#it is a fucking PROMISE

[yourdoorisunlocked]

🚨BABYGIRL ALERT🚨

This man needs to be studied in a fucking museum, and I nominate myself to be the head researcher.

[wanderingcritter]

god gives his most niche fandoms to his most autistic warriors

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[bixels]

I watched Starship Troopers tonight.

[rogueshadeaux]

“I hate the script, the vault dwellers sound so cheesy—“ my Brother in Steel you realize that’s the point, right? They were bred to act like the physical embodiment of an HR e-mail. Did you not catch the memo that Vault-Tec put out regarding their experiment facilities?

[inbabylontheywept]

by tradition, the first day of the camp was spent pranking the group next to us. our prank was ziptying the zippers on their sleeping bags together. we figured one of them would sleep with a knife, because we all slept with knives, because we were dangerous maniacs and half the danger of a dangerous maniac is that they tend to think that they are Actually Normal. so. obviously that didn't pan out, and instead they got stuck in their sleeping bags for like half an hour and because their scoutmaster slept in their car and couldn't hear them yelling, they actually only got out when one of them went full caged animal and chewed through the plastic. which meant they had time to make it to the axe throwing station, but they did miss breakfast.

the scale of our victory was impossible to understate. it was an epic prank. unrivaled. the best in years. we knew they were going to retaliate, and we both feared and craved it. maybe i'm still a maniac, but that feels like a common thing, right? do well adjusted people that are not maniacs crave Judgement?

(serious answers only please, from people who would never spoon a knife.)

anyway, the next day we got back to our camp, and the neighors had skipped dinner to just come back and fill all our tents with pinecones. which was like, a decent prank, i guess, but it probably took them an hour to fill all the tents up, and it took us like 15 minutes to tip the tents out, and as a return volley to the ziptie prank it was incredibly underwhelming. we felt a little cheated.

so our scouting group held a council, and we agreed, unanimously, that our prank was 100% better and theirs sucked and that there would be no escalating tensions because we were the clear victors. they'd had their chance to retaliate, and they failed, and so the war was over. that was it.

we agreed on this. we swore. but madness is a relative thing, and in our group of maniacs, we still had J. i have many, many J stories. too many. i biked up to school with him from 4th grade to 8th, and i saw him get hit by cars thrice. he'd just swerve into the road sometimes. one time on a rainy day in 4th grade, a car splashed me, and before i could even consider my response J yelled I GOT THIS and then he blitzed off after the car. i didn't see him the rest of the day. i was so anxious i barely slept that night. i saw him the next morning and he told me that he'd chased the car until it got to a gated community and then he'd climbed over the fence and looked in peoples garages until he found the one with the car, and then he'd ripped the hood ornament off and broke their window. then he gave me a hood ornament to a different brand of car from the one that splashed me and i didnt tell him because i didnt want him missing more school. i want you to mentally adjust your mental model of the things a 9 year old is capable of doing to include chasing a car for five miles, hopping a fence, breaking into a garage, and vandalizing a randos car.

and that's just the tip of my J stories iceberg.

the point of all this is just to say that J was so crazy that he made us knife spooners look like accountanting enthusiasts.

so we agreed the war was done, and we shook on it, and then J, in the name of friendship, in the name of honor, in the name of avenging our pinecone filled tents, snuck over to their camp that evening and fornicated with a watermelon that they'd been saving in their cooler.

i want to emphasize, again, that this was not the consensus of the group. that is not a prank. like i know it seems like we dont know what pranks are because of the whole ziptie thing, but even we knew that fucking someones food is not a prank, it is a crime, and a sin, the kind of weapon that had only been ethically used once in history by Horus in his battle against Set and none of us dumb assholes had owl heads.

so.

the next day went pretty well. we threw some more axes again, which is a valuable and important skill for children to learn i guess, and we learned how to tie knots, which is a skill that turned out to be far sexier than i ever expected, and i learned how to light fires with a magnifying glass, which was great. i'm looking back at this, and i am actually just now beginning to realize that the clear and obvious point of scouting is turning child sociopaths into apex predators.

