#it got long whoops

[thatpunnyperson]

According to NBC here in the US, the missing titanic sub has been found. As debris. Off the bow of the Titanic wreckage.

And it looks like the sub suffered what we all suspected, and what was undoubtedly the more merciful of the two options: a catastrophic implosion from the pressure.

Also, more info has come to light about the fishing trawler with the hundreds of migrants that sank cataclysmically off the coast of Greece, indicating that the greek coast guard knew about the vessel AND how much trouble the vessel was in, and were towing it at a speed that made it capsize, at which point they unhooked the tow line and watched the trawler sink without helping the passengers to safety. Despite a bunch of other ships trying to help as well throughout the whole ordeal.

So a lot of people are dead, all because of regulations (and the lack thereof) regarding sea-faring vessels and rescue protocols. People shouldnt be allowed to make a business charging a ton of money for a ride on an uncertified, unsafe, un-seaworthy ship going deep into the ocean with no distress beacon or tether to the mothership. People also shouldnt be allowed to enact laws that criminalize the ferrying of refugees, which then force the refugees to hitch rides on fishing trawlers, and which also prevent people from helping those fishing trawlers full of refugees due to fear of legal consequences.

Hopefully BOTH of these events spark changes on an international scale in terms of what is legally allowed to be sailed, who is legally allowed to be the passengers, and what the rescue protocols are in the event of disaster for any seafaring vessel, illegal or not. It shouldnt be just the global 1% who get 24/7 search parties and remote-operated submersibles helping rescue them.

[baldursgate3tempobsessed]

Astarion Jealousy Part 2

The graphic extension to this but a lil less serious and definitely not sfw.

CW: Jealous spawn astarion who is still a sweetheart, but the drow twins get under his skin. graphic sex scenes, oral, relatively tame honestly. The sex part will be under the cut btw which is m/f. Also vampire man drinks blood. mentionable incorrect language for sex workers

~

It was odd, being home in Baldur’s Gate without the threat of Cazador always looming. Odd, but equally as wonderful. It had been so thoughtful, if not a little idiotic for Cazador to end up being your first stop in the city. The fight itself had been a blur, a barrage of intense emotions and bloody violence. Astarion had come so close to losing himself back there, losing everything that made him better than the man who almost ruined him. But then… you stopped him. You saw something more in him, a chance for a better life. A more meaningful life, away from the shackles of vampiric power obsessions. 

He was officially free. Now he could exist without any fear of his disgusting master’s retribution. He could just… be. Well… not including his darling’s own myriad of enemies that seemed to follow them about everywhere. And there was still the matter of defeating the elder brain, and lord knows if any of you made it through that alive. But at least his personal demons were slain and out of the picture.

Every little step counted after all. Perhaps some of your delusional hopefulness had finally started to rub off on him, but Astarion was actually starting to look forward to his future. Your future, together. All he had to do was get through a few more perilous adventures and then he’d really have you all to himself. 

All that said, Astarion could really go without the frequent visits to the local brothel. Was it the best place in the city for gathering information? Yes. It seemed that every walk of life in Baldur’s Gate found their way into Shar’s Caress and if you were going to find alternative passage to the underworld, this would be the best place to find it. But that didn’t mean he had to like it. For one there were the unwelcome advances to his own person, the concept of grace and personal space apparently left at the door. He was so very close to breaking the hand of the next person who thought it was appropriate to grab his ass. And if they could afford to get kicked out he would have by now. Your verbal, angry tirades in his defense could only scare off so many. 

But as terrible as his own discomfort was, it was nothing in the face of how often you were being fawned over. What was it about you that seemed to drive everyone mad? Yes you were objectively attractive, but this was frankly getting out of hand. First there was the green skinned druid doing something sensual to your mind, then there were the general stares and whispers as you walked by, and now a pair of gorgeous drow twins trying and failing to proposition you. 

It was getting tiresome. There were only so many times a man could take his lover being offered “free” services before he snapped. 

On one hand, he could respect the dedication they had to the craft. He could be considered something of a hired whore himself in his time, the old, “the first one’s free” was a tried and true trick. And he also knew, vaguely, that no one was actually trying to steal you from him. But on the other, he couldn’t help the fact that he wanted to claw their eyes out for looking at you so brazenly.

He hadn’t expected the eyes of the woman to wander over to him, like she was just noticing the possessive arm he had wrapped around your waist, “Is that your partner with you? How would you both feel about having a little fun?”

Absolutely fucking not. Maybe the old Astarion would have smiled and nodded, ready to do whatever was asked of him. But the man from that wretched era had died, or at the very least was dying. And he would be damned if he let you lay with another, never less participate in it. 

Astarion interrupted your overly-polite attempts stuttering of a refusal. He glared at them both, a sneer painted on his face, “We’ll be passing on that. You’d think the first no would have sufficed, but I suppose it’s not fair to expect everyone to have basic language comprehension. Now as illuminating as this conversation has been, we have places to be. Excuse us.”

Then he was pulling you away, happy to ignore the offended huffs of indignation he had left in his wake. 

“We’re supposed to be investigating, remember?” You said with a giggle, not even questioning him as he dragged you to the second floor, “Being rude is not the way we’ll find travel to the hells.”

“I highly doubt they would have been of use,” Astarion said as he pushed you into the first empty room he could find. He felt off, maybe even a little crazed as he turned to you, “Tell me darling, what is it about you that makes you so irresistible, hm?”

He crowded you against the closed door, ducking his head into the crook of your neck to breath you in. You smelled heavenly, you always did. He could trace the barest whiff of your blood from beneath your skin, always calling to him. You were the sweetest thing he ever tasted. Delicious even, for more reasons than one. 

“T-They just wanted my coin,” You gasped when he started to suck bruises into your skin, “That’s all.”

“I think they wanted a bit more than that,” Astarion bit out as he shoved his thigh between your legs, “What will it take for others to realize you’re mine.”

His hands were wandering, resting low to grip your hips. He was using them to move you, forcing you to grind against his thigh. You grasped at his shoulders, trying to bite back a moan as you stared at him with wide eyes, “You want to do it here? Does that door even lock?”

It looked like it didn’t, not that Astarion cared. Maybe walking in on him ravishing you would finally start getting the point across of who you belonged to. Astarion shrugged, "There are less appropriate venues than literal whore houses."

“But-”

“But I can tell you want it,” Astarion interrupted with a smirk, his hands barely working to move your body anymore. But that wasn’t stopping you from rubbing yourself all over him, “Just look at you darling. Desperate little thing. But if you really don’t want to…”

Astarion made a lazy attempt to step back, laughing out loud when your desperately pulled him back, your desire finally winning out over your common sense. But you were glaring at him, obviously annoyed that he was so good at riling you up. He had seen that look before, the one that just screamed that you were scheming something. 

He just hadn’t expected you to drop to your knees in front of him, huffing as you started to undo the fastenings to his pants, “Has anyone ever told you that you’re a bit of a shit?”

“Maybe,” Astarion said with a strained laugh, his breath catching when you pulled his half-hard cock out, “But it seems to keep getting me the things I want.”

You rolled your eyes before licking a wide strip up his cock, like you weren’t directly proving his point. You looked amazing own there, you’re half-hearted glare morphing into a blissful haze. 

Gods, how were you real? Astarion wasn’t quite sure why you were such a fan of getting him down your throat, but he knew that he was a lucky bastard for it. 

“Sweet girl,” Astarion sighed, letting a hand drift down to tangle in your hair, “Sweet girl with a perfect mouth. And you’re all mine, aren’t you?”

You made a small, affirmative noise around his cock, taking him in deeper as you clutched at his thighs. You were so good at this, so well-trained after months of being together. He loved the soft, wet sounds that would escape your lips as you swallowed him down, the pretty way your eyes would water as you encouraged him to fuck your throat, how you would squirm in place on your knees, no doubt ruining your panties with how wet you were getting. 

And no one else would ever know. No one would get to see you like this again, feel you like this. Needy, desperate, and his. Oddly enough, that thought was what sent him over the edge. He came down your throat, groaning as you eagerly swallowed around him. 

You pulled off of him slowly, panting while you smiled up at him. There was the smallest string of spit mixed with his come, connecting from the head of his cock to your lips. You licked it up, still clinging to his thighs as you hazily stared up at him. Sweet enough to make his heart skip a beat, and his dick give a valiant twitch.

He pulled you to your feet, not wasting any time in smashing your lips together. He spun you around, pushing you towards what he prayed was a clean bed. 

He pushed you back onto the sheets, making quick work of tearing your pants down your legs as he grinned down at you, “Your turn.”

