#it has a black and white version btw

[of-fear-and-love]

Keanu Reeves in Johnny Mnemonic (1995)

[phoenixcatch7]

The problem I'm having with one of my stories is that it is compelling - but not clicking.

It's a sephiroth gets reincarnated into mdzs. Straightforward. I've got several branching paths: lwj, jc, nmj (my personal fave) and the jade twins (one mind in two bodies). All five of them have great potential, but for some reason my heart is set on sephiroth!lwj, because the aesthetic is sublime.

But! It's! Not! Working!

My main problems are a) despite similar surfaces, sephiroth has fundamentally different morals and life experiences to lwj and lwjs morals are a huge part of his and wwx's stories. B) I can't NOT have wangxian. I don't ship often at all, but when I do I'm pretty set on it lol. I don't want to deny soulmates. Unfortunately I HATE writing romance. C) I do not think sephiroth should be in any sort of romantic relationship at all nor can I see him wanting one. I've read tons of fics where he is in relationships (healthy or otherwise) and they're amazing, yes, but... Under my pen it's just not in the cards. And I do feel pairing him with wwx would just amplify wwx's worst traits, which is the opposite of what lwj does for him.

Everything's in conflict, but the lure of sephiroths second childhood in strict gusu and his complicated feelings about it, wwx being a perfect mix of all his important people with a spine of steel and righteousness that they all lost as everything fell apart, the relationship between sephiroth and his new mother, and how he'd inexplicably lose her too, the white on white aesthetic, the older identical brother, the cruel angels aesthetic with the benevolent demon, the angst of wwx's defection and death, his relationship with qi as a planet's overflowing life force, the tragedy of the mourning angel, monster x monster.... It calls to me.

But there's also the way wwx becoming a demonic cultivator was so vital to winning the war, and the way that affected things, gave him a legitimacy. Involve the silver soldier, and well. Everything else becomes a little extraneous lol. And sephiroth himself is such a big mover and shaker, I don't know what I could do to manage that without wiping out 80% of the remaining jianghu after the burial mounds siege with sephiroth appointing himself king lmao. He's not the kind of person to make small ripples, you know?

And I'd love a twin jades au to sort of turn the chaos inwards a bit (nmj and jgy would be Excellent foils) but again, I can't separate wangxian and imagining scenes feels a bit too close to incest for my tastes, even when it's ONE PERSON in identical bodies!

It's frustrating, wanting to write a non romance fic set in a love story lol. I just. I hate writing romance. But wangxian just don't want to be parted.

But the image of lwj in the xuanwu cave secretly covering a feverish wwx with his wing, only to notice a handful of white feathers pushing through the black as he unknowingly becomes a better person through showing care for other people, shaking his own deep belief that he is a horrible irredeemable creature incapable of love. Caught in an act of love. Hnggh.

Any ideas?!

[alethiometry]

.

[autistickfigure]

BLEH you found my secret in process. OH SHOOT i gotta say this is in a friendly way. and also its from a song (loot my body by man man)

[clottedscream]

what do you MEAN you doubt it's intentional. did you think i chose all of their colors with a dartboard and a blindfold. why else would i make them red my guy

also. in stars and color

[cutiekaijumuseum]

A little trivia for those that just got introduced to Ultraman thanks to Ultraman Rising

You know that part where baby kaiju Emi is shown a kids cartoon with an earworm of a song?

That cartoon is real!! It's called Kaiju Step Wandabada and it stars cute kid versions of different monsters from different Ultraman series (mostly the original from 1966 wich Rising is also based on). The opening shown in the movie is in stop-motion while the cartoon itself is in 2D.

The Ultraman heroes don't appear in person, but bizarrely enough they seem to exist as fictional superheroes in-universe, with the kaiju kids having toys and dolls of them. It's no surprise Emi liked it so much! She would be right at home in this show!

The episodes are 5 minutes long, there are two seasons of 26 episodes each for a total of 52. The official Tsurubaya channel has the first episodes of both seasons uploaded...

...but the rest were sadly only up for a limited time cuz gotta sell the dvds. What is officially available online right now is a series of educational shorts.

Some years ago Marvel Comics got the rights to make Ultraman comics and made a mini-series called "The Rise of Ultraman" (no relation), and these Kaiju Step designs got to appear as part of in-universe instructional videos about dealing with monsters and aliens:

So let's have a quick rundow on the little monsters and where each comes from:

Pigmon or Pig-chan is the main protagonist and new kid in town (forest). This coral-looking guy is one of the most iconic and recurring ultra monsters and the go-to kid-friendly one, as he stood out among the original set of kaiju for being friendly and heroic (as well as human-sized). He has the bad habit of dying in many of his apperences but fortunately that's not the case here.

Kanegon or Kane-chan is the second member of the protagonist trio, and the most energic and simple-minded. A coin purse monster that eats money, and usually a human kid under a curse. He actually pre-dates Ultraman, appearing in the black-and-white anthology series Ultra Q wich had monsters but not superheroes. Fortunately this one doesn't need to eat money and was born a kaiju.

Alien Dada or Dada-chan is the reliable but temperamental inventor of the trio, he dreams of building a rocket ship. One of the most iconic villains from the original 1966 Ultraman (and that's saying a lot), it's a weird alien with weird powers looking for human subjects for his weird experiments, like testing his shrinking ray. He really earns the name of a weird art movement.

Gomora or Gomo-chan is probably the most iconic ultra kaiju of all. Remember how in Ultraman Rising there is this whole sequence where the dad omniously talks about fighting him? There is a good reason for that. Gomora had the only two-parter in the original 1966 series, and was able to actually defeat Ultraman in their first figh. He's essentially Godzilla if he lived underground rather than underwater (He's even been a good guy and had a robot counterpart). Here, however, Gomora is a chill guy who's passionate about agriculture. (btw, you can also spot Gomora in Rising on a screen around an hour and eight minutes into the movie).

Red King or just Red is another iconic ultra dino, that looks like corn. In the show he's brute but well-meaning, and has a friendly sport rivalry with Kemur-chan. But in the Ultraman series he's a sadistic and murderous bully who beats up weaker monsters but gets his butt kicked rather easily by Ultraman (although more recent incarnations have have been more positive, both in his fighting ability and sometimes even becoming a loving father). (and yes, you are right, he's not red).

