#it has been so long since ive had fun doing art for me
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wingshadowed · 2 years ago
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gay ppl. they will commit atrocious acts together maybe
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girlsonic · 2 years ago
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just thinkign out loud and it might seem a bit silly but i think that my interest in sonic came at exactly the perfect time for me
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sarahreesbrennan · 8 days ago
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Thank you for writing Long Live Evil.
I'm no cancer survivor, so I haven't been through the horror that that must've been, congratulations to enduring and surviving, and my sincere condolences that you had to go through it.
But I am chronically ill (cystic fibrosis, genetic defect) and have so far lived for 5 years longer than my prognosis allowed. My health's been good and stabile for a long time now, but I remember times where I couldn't walk alone, had a 18/6 nasal cannula and a 24-hour IV drip instead of school or a future.
Now I'm working at university, an archaeologist, chipping away at writing stories for years and years, and incredibly glad and privileged to see the world. All this to say that seeing how hurt Rae was in the beginning (and again throughout the story, while also never truly forgetting her true roots and motives) and how she grew around it like a gnarled tree, was like catharsis for me. Having miraculously given a second chance, no matter how hard the fight to keep it will be; I haven't ever read any story talking about this in a way that made me feel seen and understood like this. Thank you also lots and lots for taking the time to mention Rae's appreciation for Rahela's curves — it's been the same for me, since I've managed to get out of the underweight-trap. It means a lot to me, and I guess to many others in similar situations, including you of course. Thank you for sharing this with us, it must've been hard to touch on a deeply personal experience like this in writing that's simultaneously removed from oneself through fiction (at least that's what I'm imagining).
Thank you, and I wish you nothing but the best, health, and lots of good days to come. Deeply curious to see how Rae's story will continue!
Thank you so much for this.
I am so glad you are alive. Thank you for that, too - for living on even when you couldn’t see a way forward and everything was helpless despair.
I haven’t been through what you’ve been through, either, but it’s a privilege to have shared adjoining experiences trapped in darkness, and to share gladness and the wide world with you now. I’m so sorry it happened, and so happy you have archaeology and stories, and the world has you.
I will be totally honest and say it has been hard sharing Long Live Evil with the world, and I’m so grateful to you for knowing that, and for sending this message because you knew. This book is highly personal to me, but it’s also meant to be a wild celebration of messiness, escapism, and finding humour in art and darkness. And that means to some it’s just a joke, and in the words of Joanna Russ, ‘she’s not really an artist and it’s not really art.’ And so it gets dismissed, and it does hurt to see my most important story dismissed sometimes.
I was with other writers in a public space at one point and they were talking about how their books were about serious issues while ‘Sarah’s book is just for fun, and that’s fine too!’ (I had to take a minute before I could lean into my microphone and say ‘My book is about cancer’ in a cheery tone.) I’ve seen readers saying ‘this book’s just fluff, just silly, I’m ashamed of myself for reading it, there’s nothing to it’ about the book I wrote about almost dying.
My Rae, while of course she has bits of me in her (every character I’ve ever written does), and evil queens I’ve loved, and characters with wild hubris going on in the Greek plays I mention often in the book, and readers I’ve seen and I’ve been who are blithely confident they know what’s going on without doing more than surface reading and while forgetting key details… she’s also bits of women and girls I’ve mentored, been mentored by, befriended. And some of them are dead. So seeing the bits that were them particularly scorned or judged, seeing her pain dismissed or the discussion of her body sneered at…
That has been hard.
But.
In the end I believe I am really an artist and this book is really art, and art is there for the wide world to judge - to be mocked and dismissed, yes, as a price that comes with the opportunity to also be truly seen and appreciated, to get to influence real people’s real lives. Art is the gold that comes from the crucible in which we put all our pain and all our love and all our joys. I believe it deepens and transforms.
I wrote this book about how deeply unsympathetic people actually are to sufferers of illness, chronic or otherwise, and especially to women expressing pain. How the world villainises imperfect victims—which means all victims. How the world villainises bodies, and robs us of our joy in them—even when there’s horror in a body, too. I did know that by putting this book out into this world, that attitude would be reflected back by the world onto the book. And that attitude has hurt me in the past, and hurts me when I see it now.
I still think it’s worth calling out that attitude, even if it means getting more of that attitude reflected back onto me - because it means readers like you see it, and know others have been through this, and it was never okay, and you were never alone. While I know there will also be readers with chronic illnesses and/or cancer whose experience doesn’t overlap with mine at all, that only means there need to be more stories. So everyone who needs it gets the map into fantasy lands.
And I do hope some able-bodied readers read it, and think twice about adopting the world’s attitude to the people in their lives who are already going through enough. Some readers have told me the book helped them sympathise with and understand the cancer sufferers in their family and friend circles, and that’s meant a great deal. What do we write for, if not to learn to love each other better?
Long Live Evil has also given me my life back, as truly as chemo did, in a way that makes the pain worthwhile - I think I would have kept telling stories in some form, but Long Live Evil was my last throw, for as far ahead as I could see. Now since the book’s done well so far I’m hoping I can write more books, and my life can be the storytelling shape I always wanted it to be.
I read your message and I regretted nothing. I remember the pain and the way so many of us laughed or tried to laugh our way through it, and I know this was my way. Jokes, like stories, are the golden thread we follow through the dark labyrinth of our own agony and incomprehension.
It really has been hard, and it’ll stay hard. But like living, it’s worth it.
Please know two things.
I am so happy I wrote this book. Ultimately more than any other feeling I had so, so much fun writing it, and I’m having even more fun seeing the book be read by the people it was meant for.
2. This book was written for you.
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mooishbeam · 1 year ago
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『♡』 Treasures of the Fraud
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♡ featuring: pantalone x f!reader
♡ summary: it's been forever since you've seen your friend, and as the hero of liyue, a new interruption has arisen. you pursue it, only to find memories awaiting you. wc: 9.1k+ (D:)
♡ cw/tw: long lonnggg fic, obsession, mentions of murder, mention of suicide, mentions of blood, manipulation, toxic pantalone, mean pantalone, possessive, spanking, degradation, mild praise, fingering, thigh riding, missionary, overstim, begging, edging, comeshot, pet names (darling, slut)
notes: helloooo!! ive been slow to get stuff out college is kicking my ass rn so sorry. not proofread so i apologize for any mistakes. I can't wait to have more time :) art by yion_yi on ig! <3 comments and reblogs are appreciated!
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12 years ago 
“Come get me!” 
The boy with inky curls spiraling down his back dips through trees, ducking under low hanging branches embellished with vibrant autumn foliage. Messy blends of pink and purple melt across the slowly bleeding sun carried into the night. His silhouette resembles that of a malevolent spirit peeking behind the boughs, leaping over tangled twigs and shallow ditches. His excited screeches signal you to chase after the leading direction. You’re both screaming and laughing down the undoubtedly dangerous shortcuts. If your mother knew about the adventurous risks you were taking at 13, you’d never leave the house again. Tag is a troubling game—despite the thousands of times you’ve played with him, you regularly end up being “it”. You don’t care about losing, though; having someone to call a friend is enough.  
You turn into a clearing with columns of trees overseeing your small presence, hundreds of them. The colder night is rising, not a celestial body to shield.  In this deep blue void, the leaves seem to be aggrieved at your interruption of some secret meeting, angry and smiling faces crumpling in the whispering wind. You spin around frantically, looking for signs or laughter, but neither reveal themself. It’s quiet besides the downy linger of grass. Your shoulders are snatched back and shaken to a rattling shock. You scream, and he laughs. 
“Rahhh! Did I get you?” he jests. Your eyebrows narrow, and you push him lightly to a stumble. 
“You scared me!” 
“Hah, that’s the point. C’mon, it’s late. Let’s go.” He's scared too, swiftly grabbing your hand as you both brave the darkness back to the village. 
“We should’ve been home a while ago” you say quietly. You feel the chill in your bones and press yourself closer to him. 
“Yea.” He holds your hand tighter at the sound of a small rock bouncing down a steep hill. 
“I had fun today. Let’s do this again tomorrow.” 
“I have something to tell you.” 
“Okay.” 
“I’m moving in the morning” he states. It was nonchalant, but your stomach turns a churning sickness. One you can’t understand yet, it makes you uneasy. 
“Oh. Okay, then.” It isn't okay, not in the slightest. But it had to be. Your best friend of 8 years looks at you, aiming to register the gravity of the situation. You both say nothing, but tears start to brim in your eyes in the silence. You wipe them with your arm. 
“Will you miss me?” he asks. 
“A lot.” 
“I’ll miss you too. Lots and lots.” He sways your interlocking hands. You pass by vacant homes tattered and aged by abandonment, overgrown with invading ivy. Homeless reside, caring each other to warmth from the freezing draft. You were lucky to have a home in this little forgotten sector of Liyue. It's a small, unfortunate room, with holes in the roof that drips when it rains and bags over the windows to keep the heat in. The stove never works, and you share a bed with your mother, but every birthday she makes sure to save just enough for a slice of cake with one candle. There isn’t more you could ask for. Everyone in the village suffered from poverty but they made it work, sharing crops and dairy to persevere until the next year. That’s how you met him, sitting on a rock as your mother collected rations. You perform two pebbles in your hands, mumbling sea shanties while imagining voyage on a grueling journey—he sat next to you. 
“Those aren’t dolls. They’re rocks.” 
“You’re a rock” you retorted.  
“No, I’m not.” 
“Do you want to be a rock?” 
“...That’d be kinda cool.” You gave him a pile of pebbles, and he joined the trip. 
You’re getting closer to the village, still processing who you’ll play with once he’s gone. You glance at him, he’s spaced out in a faraway stare. You crave the power to read minds. 
“Can we talk about something? I’m getting sad” you sniffle. 
“What should be talk about?” 
“What are you going to do after you move?” 
“I’m gonna be super rich” he assures, looking up at the starless sky as if a meteor would shoot across and grant his wish. “What about you?” 
“I’m going to save the world” you proclaim.  
“Cool. I hope you do.” 
“Me too.” 
You arrive at your makeshift door drawn together with scraps of wood and twisted rope for hinges. A dim candle glimmers inside, most likely your vexed mother waiting for your tardily return. He makes space for your entry, and you undo your hands for the last time. Before you go, he snatches your wrist. His eyes are foggy, cheeks an anxious tinge of pink. He isn’t sure what he’s feeling, but the strings in his heart are tense. His mouth shapes to say something, but nothing returns. 
“Yeah?” 
“...I... I’ll really miss you a lot” he whispers with a lump in his throat.  
“Then don’t forget me, okay?” 
“I won’t.” 
“You promise?” you say and raise your pinky towards him. He curls around it. “I promise.” 
“Good. By the way, you’re it now.” 
“I’ll get you back when I see you again!” he chuckles. You bid your goodbyes, unaware that it would mark the unforeseen conclusion. 
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Leaves crunch under your feet as you make your leisurely traverse to Liyue Harbor. It’s just before sunrise and you finished helping the elderly in Qingce Village carry copious amounts of heavy produce to their homes. The thankful candies from seniors' jingle in your pocket as you stretch your weary arms. Your mom offered to cook, but you're determined to locate the best commissions Katheryne had before afternoon. “Maybe I’ll pick up some rice buns” you think out loud at the rumble of your growing appetite. You still had a long way to go before you got to the harbor. 
