at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Novice sewing pattern: Cut out shapes. Line up the little triangles on the edges. Stitch edges together. We've also included step-by-step assembly instructions with illustrations.
Novice knitting pattern: yOU MUSt uNDerstANd thE SECret cOdE CO67 (73, 87, 93) BO44 (63, 76, 90) 28 (32, 34) slip first pw repeat 7x K to end *kl (pl) 42 * until 13" (13, 13, 15) join new at 30 pl for 17 rows ssk 27 k2tog mattress lengthwise BO and sacrifice a goat to the knitting gods. WHAT DO YOU MEAN YOU WANT "INSTRUCTIONS," I JUST GAVE THEM TO YOU
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thank you so much to the fics that pointed out explicitly that all of Neil's scars that he mentions are on his front, which implies very few of them were received while running and instead imply that he got them while fighting back.
I hate it here.
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It irritates me alot when people say that making medic more compassionate is ''missing the point of his character'' when he is literally shown to be in the comics.... did you miss the part where he showed concern for both sniper and miss pauling's well being in comic 5 and 6.
His actions are a combination of genuine attachment + clinical interest and these things do not cancel out one another. He is always pushing boundaries and going against the grain and i think this is what led to him losing his license in the first place. He felt stifled by the rules imposed on him.
He is shown to be extremely passionate so it makes sense that he would use his endless fascination with medicine as a way to show his affection. He loves his friends so he will find a way to make them borderline indestructible. Malpractice is his love language.
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been thinking a lot abt fwb!gojo today.... this is his first time ever doing this kind of a thing btw. i do not think he sleeps around AT ALL. but with you, he just... you start off as very good friends but then it keeps escalating – you start sitting closer and closer, your thighs always touching as you lounge on the couch. his hands seem to always find your waist in public, your seem to be in his hair more and more. and the thing is... satoru isn't all that good at deciphering his own feelings. he isn't entirely sure what this is; the butterflies in his stomach whenever you laugh at his jokes, the warmth that spreads under his skin whenever he sees you bend over. it's weird. he doesn't know what to do.
so, when one night you inch closer with your hand on his thigh, he lets you. he welcomes you with open arms. you ask whether it's okay or not and he lets out a shaky yes, his cheeks burning with something new, his eyes low and heavy as he stares at your lips. you feel so good on top of him, your body flushes to his and he thinks about how perfect this is. how much he likes it. the night is like a wet dream for him, something he's always dreamed off but when you leave the bed and hop into the shower without giving him a kiss, he doesn't even know what the weight on his heart means. where it comes from. he doesn't ponder over it for too long though as you step outside the bathroom in a shirt way too big, his shirt. he watches you get dressed and hums when you joke about his bed hair. he thinks you look gorgeous. he doesn't ask for you to stay – if this is what you want, to leave without the desire to continue your adventures from the last night, then so be it. satoru wants you to be happy. you tell him it was good and that you'd like to, perhaps, do it again and he can taste you on his tongue when he says that he feels the same. satoru will take every crumb you'll give him with a smile on his face. he won't complain and he won't ask for more, not yet at least. for now, he'll be completely and utterly at your mercy, a lapdog for you to play with whenever you so desire to do. a selfless kind of love.
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"No, Lamb, I do not fear Him. I do not fear you sending me to Him. Narinder and I will always meet, it is but the natural order of things, for War will always bring Death its harvest."
had another go at Shamura again....and just a little chat between them and the Lamb :) Decided to give Shamura a sickle for fun....to match with Narinder's scythe....just some silly agrarian tools of death!
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one of the things about being an educator is that you hear what parents want their kids to be able to do a lot. they want their kid to be an astronaut or a ballerina or a politician. they want them to get off that damn phone. be better about socializing. stop spending so much time indoors. learn to control their own temper. to just "fucking listen", which means to be obedient.
one of the things i learned in my pedagogy classes is that it's almost always easier to roleplay how you want someone to act. it's almost always easier to explain why a rule exists, rather than simply setting the rule and demanding adherence.
i want my kids to be kind. i want them to ask me what book they should read next, and i want to read that book with them so we can discuss it. i want my kid to be able to tell me hey that hurt my feelings without worrying i'll punish them. i want my kid to be proud of small things and come running up to me to tell me about them. i want them to say "nah, i get why this rule exists, but i get to hate it" and know that i don't need them to be grateful-for-the-roof-overhead while washing the dishes. i want them to teach me things. i want them to say - this isn't safe. i'm calling my mom and getting out of this. i want them to hear me apologize when i do fuck up; and i want them to want to come home.
the other day a parent was telling me she didn't understand why her kid "just got so angry." this woman had flown off the handle at me.
my dad - traditional catholic that he is - resents my sentiment of "gentle parenting". he says they'll grow up spoiled, horrible, pretentious. granola, he spits.
i am going to be kind to them. i am going to set the example, i think. and whatever they choose become in the meantime - i'm going to love them for it.
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Before I start screaming about your Alastor design and end up on their broken radio again (oops, my bad)
Do you have more headcanons on his siblings and/or on his father? Because your the first that I've seen with the sibling headcanon and I want to know more of what's going on in your head. :D
In my head there's chaos :D
As I wrote earlier, Alastor grew up surrounded by sisters (it makes more sense to me for his character). There was one more child who died at an early age, so the family may have been larger.
As the majority in the fandom, I headcanon that one of the biggest threats was the father, who's basically just a loser who thinks everyone owes him something (and most likely one of those who blames his wife for the fact that they had mostly girls, their son's "soft" nature was also the wife's fault and that she turned their children against him).
I headcanon that the kids were pretty close in their childhood times. But after their mother's death (it happened when they were young adults; the youngest sister was already a teenager), each went their own way. The eldest daughter(Adelice) tried to make a career in acting. She was a part-time jazz singer at a bar, but was killed by a suitor she turned down. The second sister (Leonore) took the youngest (Bertilda) with her after their mother's death; much later they were both married and found out about Alastor's death through newspapers with headlines screaming, "The serial killer who terrorized the town for years has been shot dead".
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