Jamira or Jami-chan is a passionate archeologist and fossil collector in the show, whereas in the original Ultraman he was a human astronaut that got infected by a virus. He hasn't appeared much beyond his debut... but doesn't need to, as his episode was very memorable in how sad and tragic it was. I can't imagine the target audience's whiplash seeing this cute creature one moment collecting fossils and the next having a horrible sad death. I guess one could say the same for most of the characters, but this one takes the cake.

Miclas or Mic-chan is the youngest character, a baby, and loves bugs. He was one of the "capsule monsters" from the second ultra series, Ultra Seven. Sometimes the titular ultra wouldn't be able to fight himself so he would summon up to three very loyal monsters from little capsules to do the fighting instead (or at least buy some time, they weren't very strong). One was a triceratops, another was a robot bird, but the most iconic had to be Miclas because really, what even is he? Some kind of bull toad hybrid? (By the way, fun fact, the capsule monsters were one of the inspirations for Pokemon).

King Joe (yes, that's his name) or Joe-chan is a robot controlled by alien invaders and is to Ultra Seven what Gomora is to the original Ultraman: he's the subject of a two-parter and was able to beat the hero to a pulp at first, made harder to fight by his ability to divide into three flying parts. Fortunately this Joe is very shy and very friendly.

Eleking or Ele-chan from Ultra Seven is another of the "mascot" ultra kaiju. If two ultra kaiju have to appear in anything, chances are they will be Gomora and Eleking. In fact, in Ultraman Rising you can see Eleking in a monitor right next to Gomora (around an hour and eight minutes in). It's a dinosaur-like eel monster with (of course) electric powers, and the enforcer of an all-female bug-like alien species set to conquer the earth, that are nonetheless very affectionate towards their pet-weapon dino-eel. The fact that Eleking's masters are always women may explain why the Kaiju Step one is a very femenine and elegant girl despite having King in the name, though no less dangerously electric.

Alien Guts or Guts-chan here is a very little alien bird child who can multiply into three separate individuals to cause all the destruction in their sincere attempts to help out. The original duo from Ultra Seven meanwhile are ruthless alien invaders that are infamous for freaking crucifying the aforementioned hero, leading to decades of japanese media having christian imagery for the sake of looking cool, most notably Neon Genesis Evangelion, because these birds did it first and it looked so cool.

Alien Kemur or Kemu-chan is a very agile alien that comes from the distant future of 2020 to consume humans and extend his lifespan. Here he's a friendly but competitive ninja from the present, and has a rivalry with Red King being the speed to his strenght. Like Kanegon, he pre-dates Ultraman, being from Ultra Q.

Motokureron or Kureron-chan originates from the whimsical, fairy-tale like Ultraman Taro. A kid found him as a baby and fed him until he grew to giant size, but when the kid couldn't feed him anymore he turned destructive; fortunately he was easy to pacify with food, including the kind that made him shrink. He retains his glutonny and clumsiness in Kaiju Step, often doing the bad thing (tm) so the others can teach the kids in the audience why you shouldn't do the bad thing (tm).

Nova or No-chan originates from the surprisingly dark Ultraman Leo. This creepy and bizarre ghost-like alien created a red mist that made people go crazy, and manipulated a kid with illusions of his deceased family, and under his cloth there are lots of tentacles and a scythe. So of course, in Kaiju Step she's a happy and energic little girl that loves to sing.

Mugera or Muge-chan is by far the most obscure kaiju of the cast. She's from the 2001 series Ultraman Cosmos, the one where the titular hero protects monsters instead of fighting them. Mugera is an ET-like cryptid that lives in an amusement park that only kids can see, with the ability to fix toys and heal wounds with her magic. After the amusement park closes down she phones home and the protagonists have to protect her from the goverment wich is a little too eager to shoot down the UFO that came to pick her up. In Kaiju Step she likes reading and plants.

And that was your daily dose of kaiju sugar, that may be overdose because you probably already met Emi. Cheers!

[k3n-dyll]

maybe because not everyone has to cater to black and brown readers? if i feel excluded then talk to ur black and brown writers bc why tf would (for ex.) white writers write black readers when…when they aren’t?? yall aren’t victims write ur own shit if u care so much like idk what to tell u but not everyone has to bow down and write the way you want them too.

The fact that this is what you got from me saying that POC feel excluded from fandom is...insane.

I hesitate to even answer this because you sound stupid as hell, but since I think other people need to get this shit through their skulls as well:

If you are a writer, and you claim to be writing an "x reader" fanfic for a character you like, the general consensus is that "reader" in this situation should be neutral for the most part. Sure, there's different versions of that ( "x fem reader", "x masc reader", etc.") , but generally, the idea is that "reader" in this situation could be anyone, yes? A lot of writers on this app and others, write "reader" as if tiny white women are the default.

And you know what?

If you wanna write that way, fine, but say that. If you so desprately want to write about Abby Anderson fucking a 5ft nothing white girl with blonde hair and green eyes - write that. But don't call that shit an "x reader" when you know its a self insert meant to exclude everybody that doesnt look like you. Dont claim to be a safe place for all readers if when POC say they feel excluded from the things you write, you say stupid shit like what this anon just did. If your shit is labeled "x reader" with no other warnings, one should be able to assume that they arent going to see any specifics about body type, hair textures, skin color or eye color - but no. Thats not the case.

I swear, every time we bring this shit up you bitches act like we killed your fucking grandma. If you dont wanna write in a way that everyone can consume, fine, but dont make it seem as if petite white girls are just the default human in every scenario. Theres a content warning over every fic, if you dont want to see how problematic it is to write as if whiteness is the default then the least you could do it leave a big fat warning in that little "CW" section to let us know that you didnt write this with the existence of people that dont look like you in mind.