and then the day ended, and we went back to our camps, except for our leaders, who had a sort of Scout Leader Meeting they were going to have for a few hours at least. it was built into the camp, that day was supposed to be our day to chill as a group, and make peach cobbler, and just be buddies.

except, as it turned out, our neighboring group's alternative to making peach cobbler was eating their watermelon. so at some point they opened their watermelon, and woo boy. oh man. you think catholics hated seedless watermelons? you should see how much mormons hate seeded ones.

so we were chilling by the fire, and then we heard screaming from the camp over, but we didn't pay much mind to that because there are many reasonable explanations for a group of 10ish children to scream simulanteoulsy, such as wasps, which are abundant in arizona, and then the screaming got closer, which did not bother us because there were many reasons for a group 10ish children to scream and run towards us, for example, wasps, which are abundant in arizona, and then we noticed they had large sticks on them, which we figured were perhaps being used to drive away the wasps, which are abundant in arizona, and then they arrived and they started beating the shit out of us, abundantly, in arizona.

so we ran into the woods.

now, at this point, we had no idea what was up. we knew that the camp next to us was out for blood, which was crazy, because we'd actually locked them in fartproof bags for 30 minutes and they'd barely done anything back, and were trying to figure out what could possibly have happened that could drive them to Terrible Violence when we realized that J was cackling like a witch that had learned how to order children off of ebay.

so we politely asked J what the hell he had done, and he politely explained that had "done" their watermelon, and we politely beat him with large sticks because life is nothing but endless cycles of violence.

we were still being chased by the other camp btw. so it was them, chasing us, chasing J, and then they got tired and went back to their camp, and we chased J a little longer because we were mad we'd all been walloped with sticks, and J did not care because he was a supernatural entity whose only weaknesses were Needles and Fire, and then we got tired and went back and J kept running, and we just kind of figured he would come back eventually.

he did not.

we went back to our tents, and we waited, and J did not come back. we stayed up all night, peering into the forest, worrying. our leader came back, and we did our best to hide our battlewounds, and he either genuinely did not notice or simply accepted this as part of Boyhood. then he went to bed, and we waited, and waited, and waited. And Waited. and did not sleep.

eventually, we convened again, and we agreed that if J was not back by after breakfast, we would have to tell the scoutleader about what exactly had transpired. and we really did not want to do that, because it would have meant that everyone would have gotten in a very large amount of trouble.

morning came around, and J still was not back. we went to breakfast, and we ate very, very slowly. we were afraid the other camp was going to continue their war with us, but they actually looked fairly frightened. one of them actually came to us and asked for a truce, and we agreed because we truly felt bad for them. like, yes, they did beat us with sticks, but J fucked their watermelon. we werent complicit in the watermelonfuckening but they didnt know that, and it was definitely the kind of crime that left one outside the bounds of the social contract.

and then when we could eat no more bits, when breakfast was almost done, right when i was getting pushed to go and tell the scoutleader that we needed to find J, he arrived. he was sleep deprived, and noticeably scraped and bloody, and tied to his belt was a blood squirrel tail.

and i asked him, J, where did you get that? and he said, don't worry man, it was already dead, which did not answer by question and gave me several more.

the camp ended that day, and the other groups avoided us like the plague, and it was not until some weeks later that we were able to piece together what happened.