This was your new normal. After your thundering battle with Ningguang and Keqing against Osial, you became an example of Liyue’s triumph. You also became more aware of Fatui tactics, wiping out their swarms with the raging fury of your pneuma and swinging vision. Days of grueling bloodshed resulted in your victory, cementing you as the lionheart of Liyue. Beat up and bruised, the only request you made after your fight was a hot meal and a place for your mom to retire. They delivered both, and you used your recent hero status to provide help to the villagers where needed, be it casual favors or ruthless assault on Fatui agents. You were neither rich nor poor, and lived off the land and kindness of the Liyue Qixing. They often suggested you focus on less mundane tasks, but to you, the most vulnerable age groups warranted priority. There was something about the lighthearted innocent squeals of children and mellow grandparents rocking in their wooden chairs that made you protective to an almost volatile extent. 
Bustling interactions of trade and commerce carry through the wind as you enter the harbor—a sound that’s brought you peace for years. The smell of food vendors has you drooling instantly. As you devour the complimentary rice bun, you feel the yank of a little hand on your skirt. You look down and a boy with brown hair searches for familiarity in your face. You recognize him, babysitting him numerous times. You kneel and pat his head, but he doesn’t react or move.  
“Hey, what’s up? Where are your parents?” you question, briefly scanning your immediate area for his family. He’s hesitant to speak, as if he can’t find the panicked words, and rushes into your arms. You hug him instinctively and let him sniffle into your shoulder. You pick him up in your grasp and raise his head with your other hand so that he’ll hopefully be open to your compassion.  
“Can you tell me what’s wrong?” The boy wipes his chubby tomato-red face. “Grandma is on the floor, what do I do?” You quell your rising nerves to suppress his alarm and speak calmly.  
“Where is she?” 
Speed walking towards the destination, the commotion of a small crowd surrounds a kneeling woman in the distance. She’s on her sun-spotted hands and knees, wailing for some bygone Archon. “Grandma!” he yells and jumps out of your arms. You run after him, relieved that the worst case scenario hadn’t occurred. You push through the group and get eye level with her, forehead pressed to the ground spouting religious scripture. 
“Are you okay? Do you need medical assistance?” Wise sunken eyes wrinkled with age and torn by tragedy stick to your heart. Her feeble hands encapsulate yours, and tears stream down her cheeks. “They took my baby!” she rasps, rocking back and forth. “Who did?” you ask, and she weeps harder. “They took her memory...my baby, my daughter!” You support her weight and lift her hunched figure off the pavement. “What did they look like, ma’am?” 
“A black hood...red mask” she recalls shakily. Instantly miscellaneous chatter ensues. They whisper nervously in each other's ears, he who shall not be named steals their voices. “Fatui probably got ‘er” you hear the mumble of one. Fatui. Your blood boils at the word, and you direct your view to the shrinking man with hands in his pockets. “‘He’ got all of us” he scoffs. “Did they hurt you guys, too?” you ask, and they stare. They’re pained but accepting.  
“500,000 mora.”  
“194,000 for me.” 
They list off their debt one by one, and you’re horrified at the accumulating number. They seem to endure, however; no longer phased by the incurable tally haunting their lives. “H-how are you paying any of this?” 
“We can’t. It adds up. Interest, late payments, it always does. So, we give everything, and ‘he’ takes everything, until we have nothing left. We die poor without a possession to our name” a woman sighs. As a child, you heard of the loan sharks that purposely fed false promises to the poor, and once they were reeled in, charged insurmountable payments to blackmail—it was the origin story of most people in your birthplace. Your soul aches for them, but is there anything you can do? 
“...I’ll help you, all of you. I’m sure I can-” 
Ningguang arrives. She's a nurturing figure to you, the kind that asks if you’ve been eating well and politely scolds you.  “What happened?” You lead the tired elder to the Jade Chamber, and she tells her story through choked sobs. You didn’t expect Keqing to already be there, arms folded and turned away from the situation. Ningguang can barely glance at the woman. 
“They stormed my home and took my jewelry and belongings. They took the pendant my daughter gave me; it had her face in it. Archons give me strength, my baby! I can’t afford it; I have nothing!” she quakes. You rub her back and Ningguang nods, listening—you can’t help but notice the anxiety blooming on her abstracted face. They take her through the process and once she leaves, Ningguang and Keqing look at each other with a silent understanding. The room is eerily quiet, and Ningguang paces back and forth in front of the intel wall contemplating an uncertain danger. You fumble with your thumbs. 
“What are we going to do about this?” you wonder. Keqing clears her throat loudly, attracting the attention of Ningguang. She looks at you, and sighs deeply. “We already know about this issue.” 
Your ears perk up. “Great, so how can I help?” 
“By doing nothing, (Y/N)” Keqing says. 
“...What?” 
“I have eyes everywhere; I’ve known for a long time. The Fatui are not people to be taken lightly, especially the harbingers. A few of their skirmishers were caught trading exotic goods and taxing medicine at high prices, on top of extorting the impoverished regions.” Ningguang points to one of the many Fatui exclusive headquarters on the wall. “Pantalone is the richest man in Teyvat, he has more political influence than anyone can imagine, and they answer to him. We can’t risk getting involved with this. They’ve brought this upon themselves, and unfortunately, they must deal with the consequences.” 
You can’t accept this response. How can they just desert them? It doesn’t comprehend in your naïvity—you scold yourself for not spotting the signs sooner, furrowing your brows and looking at them with distaste. “I expected this. You shouldn’t have said anything” Keqing chides. “...Why didn’t you tell me? I could’ve helped before-” 
“You’re the last person I wanted to know about this” Ningguang interrupts. Your anger feels misplaced, and you bite your lip in restraint. She sits next to you and offers fleeting comfort with a graceful hand on yours. “You’re quite the reactionary type. In due time, this will be sorted. But right now, I need you to calm down, and trust me.” It sounds desperate, you know you shouldn’t go looking for answers, but a snagging thread pulls at the back of your consciousness, all too convincing. You bounce your leg. “You should want revenge just as much as me. Where we came from, where they end up, it isn’t fair.”  
“You know I do, more than anything. But we must handle this with care, before too many people get hurt. I’m doing this for the betterment of Liyue as a whole. It’s not easy to make these decisions.” 
“We can’t just go around serving justice, there’s laws we have to act with” Keqing adds. You don’t reply and stand up abruptly to leave. The worried Tianquan grabs your wrist one last time. “Promise me you won’t make a mistake, (Y/N). I’m trying to protect you” she pleads. 
“I promise. Thank you.” You flash a half genuine smile, already planning to rebel against her wishes. 
Who exactly is ‘he’—Pantalone. You don’t even know where to start looking. Too many headquarters, infinite possibilities. The best way you have to find him is through Fatui agents.  
You start taking up odd jobs late in the evening, scouring for the possibility that a fatui agent might fall into your hands. Though you considered playing the part of an impoverished villager taking out a loan at Northland Bank, it didn’t guarantee that you’d meet Pantalone in the flesh—it’s more likely that would raise unnecessary suspicion in the process. It’s awkward at first, seeing the hero of Liyue fish on the dock for petty change throughout the night. As you do, the malicious fire in your eyes burns bright at the occasional voice in chill silence. Your vision glows as you toss the hunting knife between your nimble digits. Listening closely to conversations, hoping that one might be unguarded enough to slip up, but nothing of the sort appears—not even the boldness of Fatui skirmishers enables them to divulge secrets under the baleful existence of Celestia.  
The moon illuminates sweetly on the tranquil waters lulling you to drowse. You hadn’t heard much since the start of your escapade. A fishing pole is weak in your resistless hold, and you’ve evidently given up on the idea of portraying the hardworking fisherman tonight. You vowed to help the people of Liyue, but justice was seemingly unfeasible. Maybe a direct approach? Should I ambush their headquarters? More so a suicide mission, you’d have no luck achieving that. Just as you’re about to leave, the crunch of withering grass straightens your posture. You make yourself hidden with a burst of energy and slouch behind the bushes as a Fatui pyro agent charges along the route. Through the glutted leaves obstructing your vision, you can just make out the heavy bag on his shoulder and jagged blade waiting restlessly on the other. His stride points towards Qingce Village. You hold your breath disguising yourself with the scenery and allow him to take a few feet between you before you begin following him. He’s rather shifty, those veiled eyes darting back and forth at the lightest noise. You’re careful to glide behind trees, moving with the heartbeat of the wind and taking advantage of the various melody's nature offers. You suck in a breath and duck behind a boulder a few inches too close, and his head snaps in your direction. The feeling of being watched besets him, but with no way to prove it and time running out, he secures his knife for the hypothetical ambush, and makes haste towards the target. Turning a tree, you watch as the pyro wielder knocks on the house of a small worn cottage. A short stocky man appears, shading half his body behind the door. 
“H-hello...” you hear faintly. The Fatui keeps his hand firm on the door, one boot propped under the hinge. He presents the flaming knife loosely as he towers over the man. “We’ve given you time.” You were sure now that he's working for Pantalone.  
“I don’t have it. P-please, if you could just give me some more-” He slams his fist against the wood, a resounding thump shakes the home. The man cowers. “Give me everything you have. The Regrator won’t wait any long-” 
A small rock flies past his mask, skidding on the ground until it comes to a stop. He glares in the direction of the tree you’re hiding behind. You have no plan, nothing but the distracting impulse to stop the assailant from attacking. “Stay here” he commands, and stalks towards you. His slow footsteps get increasingly louder, playful stomps toying with your obvious whereabouts. He twirls the razor-sharp knife, and as he sharply peeks around the corner, you’re nowhere to be found. “Here, kitty kitty” he taunts, spinning towards the lake, then the village grounds for footprints. He severs the air aimlessly in mirth, believing some amateur fighter came to challenge him. As he monitors the tracks under you, you drop down from the wiry branches. Legs wrap tight around his neck, and you catch hold of his hood trying to pull his mask off. He gags but he’s too quick, throwing off your steadiness as he slams your spine on the grass. He whips around to take a stab at your chest, but you roll away guarding the vital arteries. You kick him in the crotch, and he recoils giving you ample time to stand.  
You can’t feel the wet laceration dripping down your abdomen as you take a slash at his throat with your weapon, infused with elemental energy. He leans back and meets your strike. You trade blows, the strength of your smite bursting sparks of light above the scratches and bruises. Your wrist burns with the unmoving knives stumbling you. He begins to manifest blazing knives circling his figure, and you jump back from the singing cut melting the cloth. You wipe the dried blood from your mouth, and in the blink of an eye, he disappears. Suddenly, red auras similar to the pyro agent surround you. One by one, the clones charge at you, and you parry their overhead onslaught. Something is different about the last clone, your vision revealing a brighter outline than the others. When the next clone attacks, as you counter you pretend to fall for his trick. With your eyes on the other, he immediately passes through the black fog to deal the killing blow. You’re quicker this time and heave a heavy tear into his chest. Crimson splatters the grass, it shatters his element and rips open the robe. You tackle him on the dirt and wrestle until you kick his weapon away. Your knee digs into his back, and he can barely breathe with his arm locked behind him and knife rigid against his neck. He ttempts to swing at you, but you wrench his arm tighter and slice into his skin just enough to draw blood. 
