#it feels good!!!!

[sugar-grigri]

Let's make the revolution, but let's make it right s’il vous plaît…

Yes I need to take a break but I'm not only tired but I'm fucking autistic so let me say two quick words

I think Haruka is a character worth exploring, and that he's deeper than the comic relief he seems to be, because I think he's a very good representation of adolescence.

Yoshida doesn't live his adolescence as a public hunter, Asa almost rejects the experiences because of her social isolation and emotional problems, which implies that they are teenagers but want to carry the weight of suffering like adults.

And what is Haruka? The perfect example of the mix between childhood and coming-of-age.

Denji is unable to experience adolescence because he has been deprived of his childhood, or even his humanity, and his interactions lead inexorably to rejection and suffering.

Haruka, on the other hand, is a useful standard by which to compare the other characters' failings in exploring their own adolescence.

Haruka is portrayed as arrogant, but not as negatively pretentious, but as an over-confident teenager, following a role model to the point of pretending to be him, of having a false cable across his chest.

He's also hard on the others, representing those teenagers who never minced their words when pressing Asa's failures, just as he remains deeply human, panicking, relying on his role model to save him.

Above all, his typical teenage behavior and funny yet profoundly candid personality are at odds with what adolescence is all about: realizing the world we live in.

If Chainsaw Man is so popular with teenagers, it's first and foremost because he remains anonymous, so everyone can see what they want in his face, but he's also an element of confrontation with the established order.

When I say that Chainsaw Man is a fairly mathematical manga, it's because everything fits together perfectly: if teenagers can make Chainsaw Man an object of protest, or even make it their own design, it's precisely because they don't see Denji behind Chainsaw Man.

If everything finds its balance, it's because the teenagers see in Chainsaw Man something superior, to the point of making him a model, an ideology, while Denji, the boy behind the mask, puts himself in the position of standing outside normality.

Denji can't belong to normality, since Chainsaw Man's interest is in disrupting the established order, whether it's the dominance of demons or what parents think.

So he's in a position of literal support, since his only point of interaction is to be acclaimed without being recognized.

It's interesting that Haruka's here, because he's a Chainsaw Man fan.

Denji has been a figure in the shadows, supporting a teenager in need of guidance in spite of himself.

He was the savior of a humanity prey to demons in spite of himself

But from a more symbolic point of view, Denji is literally dismembered, because carrying this on his shoulders as a teenager, even though his rank is denied, leads not only to exhaustion and withdrawal, but also to a literal breakdown.

It's as if the chair has just cracked... then the adolescence that stood over it also collapses...

People love Denji with difficulty, while he loves them with ease

People adore Chainsaw Man and completely ignore Denji's plight

Teenagers need to see Denji, to see his state of dismemberment, to see every last part of his being instrumentalized.

Because that's what he is, an image from which everyone can pick and choose to see what's missing.

That's why Asa has a missing arm, because she's in the position of a savior who doesn't wallow in her lack and compensate for it with Chainsaw Man, but focuses on the mission of putting him back together.

We repeat: the teenagers have projected themselves into Chainsaw Man as a means of fighting against the established order.

But isn't projecting oneself and being saved by Chainsaw Man precisely what the established order is all about?

Wouldn't it be revolutionary to save a savior who has always asked to be saved? Just as the suffering of the people has been ignored has needed saving

Revolution... represented by what?

Guillotine.

And that's precisely where I find it all interesting, because Haruka effectively compensates with Chainsaw Man in everything he lacks, when he was portrayed completely panicked during the aquarium arc, Denji was serene. Haruka may have a cable on his chest, but he'll never dare pull it.

This absence of fear is what keeps Chainsaw Man a machine. Denji has no self-worth, not a little arrogance like Haruka, so he's not afraid of danger. Whereas what constitutes adolescence is precisely the fact of becoming attached, of having things you value and are not afraid of being deprived of.

Above all, being an adolescent gives you a protective status, protected by society. So Haruka experiences what Denji experienced: being deprived. Deprived of what he holds dear. Deprived of his status as a child protected to be a terrorist. Haruka is a teenager who needs to be protected, but is now seen as a terrorist, a threat to order.

To be a threat to the established order, while at the same time being guaranteed by it, is the exact ambivalence of what Chainsaw Man is, and what Haruka is experiencing, being in the shoes of his savior in an attempt to save him.

The guillotine demon has an interesting design, a huge bird as a kind of almost inanimate ornament, to emphasize its interior, a piece of skeleton hanging headless. How does it feel to be close to decapitation? We suffer in anticipation of what we're going to miss: our head, death, the skeleton, and what we're going to leave the world, a body that's missing something.

Just as others must learn to compensate for their own insecurities, Denji must allow himself to feel his own, and instead of accepting suffering, to compensate for it like a human being with his nearest and dearest, his entourage, his family.

Because the right behavior is not to artificially complete oneself by rejecting one's fear and accepting one's suffering, but to accept one's incompleteness in order to be better influenced and completed by others. That's why Denji's loved ones are there to help him, even though he's been cut into pieces. Just as the teenagers saw in Fami, whom they reject, this guillotine, both reversing the order and focusing on what they lack, poor children in identity crisis.