Oh, and I do write my own stuff btw. Don't ever come in my inbox with this bullshit again. Pissing me off first thing in the morning😒

[massiveharmonytiger]

So I think Gabe's portrayal was really intelligently done in the show and I'm pretty dismayed at the negative reactions. I'd argue that TV needs more portrayals of abusers that seem harmless and victims that make efforts to advocate for their own agency because that is what abuse often looks like in the real world. Yes, sometimes abuse is as in your face as with Gabe's introduction in the book version (which the show was still pretty true to, I'll discuss that below) and the other portrayals we've seen on TV, abusers being explicitly threatening or violent, victims cowering and showing visible distress, all that usual, tropey stuff. However, I think more education is needed on all the ways abuse is subtle, because this misunderstanding and this view of abuse as this black and white thing is often the reason so few victims get help, so many abusers get away with it and so many of the people around the victim and abuser, at best, are surprised when the find out what's really been happening, and at worst, defend the abuser because they're so harmless, nice, upstanding, pick your adjective and there's no way they're capable of that.

Source: https://www.domesticshelters.org/articles/identifying-abuse/the-silent-ways-abusers-control

I feel like a lot of the fandom has already fallen into this trap somewhat. Gabe from the TV show is too nonthreatening, bumbling, pathetic, silly, idiotic, nowhere near scary enough to warrant getting petrified by Medusa's head. He doesn't look like an ABUSER. And yet we're confronted with so many markers of abuse in that scene.

Gabe is harmless…

And yet he's verbally abusive to outsiders. The guy that leaves as Percy is arriving has experienced an interaction with Gabe that warrants Percy apologizing for Gabe's actions only for him to apologize back because he gets to leave, Percy doesn't. He's concerned. Sure, Gabe is fat shaming and yelling about eating fruit at the moment. The absurdity of the topic doesn't make it any less inappropriate or abusive btw, because its about the abuser having any excuse to display their dominance and power over you even if the subject matter is batshit. Ever see cases where one person in the relationship (usually a man) will police the other's clothing (usually a woman) because it's too revealing, too tacky, too whatever. That's abuse.

Gabe is harmless…

And yet he's verbally abusive towards Percy. He sarcastically greets him with the cruel nickname "genius" and immediately picks a fight with him. Percy refuses to engage because he knows, from experience, what being goaded looks like. Wrap your head around that. Kids older than him are out there having catfights and making stupid "your mom" jokes, but this infant has so much experience facing conflict, he already knows what steps to take to steer away from that kind of drama and stay in safe territory. He only engages a bit when he hears about Gabe answering Sally's phone. Anyone who's answered a friend or partner's phone before will probably consider Percy's anger and indignation a little bratty and unwarranted. The issue here is that Gabe is someone who ignores boundaries. The issue isn't that he answered Sally's phone, the issue is that he very likely did it without permission. Based on Percy and Sally's reactions (Percy is angry, Sally is resigned), he's someone who's regularly done stuff like look through Sally's phone or purse without her permission. Percy makes it clear that this is not okay, and he gets dismissed. Gabe just answers "whatever's ringin'" and Percy is made to look like the one overreacting. This is what abusers do. They're never in the wrong. And then, the cherry on top of the blue icing, he blames the victim. "What're we doing Percy, every time." Gabe's the one who picked the fight, but by the end of it, Percy's the one being blamed. This is so commonplace and anyone who's been through this knows how maddening it can be. This is such a short interaction but they pack so much into it.

Gabe is harmless…

And yet we find Sally sitting outside in the rain on the balcony, as if she's trying to ground herself after a traumatic experience. As if she's trying to bring herself into the present and not dissociate because when Percy arrives she needs to be there for him. She can deal with the Gabe stuff AFTER Percy is safe. I'll get more into Sally's interaction with Gabe in Part 2 because a lot of people were confused by the fact that she was so firm with him. There's an explanation, I promise.

A lot of people also expressed concern that we wouldn't see Gabe's truly monstrous side before he gets petrified but from what I can see, the shows been making great use of flashbacks and exposition, so I'm pretty sure this will be addressed. Percy and Sally are the heroes. It would be counterintuitive for the show to establish that and then not give them a blatant cause for turning Gabe into stone.

[nkjemisin]

Hello NK Jemisin! I'm a huge fan of yours, and I wanted to thank you for writing all of the books you've written, and doing all that you do. You're really awesome and you are doing important work! :) I had a long question, if you have time to answer! What's your commentary on creating fantasy cultures, using real ones as inspiration? You've done this before in your stories, and I wanted to know if you had any guidance on doing it well. I'm writing my first novel right now (fantasy!) and am dealing with a surprising amount of guilt regarding using real cultures as a basis for my fake ones. On one hand, I want to create a really unique fantasy world, not the bog-standard European stuff. It's not only more interesting to me, but I also admittedly want to use my story to help introduce people to concepts that might be helpful in the real world, help readers understand what these real people go through and perhaps inspire change. On the OTHER hand, I don't know if it's 'my place' to do so (I'm Black btw, but I'm not just writing about Black-coded fantasy characters). And I'm worried about representing people in a harmful way, even if it's by accident. I'm even hung up about names! Should I use names from real languages related to the cultures I'm inspired by, or should I just make them up to emphasize that, while yes these people are clearly inspired by real cultures, they are ultimately *their own* thing. I'm really conflicted on this and am hoping you can offer some feedback and/or commentary. Sorry for the long ask. Either way, have a great day and I look forward to whatever work you do next!

If I can rephrase what you're saying here, it sounds like you're concerned about cultural appropriation -- specifically, which cultures you get to "borrow from" and "remix," how much remixing you can do before you've done damage, how to depict people from cultural backgrounds other than your own, etc.

If that's what you're asking, then there are whole schools of thought on how to "appropriate appropriately." A lot of thinking on this has evolved in the past few years, for good and for ill; Own Voices, for example. (The short version: the Own Voices hashtag movement started as a grassroots attempt to get marginalized voices telling the stories of their own cultures, because there's been a nasty trend of only white/Western/Anglophone/etc. authors publishing books about those cultures. The problem? Some publishers and readers started acting as if marginalized writers weren't allowed to do anything but stories in their own cultures -- a restriction, instead of an inclusion/correction. Worse, publishers, etc started using it as a marketing shorthand, in ways that were just... not good. They made it weird, basically.) But I'm still fond of the approach that's in Writing the Other, by Nisi Shawl and Cynthia Ward. It's centered on ethnicity/race, but a lot of its approach can be extrapolated to culture. There's too much good stuff in this book to summarize it easily, but you should read it instead of a summary anyway -- it's short.

