#it doesn’t help that i’ve had all those experiences irl already
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i regularly have nightmares about it too. trying to shop but i can’t read the allergy info so i just stay hungry the whole dream looking. being fed something then going wait did that have wheat or eggs in it? the panic and trying to make myself dream barf before it hits. getting chewed out or outright ignored asking staff allergen questions while trying to eat out on a time crunch. i have them a couple times a week & they all end with me being so so hungry and upset LOL
#it doesn’t help that i’ve had all those experiences irl already#had the worst new years and then ate some chips to feel better#turned the van around a good few chips in and they’d added wheat to the label since last time#had to immediately get up and go throw my guts up LOL luckily i’d been crying sm my shit was mucus coated#so i had no reaction 🫰😌🫰
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Guys I’ve been so busy this weekend but it’s finally my turn to make a long sappy fable thank you post :D
I’m not always the best with words, and I said a lot of this in the fan appreciation video already, but I wanted to put it all here too.
I first started watching fable smp in (I think)November of 2021, cause I found Sherbert and Heyhay through DSMP tiktok compilations on youtube, and saw they both streamed. Fable is the first time I’ve actually been part of a fandom community, and it’s one of the best things that has ever happened to me. My whole experience with the community has been so incredible, everyone is so kind and creative and excited about the story being told. I met people through fable who are now some of my best friends on earth, and even got to meet up with one of them irl! I never imagined an online friend group was something I could have but those people, and the wider fable community, helped get me through some of the worst times mentally that I’ve had in my life.
Fable as a story is so incredible, I can’t even put into words all of the specific pieces that make it so amazing, but all of the characters, relationships, stories, side plots, and just silly hanging out in character streams are something I love so much. I’m having a hard time writing this rn cause I don’t want to leave out anything important but I don’t know how to say any of it.
One of the biggest things fable smp has done for me is giving me something to fuel my art. Before fable started, I was just starting to experiment with digital art, but had a ton of art block and no motivation to draw much anymore. Fable gave me a constant source of ideas for my art, and the responses I got when I posted my art(for the first time ever) helped so much in keeping that motivation. Having fans and cast members tell my how much they loved my art was incredible, and it eventually gave me the confidence to open up art commissions, which I had never thought was something I’d be able to do. My art was actually how I met my now friends, we started talking because we all loved eachother’s art, and it’s so wonderful to have a bunch of artist friends I can ask for advice, show wips, and just hang out on call while drawing with. Whenever I draw I almost always have a fable vod playing, there are so many comfort vods that no matter how long I draw for, I’ll never run out.
I know other people have said this, but I want to say it for me too, just because fable is over doesn’t mean I’m gonna shut up about it :D. I have so many art ideas I haven’t done yet, and so many thoughts and feelings about this story that aren’t going away anytime soon. I’m gonna keep brainrotting about these characters for as long as my brain allows me to, and even after that I’ll look back on this story and community so so fondly. This is a story and fandom that I think I’ll carry with me for the rest of my life, and I thank you all for that.
There is a lot of other things I could say right now, but words are hard and I’ve had a very, very long weekend, so I’m gonna stop it here. I love fable smp so much, and I can’t wait to see what stories you all tell next <3
-arlo
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Episode 11 TMP Quick Thoughts
Housekeeping and Prologue
Hello, this is Douglysium and you might not know me as that guy who wrote over 100 pages of analysis on the Eye (which can be read on Tumblr here (https://douglysium.tumblr.com/post/735599414228484097/the-relationships-between-the-dread-powers-the) or Google Docs here (The Relationships Between the Dread Powers: The Eye- Knowledge is Fear and Ignorance is Bliss)) or as that guy who wrote an article on the Extinction (which can be read on Tumblr here(https://douglysium.tumblr.com/post/717929126195003392/what-would-avatars-of-the-extinction-be-like-a) and Google Docs here(What would Avatars of the Extinction be like?: A TMA Speculation)). Suffice to say I might be a bit of a TMA fan. Also, spoilers for TMP up until episode 10. You can read my ramblings on the last episode here (Episode 10 TMP Quick Thoughts).
However, Protocol offers a very unique opportunity and experience for me because I didn’t actually get into TMA until after it was over and I binged all of it. So this is my first time experiencing something even remotely similar to what the original TMA fans probably experienced when waiting for each episode week by week and slowly having to put everything together with the limited information they had. So I decided to throw my hat into the ring since this might be my only chance to do something similar. However, I’m working on some longer form TMA content so I can’t spend as much time on these articles giving a bunch of super detailed thoughts. I will try to keep these short and that inevitably might mean some could have questions about why I think or predict certain things and in those cases I would probably recommend you read at least some of the two articles I mentioned above to get a better idea of where I’m coming from. This also means I won’t be giving you a play-by-play of every single thing that happens in the episode so I encourage you to listen to or read them yourselves and feel free to comment if you feel something is important.
These reviews are probably going to end up focusing mostly on the Entities and their manifestations as they are what I have thought about the most and spent the most time interpreting and there’s been a lot of… interesting theories floating around about how the Entities are manifesting that I want to go over.
Finally, I’m just going to say it right now, spoiler warning for all of The Magnus Archives. I know that Jon and co said one could start with Protocol and be fine, and while that’s probably true, media like this tends to be made in conversation with or take into consideration what came before it in the irl chronology in order to connect them. While I’m sure you could skip The Magnus Archives, I don't really see the point of skipping over it when we are already getting characters from TMA showing up in TMP in Protocol. So to me it’s pretty clear that if we want to understand the full picture of TMP and all the things it is trying to say then we can’t just try to pretend TMA doesn’t exist or scrub it away. Just because you could understand what’s happening without the context in broad strokes doesn’t mean you're getting all the nuances.
These articles are meant to be quick and short so sorry if there’s typos and if I don’t address every possible question or possibility. I don’t want to repeat myself too much in this series outside of the prologue so be sure to skim some of my other articles.
Episode 11 “Marked”
And we are back, baby. I’ve actually started writing this literally the second after I finished listening to the episode. I was originally planning to wait until the weekend to write this but I’ve become so excited I can’t help myself, and Rusty Quill has been on top of posting the transcripts when the episodes comes out.
As always, the episode is being told to us through some sort of device. In this case we cut to Celia via her phone. The transcripts make it clear what’s happening “A busy motorway nearby. CELIA is asleep on grass. She starts to make slightly distressed noises as she stirs. A lorry roars past nearby and she awakes with a start.” She obviously seems frustrated upon realizing something has happened again but she realizes something as she begins to pat herself down looking for her phone or some other (most likely communication) device.
CELIA
“(to herself) Yes! Ok, phone in the pocket works. She starts tapping the screen.”
CELIA
“(to herself) If it had signal. She sighs in helpless frustration.”
CELIA
“Shit.” She stretches and starts trudging off towards the motorway.
CELIA
“Hold on, Jack, I’m on my way.”
Celia probably comes from or has some relation to the TMA universe but what this entire situation has to do with it, if anything, is beyond me. I don’t know who Jack is and Celia implies that this entire situation has happened before. It is once again confirmed however that whatever is listening through all the electronic devices in TMP doesn’t need said devices to have wi-fi or internet connection to be able to do so. Which was further emphasized by the fact that it was capable of listening through a tape recorder last episode.
Now that I think about it, did Celia need the phone for communication or some other thing. It’s possible that she was trying to access something like a GPS or online map to figure out where she was or where to go but it’s unclear. I can’t say if Celia implying this has happened before means she has woken up at this exact spot or random areas in general. Considering her questions to Sam about multiversal and time travel I wonder if she attempted some sort of experiment which led to her appearing in this location. Is Celia trying to get somewhere in particular? Maybe she’s trying to get back to the TMA universe or maybe she’s trying to get somewhere new?
We cut to the OIAR offices via one of the computers. I consider the interaction we witness in this scene to be another enlightening one about some of the possible dynamics at play in the OIAR workplace. Alice clearly cares strongly about Sam and they like to tease each other a lot. Sam seems a bit down about finding no clues about the Magnus Institute and Alice tries to cheer Sam up. The two talk about where Celia and Gwen are but neither knows where they are. It makes sense that they would wonder since Gwen seems like a stickler for rules and it seems weird that about half the people working in this office have disappeared with no notice. Gwen brought Sam and Celia coffee while also mentioning “I’ve got a mocha for Celia and I was really looking forward to pretending I “accidentally” forgot to order Gwen anything.” Once again, highlighting how antagonistic their relationship is and how Alice can go beyond just simple teasing and towards just being outright hostile or mean toward Gwen.
Alice seems extremely nervous and mentions “ just… I dunno. When I left the coffee shop, it felt like someone was following me.” Sam jokes “Sounds like maybe you were more bothered by that “soggy ruin” than you admit.” but Alice asks him not to joke about it, which shows that she’s extremely rattled. This level of fear from being watched sort of parallels the Institute in TMA with how Jon was scared from a feeling of being watched in the Institute. In MAG 39 (Infestation) Jon says “Because I’m scared, Martin!. Because when I record these statements it feels… it feels like I’m being watched.” However, it’s clear that what Alice is probably feeling is related to whatever escaped from the Institute in the last episode. I wonder if that being is somehow connected to The Eye. It is an Entity connected to both the fear of being watched and even followed or stalked. Not to mention the creature came from the Institute, a faction that was at least aligned with The Eye in TMA.
However, there’s an argument that this could just as easily be something related to The Spiral, Stranger, Hunt, or some other Entity entirely. The Institute had dealings with all kinds of Entities, not just The Eye. The most obvious example of this is their Artifact Storage, which collected objects connected to various Entities. So it’s possible this is some other Entity’s Monster or Avatar that was being sealed and / or researched. Considering all the alchemical undertones I even have to wonder if it’s some sort of artificial creation like some kind of homunculus.
Sam offers to walk with Alice home, to which she appreciates, and they get to work categorizing their statements. We follow the statement that Sam is listening to as exposited by CHESTER.
This statement comes from emails being sent from Gordon J to Alison Leshi regarding “Padstow civil cemetery exhumations.” In case you don’t know, an exhumation is “the action of digging up something buried, especially a corpse.” Gordon starts off by explaining to Alison that everything is going as planned, despite the sudden cold snap, due to proper planning. He also says “We also did some load testing of the ground near the cliff edge, and it looks like there’s only a few graves where the erosion means we won’t be able to use the Bobcat, and that’s few enough that my boys can do that by hand.” The first few days of this project have gone smoothly and David, their medical examiner, seems happy with their precautions.
Gordon mentions “with all the precautions we’re taking, and while we’ve certainly had our fair share of lookie-loos, there’s not been any sign of the protestors you were so concerned about stirring up. I guess it helps that no-one’s been buried here for over a hundred years, so it’s not like we’re pulling up granddad. The sailors sleeping here haven’t seen mourners since Queen Vic.” I think Gordon raising the possibility that there could be protestors is interesting. I wonder if it’s simply the fact that people might be upset at the destruction of these graves or if there’s some other reason? For example, someone might see it as an important historical site or maybe they view this project as harming the environment in some way? If you want a more supernatural reason, it could be that someone is afraid that disturbing the site could anger someone / something?
Gordon gets more personal and talks about how this job means a lot to them. They say “I know we can’t have been the cheapest company to put in a bid, but as local lads we’ve been coming to this graveyard all our lives (even if just to sneak some booze as stupid teenagers), and now that the cliff’s finally giving up the ghost (if you’ll pardon the pun), it feels right for us to be the ones taking it apart.” I looked up the phrase “giving up the ghost” and it seems like it can refer to “to stop trying to do something because you know that you will not succeed.”
Gordon says they’ll get back to Alison when the job is done but they send an email earlier than expected due to some unforeseen circumstances, and apparently David told Gordon to update Alison on the circumstances despite the fact that Gordon thinks it shouldn’t throw off their current schedule. They encountered some human remains that seem like they are in quite good condition. “...for context, the containers they’re buried in are of really varied quality. I’d say just under half were buried in decent coffins that are still in good enough shape to remove and transport unopened. For others though, the wood has rotted to the point where it’s pretty much impossible to keep the boxes together and some were just wrapped in oil cloth. This means we’re seeing, touching and moving a lot of human remains directly. Don’t worry, this isn’t about a health and safety thing – we have all the right gear and David’s making sure we follow procedure. It’s just that one of the graves had a body in that was too well-preserved for the age it should have been. Or at least, most of the skin was in extremely good condition. The back was completely covered in this complicated tattoo of a ship sailing across an open sea towards an open horizon. It was really impressive.” Take note of the tattoo since this isn’t the first time we’ve encountered a complex and very visually impressive tattoo in TMP and it’s going to come up again in this very episode.
David says that they need a second opinion and some tests since if the bodies have been buried more recently than 1908 it would mean that the cemetery is technically a crime scene for legal reasons. Gordon also mentions that the graves have been getting to him with “I’ll be honest though, I’m glad of the break. Taking up all these graves is starting to get to me a bit. I almost feel sorry for doing it. The waves are so close and getting closer. If I were a sailor buried here, I’d take some comfort in that. As you can see I’m getting morbid. Short break will do us all some good I think. Will update you when I hear word.” These feelings seem like they could relate to either The Vast, The Buried, or The End with the themes of coffins and being buried in a grave potentially tying into The Buried or End but the vast ocean possibly connecting to The Vast. But let’s keep going.
David starts acting weird and Gordon asks Alison to give David a nudge for the sake of the project. “He’s still working on that body we found and he’s stopped responding to my emails. I got him on the phone, but to be honest he doesn’t sound like he’s in any real rush to complete the job and while he’s worrying about salt water and tattoos, we’re out here sat on our hands and I’m paying the lads by the day. It’s almost enough to make you dream of sailing away for real. Like that poor fella’s tattoo. Saying that, I had another look at the photos David attached and I’m starting to think I might have been wrong about it. When I first looked, I thought it was hopeful, a crew sailing towards the sunrise. But looking again, the sun is lower than I thought, and there’s a shape in the water behind the ship. I think they’re being chased by something. Creepy eh?” So Gordon’s dream of sailing away could potentially point to The Lonely, especially given that the Entity also has a connection to the ocean and ships with Peter Lukas and the Tundra, but the whole being chased could relate to The Hunt. While Entities do chase things all the time I could see the fear of sharks or some large sea creature attempting to chase you as potentially relating to The Hunt. However, it could also potentially relate to The Vast with the idea of something massive lurking in the water, like a kraken or whale. There’s also an argument for something like The Dark with something emerging in the night as the sun sets. Well, assuming that the sun in the tattoo is setting and not rising.
And here’s where the tattoo thing comes up again. Gordon says “Oh, and speaking of tattoos, you remember you wanted an update on local sentiment about the move? Well, I don’t know if this counts as resistance – hell, I don’t even know if they’re local – but there’s someone started poking around the site asking questions. Big snake tattoo up their arm and a bunch of other ink. Wouldn’t give their name, but claims to be a big deal “online”. Don’t really know what that means, but they’ve been asking questions about the body.” The person with the “big snake tattoo” up their arm has a description that almost perfectly matches Ink5 from episode 2 (Making Adjustments). When Daria describes Ink5oul (Pronounced Inksoul) she notes that they had “an absolutely gorgeous floral serpent design running up their arm and into their neck that was so vivid it looked ready to slither off their skin and onto the chair.” It’s clear that Ink5 probably has an interest in tattoos, like the one Gordon saw on the body. This person also mentions that they are a big deal online, which would be true if this is Ink5 since we know that Ink5 is a famous tattoo artist online and even does streams. This could even explain why the person in question didn’t give their name since if it was Ink5 we are only aware of their online username. Gordon even mentions that Ink5 said “...the tattoo is an “Oscar Jarrett”, and that’s a big deal to some folks in that community – something to with Sutherland Macdonald whoever that is. Dunno if that’s quite what you were worried about but thought you’d want to know.”
`I did some light research and Oscar Jarrett doesn’t seem like a style or type of tattoo. Which points to the idea that Oscar is a person. Considering all the tattoos we are saying Oscar might be comparable to Smirke in some ways. In the sense that in the same way there was special Smirkean architecture there could be special Jarettian tattoos if that makes any sense. Tattoos that are designed to have supernatural effects of some kind. It’s also possible that Oscar simply learned and taught some kind of supernatural technique, kind of like the techniques that The Boneturner’s Tale could grant someone in TMA or how Martin sort of ended up learning how to “disappear” by following Peter Lukas’ attempt to connect him to The Lonely. Oscar Jarrett and Ink5 are definitely people to look out for in the future. Sutherland Macdonald surprisingly did yield actual search results. He is apparently “a prominent English tattoo artist in the late 19th century and early 20th century, and the first tattooist in Britain with an identifiable premises open to the public.” This makes Sutherland notable for the same reason someone like Smirke might have been in TMA. A historical figure who somehow learned and / or spread knowledge about the Entities. Again, it’s possible that there are Macdonald style tattoos in the same way there is Smirke style architecture. It could also be that the Oscar Ink5 is referring to is in fact the body with the tattoo that Gordon found and Gordon just doesn’t know what they are referring to. It could also be that there are multiple tattoo artists or Oscar is some student or follower of Sutherland in the same way people like Jonah, Maxwell Rayner, and Mordechai Lukas all had a connection to Smirke via being students or associates. In some characters even explicitly got the idea of possible rituals from Smirke and his research, despite the fact that most weren’t concerned with Smirke’s ideals of balancing the Powers.