He kneeled in front of you; spreading his hands over your splayed thighs to peel off your underwear. The core of you was already glistening, slick enough to make Astarion’s mouth water. He licked his lips as he spread your legs further apart, shameless as he feasted on you with his eyes. 

You were shaking in his hold, biting your bottom lip when you whined, “Stop staring already…”

“But you’re so pretty here my sweet,” Astarion cooed, tracing a single finger over the seam of your cunt, “And you’re dripping. Poor thing, have I kept you waiting too long?”

You nodded excitedly above him, your hips bucking when he let his fingers dip in further between your pussy lips. He lightly traced your clit, softly laughing at the way the simple touch made you whine.

It was his own fault that you were so needy, a fact that brought a smirk to his lips. You always got so wet after you had him down your throat, soaked and gorgeous. 

Astarion dove right in, loudly moaning as he licked into your folds. He dragged his lips upward to suckle on your clit, basking in all the cries and whimpers escaping you.

He licked back down, teasing your hole with his tongue as your legs quivered around his head. He let the sharpness of his fangs scrape against you as he started to fuck you with his tongue, threatening your most intimate places.

He knew you liked that; little minx that you were. The slight risk of pain that was always looming. It made him want to sink his fangs in you for real, a hunger that he'd sate after he had you gushing into his mouth.

You were already close, he could tell from the way your cunt was tightening around his tongue; too worked up from the thrill of being in public and the taste of him still lingering on your tongue. Astarion trailed talented fingers up to rub against your clit, his tongue still curling inside of you as you cried out. Finally falling over the edge. But that wasn't stopping him from continuing to play with you.

You had to tug on Astarion’s hair for him to finally pull away, too over sensitive to handle his talented tongue. You were still trembling by the time he leaned back, licking his lips. He rested his head on your thigh, obviously pleased with himself as he grinned up at you. He could feel your heart racing against his cheek, the sound of your blood pumping singing through your veins. It had his mouth watering for a completely different reason. 

He let his fangs drag against the delicate skin of your inner thigh, looking up at you through his lashes, "Can I?"

A superfluous question. Not when he already knew the answer before it escaped your lips.

“Y-yeah," You mumbled, lovingly gazing down at him. He would never tire of seeing that look on your face, "But be gentle? Please?” 

"Of course my love," Astarion murmured, before promptly sinking his fangs into your flesh. He had to hold you down from the way you were still trembling, your quivering only getting worse at the pleasure mixed with pain. He didn’t let himself go rabid, just enough to get a taste. He was pulling back too soon, smiling to himself at the little whine you let out. He gently licked over the wound before standing, not yet swallowing the last drops on his tongue.

Instead he leaned forward to kiss you, more than happy to share the sweet taste of your blood as he slipped his tongue into your mouth.

“Thank you my dear,” Astarion sighed as he pulled away, “That was exactly what I needed. Now I think that’s enough investigating for one day.” 

You sighed, taking the time to card your fingers through his hair, “Agreed. Though you might have to carry me out of here now.”

Wasn’t that a wonderful idea?

Astarion hummed as he pulled your clothing back on, “I think I like the sound of that," He didn't give you time to respond, too busy sweeping you up in his arms with a grin, "I'll be taking you up on that."

You squeaked when he hefted you up, bridal style, “I wasn’t being serious!”

But it was too late, Astarion was already kicking the door open. He shrugged at you, completely shameless as he winked at a few onlookers, "Then you shouldn't have suggested it."

You groaned, hiding your face in his shirt as he happily took you outside, “I’m going to get you back for this. I hope you know that.”

Astarion laughed as he kissed the top of your head, “I’m sure you will.”

It was a childish stunt, borderline on par with a jealous tantrum, but gods, did it feel good. Good enough to sate Astarion's obsessive tendencies for an impressive amount of time. Under normal circumstances. 

But what about your lives were normal?

[egophiliac]

how are u on gavv so far? because i need to scream about how insane it has been (and that zakuzakuchips and fuwamallow have won special places in my heart)

can't believe his mom got flavor-blasted to death. 😔 RIP.

[waitineedaname]

i was thinking my little thoughts while falling asleep last night, and a concept occurred to me: what if binghe learned about the system not from shen qingqiu, but from shang qinghua

look, he likes shang qinghua alright. he's pretty disinterested in p much anyone who isn't shen qingqiu, but on the list of People Luo Binghe Tolerates, shang qinghua is relatively high. he gave him advice on wooing sqq, after all, and sqq likes his company, so binghe tolerates his shang-shishu

but the thing is, shang qinghua is a spy. has been for decades. binghe knows this. really, everyone knows this at this point, which isn't a great look for a spy, but still. and since shang qinghua is a spy for mobei-jun, who is a subordinate for luo binghe, then technically shang qinghua is also working for him, but you don't get to the position of demon emperor without a healthy amount of suspicion for everyone in your court

so he decides to test shang qinghua a little bit. nothing major, just a little poking around in his dreams. he starts out with a subtle touch, just sifting through his memories. most of it is what he expected. he sees his time on an ding as a disciple and then later as peak lord, he sees him working for mobei-jun. he sees mobei-jun in some compromising situations, which he files away for later, and then sees him in an entirely different flavor of compromising situations, and binghe immediately decides to act like he never saw that

then he decides to take a more direct approach and starts nudging the dreams in other directions, to see how he might react to certain scenarios, test his loyalty. he expects shang qinghua to act cowardly, or bluff his way through a situaton, maybe even draw his sword if pushed far enough

what he doesn't expect is for shang qinghua to frown at the changes luo binghe made and go "I didn't write it like this"

what

binghe is so bewildered by that response that he loses his grip on the dream for a second, and before he knows it, shang qinghua has spun the dream scenario back into the way the scene originally played out. he steps back and looks satisfied. "there we go," he says. "that's how it went. you know, if I'd known I'd be dealing with this scene myself, I would've written it differently"

what the hell does that mean?

fascinated, luo binghe continues to test him. most of the time, when he toys with someone's dream, they're completely unaware of the changes. shang qinghua, despite not seeming aware that he's lucid dreaming, seems very aware of how each scene should go. except for, strangely, many of the scenes that binghe himself was in. binghe pulls up one from his disciple days, one of the times he remembered shang qinghua coming to qing jing on some errand. he hadn't even changed anything yet, had just let the dream version of his younger self launch himself at shizun in a tacklehug, but shang qinghua tsks and takes the reins from him before he can make any edits. "sorry bing-ge, but that was just way too out of character," shang qinghua says. the dream copy of luo binghe's younger self is sent further away, watching the peak lords with a sullen gaze. he's skinnier than binghe remembers being at this age, and one of his eyes is swollen with a purple bruise. that doesn't make any sense, luo binghe thinks. he hadn't been beaten on qing jing peak for years at this point.

the shen qingqiu beside shang qinghua in the dream stands with his back straight as a ruler, and when his gaze lands on luo binghe, he sneers behind his fan. shang qinghua sighs. "cucumber-bro really wasn't as good of an actor as he thought he was. he's way too soft to ever seem like the original goods."

alarmed, luo binghe dispels the dream and steps out of it entirely. sure, he knows shen qingqiu's personality changed almost overnight when he had that qi deviation. everyone knew that. he avoided questioning it much, unwilling to look a gift horse in the mouth when it meant having a shizun that cared for him

but shang qinghua. shang qinghua seems to know something more about shen qingqiu's personality change. something he's not sharing. luo binghe didn't like the idea that one of his subordinates could be hiding something as vital as this from him

well, this had been a test of his spy's loyalties, hadn't it? perhaps he should make a visit to an ding. he had some questions.

[dykekarkat]

worst feeling in the fucking world when the fandom falls victim to the delusions/lies that the character's feed themselves and than those lies are taken to be the True Essence of the characters

like i just finished rereading assassination classroom (for maybe the fifth time?) and focusing on karma + nagisa cus theyre my faves and like theyre fucking liars!!! ik its basically a dead fandom now so most of the content ive been looking at is years old at this point but like they would be sooooo happy to know accurate grasps of their characters are near nonexistent.

like karma WANTS you to think he's a cool genius lone wolf who only cares about his own abilities!! meanwhile basically every single action he takes in the second half of the manga proves each of those traits to be false outright!!!

like hes (sort of) a team player! he knows everyones strengths! hes thinking about other ppls feelings when it comes to the assassination! he's been putting in insane amounts of effort since he failed that one final!

nagisa WANTS you to believe that he's a fully selfless, weak, support player while being pretty much the exact opposite!! but he doesnt work in a team he works best alone! literally w express permission to work fully solo during the war arc! he wasnt thinking of how everyone else felt during his proposal to save korosensei! he wanted to be the one to kill korosensei (somewhat selfishly)!!

the narrative foils are narratively foiling and no one wants to give it the proper respect it deserves smh.

