#sort of???? close enough

[leonawriter]

Excuse me while I basically make Azure Throne into a hakukai fanfic.

This got... really long, and veered off from what I intended for it several times, but is basically at heart as I said, a look at Azure Throne through the lens of "what if we work on the assumption that Hakuba knew it was Kaito from the start, and/or they're actually outright flirting."

Hakuba: Kuroba what are you doing here. Why aren't you even in a disguise- oh, I see. This is interesting.

Kaito: Oh god it's Hakuba he's going to see through me like I'm made of cellophane or something. Please don't call me out here. I am pretending not to know you. Shush. PLAY ALONG.

Kaito: Come on please let one of my detectives have SOME faith in me. Restore my faith in humanity. Take the fucking bait, Hakuba.

Hakuba: Oh, that's. That's... I see what's going on here. That does complicate matters. All right, fine. I'll play along. Because I want to find the truth more than I want you arrested.

Hakuba: [Merely pays more attention to the actual suspects]

Kaito: [internally shouting "THANK YOU."]

Hakuba: We need to know exactly where everyone is, what they were doing, and if you'll excuse me I am going to geek out over science now-

Kaito: Okay well watch me explain in detail how Kaitou Kid (who is Not Me, by the way, in case you needed to be reminded) got in here. And let's conveniently not bring up how no one knows how Shinichi got here and Kid left.

Hakuba: Oh, and I anticipated your entire trick.

Hakuba: Because I know exactly how you work and I also know exactly what your clothes are made of.

Kaito: Wow... you're creepy, you know that? This is why I try and send you off on a wild dove chase each time you're heading to one of my heists.

Hakuba: Isn't it funny how I planned to catch Kaitou Kid that way, and instead I caught you two. I'm sure there's absolutely no connection between either of you and Kid... is there? Kaito?

Kaito: Oh but you know you can't say anything until this case is closed. I know you can't.

Hakuba: This means you too, Kaito. I'll be needing your firsthand knowledge of the way things went, of course.

Hakuba: It'll be good to have another actual detective on board for this!

Honestly I can just leave this one be. Kaito is enough of a tsundere that "But, to think Hakuba came back... he should have just stayed and studied in London forever!" is accurate to what I think he'd be thinking right there.

It also matches with the several times (Dark Knight and Green Dragon especially) when he's personally redirected Hakuba away from the heist.

Plus, with his attachment issues (one parent he idolised is dead, the other is barely home), I think Kaito would have a very hard time dealing with Hakuba, who (like his mother) travels a lot, and is... barely there, really. :(

Hakuba: Now, I wonder if you can keep up as a detective when playing one?

Kaito: Oh yeah? Watch me! Uh... I just need a pointer. That's all.

The interesting thing here is that Kaito has played at being a detective in the past. He's even played at being Mouri Kogoro right next to Hakuba here, in the Twilight Mansion case. However... in that case he wasn't needing to play a smart detective, and in any other instance he wasn't technically a "detective" (Magic Lovers Murder Case, where Katsuki Doito is a medical student) or he knows that Conan is capable of solving the mystery if he gives the right hints (Four Masterpieces, when he's being Takagi).

There's also the time when he played Hakuba himself in the movie Private Eye's Requiem, and we don't know how many times he'd have done that, that we haven't seen.

Point is, though, Hakuba doesn't know how good Kaito's observational skills are as a detective and it feels kind of like... if he knows (and I'm sure he has a gut feeling from the start even if he doesn't have evidence) he wants to know- "I can keep up with you, on your territory, but can you keep up with me, on mine?"

With that in mind, the fact that Kaito's only relaying what Shinichi's telling him must be... frustrating, for someone who'd actually be curious what Kaito can do, and I'm sure Hakuba would want to push Kaito to be able to figure things out for himself as well.

But I digress. Moving on.

Hakuba: [Has just seen "Kudo" flirting and being sentimental with Ran, "his" girlfriend, in a way that Shinichi himself says is so spot-on its kinda pissing him off] Oi. Kaito. I thought you were interested in Aoko. Watch it. [Also kinda jealous himself.]

