#it got stuck in the drafts AGAIN

[swordsmachinedaily]

Spongebob swordmachine

Day 59: I'm spunchbob

[hadesknockedupintheunderworld]

Thinking of the end of Zelda Twilight Princess and TP Link again

Since the start of your journey, all you've tried to do is keep your home and your loved ones safe. You hardly understood your own destiny at first, the major role you were to play in this world. Though you could never have refused the future that lay before you, it remains that it's this wish to protect your home, your loved ones, and to bring everything back to normalcy that drove you in the beginning. And it, too, remains that even though you found others to care for and had accepted your destiny (that there became a point where you embraced your role in fixing everything), that original goal still remained. After all, you, the people you care about, none of you can go home or live in safety until the threat is defeated.

What if you'd started out as a boy from a small, rural town, one who'd hardly dreamed large, but couldn't shake his curiosity in the world outside. You never wanted to leave your village for long, but you were interested in getting a chance to see Hyrule's capital, meet those people your older friend had told stories of. And then, when the monkey's paw curled and the goddesses gave you a grand adventure, all you wanted was to pave the way for everyone to be able to go home, including yourself. Once it was all over, you and everyone else could finally relax, right? Things would finally go back to normal, wouldn't they? And the children could forget the horrors they'd seen, like none of it ever happened.

But after all that... Even after shedding the hero's tunic, returning the sword of evil's bane to its resting place, and finally returning home with everyone...home is not the same anymore. You were supposed to feel safe again, comforted by the sounds of the nearby wood, the smell of the goats, and the rough texture of the pumpkins that grow in the village, but even lying in your own bed makes you restless and feel on edge. Sometimes, the children still run around the village like they used to, playing pranks on each other and playing hero, but each one of them has an air of...maturity that wasn't there before.

Colin is more confident. He doesn't follow you around or spend as much of his time watching the other kids play. He spends time telling his baby sister stories and training with his father (like you once had) to learn the way of the sword. The other kids don't pick on him as much anymore either.

And Talo. Talo thinks the village is much too defenseless now, especially after everything he's been through. He never really left the rooftops of Kakariko Village, the village lookout who was trying to protect everyone the only way he could. He's even confided in you before that he's trying to learn a weapon too, and trying to convince Colin to join forces with him as village protectors. According to Talo, Colin says there's no need to worry with you and his dad around. No better protection than a hero, right? But Talo says he knows you and Rusl won't always be around. And...maybe that's true. One day, you too will grow old with time, but something about the way Talo says it makes you feel...uneasy. As if he was seeing right through you. Was he seeing something you were ignoring, or was he really truly talking about the day in which you are no longer able to protect anyone?

Beth is still a bit boy crazy, still fancies herself more mature than the others as she had before, but there's some respect there now when she interacts with them. She refuses to tell you what she's been up to, but you've seen her working in her mother's shop, talking to Uli as she feeds her baby, reading with her father, and helping Ilia wash Epona in the spirit's spring. Ilia seems to know more than she lets on when telling you that it's a casual hangout, but you have an inkling of what it's about. Given the others, it's no surprise if Beth, too, is trying to find her place here, trying to help in some way.

Malo is perhaps the one who'd changed most obviously. While everyone had been happy to go home after the defeat of Ganondorf, Malo couldn’t simply stay the same quiet kid who'd followed his brother around. He'd built a growing business back in Kakariko, dedicated to making goods affordable to the common person and raising funds to fix up local infrastructure. He couldn’t continue to run it from Ordon (though Sera's told you that he'd made an offer on her shop). You've even been able to hear him muttering under his breath about the state of Malo Mart management, and plotting to skip town (after all, young as he is, and after everything that's happened, there's no way his parents would just let him go back on his own). As before, Malo doesn't speak to you often, but he had...said something that shook you not long ago. He'd not so subtly "hinted" that you could make an excuse to leave, and that it wouldn't be hard for him to stow away as you went on your trip. You didn't know quite what to say, but when you began to mention his parents he'd cut you off. "So you're too scared to leave."

(Are you too scared? No, of course you could leave if you wanted to. And you don't want to, do you? You're home again, which is the only place you've wanted to be since the world went to shit. It'll just take...time for you to feel okay again. No better place than home to heal, right?)

But it's...not just the kids who've changed. Fado was happy to have you back, of course (he's always said no one wrangles the goats quite like you), but he’d... Well, even though he was the one who extended the offer, he seems to fear this is beneath you, that he's tying you down, keeping you from a grander life. No matter how much you assure him this is exactly where you want to be, that you just want things to return to normal, he doesn't seem convinced.