I don't see the point of guilt, when it comes to something like this. Guilt is what you feel when you've done something wrong, and admiring another culture enough to want to tell a story featuring it isn't wrong. However, there are things you need to do -- research, conversations, considerations of power dynamics -- to reduce the harm you might end up doing by telling that story as an outsider. And note that no matter what you do, though, you might still end up doing harm. (Even people writing about their own culture can end up doing that.) If you fuck up, apologize, figure out what went wrong, and try to do better next time. That's really all you can do.

And then write whatever the hell you want. There's a persistent pressure on Black writers to only cover certain subjects, certain settings; nah. We get to have range, too. You've just got to put in the work to do it well.

Good luck.

[annes-andromeda]

Wish Rewrite

I have this tendency for rewriting material I either don’t like or think had wasted potential. At the time of writing this, Wish hasn’t come out in theaters but I did pirate it as there was an early screening. I also read the junior novelization and bought the concept art book. Needless to say, I was disappointed by what I read/saw.

I feel like Wish could’ve been better. Granted, the story and characters are not terrible, but they certainly leave much to be desired. This is literally Disney’s 100th anniversary, yet it doesn’t really feel like it. Not only that, but the movie felt incredibly rushed. Yeah I know that most Disney movies try have a run time of 90-100+ minutes, but I think a few more minutes could’ve been added to this film.

So, I decided to indulge myself and outline some changes that I think could’ve made the story slightly better. These ideas are by no means perfect, and in the end, this is all in good fun.

Spoilers ahead btw

The main story of Wish is essentially that Asha wants to get a job as Magnifico’s apprentice so that her grandfather’s wish is granted. But Asha finds out about the King’s true nature, and after questioning him, doesn’t get the job, and Magnifico vows to never grant Sabino or Sakina’s wishes.

Asha makes a wish on a star, and the star comes down, Magnifico tries to hunt down the two of them, he uses an evil spell book to create a staff, Magnifico destroys some wishes, Asha gets help from her friends, they sing a song to defeat Magnifico (I ‘wish’ i was joking), Star gives Asha a magic wand, and all is well.

Oh, and Amaya is… there.

It’s nothing complex, pretty cut and dry. And I don’t have a problem with a simple story! But this feels like it’s… missing something.

Firstly, I’d change the title. Disney already has a boat called Wish, and not every movie needs to be one word like Tangled, Frozen, and Brave (amongst others), so the story could be renamed “Asha and the Wishing Star” or “Asha and the Kingdom of Wishes”. Idk, something that evokes a classic fairytale book feel (or that does confuse people with a boat).

((Side note #1: I honestly enjoy that the story started off with a book, as a nod to classic disney movies, especially Snow White. That was cute))

Secondly, and I know I sound like a broken record at this point…

AMAYA👏🏼SHOULDVE👏🏼BEEN👏🏼A👏🏼VILLAIN👏🏼ALONGSIDE👏🏼HER👏🏼HUSBAND👏🏼

The original plan, according to the concept art book, was to have Magnifico and Amaya to be a villain couple who were partners in crime and owned a black sphinx cat named Charo. However for… reasons, the creators took the ‘safe’ route and made Amaya the good one out of the two.

But the problem is, by erasing Amaya’s evilness, the creators of Wish essentially removed any purpose or personality she may have had and thus, she was left to become a literal ‘supporting’ character. First supporting both Magnifico and Asha, then leaving Magnifico to prop up solely Asha.

Deadass, you can literally remove Amaya from the story and nothing would change. Which is probably why she was exempt from much of the promotional stuff minus the dolls. Because she literally serves no purpose but to be… there.

So, in my version of Wish, Amaya would be a co-conspirator to her husband and yes, I’m adding Charo too. Her personality would be inspired by classic female villains such as the Evil Queen from Snow White, Lady Tremaine from Cinderella, and Maleficent from Sleeping Beauty.

Vain, glamorous, cunning, and unabashedly evil, Amaya would be the Morticia to Magnifico’s Gomez, the brains to his brawn. She’s the girlboss, he’s the wife instigator. Magnifico spoils Amaya rotten with countless gifts and praises, whilst Amaya is the more calm and collected evil compared to her husband’s ever-growing temper.

While she starts the story with no magic, Magnifico just can’t leave his wife hanging and shares the power of the evil spell-book with Amaya. And yes, even Charo gets in on the fun, turning from a small house cat, to a massive shape-shifting beast who breaths blue fire similarly to a dragon (shut up i think it’d be cool)

Magnifico and Amaya essentially keep the wishes of Rosas locked in the castle as a form of obedience. By giving the citizens false hope, it makes them more dependent on the royal couple, and the two have more power over everyone.

Anyways, let’s get to the main characters: Asha and Star.

I don’t have much of an issue with Asha’s character, more so her design. I already made a post showing my redesign of her, so that’s out of the way. Tbh tho, I also have an issue with the rest of the costume design of Wish, being a big costume nerd myself. The movie’s supposed to take inspiration from the Mediterranean, primarily places such as Spain and Morocco (and the Amazigh people for Asha), but the fashion feels like generic European medieval fashion.

I feel like the whole storyline of Asha’s interview with Magnifico was pretty pointless, so I would have it that she just starts off as the kings apprentice, whilst also working as Amaya’s scullery maid.

The couple took Asha in when the girl lost her father at the age of 12 (according to the film), and she’s been working for them for five years. Asha works not only to support herself, her family, and her community, but also as a way to distract from the grief of losing her father. Which is no issue, as Amaya always bombards the girl with chores, and Magnifico only teaches Asha the most basic of magic for fear of her growing more powerful than him.

I made Asha work as a scullery maid not only as a reference to princesses such as Snow White and Cinderella starting off their respective stories as maids, but also because scullery maids acted as assistants to the kitchen maids. Dahlia works in the kitchen, Asha and Dahlia are best friends, I figured it made sense.