I freakin' LOVE these two panels. This entire sense of "Yeah Hakuba's got Kaito sussed and he's already got half of what's going on with Conan, and yeah the next thing he does is question "Are you really Kudo Shinichi?" it's because of a potential flawed deduction when Shinichi's supposed to be this perfect saviour of the Japanese Police Force.

And in posing the question in such a way, he's allowing Kaito - master of disguise! - to come up with a cover story. Which, of course, he does.

But overall? It's the sense of... actually, just as I said. Hakuba's going "Shh. I'm talking to [him]! Don't interrupt us, okay?" - He's going "I know you're helping him, but I want to know his capabilities. Not yours."

Kaito just calling his ass out like "Hakuba I know you're obsessed with me- I mean Kid- c'mon I know you better than that~"

Also the phrase "Rumoured to have his eyes light up at the mere mention of Kid" more like. Kaito you have seen that in person.

More like I look at it and I'm like, is this Kaito saying "I Know What You Are"?

I know that it's not just them, but it's this nice little touch of the two of them standing next to each other, while Conan is on the other side of the group, and they're both mirroring the other's posture.

Kaito's already thought to himself how he barely needs to change his voice, and it's easy to imagine him barely changing his behaviours but adjusting so that he's more serious and less playing the clown or showman.

In this case, he's fully paying attention to the case (just as he has in previous ones as a witness) and...

He and Hakuba are on the exact same wavelength, with Hakuba finishing Kaito's sentence here.

Again with the twinning. Kaito has a slightly more clueless look about him, I'd say, but that's because he is out of his depth. Other than that? He's just as much taking Hakuba's lead on the case as he is Shinichi's!

The sheer amount of "Kuroba, your alibi is slipping!"

Hakuba's not going to outright cover for something that might be noticed as a flaw later on, nor is he outright going to call Kaito's disguise out immediately when other things are going on. He is, however, going to tease him to hell and back, push buttons, you name it.

And, of course, Hakuba in hearing Kaito's alibi and seeing Conan back it up, will also know that Conan is on Kid's side here even more than before.

Small and simple observation: Kaito is behind Hakuba.

At this point Hakuba in canon and the Hakuba who knew from the moment he laid eyes on him both know that this is Kaito. It's Kaitou Kid.

The start of the case had the crime get pinned on Kid.

Yet - Hakuba's just fine with Kaito watching his back and/or fully capable of doing whatever he likes behind him, knowing full well that Kaito's a skilled magician who'd be able to hide his actions. The obvious point is that he trusts Kaito.

And then - we get to the Flirtening.

I call it that because in canon it's bad enough, with Hakuba clearly only started making moves on Ran to make Kid slip up.

But in a world where he knows it's Kaito from the start? In Hakukai Fanfic Land?

First off- I'd say that this is actually payback.

Earlier on in the case, Hakuba saw Kaito (as Shinichi) flirting with Ran. Thinking back to the very first set of cases Hakuba ever appeared in, and... he'd walked into class for the first time and seen Kaito being mean to a girl, to Aoko, who was clearly hurting, and then tried to be nice to her by saying, basically, "If he won't take you to the concert you wanted to go to, I'll go with you."

Going on him knowing that this here is Kaito? He'd be seeing Kaito flirting with someone who isn't Aoko, and getting very in character, and... basically going "watch it."

So Saguru is a) defensive for Aoko, b) jealous because oi, why are you flirting with her, when he is right here, and c) using this as a means of poking a hole in Kaito's disguise, because sure he's more interested in the truth than he is in arresting Kaito, but that doesn't mean he's above making life hard for him.

In which case...

Kaito going "What did you say, jerk!!" is just as much "oh shit yeah I'm supposed to be being Shinichi right now" as it is "Hakuba why are you flirting with someone else?"

The reaction would be delayed because a) Kaito knows Hakuba's not interested in Ran, or not interested in girls in general, and b) the sheer amount of "what the fuck is happening. what is going on in front of me here" he'd be feeling.

Because for one thing, Conan's down there making attack dog noises, and for another- d'you think Kaito would just reflexively fall back into poker face if he saw the guy he likes/who he knows is interested in him just easily flirting around? I think that ordinarily Kaito would just be like "eh, that's just Hakuba being Hakuba" but I'm also aware of how fragile Kaito's social connections and relationships often are, as well as the rift between logic and emotion.