“Fuck. Okay!” he wheezes. “Where is Pantalone?”  
“I don’t know what you’re- shit!” You’ve lost patience long ago and twist his arm to dislocate the shoulder. He lets out a blood curdling scream thrashing in pain—you tug hard and focus him. “Shut up and answer my question. Where is Pantalone?” you demand. He hisses in pain and coughs up phlegm mixing with reddening soil. “Kill me.” 
“Just tell me and I’ll let you go.” 
“I’m a dead man, either way.” he rasps and hangs his head waiting for the execution. You grit your teeth; a drop of guilt leaves a bad taste as you thwack the pressure point on his neck that forces him unconscious. You glance at the bag he left and limp over to rummage through the contents. Useless papers crumple under stolen items, but one note catches your eye. Presumably a to-do list, you read to the bottom. A list of homes, goods on standby exchanges—at the bottom of those, a rendezvous point: 
Report back- Yilong Bank, Liyue 
You rest in a plot of prickly bushes and leave in the morning after patching yourself up. You couldn’t stop now, not when you were this close to facing him. You soothe your body from the twigs prodding you all night, and check the wound suppressed by gauze. It’s a light scar now, apparent after bathing in the warm water on the outskirts of Qingce. You contemplated telling Ningguang about what occurred, but imagining the look on her face once she knew kept you moving. 
Tucking your vision where it can’t be viewed, you take a waverider to Yilong Port into the afternoon. You concoct a half-baked scheme, one that relies on every scenario being perfect to a tee. Unreliable, but probably your only chance. The plan amounts to scaling the building and breaking in through the office window, snatching everything owned by the villagers and breaking out before anyone notices. Easy in your capabilities, but you have no idea what the building looks like, nor do you know where the office is. The man driving wears all black, an outfit that stands out from the rest of the region. He stares at you blankly, and once you’re aware, you meet eyes. His smile is uncanny, stretching across his face with an abnormal friendliness. 
“Is this your first time at the port?” he asks, finger tapping the wheel. Be it sleep deprivation or ignorance; you don’t recognize red flags in his behavior.  You smile at the courteous face. “Yeah, the weather’s beautiful out here.” 
“Mhm, hot weather up here. On vacation?” 
“Nah, I have business here.” The minuscule edge of your vision catches in the light. He homes in on the passing twinkle. You wonder why his eyes widen momentarily, and his finger starts to tap methodically, as if memorizing a coded pattern. 
“Business...what kind?” 
“Oh...I have some items to trade.” You close off your answers feeling that you’ve said too much. He subsides with a stale expression. “If you’re looking to trade, you might find luck at Yilong Bank” he utters monotonously.  
“And where is that?” You feign disinterest, but victory is too loud on your tongue. 
“Up the mountain.” The waverider halts at the harbor, and he turns his head away from you unusually cold, akin to a mechanical bot shutting down. “Welcome to Yilong Port.” 
You make yourself invisible in the crowd and wait for nightfall. People still roam the port along with Fatui monitoring the front of the bank, which gives you leeway to blend in as you find passage around the back of the mountain. It’s a steep, dark incline jutted with irregular jagged stones. The imposing size of the climb tangles knots in your stomach, and you wipe the persistent sweat on your top. In one huge leap, you latch onto a craggy indent, and begin your ascension. 
Your legs feel like jelly with each contact of the unforgiving breeze. You sway alongside the spirit of anemo and swallow your anxiety before leaping to the next rock. Shoes plant into rock and nails excavate fresh cobble on the next jump. By the time you’ve realized, you’re already up most of the mountain. You tug yourself even with the land as a barreling gust of wind goads your glance to the ground, kilometers beneath you. Your breath stills, and for a second dizziness overtakes your nerves at the thought of slipping. I could die, one mistake and I’m dead. You focus, and spring to the next piece. Without warning, rock gives way into pebbles at the weight of your foot. You nearly plunge, but anchor onto the small bump out with one hand. You’re dangling off the edge, playing with death while you fortify your body. Hyperventilation makes your heartbeat thrum incessantly and stress palpitates tired muscles; If you didn't have your vision, you would’ve fainted to your demise. You bite the bullet, push your heels in and persevere through the hurdles. The next thing you clutch is malleable in your palm. You vault over the cliff, the smell of dew is overwhelming. The back of the bank—the end goal—is visible.  
One Fatui member remains in the front. You scale up the building effortlessly, nothing compared to the hell you just went through. Shifting window to window, your eyes land on the pitch-black darkness of the room at the top of the building. An ideal glow casts on the fraction of precious gold resting on a coffee table. This has to be it. You slink through the window soundlessly, and land on the balls of your feet. Analyzing the dish, you don’t discern the pendant. You can faintly identify some bookshelves near the dish, and tiptoe further inside. You creep around luxury sofas, and squint at the embellished glass case next to the door, containing all manner of jewelry and valuable possessions. You won; this was it. You scurry to it, moving with abrupt carelessness. One more step. 
Click 
The fireplace you didn’t heed is set aflame. It flickers sneering shadows on the opposite wall and brightens the case. You pause and hope. There’s a confining silence stirring in the room, like someone is with you. The case is visible now, and so is the key to opening it. 
You fell into a trap. 
“Looks like I have a little thief on my hands.”  
A bittersweet voice in the sable, reminiscent of rich dark chocolate, rolls off the room. He steps out obscurity behind his desk and your eyes adjust, revealing the tight black turtleneck compressing his willowy torso and gloves adorned with silver rings. You can’t see the upper part of his face, but the chains of his glasses hang in front of that duping smile. You expected the Fatui harbinger to be on the stronger side, physically intimidating. It’s not physical, but you feel a certain fear boiling in your body. He’s not terrifying, but you tremble. His presence makes your hair stand and sends waves of goosebumps up your arms. You can’t find the will to move your wobbly legs. His charmed laugh rings in your ears and causes you to hold your breath. He has no vision; you shouldn’t be afraid. You could take him on easily, why can’t you fight? 
“Hello, honored hero of Liyue” the headless man taunts. It makes it worse that he knows who you are. How long had he known you were coming? Was your plan doomed from the beginning? Your feet are stuck in molasses as your fight or flight shuts down at the man before you.  
“Now, tell me. What is the little thief doing, barging into my office to take the possessions I worked so hard for? Not very heroic of you, If I may say.” There’s power in his stature—you forget how to speak. He holds his palm out to you. Tangled between his fingers, is the ornate golden pendant you’d been searching for, a woman’s face in the frame. Your eyes widen, and the sweet familiar curve of his lips stretches in amusement. 
“Is this what you’re looking for?” The plod of low-heeled boots accompanies unveiled darkness, and you can observe his entirety. Amethyst eyes drunk with an orchid hue pool into your being. Lazy curls brush against his glasses and kiss his porcelain skin. He’s beautiful, a calm enticing rip current that sweeps you with immeasurable pressure before you can pull yourself out. He leans on the desk, observing the chain halfheartedly. If you weren’t careful, you’d mistake the look on his face for genuine kindness; you’d drown, just like he craved. Nonetheless, you can’t shake the emotion his smile grants. 
“Yes. That’s all I need, and I won’t bother you again” you whisper meekly, hoping that he’d let you go with the pendant in a spur of forgiveness. The jest in his eyes says something different. 
“Come get it.”  
Come get it. Your mind begins to piece the man into a stage of your life you’d forgotten. It can’t be him. Memory tells intrusive truth in short flashes. Inky curls spiraling in front of you as you chase. He was consistently miles ahead of you. It was irrelevant how far apart you were; he’d always find you. That big, curving smile for every match he won. Purple eyes glancing back at yours; the same ones that withheld tears when you said goodbye. 
“Come get me!” 
Tears stream down your eyes for the friend you thought you’d never see again. Childhood laughter bleeds into his current cat-like conniving snicker, and you gaze at his face. 
“I... remember you” you choke. He looks up without a smile, perceiving an unexpected thought, and meets your eyes. There’s a hint of affection in the warm smile beaming on his face. “My my, (Y/N). You have quite the memory.” 
You’re motionless, full of something that catches in your lungs. This isn’t the triumph you wanted, and now that you’re face to face you feel powerless. He must’ve known the entire time. Watching you fight and work alone, sending Fatui to roam in Liyue, all done to toy with you. Your lip quivers, swelling in your already deafening heartbeat.  
“How long...” you utter. He inquires with the tilt of his head. 
“How long have you been messing with me?” Your eyes adhere to the floor, pride that won’t permit you to shed misery for Pantalone. He drinks in your resistant frame, the kind he desires to break; perhaps this game of cat and mouse isn’t done, after all. 
“This hurts me too, (Y/N). I wouldn’t be doing this if you weren’t so…persistent.” Your confusion spills over in shaky, weak huffs. You can’t maintain your composure, and make yourself first to oppose the authoritative man on his own territory. 
“How could you do this to anyone? We grew up poor!” You shout with balling fists. 
“It’s inefficient to dwell on the past” he replies with gentle cadence and languid grace unrepresentative of his cruel tactics. You nearly regret raising your voice. 
“These people are at their wits end and you’re taking advantage of them” you chide. He slowly paces towards you. Pantalone looks down on you from height disparity, but the royal glower pities you, judges worth you can’t see. 
“Driven by emotions, are you that simple? You presumed that if you stormed in here, and professed a touching story, that I would suddenly see the error in my methods?” You’re not sure what you’re here for anymore or why you haven’t left yet. Subconscious urges can't determine if they should slap or hug the man inching towards you. “I simply enforce contracts and exchanges. No one can be swindled by a debt accreted on their own.” 
“No one asks to be poor either” you interject. Pantalone’s a foot away from you now, analyzing your reactions to his personal entertainment. He recalls the blurry past—the pranks you pulled together that ultimately failed from your loud hurried sneakiness tripping to alert the farmers, helping out for loose change so that you’d split a snack between each other that wasn’t big enough to share, gazing at the twinkling night imagining a distant future—you changed and stayed the same, but he keeps wanting more.  
“Weigh the odds. They either die impoverished or live by passage of loans. I merely provide a service. Does that make me so cruel?” You can’t find an answer. 
“You’ll always be my friend, but I need it back. It can’t be much to forgive someone’s debt” you plead.  
“You still consider me a friend?” 
“I think…you’re hurt. And you’re trying to heal. We all are. I know I’ve dealt with a lot as I’ve gotten older and I think you have, too. Power corrupts even the best people in this world, so maybe you’re not a bad person. But you’re doing bad things, and this isn’t the right way to get better.” 
Pantalone is quiet for a few long moments. His hands web his face, but you can clearly see the pearly fangs in his open-mouthed smirk. Then he laughs—dulcet and mocking, it lingers for too long as he throws his head back and relishes the obtuse notion. He gazes with insulting compassion and stalks towards you. 
“Incredibly…. gullible. Mora is the pathway to all endeavors. Devoid of gnosis or divine knowledge, wealth has rendered me impervious to control. Suffering and destitution only manifest if I will it. I am the guise of a false god, an emblem of achievement.” It’s borderline delusional the way he regards himself, arms moving in theatric grandeur, the star of his own opera. 