Gordon considers calling the police on Ink5 due to how much the tattoo artist seems to be creeping Gordon and their team out but Gordon decides not to as to avoid potential backlash from the public. Gordon’s next email involves him giving condolences in regards to David, which implies that the reason he was taking so long with the reports was due to an untimely death at some point. I wonder if David’s death was related to something he came across on the bodies? It could be that there was some artifact or one of the bodies was actually alive? It could also be that if something is indeed up with the tattoos then the tattoos themselves may have had some sort of effect on David? Did Ink5 kill David? Was David the person Mr. Bonzo was sent to target in order to create some sort of opening for Ink5?
Gordon apologizes for the perceived unprofessionalism and says “My thoughts and opinions on maritime matters will no longer be included in my emails. In addition, I should be most grateful if you could see fit to provide myself with appropriate authorisations to contact the medical examiner’s offices to follow up with the cadaver that has been causing such consternation.” Based on Gordon’s next email it seems like Alison thought Gordon was making fun of them or acting condescending since Gordie states “Look, I was not “making fun of you” but I’m not sure what you want. I’m emailing an employer about my work and am getting accused of my emails being “unprofessional”. That’s the best I can manage. I haven’t been sleeping much recently. Weird dreams. Shapes in the water and that. And before you say that it’s “unprofessional” to tell you that I’m just giving an explanation, That’s all. I need you to contact the examiner again, he’s dragging his feet. Besides, I want to see the body again. I dug him up, he’s my responsibility. I just need to see it. I need to know what’s in the water.” Considering the possible change in behavior I wonder if Alison encountered something that made them scared and afraid of people not taking them seriously. I wouldn’t be surprised if Alison and / or David get their own statements in the future.
Gordon also mentions a lack of sleep due to “Weird dreams. Shapes in the water and that.” and also mentions “Besides, I want to see the body again. I dug him up, he’s my responsibility. I just need to see it. I need to know what’s in the water.” This desire to know and see something actually parallels an Entity like The Eye. The Eye, as I end up saying in every article, isn’t merely the fear of being watched but also being the watcher or seeing something you don’t want to. In MAG 200 The Eye is mentioned as having been born from the fear of one’s eyes showing them too much, and Gertrude mentions that The Eye is connected to a desire to know and understand even if in trying to do so you get hurt in the process. These themes also explain why Jonah can force information into the heads of people like Melanie and Martin. It’s the idea of knowing too much or being forced to witness things. Due to this The Eye also has a connection to, and tendency for cultivating, curiosity. Jonah mentions doing so to Jon with certain statements and we know he purposefully left files and information out to stoke Rosie’s more “nosy” personality traits. The Institute itself also sort of acts like bait for The Eye by attracting people looking for answers or closure via the information in its Archives or statements. Jon can also force people to give statements and thus make them relive and recount terrible events so that he can listen to them.
I’m bringing this up now because while I don’t think that what Gordon is going through is connected to The Eye the themes I am talking about will come up later anyway. Entities like The Eye also like to try to prey on the curiosity of people. I’m not saying Gordon is unjustified in being curious (even if I do find some of the behavior obviously strange) but that certain Entities have a precedent for preying on certain emotions or behaviors (like the desire to chase for The Hunt or anger for The Slaughter. No matter how justified that behavior may or may not be doesn’t always matter). You could also potentially relate some other parts of the statement to themes of The Eye. Most notably, the fear that protestors or other people might be observing the dig site, and the fear of being judged by the public. You could even point to Gordon sharing “too much” info to Alison with all the weird thoughts he’s having. Well, Alison seems to not like it, I’m not trying to say Gordon is crossing any sort of technical line or is even unjustified.
Gordon’s next email is titled “Examiner’s office break in” and Gordon insists that it was not him who broke into the examiner’s office and that Ink5 did it. “I saw them hanging around the office when I was waiting. Waiting so long just to see it, just to know what’s in the water. And they took it. They think they’re smart, but I saw them I know where they’re staying and if they think they deserve it they’re wrong. It belongs to the deep. I’m going to go get it and I’m going to find it and if they try and stop me I swear the ocean will claim us all. I can taste the salt and spray. It’s waiting in the water.” Once again a desire to know what’s in the water and the fact that Gordon is defensive of the idea that they might have broken into the office shows that Gordon is afraid what they said earlier about wanting to obtain the bodies might paint them as a suspect. The statement ends with
To: Alison Leshi ([email protected])
From: Gordon J ([email protected])
Date: January 20th 2020.
Subject: Re: Re: Examiner’s office
break-in
There was a problem delivering your
message to “[email protected]”
This email address is no longer in
service.
This statement is a little interesting because it feels like a lot of the stuff is more passive or in the background. For example, while Gordon is perturbed, Ink5 doesn’t attack or tattoo them directly. Gordon’s thoughts and feelings about the water could connect to various Entities. Most notably, all the water stuff could connect to the Vast, Buried, or Lonely. All 3 of these Entities have a notable connection to either water or the ocean. The Vast via the fear of large things with the immensity of the ocean as well as the things the could be in it, The Buried with the feeling of drowning or being trapped / crushed underwater, and The Lonely via boating and how isolated being alone on the open ocean can make you. Gordon’s desire to sail away could relate to The Lonely or The Vast while his comment about wanting to be Buried in the graveyard could be connected to well… The Buried. Not to mention his desire to put the supposed corpse back where it belongs, in the grave, could also relate to The Buried.
If I had to pick the most likely Entities here I would argue The Buried and Vast. If I had to chose between the two I would have to say the Buried. The Vast does have an emphasis on the depp ocean, and Simon Fairchild even attempted to perform a ritual using a submarine and the deep ocean, but Gordon’s desire to bury the bodies seems at least somewhat similar to Hezekiah Wakely in MAG 152 (A Gravedigger’s Entity) and his desire to make sure that people stay in their graves. In the statement Hezekiah mentions “To my mind there are far worse fates. But he has in his head an idea to begin fitting the graves I dig with these new “safety bells” that he has heard of, so that any as might be alive below ground might signal us above for rescue. I dread the idea. If it had been me in that coffin, destined for the peace below ground, I can think of little that I would hate more than the jarring, clanging of a bell pulling me from my rest.” and he also mentions weird dreams with “I had a dream, then. I dreamt a rain had come. A terrible bitter rain that chilled my bones and turned the soil around me dark and sodden. The walls grew damp and slippery, their firm shape lost as they began to slip and crumble. And then all at once they collapsed, the grave filling in a moment with a wave of mud and wet dirt. In a single terrible moment of utter terror, it was atop and around me, covering my face and filling my lungs with its awful choking sod.”
While the emphasis on the deep could easily relate to The Vast, one of The Buried’s nicknames is actually “Forever Deep Below.” So someone referring The Buried as “The Deep” or something similar would not be without precedent, especially given its connection to drowning, being trapped underwater, and deep water in general. Gordon also says “It belongs to the deep. I’m going to go get it and I’m going to find it and if they try and stop me I swear the ocean will claim us all. I can taste the salt and spray.” which could imply that in a way they believe the ocean will bury everything. You could easily relate some of this to The Vast with the idea that the ocean has existed longer and will outlast the erosion of the land.
One part I actually really liked in TMA, despite how little it came up overall, is all the different names people would use to refer to the same Entity(s). So I wonder if, assuming the existing Entities are around in some capacity, Entities like The Buried will be referred to with different names in the Protocol universe. It wouldn’t surprise me if people started referring to an Entity like The Buried as “The Deep” for example due to the idea of being trapped deep underground or in the ocean.
Like always, there are some overlapping themes that seem similar to other Entities. The tattoo possibly depicting sailors getting chased could relate to The Hunt, I already mentioned some possibilities with The Eye, and the emphasis on graves, and dead bodies could parallel The End.
Ink5's appearance in this statement is forcing me to consider some things. I maintain that the statement in episode 2 screams “This is The Flesh”, or at least something similar to that Entity, and I believed Ink5 to be connected to The Flesh. But I remember someone also raising the idea that the effects of Ink5 tattoos could vary, which I considered a very likely possibility since Ink5 doesn’t start tattooing until they are inspired by Daria mentioning that they are an artist. Implying that Ink5 was working off of inspiration and what they make and potentially even the effects of the tattoos could vary from person to person. If this is true that could mean Ink5 is more like Smirke and isn’t directly connected to (or loyal to) a single Entity, or Ink5 could be connected to multiple Entities somehow. Maybe the specific tattoo they gave Daria was connected to The Flesh in the same way Smirke’s architecture was connected to the Entities in a way Smirke himself wasn’t always. It’s still very possible that Ink5 somehow is connected to The Flesh but is also capable of interacting with aspects of other Entities somehow.
We cut back to the OIAR office and Sam also notices the topic of tattoos having come up again and asks Alice if there is a way to cross reference cases.
ALICE
“And? You already know the page to check the scores.”
SAM
“Yeah… but I just thought it might be worth noting somewhere that they might be linked. There’s this tattooist, and I think they might be”
ALICE
“What have I told you about thinking?”
SAM
“Don’t?”
ALICE
“That’s right.” Alice sighs.
ALICE
“(cont.) I don’t think there’s any way to mark cases as connected. They all come in standalone, that’s just how it works.”
Once again Alice’s whole “don’t think about it” vibe. I would argue the whole idea of “ignorance is bliss” and how knowing too much can hurt or scare you often relates to The Eye. I would argue that the OIAR or the computers are probably connected to The Eye, given all the statements and other stuff I mentioned previously, but I’m not saying Alice or Sam are secret Eye Avatars or something. What I'm trying to say is that The Eye likes to prey on certain behaviors, such as curiosity or a desire for answers, and Alice and Sam might have these traits. We know, for example, that Jon and Tim both ended up at the Institute because they were looking for answers about an encounter they had previously.
Alice sighing and then proceeding to honestly indulge Sam’s question is interesting and I think is another implication that Alice is probably more curious than she lets on. Realistically, she has probably been burned from having a similar mindset to Sam or seeing someone else asking too many questions but she consistently ends up indulging Sam’s curiosity or giving honest answers anyway, instead of simply shutting it down and moving on. There have also been times where Alice is noted as listening to something in the transcripts “despite herself.” Implying that sometimes she can’t help herself or her curiosity gets the better of her.
All the cases being sent in standalone sort of parallels the Institute in TMA and how disorganized the Archives were when Jon was using them (due to Gertrude). Even in TMA the statements would sometimes have recurring characters but they weren’t organized by topic or people involved in the case. The most we tend to get about the organization system of the statements is that it’s usually just sorted by date (which could be confusing if two statements have the same date) and sometimes follow-ups on cases were performed for more info and context. So obtuse organization systems that make it harder to connect various details or events aren’t unusual for TMA.
I also once again have to wonder if Sam is being shown certain events on purpose in order to stoke his curiosity or to get him to do certain things. I find the idea that literally every statement is random to be dubious but that doesn’t mean literally every statement is handpicked. Which makes me wonder, once again, what Sam and co’s jobs are meant to accomplish. Are they just supposed to be “an archive of fear” and witness terrible events or someone someone / something doing anything with the information or statements they are given or categorize?
Gwen enters the room and she seems to be in pretty bad shape since Alice says “Christ on a peddlebike, what happened to you?” and Gwen says “(setting up at her desk) Tube was delayed. Points failure.” Gwen also mentions that she had trouble sleeping, but Alice doesn’t seem to waste any time making fun of Gwen despite Gwen’s sorry state. Alice doesn’t seem to spare Gwen any of the concern she has shown characters like Sam and Colin. Sam tries to get Alice to ease up on Gwen but Alice doesn’t seem to let off the ribbing. Gwen eventually notices the third coffee Alice had gotten for Celia but mistakenly assumes that the third cup of coffee was for her.
GWEN
“(cont’d) (surprised) Hang on, did you get me a coffee?”
ALICE
“Uhh…
SAM
“Yeah. You like mocha?”
GWEN
“Yes. She takes the coffee carefully.’
GWEN
“Thank you, Alice.’
ALICE
“I… Sure. Whatever. Don’t get used to it. A slightly awkward silence.’
This interaction makes me wonder about some of the aspects of their relationship. Celia bursts into the room and Gwen grills her for being late (despite the irony of Gwen herself running late).
CELIA
“Sorry, sorry! I know, I know – there was an emergency at home I had to I’m sorry I’m late!”
GWEN
“Do you have any idea what the time is?”
ALICE
“I’m sorry, are you joking right now?”
GWEN
“I have responsibilities now, Alice. I need more of an explanation than just a “home emergency”.”
ALICE
“You arrived literally one minute ago!”
GWEN
“And I gave a full explanation for my lateness. Which, I might add, I didn’t actually need to do for a subordinate.’
CELIA
“It’s fine really’
ALICE
“No, it’s not. You don’t owe her anything! In fact, you should take her coffee as reparation.’
CELIA
“One of my radiators sprung a leak and flooded the lounge.’
GWEN
“I see. Well that’s understandable but don’t let’s make a habit of it shall we?”
CELIA
“Of course.’
GWEN
“See, that wasn’t so painful, was it Alice?’
Alice takes a breath for a devastating putdown.
SAM
“Let it go.”
ALICE
exhales and sips her coffee instead.
GWEN
“Luckily, I don’t think Lena’s noticed, so you should be ok. She’s not as laid back as I am.”
Alice chokes a little.
CELIA
“Good to know.”
GWEN
“Great, well if that’s everything you all really should get to work otherwise you’ll never get out of here. Don’t let me keep you.”
ALICE
“(muttered) I’d like to see you try…”
GWEN
“(already departing) I’ll be in Lena’s office if you need me. She walks off.”
CELIA
“You ok, Alice? It honestly doesn’t bother me.”
ALICE
“I can’t believe she drank your mocha!”
So it kind of seems like Gwen is immediately letting her new promotion go to her head a bit and has already taken the role of a stern boss. However, based on Gwen’s reaction when talking with Lena later and how shaken she is from Mr. Bonzo, it’s very likely that this is Gwen’s way of coping or trying to deal with stress and fear (not that it’s at all healthy). Gwen’s behavior seems to rub Alice the wrong way, especially since it easily comes off as hypocritical since Gwen was also running late. The only difference being that Gwen is now Celia’s superior. This whole situation makes me wonder if any particular person is specifically at fault for Gwen and Alice’s sour relationship. Sure, Alice does come off as extremely mean to Gwen but I wonder if Gwen did something in particular, tried to strong arm Alice, or something else.
Gwen does appreciate the hypothetical gesture of Alice buying her coffee and it’s weird that despite all their bickering Gwen seems to immediately assume that the fact the coffee is for her and from Alice is a likely possibility. I wonder if Gwen has a different view of their relationship or just doesn’t care? In a previous episode Gwen mentions that Alice left “talkers” on to mess with her but I wonder if Alice simply left the statements running so she wouldn’t have to listen to the voices talking and Gwen merely assumed it had to do with her. This could point to the possibility that Gwen has a bad habit of assuming things are about her sometimes or even being a bit self-centered but I’m not sure. It is still possible Alice did in fact leave talkers to mess with her. I wonder if they had a more amicable relationship in the past? I also if Gwen does genuinely think of herself as being more lenient or forgiving than Lena and, by extension, sees herself as tossing Celia a bone.
Gwen leaves the others to their work and goes to talk with Lena. Gwen is clearly upset by her encounter with Mr. Bonzo. Gwen insists that the thing she saw couldn’t have been Mr. Bonzo because Bonzo is just a character played by a guy in a suit. Not to mention that the Mr. Bonzo at Nigel’s house apparently had skin, and appeared both sagging and sweaty. Lena assures Gwen that this was in fact Mr. Bonzo by saying “...He is one of our Externals” and “I’ll grant you that Mr. Bonzo is one of our more… obviously grotesque Externals but I assure he is a valued asset.” This implies that not all the Externals the OIAR works with are as monstrous as Mr. Bonzo. Which could mean that the organization works with various Avatars and Monsters, or at least some of the Monsters they do work with are more humanoid (similar to how the Distortion took on the appearance and personalities of people like Michael and Helen).
GWEN
I thought he was going to kill me!
LENA
“But he didn’t, which means you’ve passed the first part of your probation. Congratulations. Did you scream?”
GWEN
“What? No!”
LENA
“You should. It really helps one cope with the more affronting aspects of the job. And they usually like it.”
GWEN
“What was in that envelope I gave him?”
LENA
“A name and an address.”
GWEN
“But for who?”
LENA
“I’m sure you’ve already worked that out. But just in case you haven’t, keep an eye on the case loads over the next few days. It should become abundantly clear.”
GWEN
“I don’t understand.”
LENA
“Yes, you do.”
GWEN
“But… why?”
LENA
““Why” comes later. For now, it’s best you try to process the “what”. I’ll let you know when I have another liaison assignment for you.”
GWEN
“(defeated) I… Ok.”
Gwen opens the door.
LENA
“Oh, and Gwen?”
GWEN
“Yes?”
LENA
“Get some sleep. You look dreadful. Gwen closes the door.”