[izzystizzys]

There is a scratch mark on the floor of the Council chambers that Mace has never noticed before. Not a deep one, mind, quite shallow. This matters because it’s making the white-hot pulse of agony stabbing through his eyeballs ebb momentarily. Then, he chances a glance upwards at the fidgeting Knight in front of them, and it returns in full force.

Huh, he’s never seen Oppo Rancisis’ face turn that colour before.

“Hmm”, Master Yoda hums, deep and scratchy. His expression is unreadable even to Mace beyond a baseline gremlinness, and the force with which he grips the edges of his seat is making his bones creak. Master of the Order you should become, they said. Follow the calling of the Force, you should. A fulfilling purpose, it will be. Mace is going to hunt the little goblin for sport when this is all over, and he’s going to laugh the whole time.

“Show us the livestream again, could you, Knight Parvo?” Yoda asks. Mace bursts a capillary, he’s pretty sure, and so does poor Knight Parvo, whose orange Mon Cala skin tips all the way into blood red with stress. “Most unusual, this is.”

“Absolutely not!”, Ki Adi intervenes before Mace has to, thank the Force for little mercies. Plo Koon’s tusks tremble slightly with either suppressed laughter or abject horror, maybe both, and Stass Allie has her head in her hands. “The holo stills should be enough”, Ki Adi proceeds to add, and Mace has to reconsider all feelings of grace he just felt towards his fellow Councillor.

He never wants to watch Yoda zoom in on someone’s abs again. Or Depa raise her eyebrows at the curve of thighs bent over the dripping front of a speeder.

“Speeder Wash For Our Troops”, his former padawan reads out loud from a still of what has to be hundreds of the things gathered in the public senate parking lot. “Fund Our Boys And Get A Wet Seeing-To!” The series of images features dozens of Coruscant Guard troopers in various stages of unkitted, gleaming and shining with soap suds and water. The fact that the whole thing is also massive shatterpoint after massive shatterpoint is, quite frankly, insulting.

“Well hello- oh dear”, Obi-Wan’s blue form crackles to life in his chair, followed by several sounds of choking that are definitely not him. Good, Mace thinks acidly. If he has to deal with this, then so does kriffing Skywalker. “I’m sorry, why am I looking at Commander Thorn using a washrag like a lasso on top of a speeder?”

“Oh, the Guard’s little fundraising project”, Bail Organa says, as he steps into the Council chambers. Normally, Mace likes the man well enough. Now, he just smiles and adds on, “I’ve already donated, in mine and Breha’s name. Remotely, of course.”

“The Guard’s fundraising speeder wash?”, Obi-Wan repeats, edges of his holo form flickering with what Mace suspects is Skywalker very unsubtly trying to edge in. Force, but the man really is horrible at any and all stealth, like kissing his secret wife in an open arena in front of his Master. “And they are fundraising for…?”

“GAR budget allocations have to come from somewhere”, Organa shrugs. “And with the tide of public opinion turning, they’ve been tending towards cuts. The Guard feels them more keenly than any other sector - they’ve been reduced from half to quarter rations, and medical supplies have not made more than a token appearance in the last draft. The Chancellor has cancelled three consecutive meetings on the matter, and thus it was agreed that a more hands-on approach was needed. Any surplus will go into the Army fund.”

“Surely it can’t be that dire”, Oppo protests, a slightly less concerning shade of purple now. Senator Organa shrugs again, jostling the smattering of cracks slowly building around his person in a way that makes Mace wince quietly. “It’s all publicly available data, Masters.”

It really can be that dire, as it turns out. And quarter rations is only scratching the surface of how dire, considering the Guard has apparently never had access to bacta in all their posting, and also includes requisitioning forms available to the Senate for reconditionings and decommissionings, two words Mace has only heard Ponds whispers amidst shuddering in the early days of the war before Shaak Ti went off and just about tore some throats out over it.

“Alright”, he concedes, rubbing at his temples. “Fair enough, we have failed to tackle a massive blind spot in the Guard’s well being. There is no Jedi assigned to Coruscant, and that’s an oversight on our behalf. But how in the everloving kriff did this get past the Chancellor and Commander Fox?!”

Who have both signed, black on white. Bail Organa smiles cryptically. “Well, if you scroll a bit past that one image, up to the industrial speeder in the back - Commander Fox is currently having credits stuffed into his codpiece in the back, I believe.”

“HE’S WHAT IN THE WHAT NOW”, Commander Cody screeches through the speaker of Obi-Wan’s holo image, and Mace has to summon every bit of Jedi-serenity he possesses in his body to keep from dropkicking a cackling Yoda through the chamber windows.

[cosmicwhoreo]

due to the requests of a very SPECIFIC and might I add, MANIPULATIVE Grim Reaper I loathe to call a friend that I will not name- I was asked to doodle my own version of Herobrine for their B day. And I couldn't stop after that-

Tl;Dr- damn you @grimmixxart

[leonawriter]

Excuse me while I basically make Azure Throne into a hakukai fanfic.

This got... really long, and veered off from what I intended for it several times, but is basically at heart as I said, a look at Azure Throne through the lens of "what if we work on the assumption that Hakuba knew it was Kaito from the start, and/or they're actually outright flirting."

Hakuba: Kuroba what are you doing here. Why aren't you even in a disguise- oh, I see. This is interesting.

Kaito: Oh god it's Hakuba he's going to see through me like I'm made of cellophane or something. Please don't call me out here. I am pretending not to know you. Shush. PLAY ALONG.

Kaito: Come on please let one of my detectives have SOME faith in me. Restore my faith in humanity. Take the fucking bait, Hakuba.

Hakuba: Oh, that's. That's... I see what's going on here. That does complicate matters. All right, fine. I'll play along. Because I want to find the truth more than I want you arrested.

Hakuba: [Merely pays more attention to the actual suspects]

Kaito: [internally shouting "THANK YOU."]

Hakuba: We need to know exactly where everyone is, what they were doing, and if you'll excuse me I am going to geek out over science now-

Kaito: Okay well watch me explain in detail how Kaitou Kid (who is Not Me, by the way, in case you needed to be reminded) got in here. And let's conveniently not bring up how no one knows how Shinichi got here and Kid left.

Hakuba: Oh, and I anticipated your entire trick.

Hakuba: Because I know exactly how you work and I also know exactly what your clothes are made of.

Kaito: Wow... you're creepy, you know that? This is why I try and send you off on a wild dove chase each time you're heading to one of my heists.

Hakuba: Isn't it funny how I planned to catch Kaitou Kid that way, and instead I caught you two. I'm sure there's absolutely no connection between either of you and Kid... is there? Kaito?

Kaito: Oh but you know you can't say anything until this case is closed. I know you can't.

Hakuba: This means you too, Kaito. I'll be needing your firsthand knowledge of the way things went, of course.

Hakuba: It'll be good to have another actual detective on board for this!

Honestly I can just leave this one be. Kaito is enough of a tsundere that "But, to think Hakuba came back... he should have just stayed and studied in London forever!" is accurate to what I think he'd be thinking right there.

It also matches with the several times (Dark Knight and Green Dragon especially) when he's personally redirected Hakuba away from the heist.

Plus, with his attachment issues (one parent he idolised is dead, the other is barely home), I think Kaito would have a very hard time dealing with Hakuba, who (like his mother) travels a lot, and is... barely there, really. :(

Hakuba: Now, I wonder if you can keep up as a detective when playing one?

Kaito: Oh yeah? Watch me! Uh... I just need a pointer. That's all.

The interesting thing here is that Kaito has played at being a detective in the past. He's even played at being Mouri Kogoro right next to Hakuba here, in the Twilight Mansion case. However... in that case he wasn't needing to play a smart detective, and in any other instance he wasn't technically a "detective" (Magic Lovers Murder Case, where Katsuki Doito is a medical student) or he knows that Conan is capable of solving the mystery if he gives the right hints (Four Masterpieces, when he's being Takagi).

There's also the time when he played Hakuba himself in the movie Private Eye's Requiem, and we don't know how many times he'd have done that, that we haven't seen.

Point is, though, Hakuba doesn't know how good Kaito's observational skills are as a detective and it feels kind of like... if he knows (and I'm sure he has a gut feeling from the start even if he doesn't have evidence) he wants to know- "I can keep up with you, on your territory, but can you keep up with me, on mine?"

With that in mind, the fact that Kaito's only relaying what Shinichi's telling him must be... frustrating, for someone who'd actually be curious what Kaito can do, and I'm sure Hakuba would want to push Kaito to be able to figure things out for himself as well.