After this we have a few different things happening at once.

We have Kaito not having asked which cheek Ran had kissed Shinichi on and gesturing to the wrong one, which Ran instantly notices:

Note that the flashback isn't just for our benefit; we see later on that Ran realises probably in this moment that there's something Wrong with "Shinichi" because how could he forget which cheek she kissed him on?

This being relevant because right before that...

He'd told Ran to not "space out" - but with the weirdness going on between him, Hakuba, and Conan, I wonder if it was actually Kaito who knew he was kind of spacing out here! Like, sure, Shinichi's sending Kaito lines, but in terms of narrative and themes...

And in canon, this is where Hakuba first notices the mike and earpiece that Kaito and Conan are using to communicate. Even in a version where he knew it was Kaito from the start, this would still be where Hakuba realises "Hey, what's UP with that kid?"

Hakuba, in canon: Could it be... that those two...

My headcanon for that is that he was meaning to say "are working together," which is the easiest and most obvious/simple conclusion of his sentence.

Hakuba, in fanfic hc land: Hey, why are they working together? I know I didn't warn him I'd be here, but he could have been working with me. That kid already stole some of my reputation regarding going against you, and now this too?!

Honestly, sometimes I remember the times when Kaito has shown himself able to figure out a trick or even a murder trick more or less on his own or at the same pace as Shinichi, and I see times like this when he's shown as needing a lot more help, and I feel frustrated that Kaito's seeming to be dumbed down a little to make Shinichi look better.

But then, I think about how there's multiple times over the course of not just Detective Conan but also Magic Kaito itself, where Kaito is uncomfortable around murders and dead bodies.

Which then starts to make sense of the times when he relies more on his detectives' wits for things like this; if it's a logic puzzle trick that he can treat as one, then he can keep up. If there's blood and bodies and Someone Died Here, which they did - someone died before his heist could even begin! - then his mind has a hard time, skittering around the unnerving parts and not being able to give the trick the attention it needs.

I'd imagine his thought process goes kind of like "Okay okay so if I could think of anything that'd be really useful (but a guy died a minute ago I was out there and doing normal things and a guy died) yeah but if you don't think smart now it's going to happen again or they won't get caught (oh god what if I can't do it) I have to but-" and... so on.

And back to point, but - Hakuba hasn't really seen Kaito in the direct aftermath of him having seen someone die, when Kaito isn't pretending to be someone else.

Technically, he still hasn't here, because Kaito is Being Shinichi.

Dark Knight had Hakuba arrive on scene late, as Kid was already leaving the scene, and in Twilight Mansion Kid was Mouri Kogoro, so even if his reactions were touched with reality, no one could tell what was Kid and what was Kogoro. Here, Hakuba wasn't the first on scene, and he only sees Kaito once Kaito's had a chance to put his poker face (and a Mask of Shinichi) on.

I'd even say that... this being Detective Conan, we've had a chance to see an entire character development arc between Shinichi and Kaito, even if it is still one-sided and not the healthiest of dynamics. We know that Shinichi's not really going to hand Kaito to the police on a silver platter.

But Hakuba? The irony is that in MK canon Hakuba is KNOWN for calling Kaito with helpful knowledge about his opponent (Golden Eye, infamously) and withholding information that would put suspicion onto Kaito's civilian identity (Midnight Crow, at least). And yet in this heist, because we're a) seeing things from Conan and Kaito's perspective here, and b) we haven't seen what Hakuba would do in this sort of situation before, he seems... more of a threat if he outright found them out than if it were just the police (who they can trick) or Hattori (who Shinichi would be able to shush).

Personally, I believe that Hakuba WOULD have worked with Kaito to come to all of the same conclusions that they came to in canon with Shinichi as the POV. Hakuba's a good enough detective, after all, as we even see him doing this in canon, drawing the same conclusions without Shinichi having to whisper in his ear once.

Is Kaito side-eyeing Hakuba because he knows Hakuba's being a little shit over this but he can't say anything because he can't admit that he knows the guy personally as well as he does? Is Conan flailing because he feels like they've been sussed out?

Or is it more along the lines of "Oh, you think you're so smart, don't you? Soooo clever. Yeah sure, after you've been hounding me all case- but don't think I'll let you have the last laugh"?