We're in a bit of a pre-French Revolution mood, which I like, so let's embrace it completely by concluding with a quote from one of France's bloodiest revolutionaries, Robespierre:

"First of all, you should know that I am not the defender of the people; I have never claimed that lavish title; I am one of the people, that's all I've ever been, and that's all I want to be; I despise anyone who pretends to be anything more."

To make a revolution not to overthrow the order, but to be a simple, incomplete, imperfect teenager.

[itsscaredycat]

so ok yeah fine i watched gravity falls again and read the book of bill

[robyn-i-guess]

liking someone platonically is so embarrassing like. yeah i admire you. yeah i think about you all the time. yeah i look forward to every time i see you even if it's only for a minute. yeah it's all platonic and yeah i couldn't explain this because it'd sound romantic. fucking hell

[antlerlad]

happy tdov my loves. don't let anyone else define your transness for you.

help trans women evacuate gaza

[stimmingandstruggling]

more good news from tiktok: they’ve started blocking celebrities.

they’re calling it block party 2024. just blocking and ignoring countless celebrities who havent said shit about palestine. influencers, actors, anyone who went to the met gala, whatever, they’re getting blocked. and people keep talking about how cathartic it is, how good it feels, how they never realized they could DO that. there was some kind of subconscious law against blocking famous people, but it’s broken, and people are LOVING it. and it’s WORKING. a social media/digital advertising coordinator was talking about how ad companies are PANICKING, because they can’t accurately target anymore. so many big influencers, including fucking LIZZO started talking about palestine the MOMENT their follower counts started going down. and the best part? no one is forgiving them. lizzo posted a tiktok asking people to donate to palestinian families, and all the comments just said you’re a multimillionaire. put your money where your mouth is. blocked.

i feel like i’m witnessing the downfall of celebrity culture, right here right now. people are waking up.

[afeelgoodblog]

[straightlightyagami]

u ever see someone with extremely fucked up views (or actions) and think wowww if a couple of things in my life went the tiniest bit differently that would have been me

[lesbxdyke]

I could think of no better way to share the news than this!

So when I was 17, my cat went missing and I'd given up hope of ever seeing him again.

Until on Monday, 27th of May, 2024, my friend sent me a FB post asking 'isn't that your mother?' about the person named on the microchip.

Here he is! 16 years old, and found safe, twelve whole years after he went missing!

Yesterday (Tuesday the 28th of May, 2024) I went to the rescue that had him, and I reclaimed my boy, renaming him Artie! (He'd originally been called 'Cat' because my mother and I couldn't decide on a name)

He's home safe with me now, currently inhabiting my bathroom and purring up a storm every time someone goes in there!

I'll be doing slow introductions between him and my current cat to give them the best possible chance of living in harmony!

Here's some pictures of Artie once we let him out of the carrier:

[skrunksthatwunk]

see 0 note flop posts aren't that bad when they're personal but 0 note fandom posts feel literally so bad. like if you don't wanna play toys with me anymore just say that. i'll pack up my super cool awesome things and go and i'll sit on the other side of the playground by myself and i won't even look at you. fuck

[poorly-drawn-mdzs]

License to Kitty.

[their-we-go]

[dirtytransmasc]

the men and boys are innocent too.

we cry "the innocent women and children" to appeal to the masses, to try and force their sympathy, but the men and boys are innocent too.

I have seen sons crying out for their mothers, their fathers, their siblings. I have seen them break down at the loss of their families. I have seen them cling to their dead and grieve.

I have seen fathers cradle their dead children, seen them kiss their faces and hold their little hands. I have seen them faint with grief when asked to identify the dead. I have seen them carry their sons and daughters. I have seen them fasting to provide what little they can for their families.

I have seen men and boys digging through the rubble with just their bare hands, I have seen them comforting strangers, playing with children, rocking them, hushing them, even if the face of such imminent danger. I have seen them cry, seen them grieve, seen them break down into each other's arms, seen them be selfless, beyond selfless, becoming something I don't have a word for.

I have seen the men who are doctors refuse to leave their patients, even when they have no medicine or supplies to give them, even when they're threatened with bombings. I have seen fathers who have lost all their children pick orphans up into their arms and proclaim them their child so they are not alone. I have seen men and boys digging pets out of the rubble.

the men are innocent too. the men and boys are being hurt and killed too. the men and boys are grieving too. the men and boys are scared too. the men and boys are fighting to save their people too. the men and boys deserve to be fought for too.

[reallybadblackoutpoems]

imagination (1963) - harold ordway rugg

"chekhovs cat / schrödingers razor / occams gun"

[traumszenario]

[nataliescatorccio]

"Originally it was not called 'Good Luck, Babe!', it was called 'Good Luck, Jane!", but my co-writer and I kept getting in arguments about it, so it became 'Good Luck, Babe!'." CHAPPELL ROAN on 'Good Luck, Babe!'