Not to mention the rumors in the village of your feats, all the talking behind your back. You'd been celebrated as a hero when you and Rusl returned back with the missing children, and now, since you've been trying to return to normalcy, others continue to be weird around you. You're a hero (were at least), yes, but are you not the same Link the villagers have known as long as you've lived here? Do you not occasionally assist with their troubles. Do you not try to make occasional small talk as before? So why do they seem to have trouble talking to you? Why do they have so much to say, and yet none of it said to your face?

Home has changed. And even that which has stayed the same doesn't feel...correct. That which is still familiar feels like nostalgia slipping through your fingers, not the reality before you.

But then again, when you spend weeks following your old routine, trying to act as you did before, and nothing seems to get better. When you lay in a bed (your bed) that's the same as it was when you first left it, you wake up sweaty and fearful from nightmares, and you feel exposed when you should feel safe, is it home that's the problem? What about when you look at the sunset and dream of places faraway, of the people you met and the things you've seen, and it feels like something's missing (something, perhaps, not wholly unrelated to the person people you'll probably never see again)?

Ilia was the one who first assured you that this path was the right one. When she finally had a chance to relax, deal with her amnesia head on, it was reminders of home and her past which comforted her, allowed her to get better. Of course, you know she'd never just forget everything she'd been through before, and she wouldn't expect you to either, but she'd agreed that being home would allow you to heal too. That's...that's what you've been hoping.

On many occasions you think about confiding it all in her, telling her what you've been going through, but you can't go through with it. Not when she seems...happy again.

So, after weeks of letting bits and pieces slip, you finally confide in Rusl. It's a day similar to all those months ago. The sun is setting as you and he sit at the spirit's spring after a long day, and he tells you about his week. You tell him that even as things get better, they don't really get better. When you don't have nightmares of tragedy and never ending battles and failure, you're dreaming of the people and places you met during your journey. No matter how much time you spend there, or how much furniture you move around to your liking, or decorations you add to the walls, the idea of your home being home feels like you and the feeling are separated by an impenetrable wall of glass. You can see that feeling of comfort, of home, of familiarity, but you just can't quite touch it. Your house is yours, and yet you can't seem to fit in it anymore. You've gone back to normal, and yet everyone is treating you differently. You try to relax, and you just can't quite sit still, feeling like...

You finally admit that feeling you've been stuffing down to him as you ramble (something rare for you to begin with). It's not just that you can't feel safe at home, that healing is a tough process, but that you feel like there's something yet you need to do. It doesn't feel right trying to be the person you were before. The routine which should be great for its simplicity and famliliarity feels wrong, almost stifling.

Did you really think you could just go home after all you'd seen and been through, go back to that small world and cut off the rest of it, just so things could be like they were before?

Maybe it's you who's wrong. Maybe you're broken and your edges dulled and chipped so the old pieces don't fit back together anymore–

But Rusl, ever a comforting presence in your life, just hugs you. He says he cannot even begin to comprehend the things you've been through. He acknowledges how hard it is to heal. Both things you already knew.

Then...he tells you his story, that he knows how hard it is to return to all of this after such an ordeal. You are not the only person who must deal with it now. You're not alone.

And then, as you consider telling him that if everyone is dealing with this, then surely they're handling it better than you, he tells you something that causes you to freeze.

"If you need to leave, you can."

"Of course," Rusl continues, "if you want to stay, we'll support you. You don't have to pretend everything is normal. And even if you go, it's not like you'll be banished. You can always come back here, even if you can't stay."

And so you speak the words you've thought every time someone suggests leaving here, or suggests that you won't stay. "Do I have to go? Is...does everyone just want me gone?"

Rusl shakes his head. "Of course not. We all love and care about you like we always have, hero or not."

Then...why do I feel like...this around everyone? you think.

"The question is...it's not whether anyone wants to you go or thinks you should go." Then, Rusl places a hand on your shoulder, face deeply serious as his eyes lock onto yours.

"The question is: Do you want to go? Do you need to go?"

For a moment...you're speechless. You know what you want, you think. You've wanted to return home all along, haven't you? That's...all You've been trying to do since you defeated Ganondorf, lost bid Midna farewell, shed the garb of the hero and returned the master sword to its grove. But...what do you need?

"I don't...I don't know what I need," is all you say.

"...Well," Rusl says, after a moment of contemplation. "I can't tell you what you want any more than I can accurately guess what you need. And I can't make your decision for you."

