Emerald backstory scene for details.

I just noticed something.

Tails said that with the Master Emerald, "a single warrior could defeat entire armies".

Could.

That's not the same as did.

I know it's speculated that this version of what happened wasn't the full truth, as history is written by the victors and all that. So it's very likely that the owls aren't the benevolent heroes that Sonic and Tails were led to believe. And they read this account in an owl temple, which would of course make the owls out to be the good guys, and the echidna out to be the bad guys, with no gray area in between.

Now, based on game lore, we know that the echidna did go after the Master Emerald with the intention of using its power for themselves. But movie lore isn't the same, or at least isn't following the same beat-for-beat game story. So there could be some play there.

Another thing that pokes at me is the masks the echidna from all those years ago wear. They look suspiciously bird-like to me, in much the same vein as the ones Knuckles' tribe wore more recently. With the latter, you could see that as an "I'll wear the skin of my enemies to scare them in battle" kinda thing, but why would echidna from ages ago wear bird masks, if they didn't already have a beef with the owls?

So maybe the owls and echidna were already beefing, and in an attempt to either defend themselves, or end the war before more blood was shed, the echidna formed the Master Emerald. This scared the owls shitless, and they decided nuh uh, that ain't fair, and decided to remove the ME from the echidna and just hide it away, thereby doing an about face and making themselves out to be such kindly and good-hearted folks to have 'saved the galaxy' from the 'horrible danger' that the echidna presented.

Or

The owls were the ones who coerced the echidna into forming the Master Emerald in the first place.

Maybe the two species coexisted in peace for the most part, but there was a faction of the owls that wanted more. Maybe the echidna at the time were more pacifists, and content with guarding or protecting the island and gems more than anything.

Maybe there was an order of echidna that trained under the owls as warriors, under the guise of becoming better guardians for those they protected. They didn't seek power or want to conquer, they simply wanted to keep their loved ones and home safe.

But the owls took advantage of this desire, and convinced them to form the seven chaos emeralds into a single gem, one that held unimaginable power. One the owls hoped to use as a weapon, perhaps against the echidna themselves.

Once the ME was formed, it grew too powerful, too tempting for the echidna to resist, and one single echidna warrior became fused with it, possibly by accident, becoming more powerful than any before.

The owls, not wanting to fess up to being the ones who planted the idea for the echidna to do this, stepped up as the heroes of the galaxy, bravely fighting this power mad echidna for the good of all.

The echidna, feeling betrayed, now have a royal beef with the owls, and vow to retrieve what they'd been tricked into creating, and then had stolen away from them. So they truly were looking to restore their honor, because the owls had taken advantage of them, and pushed them to do something that went against their very nature and code.

I hope this makes sense, I'm just spitballing off the top of my head.

I don't know if we'll ever discover the whole truth to what happened when the ME was formed, but am certain that there's no clear good and bad in this.

[brainrotcharacters]

"I walked away. They called after me and I walked away. I always do."

[pa-pa-plasma]

hey i feel like we're really sleeping on that time Danny possessed Vlad & framed him for assaulting a minor

Editing with the clip because people don't believe me. Episode is 41: Eye for an Eye.

[only-lonely-www]

So basically ATLA brain rot has hit me like a truck

[magicaldragons]

the promise.

deva knew exactly what he was doing when he made that promise to Varadha.

Only for you, when you call me, I'll come back.

That promise, even though it was made for Varadha, was Deva's selfish desire to tie Varadha to him – to make sure Varadha wouldn't be able to leave him within the past.

Deva knew that Varadha was the realistic one of the both of them, the kind of person to put his head down, understand a situation, and accept the constraints he had to live within.

Even as a child, Deva understood so well that, if he didn't leave a life line for Varadha to hold onto, Varadha would force himself to accept their separation, and wouldn't strive for more, especially with how self-sacrificing Varadha was.

Deva's mother asked Deva to forget Khansaar – asked him to let go of everything associated with the place – and Deva knew that the situation they were in would require Varadha to forget Deva's existence too, for Deva's sake and his own.