And now, I'm thinking of Shinichi hearing some of the familiarity come out in their voices around now, if not before, and he's finally realising "Oh- okay so Kid knows this guy. Not just aware of him, he knows him. Oh. Oh shit."

Fun fact: we do not see Conan again alll the way through the explanation of the fireman's carry that Hakuba is doing with Kaito as his partner. The next time we see Conan, it's after they've pinned the criminal in place.

I find this interesting because... in spite of this being a case that Hakuba is starring in - the guy who is well known for asking "Why did you do it?" - it's the victim's wife who asks that, by way of her "But why did you kill my husband!?" and it's Conan who suggests a potential reason.

In a sense, they've both stolen Hakuba's thunder here, the wife by taking his catchphrase and Conan for taking the words out of the criminals mouth before the guy can admit it himself, in his own words.

(Ironically, Kaito would agree with Conan on this, probably, what with him having said "isn't it your job to figure [motive] out?" but as I've said before, I see worth in Hakuba asking for it in the criminals' own words.)

I feel like both I and other people have probably made all the jokes about the "I've got the stamina to keep carrying you for ages" part that I don't need to rehash it that much, haha.

But I DO have other observations.

Kaito: So, you figured it out, huh... Hakuba: Of course!

Like... even way aside from the fact that Hakuba's probably just internally going "you're SO lucky I like you, otherwise I'd have just pointed out that you just flattened your hair the moment I walked in" there's something this reminded me of.

In the translation here, Kaito trails off on an ellipsis, but... in a way, that's a question. It's literally "So, you figured me out?" except Kaito may well have been expecting it even in canon, so it's no longer a question.

What's the significance of this?

Well.

It brings to mind how Toichi asked "Will you be able to stop me?" and Yusaku said "[Yeah...] of course!"

And of course we know that whatever Yusaku was able to do, it was never enough to stop the legend of Kaitou Kid from growing - and we also now know that he almost certainly knew that it was his brother Toichi right from the start.

In many ways it's meant to show how Kaito and Shinichi have taken up their fathers' mantles and become each other's rival... but this moment of "You found me out?" "Yeah, of course!" shows that Hakuba is just as much Kaitou Kid's worthy rival. He is thematically and narratively Kid's rival.

(And this is where I get my post limit for images, whoops!)

So, yeah. Kaito then has a space of about three [3] panels between Hakuba saying "I know you're Kid" and then Hakuba trying to walk and finding his legs are cuffed together.

I'd also say that in terms of pranks that Kaito (as Kid) has played in order to get out of a Situation, that was... a lot more on the immature roughhousing side than a lot of what he does. So much of his DC appearances relies on... action movie stunts? Stuff that's actually really risky? Because he needs to rely on that. But with Hakuba he doesn't have to. It reads more like play fighting.

(Because Hakuba, he knows, isn't going to attack him with a deadly soccer ball or knock him out midair.)

A thought on why he cuffed Hakuba's legs together like he did even if they're on better terms would also be the easy "Kaito knows that Nakamori is there, knows that Hakuba wouldn't be allowed to carry him all the way to the station, knows that something would go wrong, and almost certainly by this point knows that he shouldn't go out in public as Shinichi. So he's just as much going "yeah nope, not doing that, bad idea on SO many levels" as he is "I don't fancy going to jail today."

And, for an ending note: Hakuba at no point seems frustrated or upset that Kaito got away. Not for one single moment.

If anything, I'd say he's just going "Ah, there he goes again. Look at him go." with a fond look in his eye.

[pastelaeqy]

yet darker

[janedoeaart]

wip from today!

[electronicmail]

Firefox-official vs electronicmail

Hydrogen bomb vs coughing baby

okay come up with a better idea then. firefox-official is gone asshole it’s electronicmail or nothing

[mezucore]

the cycle has been repeating for decades. i've realized that a long time ago.

[temporary-tats]

Mon Loup

Please send help, Wenclair has taken over my brain.

Per usual, do not reupload without credit/permission. Thanks folks!

(My ko-fi, should you wish!)