“Does that make you feel good? Stepping on the backs of the community that raised you, and abandoning them because they chose not to be influenced by greed?” Pantalone towers over you. His fingers brush light against your sensitive ears, trail to your clenched jaw, and finally cup your frustrated cheeks with the cradle of a long-lost lover. 
“It does, in fact. I’m not easily swayed by ridiculous optimism, that’s why I’m at the top. You’ve devoted your blood and tears to a region that will succumb to adversity in your absence. Is that not a pointless feat?” 
“So what? That doesn’t mean we just don’t help people. You have nothing without the Fatui, you’re a pawn just like the others” you retort. He brings his lips close to the shell of your ear, and his breath hot on the untouched skin drags a tingle up your spine. 
“And what do you know about the Fatui?” he whispers. 
“I know enough. You’re all disgusting.” He huffs out his nose. 
“Disgusting isn’t the right word. I’d say...opportunists.” Pantalone backs up, sliding his hand up your chin and tilting your attention to the intense glint. “But you’re clever, I’ll give you that. If only you were clever enough to know your place.” You'd forgotten you were acting out of line. You refocus your mindset to negotiation. 
“I’ll do anything you ask for the debt. Please, just give it back.” The word “anything” evokes a malicious yearning—so forthcoming without understanding the implications of “anything”, of eternity. He caresses your cheek. 
“Anything, hm? Even if I said to give up being a hero for good? Would you still call yourself a heroic traveler if you weren’t allowed to travel or adventure as you please?” he teases. Your mouth opens to refute, but you bite your bottom lip instead. Pantalone walks back to his desk and leans while dangling the golden chain. Now that he’s far, the invading space between you two shows how insignificant you are in this luxury palace. 
“Your resolve moves me. Consider this; make an exchange with me, and I’ll guarantee not only her debt, but the debt of all residents in Liyue forgiven” Your face instantly lights up, ready to accept it without thinking. 
“What is it?” you ask. 
“In exchange for regional loan forgiveness, I want you.” 
“...What?” 
“I want everything you have. It’s the fairest exchange I can make. Your obedience, your loyalty, and your body.”  
The choice turns in your frontal lobe. You can’t fathom giving yourself to a man, let alone a Fatui harbinger. It’s unbecoming of a hero to lie with the enemy. 
“Absolutely not” you assure. 
“Alright. Then allow their village to be reduced to nothing.” No, wait. “You may leave. However, if you do, you’ll cause great misfortune to that woman and her struggling family” You play into his covet so smoothly as you stand in the center of the room, reluctant to leave.  
“I’m not a complete monster, so I’ll give you 5 seconds to make a choice.” He sways the pendant in his hand like the transient time of an hourglass. 5 seconds, all you have to sign your life away. 
“4.”  
What if no one ever sees you again? What’s the point of sacrificing your happiness and freedom, are the people of Liyue truly worth it? 
“3.” 
You could threaten him, take him hostage so that a harbinger might bow to your demands. That, or they kill you, and the village suffers anyway. 
“2.” 
You think of your graying mom, the sweet boy with his chubby red face who cries over the smallest things, the grateful elders that give you candy after every good deed, Ningguang and Keqing stressing over the next financial impact. 
“1.” 
“I’ll do it.”  
Pantalone swings the chain into his palm, an undefeated smug overbearing as he sets it on the desk. There was never a point in resisting; he always got what he wanted, no matter how long it took to achieve it. He waited months—no, years—to get you in this exact moment. There’s a daunting beguiling charm in the way he closes the gap between you two. You glare at him; a temper common people would dread shooting. He assesses the pending punishment and lowers himself eye-level. He grins, but the smile doesn’t reach his eyes. 
“I can see the defiance in your eyes. Do you want to talk back? Go ahead, challenge me.” You don’t test this scenario and turn your head. “Don’t patronize me. Get it over with, ‘Pantalone’.” 
He quirks an eyebrow, and pliable flesh strains your teeth as your face is gripped rough by satiny leather. You’re twisted sharply to the calm expression—it humbles you. 
“That’s not how you address your superior. What should you call me?” You don’t answer promptly to his liking, and he tightens his grip. “Answer me properly, darling.” 
“...Sir.” Pantalone plants a sickly sugary kiss on your forehead, the kind that makes you forget how petrifying he can be, and lets you go.  
“Good.” He walks back to the desk and sits in the onyx chair embellished with silver jewels fit for a king. His chin rests on bridging hands. “Strip.” 
You don’t move, your heart hammers in your chest at the request and you stir uncomfortably. You have no experience with sexual gratification, let alone exposing yourself to an old friend.  
“(Y/N). Don’t make me say it again.” Keen agitation in his voice serves as a final warning. He eats you with his eyes, homed in on your hands clumsily snaking the top over your head. A glimpse of the scar you received during your fight with the Fatui captures him. He takes a mental entry, for an explanation that might justify why the agent suddenly goes missing. You were generally too busy to look in the mirror or analyze your assets, and pleasure was a removed afterthought—so the hungry fervor warming your skin and permeating the room clamped your thighs shut. You’re visibly flustered and nervous fumbling with the clasps on your bra while stabilizing your anxiety, and he delights in every second of the accidental strip tease. It feels like fresh meat introduced to a savage animal, and the instant your bra omes off, a new vulnerability coils in your gut. You move to your bottoms; the sheen of sweat polishes your plush thighs to wiggle out of them. You’re left in nothing but tantalizing panties hugging you in the right places. His eyes undress and redress you, tracing up and down the perk of your nipples, tempting fullness of your thighs, each unseen curve and perfect imperfect mark on your glistening body. He lets out a deep breath to stop himself from jumping over the table and taking you right there. 
“The underwear. Take it off” he says, an undertone of lust. You shimmy the fabric off and fully expose yourself. You impulsively cover your intimate parts and avert your eyes, but you can still feel Pantalone on you, ravaging you. He doesn’t bother telling you to put your arms at your sides, your bashfulness combined with an attempt at stoicism is comical. 
“Ah, the little thief is trying to act tough. That's cute” Pantalone teases and leans back in the chair. Manspreading, he pats his thigh. “Crawl.”  
He’s hellbent on shaming the defiance out of you. It’s a vile command, but you begrudgingly drop to your hands and knees. You drag your chaffed knees on wood, balancing like a newborn fawn adjusting to its legs. It’s humiliating and downright degrading; the cold floor fails at cooling your burning fever. You’re on the verge of tears, but Pantalone can’t help but smile. You get around the desk and look up at him, waiting for the next horrible thing he’ll have you do. “Unfortunately, the stunt you pulled impeded my paperwork. Be a good thing and sit on my lap until I’m done.” A “thing”—that’s all you were now, a shiny trophy meant to be ogled at but never taken seriously, used and thrown away. You stand off your scraped raw knees and straddle his thigh, hands balancing the leg so you don’t fall. 
And Pantalone starts to work. Working as if you’re not there, filling in the spaces on his documents. For some reason, it’s more demeaning this way, you truly are just a prize. One hand dances beautiful penmanship in masterful motions on embossed paper, the other fondles and explores your being. The gloves brush down your delicate spine, nonsensical shapes drawn on your lower back that make you shiver and pool heat in places you’ve never thought of. You’ve never been touched like this, it’s needles light on your skin. They move to your stomach, pleasant circles above the pelvis that threaten to go lower. He’s careful to trail his hand up your cleavage and behind your neck, neglect your hardening nipples and repeat the process over and over. He’s painstakingly slow, savoring the dazed arch of your back, massaging your inner thighs and dragging the sleek material over your rear.
Middle and index sweep across your lips, pulling your bottom lip to reveal teeth, and prods your mouth. Pantalone’s fingers are invasive, they exploit your gums and twirl around the squishy tongue molding to his appetite. He plays with the pink mass, and it fills you like a kiss. He’s everywhere and he hasn’t looked at you once. You hate it, the kind elegance and refinement of his technique that makes every calculated word and action reek of opulence. Yet, arousal pools on the surface, sticking to your labia and clouding your drowsy mind. It’s an extreme ache that doesn’t go away from cold showers or shrugging off like you usually would. You can’t remember what you did today, yesterday, or the day before that. The sensation of him consumes you and persists in spots he left. He smells of expensive cologne, hints of heady wood and sage. You’re lucky his fingers are in your mouth, or piteous moans would spill out of you. Flat on his thigh, the subtle jolts of his leg rub against your hypersensitive clit and set your nerves on fire. Throbbing swells in your core, and you struggle to stay stiff as your hips stutter.  
Pantalone knows exactly what he’s doing. Your labored pants sound like saintly melody while you writhe on his lap. The fabric goads your pulsing pussy, and you hang your head in embarrassment of the juices soaking your thighs and his. He’s surprised you have strength left to withstand the itch. You do your best to hover above it, trailing thick strings of slick. “There’s no need to pretend you don’t like this. Just give yourself to me” he whispers. And it’s so enticing, an invitation that might let you come if you ask. However, remnants of pride cling to your melting resolve, you can’t give in yet. He takes the fingers out and presses on your nipple, flicking the bud. You can’t hold the mewl, and he snickers.  
“So indignant for the hero of Liyue, to be on a harbingers lap, reduced to a pretty pet.” Your ears tune out the insults. The damp gloves pull and pinch your puffy nipples, then knead to soothe the pain. He does the same to the other, switching between both as he feels you squirm.  
He works on the last few pages. Piles upon piles of reports and records—they detail the deaths, or “suicides”, of clients who’d disappeared mysteriously after extended absence of payments for millions of mora, people who dared go against the Regrator. Unruly, uncooperative clients that take advantage of fair exchange, and pay the price for it. 
Your arms get tired, and you settle on him again. Pantalone starts to softly bounce his leg, enough for you to notice the friction on your clit. It’s too much, you can’t take it anymore, and start to rut your hips on his thigh. You look messy, smearing your essence on those overpriced slacks and biting back your moans. Pleasure flows in your veins, and you give up. His cock throbs nonstop, print stealing space in his pants. “Did you believe I wouldn’t catch you? You’re not sneaky enough. You’re not good enough," he taunts from the corner of his eye. You hump his leg like a desperate bunny, chasing the addictive high.  
“Nasty slut, fucking your hips on a man you barely remember.” He moves his hands to your clit and replaces the slacks with slippery leather. You grind on it harder and hold your moans. More, more, more. He coats it in the mess and finally diverts his attention to you. He teases your entrance gliding vertically on your vulva before pushing one finger in. It hurts at first, but your walls hug him eagerly, pulling it deeper. He coaxes it to take another and starts scissoring your gushy walls.  
“I’ll devour you. I’ll inscribe my name upon every surface of your physique until it adorns your lips, and I’m the only thing that remains.” Pantalone starts pumping rhythmically, tormenting, poking everywhere but your g-spot. Gloss drips down his knuckles and glazes his rings. 
“S-sir please, s’too much” you whimper, mustering up an ineffective stable voice. “Hmm? Can you hear the lewd sounds you’re making?” Loud squelches sing from him fucking your insides. Each time you try to speak, he elicits another moan. 
“M-my sto-mach hurtss” you whine. He holds your waist in place with the other hand and continues the assault. “I know, it hurts? Would you like me to alleviate the pain?” he coos. You nod fast. 