So here, Lena outright admits that Gwen could’ve died. Last episode I wondered if Nigel apologized to Gwen in case Gwen ended up hurt or killed. Lena’s comment about screaming confirms once again that the Entities are probably still feeding off of fear. We know from TMA that while a lack of fear can keep you safe, displaying fear only for it to wane overtime can cause the Entities followers or monsters to get bored or unsatisfied and just attack you directly if they know that doing so will make you scared.
The fact that Lena says that Gwen should know who’s address and name was in the letter given to Bonzo makes me wonder. It’s possible Lena knows that Gwen simply checked the letter out of curiosity or came across some statement with clues. It’s also possible that at least some of the statements the OIAR gets are somehow related to the organization’s Externals. Lena even says “I’m sure you’ve already worked that out. But just in case you haven’t, keep an eye on the case loads over the next few days. It should become abundantly clear.” Which could imply that at least some of the statements Gwen and her coworkers (I mean subordinates) sift through could have to do with the OIAR’s externals. Maybe it’s the OIAR’s way of following up on their agents or checking the results of their assignments? Or maybe it’s how the OIAR decides where and when to send their Externals? It could also just be The Eye feeding off of the fear present in statements again (something we know it’s prone to do). It could be that the Externals do their job and The Eye or some other Entity squeezes some extra fear out of what they do by archiving things related to the job. Is the OIAR working with others to try to start another mass ritual, or is it trying to stop possible rituals? Maybe their goal has something to do with some of the alchemical symbols present in TMP (such as the logo)?
Lena comes off as extremely cold in this interaction and it’s clear that Lena’s earlier assessment of Gwen might be right, Gwen is not at all prepared for this and doesn’t exactly know what she’s getting into. But this also makes me wonder what happened to the previous Externals Liaison. Did they die? Did they get promoted / demoted? Are there other Liaisons Gwen hasn’t met yet? If there aren’t who was communicating with things like Mr. Bonzo before Gwen took the position? Was Lena just delivering the letters herself? As always, there’s a lot of questions.
Conclusion
There’s a lot of stuff up in the air but currently whatever is going on with the Externals has grabbed my curiosity the most. Mostly in regards to what they could be doing and why. Is Ink5 an External? Was Mr. Bonzo sent to take care of David to make an opening for Ink5 or was Mr. Bonzo sent somewhere else that will show up in a later statement? Most of the stuff I say are possibilities I’m raising but my current guesses about what’s going on are 1. Smirke’s 14 is still around in some capacity (The Extinction could be too, but there’s no evidence one way or the other for that Entity being around) and these Entities are probably the same ones from TMA (if not they are extraordinarily similar) 2. Celia is probably from the TMA universe or at least has some connection to it 3. The OIAR is probably connected to an Entity like The Eye 4. For whatever reason the OIAR (and potentially other parts of the government) are working with various factions tied to the Entities. Whether they are using these monsters and people to fight more dangerous threats or for some other reason I cannot say. Maybe they are trying to set up a new ritual where all the Entities hold equal power? Or maybe they are actually trying to stop future rituals / threats? Who knows.
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Thinking about the tumblr of 2012.
I haven’t been on here as much the past 6 months. I think I now know why.
Tumblr used to be fun. Like, there’s still some funny things that pop up, but nothing like 2012. And this isn’t quite a “back in my day” thing as much as it just objectively feels hollow.
I had joined in the summer of 2012. 3 months later, my first ever relationship ended. I was happy to have this site as a distraction from heart break. But, the best thing about it was how much life existed here. I gained my first ever digital friends here, back when at the time of that breakup, I also lost most of the people I knew irl with it.
Now, there doesn’t seem to still be that energy. It’s no longer a distraction, but in some ways, it’s a reminder of how much has changed during very similar circumstances. Once more, someone I loved decided they no longer felt the same. Once more, the majority of people I knew irl have left.
Most people I follow here, I’ve honestly been following for at least 5+ years now, but out of them all, I feel like I only ever see stuff from maybe 6ish accounts? None of whom I’ve ever talked with. I used to enjoy the “social” part of this social media site, but I haven’t seen that here in quite a while. Now that I’ve ended up broken and alone once more, I’ve been less and less motivated to open this app.
This at one point served as a digital diary of sorts for me, but, idk, maybe it’s just with age I just care less? I’m writing this now mostly to see if I have any real motivation to still use this place as that, and tbh, I don’t think there’s much there right now.
Maybe it’s a reminder that after 12 years, I’ve not really changed much? A bad thing in this case of course. The world, the people have all moved on, matured, or found where they needed to be. But here I am, being surprised the majority of people here don’t know what “gpoy” means, when I myself haven’t seen the term used in quite some time.
I guess this is all to say that I feel like there’s no hope for me. I’ve always been an outsider, but for the most part, I still found myself feeling some inkling of connections nonetheless. Perhaps it was that I was just part of the cultural zeitgeist. But now, 12 years later, I’ve gotten obviously older, but I’ve by accident trapped myself. There are no people out there like me anymore. No new people I mean. No one is like me in the literal sense (outsider), but those who could be counted as similar enough that some sort of bond could form, are either too young to form friendships with, or for those whom could be in some ways similar are already part of groups that don’t have room for one more.
By now, at 34, I’m supposed to have the chosen family. I’m supposed to have the people part of my life that I could expect to be part of it for the foreseeable future. Nobody is looking for friends in their 30s cause why would they? The time, commitment, energy, that takes years to build up those bonds, are years people don’t need/want to invest at this point in their lives. That work was done when they themselves were finding their way in the world and discover who it was they were going to be.
I failed to keep people in my life on all ends. A therapist would say that it’s always a two way street, that those who are gone played an equal part in creating this outcome of separation. But when you’re the one who ends up all alone at the end of it, you can’t help but see yourself as the problem. The common denominator.
I don’t have any time left. My investments turned out to be bad, and now there’s nothing else left to invest in.
Do I regret what time was spent on those investments? For the most part, no. I wouldn’t have been there if there wasn’t something there I found worthwhile. It’s not regret, but at the same time, it is? Maybe there’s a different word there I can’t seem to think of right now, but to me, the regret I don’t feel are the good memories and experiences I still treasure. The regret I do feel is more tied to hindsight I guess. I made the wrong investments. I spent my time and energy on people who never wanted to match what I was putting in.
This is getting rambly. 😮💨
I went all in, you could say. Now I’m bankrupt, and my relationship credit is so poor that no healthy put together person would want anything to do with me. Nor would people just starting to build that credit would want to invest in something they can see wouldn’t pay off. (This metaphor has probably gone on far enough, but I’ve had credit on the brain recently I guess). Who invests in Blockbuster now? That’s me. I’m Blockbuster. I’m Circuit City. I’m RadioShack lol
Tying this back into my original point, Tumblr, at the time I was first acquainted with it, has had those like myself move onto different things as time moved on. I guess continuing with the overplayed metaphor, they moved on with the times and grew with the likes of Netflix, whereas I peaked at Blockbuster. And as stated previously, who in the year 2024 wants anything to do with a Blockbuster?
I guess my train of thought changed as I processed through this. It’s not so much that today’s tumblr has been hollowed, it’s more so my inability to move in the right direction has left me in a limbo I can’t escape. I’m alone now. There’s no one to relate to or with, and tumblr is just a reminder of that. It no longer represents something that could distract me from the woes of life, but now acts like a mirror, showing the reflection of someone who has grown older, and isolated.
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MY NEW LIFE SERVER WITH MY SIBLINGS ALL DEATHS AND NEAR DEATH EXPERIENCES SO FAR
100Cat (my older sister) and I exploring the catacombs. I (a bee) get cornered by a skeleton with a sword and have to hold up my shield at half a heart waiting for my sister to save me. She comes and kills the skeleton and I’m safe! I say “wow that was a close one I’m glad I didn’t die” as I eat food, zombie comes completely out of nowhere we have one second to react before it kills me. Laughter ensues.
Shortly after previous death, with 100Cat (phoenix) alone in the catacombs, suddenly a BUNCH of zombies show up as well and she dies as I am now a Guardian (fish) so I cannot go back in there to help her.
We are now a Guardian and a Crab but we haven’t died again yet so that’s good. I’ve had many near death experiences as a Guardian tho. Here they are.
Tried to kill the cows in the cow pen with a knife. It did no damage, I fall in the pen and continue trying to stab the cow, no damage dealt. (After further testing, I realize this is because the weakness on land makes me do -4 damage and the knife I was using did less than that). Start suffocating from lack of water. Try to leave pen. Cows are in the way. Finally leave pen and jump into water at half a heart. Does not talk about it.
My sister made a bikini and crocs which if you wear them boost your swim speed. My swim speed was already naturally faster since I am a guardian, so she tells me to put them on and see how fast I go. The answer? Really really fast. It’s not even the full set. I decide to leave the beach and explore the jungle a bit. Find a big hole. Need to breathe, so I try to place water next to me, but the leaves are waterlogged. Panic and try to find a place without leaves to put water, fall out of tree closer to the hole. Place some water against the wall, but my swim speed is so fast due to the bathing suit that I slip out and fall straight into the hole. Zombies and skeletons chase me. I try to shield but I am already suffocating and the fall damage plus skeleton arrows is making me at like one heart. I manage to run to the wall of the cave and place water (I forgot to mention at some point I also managed to switch my armor back on) before I die (it was REALLY close I remember saying I was gonna die so confidently but like that doesn’t mean you stop trying and it paid off). Shield and thankfully water pushes zombies away (I think I killed the skeleton in the panic) so I manage to recover and kill the zombies. Go back to the beach and give my sister the bikini and crocs back.
There’s honestly many more times I’ve almost died (that’s just life as a Merling type origin trying to be on land without respiration enchants or water breathing potions) but they aren’t as interesting. For now OUR OTHER, YOUNGER SISTER (Sky) JOINED THE SERVER! We couldn’t all play at once (only 2 computers) and Cat and I were away from home on an adventure so she had to follow my waypoints to find our base all on her own.
Sky dies many times on her way to our base. Mostly because when she joined the server it was night time and a thunderstorm (minecraft servers when new players join them fr). She ends up with 2 lives left on Sugar Crazed origin (one I made! She really liked it and wanted to stay as it which made me happy)
On her second to last life (we’re gonna give her lives back it’s no fun keeping all those unfortunate deaths when we’re trying to have fun) she makes it to our base. She decides to go exploring. She finds a village. It’s getting late irl so I decide to go to bed. I consider telling her “don’t die” but I figure she’ll stay safe, I mean she’s just in a village and will probably log off soon. I go to the bathroom before going to bed. While I’m in the bathroom I hear Sky enter the bedroom and say “I died 😢”. Apparently she tried to jump off a cliff and land in water and failed. BRUH. We stop playing for the night.
#and then the next morning I post this#we were already gonna set her at 5 lives and be done with it but now I guess we gotta count this too?#but she liked being the sugar crazed#idk what we will do lol#but she can’t be on just one life before we even get to play together
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I was really curious about what your opinions on the DAO companions are :) I know we have talked about some, but I'd love to hear more and about the others as well :D I hope it's ok to pose this as an ask :)
Sure! That sounds like a ton of fun. This might be a long one tho. Mind you, this is not the finished version of the answer. I'd like to link stuff and add a cut, but rn that's not possible. I'll update it when I can.
Edit: I have updated it ^^
Let's go alphabetically bc why not.
Alistair:
Sweet guy. So sweet. There was a moment when I was hard pressed chosing between him and Zevran (alas, Zevran won). Also, he's weirdly tall according to the wiki? How did I not notice that before?
Let's get a bit more serious now, Alistair is a great guy. The only reason he's not the hero of the story is because he doesn't want to. He has all the qualities of a leader: he's good at dealing with conflict (as evident with the conversation with the mage at the beginning. He gets where he wants to get without antagonizing the mage, but without allowing him to trample all over him). He's a solid tactitian and knows how to make allies (he suggests to use the Grey Warden treaties, after all). I bet if he was in the leadership position, he'd even not bicker with Morrigan. His moral code is pretty tight; some might say too tight, but I think it's less about the moral code and more about learning to judge people by their actions, not by the labels they fit into (Morrigan is a proud apostate and therefore bad. Wynne is a humble circle mage and therefore good). He also has a bit of a black-and-white way of seeing the world. I empathize a lot with Alistair, especially with his experience with the Chantry and his subsequent reluctance to deal with it. I really wish I had gotten to know more about concrete experiences he had during his training as templar, but he seems reluctant to talk about it (gee, I wonder why).
Since I've only played the game once, I haven't really picked up on Arl Eamon's abuse towards him, which apparently exists (Isolde, however... I mean, even if he were Eamon's illegitimate son, he's a kid, ma'am, he didn't exactly get to chose his parents. So that's so not okay). Alistair's way of speaking about them both, however, is either sign that he has not come within a hundred miles of acknowledging how much it hurt him, or that he's already gone through the whole process and has decided to forgive them. The latter shows a very strong character; yes, he relies on the approval and leadership of others, he has his issues, but he's already started working on them.
That being said, irl Alistair would be like a little brother to me. I'd tease him relentlessly (all in good fun and I promise to stop if it makes him uncomfortable, but he's just so teasable). I still wish the videogame gave him the chance to take important decisions for himself. But that, of course, would somewhat defeat the point of the game.
Leliana:
Another sweet, sweet person. Her singing voice is amazing. Her belief in the Maker inspires me (I'm a religious person and seeing religious characters represented in a positive light is Very Cool. It's also sometimes a source of discomfort, because the Church has done a lot of very messed up stuff and positive representation can sometimes veer into apologetics for things that should not be excused, but that's a whole other can of worms. The bottom line is that religious characters sometimes work for me and other times don't and Leliana works for me very much bc she's an outsider inside the Chantry).
Leliana is best friend material, tbh. I'd love to get to know her irl, discuss theology and philosophy and maybe even politics? She makes mistakes and has prejudices, but, tbh, so do I. And I do get the feeling that she tries her best to learn. From the times she intervenes in a conversation between the Warden and an NPC, she shows herself to be compassionate and open to the needs of others. What I get from her character is that she genuinely wants to help, which is something that I adore of her. I suspect that she sometimes has a hard time deciding wether she's a good person or not. She has killed and seduced and worked for a morally dubious person, and she doesn't show the same nonchalance about it as Zevran (though they both do discuss their line of work in very... professional terms). This is, however, more of a headcanon than actual factual canon.
I also very much enjoy her girly side, like her interest in shoes and dresses. She's one badass woman who also looses her cool about the latest fashions in Val Royeaux. I like that. Between her and Alistair, a non human noble Warden has as good a help to navigate the Fereldan court as they're going to get. Leliana is also, I can't forget that, clever and insightful. It'd be easy to write her off as the innocent chantry girl, but she's so much more than that. Her kindness is paired with foresight, I think. She knows that taking on the trouble to help now can go a long way in the future. I just have a lot of respect for her.
Loghain:
This one's gonna be short bc I didn't recruit him. He's an amazing villain and would probably be a great Warden as well. He reminds me of Denerhor from LOTR; once a hero/stewart of his people, ambition and desperation have driven them both down a terrible path. I have also only little idea about his past. People say he lost a lot, and I believe it wholeheartedly; it doesn't excuse the fact that he plunged the country into a civil war in the middle of a Blight. I don't have a lot of sympathy for short-sighted politicians. I wish he hadn't made himself regent. That's what I take away from his character.
Edit: One thing I forgot to mention that really impressed me was his death. I had Alistair duel him (that was a rough duel), and then it kinda just jumped to a cutscene of my Warden nodding and Alistair executing him. That didn't sit well with me. I didn't want to kill Loghain, and less so in front of Anora. But what impressed me was that Loghain just accepted it. That takes a whole lot of guts. Compare that to Howe's death, and how he screams out that he deserved (more, probably, or anything but death) and it's crystal clear who the more noble of the two is. Loghain strikes me as very lawful neutral, and any neutral alignment has the particularity that it can be dragged towards good or bad, sometimes without the characters noticing it (which is interesting from a DnD perspective; neutral is often concieved of as just as stable as good or evil, but that may not be true. But that's a different post). Anyway, Loghain's death was impactful.
Morrigan:
I could kick myself for not maxing out her approval in the first play-through. I got to enjoy a bit of her friendship by the end of it and boy was even that little bit worth it. Friendship with Morrigan is something that is hard-won. It's all the more precious because of that.
Morrigan is full of paradoxes, I think. She's incredibly wise in some ways, yet also very short-sighted (”just kill them, don't solve their problems”. Morrigan, dear, I'm not going to gain a lot of allies if I kill everybody who poses a problem to me). She is so intelligent, but emotionally... not so. She knows so much about some things, and very little about the next. She's incredibly wilful and knows what she wants, but follows Flemeth's orders all the time through. She hungers for power and independence, yet craves closeness, but won't allow herself to have it. She asks you to prove yourself to her and is extremely critical of your actions, I think, because she's afraid. She bites the hand that feeds her because it might hit her next.
Like with Eamon, I haven't managed to catch the undercurrent of abuse that seems to permeate Flemeth's relationship with Morrigan. Except there are signs, because there must be something Morrigan is scared of and who has instilled all that rage in her, and that's Flemeth. Also, she clearly hates/does not care about her and wants her dead (unless killing Flemeth was part of Flemeth's plan as well? Hm.)