"...Right." So that's it then. Either you go, admit that there's no fixing you, no point trying to fit a misshapen puzzle piece in an old hole, or you stay, keep trying to move on and get things as close to normal as you can as you have been for weeks.

"Hey," Rusl says after a moment. "Hey, listen to me for a second."

You raise your head, shift your eyes from where you'd cast them at your sandals.

"You'll be okay, Link. You've been through a lot, and it's changed you—like it's changed all of us. But, you have your whole life ahead of you, and I suspect you have more choices than you even believe."

"...Yeah."

"I may not be able to tell you what you need, but I can tell you to follow your heart. If you listen to it, it'll lead you where you need to go."

"My heart?" You sound a bit skeptical.

"I mean...isn't it your heart that got you here? You didn't undertake the journey and save your loved ones by being weak of heart did you?"

And that...that's true. With everything that was at stake (especially that which you cared about most), it was your heart that wouldn't allow you to back down, wasn't it?

In the end, you nod.

Rusl smiles. "Then why ignore it now?"

"Why ignore it now?"

The rest of what Rusl has to say goes unsaid, but...you think you get it anyways.

"Why ignore it now? Has it ever lead you astray?"

"...Thanks, Rusl," you say, finally. You don't tell him that you feel a bit better now, but his smile grows regardless.

"It's no problem, Link. Anytime you need."

And so the sunset passes into night passes into morning, and there's a weight on you when you wake up. You know, somehow, in this moment, that a decision has to be made, a potential path chosen. There's no ignoring it.

And you find her—Ilia—in the spring.

"You're...leaving, aren't you."

"I..." You haven't even put on any gear, nor unearthed that special tunic tucked in your basement, nor have you saddled Epona up yet. When you woke up, you still didn't know what it is you need.

"...I am," you say finally.

There's a moment of silence.

"I...some part of me knew you would." Then, she adds, "One day."

"...Why?"

She shakes her head. "I can't explain it. You just...you haven't seemed...quite right lately."

I haven't?

You thought you must've seemed at least fairly normal, must have with all the effort you put in.

"You're... You weren’t..." Ilia hesitates for a moment, as if afraid to say the words at the edge of her tongue. But then, she sighs.

"You don't seem happy here."

"I-I've...I've tried to–"

"I know," she says, cutting you off. "I know. I have..."

You wait for her to finish her thought, but she never does.

"Hey, Link, before...before you go... Come back to this spring. I'll wash Epona for you."

There's a bit of strain in the smile Ilia gives you, but you nod, smiling back.

It's...it's not easy to leave. It never is, and it never gets easier, no matter how many times you have to do it. And so, as you gather some final supplies, thank Rusl for his advice, and put on your gear (finally unearth the tunic you'd hidden away), you remind yourself that this isn't truly goodbye. You're just...going on a little trip, chasing your heart. You'll visit sometimes, right? It's just a little trip.

And eventually, geared up, you make your way to the spring. As expected, Ilia is there, grooming Epona when you arrive.

Out of everyone, you feel Ilia has been both the easiest and the hardest to read. Ever since everyone returned to Ordon, it made sense the way she stuck right back to the comforts of home and her old routine. She's...not all okay, but it's seemed to make her happy. And yet...there's something else about her. There's a bit of weirdness there you can't parse out, and there's something in the way she speaks that always feels like there's something going unsaid. You feel it more than ever as she turns to face you in the spring, seems hesitant about giving Epona over, even as she says that Epona is washed and ready.

Although, then again, there's something nostalgic about this moment. As you mount up Epona and Ilia asks you to take care of her, and not to take on more than you can handle.

You know the moment is here. You can feel it. It's time to go.

And yet, there's one last thing holding you back. You look down at Ilia as she begins to speak again.

"...Link, I–"

"Hm?"

Silence.

"I...never mind." Ilia waves you off, mustering up a smile. "You should... You should go. Don't let me hold you back."

You nod in response. Her expression is a bit bittersweet, although perhaps the smile you return her is just the same.

And so you take off with Epona, galloping across the bridge between Ordon and Faron. You leave her standing outside the spring, and you make a beeline for Hyrule Field, craving to feel the wind in your hair and the sun on your face.

Your wants, your desires...those deep down ones may be impossible. But it's something. Traveling, following where your heart leads, it feels familiar. It feels...right.

And once your journey begins, you think it's almost laughable that you thought that you could just go back home after all that you'd seen and experienced and...lost. At least now, though your future is uncertain, though you still can't quite feel safe, though you still can't banish the nightmares, at least you no longer feel...stifled.