“Hold it in. You ask for permission every time you’re close, do you understand?” You don’t reply and try to angle your body to get more contact. You make the mistake of guiding yourself to your clit and earn a harsh stinging slap on your hand. “Don’t touch what’s mine” he orders. You’re frustrated and he’s doing it on purpose, it’s entirely too hot where pleasure and pain blur. “N-not yours” you stammer, and he stops. He pulls out your warmth and you whine from loss of pressure. Looking at him, there's no smile, and the irritation on his face makes your heart drop. You're really in for it. 
Without delay, your stomach flies over one of the chair arms, and you hold onto it for dear life. It presses firm on your ribs, and he slants your ass to the air. “You have courage, speaking back to me” he says. He pulls his gloves off and hurls them. They’re lovely, the silken soft hands of a man who hadn't lifted a finger through combat a day in his life. They sink into your sex, and you moan out for him. The other winds back, and you feel the palm hit brutally on your unsuspecting backside. Crack. It echoes in the room, and you almost fly forward. 
“Disrespectful.” Crack. He keeps pumping through it, and tears collect in your lashes. 
“Disobedient.” Crack. There’s blood rushing to your head, and violent smacks make your pussy flutter and ass ripple; his control won’t give you adequate touch.  
“Little.” Crack. Every time he feels you getting there, he pauses. A masochistic pleasure whirls innermost. 
“Brat.” Crack. Both cheeks are a sore fiery color and beginning to welt, but he resumes. You’re drenching his palm, sobbing from prolonged edging and Pantalone laughs. “Pfft, you’re crying? Too embarrassed to beg? Perhaps I’ll give you what you want, if you grovel hard enough, darling.” An incoherent orchestra of please’s mesh with broken moans. “Sir m’sorry. Wan’ it so bad, p-please!” you mumble. There’s no dignity on your lips, no residue of the hero you once were. Drunken ardor floods your short-circuiting brain. 
“Oh, what do you say? You want it? Is that it? I'll let you have it... but only if you say it loud and clear for me” he croons. He winds his fingers in a come-hither gesture that licks your core. 
“Please...I won’t misbehave again!” He spreads your ass apart and watches your hole pucker from lining the brink. 
“I’m not sure I want to give it to you now. It's a lot more enjoyable watching you squirm and beg.” 
“’M yours, sir. Please give it to me. I’ll be s’good, promise!” you mewl. You’re so pathetic, it’s endearing. He simpers and maneuvers impossibly fast while gyrating your clit. “How humiliating. You’ve satisfied me.” Your eyes roll back, and you dissolve in pure euphoria. There’s black dots in your vision, and it doesn’t stop as he starts torturing your overstimulated clit with the pad of his thumb. Your tears only encourage him. You jerk and spasm, but he moves where you move with insistent skill. “T-too m-” 
“Aww, what’s wrong? Isn’t this what you wanted, where are your manners?” Pantalone pulls out and delivers staggering mean swats to your pussy, and you recoil. “Say thank you” he demands. 
“Thank you, sir.” He hums and picks you up in his arms. Before color can return to your numb cells, he lays you on the desk. You watch him pull his shirt up to his pecs with haste and uncover the lean skinny midsection. Unzipping his pants, he unsheathes his leaking thumping erection. Even his dick is pretty, it curves upwards and shades a starving dusty pink past the thin strip of tissue on the underside of his bulbous tip. Composure thinning, a bead of pre come runs down his tip at the sight of provocation sluicing your ass and thighs. His glasses plunge down his neck, body blushed wildly, but he doesn’t care. Pantalone slides between your labia and groans at the sound. Engulfing the tip in awaiting velvet warmth, “You’re so good for me, hm?” he sighs. You embrace him, delicious searing stretch of your walls forming to his cock. Your orgasm builds just from your body accommodating the size. He places your hands on your calves and holds them at your sides. He slips out, and in one swoop, drives into you. His heavy balls smack against your ass as he thrusts frenetically in the gooey grip he’d been waiting for, stalking and spying for. He digs crescent shapes in your waist and uses you to his abundance. The desk base creaks and grinds on abrading wood and obituaries float to the floor with overturned calligraphy ink from the unrelenting momentum. You throw your head back and indulge the carnal lust washing over you both. 
“You’ll never see anyone ever again. Fuck- you’re mine, and mine alone. You’re nothing but a come dump, your purpose is to please me, hah, until I say it’s over” his voice is unexpectedly deprived and weighty with vulgar whimpers. Pantalone eyes your neck and encapsulates it in his slender hand. He clenches tight and releases in sporadic bursts that have you seizing around him. For a split second there’s the image of you—exorbitant pearled collar wrapped around your throat, with “Pantalone” inscribed in bedazzled letters—and he loses it. He swipes your clit rapidly and feeds you deep strokes; you’ll definitely die. You speak, but it’s unintelligible rambling. 
“Use your words” he lilts, squeezing your airflow taut. “C-can I, sir, please?” 
“You’ll do it on my command.” Pantalone thrusts frenetically, you can feel him bucking, twitching and quickly approaching his climax. His hips sputter, chanting some mixture of your name and curses under his breath. “You’re so obedient for me, aren’t you? F-fuck, darling, go ahead. Come on my cock.” You permit yourself to surrender, white noise streams in and time slows as you come down his shaft. A creamy ring forms at the hilt of his slaps. You recite “thank you” through wails with the semblance of a follower at the altar of their savior. Then he grabs your face and goes in for a kiss.  
It’s sloppy and misses half your lip, but its doughy attachment mellows your blissed out head. His lips taste like the bitter excess of green tea, and you crane for a better sample. His tongue does things his fingers couldn’t, and swirls around yours in a passionate bruising waltz. Pantalone breaks away, a string of saliva when he frees himself. “Mm, coming. Gonna claim you everywhere” he whimpers. Sweat on his lustered abdomen, he pumps his tender cock before spurting thick hot ropes across your tits and stomach. He paints your vulva with the rest and plunges the tip in your entry so as to not waste the endless globs of white. He tremors inside you until soft, and when some dribbles out he fingers it back inside.  
Afterwards, Pantalone opens one of the drawers on the desk and takes out an embossed loan dismissal form. You can’t read the finer details through hazy eyesight. “It’s already signed, so don’t worry. I won’t deceive you.” He caresses your face in his normal sing-song attitude. “We depart in the morning.” You don’t have a clue where you’re going or how you’ll get there as you drift unconscious. Once you’re asleep, Pantalone shuffles in a different locked drawer. He twiddles the stunning purple geode in his hand, a crystal lined mineral you gave to him years prior. He looks at you, then the druse, and cackles. 
“Mine. Always.” 
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stringlessau · 1 month ago
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IT'S STRINGLESS' 1 YEAR ANNIVERSARY (+ early concept art compilation)
Posting this dumbass little video to start off the day since we have a lot of little gifts for our awesome community today.
One of those things is something i've been wanting to do for a very long while: posting a lot of the original concept art for stringless (since ive always enjoyed seeing other people's early concepts) some of these i have posted massively before, some are completely unseen, so it'll be fun
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This one is the page that started it all, his design is at the same time largely unchanged and also completely different
All i have to say is that it originally said (regarding spamton and swatch) "they bicker like an old married couple" but then i thought about it and i changed it so theyre literally just married
Didnt mean to make swatchton, made it anyway lmfao
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Right after that, i got working on neo designs, I wanted to make him really scary looking, the original concept was to make him look skeletal and generally for him to look insane and like he had been reanimated from the dead, but a lot of people had told me over time that they didn't really like the design, I was very defensive over it but I ended up taking criticism and i actually really like the new neo, it balances the uncanniness of the original design with the sleekness of my new art
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Payton was a natural next step, without someone to sell the thorn ring there'd be no neo, so although his design visually stayed almost the same, he went through a lot of color revisions (thanks mostly to @maskedalterego, who helped me to nail his final color palette), he suggested the gloves, and helped me to balance the saturation of the design since really I've never had a good eye for color.
His final design, color wise, was just me experimenting using the colors of my sona at the time on him, which I was hesitant to do but was so happy with the palette that I kept it.
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It's interesting that he was originally intended to be the pink addison (since he sells one of the snowgrave required rings), and the reason he ended up being the blue addison was corey beepington (and the eviction notice short which I have taken one too many concepts from), this still influenced me to make his outfit pink initially, which still is a huge part of his character design
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That exact same night, I created concept art for Raster (weirdly, I was sure I created them before Payton, but it might be because I was generally uninterested in Payton earlier on), their design is also largely unchanged, I just got better with shapes and color, I also ended up changing their cheek markings after seeing some swatchton fanchild art by ne0nbandit
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A first until now, the first concepts for payton neo were made on paper
I took very long on this design, and I only updated it every few weeks to make tweaks because I felt the concept was too good but my execution didnt make it justice
I'm very proud of how the design looks now, as of the latest neo redesigns, I feel I could finally make this idea justice
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Swatch's design went through some last minute changes, I wanted to use this color palette for swatch to contrast with spamton, but decided against it, then i changed their hair to be longer, to make their Stringless design distinct from their regular Deltarune design
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Historically, these two are pretty important, the first pieces of art I ever made featuring Rakhin's old design, when he wasn't part of stringless and I was just befriending rope (he made me Payton fanart first, fell in love with his style), the contrast is beautiful
Now to finish this post, here's some unseen Snowgrave route art I made over the time Stringless has been in development, they're all pretty quick sketches, but i love them nonetheless
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Thanks everyone for the insane reception this AU has gotten, I haven't been feeling very good this whole year for a huge amount of reasons I can't get into, but Stringless and its community always helps me to remember why I do the things I do
Thanks for everyone's comments and everyone's kindness, thanks especially to @theropeaaa , for being the literal other half of this AU, without whom I couldn't have ever done the Stringless pages, @maskedalterego for helping me and listening to my ramblings since the start, @scamp-boxx for being this AU's biggest hype man (the first ever comment on the first spamton concept art was by them, and they helped me nail so much of the snowgrave route), @boykisserwoah and @weirdohno , for also being here from the start and making an absolutely insane amount of fanart oh my god, @gutamajunk , for motivating me to create Raster, and writing several story outlines on the first days of stringless that were the foundation for the pages, and diaryous milch and rory, our friends that have helped with character designs, story ideas, voice acting and have generally been instrumental to what stringless is today
THANKS EVERYONE <3
-Nick
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fasolabean · 1 month ago
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warninggg this is a long one ,,,
(Okay so I started writing this uhhh vent before more posts on the n//fts appeared later so plz keep that in mind hah)
So I haven’t been too active on here for the past month – a bit personal start, but I’ve moved to a different country whooo!!!! (its terrifying) (my brains been involved in fandom stuff as usual but physically I wasn’t lmao).
But I wanted to talk ab the n//ft (censoring bc idk ab bots here) thing bc while some people on here provided some great context and threads, most of the talk has happened on twitter. So like. Since it was first confirmed what the raffle thing was I was veryyyy disappointed, especially bc K has made fun of this very thing on stage previously. And like yea, the nature of what hes doing is different than the n//ft crypt0 scams, since the cost of the paywalled content is set and not fluid and the raffle thing was free to enter, and I know there have been threads about the website not being the worst on twitter (link) (edit: now here on tumblr too). But still man. Both of these could’ve been done on either an independent website or through stuff like youtube members or patreon. Or hell, even just on the merch store? Like buy a promo code that buys you access to the material?