J, in his sojourn through the forest, managed to find (or, possibly, make) a dead squirrel. he then cut off the tail to keep on his belt, because he was a weird little freak like that. he also took the dead squirrel, and he skinned it, then he tied it to a little crucifix made of wood, and he left it in the other scouting group's camp. which is why they were so scared of us.

it was such an unhinged thing to do it actually sobered us up for a while. scouting became a scary thing for us. we'd found something dark and primal there, in the place where no adult could see, and our appreciation of J as a wild ride kind of changed into seeing him as something truly dangerous. we had a sense wherever he went, something terrible would follow, and the only way to escape it was to not be there when it arrived. and so piece by piece, the scout group dissolved. it wasnt until he moved out of that ward that the rest of us started daring to go back to scouts.

and for the final epilogue of the tale:

i have a little brother who was friends with a younger cousin of J's, and the two would go to parties together in highschool. and sometimes J, who was in his early 20's at that point, would show up at the parties, and it was unsettling in such a way that it just became a known risk at parties with the cousin. and at one party, they were playing truth or dare, and J wasn't even in the room, but someone asked him the Truth of how he always knew how to find the cousin, and J said the cousin's mom had mentioned she was worried about him and the parties so he'd put a tracker in his car. and when he saw that the cousin was out of the house on weekends, he'd made a visit by, just to make sure he was safe.

then he left. and every single person at that party went over that poor kid's car. they searched the wheel-wells, checked underneath it, the works, until they found the tracker. then because they were clever, they didnt break it, or throw it away, or anything that would've given away what they'd done. they just gave the tracker to the cousin, who put it in his glovebox. and on schooldays, he'd take it with him, so J could see him in the parking lot. and on weekends, he could leave it in the garage, so he could go to parties with out Hell coming with him. because everyone that met J - every single person - knew that the only way to be safe from him was to be far, far away.

[nikkisticki]

RULE

[drenched-in-sunlight]

i love the DLC man

[wolfythewitch]

Aha guess who might be shifting to fine arts

[finisnihil]

“They finally made this theme more blatant-" Why does it need to be blatant. What's wrong with subtlety? Concepts can be underused but subtlety is not neglect.

Blaring all your concepts and themes is not good writing. It's so disruptive to a story's flow when the characters look off the screen to be like "See? This is the concept. The idea. The theme."

If you can feel the hand of the author becoming too heavy that's bad.

For example: I see people saying Azula's abuse in ATLA is more blatant in the live action and it's good because "it's being discussed more". It already was discussed at length. The show made it clear she was a victim at every turn, every behavior, every reaction, it came from a place of trauma. It was made clear that she was scared of ending up like Zuko because Zuko was an example of what would happen to her if she failed. When she says she's better than Zuko it wasn't just because she was raised to think hersef superior to him but because Zuko failed and failures get mutilated and exiled, failures are abandoned. In that final Agni Kai the music is morose and somber because this isnt some epic battle its a fucking tragedy, the burning out of "Ozai's brightest light" and Azula finally succumbing to her terror and trauma she was repressing now that her worst fears are realized. How can you see a fourteen year old girl chained to a sewer grate wailing and writhing and breathing fire desperately as unsympathetic? Even Katara and Zuko are horrified as to what has become of her.

The writers weren't looking us in the eye and saying "See? She's a victim too" when they wrote this, they weaved it in. They weaved it into her obsesison with symmetry, her extreme perfectionism, the way she talks about Ozai, the ways she calls herself a monster, her isolation from those with healthy home lives, all the ways she held herself together and ultimately all the cracks and seams that she shattered down when she fell apart. It did not need to be blatant to be clear.

[keferon]

Monster hunter au part 9

I wanted to cook a bit more fluff before I get back to drama hehe

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[evelynpr]

Congratulations My Hero Academia for providing, possibly, the biggest and longest legit straightbaiting yet in shonen history.

Bonus points that their final chapter was released on yaoi day.

[taffywabbit]

i have lots of flaws but i do at least take a fair amount of comfort knowing that, if i were a customer NPC in a fast food/retail management game, i would be one of the chill early-level ones that can wait a super long time before they start getting impatient, and you breathe a sigh of a relief when you see them show up in a harder level

[t0bey]

Three crossings??? Animal houses???

[vampyfrnk]

hair envy.

[the-holy-ghosted]

god i miss when this artist posted (<- is the artist)