But anyways, on the day of Sabino’s 100th birthday, Sakina tells Asha to take a break and return home, as she hardly visits anymore due to work. Asha says she’ll try asking the king and queen to get off early, but that she can’t make any promises.

Asha meets with Magnifico and asks for the day off, but the king refuses. However, wanting to keep her loyalty, Magnifico finally shows Asha the wish chamber, and even allows her to witness the wish ceremony that night. But once Asha starts questioning the king on his methods, any goodwill between them begins to fade.

Another thing I’m disappointed in, is that originally Star was going to be a shapeshifting humanoid inspired by the Genie and Peter Pan, and may have even had a romance with Asha. But, the idea was scrapped for the more cutesy, ‘marketable’, version of Star.

In my retelling, I’d choose to do this human shapeshifter version of Star, but I’d name him something else. The star Earendel was mentioned in the concept art book, which is the farthest known star from Earth and not only means ‘morning star’ in Old English, but is also named after the Tolkien character, Eärendil.

I would call this shapeshifter Star Earen, and because Disney loves their animal/cute sidekicks, Earen can have the ‘Kirby’ Star as a companion, just like how Asha has Valentino and Magnifico and Amaya have Charo.

((Side #2: Anybody else notice that Star lowkey looks and sounds like Kirby😶))

Earen and Star journey down to Rosas once they hear Asha’s pleas for guidance. Once Asha tells of Magnifico and Amaya’s lies, Earen reveals that he actually met Magnifico decades ago. The amount of years shocks Asha, as she realizes that the King and Queen might be far older than what they are.

((Side note #3: I didn’t realize this till someone mentioned it, but if Sabino is 100 and he gave Magnifico his wish at 18, then he’s been waiting 82 years for his wish to be granted. Which means it’s likely that Magnifico might be immortal. That, or Disney didn’t think this shit through (most likely)))

Anyways, Earen actually attempted to stop Magnifico and Amaya’s ploy to keep the wishes of Rosas locked away, but he was sealed within the heavens until he and Star heard Asha make her wish.

We can have it that the king and queen spun the story so that Earen was made out to be an evil that once threatened Rosas, but Magnifico banished him and saved everyone, essentially making himself out to be the good guy and manipulating the narrative.

Asha and Earen must now work together to expose the lies of the royal couple, and along the way, the two begin to fall in love. Earen disguises himself as a peasant boy so as to remain inconspicuous, while Asha tries to go about her job as if nothing happened, evading the King and Queen’s suspicions.

Star gives Asha a stick infused with stardust once finding out she is, quite literally, the sorcerers apprentice. It is also so that she may defend herself, as Earen has his powers and a sword (similarly to Peter Pan).

Unlike Magnifico, Earen and Star teach Asha the wonders of magic and the potential she wields, showing that there is no need for her to hold back when her gift can help so many, including those she loves.

The three manage to sneak into the kings study, but only have time to retrieve Sabino’s wish and return it to him. However, Magnifico and Amaya, now strengthened by the powers of dark magic, find Asha and Earen and threaten to destroy all the wishes should Earen not surrender to them.

And as a way to ensure that Asha doesn’t foil their plans, Magnifico destroys both Asha and Sakina’s wishes, despite Asha not being eighteen yet. However, the evil magic allows him to do so. This act weakens the two women, and infuriates Earen.

Earen then willingly complies despite Asha’s opposition, and Sabino takes Asha and Sabina to the seven (well six) teens for aid, who are in hiding after Simon ratted them out and who now serves as a puppet to the king and queen.

Despite loosing her wish, Asha finds the strength to carry on through the memory of her late father, enlisting the help of her friends and Star, who managed to evade the royal couple’s grasp. The team must work together to save Earen, whose power will be drained by Magnifico and Amaya. And if such a feat were to happen, then Earen would die and Rosas would be lost.

The five teens go into the woods to distract one of the royals, with the aid of the forest fauna and Star. Amaya chases the group alongside Charo while Magnifico tortures Earen and begins stealing his power. With the help of Dahlia, Asha sneaks into the castle to confront her former mentor and save Earen before it’s too late.

At first, it seems that the heroes have the upper hand with Magnifico neutralized, but then, Amaya swoops in riding Charo, who now takes the form of a giant dragon. Earen transforms into a dragon himself and battles Charo and Amaya, while Asha continues battling Magnifico. Star even comes to help after the original plan fails.

However, the unholy trio have the upper hand, and Amaya strikes down Earen, giving Magnifico enough time to not only drain Earen’s power, but to trap Star within his staff. With their combined powers, Magnifico and Amaya gather all of the peoples wishes, even stealing the wishes of those not yet of age, which includes the teens.

With all the wishes gathered, the couple and their pet destroy all the wishes, taking their energy for themselves.

Asha falls into despair as she watched her friends, love ones, and community succumb to the grief of loosing their wishes. The king and queen force Asha to apologize to the people, mocking her and making her feel even more guilty.

However, Earen comforts Asha despite his weak state, telling her it’s alright and that she shouldn’t be ashamed of wishing on Star, as he brought the two of them together. The two kiss, the strength of their newfound love and hope shining through the darkness and inspiring the people of Rosas to rise up.

As the sky and stars become alive, Magnifico’s staff is destroyed, releasing Star in the process. All the evil magic he, Amaya, and Charo used is sucked out of them and vanquished, and Earen is restored to full vitality.

Think of this as the transformation scene from Princess and the Frog. Asha and Earen get new outfits, with Asha even gaining a crown and a new wand from Star.

((Side Note #4: The “transformation” in the finale of the film is so stupid. Asha could’ve literally gotten a new dress once she becomes a fairy godmother, but instead, Star just made her sparkly. How magical🙄))

Rosas rejoices, as they realize they don’t need the king to make their wishes come true, and they can pursue them themselves. With Magnífico and Amaya banished from Rosas, Asha and Earen become the new rulers, being names Prince and Princess respectively.

And that’s basically how I would’ve done Wish. It’s not perfect, but it’s just an idea. I’m just disappointed that Disney do something better for their 100th anniversary.