Morrigan is that one person who you are nice to, continuously, because nobody else is. And suddenly she becomes less cold. And then friendly. And suddenly you're asking yourself why everybody hates her, because she's a really good friend! I just wish the other companions came to a similar conclusion, especially Alistair and Wynne.
Oghren:
They did this man dirty. He has such great lines and I'm convinced he was a great person before Branka disappeared. He has that dwarven warrior spirit, and while he looks like Gimli, some of his most impactful lines remind me of Dwalin or even Thorin Oakenshield himself. He could be so noble had he gotten some character development, damnit!
Oghren as he is written is somewhat disgusting. I hate the lechering comments and the drunkenness. And still, I don't hate him because of those amazing lines he has when he's actually sober. It's frustrating and I'll give him that character development myself if the game won't. I strongly associate the song Whiskey Lullaby with him, bc that's how he would have ended up if the Warden hadn't taken him along (warning: the song talks about suicide and alcoholism). Like I said, they could have done such cool things with his character. As he is written now... it's just sad. Moments of lucidity drowned in alcohol and creepy jokes. As you can see, I don't blame the character for either. The alcoholism happens all too often irl. The creepy jokes... I put that one on the writers' tab.
I actually think Oghren could have been a great mentor figure (I know, I shock myself as well sometimes). Next to the Grey Wardens, the ones who know most about fighting darkspawn are the dwarves because they have to deal with them constantly. Especially a warrior caste dwarf like Oghren could have brought a lot of that invaluable knowledge to the team, especially since there are no Grey Wardens in Ferelden but two extremely green recruits. Next, you get the chance to give Oghren the command of the teammates you leave behind in the battle of Denerim with the reason that he has lead men into battle before. Where did that suddenly come from? Oghren should have been right up there telling my Warden that they were doing this wrong, that they needed more food (and booze) and a confident leader to keep the armies they've called together going. Oghren should have been able to tell my civilian city elf who got recruited into the Grey Wardens a six months ago how one leads an army. How one presents oneself to inspire confidence, how one doesn't crack under the pressure, how one gets the leaders of said armies (some who hate each others guts i.e. Dalish elves and humans) to work together. And, last but not least, Oghren could have had a great story about grief. This is a man who has lost most of what made him (and what he hasn't lost he's spilling down the drain with every mug of ale). This is a man who, if you take him into the Deep Roads, has to see what his wife did to his family, how his wife got absolutely obsessed, and can be forced to kill said wife or watch her die. All Wardens loose their home and families at the start of the story. It would really have rounded the whole narrative out if the Warden and Oghren could have recognised their grief in each other and hashed it out somehow. Such as it is, Oghren is a depressed drunkard and there is nothing we can do about that. I find that frustrating.
Rascal (a.k.a. Dog):
Best boy. 100/10. I wish we had gotten to see the reaction of the different origins to the mabari (because elves probably have a whole different experience with them from mages or humans. And dwarves just... I think they straight up have none? XD). Other than that, no complaints. The name Rascal was the one I gave my dog because you have to be a right rascal to survive what he did and play the pranks he plays. Smartest breed in the world indeed.
Shale:
Shale is one of those characters that I recruited rather late in the game, so I haven't had the chance to explore their personality and worldview, really. I didn't even get to take them to the Deep Roads (this will be ammended in playthrough nr. 2). As such, I don't have particularly strong opinions on them (or her? The wiki refers to Shale as 'it', but that sounds weird). But, because I know so little about Shale, I have a lot of questions. First, what were they like before they were a golem? Shayle, as she was called then, was the best warrior of her time if I remember correctly. Why did she become a golem? Was it to be able to eternally protect her people? Was the sarcasm the golem Shale exhibits also part of the dwarven warrior Shayle or did that come later (if for thirty years you have nobody to talk to but yourself, you better be entertaining. And I can imagine how it could make somebody terribly jaded as well).
Next, how attached is Shale to their golem form, exactly? According to the banter, they infinitely prefer it to a squishy fleshy form. If that is the case, however, why go to Tevinter to try and become a squishy dwarf again? It's not like that process could be reversed if they wanted to become a golem again; if Shale survives to the end of the game, the Anvil of the Void is destroyed and Caridin is dead. Was the whole spiel about their indestructible form a façade? It might have been, but not because Shale actually disliked their form. I think it would have more to do with the loss of their memories and with the very invasive experiments and alterations of Shale's body made by the mage Wilhelm. The loss of memories means that Shale is unable to remember life as a fleshy creature. They might be deflecting by pretending that they didn't care for that experience anyway because of the superiority of their golem form. The modifications made to their form by Wilhelm would have alienated them from their body. In light of this, it's significant that Shale asks the Warden to decorate their form with crystals.
All of this is, of course, pure speculation. I may have easily missed or forgotten details that would disprove the above thoughts. All in all, I like Shale and I hope we meet them again in DA4 (given that it's mostly set in Tevinter). It's a liking from a respectful distance, because Shale is tall and made out of rock and also way more experienced than I will ever be (they are literally the oldest member of the Warden's little Blight fighting squad).
Sten:
Sten is another person I'd keep a respectful distance from physically. That seems to be the what he would prefer, at least. I've enjoyed his character a lot, especially because he seems pretty clear-cut at first, but slowly lets the nuance of his person show (gruff and stoic, but then he has an eye for art, a sweet tooth and he likes cute animals). It's also very interesting that there's no moment when you learn "the truth" about him the way you do with Zevran or Leliana. There's no big reveal about his life under the Qun before coming to Ferelden. He says he was sent to monitor the Blight, but honestly? If neither Ferelden nor Orlais knew there was a Blight, how could the Qunari know? I think he's lying, and he takes his secrets back with him when he leaves Ferelden. And yet I think I know him enough to say that a Warden who has become friends with him has nothing to fear from Sten.
One thing I find very interesting about Sten is how he thinks. His conversation about how women can't be soldiers has been analysed a lot on this page I think. He seems to be arguing based on a different paradigma than the one the Warden has. He also seems to have a very clear-cut view of the world. What is fascinating to me is that, when arguing with the Warden and learning about their culture, he is not necessarily becoming more lax about his worldview. I think it's more likely that he is expanding his paradigma, the structure of thought through which he understands the world. I don't think that he is now convinced that women can be warriors as well. I think he rather understands that, in Ferelden, the relationship between occupation and gender is different than under the Qun. Which of the two he thinks is more right or more agreeable, I have no idea. I'm also not very interested in that. But I find it fascinating how he always seems to be looking on quietly, gathering data, classifying it and trying to fit it into his understanding of how the world works. I wouldn't be surprised at all if his original party was a scouting party to see how vulnerable Ferelden was at that moment to outside forces. One thing I don't understand with all of this is why he urges the Warden to meet the Blight head on. No smart soldier would suggest that, except if they are foolishly proud (and Sten doesn't seem like that kind of guy tbh). I get that the Warden takes way longer to gather allies than expected because they first have to solve all of their allies' problems. But surely Sten sees the need to have allies? Is he just that impatient? Does he have a death wish (à la, I lost my sword and am without honour, better to die sooner than later and in glorious battle)? Was he his group's previous commander and is he now having trouble following somebody else's orders? Or maybe it's his way to make sure the Warden knows what they are doing? To push them into becoming the self-assured commander their allies will need once they're all gathered? I really don't know. I like the last option best, however.
For me, Sten is my fellow, more experienced soldier. Like Alistair, he can potentially be the Warden's brother in arms, but he's definitely the older brother here. He probably doesn't take kindly to tearful confessions of how hard everything is, but I feel like he's otherwise a solid rock to lean on. I feel like the Warden can trust him to do what is necessary and count on him no matter what, especially after they get his sword back. His devotion from that point on is honestly so powerful.
Wynne:
Wynne was such a support for my Warden (except with the whole conversation about love vs. duty and that she may have to choose between Zevran and ending the Blight and that she should therefore break up with him. Wynne had a point. Astala was so not willing to sacrifice her relationship with Zevran. But the whole conversation came at a point where she was already so disillusioned that she blew up in Wynne's face (”can i please just have one (1) nice thing????”)). But all in all, Wynne is great.
She has a lot of flaws. She was very marked by her life in the Cricle and, for all her age, she has little experience living outside of it. She is also a conformist despite her strong moral core. In a way, her ability to find peace with her lot in life impresses me deeply because it speaks to a lot of strength of character. Sadly, however, strength can be ill applied and used to suppress. I think she has convinced herself that the Chantry is right under (almost) all circumstances to be able to rationalize the life that mages live. She's had her son taken away from her as a baby and an apprentice killed. Her reaction seems to have been to convince herself that this was right, or for the greater good (and now I'm thinking about the Guardian's question at the temple of Andraste's Ashes; are you wise or do you just repeat what others have told you? The answer is not as clear-cut as it might be). This is why she is so irritated by Zevran and Morrigan. By aligning herself with the Chantry, she is, in her eyes, good. Zevran and Morrigan are not; they do not conform to Chantry morality and they defend themselves tooth and nails against somebody who would try and convert them. This is something Wynne never allowed herself to do; she always did the "right" thing and it has cost her so much. I'm not saying she was right (it would probably have done her some good to rebel from time to time, and to trust her own gut instinct more), but in light of this, it hardly surprises me that she's so judgamental. She has to be, or she would be forced to confront all the evil she has not fought against all those years and all the hurt that has been caused to her by the very institution she protects (and thank God she only tries to argue and can appreciate it when people have found a good life outside of her comfort zone. If she tried to convince by force or, for example, drag her former apprentice back to the Circle... boy oh boy that would get ugly). If you think about it, Wynne really is a good example for what happens if you live by a philosophy of always choosing the lesser evil.
Something that I keep forgetting over her grandmotherly and dignified character is how damn powerful she is. She has escaped the carnage at Ostagar; HOW!? She protected those mage apprentices in the Circle tower for God knows how long. In the battle of Denerim, she wades through an army and comes out alive on the other side. The wiki lists her age at 40, I think, but that doesn't make a lick of sense unless 75 years of age are the Fereldan equivalent to 100. This lady, about whom people make grandmother jokes, did all that. It's impressive.
Zevran:
You know, I would really love to know what Wynne thinks about the events at Kirkwall in DA2. It might be a disaster for her, or it might pave the way for one last bit of character development. She certainly didn't want to return to the Circle after fighting the Blight. That may be an indicator of some change in her stance on the Circle of Magi.
Edit: I forgot that she is what the Circle considers a literal abomination! Holy cow, how could I forget that?? Anyway, her conversation about what being an abomination means is so... heartbreaking, actually. It's so tentative. So careful. "Am I an abomination? Am I the same thing that has killed my students? The same thing as Uldred? Am I lost and damned? Did I invite this spirit in? Is this my fault?" Like wow, Wynne is going through something huge right there. I love it. I have to continue playing the game to see what it ends up as, but it's fascinating and such a huge thing that she allows the Warden in on that.
Ah, Zevran, my beloved (he has stolen my heart so much it's not even funny anymore). He's funny, he's charming, he's so so loyal and it breaks my heart. Zevran is the one about whom I've read most meta: these three wonderful posts for instance, as well as this one about his possible lack of scars, and this one about his lack of freedom. All of these have influenced my opinion of him and they are great reads.
I have talked about Zevran with you before, so I'll just skip to the new stuff. I have come to conclusion that Zevran is an artist at heart. This is totally not biased by the fact that I also do art, but hear me out. One of his preferred gifts are bars of silver and gold. While those have the obvious utility of basically functioning as money (they can be sold to any silversmith or goldsmith and their value is pretty stable through time and in different countries), there's also this from his codex: "Zevran shows an affinity for the finer things in life—hardly surprising for an Antivan Crow—but his appreciation can be more poetic than he lets on. A simple bar of refined silver or gold, uncomplicated by a craftsman's hammer, is elegantly valuable." Tell me that is not an artist's eye that sees that gold and sees the beauty in it. Then, there's also the meta about Zevran the Seducer which I linked above and link here again. It talks specifically about how he lets himself enjoy the target and be seen in his enjoyment. Tell me that is not an artist's eye that beholds the beauty of something he is set out to destroy. Even his talk about his assassinations show this. He talks about it as an art, the way somebody would talk about the brutal intervention in stone that produces a sculpture. Yes, it's a rationalization of the act of killing and yes killing is still wrong. But he doesn't go on about it on a moral tangent the way Alistair or Wynne would (”this person was bad, killing them was necessary”) or even through the argument of survival like Morrigan would (”it was either them or me and it sure as Hell wasn't going to be me”). He talks about the pleasure of a job well done, of the satisfaction of striking the precise point and executing a plan to the perfection so as to minimize chances of discovery and to make a clean death possible. And pleasure in seeing and in doing, this I firmly believe, is absolutely fundamental for an artist.
My favourite part about my Warden and Zevran as a pairing is that Zevran precisely brings out that ability to take your pleasures as they come and to really savour them. Fighting the Blight is tough; it's so important to find good things amidst the chaos to stay sane. If Astala saves Zevran from himself by offering him a place to stay and a purpose, Zevran saves Astala from herself by keeping her from running herself into the ground trying to save the world.
There are some things I don't like about Zev. The incessant flirting, for example, sometimes makes me uncomfortable (it becomes enjoyable for me once the Warden and him are in a relationship, but before that? Nah, no thanks). I wish he would also leave the other female characters alone (and there's so many more shameless comments of his aimed at Morrigan, Leliana or Wynne than at Alistair or maybe even Sten).
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And that's my take on the Origins companions (this was rather long. Whew ^^' I hope it was still readable and that you enjoyed it!!) Thank you so much for the ask!! It's been a joy thinking about this. I was worrying at first that the less prominent companions like Sten or Shale wouldn't get as much content but... well XD
#dao#dragon age#da: o#dragon age meta#dragon age headcanons#dragon age origins#da:o#da: origins#dragon age: origins#zevran#zevran arainai#alistair#alistair theirin#morrigan#leliana#sten#oghren#loghain#dog#barkspawn#wynne#shale
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About moderating and banning content on AO3!
Okay so! I haven’t had the spoons to do this for a while but I cracked and ranted about it on twitter which is... not... conducive to long rants, so!
This is a h u g e discussion part of the l o n g history that led to the creation of AO3, which older, more informed, and more articulate people have talked about at length and can be found around if you look (I reblog some of it in my AO3 and fandom history tags for the curious). So I won’t go into that here, nor into the practical reasons why it’s not even possible to put that system in place anyway.
Arbitrarily, or the purpose of this post, because it’s the biggest topic I’ve seen brought up lately, I’ll be talking about fic depicting underage characters in se*ual situations, but honestly I could hold the exact same conversation on literally any controversial content.
This is about why you, specifically, if you are a content creator and especially if you are marginalised and especially if you are queer and especially especially if you are sensitive to fiction depicting certain things... do not, actually, want a banning system on AO3.
What? Of course we do. There’s a lot of p*do shit on AO3 and p*do shit is gross. No one should condone that, wtf? It would be easy to do — just periodically delete the entire Underage tag!
What will happen if that is done is that people will re-upload and continue to write it, they’ll just stop tagging and you will run into it with zero warning nor ability to filter it out. Again, this is not a theoretical — we know this is what happens. When I was a teen, adult content (all adult content) was not allowed on FF.NET; it was everywhere regardless, and without tags. The exact same thing happened on tumblr when adult content was banned as well. It’s not a matter of “staff not handling it well” — it just doesn’t work.
To keep safe the people who need to be able to exclude that tag, that tag needs to exist and be used.
Well, shucks. A reporting system then?
A reporting system would operate in one of two ways:
-an algorithm, which would delete a lot of stuff we wouldn’t want it to delete.
-humans, which is... the bigger problem.
An algorithm sounds great. We do want it to delete everything.
Okay. What about the daddy k*nk fics between consenting adult characters? What about the fics featuring characters that are children in the canon but are adults in the fic? What about the fics about teenagers exploring their se*uality together, written by adults about the experiences they remember having or wish they could have had? What about the thousands of SasuNaru and Drarry and other shounen and YA fics that will get written, by teens or by people who remember being teens? What about the se*ually explicit fic written by teens who are se*ually active in real life? What about the fics about CSA as trauma, about healing from it? What about the fics written by survivors of CSA to cope about their trauma? What about the fics that clearly show that it’s evil and traumatic? What about the super dark, harrowing, but beautiful and artistic that I’m glad I read even though it fucked me up for days? What about the ones that were really shitty but also horribly hot?
Well, some of these are still not okay, but maybe some might be. It depends on how it’s written. We’ll have humans moderating content and deciding, then.
Okay.
The thing is, I don’t know which of the things I just listed were okay for you to be depicted in fiction and which were too much. Odds are I don’t agree with you. Odds are if I asked 10 people randomly picked off the street, not everyone would agree.
Odds are, even if AO3 arbitrarily decided on which of those are allowed and which are not, you would not agree with their choice, and you would still be unhappy with the decision. (Or you would be happy, but your friends wouldn’t.)