At least you can be free now.

[flurry-of-stars]

︵‿︵‿୨✩୧‿︵‿︵

*taps microphone* New chapter for These Hollow Halls coming soon--

[megacarapa]

one thing ive learned as i got older☝️ is that so many problems can be solved by clearing the cache

[sungodsfav]

I have so many ideas for fics but no motivation to write I hate it here 😭

[christine-ye]

Kamen Rider 555/Faiz character name meanings

I did mention in the tags of my Blade character name meanings post a while back that I'd tackle Faiz eventually so here it is (slight spoilers incoming)

🚫 Takumi Inui (乾巧)/Faiz 🚫

Inui (乾): drought, dry (could refer to Takumi's blunt personality and/or how the Orphnochs' gray/monotone color scheme makes them feel so devoid of life yet while not actually dead, something like a gray area between being dead and alive but not fully one or the other; also coincidentally sounds similar to the Japanese word for dog, which foreshadows Takumi being the Wolf Orphnoch)

Takumi (巧): adroit, skilled, ingenuity (could refer to Takumi's willingness to adapt in any situation, as is the case with wolves in the wilderness and even the Orphnochs' instinctual nature to survive rather than live in contrast to humans)

Faiz: based on the Greek letter phi (φ), his number code 555 loosely plays on both the letter's Greek pronunciation and the English 'five'

✂ Mari Sonoda (園田真理) ✂

Sonoda (園田): sono (園) - park, garden; da (田) - rice field, rice paddy

Mari (真理): ma (真) - true/truth, reality, genuineness; ri (理) - logic, arrangement, reason; both characters together mean 'truth' (could refer to Mari often being the voice of reason among the cast)

🧺 Keitaro Kikuchi (菊池啓太郎) 🧺

Kikuchi (菊池): kiku (菊) - chrysanthemum (has various meanings in the Japanese language of flowers including cheeriness, which ties into Keitaro's more cheery personality compared to both Takumi and Mari and their bond as a trio getting stronger); chi (池) - pond, pool

Keitarō (啓太郎): kei (啓) - disclose, open, say (ironically contrasts both how Keitaro initially didn't know Yuka's full name when they first met until later on and the main cast's constant miscommunication issues); ta (太) - thick; rō (郎) - common suffix in Japanese male names

🐴 Yuji Kiba (木場勇治) 🐴

Kiba (木場): ki (木) - tree, wood (represents strength, flexibility, and warmth as one of the five Chinese classical elements, could refer to Kiba's resilience despite all the tragic stuff he went through); ba (場) - location, place

Yūji (勇治): yū (勇) - courage, bravery (also could refer to Kiba's resilience); ji (治) - reign, be at peace (could refer to either Kiba becoming Smart Brain's president near the show's end or his initial goal of wanting peaceful coexistence for both humans and Orphnochs)

🕊 Yuka Osada (長田結花) 🕊

Osada (長田): osa (長) - long (as an adjective, could contrast with the Orphnochs' shortened lifespan), head, chief, leader (as a noun); da (田) - rice field, rice paddy

Yuka (結花): yu (結) - tie, bind (could refer to Yuka's bond to Keitaro despite their initial name misunderstanding or her wanting to sever her ties to her abusive family and past); ka (花) - flower

🐍 Naoya Kaido (海堂直也) 🐍

Kaidō (海堂) kai (海) - sea, ocean (could refer to snakes resembling/being analogous to dragons in most Asian mythologies but that's definitely a stretch on my part lmao); dō (堂) - hall, temple

Naoya (直也): nao (直) - straightforward (ironically contrasts how Kaido initially not being upfront/directly admitting that he doesn't want to hurt humanity like both Kiba and Yuka already did); ya (也) - to be (classical form), also a common suffix in Japanese male names

❌ Masato Kusaka (草加雅人)/Kaixa ❌

Kusaka (草加): kusa (草) - grass, rough/roughness, fake, not genuine (could refer to Kusaka's rough interior as part of his true personality or him hiding it from the rest of the cast); ka (加) - add, addition, beneath; both characters together could mean "a roughness beneath" (could refer to Kusaka's true personality that he hides from the rest of the cast)

Masato (雅人): masa (雅) - gracious, elegant, refined (could refer to Kusaka's "nice" facade he puts on when interacting with the rest of the cast while hiding his true devious personality); to (人) - person

Kaixa: based on the Greek letter chi (χ), his number code 913 loosely plays on both the Japanese reading of his name (kaiza) and the numbers used (ka -> 9, i -> 1, xa/za -> 3); coincidentally sounds similar to the German kaiser meaning 'emperor'

[mechahero]

@outofthiisworld asked- ⚠️ - If Lambda came with a warning sign, what would it be? aaaaaaaand !!! 🍪 - What are his favorite scents? emoji ask game (accepting!)