[waitineedaname]

MXTX protagonists ranked by how bad their mommy/daddy issues are

Luo Binghe: absolutely nuclear level of mommy/daddy issues. this is the consequence of giving your protagonist two deadbeat dads and two dead moms, and then letting him project all those issues onto his overly indulgent teacher

Wei Wuxian: he could've had perfectly normal orphan levels of parent trauma, but what's that?? IT'S THE JIANG PARENTS WITH A STEEL CHAIR!!! the combo of fear and respect he had for Yu Ziyuan is already bad enough, but then there's also the feeling of responsibility for the Jiang siblings that they put on him, which then leads to, you know, all the Yunmeng sibling problems

Lan Wangji: this dude is so haunted by his father potentially kidnapping his mother and then locking her up and putting himself in seclusion, and this significantly shapes his relationship with Wei Wuxian. plus he took his mother's death really, really badly :(

Shen Qingqiu: he like never mentions his parents?? which is weird, but at least he's not haunted by it. however, he gets the special privilege of being the person exacerbating someone else's mommy/daddy issues. he brought this on himself. he doesn't get to walk out of a confession involving a metaphor where he'd be pregnant with his partner and act like that's normal

Xie Lian: he definitely has trauma surrounding his parents for sure, but they don't seem to have manifested as specifically mommy/daddy issues? it's just, you know. normal grief. honestly, there's so much shit going on with his trauma and baggage that he can't be defined by this one thing

Hua Cheng: does not seem to care about his parents?? at all???? he's presumably an orphan and they're probably the origin of his self worth issues, but like. in the grand scheme of things, they do not seem to be that big of a concern for him. who needs mommy issues when you have devotion to dianxia i guess

[fusionsprunt]

me when my meteor-powered robot gf attempts to murder me 😳😳

[ciderjacks]

Also while I’m here does anyone else think about how his immediate thought was that the other party had died while fighting over gold (likely informed by his own past experiences) and then right after he says that Laios draws his sword, and you can see the horror in his eyes as he freezes up.

[edwinisms]

you ever think about how edwin got like. no warning, no time time to process, nothing, when he reappeared on earth faced with the fact that virtually everyone he knew in life is dead. his parents? probably died in the 1950s or so (at best) almost forty years prior to edwin’s return. if any of his classmates were still around, they’d have been elderly, possibly senile, and in a few years they’d all be gone– except, of course, edwin. nothing looks the same, cars look like spaceships, there actually are spaceships, he can no longer see the stars, and everyone he knew is dead.

[valtsv]

“If you want an apology—” “Quite the opposite, actually.” Shrue blinks at her in genuine bemusement. “... I don't follow.” “I thought perhaps we could fight about it.” Val says it as casually as if she's suggesting they take an impromptu late-night stroll. Or: In another reality, Shrue lives, and makes it to the camp of the Children of the Woundtree, where they try with the other survivors to rebuild their lives. Val is there too. They come to blows about it. Or: (Sort of) Repairing your broken relationship with a little percussive maintenance.

finally wrote a fic about these wretched creatures i'm so fond of. you can read it if you want.

[coquelicoq]

what i like especially about the pronouns in the goblin emperor is that this language doesn't just have the T-V distinction (aka informal vs. formal second-person pronouns, in this case 'thou' vs. 'you'), it also has informal and formal first-person pronouns. having BOTH of these distinctions in the same language lets you fine-tune your tone by mixing and matching. with only one axis of formality, when you use informal pronouns, are you being familiar in an intimate way, or in an insolent or dismissive way? when you use formal pronouns, are you being polite or standoffish? you can't tell just from the pronouns; there's ambiguity. but a language where you can use a formal first-person pronoun in the same sentence as an informal second-person pronoun allows you to distance yourself (via the formal first) while also being familiar (via the informal second), thereby achieving the conversational tenor known to linguists as Fuck Thee Specifically.

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return.��

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[blaithnne]

This is their dynamic during and post S3

[vaguely-concerned]

literally burst out into elated laughter to find this is what this outfit has got going on under the coat (the details the costume designers put into this tho!!! the fucking -- rainbow lining that could very well never have been shown off on screen??? hello for god's sake hello who made you go this hard????)

[marmot-bee-person]

so far wonton had accidentally clicked into rise of Skywalker and started it and we had a fight about seating