Odds are, different AO3 content moderators might not agree on whether a given fic qualifies or not — is it artistic enough? Does it show enough that these actions are evil and wrong? Can the author prove they’re a teenager? Can the author prove they are a CSA victim? Can the author prove that this is to help them cope with their trauma? The author seem to be functioning alright, they mustn’t really be traumatised!
You know what I mean! There’s absolute, objectively gross shit out there that is not artistic and should not be published.
I agree that there’s vile stuff out there that makes me sick and that I think is very clearly just ped*philic trash. But there is no way to, 1) stop those from getting published anyway, 2) take those down and preserve the safety of everything else.
If we start forbidding some things, there’s two ways to go about it.
One single, clear, arbitrary rule — for instance, absolutely no adult content featuring characters under 18 (leaving aside the fact that this would not even work for the reason cited above). So we lose all the stuff from teenagers, all the coming of age stories about adolescence, all the stuff from CSA survivors; people who need to write it can’t publish it anymore, and people who need to read it can’t anymore either (and as a cool bonus, they’re told it’s wrong and made to feel bad about it). Depending on whether the rules applies to characters that are under 18 in the canon, we lose entire fandoms.
Or, subjective moderation by humans, according to what they estimate to be gross.
Let’s assume all moderators can agree on what’s gross or not.
If there is a system in place to ban some underage works because “gross shit”, then that means other gross stuff can be taken down on account of being gross and harmful.
Yeah! Gross stuff should be taken down! Come on, surely everyone agrees on what’s gross and harmful.
Ah.
But the problem is.
Here is a list of things I have seen — with my eyes seen — called harmful to be depicted in fiction:
Murder
Non-con
Inc*st
Cannibalism
Torture
Self-harm
Mental illness
Drugs
Racism
K*nk
Non-negotiated k*nk, but healthy k*nk is ok
Spanking k*nk
BDSM where the woman is a bottom, but woman top is ok
Healthy depictions of BDSM
Unhealthy depictions of BDSM
Queer people doing bad things
Abusive relationships
Rival/Enemies to lovers
Redemption stories
A happy relationship between a 17 yo and an 18 yo
A happy relationship between a 20 yo and a 60 yo
A happy relationship between a boss and their employee, or a college teacher and a student
A happy relationship between a 14 yo boy and an older teenage boy, because that’s reminiscent of older men preying on younger gay boys IRL
Se*ual content featuring a character whose age is unclear in canon and some people headcanon them as being underage, some as being a young adult
Loving, consensual fluff between characters that are evil villains, because it romanticises them and their actions
Dark content shipping female characters
Fluffy content shipping female characters, because it’s misogynistic to act like lesbians are only soft all the time
Consensual s*x featuring a canonically asexual character, because it implies that all aces can and should still have se*
Fics about the same canonically asexual character hating s*x, because that erases the experience of s*x-positive aces
Shipping a character who is perceived by some fans as queer-coded with a character of a different s*x
The tendency to ship a black character with white characters
Fluffy drunk s*x, because that’s not actually consensual
Sleep s*x, because that’s not actually consensual
Trans characters not experiencing dysphoria, because that idealises the trans experience
Consensual s*x between adults that are not married
LGBT+ content, because kids shouldn’t see that.
I guarantee you: you, I, and 10 random people plucked from the street will not agree on what, in that list, is and isn’t okay to publish and consume fiction of.
So why should your taste be the one followed? Why should it be the taste of mods you don’t know? Why should anyone get to dictate? What if the mods think your OTP is gross and your NOTP is fine?
This is the slippery slope argument.
Yes, it is the slippery slope argument. Because we know it happens. Because we’ve been there, because I’ve seen it happen myself twice already and I’m not even thirty. Because we know people do complain loudly about all of these things.
And because the second there is a banning system in place, assholes will use the system to abuse it and get stuff they just don’t like taken down using the “it is gross” argument, and one day you’ll wake up and the beautiful fic that helped you come to terms with your abuse/trauma/identity/orientation/k*nk for feet will be taken down and wonderful vulnerable creative people will have been harassed out of fandom because they argued with 1 person who didn’t like their foot k*nk fic that happened to also feature, for instance, a CSA trauma backstory.
Again: not exaggerating. Not theoretical. It happens, we know it happens, AO3 was created literally because it happens.
I still fucking hate that stuff.
That is completely fine and normal. No one likes everything. Me too! Most of the dark stuff is niche and the creators know only few people will like it the same way they do.
(For the record, I get grossed out and triggered by fics about an asexual character who does not like s*x having s*x with their partner to make them happy. Deep in my gut everything screams that that’s fucked up, terrifying and harmful, how can people write that. But I recognise that there are people who love and need that, and I leave those people and their content alone.
OTOH, I read a lot of otherwise dark shit and I enjoy it in the same way I enjoyed, say, Hannibal, in the same way some people enjoy true crime documentaries, horror movies or r*pe fantasy k*nk. It helps me explore stuff that I like to see in fiction, in a safe, controlled way. I’m also asexual, 90% s*x-repulsed IRL, and, obviously, I would never abuse a child. For that matter, I wouldn’t kill and eat people, either, nor would I do 90% of the tamer k*nky stuff I read.
Of course, Hannibal was fucked up and lots of people probably think Hannibal was gross and should not have been aired — but as exemplified by the fact that it was created, aired and watched, lots of people thought it was fine, interesting and even fun to watch.)
You can and should curate your experience and protect yourself. The AO3 website now allows you to exclude certain tags, and people have developed tools to help with that such as plugins that save your filters or hide fics that contain certain words.
But no, it isn’t going to, and it shouldn’t, get banned.
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THE BOX IS NABOO
That’s it, I’m doing it, I’m writing that stupid meta I’ve had in the works for two and a half years, I’m sharing it with the world. I promised it for last Thursday, my poll was forever ago, but whatever! I’m writing that freaking thing.
(super duper long post, press j to skip)
Enter my rabbit hole.
First thing to establish: the Box makes no sense whatsoever in-universe.
((EDIT: Something I forgot to mention. IRL, the premise of a giant murder cube and the aesthetic - wall patterns, light designs, etc - of the episode come from the 1997 horror movie Cube, (see the episode’s wookieepedia page). However, while the two are very closely linked visually, the Box does not follow the movie structurally or narratively, as you can verify by simply reading the movie’s summary.))
Recap of the context for the "Box" episode (s4e17): Palpatine is planning his own kidnapping. It was never meant to succeed, and while the plan would obviously benefit him (making the Jedi look bad, pushing Anakin closer to the Dark Side, making Republic citizens more afraid -> more docile, etc...) his actual goal is never explained, and it’s weird that he’d go to such extreme lengths for results so minimal that we’re never told what they are.
So Palpatine asks Dooku to kidnap him at the Festival of Lights on Naboo. Dooku hires Moralo Eval to design a giant box-thingy to test bounty hunters to hire the best of them to kidnap Palpatine. Moralo then gets arrested to alert the Republic that something is afoot, and hires Cad Bane to break him out. Obi-Wan - undercover to learn Moralo’s plan - goes with them. They evade capture and go to Serenno, and Bane and Obi-Wan have to pass the box-thingy test. The level of brainkarked logic here... Truly on par with Megamind, Gru and Heinz Doofenshmirtz.
Setting aside the insane plot holes and utterly nonsensical behavior of the villains, the Box itself is moronic from a plot perspective. It’s insanely complex, obviously incredibly expensive and would have taken months (more like years but it’s a short war) to make when it’s not even needed for the dastardly plot! Just hire some guys who have already proven themselves against Jedi! Throw cash at Bane and Embo and a few others! Maybe attack them with your saber and see how they do!
And after all that, Dooku still ends up trying to kidnap Palpatine on his own. I can’t even...
So why does the Box exist? Well, apart from being a nerdy callback to Cube, giving us a good thrill and being generally awesome to look at, it has actual narrative purpose within the SW universe.
The box is Naboo.
What the Box lacks in plot relevance, it makes up for with its heavily symbolic meaning. It very closely follows Obi-Wan and Qui-Gon’s experiences on Naboo - but only certain parts, which I’ll explain later.
We start with clean, sterile environments, SW’s favored way of showing villainy.
Then we have the protagonists locked in a room as dioxis, a poison gas, pours in.
And then they escape... this way.
(Okay, here the shaft is down, not up. And it’s not a ventilation shaft per say, it’s the designed escape route. Same difference).
We then skip most of TPM (namely, Obi-Wan and Qui-Gon discovering the droid army, finding Padmé, leaving Naboo, landing on Tatooine, going to Coruscant, etc, etc) to come back to Naboo and go directly to the lightsabers and catwalks.
(Note: in both scenes, Obi-Wan has to propel himself from a catwalk.)
In TPM and TCW, the catwalks are immediately followed by ray shields
And we finally end with the last scenes. Now, they don’t look the same but they are structurally identical.
Obi-Wan is faced with a challenge unsuited for his abilities (facing Darth Maul // shooting three moving targets when he’s far more skilled with a blade than a blaster) on a narrow space above a melting pit/pit of fire.
He first watches someone die failing to complete the task...
... and has to do it himself, faring much better than expected (holding his own against Maul // shooting all the targets easily).
He then almost falls to his death and gets saved unexpectedly.
And then there’s the final showdown.
In both scenes, Obi-Wan is angry. And in TCW Dooku eggs him on, banking on his anger. (More on that later.) In both cases though, he centers himself and is able to overcome both his opponent and his own unbalance. But in TCW, he doesn’t go for the kill, because he doesn’t need to.
The Box, as a literal character-explorator ex-machina, thus shows us Obi-Wan’s growth.
In TPM, Obi-Wan follows Qui-Gon’s lead. In TCW, he is the leader. He identifies the gas, makes the plans. He doesn’t fall from catwalks anymore - he runs atop moving ones. He doesn’t stay stuck behind ray-shields, he finds the solution. (Btw, how did Moralo know what blood type Derrown the Exterminator was? There was a 50% chance of him dying - thus killing all of the bounty hunters. Was that an acceptable outcome? TCW I need answers!) He doesn’t slay his foes, because he’s become powerful enough, skilled enough and wise enough to survive (and win) without needing to kill.
He’s grown - and, even more interestingly, he’s also stayed the same. In the previous episodes, we see some of the dark aspects of Obi-Wan. How he - like all Force-wielders, all people - could lose himself if he stopped maintaining absolute control.
But in the Box, surrounded by the worst criminals of the Galaxy, the most ruthless, worthless people, he’s still kind and tries his best to keep them alive.
The Box is a reminder and a reassurance for the audience that Obi-Wan Kenobi is still there under Rako’s face. He hasn’t lost his compassion, his restrain. He’s still a Jedi. And he’s an awesome, badass one.
And now, for what it tells us about Dooku!
It’s much shorter, don’t worry. Basically, Dooku considers that the best way to pick “the best of the best” of the deadliest people in the Galaxy is making them go through what killed his Padawan. There, I’ve broken your hearts, you’re welcome.
More seriously, Dooku is a manipulative ass. It’s pretty clear that he knows Rako is Obi-Wan, or at the very least suspects it.
He has an interesting reaction upon learning Rako’s identity, he keeps praising him despite his usual distaste for low-lifes, he smirks secretively after Eval says “I’ll show you who’s weak” (not included there because it’s a close-up of Dooku’s lips and no one wants to see that) and he tells Rako he’s very disappointed when he doesn’t finish off Eval.
[Later]
(Look at this smug asshole - I can’t. YOUR GRANDSON IS THE BEST, WE KNOW, STOP ACTIVELY RUINING HIS LIFE ALREADY.)
(Dooku... why...)
Now obviously Dooku couldn’t have made the Box specifically for Obi-Wan, because it would have to have been designed months before the Council ever decided to send Obi-Wan undercover, but he has no qualms trying to use it to push Obi-Wan to the Dark Side. Ffs Dooku, making your spiritual grandson relive one of the most traumatic events of his life on the off chance that he’ll join you (and desecrate his Master’s memory in doing so) is not okay!
Final tidbits of analysis: I mentioned that not all of TPM is mirrored in the Box. What’s omitted is the droids (even though Obi-Wan and Qui-Gon fight B1′s and droidekas between the dioxis and the ventilation shafts) and anything pertaining to Sidious (all the political stuff on Coruscant). You’ll also note that the fake lightsabers are orange.
=> The Box distances itself from anything that connects Dooku to Naboo. Red lightsabers are the trademark of the Sith, so they’re not used. The bounty hunters will be facing Jedi, so logically the fake sabers should be green or blue - and yet they’re orange, the color closest to red without being red. It fits with Dooku’s special brand of dishonesty - he always tells bits of the real story but twists them just enough to absolve himself of any fault and to justify his choices.
(”We can destroy the Sith” -> could maybe destroy Sidious with Obi-Wan, but fails to mention he’s a Sith Lord himself; “the Viceroy came to me for help, that’s why I’m attacking the Republic” -> political idealism is a small part of it, but fails to mention he’s Sidious’ underling and is playing the Viceroy like a fiddle; “Qui-Gon would have joined me” -> maybe, still fails to mention he’s working for the man who ordered Qui-Gon’s death; “I told you everything you needed to know” -> debatable, never said that Palps was Sidious; “Sifo-Dyas understood, that’s why he helped me” -> partly true, doesn’t admit to killing Sifo-Dyas right after getting his help)
So we have a twisted version of Naboo, droid-free (as droids are now irrevocably associated with Dooku, even if that wasn’t the case in TPM) and with sabers that aren’t quite red. Keep in mind that Dooku had already fallen by TPM. (We know this because he killed Sifo-Dyas and created the Clone Army - part of Sidious’ plan - when Valorum was still Chancellor, as per the episode The Lost One.) That means Dooku was (in)directly complicit in Qui-Gon’s death. And the Box doesn’t (=refuses to?) acknowledge that.
(Also omitted in the Box are the Gungans and Tatooine. It makes sense, because Dooku probably wouldn’t have the full details regarding those parts of Qui-Gon and Obi-Wan’s missio as they weren’t as public, and would see them as irrelevant if he did. He utterly despises Anakin, and Gungans are the type of people he always dismisses out of hand).
Anyway, that’s my two cents about the Box. To quote Lucas...
“It’s like poetry. It rhymes.”
Thanks to @lethebantroubadour @impossiblybluebox @nonbinarywithaknife @ytoz and @kaitie85386 for voting for this one. Next up is a compilation of the Jedi being casually tactile with each other (because they’re a warm and affectionate culture, dammit).
Also thanks to @laciefuyu for giving me gifs I ended up not using ^^; you rock anyway!
#meta#my meta#the box#deception arc#rako hardeen#rako hardeen arc#naboo#obi-wan kenobi#count dooku#cad bane#moralo eval#darth sidious
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I’ve been knee deep in dsmp lore streams and I just want to ramble about it
Dream smp lore is so good, it’s so good!!! Not only is the story itself just fascinating, but how it’s presented so uniquely through the medium of minecraft of all things is just so cool. One of my favorite parts of the lore is seeing how everyone on the smp has their own “style” they present it in, and watching them find the way they find the most enjoyment in is so cool. Literally no two streamer’s lore stream quite like each others and it’s just incredible! It just speaks to the flexibility of roleplay as an artistic medium and really shows everyone’s individual personalities.
Wilbur was dramatic as hell and wrote eloquent speeches. He started a drug operation under the guise as a country, and it lead to a revolution in which he was able to explore the spiral of a man who loses control of everything he had built. And after his arc and he wanted a break from the server? He created ghostbur, an amnesic comic relief with just enough touch of tragedy that he is still able to make heartbreaking monologues when he wants to.
Tommy is able to run around with his friends and cause as much chaos to his heart’s extent, but there is so much more than meets the eye. He is incredibly social and isn’t afraid to start conflict with a lot of people, bringing them into the roleplay. He doesn’t back down from storytelling either. His character goes through terrible situations and he fully explores the trauma that comes from those experiences. His character goes against the “stereotypical” trauma I see alot in media; instead of being shy or scared he’s reactionary, he’s angry, he’s violent, he’s depressed. I’m actually really impressed with the heavy subject matter this 17 year old teen has managed to portray (I’ve connected with it quite personally at certain points), while still being able to keep the light hearted fun that’s so intrinsic to his personality.
Tubbo isn’t really interested in serious lore as much. Even in dire moments he tells jokes and just has fun. So, in his recent lore, he just streams as normal while putting mysterious writing on screen that he doesn’t acknowledge or have to explain, which I think is just a genius work around for him to participate in lore. He still has his dedicated lore streams sometimes, and when he is in the acting zone he has some of the most powerful moments out of everyone on the server.
Ranboo, while having stake in the greater smp lore, is much more character focused. He presents his lore through long monologues and fucking heart-wrenching voice acting. He loves working in themes of horror and causing a specific feeling in the viewer. So he chooses specific music as a themes for events/characters and creates visual queues in his overlays to draw out that desired reaction. He also values improve a LOT, if something unexpected comes up he just runs with it and he has made huge changes to his lore as early as 30 min before a stream.
Technoblade, while arguably one of the most powerful people on the server, prefers a more light-hearted yet dramatic approach to lore. When Dream was at his house looking for Tommy, Techno had no problem joking around and making fun of him for being homeless. He tore down an entire nation on the server and had so much fun doing it! He’s more of an antagonist than a true villain in my opinion. And lets not forget how dedicated he is to the game, he’s cracked at the craft. He spends hours grinding and creating farms on the smp, for amazing pay offs (his several vault reveals, the withers, etc), most of which weren’t even on stream!