[⚠️]- I feel like it would be pretty hard to boil everything with him down to a single warning sign? But still, I think it'd be a very simple WARNING: BITES, SCRATCHES, AND LASHES OUT OFTEN!

[🍪]- When it comes to scents, he gravitates more towards vanilla, citrus, and baked good kinds of scents! If he doesn't smell like oranges or like a birthday cake threw up on him, he's not going to want it or like it very much. Although on the rare occasion (or during the summer time), he veers towards more tropical scented sprays. (Think like Hawaiian Tropic. Specifically their Aloha Coco spray!)

[vraska-theunseen]

aughhhh. aughhhhhjhhhh

[reineyday]

i keep trying to write this mishanks christmas fic but it keeps stalling at the first scene 🤦🏻‍♀️ i guess shanks is just doomed to never leave this stupid party oh my god

[melverie]

Hi Hi! I hope you are having a great week! I just wanted to thank you for the Ask Obey Me MC & OC Ask Game post. It's very complete! I've been answering question by question all morning, which increasingly develops my MC more and more, and it never ends! It's simply very good because so far I've only put it on paper to draw, but nothing to write. I loved so much! Thank you very much!!

Heya! Thanks, I hope your also having a great one! 💚

You're super welcome!! And that's great to hear that! Getting a feel for your OC's character is always so cool, and I'm glad to know that my ask game helped you get there <3

Are you planning on doing the ask game on here btw? Because I'd like to send you a few asks about your OCs if you wouldn't mind 👀

Originally I actually had a lot more questions written down, but since this is the very first time I ever made an ask game I was kind of scared that it might be wayyy to many. So I tried to cut it down as far as I could. I even started whining to some of my mutuals about how I had way too many questions at some point. Now it sits at a total of 72 questions and I'm kind of sad that I didn't add more lol

I might actually release another version with even more questions, but that's entirely dependent on how well the ask game does on my end

[keenestpeach]

Since I was a kid, but especially since high school, my life’s dream was to publish a novel. Like I wouldn’t feel I had accomplished anything until I did that.

And I used to write all the time. Probably not every day but most days. I have a doc from high school that’s 100 pages single spaced. Always working on the same novel that I could never seem to finish because the plot wasn’t working out. Every year my goal was to finish my first draft, and I never did.

And I still haven’t. The same story has been reworked and changed around a thousand times and I’ve never finished it. I’ve started other novels and never finished them. I hardly write now. I’ve written a few mediocre fanfics lately but nothing like the 1000s of words I was churning out as a teen.

I can think of a lot of reasons for it. I have a job, and an apartment to take care of. I have to make my own meals and drive myself everywhere unlike when I was 16. I have a smartphone and the internet which endlessly distract me. But I don’t think of that story that much. I used to imagine that story in my head every night to fall asleep. I don’t anymore. I don’t think of any original fiction. If I do, I only get snippets, a vignette, nothing cohesive. Nothing I try to flesh out or feel passionate about.

And I wonder if the reason I don’t feel this urge, this calling to write anymore is due to mental health— surely I was depressed and anxious as a teen and it peaked in college, is mostly settled now — but perhaps that has drained me of the vigor for it. Or maybe it’s just not something I want anymore. But that feels worse. That something I built my whole life’s worth and planning around for so long is no longer something I care about. How will I know when I’m accomplished if this is no longer the goal? How will I know where to go in life if I’m not striving towards this? Maybe I will write it some day, but as much as I tell myself to, I’m also never in the mood to. I never feel fully in the characters head or in the world like I used to.

I don’t know that this has a conclusion. I’m just sad that a passion I had is gone, and worry it hasn’t been adequately replaced. I’ll never accomplish anything grand in life, and I’m trying to tell myself it’s okay.

[whumpyourdamnpears]

I haven’t written in over a week ✌️

[whentherewerebicycles]

wow I do NOT want to go to a two-hour sectional but my reward is I get to go write afterwards

[take-ya-to-the-ghey-bar]

{ya girl is still a bit too preoccupied to really be around here much atm, but-- i've just gotta pop in to mention that me and Micchan are having a time watching the current rizz based shenanigans on dash~}

[dadbots]

August… time to get spooky.

[lock-my-feelings-in-a-jar]