But I digress. Moving on.

Hakuba: [Has just seen "Kudo" flirting and being sentimental with Ran, "his" girlfriend, in a way that Shinichi himself says is so spot-on its kinda pissing him off] Oi. Kaito. I thought you were interested in Aoko. Watch it. [Also kinda jealous himself.]

I freakin' LOVE these two panels. This entire sense of "Yeah Hakuba's got Kaito sussed and he's already got half of what's going on with Conan, and yeah the next thing he does is question "Are you really Kudo Shinichi?" it's because of a potential flawed deduction when Shinichi's supposed to be this perfect saviour of the Japanese Police Force.

And in posing the question in such a way, he's allowing Kaito - master of disguise! - to come up with a cover story. Which, of course, he does.

But overall? It's the sense of... actually, just as I said. Hakuba's going "Shh. I'm talking to [him]! Don't interrupt us, okay?" - He's going "I know you're helping him, but I want to know his capabilities. Not yours."

Kaito just calling his ass out like "Hakuba I know you're obsessed with me- I mean Kid- c'mon I know you better than that~"

Also the phrase "Rumoured to have his eyes light up at the mere mention of Kid" more like. Kaito you have seen that in person.

More like I look at it and I'm like, is this Kaito saying "I Know What You Are"?

I know that it's not just them, but it's this nice little touch of the two of them standing next to each other, while Conan is on the other side of the group, and they're both mirroring the other's posture.

Kaito's already thought to himself how he barely needs to change his voice, and it's easy to imagine him barely changing his behaviours but adjusting so that he's more serious and less playing the clown or showman.

In this case, he's fully paying attention to the case (just as he has in previous ones as a witness) and...

He and Hakuba are on the exact same wavelength, with Hakuba finishing Kaito's sentence here.

Again with the twinning. Kaito has a slightly more clueless look about him, I'd say, but that's because he is out of his depth. Other than that? He's just as much taking Hakuba's lead on the case as he is Shinichi's!

The sheer amount of "Kuroba, your alibi is slipping!"

Hakuba's not going to outright cover for something that might be noticed as a flaw later on, nor is he outright going to call Kaito's disguise out immediately when other things are going on. He is, however, going to tease him to hell and back, push buttons, you name it.

And, of course, Hakuba in hearing Kaito's alibi and seeing Conan back it up, will also know that Conan is on Kid's side here even more than before.

Small and simple observation: Kaito is behind Hakuba.

At this point Hakuba in canon and the Hakuba who knew from the moment he laid eyes on him both know that this is Kaito. It's Kaitou Kid.

The start of the case had the crime get pinned on Kid.

Yet - Hakuba's just fine with Kaito watching his back and/or fully capable of doing whatever he likes behind him, knowing full well that Kaito's a skilled magician who'd be able to hide his actions. The obvious point is that he trusts Kaito.

And then - we get to the Flirtening.

I call it that because in canon it's bad enough, with Hakuba clearly only started making moves on Ran to make Kid slip up.

But in a world where he knows it's Kaito from the start? In Hakukai Fanfic Land?

First off- I'd say that this is actually payback.

Earlier on in the case, Hakuba saw Kaito (as Shinichi) flirting with Ran. Thinking back to the very first set of cases Hakuba ever appeared in, and... he'd walked into class for the first time and seen Kaito being mean to a girl, to Aoko, who was clearly hurting, and then tried to be nice to her by saying, basically, "If he won't take you to the concert you wanted to go to, I'll go with you."

Going on him knowing that this here is Kaito? He'd be seeing Kaito flirting with someone who isn't Aoko, and getting very in character, and... basically going "watch it."

So Saguru is a) defensive for Aoko, b) jealous because oi, why are you flirting with her, when he is right here, and c) using this as a means of poking a hole in Kaito's disguise, because sure he's more interested in the truth than he is in arresting Kaito, but that doesn't mean he's above making life hard for him.

In which case...

Kaito going "What did you say, jerk!!" is just as much "oh shit yeah I'm supposed to be being Shinichi right now" as it is "Hakuba why are you flirting with someone else?"

The reaction would be delayed because a) Kaito knows Hakuba's not interested in Ran, or not interested in girls in general, and b) the sheer amount of "what the fuck is happening. what is going on in front of me here" he'd be feeling.

Because for one thing, Conan's down there making attack dog noises, and for another- d'you think Kaito would just reflexively fall back into poker face if he saw the guy he likes/who he knows is interested in him just easily flirting around? I think that ordinarily Kaito would just be like "eh, that's just Hakuba being Hakuba" but I'm also aware of how fragile Kaito's social connections and relationships often are, as well as the rift between logic and emotion.

After this we have a few different things happening at once.

We have Kaito not having asked which cheek Ran had kissed Shinichi on and gesturing to the wrong one, which Ran instantly notices:

Note that the flashback isn't just for our benefit; we see later on that Ran realises probably in this moment that there's something Wrong with "Shinichi" because how could he forget which cheek she kissed him on?

This being relevant because right before that...

He'd told Ran to not "space out" - but with the weirdness going on between him, Hakuba, and Conan, I wonder if it was actually Kaito who knew he was kind of spacing out here! Like, sure, Shinichi's sending Kaito lines, but in terms of narrative and themes...

And in canon, this is where Hakuba first notices the mike and earpiece that Kaito and Conan are using to communicate. Even in a version where he knew it was Kaito from the start, this would still be where Hakuba realises "Hey, what's UP with that kid?"

Hakuba, in canon: Could it be... that those two...

My headcanon for that is that he was meaning to say "are working together," which is the easiest and most obvious/simple conclusion of his sentence.

Hakuba, in fanfic hc land: Hey, why are they working together? I know I didn't warn him I'd be here, but he could have been working with me. That kid already stole some of my reputation regarding going against you, and now this too?!

Honestly, sometimes I remember the times when Kaito has shown himself able to figure out a trick or even a murder trick more or less on his own or at the same pace as Shinichi, and I see times like this when he's shown as needing a lot more help, and I feel frustrated that Kaito's seeming to be dumbed down a little to make Shinichi look better.

But then, I think about how there's multiple times over the course of not just Detective Conan but also Magic Kaito itself, where Kaito is uncomfortable around murders and dead bodies.

Which then starts to make sense of the times when he relies more on his detectives' wits for things like this; if it's a logic puzzle trick that he can treat as one, then he can keep up. If there's blood and bodies and Someone Died Here, which they did - someone died before his heist could even begin! - then his mind has a hard time, skittering around the unnerving parts and not being able to give the trick the attention it needs.

I'd imagine his thought process goes kind of like "Okay okay so if I could think of anything that'd be really useful (but a guy died a minute ago I was out there and doing normal things and a guy died) yeah but if you don't think smart now it's going to happen again or they won't get caught (oh god what if I can't do it) I have to but-" and... so on.

And back to point, but - Hakuba hasn't really seen Kaito in the direct aftermath of him having seen someone die, when Kaito isn't pretending to be someone else.

Technically, he still hasn't here, because Kaito is Being Shinichi.

Dark Knight had Hakuba arrive on scene late, as Kid was already leaving the scene, and in Twilight Mansion Kid was Mouri Kogoro, so even if his reactions were touched with reality, no one could tell what was Kid and what was Kogoro. Here, Hakuba wasn't the first on scene, and he only sees Kaito once Kaito's had a chance to put his poker face (and a Mask of Shinichi) on.

I'd even say that... this being Detective Conan, we've had a chance to see an entire character development arc between Shinichi and Kaito, even if it is still one-sided and not the healthiest of dynamics. We know that Shinichi's not really going to hand Kaito to the police on a silver platter.

But Hakuba? The irony is that in MK canon Hakuba is KNOWN for calling Kaito with helpful knowledge about his opponent (Golden Eye, infamously) and withholding information that would put suspicion onto Kaito's civilian identity (Midnight Crow, at least). And yet in this heist, because we're a) seeing things from Conan and Kaito's perspective here, and b) we haven't seen what Hakuba would do in this sort of situation before, he seems... more of a threat if he outright found them out than if it were just the police (who they can trick) or Hattori (who Shinichi would be able to shush).

Personally, I believe that Hakuba WOULD have worked with Kaito to come to all of the same conclusions that they came to in canon with Shinichi as the POV. Hakuba's a good enough detective, after all, as we even see him doing this in canon, drawing the same conclusions without Shinichi having to whisper in his ear once.

Is Kaito side-eyeing Hakuba because he knows Hakuba's being a little shit over this but he can't say anything because he can't admit that he knows the guy personally as well as he does? Is Conan flailing because he feels like they've been sussed out?