Karl Jacobs is extremely social, so he created Tales from the smp as a way to involve TONS of people in lore while exploring the past and future of the server (it was also a way for viewers who weren’t that well versed in dsmp lore to join and not have to worry about it!). And through this premise, he took the opportunity to develop his own character on the smp; making an incredibly tragic story of a time traveler trying to save his home while slowly loosing his memories. Not to mention the beautifully shot cutscenes of the Inbetween and the Other Side. He includes so many people behind the scenes as well, collabing with other members on lore, hiring building teams and people to make intros and credit scenes, and promoting fanart and fansongs from the community!
Quackity explores his lore through heavily scripted events and amazingly shot cut scenes. While the way he expresses his lore comes at the cost of improv, the payoff of the visuals and story is well worth it! The shots he makes of the smp is downright gorgeous, no to mention he’s the first person to include irl footage in his lore (not counting facecams)! He’s not afraid of thoroughly examining his own character, being one of the only people I can think of that shows us “past events” leading up to something that has already happened.
Badboyhalo, Antfrost, Ponk, Skeppy, Captain Puffy, Punz, Awesamdude, Hannahxxrose all work together on shared lore and the payoff is amazing! By introducing the Egg, a constant antagonistic force that constantly pulls on character’s relationships with each other, everyone is able to stream together to battle for or against the egg! There’s also plenty of room for people to do individual lore that's more intimate to their respective character. They spend hours changing vines, putting up posters, slowly shaping the smp in a way that makes it exciting to watch streams to see just what has changed everyday. Because there’s so many people necessary to tell the egg’s story, it does comes at the cost of time (the egg has been around FOREVER). However, they all work together super hard and I just admire their commitment to the story they’re trying to tell!
And Sam! He has several different “Modes” his character is in (and an entirely separate character, Sam Nook) that he gets to explore lore with. He’s a terrifying warden, he’s a money motivated businessman, he’s a conflicted lover, he’s a traumatized victim of the egg, and just so much more. Through having so many different “roles” in the rp he gets to explore relationships and plotlines with a whole array of people. Not to mention he’s absolutely cracked at redstone and has some of the most impressive builds on the server.
And Puffy! So much of her lore is calling into question the morality of the server and really makes you step back and think critically about the characters. Her character also has, in my opinion, one of the most interesting relationships with Dream, the main antagonist of the entire server, which is just fascinating to watch unfold. Not to mention she’s one of the first people to start exploring the backstory of her character!
George doesn’t exactly do lore. In fact he’s slept through so much of it it’s become a meme. And you know what? That mad man took that and ran with it. He explains his absence in the story by having his character literally being asleep through it, creating mystery where there used to just be an absence. He’s able to goof off with his friends and have borderline nonsensical streams, then at the end sucker punch the audience emotionally by “waking up” and have the viewers question just what was real and what wasn’t?
The smp has the freedom for people who want more independent lore to be able to explore their character’s that way as well!
Hbomb, Connereatspants, and Purpled don’t have a lot of lore on the smp, generally only coming on to have fun with everyone, but when they do have their moments it unfolds in very interesting ways!
Sapnap, Eret, and Schlatt maybe aren’t as active as some other people, but when they are on they actively participate in lore and have lasting impacts on the story (Ex: Eret’s betrayal, Sapnap’s visit to dream in the prison, Schlatt becoming president).
Philza mostly does his own thing, improving the server or making some bomb ass builds. He has incredibly devastating roles in lore (killing wilbur, blowing up L’manberg for the final time, starting the syndicate with Techno), but he also has quieter moments that speak to the depth his character has, such as fishing with fundy or reminiscing about his dead son and how it went so wrong. Like Techno, he doesn’t like to take lore completely seriously, often laughing no matter what’s happening or teasing chat after something big goes down, but his character is solid with a lot of potential for future lore.
Foolish has only started on his character and its already super interesting. The hints at his dark past as a “god of death” and his current conflict with the egg are intriguing as fuck. Not to mention the MASSIVE builds he does for everyone, helping to progress their lore as well.
Fundy has a lot of freedom with his character to participate however much he wants in lore. While generally he’s a trickster who loves to prank people he has enough tragedy build into his backstory he’s able to break the viewer’s heart with a flip of a switch. Not to mention his recent, almost surreal, stream that explored his character’s disturbing dreams that may or may not predict the future.
Niki is very character driven, exploring her character's grief of losing her best friend and her anger of being ignored in the very country she helped create. She has incredibly emotional moments, and even though she’s on her own building an underground city she still participates in other lore via teaming with jack manifold or the syndicate.
Jack Manifold’s lore is VERY character focused, and while he’s described his story as a “B plot that occasionally intersects with the main plot”, the story he tells is still fascinating. Being pushed aside not taken seriously his whole life, his character develops into a fun cartoony-esque villain who begs to be taken seriously, that has the depth of a truly conflicted person who is torn between wanting revenge on everyone who’s done him wrong and just wanting a friend.
Last but not least, the man himself, Dream. The most fascinating thing about his lore is that absolutely none of it is from his pov. All we know about his character is only from what we see from everyone else’s povs, and in his case it leads to a very intimidating villain! Not to mention, mans owns the damn server and yet has made himself the main antagonist! He is the only character I consider a “true villain” on the smp. His voice acting and writing is downright sinister. I could write a fucking essay on how his character’s obsession with power has led him to the point he thinks himself an unstoppable god
Everyone on this server is stunning and I love all of them!!!!!
#ramble#it is very very late#i simply wanted to gush about this block roleplay#I just think its super interesting to analyze how people do lore#and how that fits in with their personalities#there is no right or wrong way to do lore#and i just kinda love that#ranboo's lore deffo stems from the fact he played dnd#like 100%#im so sorry if i left anything out or forgot anything#its like 2 am#also i only started watching the smp around techno's execution#so i dont have a deep knowledge on some people#ahaha#dream smp#dream smp analysis#wilbur soot#tommyinnit#tubbo#ranboo#technoblade#karl jacobs#quackity#badboyhalo#antfrost#ponk#skeppy#captain puffy#punz#awesamdude
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“Please, you can’t die now” for Ashton?
A/N: This will be a heavy topic. I have been trained as a first responder in my country and if you want to become one, please get informed on how to do it in your country. I will leave some resources of information here.
Not Ready (a.i)
Pairing: Ashton Irwin x fem! Reader
Warnings: Angst. Mentions of characters death. Language. Hospitals. Resuscitation. Trauma
Remember that Reblogs, Feedback, Comments and likes are very important and help a lot 💕 Hope you like it and Happy Reading 🦋🌻✨
Disclaimer: this is one of the realest angst I’ve written. It’s based on a irl experience of mine and a story time I saw on YouTube from creators I admire. Read with caution.
My materialist // wanna be part of my taglist?
Suchalonelysunflower 1K+ Celebration
It was very quiet, too quiet. And you didn’t know if you liked it.
In all the nights you slept next to Ash he was never quiet, but you got used to his snores by now, almost to the point where you found it hard to sleep when he was not around. But tonight he was quiet, and it was a sudden kind of quiet, the one that could make goosebumps appear by the side of your neck.
First, you thought he was asleep, although sleep hasn't come easy for him lately. A few days ago he started to have a horrible cough caused by the smoke in the air of L.A, a common occurrence thanks to the fires and the heat, but the coughs were so bad it almost prevented him from getting any sleep at all. He was coughing not too long ago, maybe a few hours ago? maybe minutes? So the silence unsettled you to the point of near desperation.
Something was wrong, you could feel it.
“Ash?” You asked in a whisper, but he wasn’t answering “Ash? Are you alright?” Still, no answer.
You could hear the sirens going out at the back of your head “Something’s wrong” They said, “Has it ever been this cold?”
You turned immediately, finding Ashton laying on his back with his eyes closed in a peaceful frame, but that didn’t make you jump out of the bed. No, it was the fact that his chest was not moving that got you up on your feet in less than a second.
“Ash!” You yelled but you got no response.
His hands were cold and clammy, a greyish color tinting them as you could feel him slip away. And you were not going to let that happen.
It took you less than a second to call 911 and put it on speaker as you took off the sheets from his body and started compressions, thanking every god there was for that class you took to become a first responder.
You counted in your head each second that passed you by, measuring your compressions to the beat of that old song, 1, 2, 3… till you got to thirty, laying down to breathe into his mouth a couple of times before starting all over again.
All the weight of your body was pushed through the heels of your hands, pressing firmly and steady into Ashton’s chest.
“C’mon baby!” You cried, feeling how your tears fell from your eyes into his chest “Please, you can’t die now! C’mon!”
In the back of your head you could already hear the front door opening and the heavy footsteps of the paramedics climbing up the stairs, but not once did you stop until you heard the “M’am! Please step away, we’ll take it from here”
You felt a hand wrapping around your arm and pulling you away from Ashton’s body as another paramedic took your place and started doing compressions.
“Please, help him!” You yelled between sobs as the other paramedic led you out of the room and closed the door “Please!”
“Ma’am,” The paramedic said, “Is there someone that you could call? You shouldn’t be alone”
“M-my phone,” You stuttered through a cry “My phone is in the room”
The lady nodded and walked right back into the room, just in time for you to hear a “I can’t find the pulse!”
You felt the way your knees gave out as you fell to the ground, sliding your back down the wall as earth-shattering sobs ran through your body and made you shake uncontrollably
Ashton can’t die. He can’t. He’s barely in his twenties, he has so much to live for! His fans, his friends, his family… How are you going to tell Anne Marie about this?! What can you say? What can you do? It was only a cough! And now he was-
“Here,” The lady said, handing you the phone and placing a hand on your shoulder. “We’re doing everything we can. But I have to tell you that it doesn’t look too good and that you should probably call someone to be here with you. The police were already informed and they’re on their way”
“P-police?”
She nodded “It’s the law to call them when-” But she didn’t finish the phrase, she didn’t have to. You already knew why.
With shaky hands, you called the first number that came through your head, the only one you knew would pick up this late and that would be here the fastest. If what you thought was happening was really happening, then you knew he would want to be the first one to know.
“Hello?” Calum picked up immediately, and despite his sleepy voice, you already knew he was up from his bed “Y/N? It’s two a.m. What’s happening?”
But you couldn’t even say it. How could you say it? How do you tell someone that his best friend might be-
“Y/N?”
“It’s Ash. He’s- He-” You managed to say between the sobs, breaking down completely.
“I’m on my way” Was all Calum could say before ending the call as he sprinted to his car.
You sat there with your knees pressed to your chest, hearing the muffled voices of the people that were surrounding your bedroom.
A million things were running through your head as you cried silently. You felt a crushing pain through your shoulders but you paid no mind to it, after all that pain will disappear with time, but the pain of losing Ash? How could you ever come back from that?
You weren’t ready. You weren’t ready to say goodbye, you weren’t ready to let him go and live your life without him. It was too soon, too sudden. It didn’t feel like the end but what if it was?
“Y/N!” You heard someone call at the end of the hall.
Calum was standing there, panting heavily almost as if he ran there in the middle of the night. He was wearing his sleeping sweats and a big shirt, mirroring your own outfit as your world fell apart. You got up in a jump, running to him and engulfing him in a hug, hiding your face in his chest as you let yourself break down again. Seeing him there made it all real.
“Shh, it’s okay” He tried to calm you, but you could tell by the beating of his heart that he was just as scared as you were, he was just better at hiding it “Y/N, what happened? Is he okay? Where is Ash?”
But before you could answer, the door to your bedroom opened as a bunch of paramedics took Ashton in a stretcher to take him to the ambulance.
The image of your boyfriend’s body surrounded by doctors and pumps that helped him breathe would haunt you for as long as it needed, but it’ll always be accompanied by the words:
“He’s back! We have a pulse and we’re taking him to the hospital”
*
The white lights were blinding and burning your eyes. You haven’t been able to sleep in almost two days but you barely felt tired, all the adrenaline of that night still lingered on and as you held Ashton’s hand, you wondered if it’ll ever go away or if you’ll have to stay alert at all times.
Ashton glanced at you from time to time as the doctor explained what happened, tugging on your hand with reassurance for he knew that reliving that night must be very hard for you.
“... It wasn’t just a cough, Mr. Irwin. It’s possible that you already had a pre-existing condition that was affecting your lungs and the smoke in the air just made it trigger; it expanded to your lungs and heart, making it impossible for the air to run through smoothly. We were able to fix it thanks to the quick response of your partner, had she waited just a couple more minutes to start compressions we might’ve had a different ending today”
You closed your eyes and pressed your lips on a thin line as the tears came crashing down silently. Just thinking of what could’ve happened made your entire body go limp as the images of Ashton laying in your bed, cold-stone and without breathing filled your head.
“Thank you, doctor,” Ashton said with a hoarse voice, still recovering from everything. “Can I have the room, please?”
The doctor nodded and smiled kindly at the two of you before walking out and leaving you alone in the hospital room. And only then did you allow yourself to let out the cry that’s been burning at the back of your throat, letting your head fall on top of his hand.
“Baby,” Ashton cooed, softly running his hand through your scalp “It’s okay, Y/N. I’m okay, you hear them say it”
You lifted up your head, holding tightly to his hand as your red, puffy eyes took him in. He still had the same smile that made you fall for him in the first place, and you don’t ever want to imagine a life without it. Ever.
“I lost you…”
“And I came back,” He said, cupping your face delicately. “I came back because of you. You saved my life” You shook your head “Baby, you did. If it wasn’t for you I-”
“Don’t say it,” You begged, swallowing hard “Please don’t say it. I don’t want to hear it ever again”
Ashton’s eyes softened, he had no idea what you went through in those moments for he doesn’t remember anything other than going to sleep and then waking up in a hospital bed surrounded by you and his friends, all of you with tears running down your eyes and dressed in your pajamas.
“I’m sorry I left for a moment and you had to go through all of that” He softly offered and you chuckled despite yourself.
“You know you can’t use the “I’m sorry I died” excuse forever” Ashton laughed.
“Can I use it on Michael?”
“Maybe,” You smiled at him, wiping away some of your tears. “It was really scary, you know? I was really scared”
“I’m sorry”
“It’s okay, just - just don’t do that again, please?” You asked, letting out a breath as you held his hand tightly “I won’t be able to do all of this without you. I’m not ready and I won’t ever be”
“I wouldn’t dare” He smiled, bringing you closer for a small, sweet kiss “I’m not ready to let you go, either”
*
*
tags: @iknowyouthinkimbulletproof @mystic-232 @talksoprettyjjx @theshyspy @hoodhoran @flaneurcth @conversecake @bubblegum18 @irwin-fletcher-ash @just-here-to-escape-from-reality @1980holland @wiiildflowerrr @hoplessromantic727 @fivesecondsofonedirection @another-lonely-heart @aabc5sauce @dudethisiswhyyoudonthavefriends @fakebetch9694 @5sos-imagine @SunflowerAngel2123 @perfectnouis @in-superbloom @lukeisstillapenguin @sadcupofcoffee @superstarmarvel @personalmuyverypersonal @cnco.angels @vtte @as-hs-blog @himbohood @sofiaaraee @irwindoll @ashtonsunflower @nicebasscalum @calumspupils @secretsicanthideanymore @the-ghost-of-ash @alltimesos @wontlastimokwiththat @ttinahood @lukespitinmymouth @perfectnouis @cncoangelss @darrensos @whywontashloveme
#sunflower’s 1k celebration#ashton irwin#5 seconds of summer#5sos#suchalonelysunflower#ashton irwin blurb#ashton irwin fanfic#ashton irwin fic#ashton irwin fanfiction#ashton irwin imagine#5sos ashton#ashton 5 seconds of summer#ashton 5sos#5sos writing#5sos imagine#5sos fic
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Why Tommy and Dream need to team up for an MCC
IDC. DISCDUO LONG AF THREAD TIME
So basically, there's a split on who wants Dream and Tommy to team for mcc and who doesn’t. I’ve seen many people want it badly, and many people despise it.
The argument against it is that Dream won’t work well with another leader. And Tommy won’t work well with another leader.
But the thing is that Tommy has let his teammates lead before, take battlebox and parkour tag in MCC14. He is slowly adjusting to be able to do that.
And the stuff about Dream doing bad with another leader just isn’t accurate.
“Perform better with someone I can go back to back with I think. I make risky plays.” Tommy also makes risky plays. “If they don’t pay off and there's not another “leader” then usually it hurts a lot worse than if there is if that makes any sense.” He implies that he wants another leader on his team, another captain.
The two in sky battle, survival games, battle box, tgttosawaf, and parkour tag would absolutely dominate. (But esp in sky battle and sg) Both pull off extremely risky moves that end up going usually right. Dream and Tommy are both excellent strategists and leaders, but Dream is a lot better at following through with a strategy and organizing it properly, while Tommy is better at morale.