Deva offering Varadha that promise was his only way of saying, 'I won't let you forget me.' and it worked.

The seed Deva planted within Varadha functioned exactly as Deva knew it would, and it definitely tempted Varadha countless times to call for Deva. It kept the idea of Deva being a part of Varadha's future alive in Varadha's mind.

Of course, Deva didn't count on Varadha holding himself back for twenty-five years, but it's why Deva was so confident Varadha would definitely call for him at some point.

[nikolas-ghostbusters-fixation]

Something I've been thinking a lot about lately is how everyone thought Egon had gone insane. What Happened that made them think that. They've fought a gigantic Stay Puft Marshmellow Man TWICE (counting the 2009 video game because iirc it's canon? Correct me if I'm wrong), fought an interdimensional god, fought a blood thirsty ruler that killed thousands and was hated by all that was trapped in a painting (and managed to get in to beat him by making THE STATUE OF LIBERTY start walking down the street with slime that reacted purely based on vibes), found an underground abandoned transit system full of the moodslime, had a bathtub try to eat Dana and her baby, fought a giant murderous black widow lady, fought the fisherman ghost who turned an entire hotel floor into the bottom of a ocean, and that's not even mentioning them getting trapped on an island that randomly raised up from underwater that had been abandoned for decades created by Ivor Shandor who worshipped Gozer. So what did he do or say that made everyone else think he'd gone insane?? All I can think is maybe he was acting strange / eratic before, but he's always been like that to some degree.

I don't know. It's something that I've been thinking about. The correct answer is 'it's not that deep and they needed a reason that the others weren't together anymore and weren't aware of Egons death or know what was going on,' but also. What Was He Saying that prompted everyone, including Ray, to think he lost his mind when he'd been right almost every time before that.

I'm genuinely so curious as to what he was up to before this. What was he doing. What insane idea was working on prior to this or was he even working on anything at all??

Also want to clarify this post isn't negative 😭 I really love the newer movies and their lore / the newer storyline / characters, I just like thinking about small stupid things like this. Gives me something to think about / speculate about / figure out an answer to.

[rhymaes]

The Untamed, Ep. 11 // The Untamed, Ep. 48

[beaulesbian]

Trigun Stampede s01 || Vash + the reflection on his glasses

(edit: added one i missed)

( @crazymadredfox​ thank you for the mention of this part!)

[beeduoo]

originnssssss who remembers origins i Loved origins

[vamprlestat]

design for the track ‘fall for me’ by sleep token | whale fall | from here to eternity, caitlin doughty | midtnight mass, mike flanagan | the amber spyglass, philip pullman

[bisamwilson]

Okay, fun SamBucky ask game!! Send this to five other people to keep it going ✨ Say one of your favorite things about SamBucky, your favorite SamBucky headcanon, or write a tiny microfic. Have a wonderful day!! 💕

Sam is proud to say he doesn’t flinch when he comes home to find the Winter Soldier on his couch.

The lights are off, the sun’s gone down, and Sam probably would’ve missed him if he hadn’t noticed his barbecue sauce missing from the top of the fridge of all things.

He should probably ask why the world’s deadliest assassin is sitting cross-legged on his couch, his hair tied back in a low bun and wearing one of Sam’s henleys and a pair of his old army sweats in a way that tells him he’s probably been staying here for a few days while Sam had been out searching the world for him with Steve. Instead he asks, “Did you use all my barbecue sauce? It’s polite to replace things you use if you’re gonna stay at someone’s house, you know?”

The Soldier looks up at him and shakes his head, wrinkles his nose, and Sam thinks maybe he should start calling him Bucky in his own head. “I put it in the fridge. It goes bad when you leave it out like that once it’s open.”

Sam blows a puff of air out of his nose, amused but not willing to laugh just yet. “Are you my roommate now? Any other habits you don’t care for?”

Bucky shakes his head again, just slightly enough for Sam to barely catch it in the dark. “You have a comfortable couch.”

Sam sighs and goes to the hall closet to get him a blanket. He wonders if being the retired fist of HYDRA makes enough to split rent 50/50.