Or is it more along the lines of "Oh, you think you're so smart, don't you? Soooo clever. Yeah sure, after you've been hounding me all case- but don't think I'll let you have the last laugh"?

And now, I'm thinking of Shinichi hearing some of the familiarity come out in their voices around now, if not before, and he's finally realising "Oh- okay so Kid knows this guy. Not just aware of him, he knows him. Oh. Oh shit."

Fun fact: we do not see Conan again alll the way through the explanation of the fireman's carry that Hakuba is doing with Kaito as his partner. The next time we see Conan, it's after they've pinned the criminal in place.

I find this interesting because... in spite of this being a case that Hakuba is starring in - the guy who is well known for asking "Why did you do it?" - it's the victim's wife who asks that, by way of her "But why did you kill my husband!?" and it's Conan who suggests a potential reason.

In a sense, they've both stolen Hakuba's thunder here, the wife by taking his catchphrase and Conan for taking the words out of the criminals mouth before the guy can admit it himself, in his own words.

(Ironically, Kaito would agree with Conan on this, probably, what with him having said "isn't it your job to figure [motive] out?" but as I've said before, I see worth in Hakuba asking for it in the criminals' own words.)

I feel like both I and other people have probably made all the jokes about the "I've got the stamina to keep carrying you for ages" part that I don't need to rehash it that much, haha.

But I DO have other observations.

Kaito: So, you figured it out, huh... Hakuba: Of course!

Like... even way aside from the fact that Hakuba's probably just internally going "you're SO lucky I like you, otherwise I'd have just pointed out that you just flattened your hair the moment I walked in" there's something this reminded me of.

In the translation here, Kaito trails off on an ellipsis, but... in a way, that's a question. It's literally "So, you figured me out?" except Kaito may well have been expecting it even in canon, so it's no longer a question.

What's the significance of this?

Well.

It brings to mind how Toichi asked "Will you be able to stop me?" and Yusaku said "[Yeah...] of course!"

And of course we know that whatever Yusaku was able to do, it was never enough to stop the legend of Kaitou Kid from growing - and we also now know that he almost certainly knew that it was his brother Toichi right from the start.

In many ways it's meant to show how Kaito and Shinichi have taken up their fathers' mantles and become each other's rival... but this moment of "You found me out?" "Yeah, of course!" shows that Hakuba is just as much Kaitou Kid's worthy rival. He is thematically and narratively Kid's rival.

(And this is where I get my post limit for images, whoops!)

So, yeah. Kaito then has a space of about three [3] panels between Hakuba saying "I know you're Kid" and then Hakuba trying to walk and finding his legs are cuffed together.

I'd also say that in terms of pranks that Kaito (as Kid) has played in order to get out of a Situation, that was... a lot more on the immature roughhousing side than a lot of what he does. So much of his DC appearances relies on... action movie stunts? Stuff that's actually really risky? Because he needs to rely on that. But with Hakuba he doesn't have to. It reads more like play fighting.

(Because Hakuba, he knows, isn't going to attack him with a deadly soccer ball or knock him out midair.)

A thought on why he cuffed Hakuba's legs together like he did even if they're on better terms would also be the easy "Kaito knows that Nakamori is there, knows that Hakuba wouldn't be allowed to carry him all the way to the station, knows that something would go wrong, and almost certainly by this point knows that he shouldn't go out in public as Shinichi. So he's just as much going "yeah nope, not doing that, bad idea on SO many levels" as he is "I don't fancy going to jail today."

And, for an ending note: Hakuba at no point seems frustrated or upset that Kaito got away. Not for one single moment.

If anything, I'd say he's just going "Ah, there he goes again. Look at him go." with a fond look in his eye.

[demon-country]

One of the saddest parts of the stolitz miscommunication debacle to me is that for all his bluster and all his denial, Blitz never managed to fool anyone into believing that there were no feelings involved and he was doing it solely for the book, including Stolas. That is, until Ozzie's, at which point he finally fooled the one person who he didn't even think he needed to.

For all we talk about how Stolas let his fantasies of romance run wild, which caused him to accidentally run roughshod over Blitz (especially at first), he wasn't exactly wrong, in the end. Blitz did develop feelings for him, and given how excited and enthusiastic he was that last full moon, their nights together were probably the only times he felt safe actually showing that. Because he could always tell himself and everyone else that it was just an act, he was just giving Stolas what he wanted and keeping him satisfied enough that he'd let Blitz keep the book.

Stolas thought, up until Ozzie's, that Blitz enjoyed their deal just as much as he did. Because Blitz did. If Blitz was showing up basically every moon as hyped and ready to go as the time we saw him, it's not really a surprise that Stolas didn't catch on to the times when Blitz was actually unhappy and uncomfortable because he felt objectified. After all, Blitz snaps at and is abrasive to everyone, and any annoyance probably seemed pretty par for the course, especially for someone as oblivious, ignorant, and autistic-coded as Stolas. But Stolas also got special treatment on top of that, and it's easier to focus on the stuff that stands out rather than the stuff that doesn't seem too far off from Blitz's standard behavior. He got times where Blitz was genuinely happy and comfortable and excited to see him, we literally see that in the memory fragments and Blitz's behavior during the last full moon. He got times where Blitz seemed to find him so hot he'd grab him and turn things sexual on a dime (Truth Seekers and The Circus). He also got times where Blitz was caring and attentive, and where Blitz accepted care and gentleness during aftercare (because there's literally no way that didn't happen, not getting aftercare after BDSM scenes can be legitimately traumatizing for both the Dom and sub).

Like, that's not to say that Stolas shouldn't have taken the numerous hints that his condescension and baby talk were highly unappreciated, because yeah that shit was very uncool of him and ignorance doesn't excuse it. But look at how Blitz gently caresses Stolas' cheek in Truth Seekers. Look at how thrilled he was to be with Stolas again in The Full Moon. Look at the photo Stolas has of the pony drawing Blitz seems to have made while at his palace. Look at the memory fragments where Blitz is so fucking into kissing him or gleefully showing off toys or making that big shiny eyed blep I'm dying to know the context of. How else was Stolas supposed to take all that every full moon and however many nights Blitz came over outside of that, and not be convinced that his feelings were returned?

Because they were. Not immediately, of course, but the were. They were on the same page about that. There were plenty of things Blitz didn't like, related to Stolas' unconscious racism/classism. There was plenty of "things for [Blitz] to teach and [Stolas] to learn". There were plenty of things that went unsaid and unheard and misinterpreted on both sides. But the love was there, Stolas didn't make it all up. It wasn't the perfect fantasy he was initially picturing (although I'm pretty sure that illusion didn't actually last very long, not with how dejected he looks in a few of the memory fragments and at the start of Ozzie's), and Blitz had a lot more hidden under the surface than Stolas knew about (although he did know Blitz had walls he hadn't seen through yet), but the love was there. You don't have to know everything about someone to start falling in love with them. Blitz couldn't fool anyone, but he especially couldn't fool Stolas, who he showed his heart to again and again thinking he was safely hidden behind the alibi of the book deal.

Until Ozzie's. Until the disastrous "date", after which Blitz couldn't hide the hurt he felt thinking that all Stolas wanted him for was sex, when Blitz wanted more. Except Blitz didn't say that last part. So all Stolas got was Blitz ignoring him on their date, Blitz rejecting his offer to go inside, and Blitz tearing up while saying in a wounded and borderline angry voice that their deal was strictly about sex, which finally clued Stolas in that his actions hadn't been taken as cute and flirty like he had intended, they had just served to hurt Blitz and convince him that all he wanted was to use Blitz.

Blitz's pain changed everything for Stolas. He stopped flirting, he stopped calling him Blitzy save for one time, he stopped most of his interactions with Blitz, and he started trying to give Blitz outs. He looked at all the times Blitz was annoyed at him, at how umbalanced their deal was, and at how it may have been just as cruel of a chain as the one binding him to Stella, and quite correctly came to the conclusion that the deal needed to end and Blitz needed to have a way to do his job without being dependant on Stolas. But he also looked at all the memories of Blitz being happy with him, and all the times Blitz showed up excited, and came to the incorrect but reasonable conclusion that it was all probably just an act Blitz put on to keep the book. Just like Blitz had been hoping to convince everyone of.

And then Stolas ended the deal, and Blitz couldn't figure out why so he started to panic. The deal was his safety net and his shield; it was the only way he felt he could get something close to the real relationship he wanted, it was what allowed him to be open with his feelings, and what gave him the courage to let some of his walls down. It probably felt like such a betrayal that Stolas would take it away.