Here are there averages (not including MCC14 and onwards) btw ------------
(it wouldn’t be that hard to balance a team with them on it)
--------------------------- Dream and Tommys weaknesses in MCC
Dreams reasons for falling flat in some MCCS, is because there has hardly been anyone on his team to motivate him (we got this MCC15 with Sapnap and Michael which is a huge exception) It was hard for anyone really to pop off in MCC14 Green guardians because you had no one in it that could keep the morale up and support. Dream takes MCC very seriously and can get deeply upset when things in it go wrong. Now compare that to MCC14 red rabbits, Tommy constantly brought it up, with help from Niki too. When Tubbo was sad and saying they would lose, Tommy snapped him out of it, in the most aggressive way, but it still helped a lot. He was the one to tell his team mates not to give up and just look at what things went wrong in ace race, he bounced back immediately.
Tommys reasons for falling flat in some MCCS, is usually because he isn’t in a strong enough team and the strats that he pull are a little too risky sometimes. And with games like Battlebox, and parkour tag, he really needs someone to help him with a better plan. Dream is extremely good at those games and help. Tommy also can get stuck making a lot of jokes and not taking the game seriously, but Dream would be able to help him tone down the bits. Tommy has actually stated recently that he really does want to win MCC, so it does make sense to just put him with Dream yk?
----------------------------- Dynamic
Everyone in the mcyt community should know that their dynamic is really good... Dream well, was quite close with the people on his MCC14 team, as well as some people in the past as well. The dynamics he has with them aren’t based on a competitive spirit. Wdym I mean, is basically they are friendships, with emotional connections and many experiences, but thats really all it is. The exception of this is Technoblade and Sapnap.
Tommys friendships are pretty much the same, not really that competitive or based on minecraft skills. Apart from Technoblade.. So what I’m saying is Tommy and Dreams dynamic is not only funny and they click really well, but it also is something like a teacher and apprentice kind. There are many times where Dream has taught Tommy PVP and many many times where they have had war with each other on DreamSMP, its the fighting kind of friendship that would do well for them on the same MCC team, where they would be able to work well together because both are competitive and lovers of PVP and the have the spirit of MCC. Both have the passion to win. With both being good at pvp games.
Another thing that people say is that they are going to argue with each other.
Even though they are known to do that in the DMSP and even in just regular streams (because online personas). They have hardly had any conflicts before irl, they tend to get along quite well, and can bounce off each other.
If Tommy and Dream were to argue about something in MCC, both would listen to each other and understand the different point of views, Tommy already would be listening to Dream because he knows Dream comes up with good strategies, and in turn Dream has witnessed Tommy pull off some really good plays before. An argument over what strat to do, would last about 3 seconds with both just going with whatever strategy made more sense. They might even just switch up the strat.
IF they were arguing with each other over the seriousness of the game (Tommy making jokes) (Dream being serious) then Tommy would tone it down, he doesn’t like genuinely making people upset, and we know he doesn’t like making Dream upset because Dream has said before that Tommy worried that he was upsetting him. In the very rare chance that Tommy played up the rivalry with Dream for a bit then he still wouldn’t purposely throw MCC, instead just try to out play Dream.
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Anyway, if you’re still not convinced that they would work well together on an MCC team just remember that Dream logged onto dream smp on an alt account just to copy Tommy and annoy him. And Tommy went along with it. if that isn’t a sign of a good af dynamic then idk what is :)
#I just remembered I'm shadowbanned on my other acc so fuck#disc duo#discduo#prime boys#primeboys#mcyt#tommy#dream#mcc#long thread#this is self care#dreamwastaken#tommyinnit#minecraft championships
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Touch starved/ hurt reader - hcs or scenarios the turtles? Reader super cool regarding friendship, like funny and open etc etc, but if someone tries to do anything that implies a bit more regarding romantic stuff they are kinda like oop- no. Reader is kinda jumpy and just freezes when someone’s they like does any kind of affection ( blushes a lot, try to run away and avoid those situations) people have taken them for granted which has make them a bit cold and defensive in that area- they want to be more affectionate ( which they know deep down it’s what they crave) but it’s kinda they are a scared / angry cat? Please, hope this makes sense, thank you
( also regarding looks and gender I think you can go with they/them so everyone can see a look but if themselfs in the scenario, and if you are going to any kind of skin ship, make the reader extremely defensive over their arms and tummy pls, I do love hugs but if anyone touches my hips I’ll try to get away so fast omg sbbtjfjdkdksn and I will just close off momentarily, I absolutely hate it, I’m more on the heavy side ( talk and chubby ) and if anyone’s touches the “giggly” parts I get extremely upset ( because of how ppl havemade fun of it over the years) and I think the boys would be very “??? What?” To that reaction cuz they didn’t think it was some thing bad to have? ( like a more soft and chunky/chubby body) because they haven’t been exposed long enough to society’s judgment or beauty standards ( I mean they know about! The ones who would have read more about it maybe it’s Leo and Donnie, but what I mean maybe they have never experienced something like this - themselfs irl) Eitherway this ask is already so long omg I’m sorry and thank you, if it’s too much you don’t have to do it, have a good night/ day!)
Okay first of all I love you and I would die for you. You are a perfect human being and there is literally no one else like you. Your body does a damn good job of keeping all of your organs in place and that's what matters. If anyone tells you different you rock their absolute shit.
And don't worry, I understood the request perfectly so no worries on that, I've got a similar body type except I'm really short. But I'm also super defensive over being touched or having those parts of my body perceived, so trust me when I say you're not alone. We be vibing with this together.
Now to the writing!
TMNT Headcanons
Boys reacting to a touch starved/defensive reader
Michaelangelo
Look man, our boy here is body positivity central, he thinks you look amazing and he wants everyone to know it
As far as you two go he's your best friend, your homie, your main man
So of course he's gonna wanna show you off, why wouldn't he?
He doesn't think you'd have a reason to not be okay with it, you've always been playful with him and his brothers
So obviously there's some widespread confusion once Casey gets tossed into the mix
All Mikey had done was reach behind him and snag you by the waist to pull you over
That was all
The words "and this is my best friend, y/n" never got the chance to leave his mouth
He was definitely not expecting you to squeak out in protest and scramble away from him as fast as humanly possible
Your face was burning red and you were clutching your sides, desperately trying not to bare your teeth in defence
Mikey couldn't help but feel heartbroken
Was there something wrong with him?
You sent Casey an unenthusiastic wave before turning on your heel and basically running out
Leaving a very confused orange turtle behind you
When he finally managed to catch up to you later you rushed to explain why you'd reacted the way you did
You couldn't stand his expression when you explained that no- you didn't think he was disgusting and no, he hadn't done anything wrong.
But he did seem baffled at you telling him that it was because you hated being touched there.
"Look Mikey, I've got no problem with the whole contact thing but you gotta give me a warning or something before you go around grabbing me. Okay?"
He was 100% fine with that
Anything to make you comfortable
But you both got to the point of being able to laugh at your reaction to the turtle trying to hold your hand
"Seriously Michaelangelo, I have a reputation to maintain. How am I supposed to do that when you're giving me feelings?"
Donatello
It completely baffled him
By all accounts it didn't make sense
You threw around compliments like you were playing hot potato and for whatever reason you'd always find someway to playfully flirt with him
But the second one of his brothers suggested something other than the innocent friendship the two of you had you would shut down completely
And coincidentally those types of comments were made at the most inconvenient times
Nothing screamed awkward more than you going stone cold and standoffish over a piece of pie
Bubbly and excited one moment, tossing around those positive affirmations to your favorite people
And staring murderously at an inanimate object the next
You were like an unsolvable rubix cube to him
But he was determined to figure you out
"Y/N?"
You didn't appear to be busy, just sitting on the haphazard bunk in your makeshift area with a book in your lap
The others had gone out on patrol and you weren't sure where Splinter was at that particular moment which left you and Donnie holding down the lair until they got back
The perfect time to approach the subject
"Hey y/n? Can I ask you something?"
His voice always got a little louder when you were alone, less afraid of being overheard. You looked up with a smile
"Fire away Dove."
His cheeks flushed in surprise
"uhhhhh... whydoyounotlikeme?"
You set your book down and leaned forward to stare at him
"Elaborate."
And he did, god he did, he did it at the speed of sound of course, but you caught every word
let me tell you, this boys heart broke for you when you told him that you did like him
you really really did
but the thought of being romantically involved with anyone made you shut down
Donnie assured you that it was fine
he'd wait for you as long as you needed
Raphael
Look, Raph knows a thing or two about being self conscious
out of all of his brothers he's the one who worries about his appearance the most
but you- holy shit he thinks you're the most amazing, perfect human in the world
so when he finds out that you hate being touched and that thinking about relationships makes your skin crawl he doesn't know whether to genuinely cry for you or punch someone in the mouth
both is okay
You'd always been very bold with your words and sometimes you'd even joke that you couldn't even tell when you were flirting with him
it just slipped out
and hearing that even though you could pull that off as easy as breathing and compliment all of them endlessly but you struggled to be comfortable in your own body?
that was a lot to unpack in one sitting
but the longer he sat with you and listened to you talk him through it the more he understood
sure, it was horrible
and he wouldn't likely stop thinking about hurting the people who'd done this to you (there'd be too many to count)
but you had a way of making him understand things
it was his favorite thing about you
"Uh- you know y/n, I uh- personally I think you look great. Like- all the time."
plz insert awkward finger guns here
there, your playful smirk was back and you were wiggling your eyebrows at him
"Awhhhh... is that Raph I see having feelings?"
Leonardo
he'd done enough listening and reading to know how society treated people who it thought was different
and he hated that you'd had to experience that for most of your life
when it came down to it and he saw that you had become particularly hard on yourself he took it upon himself to check in with you
that's how you'd started meditating with him
and you'd found it quite relaxing if you were completely honest
Leo told you that meditation was the best way to connect with your body and understand it
you hoped that in time you would understand what he meant by that
but the positive affirmations were doing something, so you'd take it
he'd always encourage you when you couldn't yourself
and always jump to your defense when the others got a little to out of bounds with their words
you still would noticeably flinch when touched without warning
they were all working with that
and he still found himself saddened that you'd recoil back into your protective walls if anyone mentioned anything inherently romantic
but you were coming around
and he was endlessly proud of you for that
Alright I hope I was able to get down what you were thinking. This one definitely took the most contemplating out of any of the requests I've gotten so I hope you like it!
#tmnt x reader#tmnt bayverse#tmnt headcanons#tmnt leonardo#tmnt raphael#tmnt donatello#tmnt michelangelo#tmnt 2k16#request#ask response#askbox
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Why I am leaving this blog
This is the truth as of why I'm abandoning my tumblr, @/sageinacage.
CW: swearing/harsher language; mentions of breaking boundaries, sexualization, bondage, non-con/tickle torture, kinks, toxicity, overall rly uncomfortable topics
TLDR at the bottom.
Before I start, I want to say that I’m not talking about everyone in this community. Not everyone is like this, but still a lot of people are, and unfortunately the negatives are louder than the positives.
Having this blog was quite an adventure. It definitely had its ups and downs, but I was quick to notice that it had a majority of downs instead of ups. As of now, I'm dreading being on this page.
I don't feel comfortable here anymore and it's incredibly hard for me to feel any sense of safety in this community, and I honestly feel personally ashamed to be in the MCYT tickle community with the bullshit me and others have seen and experienced.
People go around on anonymous and practically harass creators, I've seen so many rude anons get sent to myself, my friends, and people on my dash. People are also breaking CC's boundaries left and right, and no one will listen to anyone when it's spoken up about. I remember making a post stating that if you send anon hate then DNI, and I lost 4 followers. So disappointing. Actually after I took a screenshot of my boundary/trigger list and posted it, someone sent me an ask and did EXACTLY what was listed in my triggers. It went fully against my boundaries, and it caused me to feel scared whenever I get a notification in my inbox, because I’m scared that somebody is trying to purposely trigger me again; and I shouldn’t have to be on Tumblr with such paranoia as I’m experiencing.
Going onto the topic of the more weird and uncomfortable side of the community, I also remember I made a post a while ago saying "if you support putting minors in heavy bondage, then unfollow," and I lost 5+ followers. To put it bluntly, that’s fucking disgusting. For those people to admit for putting minors in a borderline NSFW situation, since heavy bondage is quite literally something that only happens in the kink world and there’s nothing wholesome or cute about it, and for them to admit to doing it, is fucking weird. Though, I’m thankful those people got off my blog.
I have literally seen someone post art of c!Ranboo in heavy restraints and it didn’t even look remotely fun or consensual. It was pictured, or at least my friends and I interpreted it, that he was being tickle tortured and it was non-con. Though, it’s to be expected when the art is a dark-lit room with an intense tickle machine with heavy bondage, with a blindfold and what looks he is genuinely struggling. What made me even more uncomfortable is that an adult drew it. Another person wrote a fic of c!Ranboo in a lot of bondage with the sign “tickle toy” attached to him. That’s fucking weird. That’s practically something that never gets condoned in a strictly SFW sense. The sad part is that others and I have seen a lot of this happening around.
I was actually informed that an artist the other day on another MCYT tickle server drew literal non-con tickle art of Technoblade (/srs). I was revolted. The worst part is, some people didn't even have an issue with it and reacted to the image with heart emojis. For someone to draw non-con in a completely SFW server filled with a bunch of minors is creepy and weird. Non-con isn't a fun thing, and so many people, including me, have horrible experiences related to it; and for someone to turn it into a "heehee fun tickle" situation is fucked up. For someone to even fantasize non-con as a tickle fantasy just makes me feel sick. There are a few fics like this I've seen as well, unfortunately.
Related to non-con things, I've actually gotten a request before asking me to write Schlatt literally tickle torturing Tubbo, and multiple asks that are similar to that; even when on my request rules it stated not to ask for things related to that. Anything with the word "torture" in it is not consensual, especially in the context it was in. I’ve probably had to delete around 5–8 asks in total from my inbox that were related to non-con or torturous things, even after I already stated in my rules I do not write that stuff.
Another thing I've seen is romantic-esque things written with CCs and then the creator slaps a "/p" onto it, and all of a sudden it's okay? Ranboo has even stated in a stream that he is uncomfortable with his IRL self being written/drawn cuddling his friends, and I see so many fics and concepts of IRL Ranboo cuddling in some way (which I've spoken out about before, but again, no one listened).
Moving on, I've probably met the most toxic people in this community than any others I've been apart of- and I've been apart of a lot, I've been on Tumblr on different blogs since I was 11. For some reason, so many people love to guilt trip here (both my friends and I have noticed and experienced a bunch of people doing it in this community), and the people who get called out for it avoid apologizing like the plague. A person in this community made me and a few others literally scared to say no and scared to advocate for our boundaries, because of how much we got guilt tripped. And no, no one received an apology. But still, people DEFENDED this person, even though me and other people spoke out and explained how this person hurt us. That’s so fucking upsetting. I automatically don’t feel safe in a community where people willingly associate with a literal manipulator and someone who hurt probably over 10 people in total (/srs).
Another thing I've noticed is that so many people seem entitled to something. For example, when I got practically harassed by anons for my discomforts/triggers, basically trying to squeeze out reasoning. No one needs to explain their boundaries/discomforts to you, and this community doesn't understand that from what I've experienced; after being harassed by multiple people on anonymous multiple times, all of which were because of personal reasons I was not obligated to share. No one should be able to say that they got harassed by people on anon for their OWN BOUNDARIES. ON 3 DIFFERENT OCCASIONS AS WELL.
Long story short, I can’t help my triggers. Each of my triggers has developed from trauma I’ve gone through or a bad experience, and I shouldn’t even have to defend myself for my triggers/discomforts if people were respectful and weren’t so fucking entitled for an explanation. So many people in this community can’t mind their own business, and I unfortunately had to learn that the hard way.
I've also seen people project onto IRL CCs. Those are real and breathing people. I understand doing it for comfort, but, the CCs have a literal character that people can project onto, but for some reason, people have to push their things onto real life people. I’ve seen someone headcannon IRL Tommy as trans. That's like the same as your friend "headcannoning" you, a real person, as a different sexuality that isn't what you identify with, and one you may not even be OK with being seen as, and without knowing if you're comfortable with it or not. It's weird.
There are more points I could bring up and more specific things I could state, but I think you got the gist of why I'm leaving. I don't feel comfortable being a member in a community which a lot of its members condone in this stuff.
This is the reason why I'm only active in the MCYT tickle community on Discord, because my server, "Mcytickles," actually respects CCs boundaries and is truly an SFW server, and people are respectful towards each other. It's the only safe space I have in this community anymore, so please do not join it if you exhibit any of these things on this post.
No, I will not be coming back, so please do not try to convince me to stay. I’ve been wanting to leave for about a month now, so this isn’t some impulsive decision. I’ve been in the MCYT tickle community since April, and these problems have always existed but have just gotten worse and more extreme, so I’m leaving for my own mental health and to protect myself from further harm than what I’ve already received.
TLDR: I am leaving this blog and the MCYT tickle community on Tumblr due to the many boundary breaking and unacceptable behaviors I've seen be exhibited, and it makes me not feel safe and comfortable to be here anymore.
I want to thank my mutuals, though. You were all awesome and such kind and loving people, and I’m happy to be your guys’ mutual. I want to thank those who were always so nice to me and hyping up my work, and those who were respectful to everyone and advocated for boundaries. Thank you so much for everything, moots <3 (/gen)
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Calling an entire race of people evil demons is messed up.