[most-screwed-by-writers-tourney]

Propaganda:

Harrow and Gideon; the power imbalance and pining and inability to communicate and understand each other and oh god the pining they just want to be loved and they're so bad at it

Juri and Shiori: They both love eachother right but shiori is insecure and has comphet and hates juri for being better than her!! It was confirmed in the original dialogue and by the series creator that Shiori does return Juri's feelings, but was antagonistic towards to her because she held Juri in such high regard that when she found out that Juri loved her it made Shiori feel powerful and on more equal ground with Juri than she initially thought, so she tried to maintain that power in the hopes of having Juri to herself

Louis and Lestat: In the original book Lestat literally turns a 5 year old little girl into a vampire to trap Louis in their loveless, abusive relationship, because he knows Louis will worry about Lestat (whom Louis now recognizes as a remorseless monster who sees humans as nothing but food) using this child (Claudia) as a tool and creating the most evil and messed up surrogate child of all time. (He was right, btw, bc she grows into a woman trapped forever in a child's body and hates them both for it. but this isn't about Claudia.)

In the TV series, Lestat is a white devil offering aid, sympathy, and love to a gay, closeted black man in the 1900s. He offers him company, capital, a friend who sees him as an 'equal' Once he turns him into a vampire, his desire to possess and control Louis becomes apparent. He displays TEXTBOOK narcissistic and abusive partner behaviors, apologies for how awful he was, promises to change, makes romantic gestures to try and smooth things over. They start having an 'open relationship' where Lestat loses it over Louis taking advantage of being able to see other people. Lestat writes a love song for him and sends Louis a recording sung by the woman he's having an affair with; Louis confronts him at the singer's apartment and they have angry sex in her bed.

Late in the TV series, they get in another fight, and Lestat literally drops Louis out of the sky and leaves him paralyzed, with Claudia (in this adaptation, a young woman who is more like a sister/mother to Louis) to nurse him back to health and re-teach him how to walk. Louis still takes him back.

In both the book and the TV series, Claudia convinces Louis that the only way they can be free is to kill Lestat. In both, they poison him, slit his throat, and dump his body in a swamp. In the TV version, Louis sobs over Lestat's dead body, refusing to allow Claudia to burn him and ensure he can't come back from it. (Spoilers: he gets better. and he's pissed about it! He follows them to Europe.) Their gay divorce drama eventually results in the destruction of an entire enclave of over 400 vampires in Paris and the death of their surrogate daughter.

[ruthlessness69]

Do any other gods have eyes that giveaway their emotions or is poor Poseidon alone in that?

That's such an interesting question, THANK YOU 🫰

((i didn't have time to make proper illustrations, so there's more of text than pictures))

So, my version of Poseidon has mood-switching eye color, you can read about it here and here. What about others?

Zeus: he has bluish violet eyes at default, and they turn yellow just like Poseidon's, when Zeus is angry or when he's overfilled with power, is going to attack, etc. And his eyes also glows when they're yellow. That's because of his lightning :3⚡

(btw when Poseidon takes his monster form his eyes fully glows with turquoise, like there are no pupils, just the turquoise light)

Apollo: he has golden eyes and his whole body glows. He just glows brighter the more emotional he is at the moment ☀️

Dionysus: green eyes that turn purple when he's drunk or when he's angry. When he's drunk AND angry his one eye would be green and the other one would be purple 🍇

Hephaestus: he's eyes literally burn with fire when he's angry ⚒️

Artemis, Athena and Hermes have so called "hollow eyes", they can glow with white sometimes, but it has nothing to do with their emotions. All three of them have an emotionally closed type of character 🦉🌙⚕️

Ares: his eyes are normally red but they turn black when he's sad or distressed ⚔️

Aphrodite: pink eyes than can glitter with gold. They don't really change cause she has a stable type of emotional system 💕

Demeter: green eyes, also do not change much. Also stable character 🌾

Hestia: orange eyes similar to flame. She's a stable one too~ 🔥

Hades: normally his eyes are violet, when he's angry (which don't happen often, he tends to be indifferent in most situations) they turn red ☠️

Hera... idk about her 🤣 what do you think??

[slightly-sad-sloth]

Experimenting with how I wanna draw Clark and Bruce, decided it would be best to draw them side by side to make sure they don’t look too similar *cough cough* Dc *cough*, also been wanting to draw them in 1940’s suits so combined them into one.

As always click for better quality

COMMISSIONS OPEN

+ Underwear version so that I could actually see their body types for reference later

Bonus; Clean profiles!

ID + refs under cut;

[ID; Digital drawing of Bruce Wayne and Clark Kent standing, both are dressed in 1940’s clothes. Bruce is on the left in a dark navy double breasted suit, with a black tie and yellow shirt, he has a five o’clock shadow and a scar on his cheek and ear. Clark is dressed in a brown suit, with a mismatched jacket and trousers, his trousers are darker and high waisted with a thin belt, his jacket is open and underneath he’s wearing a beige knitted sweater vest with a red tie and white shirt. Clark’s glasses are thick and tortoise shell in pattern. There’s a second drawing, which is in the same poses as the first but both men are in boxers and vests of the period. Behind each of them is a drawing of their face at profile view, Bruce is in full Bruce Wayne persona in his, clean shaven, properly washed for once and with makeup to cover his eye bags, he’s in a black tuxedo and smiling. Clark in his profile is in his above suit plus a fedora with a red band holding a press pass in his hat, he’s looking up in interest. The background to both is faded newspaper clipping of the Gotham gazette and the daily planet along with the superman and Batman symbol. End ID]

Here’s the references I based their clothes on btw, in case you’re interested!