Also like I get that this was probably a contract that would be rly hard if not impossible to terminate. STILL though, I wish we just got an even short thing like “hi sorry I wasn’t aware this is gonna be a one time thing we’re not doing it again”. I don’t mind extra content being paywalled personally, I know some people do, but I just really wish it wasn’t don’t with that technology. And yes, I also now know it’s a safer way to handle shit like that but I just cant see this excuse being used for commercial use? Like maybe I can see why I could be made to use it for like idk an important document, but a raffle ticket? Nah
I also, ugh. Felt weird about mikke in the team since the winter. This whole thing seems to be – at least to a large extent – either done or influenced by him, judging by even the fact that the europass thingy webpage has oy photomikke marked (no im not buying it but i did look around curiosity was stronger). Also the previous thing that had made me go hmmm about käärijä as a brand was the bnb, which now seems to be ran entirely by mikke and his wife. Like stick to your photos man? That being said tho, Jere IS an adult and he IS the face of this brand. If he doesn’t think hes qualified to make business decisions all by himself (which I get, this shit is hard), nothing is stopping him really from getting a professional to help him with those things. And if there IS something stopping him then hey man I think you should go to the press with that lol. From any interviews ive seen or read, you can feel he feels this responsibility to keep his friends and family that initially helped him afloat. But I wish he understood that not letting people who in the end are not professional about business and PR and having them stick to their own thing does not have to mean cutting them off.
But now I just wanna share a thought that to some might seem like me defending him – which, in case you didn’t get I am very much not lmao. The thing is, im really glad the fandom is able to call him out on a shitty thing – like a bad baaad business decision. You can like somebody’s art, hell you can even like the public person they are, while not agreeing with everything what they do. What annoys me though, is that apart of the kä fandom, he is also often talked about (usually negatively) in the wider esc fandom. Over the past week I’ve seen multiple threads on twitter from people that rarely ever mention him about this. That would’ve been like, not that much of a deal (though sometimes it really got… engagement bait-y) but the amount of bodyshaming and shaming of his fans that comes up with every valid criticism is making me wanna pull my hair out.
Especially cause he’s neither the first finnish esc-related artist to do that (Robin and Cyan Kicks are mentioned on the kollekt website) nor is he the first esc artist of his influence to do it either. Last year Loreen and Alessandra have released n//fts last year, and Loreen did a very similar raffle a couple months ago. Now I wanna be very clear: I don’t want this to be like. Cancelling these people, that would be so hypocritical of me. I also don’t want this to be like a fandom war like oh youre mad he did xyz?? Well THIS and THIS person did THAT!!1! I’m just merely annoyed that these people doing essentially the same thing went with no echo at all, but now I’ve seen us (the fandom) be literally called the r slur and the most vile things being said about jere and, for some reason, his appearance???
Idk man. I really try to  make it clear im not trying to excuse his decisions and I think being angry and/or disappointed at him is absolutely understandable. Im just angry that every single time he fucks up, every single time he makes a mistake, my timeline is filled with a wave of people rejoicing in it. I know he’s a controversial figure, he’s been one since day one, but I just wish he’s gotten the same amount of shit his peers do for the same actions? And this happens every time, and each time im like “well ig I can see why hes so bad when it comes to criticism”. Because imagine doing a thing that your peers have done with no/minimal criticism and then the moment you try it out you get people calling your fans slurs and commenting how stupid you are. Like ngl id also think any criticism was hate lmao.
Again I wanna be very VERY clear im very critical ab what he chose to do. I wish he took some responsibility – and hope he maybe does, at some point in the future. This year has been a whole lot of bad business decisions for the käärijä brand in my eyes, and I hope he can actually see where its gone wrong and do something about it, both for his and our sake. I am also happy to see fellow fans who are able to call out their fave. But man I am TIRED of him just getting all the shit (from people who very visibly fans are not)?? And now I have the proof that it is comparably more than other people and not just my bias towards him because wdym there’s been at least 4 esc artists, 2 of which more famous than him, and 2 umk artists doing exactly the same thing with almost no echo??
TLDR (thishasover1kwordsfuckshit); I wish he did better, simply. I kinda cling to some hope that maybe hey finally this time he will see that criticism can be constructive. I think this is still a level of fucking up that you can like, come back from. Pity it’s connected to the eurotour since kinda souring my excitement ab my first concert in a new country a bit :(
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sparklecarehospital · 11 months ago
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been reflecting on my year a bit, and i was thinking about something. i think i know what the best thing i did for myself this year was.
making cometcare public. making the ask blog.
ive had this AU stirring in my brain since 2019, ever since i got really attached to doomi during the haunted arc. one reason i went so long without revealing pollarrydoomi as a ship to readers was because doom's crush wasn't public information until late 2021.
i had kept his crush a mystery for 3 years, but revealed it after a fun experience where people figured out who it was through guessing. i'm pretty sure i did a poll about it? asking people to guess who they thought it was, and uni won the vote, meaning everyone had already figured it out.
after pollarrydoomi was revealed and i started drawing art for it and people made fanart for it, i still couldn't post any of my AU art because ally wasn't public and she and howie were in the AU. in july 2022, for the comic's birthday, i revealed ally as a character to the readers. others around the time had started to notice characters i had in pfps and i ended up telling everyone i did have pollarrydoomi ship kids, but i didn't make them public.
in november 2022, i revealed eve on toyhouse. after her reveal, i would soon reveal sly as well in december 2022 on my birthday (revealing sly as a birthday present to myself is such a funny gesture now that you guys know how important he is to me). over the next few weeks i revealed cream, frosty, and marco as well. all of the main cometkids except chem.
then one day someone out there suggested that i make an ask blog for the cometcare AU. it was such a spontaneous decision, and i didn't even really know what i was gonna do with it at first. i was just kinda messing around. but when i made the blog i realized that if i wanted this AU to be experienced in complete authenticity, i couldn't make uni cis.
so i revealed uni being trans through the blog, despite the fact i'd gone so many years without ever revealing her identity. why did i do it? there's a lot of reasons. not wanting to make her a "dad" in the AU contributed, but also i felt like it wouldn't be detrimental to the story to confirm a character being trans. it also made me (and the crew in general) a lot more comfortable being able to properly refer to uni with her actual pronouns.
making the ask blog really changed me, because finally i could share this little family and comfort story i'd built in my brain with the world and make it real and make content for it and let people consume it.
but what stopped me most of all?
i've said it many times before... but i felt like it was cringey.
i felt like making an AU with 93985893844 fankids in a ridiculous complicated polycule wasn't something a Serious content creator should do, and i was really worried the reception would be negative or people would think it was stupid or something. i did NOT expect it to become as popular as it is. the blog actually has more followers than the MAIN ASK BLOG for the canon comic. it was received SO POSITIVELY and the fact it was just kind of blows me away.
it means so much to me. being able to share the most special thing in my life with people and for people to actually like it and have fun with me and want to see it, and for me to be able to not have to follow strict professionalism about spoilers and chronological storytelling, and being able to change and add in things whenever i felt like it. it's such a freeing experience.
when i was a kid, i used to make stories and OCs and i didn't take them as seriously as i do the sparklecare reboot. this kind of turned into my entire life and career kinda, so i had to take it more seriously. but making this AU honestly just makes me feel like i'm a kid again, it makes me feel like i can have fun and literally do whatever the fuck i want without worrying what people think or if it's realistic or if it makes any sense.
i know though, that some people don't like pollarrydoomi. and i know why. whether it's because of being attached to barruni (of course, they're the canon ship and main characters, i get it) or just having discomfort with the idea of shipping doom with anyone when canonically he hasn't experienced a redemption arc... i get it. i know not everyone likes it.
and that's okay! people are entitled to having their own feelings about content. i understand it. and i've come to accept that's always going to be the case with anything i do with these characters.
but i'm still going to do this for myself. i do this because it makes me happy to just have fun and not worry about being serious all the time. it feels good, especially when it's with characters that are really really important to me.
cometcare is genuinely the most special and important thing i've ever made for myself, it's such a huge piece of my identity and it makes me who i am. and being able to make this story public and share it with people and share these things that have been in my brain for so long with others means so much to me.
that's why i think it was the best thing i've done this year. it's kind of literally changed my life to be able to talk about them. it's made me happier than i've ever been making content. i'm not just making it to entertain myself alone anymore, i'm making it to entertain others like i do with other stuff. and the fact people actually like it still is unbelievable to me.
so, i guess my outlook for next year as it comes is to continue to stop taking everything so seriously. i can tell my stories however i want to. i hope others can realize they can do this too.
please make whatever you want, whenever you what, as much as you want, even if it doesn't make sense or if it's "cringe". you will be so much happier when you realize as a creator you DON'T have to take all of this so seriously. the comic still exists and people read it even if i'm doing this. You Can Do Whatever You Want And Nobody Can Ever Stop You. the only person who can stop you is yourself when you let your inhibitions get in the way of your ability to create things for yourself.
have fun! life is too short to take everything you do seriously
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bucketspammer4life · 5 months ago
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what i think your favorite PO boxer says about you
based on my biases and a year of experience (if you get mad over how i talked about your fave im going to turn you into a can of spam)
first time ive ever maxed out the tags
if i missed your fav tell me ‼️
doc louis - you have good taste and are starving for content about him, you really are a survivor
little mac - you either project onto him or just like calling him your son
glass joe - you have a thing for pathetic men (understandable tbh) and like calling him a wet cat since he fits that desc well
von kaiser - same thing as joe but add a hint of "oh no hes hot"
disco kid - you literally have no enemies i love you so much its not even funny (platonic)
king hippo - my god you are good at making up lore, how the fuck do you make a solid personality for a character that only roars and grunts
piston hondo - im 100% youre a saint, no hondo fan i met has ever been unpleasant to talk with
bear hugger - you either see him as a father figure or just think hes hot or (secret third option) you like making jokes about him being a disney princess, either way youre cool
great tiger - oh you have been here for a long time, literally every great tiger fan i know has been in the fandom since 7.000 BC or something, also youre prob really good at art
don flamenco - you use the word "cunty" on a daily basis or just like making fun of his stupid bald head, also yes he has eyeliner on 100%
aran ryan - you'd overthrow a goverment for this greasy rat, youre extremely extremely gay and/or neurodivergent and thats very good for you, you also like making him say lad and have had to go ankle deep in irish slang when making him speak in fanfics
soda popinski - ive never seen someone have soda as their fav, hes always 2nd place somehow so im just gonna go take a shot in the dark and say you like the color pink (mental gymnastics who??)
bald bull - you are a mixed bag, i gen cant put a finger on what kind of personality bull stans have but i can say you either find him hot or like making fun of him, maybe both
super macho man - least serious people ever with some traumatizing lore for the boxers & their own ocs, you prob make him say bogus 88268292 times in a sentence and i can respect that
mr sandman - ive only seen 2 (two ) ppl who have him as their fav and its kinda sad, youre starving for content of him and i wish you the best
birdie mac - hes your son (im not elaborating)
gabby jay - same thing as joe but you went over the top with liking dilfs
narcis prince - gay. gay gay homosexual gay. you went for the self obsessed blonde twink and you thought it wasnt obvious?? you fucking homosexual
heike kagero - youre 1000% queer, sorry to be a broken record about the gay thing but ur fav is literally a man with long hair & makeup that has to be some flavor of queer
hoy quarlow - you are/were another ancient punch out fan, you def shitpost a lot
bruiser bros - where are you??? ive gen never met a bruiser bros fan and its concerning like dude where did u go
texas mac - im sorry but you dont exist, ive never ever seen a texas mac fan, not even someone who mentions him
mad clown - you foul clownfucker. you have weird taste in characters you find hot and tbh im all here for it
masked muscle - same thing as texas mac but theres a slight chance you exist, if you do please show yourself
dragon chan - another punch out ancient fan, you probably were most active in 2013-2019 and kinda miss old shitposts and have either moved on or dont participate much anymore
spo aran - (this is mostly for Charlie but i have hope that theres some other spo aran fans out there) youre probably looking for other spo aran fans, goodpeed soldier, goodpeed
mask x - you arent getting away with this fuck you
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nadianova · 3 months ago
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How much time do you spend planning some of your visual novels? At least going by some of them being jam submissions, it feels like you go from pre-production to a finished build very quickly, and it's amazing how you can manage that while still having an awesome story and so many assets.