Hi Anon,
I do agree with you. It's messed up.
But did you ever wonder why there are people, specifically POC, that don't feel comfortable with white people? Did you even stop to ask yourself "so many people say that they don't want to interact with white people in fandom, there must be a reason"?
When someone shut themselves away from a specific group, a situation or a place this vehemently, there is a reason. Probably a personal one, but this doesn't mean that the choice can be invalidated from others.
Many POC stated they had bad experiences with white people (something believable considering everyday news all around the world) and in fandom prefer to not interact with them (probably to avoid same bad experiences they have irl). Now, this doesn't necessarily mean that all white people are bad and evil (maybe some persons think that, but it's their choice and belief based on their experiences), but responding to that statement made by POC who evidently had enough bad experiences to become a strong influence on their life choices (in some cases maybe it even became a trauma) saying they're being racist, means that there's a lack of comprehension of what actual racism can do. And who technically has more power in the social dynamic.
When I hear people saying "this is reverse racism" I get the same emotions that "not all men" in r*pe discourses gave me. The point it's not "all white people", the point it's that there are so many white people perpetrating racist behaviour that POC feel the need to take distance from all white in general, in other to feel safe. Diminish their experiences doesn't had anything nor is helpful, it's completely the opposite. It's adding even more bad experience to the ones the already have.
This said, I'm not a sociologist nor a psychologist. A lot of this stuff I wrote is based on what I've learned listening to educational videos and POC that shared their point of view and emotions. I do understand feeling bad at hearing "I don't want to interact with white people" or "white people are evil", but those statements aren't necessarily referring at you as white person, but to a whole, bigger problem that it's specifically part of European and American light skinned people. Instead it should be a start point to reflect on what can cause such distress to a community, or more communities.
#anon ask#ask rise#this is long and all stuff that I learned with experience#and I know I still have a lot to learn
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Cast Interviews From 1986 vs. 2016
So, I’ve found a podcast that’s been interviewing various Cats cast members and superfans. Most of the interviews come from the cast of the Broadway Revival, but there are also several interviews from US Tour III which went from 1986 to 1988. So we’ve got a bit of both old and new. Here’s what I’ve learned about how things have changed over the years and why the Broadway Revival is such a confused mess:
In the interviews of US Tour III cast members, it seemed like everyone was told the story of the play and had a pretty clear idea of what was going on. Some actors were given backstories for their characters, but the amount of detail varied. Actors cast as Munkustrap and Tugger were told that their characters were brothers and the sons of Old Deuteronomy. Actors cast as Demeter were given a full backstory for the character. However, Grizabella’s story remained vague. Bombalurina, Mistoffelees, and Sillabub also had no confirmed backstories, and most of their characters were improvised during rehearsals. Also, since this tour was from 1986-1988, a lot of cast members don’t remember a lot of what they were told. It’s been a while.
Out of the backstory and character information provided, Demeter’s was the most consistent. She was kidnapped by Macavity, escaping shortly before the events of the play. She’s an outsider to the tribe, but she knows Bombalurina and stays close to her. Bombalurina also had some experience with Macavity, but she enjoyed it more than Demeter did. This lines up with what Jacob Brent said about Demeter in the 1998 version.
Some character dynamics are different from more modern versions. Alonzo is Demeter’s love interest, as was typical with Broadway-based productions. Also, in most productions, Alonzo doesn’t get along with Tugger, but he’s a fan of him in this version.
Outside of Alonzo, it was made perfectly clear that Mistoffelees was played as a full adult, the same age as Munkustrap. The actor who played him throughout the tour, Randy Slovacek seemed to have made up most of Misto’s characterization in that production by himself. Misto was friends with Grizabella in the past and wasn’t upset by whatever she did to upset the others. When she first appears, Mungojerrie and Rumpleteazer, taking the place of Coricopat and Tantomile, who were cut for the tour, run up to her and try to chase her away. Misto calls them off, but Munkustrap won’t let him do anything else to help her and he respects his authority too much to try anything.
The interviews of the Broadway Revival cast tell a very different story of what was going on behind the scenes. Apparently, they were rushed for time and there weren’t as many rehearsals before the show as there usually are. That, combined with the new choreography meant that nobody really knew what they were doing. Munkustrap and Tugger were confirmed to be siblings, but very little backstory information was given outside of that. The few cast members who worked with Gillian Lynne seemed to have a better idea of what was going on with their characters. Andy Blankenbuehler was still figuring things out and wasn’t able to offer similar clarity. The few times anyone was told anything, it was usually by Trevor Nunn.
Basically, Nunn and Lynne invented Cats, and nobody else seems to know how the fuck any of it works.
Tyler Hanes and Sara Jean Ford knew each other before being cast and they came up with a lot of backstory for their characters, which everyone else got drawn into. Ford played Jellylorum as the same age as Tugger. Since the actors are best friends, so are the characters, even though that makes little sense with their personalities. Jennyanydots, Bombalurina, Demeter, and Grizabella were in that same age range as well. It appears that nobody was anywhere between Munkustrap and Old Deuteronomy in age, for some reason. Jenny and Skimble are a couple in this version, so Skimble’s probably also in this group. They have kittens together. Electra and Rumpleteazer are among them, though nothing was said about Mungojerrie. The merge with Coricopat and Tantomile in the US Tour implies that they’re twins in that version. In the Broadway Revival and the tour based on it, they’re apparently unrelated.
Grizabella ended up with a far more detailed backstory, all made up by the cast. She’s Jellylorum’s sister and she stole a man away from her and Jelly never loved again. None of the kittens are Jelly’s, though she’s sort of the nanny to all of them. Griz also had some sort of affair with Tugger and broke his heart, which is why he doesn’t do commitment. Then, Griz ran off with Macavity, got dumped for Bombalurina, and then she got dumped for Demeter who decided that Macavity was bad news pretty early on and ditched him. The relationship was abusive, but no one mentioned a kidnapping. After leaving Macavity, Griz was no longer welcome in the tribe, even though Bomba and Demeter were because Reasons. Forgetting that these characters are not human, she then got addicted to drugs, was driven to prostitution to support her drug habit, had a bunch of kids, and then left those kids to be raised by Jenny, who resents her for it. Nobody says which kittens are Grizabella’s. Portions of this backstory were used in the 2019 movie.
Also, I can say that some of the characterization issues with Tugger were, in fact, a direct result of the choreography changes. Tyler Hanes wanted to play up the sexuality of the character in a way that the new choreography didn’t allow. If Gillian Lynne’s choreography had been used for the number, Tugger’s characterization probably would’ve turned out very different, but the changes meant that what Hanes knew about the character, and how the audience perceived the character, were altered by the new choreography putting emphasis on vanity instead of sexuality.
So, that’s the story so far. Compared to at least one early production, the Broadway Revival was rushed and poorly thought out. The actors were given little information and left to fend for themselves, and they prioritized their bonds with their irl friends over what made sense for their characters. Interviews of cast members from both the revival and the following tour reference Andy Blankenbuehler as the one who had all the information, who the cast looked to for instructions. But, he had no idea what he was doing and couldn’t really help them.
Most of the problems can be traced to Blankenbuehler not knowing what he was doing and never really figuring it out. Though, some blame has to be placed on the cast who, left to their own devices, had a lot of bad ideas. Hanes and Ford in particular, though it was good that someone was trying to take charge, created a bit of a mess. None of Jellylorum’s character resembles any other Jellylorum characterization I’ve ever seen, and it doesn’t even come across clearly on stage. The young cast all seemed to struggle with the idea of playing older characters and nobody told them that they couldn’t age them down. The generation gap between Tugger and Jenny and Jelly is character information that’s now completely lost on the audience. You need older characters disapproving of Tugger to show that he’s a controversial figure to the tribe, not just an annoyance to Munkustrap.
But, some of the worst characterization problems were not entirely the fault of the cast. As I mentioned before, Tugger’s characterization was changed by the choreography. Grizabella had already been aged down by her redesign. Since Demeter’s kidnapping backstory wasn’t explained, this affected how Demeter was portrayed. Her sympathy for Grizabella came from having been on that side of town as Macavity’s prisoner and seeing the condition she was in. Without that backstory, Kim Faure may have not known that Demeter was supposed to have sympathy for Grizabella and interpreted her part differently. This was the result of unclear direction.
What We’ve Learned Today:
1. In the 1980s, Mistoffelees was, in fact, played as older than Jacob Brent played him in the VHS.
2. Munkustrap and Tugger (and not Mistoffelees) have pretty much always been the sons of Old Deuteronomy.
3. The backstory Jacob Brent gave for Demeter was the standard backstory for the character well before the VHS was filmed.
4. Mungojerrie and Rumpleteazer were considered twins in the 1980s and most likely continued to be seen as such until the revival era, though I haven’t exactly checked in with every single production.
5. The Broadway Revival was a behind the scenes and nightmare and it’s mostly Blankenbuehler’s fault.
6. Gillian Lynne wrote Cats. Andrew Lloyd Webber wrote a concept album.
7. There are no middle-aged cats in the 2016 revival. I think Sara Jean Ford started it.
8. The idea that Grizabella’s backstory involved Macavity started with the 2016 cast improvising.
9. Kim Faure’s Demeter was most likely OOC due to a removal or lack of explanation of backstory.
10. Sometimes it’s okay to do things the same way they’ve been done before.
#cats tour iii#cats 2016#andy blankenbuehler is bad at cats#i hate being mean to the 2016 cast#but theatre is a team sport#and most mistakes are made by the team#rum tum tugger#tyler hanes#who i like but also blame#sara jean ford#who is in the same boat as hanes#though i'm admittedly very picky about jellylorum portrayals#kim faure#she tried her best#but basically#gillian lynne#was what made cats a hit#and nobody knows what they're doing without her
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Pick Me Up (Request)
Tom Holland x gn!teen!co-star!reader, Jake Gyllenhaal x gn!teen!co-star!reader
Genre: angst, fluff
Request Description: tom holland! x teen!costar!reader and jake gyllenhaal x teen!costar!reader where the reader occasionally attends school irl. one day after school, the reader doesn't show up on set and everyone starts worrying. tom and jake try to call her and when she finally answers, she's crying and asking them to pick her up. they meet her and find out that she's been attacked by hater/bullies and they both get super mad and protective. thank you!
Warnings: bullying, insecurity, depression, violence, physical assault, language
(A/N): there will be an a/n tomorrow. i will probably be taking a break from writing for a little bit (like a week or two i estimate). im starting at a boarding school, and i really want to adjust and not force myself to write right at the start. anyway more details will be released tomorrow
You were always picked on. Ever since you were very small, kids had always loved pushing you around and teasing you. Nothing changed as you got older. You’d think that perhaps being casted in a movie would change something. It just didn’t.
It wasn’t a great feeling, that you were destined to be a loser. It just seemed that no one liked you. Or at least no one liked you enough to stand up to your bullies.
When you were cast in a Marvel movie, you thought that you would get a vacation from that endless tormenting. Of course, you knew you’d be doing homework and assignments a your hotel still, but not physically being there was the dream for you.
Even that didn’t pan out. Your school was strict. Thankfully, the personnel at Marvel negotiated with them, and a schedule was made. You had three real-life school days each month. It was better but your bullies still seemed determined to stay on your mind.
They never lay a finger on you. Nothing beyond pushing and tripping ever happened. That’s why it was so shocking, when one day in the break, someone slapped you right across the face.
Then you felt a push, a kick, and a punch, and after that it all muddled into a painful rain of blows to your body. You were crouched in the grass behind the school, and seven kids were kicking and hitting you, some of them spitting on you.
“You little bitch!”
“Do you think just ‘cause you’re in a movie, you’re suddenly worth something?”
“This bitch thinks they’re better than us now.”
“Let’s show them how fucking pathetic they really are!”
You didn’t know when you started crying. Probably immediately. It was hard to keep track of yourself and everyone around you, when you were so overwhelmed. It was hard to process the situation, so you rather just tried to live through it. At some point they left, and you didn’t. You kept lying there, sobbing, clutching your stomach and aching body. It felt like you were on fire.
Meanwhile, that particular day you actually had to come to set and film after school, something that thankfully didn’t happen often (as it was kind of stressful to do both in one day). You were running late.
“Is Y/n here yet?” someone yelled throughout the set. The director was sitting in his chair, rubbing his head and tapping his foot impatiently. “No!” it came from the other side of set.
While most of the set workers were pretty pissed that you weren’t there, your costars, the people who’d gotten to know you the best, were worried. You were punctual. One time, when you lost track of time doing homework, you ran to set, to get there on time. In other words, something was definitely wrong.
“I’ve sent them, like, 70 messages,” Tom mumbled, scrolling through your conversation on messenger. Your costars were gathered together on set, sitting or standing in a circle and waiting.
“This isn’t like them,” Zendaya shook her head worryingly. The other people in the circle mumbled in agreement. The set was unorganized, chaotic, people were dashing back and forth everywhere. Things could not go forward without you present.
“I’m gonna call them,” Jake said finally, convinced after watching a set worker look at a clipboard, widen their eyes, and then massage their temples cartoonishly.
He whipped out his phone and clicked on your number. Ringing ensued. The others actors watched him, aching to know what was wrong.
“Hello?”
Jake knew immediately that something was very wrong. His mind was already racing, wondering what could’ve gotten you so upset. Your voice was snotty and shaking. You sounded like you’d been crying.
“Hi, N/n. How are you doing? You okay?” Jake’s voice was gentle, but he couldn’t stop the overflow of questions coming form his mouth. His chest rumbled with worry.
“I’m- I- I’m not alright. Can you.. Can you pick me up?” your voice, thought gravelly and low, was somehow still the softest thing he’d ever heard. You sounded so vulnerable.
“Of course. Of course I’ll come. Where are you?” Jake made eye contact with a couple of the actors, whose faces were now twisted into concerned frowns and furrowed brows.
“At school.”
“Alright, I’ll come get you now, can you wait outside?”
Jake ran to his car, Tom trailing right behind him.
“What happened to her? Jake, wait up!”
When they got to you, you looked so small, crying and shaking on the sidewalk. Your arms and legs and your face were red.
“What happened to you?” Jake exclaimed, practically jumping out of the car, and crouching down beside you. You looked up at him, clenching your jaw. Your eyelashes were dripping.
“These kids.. They.. They beat me up,” you sobbed, hiding your face in your arms again. Jake frowned, heart clenching. He gently placed a hand on your back, and then pulled you into a careful hug.
Tom was shaking, watching you. His heart physically hurt seeing you like that, but mostly he just wanted to beat up those kids. He wanted to make them pay.
“Tom, calm down,” Jake whispered to him, gesturing to you in his arms. Tom softened. He knew that beating them up would do nothing. They had to focus on you. For now.
Tom crouched down as well, so they were both hugging you and rubbing your back. You, aching and feeling worthless, unable to handle it by yourself, felt yourself eased at their presence. It felt almost like everything would be fixed with them there.
You pulled away, no longer crying. Now everything just hurt.
“What are the names of the kids?” Tom’s voice was gravelly, as soon as you pulled back. It seemed like he had maintained some of the initial anger.
“Tom, I-”
“I don’t want to fight about this, Y/n. Give me their names. I’m fucking serious,” Tom, although angry, was still holding onto your hand for dear life. His thumb brushed over the back of your hand invitingly. You looked to Jake, but he wasn’t going to help you protect those kids.
You told them their names. At least the ones who usually bullied you and the ones whose voices you recognized. You could tell that ‘usually bullied’ angered Tom and Jake.
“How long has this been going on?” Jake asked and his voice was much softer than Tom. You scoffed.
“Way longer than I’ve known you guys!” you were actually getting annoyed at this point. What did they think you were going to beg them for help, so they could magically fix your life?
“Why didn’t you tell us?” Tom blurted out. His feelings were stronger than his head. He clenched your hand.
“I didn’t want to be unprofessional! I didn’t- I didn’t want to be a bother!”
“Well, I think the friendship we all share is more than professional. We’re friends, Y/n. You should tell friends when you’re bothered by something! Because look at you now-” his voice broke. Tom choked up, eyes red as a single tear slid down his face. He wiped it away. Guilt coated your insides, bile rising in your throat.
Every inch they could see was bruised. Your eyes were puffy, and you were sitting on the sidewalk helplessly. You were beaten down. No one wants to see their friend like that.
“Alright,” Jake cleared his throat, “how about we go back to the hotel now? I’ll make a few calls with the set and your parents, and we’ll make sure those kids aren’t there the next time you go to school. And we’ll get some ice for those bruises.”
You didn’t answer for a moment. Then you nodded.
Jake did exactly that, whilst you lay on your bed, holding ice to your arms, and wrapped in your duvet. Tom hugged you there silently, Jake talking in the other room.
“Don’t hide that stuff,” Tom mumbled tiredly. You nodded, “Let’s go to sleep.”
“I agree,” and then you both fell asleep like it was nothing. When Jake had finished the dozens of phone calls, he came back into your room, only to see you and Tom asleep in an adorable hug. He smiled, because despite your awful experience that day, you looked so happy with your friend. Jake knew you would be okay before you even knew it yourself, but he was right. You would be okay. :)
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