Even though he was the one who dodged all of Stolas' offers to talk, out of fear that things would become complicated if they talked about it, out of fear of rejection after Stolas hid during their "date", and later out of guilt and shame for how he failed to save Stolas. Even though he was the one who was hiding behind the excuse that it was all just for the book. Even though he was the only one convinced that Stolas could never care about him for anything other than sex. Even though Stolas flat out told him he cared about him and wanted him to stay, just without the deal in between them. Even with all that, Blitz still couldn't see Stolas ending their deal any way other than Stolas abandoning him and rejecting him and taking away the only way he has ever been able to openly show that side of himself.

It was more than just his self-hatred talking, it was more than just his insecurities getting the better of him. It was a perceived betrayal of trust and an inability to see how much the deal limited their ability to get what they both actually wanted. The reason it hurt him so much was because Stolas hadn't actually been wrong. Blitz did care, Blitz did enjoy their deal, Blitz did want Stolas just as much as Stolas wanted him.

The tragedy of it all was that the love was real, but the only ones who were convinced it wasn't was the two of them. So it's a good thing the story isn't over for them yet, because I couldn't take that ending for them. After all the shit they've been through in their lives, they deserve their happy ending together, they deserve to have their mutually requited love be realized.

[imustbenuts]

hiii okay! i have, in fact, been following the manga and read it all the way until the end. im able to follow the convo, but honestly i havent took the time to process fully what its all about. might be missing some stuff. (ill leave a tl;dr at the bottom if anyone wants to mentally check out real quick at any point)

that said! yeah i think when we put together all the biggest driving plot points of jjk's motivation factor as a Jump manga its about breaking the cycle of suffering. dying a good death by living a good life, stopping more suffering, being affected by existing bullshit and then deciding to perpetuate it or not -- all these are in the work itself.

for the sake of not over inflating stuff i think ill start yapping about the more Shinto side of things relevant to jjk's themes. (buddhism is there but not relevant. too long)

Shinto is the native religion of Japan. again, its whole thing is about appeasing the spirits and nature through rituals. while this religion seems almost shamanistic, its so important that the royal family of japan claims to be a descendant from one of the Big Shinto Gods. the first Emperor of japan according to lore. this was Emperor Jinmu, a child of Amateratsu the goddess of the sun, who then descended from Izanagi, who himself and his twin and wife Izanami was popped into existence from a void soup.

Shinto was so important that Shinto Priests were paid to do rituals in governance. what some in anglo speaking sphere will call witchcraft they call practicality.

so, this means in jjk, the Jujutsu Society in times of old may as well have been these Shinto Priests and Priestress. Shrine Maidens/Miko. with their ritual song and dance. like Utahime, whose name can be directly translated into Princess Of Songs.

now again since Gege uses everything BUT apply the word of Kegare to build his world, i think he wants to avoid a 1:1 of Curse Users = Shinto bc simply, that road is paved in Rigid Hierarchical Rightism Hell.

let me try to explain.

(take a break if you have to im going into the reeds @_@)

in order to solidify the rule of the Emperor, shintoism was overwhelmingly used as a rhetoric to get people to submit to the Emperor, and build the understanding of society and world as a whole. jp language has a hierarchical quirk built into it not by total accident. Caste System was used alongside all of these too, even if the clear order may have shifted throughout history.

even if at one point, the Shogunate actually overthrew the Emperor and effectively became king. this was 1185-1868. during which the Emperor was basically a well kept pet in the background. and also, the Caste System went from some social mobility to almost none at all. and oh so many wars oh my godddddd

this was also when lots of people who did society's death related jobs fell through the caste so hard society wants to treat them like they dont even exist. (burakumins)

all of these are to say that there is a rigid social order. and when there is one so rigid, abuse naturally follows. and when you go way overboard.... and when the outside world comes knocking... and when civil war keeps happening... well...

we get the hyper imperialistic, racist, fascist japan of ww2. complicit in damn near genocide with conquering and forcing the oppressed to speak JP and change their names to JP. (tho this has been happening natively in japan itself with tribes of yore. the Ainus are one such group.)

"expel the barbarians (foreigners), revel the emperor". its a rabbit hole and... i need to move on.

so all of these to say that certain aspects of Shinto can be really dangerous to put into a work. there exists a certain amount of aversion to loudly declare and portray shintoism in full because of all that ww2 baggage. at best.

at worst, it can become a neo-imperialistic dog whistle. and we dont need that. jjk doesnt need that.

back to jjk

so all of the above is to say that, yeah, jjk is very much about trying to break the cycle. with the context of knowing how long 1 potential cycle has been, with sukuna's existence as an indicator being 1000 years, and you can see all of the above are quite relevant in tone.

that 1000 years coincides with the whole shogunate thing too.

gojo, a millennial possibly, wanting to break this hierarchical traditionalist structure that perpetuates more victims is very understandable. but in the ending of jjk, he doesnt seem like he manages to fully accomplish his goal of breaking the cycle, only improve it by wrenching open a path for the next gen to tread.

in fact, gojo cant even defeat the reality of a 1000 year history on his own. he needs help from the next gen and even guys from overseas to help take him down. (thereby saying fuck racism in shinto context)

and in the ending, this 1000 year walking history says "you know what, maybe i was wrong. maybe i should do something different".

and its why in the ending yuji has this scene

TL;DR

so what im putting forth here is this.

jjk is very much a call to look at japan's past in the eye and choose a different path. to break the cycle of suffering as an individual even if they must live under some nonsensical system. that the new must take over the old and having the old latch on too long isnt a good thing in the long run (kinda a buddhist thing lowkey)

anyway

id like to hear about geto if you feel up for it...! geto and gojo are such fascinating characters even if my favorite is yuji sadfads

This post by @imustbenuts got me thinking about death and its relation to bad energy that attracts misfortune and evil spirits, and how that seems to also show up in Jujutsu Kaisen.

This is present from the very beginning of the story, as Yuuji's introduction to Jujutsu Society is enmired in death. Of course, there's the bit where he consumes Sukuna's mummified finger, but bookending that on either side, we have Yuuji's grandfather's death. His grandfather kicks the bucket before everything with the finger goes down, and it's right after that when he meets Megumi. That's really where his path starts. If he hadn't met Megumi, he would have never found out about the finger, or about the danger the other members of the Occult Club were in. They likely would have all been killed by the cursed spirit, and while Yuuji would have been drowning in grief, he'd likely be none the wiser about all the crazy spirit stuff going on.

But instead, Yuuji meets Megumi before he's even left the hospital.

And because of his grandfather's final words to him, Yuji feels compelled to try and help, even after Megumi warns him how dangerous it might be.

His inevitable flow from that point to swallowing the finger (and surviving) is enough to get him the attention of Jujutsu Society, but that's really just the first step. They don't accept him, and it's only the intervention of Gojo that gets him a postponement on his execution.

But even after intervening, Gojo puts Yuuji to the test. He doesn't do it at the school or on some sort of neutral grounds. He doesn't wait for Yuuji to enroll and then see how he does on his first mission the way he does with Yuuta. Instead, Gojo accompanies Yuuji as Yuuji goes to take care of his grandfather's cremated remains. He answers Yuuji's questions and gives him a very straightforward picture of the sheer amount of death Yuuji's going to be dealing with.

In the manga, the whole conversation and Yuuji's acceptance of this path takes place outside the crematorium. In the anime, they take it one step further, and have Yuuji decide to consume the second finger and officially begin his path into Jujutsu Society as a punctuation to Yuuji performing the final care for his grandfather's remains. We literally get to see him picking his grandfather's bones out of the ash and carefully placing them into an urn.

When that urn is finally closed, he asks Gojo about the finger, then consumes it, accepting a path full of bad energy and misfortune as his own.

But the idea of Jujutsu Society being associated with bad energy isn't simply used as imagery around the beginning of Yuuji's journey. It comes up multiple times in the story, and it's not exactly subtle. Jujutsu sorcery is performed by channeling negative energy and using it to combat, restrain, and/or destroy the spirits that have arisen due to a concentration of it. I'm curious now if the words used for cursed energy in the Japanese correlate with the Shinto concept of kegare. After all, it would hardly be the only Shinto concept referenced in the series.