Also, what is like, the process of planning a story out for you, if there's any vague or concrete similarities that you've noticed?
i think the important context here is that if i get bored/have nothing to do i jhust immediately get really suicidal its like ridiculous how bad it gets(ITS FINE DONT WORRY ABOUT IT IVE HAD 5 YEARS OF THERAPY). so i hate being bored and want to occupy my time wit something fun whatever that is. if i have a project to focus on but especially if I'm working for a game jam i have a deadline and i just decide to myself okay i will release a game now.
because ive made a decent amount of games i roughly have an idea on my capabilities, i can estimate how long it takes for me to write a story so and so long and how long it takes for me to draw stuff i need and how long it takes for me to throw stuff in renpy. these are estimates like as in I'm not accurate with it but still enough that i generally know where to start cutting ideas since the most important part is just having something to submit. i also know to plan around my brain wanting to slam my head into a wall an my hands suddenly giving up on being able to draw.
i think thats the beauty of game jams it forces you to just go for it and release something. releasing a 'bad' game is better than no game at all. experience only comes over time and i think just going for it is the best approach there is. like its literally 2 weeks 1 month whatever of your life. if you have the time and motivation go for it. make it work or fuck it up it wont matter in the grand scheme of things
im not sure what is the motivation behind the question but i do want to point out that this is just my method (if you can even call it a method) and the only way to figure out what works for you is to just try until you find something that actually works for you
idk not everyone will find it doable/fun to plan around spending two weeks gamedev 10 hours a day just cause i wanted to fit in 100 cgs for a jam game but apparently i can do that when i cheat my stupid adhd brain into hyperfocus with adhd meds
READMORE BECAUSE I CANT STOP RAMBLING
as for planning tho i think ideas on their own are worthless and its always about execution in the end. a great idea or a meh idea are the same for me but i do still enjoy the planning process so i keep notes
like i see a great tumblr post or i see some art or visual novel has some scene that inspires me: i save that shit for myself
having a big collection of random floating ideas like that helps me easily pick from especially during a jam type duration. right now i have like 4-5 half-baked project skeletons, some are literally like 3 pictures and some like naomida are a hundred hours worth of me writing world building about how the toilets work in a city with no plumbing cause its -30celcius(i love bringing this up)=
i dont normally plan that much, i tend to just wing it. like for malmaid i seriously just had some rough ideas and just went along as i wrote
same thing for dddeviance i had a handful of scenes that i really wanted to make and knew what kind of start and end it was meant to have and just figured out how to fill the in between. a lot of plot points changed vastly like halfway through i realised my devil + angel combination was stupid and i should just go for fallen angel + angel.
i think there really is no simple answer tho (as evident from the long as hell post) i don't really have a 'process' because every single game has been worked on has come with different type of planning since I'm always trying new stuff to try and distract me from boredom. like I've been using obsidian for naomida while previously I've just used a empty discord serve as my notes app for malmaid and dddeviance
and tbh with naomida I'm running to a new problem where I'm definitely planning too much. like I'm spending too much time fidgeting with details in chapter 4 even when i haven't finished writing chapter 1 just cause its so easy to get in the loop of "oh ill just change this one line" and boom 20 mins spent playing with my notes that didn't really progress my game since by the time i reach this point the whole scene might have shifted to something else
.
but if i had to squeeze an answer itd be something like everything related to my art or writing or games is just like "oooooo that seems fun i should remember this for later" and then i just string 10-100 of those into a story
i tend to write my stories in a format of
character A does this and that
this happens here
puppy play ryona piss orgasm
new day and then this happens here
sad thing happens
more piss orgasm
the end
and just like start filling in more details and working on my story in a nonlinear fashion until i feel like i have a strong enough skeleton that i can start writing my scenes. i hop around a lot, often preferring to write the fun scenes first like ero stuff or the ones I'm the most interested in and then the rest is just filling the blanks and stringing the cool scenes together
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penaltyboxboxbox · 7 months ago
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how long have you been drawing for ? your art seems so confident (that seems mean but it’s a compliment i promise) like your strokes and stuff just seem so… educated? like you don’t need to sketch you already know what you want to do ?
my whole life!!!!! ive been drawing since i was a little childdddd like the second i could hold a pencil i was drawing! i got put into art classes very young as well cause i liked to draw so much. i started formal classes at like? 6/7 years old probably? and i did some form of either art class at school, out of school, or some combination from that age until i was an adult. So i've had a decent amount of formal training as a kid and have always just genuinely loved drawing so on top of that i was always drawing for fun too.
I think things really shifted for me when I was like?? 21/22 ish and i got very very into portraiture specifically- i really honed a lot of my skills in that department and honestly just became so obsessed with form. I would draw so much realism, tons of studies, i loved to work backwards- draw the shape/form of a thing first, usually in paint or marker, and then add the lines/details on top. i generally during this time also completely stopped working in any erasable mediums. i became and still am to this day a pens only artist, i cant stand to draw with a pencil.
Doing this gave me what i think is one of the best skills to have as an illustrator- a very confident stroke. Being able to attack a piece, not be afraid of the marks you make, working with what you have rather than fussing until you think it's perfect, made my work much more striking and made me a lot more comfortable with messing up and figuring out a way to fix it. or even start over.
i think generally heavily and meticulously sketching in pencil is what leads a lot of artists to tons of frustration. the linework never looks as good as the sketch, you sketched for hours and only now you realized something is off, takes forever to go back, etc etc etc. I find it to often be very demoralizing- so i always advise just to get as comfortable as you can with as few lines as possible. focusing on FORM and PROPORTION rather than the skeleton method or going over with tiny little pencil strokes. everyone has different methods that work best for them, but that was one thing i taught myself that really changed art for me!
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sakasakiii · 1 year ago
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Hi!
I love your work!! Your art is very pretty. Do you have a specific idea of how old everyone is ? Do you lean more towards canon or do you have your own dates in mind ? If don’t wanna a answer it’s ok!
Hope u have a nice day
(Remember to drink water!)
hiiii nonnie!!! thank you for checking in, and im happy u like the stuff i put out!! when it comes to ages, it's difficult to answer sometimes bc of the way professor tolkien's timeline is-- it makes gauging one singular place where most of the cast can be compared something that makes my tired brain go 😵🤧🤕 but i love the prompt youve given! and thus heres my attempt at it
with most of my tolkien stuff, i always try to stick to canon wherever possible emphasis is on try lmao and the topic of ages is one such place. i do make exceptions to the Professor's canon sometimes for a few reasons: 1) i like some of the scrapped ideas in his drafts, or 2) i just prefer other options. with ages, i think the only charas with canon-established ages i deviated from are fingolfin, finrod, turgon, and aredhel. i try to keep cases like these minimal tho, so i hope it doesn't bother anyone too much... 👉👈
anyways i figured just dropping a list of numbers would be kinda boring to look at so heres an illustrated guide to what the ~rough~ ages of the finweans are in my head whenever i write or draw. Y.T. 1495 (the year Finwe dies) is the controlled medium ive used to enable a fair comparison of the Finweans
note: "born Y.T. xxx" means this is the canon date of birth listed on Tolkien Gateway. "est. born [xxx]" means this is a noncanon estimate:
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the First Age gets a lot more muddled from there due to the hullaballoo of everything going on, so ill only be including the doriathrim and a few other denizens of nargothrond:
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it's mostly the older elves that are more undefined/vague with their ages (i.o.w. others like elwing, earendil, the peredhil twins, and most Men all have set dates of birth), so they're all i'll be doing for now. but it's that vagueness which makes hcing all the more enjoyable, isn't it! plus since we’re on this subject, under the cut are just a few headcanons and musings ive had that i wanted to put somewhere 😙
Finarfin and Earwen were born within months of each other! Finwe and Olwe made a Really Big Deal out of when they found out their wives were pregnant at the same time. As a result, the two were often sent on many playdates with each other to “bolster healthy relations” between the Noldor and the Teleri. It wasn’t an arranged marriage situation, but I like to think they were goofy for each other from the start… Resulting in the two eventually getting married as soon as they came of age, the fastest out of all of Finwe’s kids to do so. 
The reason the Ambarussa are significantly younger than the other Finweans (especially the Feanorians-- there’s a 100 Valian year gap between them and Curufin alone!) is because I imagine they were accidental babies that even Feanor didn’t expect to conceive. too bad morgoth said "its morgin time!" and started Messing Things Up shortly afterwards.....
Anaire was Lalwen's good friend long before she married Fingolfin; they met through Lalwen who wingmanned Fingolfin the whole time. i like think Anaire'd be the best out of all the wives at keeping good, healthy bonds with all the women of her family :DD
luthien's potential 姐姐/big sis dynamic with all the younger doriathrim elves is something i daydream about a lot 😌 but sometimes the fact that she's older than finarfin keeps me up at night
this has been really fun, so thanks again for asking-- annnd yessir, i am chugging water as i write this so you better be doing the same ❤️ have a great start to your week!
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untoldsoup · 11 months ago
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Just wanted to make a quick update!
I know some people have expressed concern over my mental health because of the speed I get updates out so I figured I would make a post to clear the air.
Yes, I draw 3-4 or more hours a day. And I know it sounds alarming but I'm an introvert. I spend most of my time between work and home. Before starting this comic I would either play video games all day or scroll the Internet. If you look at my blog history, you will see I've actually had this blog since 2020. However before this comic I posted barely anything. Maybe one to two arts a year.
I had a long span of depression and life and health issues that really affected my passion for art (a year of spine problems that also prevented me from drawing until I had emergency surgery). Getting into the mario fandom really reignited my drive to draw again. When I find something I like I hyper fixate on it A LOT. I did the same with starwars for 4 years with a previous blog.
Also, this is my first time actually committing to a comic and I'm having a ton of fun with it, learning new things and fully enjoying the experience.
I do take breaks for other things (over the summer I worked less on the comic and more on other sidlink projects ect) to prevent burnout.