[quibbs126]

Well I also did this today. Sketches so I could try and figure out that skystar fankid since as mentioned earlier, I’ve been trying to think about him

I’ve been trying to draw other stuff today, but honestly after drawing Jazz, my creative juices have not been flowing as much. I tried to do more color palette drawings, but Megatron’s shoulders give me so much trouble I couldn’t figure them out, and I tried to draw Ironhide but he wasn’t turning out right proportion wise and I realized by them I was kind of just forcing it

But then I was bored and needed something to do creatively, so I tried to at least attempt some amount of designing this kid. Though first I needed to try and draw Starscream and Skyfire’s helms (since that’s on of the main things that don’t rely on alt mode) to see how I could combine them

I mean, I think I did all right. It is very much still a work in progress though

Probably shouldn’t have even posted it, just kept it to myself for future reference, but I have a problem of wanting to share literally everything I make with very few exceptions, so here we are

I have multiple alternate color schemes here as well because I just didn’t know what to pick

Honestly my biggest problem here for me is that Skyfire doesn’t have any design in Transformers One, at least not as far as I can tell. And he doesn’t really appear in much outside of that, so I’m really just stuck with his g1 design to base off of. So most of what I do have to work with comes from Starscream and the other Seekers

So like, I feel like this kid looks too much like Starscream, but I don’t know how to fix it

By the way, while I haven’t settled on a name for him yet, the one floating around for me right now is Overdrive? I don’t really know why, and it unfortunately is already a character’s name, but shush

It may change, but for now, in this post, his name is Overdrive

There’s also the problem of the color scheme for him here. Because like, Skyfire and Starscream technically have almost the same color schemes, just that Starscream also has black/grey and they’re dispersed differently. So I’m trying to find a balance here that works without looking too much like one or the other

I had a brief idea to base Overdrive’s color scheme on the original Jetfire toy, and honestly I do think it could work, with the mainly white with red and black accents, it's just that for whatever reason, I don't like how it looks when I make his middle part red. Maybe I've been watching too much g1, because there's a lot of red Autobots, and characters having white and red on their helms isn't that uncommon either. So I just keep it blue so he looks distinct in my head. I might switch it over to the Jetfire color scheme later though

Also you see that for one of the visors I toyed with him having green eyes (his eye and visor color match btw, the eye's only there so you can see it), because some people decide that pre-betrayal Starscream had non red optics. But I didn't just want to stick with plain blue, and I knew that we see a number of miners with green eyes, so why not green? I changed it because I thought maybe he didn't look Starscream enough, but eh

Oh yeah, I do have a few other notes on his design here, since I'm realizing I've mostly just been complaining

Why did I give him a visor? Eh, why not, Skyfire and Starscream don't have them. But I based it on how it looks on Thundercracker and Skywarp

As for his side vents, I wasn't really sure how to do them, but I didn't want them to be the same as Starscream. I tried to base them off of Slipstream's, but the way the vents folded looked weird to me, and I ended up cutting them off and making his face into what you see in the bottom left there. It didn't turn out exactly the way I wanted in the colored version though, and I think I ended up circling back to Starscream's vent shape. But oh well, things to change later

Oh yeah, pictures of Thundercracker, Skywarp and Slipstream to know what I’m talking about. Or more accurately, this is what I used

Also those things on his sides? They were supposed to be like Skyfire's side cheek things he has in g1, but I also made them puff out for some reason. I don't know why. I'll probably tweak it, but I want to keep some aspect of it I think

*sigh* to be honest, I really don't know what I think of this design. It really isn't finished at all. I'm really not even sure why I'm showing it, other than to say I'm working on it and I didn't just abandon it? But I mean, we'll see how long that lasts

Do I have anything I added on to Overdrive's character at least? Well no, not really. By this afternoon I think I had mostly creatively drained myself, I mostly just wrote what I had originally again

Namely that he came to be after Sentinel's betrayal, and as such Starscream doesn't know he exists and Skyfire thinks Starscream's dead. Overdrive still has his cog, it never got stolen, either because Sentinel hadn't thought of it yet or he didn't have a believable means to have it taken without it being suspicious. All I really know is he's a jet, but isn't outfitted for military work of any kind, his profession probably being closer to Skyfire's

As for Skyfire, I'm stealing his role here from another fanfic I read, where he's a scientist who was trying to figure out the cause of the Energon shortage and the lack of the miners' cogs (unaware that latter part is a lie, but he was growing suspicious with the discouragement of that line of research), though he also races occasionally. So maybe Overdrive's a scientist too? I don't know, I don't think he needs to be, but I don't know what to make him

Also a note that isn't new to me but I don't think I ever mentioned, due to Skyfire's research, he's met the miners plenty of times and was generally considered one of the nicer cogged bots to them. Overdrive has by proxy met them on occasion as well, including D-16. So as it happens, Megatron does in fact know about Overdrive and the fact that he's Starscream's kid (Skyfire probably mentioned his former conjunx at some point), but he doesn't know that Starscream doesn't. So he hasn't told anyone because he assumes everyone already knows

But yeah, I have Overdrive's backstory, but I really don't have anything about his actual job or personality. To be honest, I think some of it's me being paranoid I recreate Locket in some way, since I like seeing stuff on the Locket AU. I suppose I try making him closer to Skyfire's personality? But for whatever reason, my brain can't rectify that in my head. I don't know

Still don't have an answer on his alt mode either. And it gets even trickier now because they don't have Earth alt modes, they're Cybertronian (even if they don't all look the most different from Earth vehicles here). I did learn about the existence of triple engine jets today, and I kind of want to do that, but I don't know if I will. I also don't know how to draw planes yet, or how they entirely translate to robot mode

But yeah, I think I'm done here, just updating you on what I've been up to this latter half of the day

[comfortless]

in my pottery class thinking abt how much i would rather be painting with König rn pleading emoji btw

lele you are in my head always.. König being artsy..? awkward, spontaneous infatuation developing over sharing portraits of each other? yes yes… 💞

There’s a new man in your class that you have never seen before, not around the rest of the community center. The perplexing titan has chosen to take up painting, of all things, and you wonder as he steps through the threshold of the door how he will ever even be able to hold a brush without the wood splintering in those massive hands.

Painting is calming, gentle most of the time. Only, he embodies that feeling of a failed brush stroke, an accidental tilt of your wrist leaving a swirl of mottled colors that would take far longer to fix than it could ever be worth. Dark, dreary and tense as he seats himself directly next to you.