[losticaruss]

chronicles of narnia: prince caspian will forever be a tragedy to me, especially in the way the movie presents it. it opens with peter, desperate to return to the respect he deserves (or thinks he deserves), a fully grown man trapped in this child's, this stranger's body, still adjusting to the life he'd long since forgotten. he gets into a fight because it's natural to him. don't they realize who is he is? not selfishly (a little bit selfishly) he expects people, his siblings, the crowd, to be with him in battle. it's another battle to him, and edmund, lovely edmund, young edmund, edmund who was 12 and on the verge of death, edmund who loves his siblings the most one could ever love your own blood, is in the fray with him, and they fall back into the rhythm they were used to back home- back in narnia, and lucy and susan are screaming at them to stop, and edmund and peter see the soldiers coming home from war, and all they wants is to go back with them, and they understand how these soldiers feel, shell-shocked and distant and they want to fall into line with them, but they're kids and they're fighting other kids, they're not undisciplined, they're unadjusted. nothing changed but so did everything.

and they hop on the train and none of the pevensies want to talk about what happened and they end back in narnia and they're finally back in narnia they're home on the beaches of their home and it's a joy so grand that there's nothing they can do but go back to being kids- again, and they find cair paraval, and everything's gone- and the chessboard that edmund loved, the chessboard he played on when he first beat peter, is gone, there's nothing left of it, and they fall through the ruins like ghosts. here's the dining hall, the ballroom. remember this, lu? it used to be your bed. do you remember when you were so homesick you begged me to stay with you until you fell asleep? do you remember the way the garden bloomed in the spring? and they fall naturally in step into the dais, empty, not even the familiar sound of their shoes clacking against the polished floor. everything's gone now, of course it is. they knew how time worked in narnia, but it didn't happen to them. how could it move on without them? and they make their way into the lower floors, peter naturally falls into the trait of the leader, hes the first to forget the world they came from, but edmund, clever edmund, desperate edmund, brings a torch. he doesn't say how he packed it in his bag every day, how he packed it and prayed that they'd return. and everything is still there, in that room. nothing prepares you for seeing statues of your face- not your face, but what will be your face, what used to be your face- cracked and covered in moss. their crowns are there. everything is there. peters sword returns to his side, and it's the first time he looks complete since they left narnia. and they adventure- how much had changed? the trees are so much taller. how long now had they been gone? it was natural for narnia to have moved on, but they were meant to move on with them. peter tries to bring his siblings through his usual shortcuts, through an overpass, far from the well-trod paths that had cropped up since theyd been gone. he can't have been abandoned by his home, not so soon.

but he was. and there's a kid here, claiming to be the new ruler of narnia. who is he? he looks so young, and susan is looking at him and he's... looking back? and the civilians are looking at this stranger, this kid, like he's supposed to know what to do. had he even fought a battle? he rubs his beard- and is blocked by the bare skin of his chin (of course it's not there. he forgot.) and peter wants to be the bigger person, he's the high king, that's how it should be. but there are all these emotions he hadn't felt before- he thought, not in narnia at least. and he doesn't want to be the bigger person, he finds. stop looking at him like he should know what to do! he stands up to take over- his people forgot about him. he left and they forgot. and he sizes up this child as he speaks- high king peter of narnia, he says. the magnificent. and there it is, he thinks. the familiar look, shock, awe and- confusion? that's a new one- but not incorrect, as he realizes his situation.

he wants to be recognized how he used to be. the pevensies have returned to what they were, the warrior, the archer, the diplomat, the healer. and this new one, the one who wanted to be all four at once so desperately it made ed look wise. and finally- finally he gets his chance to shine, where he belongs, on the field, against The Enemy. of course, not how he'd like it, not in broad daylight, sword and armor gleaming, but it was the smart move. and he's filled with these emotions- not dread, or worry (maybe a little worry), but excitement, and everything is pounding in his head and the adrenaline- he forgot how good it feels- and he leads the army, his army. he's the warrior, the high king, and for a night, the people remember, they remember the golden age. and ed is brilliant, and peter can't help but grin with glee as he sees him pull of a maneuver that pete knows took months of training.

and then the hoards come and they're losing- they can't be losing, this was his chance! he's right, he's the king this was his chance to show them. and he cries for a retreat but it's too late- he was a fool, he watches his army, the army who trusted him, he watched them be slaughtered against the gates that had sealed their fate. he watched the blood spray and stain the metal, oozing between the stone bricks and he just stares. and it's all he can do and he wants- what does he want? to say he's sorry? to save them?

no- no, nothing like that. he should be in there with them. he should be gutted like the rest of them (a hero's death, not this cowards life). he went in too fast, too proud, he knows that. but to have these innocents follow him in willingly, blindly, and he's the one to make it out? it's unforgivable.

and then he's given another chance. a fight- a duel, to the death. he leaves the arena a victor, or he dies a martyr, and everyone forgets his sins of the night of the ambush. and he fights the best he can, he loses his helmet, he's injured and he can hear death whistling it's grim tune, and he almost doesn't pick up his sword, and he sees edmund, lovely edmund, young edmund, with hope in his eyes- with faith in his eyes, and peter knows, he certainly doesn't deserve the life he's been longing for, but he picks up his sword because his little brother, his little brother who almost died, whom he loves with all his heart and so much more. and he accepts it. he realizes he won't get it back, his golden age, but he can fight for edmund, for narnia. and he fights. he fights and he fights and he fights.

and when it's over he breaths the sweet narnian air, and he clasps the hand of caspian, another brother, not a blood one, nor a narnian one, but one of a deeper connection, deeper than any love, and he sees susan smiling. the pevensies and caspian are celebrated like kings, and the pevensies help caspian, still a child, overwhelmed with all this love, they guide him through it, preparing for the many days in the future when parades and celebrations fill the streets, and the people adore their rulers- their king.

it's their last time, he tells the others. once they leave, him and susan can't return. there's more on the other side, the other world, another way to return to narnia, to Aslan, and he doesn't share the fear in his heart. another way, but not this way. not through his home, where he's surrounded by it, drenched in it. not the same not the same, never the same again. they could stay, of course, says a foolish side of him. but not, they couldn't, it's stupid to say so. his mother- had he forgotten his mother so soon? she would go mad with loss. his golden age, it's come and past, and narnia moved on without him, and he steps through to the train station, not to his home, (no. he can never go home again.) and susan follows him, and she grasps his hand, a look shared between the two of them that she understands. and peter, one last chance to be the bigger person, he sees her loss and he squeezes her hand back. edmund and lucy they think they understand, and they grasp their elder siblings hands, and it's comforting, but peter and susan know, they know they won't understand, not until it's their turn, they won't know how empty it is, how lonely it is in this world.

so yeah. it's a tragedy

[irlkanamedate]

Man I love my partner so much. They bought me these from @potato-lord-but-not and augh.... the arthur doodle... hes going in my wallet.

Thanks J for making these and thanks to my lovely partner for buying these for me ♡

[sunnie-angel]

Sunnieeee babyyy what do we think about femjay and marriage? Yay or nay? Does she even want to get married? Is she wife-ing you up or is she waiting for you to pop the question? Elopement or ceremony? WHERE does she take you for your honeymoon 😼

ooooh so i've been sitting on this ask for a bit (mostly because i start thinking about fem!jay in a tux and my brain stops working) but i love this question so much.

the question, of course, depends on when you ask her. at 15, it's an emphatic no. she hates the way that the question gets asked by the upper crust busybodies because she knows it's always with some strange faceless man in mind waiting for her at the altar. never mind that jay's never shown interest in a boy but her best friend, the assumption is there and she hates it.

at 21, fresh out of the pit and off a revenge streak, she'd laugh in your face (and riddle you with bullets, depending on who's doing the asking). she's the big bad red hood, you think she's gonna settle down? think she'd hand over her empire for a little ring and a bit of paper? fat chance. marriage didn't save her mother from a husband that was never around. talia's still pinning her hopes on a one day maybe. jay's got plans and none of those include marriage. who'd want her anyway?

you ask her when she's 23 and happily in love for the first time, well that's a different story. she's still got her hangups - the past doesn't let go so easily - but she wants to know why you want this. you start with the practical, legal reasons first. you're a vigilante and yeah you might get most of your medical treatment from secret facilities but i want to be allowed in the room for all the times you end up in the hospital. i might be under the hood's extra legal protections but there's a comfort in being legally tied to you too. then you move on to the emotional ones. i want to bring our families together to celebrate us. i want to stand up in front of the world and declare that i'm yours and you're mine. and well, it's everything that jay didn't know she wanted. answers the greedy, grasping parts of her hindbrain at the thought of publicly branding herself as yours and whoops suddenly the apartment is full of wedding planning materials. spring you said?

you asked, but she proposes. applies all her tactical knowledge to planning the perfect, meaningful proposal. she enlists the help of all of her many siblings, and thankfully it all goes to plan. she still manages to surprise you, jolts you into happy tears when she gets down on one knee and pulls out two matching rings.

the engagement goes off without a hitch, but the wedding? that very quickly spirals out of control. everyone has an opinion and your head's spinning with tablescape designs and flower arrangements and jay wants to help but she's worried about being just another opinion shouting in your ear. so jay calls in some favours from clark to borrow a photographer and gets you to clear the rest of your weekend. she takes you shopping with bruce's credit card, a fun little white cocktail dress she has you wear out of the store and into the courthouse. the two of you get married right there, with only the courthouse judge and two random witnesses you kidnap from the corridors. it's done! you two are married, and it's like this great weight is lifted from both of you. Mrs. and Mrs. Todd. The ceremony, the great tentpole party, that's for everyone else but this bit is just for the two of you.

your public ceremony is the event of Gotham society's year. even the daily globe over in metropolis prints a feature on it. but jay doesn't care because her wife - her wife! - is holding her hand and kissing her to the cheers of both of their families.