But drawing really is relaxing when I get home from work. I put on youtube or music and work on a page, then do some chores and a few other things before bed.
Not to mention I got a system down now and its easier to start and finish pages than it was at the beginning.
I'm working on the last update now and whats really motivating me is proving to myself I can finish such a large project. Ive never worked on something this big before and there is a sense of pride in completing it. I also plan on working on a ten page epilogue that wont be post on tumblr due to the nsfw rules, but will probably have on bluesky or discord or something.
I think after that I will however take a small break before working on the sequel (I do have the first 12 pages of the sequel ready to go, but it wont be posted till chapters one and two are both finished) just so I dont stress about it.
I'm a very anxious, isolated person and having projects to work on has helped a lot. I also started some depression meds this year that have been a boon to getting stuff done and not being sad all the time lol.
So all is well rn!! I'm on page 57 right now for the comic, and have a long xmas break coming up so I might meet my deadline who knows XD
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animalinvestigator · 4 months ago
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any manga recommendations?
yessss oh my gosh always, gladly. so honored you would ask little ol me about such a thing... i haven't been reading much lately so here's just a little list of things ive picked up in the past few months or things i've liked for a long time..... all of them are on mangadex so just look em up... Im editing this to put them under the cut sorry i didn't do it before ive been on the clock for like 4 hours and im tired Lights cigarette
fool night yasuda kasumi !!! it's currently ongoing and i recently got caught up... if i had to describe it in two words.. "post-chainsawman." it's very similar in a lot of ways, but has very different priorities.. what i really like about it is that it has kind of a tighter focus on the "poverty and capitalism" angle that chainsawman definitely covers but doesn't really devote its full attention to. in a world where the sun no longer shines, plants can't grow, so humans are constantly at a deficit of oxygen... to combat this, government facilities offer a payout to desperate people who can't afford to live if they allow themselves to be "transflorated" -- basically fed on by a magical spiritual plant that will eventually kill them and release oxygen in their stead. one such desperate person undergoes the procedure only to find he has the special ability to communicate with transflorated bodies after theyve passed... and then he becomes a Plants Detective and shenanigans ensue. Super good it made me cry... art is beautiful..... definitely worth a read if youre looking to pick up something ongoing
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babel no toshokan by tsubana - stumbled upon this after reading the artist's other work "wakusei closet" on a whim... this shorter story is much preferred and has engraved itself deeply on my heart. a girl with a strange set of beliefs about reality enters a strange relationship with a boy who can read everything that's ever been written just by touching an identical sheath of paper..... seriously so good. give it a go if you want something short and sweet
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planet laika & scorched earth of love by mayuri yoshida, this is a short manga and one shot bundled with it that has been one of my favorites for like FOUR YEARS NOW!!! mayuri yoshida's sickly cute animal people + loving intricate lineart combine to create a really unique visual aesthetic. its about the titular laika , as in, the dog launched into space, who has since become the ruler of a planet of dogs, and her plot to take revenge on humanity. also she has a lesbian wife. the one shot is so good too SO DONT MISS IT!!!
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anyone who has heard me talk about comics for the past year or so probably knows i've been trying to get Just yknow everybody on earth to read dead dead demon's dedededestruction by inio asano. nothing i could ever possibly say about it could do it justice it's seriously my favorite manga of all time. it's about being in love with your best friend and the end of the world and aliens and politics and the internet and stuff. asano's art is truly breathtaking and unlike anything else on earth, the characters are all infectiously lovable, and it's just like... endlessly life affirming and heals my heart in a way i have a hard time articulating.
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and last one... not strictly manga but i have really enjoyed keeping up with wanan's webcomic no home recently... its a long one, but i read about 275 chapters of it in like 3 days, because it's that hard to put down, LOL... extremely inspiring character writing and also just insanely fun, eunyung became an all time favorite character of mine on impact and it has one of those casts where you can't help but have fun watching them be together in literally any situation. it's about a bunch of kids with shitty family situations trying to figure out to learn to live with eachother. its an extremely good example of mundane character drama being written so compellingly that it will make you start slamming your head on walls at work. Speaking from experience.
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miscellany... everyone tells you to read witch hat atelier, do it its good... everyone tells you to read dungeon meshi do that its good... Chainsaw man part 2 is getting crazy right now ...... uhhh... i have a billion more so if none of those interest you let me know and i'll share more. thank yew so much for your interest in my opinions and i hope there's something here you can appreciate!!!~~
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metfell · 4 months ago
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Whats your favourite design quirk for each of cbench? I always love hearing how these things came to be !!
allow me to pull up some of my art for you and i will ramble- oh my god it has been literally so long since ive done colored artwork i am so sorry everyone wow the depression is visible i see. ANYWAYS.
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so its funny trying to talk about designs when so much of how i draw them is just "this is ctommy but in a different outfit" so ill go into stuff that is always visible on them
i think my favorite consistency is ctubbos mismatched horns, its something that i think signifies it as My Tubbo Design. i saw a picture of a highland cow back in 2021 and i thought it fit him perfectly and ive never gone back ever since then. i started drawing tubbo as more butchy recently mainly because of boss and his source stuff to be perfectly honest, he has a lot going on in there. but its fun to take a character who is very often like... twink-ified? and make him into a stone dyke butch. well, idk if hes twink-ified these days, but back in 2021-2022 he sure was. i think giving tubbo a wider build- something these two images dont rlly do but whatever we'll work with it- is really great as a visual signifier for being guarded. hes a square hes got his massive snowchester coat on with its big furry coat and his hair covers his eyes and hes got a laurel wreath to signify coming home from war/being victorious in battle/etc. and he wasnt always a moobloom much like my little fic talked about, he used to be a human but the firework explosion fucked him up so bad the server had to stitch him back together with code from mobs. so the server grows a laurel on him and the server hardens him and tries to make him more resilient for the next fight.
i got insane abt tubbo let me move on to ranboo. i have so much fun drawing ranboo i really enjoy playing around with hair length and horn shape and leg anatomy etc. i used to be a fan of the straight split down the middle of their halves but i just love the mottled look so much i have to do that, mainly because i think it makes an artwork look a bit more polished for my own standards for myself. a lot of my ranboo design is an exercise in balance. his halves are black on the left white on the right, so his hair is flipped to make it more interesting, i give them the classic metfell hair flip because a)ranboolives hair moves like that already, and b)it lets me play around with giving them a little crown on the opposite sides horn. also i give them a bolo tie because i dont think cranboo can actually tie a regular tie if im being so forreal. and they have puffy sleeves because i think it adds to the fact that theyre not really a fighter like the others. though cranboo can hold their own and are a literal blacksmith constantly mining and smelting ores and making people armor sets, theyre not KNOWN for fighting, and so giving them an outfit that is not suited for fighting can reflect that.
when it comes to tommy i am always changing up how i draw him. im really attached to the long braid though, and im a classic butterfly clip ctommy enjoyer i think its fun and ppl who hated it were annoying as fuck. i think my favorite thing about drawing ctommy is that i give him gauges- very small ones but gauges nonetheless because cwilbur got them and he wanted to match early on. he never actually went through the process of stretching but he does have them in. and when i draw older ctommy i like to draw him like hes early on estrogen i think its really fun. same with tubbo i like to draw him like hes early on T. theyre transing together :]
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tgcg · 6 months ago
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ive been a tgcg fan ever since the earlyish days of the blog and i cant believe only now im going to send in an ask despite enjoying your work for a while now, going to fix that now i guess.. ahem.. i know you probably get dis alot but i jst wanna say i love love love your art, writing, playlists, comics & your interpretation of davekat as a whole, its a breath of fresh air and feels very 'in character' and comforting to me in a way? very silly and natural.. esp the dialogue in ur comix, it feels.. real,, i could reread your stuff for hours and stare at your pretty colour choices as well, vry awesum 😁 its been sooo cooool to see this blog improve &grow over time, i love going back here every now n again when i remember so i can like all the posts.. one of my fave piecez of yours is def the big dk week one, i love all of them actually but that one is spechul 2 me
..sorry if this is too long and/or annoying, i just had to gush over this blog cause its ceritified AWESOME. anyway, have a good day for the rest of ur days randy of tgcg 🍀🍀
hehe hey hell ya i recognise ur url from quite a while back!
thank u so so much. i rly have come a long way w my ms paint mouse skillz since i started this blog, which honestly wasnt even the point of the blog remotely, but i just got so into doing it. its gotten 2 a point where i get a lil embarrassed looking @ some of my earlier stuff, but i just think abt how much fun i had doing it & that it made ppl happy, & it goes away. this blog has always been abt fun
not annoying at all, im always blown away by the kindness of my fwlrs, u guys r rlly rlly lovely ppl & its smthing i never wouldve expected out of making this blog. U R certified AWESOMESAUC !
i hope u also have a lovely 4ever & thank u for sticking with me 🧡
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void-chara · 2 years ago
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My gift for the @technoblade-gift-exchange !! i was assigned to @simplepotatofarmer who asked for dsmp rivals duo. i hope you like it Loyal!
rambling about headcanons, designs, and my process and stuff under the readmore, because i wanna talk about it but dont want the post to be super long !!
i had originally planned to not have a background and then at the last second i decided to speedrun drawing one in a few hours so um. quality difference but its fine. also unrelated but im pretty sure everything about how i draw animals and anthros makes it very obvious i used to be in the warrior cats fandom lol. anyway onto the designs!!
the gold on techno is scars from the totem at the execution, which i think is a pretty common thing for techno designs. he isnt supposed to be a piglin, but rather similar species of anthropomorphic pig. also his mane and tail fluff are naturally brown but he dyes them pink ^_^ so cool !! um. i maaayyy have forgotten the crown until i was way too far into the piece to add it. haha. oops. pretend its missing because. uuh. hes in a casual outfit. "but he still has the cape" yeah its comfy. "but dream has a mask thats not casual" dream is dream he does Not relax fully ever. see entirely intentional i would never make a mistake.
dream is an original shapeshifter species i came up with because i couldnt decide what i wanted him to be. i havent decided on a name for the species yet but i plan to make almost every solid-color or nearly solid color mcyt into this species. theyre mostly involuntary/unconscious shapeshifters. so like they change slowly over weeks or months to adapt to their surroundings, with little conscious control. basically i wanted him to be like five different things so i shoved them together lol, rabbit ears but in a pattern that looks like an axolotl, a cool tail, TOE BEANS tho you cant see them. this was actually the first time ive ever had a dream design im happy with so thats really nice.
i um. i made full use of my time lol, i spent a bit over a week on the lineart, another week on the coloring, and maybe a week and a half on rendering. unless i suddenly became shit at math(which is possible) that adds up to roughly the amount of time i had to work on it. im really proud of myself actually since i usually take a while to do art, and i wasnt sure i would be able to make something id be happy with in this amount of time. but i did! woah!! this was my first time participating in a fandom gift exchange and it was so fun, and also helped motivate me to draw more instead of getting distracted like i usually do (classic adhd moment) lol. anyway super cool!!
Loyal if u decided to read all this for some reason then again i really hope u like it!! u are so cool and i really love ur rivals duo opinions and creations so i hope u like this! i know theres been shit happening lately, i hope ur doing ok!!
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