His creations are dark things, abstract shapes of gray and maroon; red lightning and murky sea. Each dip of pigment glistening off of your own brush leads to softer scenes; poppies and silhouettes of sweet creatures grazing and basking beneath the amber rays of a sun hanging lofty upon the canvas. Gentle things to warm a heart where as his own are to expel something from a chest wound, infected and bursting.

He takes note of your bewildered stares, two weeks after his joining, and even makes a point to place himself at the back of the room, far enough away to keep you from seeing the quivering of his wrist as he paints a new apocalypse. A mercy or an insult, you couldn’t be certain.

When the time comes to create a portrait of one of the other participants, you approach him without thought. “We can paint each other,” you offer, voice like a bowstring. He only nods, once, and allows you into the space adjacent to him as he shifts his long limbs beneath the table in an attempt to accommodate you.

Just mercy, it was, then.

König isn’t talkative, even as you pester over details and ask him to tilt his head a certain way just to ensure you’ve picked the perfect placement for one of the rogue freckles dotting his cheek. He complies with a wide-eyes stare, one that leaves you feeling a strange mixture of curious and uncomfortable. Each time you look up, you notice that the gaze hasn’t lessened, it only proves to be more incessant and intense.

You show him his portrait; attention drawn to the eyes, each fleck of fluorescent light painted in them with the same color used for the pale white of his scars. This is one to be proud of, a certain reverence to the piece that you’ve lacked entirely in your painted fields of little white and gray blotted sheep.

His version of you is a splash of dandelion yellow, flecks of pink in a sea of black. There’s no face to be seen, but it is beautiful in its simplicity. You marvel at it, holding the canvas up to the light and your eye catches on something— buried just below the still-drying paint, a small scrawling of your name in the shimmering gray of pencil lead. You almost think you can make out the shape of a small heart somewhere in that mess of cheap acrylic, too, before the piece is gently tugged from your hands.

“It needs to dry,” he tells you, casually discarding it back onto the wooden table and examining your depiction of himself instead.

You watch as his eyes seem to light up, that weariness within them suddenly gone as his stare drifts from top to bottom of your canvas. You know that you’ve done well, with a certainty when his focus shifts back to you and a barely-there smile is tugging at his lips.

He tells you that he can not paint anything like you, and when you ask him just what that means, he only tells you that you’re just too pretty. The reality is obvious— his hands shake, but only around you. You’ve seen him nodding along to something the instructor says to him as the older man leans over the table to inspect his art, and König has only seemed stiff, unbothered.

There’s a cup of chamomile tea prepared for him the next time he enters the room and you’re nothing but demure smiles and sweet greetings as König takes the space next to you once more.

It’s just as he’s taking a sip that you decide to innocently ask: “Have you ever painted anyone nude?”

He sputters for a moment, trying to conceal the rising tide of crimson that creeps up from his cheeks to the tips of his ears as he turns away from you.

“Nein, but I would like to try.”

[nymphomatique]

doing the TikTok couple outfit trend with nerd!miguel

this just sent me to my early grave btw

cw: none! fluff with barely one instance of suggestive language. also maybe angst if you squint. gn!reader with a fem outfit!

wc: ~ 600

❤︎ a/n: this was so cute im :(((. if you haven’t see the trend nonnie was referencing, here is an example! proofread today yippee!! happy reading <3

*all pictures are just for scene setting! reader has no specific race, genitals, body type, or pronouns mentioned!*

put the timer on before you press play,” you laugh, watching miguel fiddle with your phone. as tech savvy as he is, you find it endearing that he can’t operate tiktok properly.

the two of you were on a park date, picnic basket in hand as the sun shines overcast, warming your skin, matching the warmth you’ve been feeling all day. after a rough week, miguel had offered to cheer you up, by way of picnic, and you agreed, albeit with reluctance.

it had been your idea to match, of course. the small unspoken ways you feel comfortable giving affection towards him without outwardly saying the three words that stir and uneasy feeling in you.

naturally for a picnic, you opted for gingham, red of course, sporting by way of a long sleeved off the shoulder crop top with lace trim, and a denim mini skirt to match. the shoes were less understated with the farmers look you had going on, your steve madden platform sandals bringing your more than necessary edge to your outfit. miguel, still hunched down finicking with your phone, matched with you, wearing a red gingham shirt, unbuttoned with a white tee underneath. his light-wash blue jeans sat well on his hips, held up by a black leather belt, the same color as the loafers on his feet.

you had seen an influx of videos of couples on vacations and regular outings matching outfits and chronicling it in form of tiktoks, and some part of you felt like it would make you feel all the more conflicted in your feelings, but the other part of you wanted to hold hands with miguel and show off your matching outfits to the world, and the former part of you won.

bringing you back to now, where miguel finally has managed to set up the timer for your tiktok, but not without muttering, “the user interface is stupid. anyone could have trouble with it.” you can only laugh, admiring his clean shaven face, pouted lips, strong nose and soft eyes as he looks at you and asks if he can press play yet. you fix his hair, looping the little piece in the front around your finger to fix the curl and look at him in the eyes, his face red.

“yes.”

-

“miguel, you cross your legs, and then clap. not the other way around. this is the second time!”

“that’s not what they did in the video i saw..”

“that’s because it’s not the one i sent you. i suggested this, so we’re doing it my way, not yours.”

after three takes of miguel either crossing his legs the wrong way or completely missing his cue, you were sure this take would be it.

so when he presses play and the timer goes off, you watch the minuscule versions him and you in your phones screen, and by some high power, you’re both in sync. and can help but laugh and exclaim your joy, pull him in for a kiss at his success. a kiss in which miguel gladly returns, lipstick marks be damned.

you look away shyly when you pull away. “knew you could do it,” you say, gaze lowered to the gold chain hanging from miguel’s thick neck.

“only cause i listened to you, my love,” he returns, bringing your gaze to his by pushing your head up with his index finger at your chin.

you give him a light pec before slapping his chest softly. “should have been listening to me the whole damn time. i’ve been too nice to you lately.”

“teach me a lesson later,” he says, the look of mischief in his eyes not unnoticed by you. “first, we eat. c’mom.”

with his hand in yours, you stroll through the park. together, and happy.