(tbh i don't think the honeymoon location matters so much because she is not letting you leave the bed for three days straight after 🤭)

[caesarinsalata]

Tradition

I finally came up with something for the prompt

[ask-october-fox]

Believe me. I, too, wish I knew more about that fox, but even any thoughts I would have would all be speculation. So if you know something I dont, feel free to share.

[applestorms]

ok, well. if last time i talked about parallels between near & light, i guess it’s only fair that this time i talk about parallels between mello & misa. yap central on this blog lately.

the main thing that stands out the most about mello & misa, and the reason why i will forever Defend them and their place in the story, is that in my mind they both function in a similar way on a narrative level: namely, both of them are incredibly active wild-card characters that keep the action going and the story moving forward when the other main characters like light, L, & near start getting too passive.

notably, while i often see this trait praised in mello, usually in the context of a comparative criticism of near for his overly-abundant passivity, i have also seen it used as a criticism of misa's character, that she breaks up the status quo of DN too significantly and thereby makes the story feel less realistic. this last point in particular is an odd argument to make imo, as if anything misa's presence only increases the realism of DN by adding some extra luck/random chance into the story in a way that is ultimately still character-motivated and thus easier for the audience to go along with-- something DN in general is very good at, often introducing elements through pure chance but keeping them grounded in characters enough that you almost don't even notice.

take light meeting naomi misora, for example: the only reason he runs across her at all is because he offers to run an errand for his mom on a bored laundry day, literally stumbling across her right at the exact moment she is divulging important insights she is literally the only person capable of making about kira. yet this moment does not stand out as particularly aggravating or out of place in the story, as ultimately the only reason why light is able to get out of that situation is his own quick thinking and ability to calm himself while under immense pressure, squeezing his way out of a potentially run-ending situation he didn't even know existed moments prior.

(not a fan of that big joel video, if you couldn't tell. lmao.)

point is, mello & misa both fulfill about the same narrative function in the story by being so aggressive in their actions, catching the others off guard even if their plans aren't as well thought out or careful as they could otherwise be. they're both incredibly passionate, dedicated characters as well, tough enough to take the hit when it inevitably comes, and in my opinion neither of them are nearly as stupid as the other MCs like to make them out to be. to some degree, i think both of them are aware of the fact that they can't win at the Mind Game Cold War Bullshit the others are inclined to get involved in, so they instead choose to carve out their own place in the story through sheer perseverance alone.

which, speaking of passion: one of the most interesting parallels i think you can make between mello & misa is the ways in which they idolize their respective heroes, misa's obviously being light while mello's is L. allow me to elaborate.

as this post points out, DN has some very interesting use of its religious imagery & theming, and in particular its use of christian/catholic gothic imagery in its story and especially its art. however, as op notes, a lot of this is quite superficial, ascribing to an aesthetic of "kitschy Catholicism," that was characteristic of a lot of early 2000s japanese goth style. yet, while i admit that a more serious consideration of religious elements in the art & story could add some interesting flavor to the story, i also think that, regardless of intention, the superficiality of DN's religious elements works really well in the context of this particular story. as i stated in my tags on that post: light is a superficial god. he is a fake, a scam, some idiot human that stumbled across the powers of a real shinigami and got his head up his ass about it. and a lot of the arcs of other characters in DN is about their reaction to light's claims-- whether they choose to follow him (e.g. misa, mikami), follow somebody else (e.g. mello), or follow nobody at all (e.g. near, also kinda soichiro?), and the implications that has for their lives and personalities.

this is all to say that while you can, on a surface level, connect misa & mello pretty easily as the two aggressive, fashionable blondes of the series, i also think that these somewhat superficial traits betray a greater connection between the two of them. if we understand the christian/catholic elements of misa & mello's fashion as a demonstration of their connection to not just a higher power but a lie, a superficial deity simply reflecting the sunlight of powers greater than himself, then i think we have great insight into another key element of both their characters.

do not forget: in the world of DN, heaven & hell do not exist. at least in the context of death itself, the realm & lore of the shinigami reign supreme, a point which the DN musical makes even more overt: "Isn't it a laugh? / Isn't it a shame? / Thinking there is someone in heaven to blame?" and "Going through the motions / as if there will be a reward / Oh, while we stay eternally bored!" (BEST SONGGG.) everyone is destined for the same fate of MU, the same void of nothingness awaits all. no reward, no punishment, no greater deity looking down upon us than the bored, slothful shinigami, lazing about in their realm and picking people off only when necessary (for the most part).

misa & mello are thus dedicating themselves to false idols, and we can see the negative effects this has on them in almost every facet of their character-- particularly for mello, who is perhaps more self-aware and has more of a mixed emotional outlook on his idol, but maybe even to a more extreme degree for misa. i keep going back to this idea of equating boredom with depression in DN, but where light/L/near are all "bored" in a very quiet, passive, stewing-in-bed late at night kinda way, misa & mello are characteristically a lot more aggressive and intense about it-- while neither of them are super overtly suicidal, necessarily, their actions still betray a distinct lack of care for their own safety or lives, expressing the same thematic sentiment as the others. even if they still don't straight up say it, through their actions they're a lot louder about not liking themselves, and seem to take the problems they see in the world more personally, shouldering the blame as a failure within themselves instead of projecting it outward like the others: e.g. light taking his unhappiness at the emptiness of his life at the start of the story & placing the blame on the world for "going to shit" & humanity's moral failings, versus misa being willing to literally & figuratively give up her life for KIRA the second he demands it, whether that be in the form of shinigami eyes or killing her own friends w/o second thought-- all because he was the only thing to bring justice to her own parents' deaths, an almost undoubtedly traumatizing/horrible experience for her considering how much value she places on KIRA/light afterwards.

to clarify, this is not to say that all of these characters are actually and literally depressed and/or suicidal, though you could certainly make that argument for some/all of them-- this is just one way that i think you could interpret their roles in the plot, and their thematic attachment to the story. even if DN isn't all that interested in considering the True Moral Answer to ethics/the justice system/human society/etc, it definitely takes at least some interest in the emotional viewpoints of characters in relation to those concepts, so i think this is a fair enough approach to take. or to say this another way, it's less about justifying the claim that "the world is shit," and more about trying to understand the emotional motivation & experience of feeling like the world is shit, if that makes sense.

that being said...speaking more on the whole "not liking themselves," thing: even if she doesn't say it aloud often, if ever, i think that misa is deeply aware of the fact that she was not supposed to live this long, that her existence at all is a pure stroke of luck that let her live on past her destined date. she dedicates herself to light so fully, not even necessarily expecting reciprocation (though she at least reserves herself the possibility of such), because being a disciple to her god at least gives her life some kind of purpose. similarly, i think mello is also aware of just how out of reach the one thing he wants is, how his desperation in and of itself is ironically the one thing keeping him from surpassing near and truly being #1. it's important to note that pre-time skip misa & post-skip mello are almost exactly the same age, around 20 years old at the time of their main arcs. they're immature, and in the case of mello especially, are lashing out at the world in whatever way they can because they know they don't quite fit into it in the way that they want to or should. regardless of the intent behind it, mello & misa both still make the conscious decision to kill with the DN-- perhaps in a way that still keeps their humanity, at least following near's logic, but it's a decision to end a human life either way.

anyways, going back to my previous point, this "worshiping of false idols," idea has some interesting implications-- for misa & mello yes, but also for L and the ways in which he contrasts again light, as under this logic mello's treatment kind of inherently gives L a similar status as a sort of false god/idol. which-- actually makes a lot of sense? or at the very least, viewing wammy's house as a kind of mystery cult a la the eleusinian mysteries is a neat approach to take. L & light's mutual alienation from humanity fits them both filling a false god status, anyway. also there's another thread of analysis you could follow here where near is instead fit into the role of the person mello is fixated on which AAAAAAAAA has interesting implications but jesus fucking christ, this post is long. some thoughts for another time, i suppose.