#isn't living like so fun you guys

[teddybeartoji]

i can't believe you have to eat every single day like wdym i just did that yesterday???????????????????????

[demaparbat-hp]

When I saw you making For the Spirits art I was so excited, wow, one of my favourite artists is reading this too, how nice!! Then I realised you’re actually the author and I just want to ask, how?? Are you so talented???? I love this fic and I love your art so so much, thank you for sharing it all with us. Can’t wait for the next update!!

Ah, thank you! This is literally so sweet! For the Spirits (adding a link for the curious folks out there!) is my love child. This project owns my heart and soul, and it's truly so rewarding that you like it! I want to sketch so many different scenes, really, but I'm doing my best to give you some quality artwork of my favorite moments in the story. It's a slow process.

As for next chapter—soon! I'm working on some sketches for this particular scene, and I am so excited to share it with everyone! Things start to pick up from here... But, for now, have a (very little) sneak peek ❤️

Zuko stood at the end of the world, surrounded by miles of snow and the resounding echo of his own shallow breaths. He took everything in, closed his eyes to receive Agni’s light, and howled.

Something howled back, and he smiled.

[spyres]

the hack to surviving the pmd fandom is to not interact with explorers fans (<- guy that is an explorers fan)

[msnihilist]

It is worth noting that I get a lot of anon hate, mostly insults and vague threats, but that's just the thing — I get anon hate.

By which I mean, no one gets anons about me. There's no call out post circulating about me.

There's nothing to say that I'm not very open about. Everyone who follows me and is friends with me is very much aware of what I write about and what kind of dynamics that I enjoy in fiction.

Anons don't tell other people that I'm a horrible person, they tell me that I'm a horrible person.

Because they know that I'm not. They just want me to hate myself.

[daz4i]

ooooooh nikolai clearly has trauma related to freedom. not just his whole Thing with it, but the fact his ability gives him a quick and easy escape and especially a way to go around rules - even the rules of physics! and going by the assumption that your ability manifests in relation to past trauma, i really wonder what made him this way.

my first thought would be imprisonment of some sort. being chained somewhere, unable to leave. perhaps in a cold place, thus his idea of escape is also tied to an overcoat? it seems a bit too on the nose doesn't it?? esp with the bird in a cage metaphor

@/creantzy's fyolai comic made me think of brainwashing of some sort. definitely works with how terrified he is by it

i think a spicy take would be. that he was just a normal guy. just kind of Off, brain wise. so the monotony of a normal life drove him insane. or maybe his parents(/some other guardian bc everyone in bsd is an orphan fr) had great expectations of him that he failed to meet, and he felt metaphorically chained by that. maybe they were very protective of him and didn't let him out or do things he wants, so he felt caged by that

actually the more i think about it the more i like this idea, of a very grounded, realistic, common trauma for this character that's anything but normal in a series where everyone has these tragic larger than life sob stories. it can be a very nice subversion of expectations and imo make him even more interesting - because a backstory like that is so common even for us real life people, if he became That, there must be something wrong with him. and i think that's really poggers

[corvidcall]

sometimes you see a bad tweet and it makes you upset all day but you cant interact with it in any way because then twitter will just be encouraged to show you more bad tweets. but it did ruin my whole fucking day

[hellostranger1961]

family friend's gorgeous childhood home—all the art on the walls is done by his dad, and his mom was a local journalist/historian. he travels the world for his job, but he's moving back now that he's close to retirement + parents are both deceased. it needs a little cleaning + organizing, but he is NOT changing anything about the interior or stone exterior.

[majimassqueaktoy]

I still want to write a fic about Makoto set after 0 where she goes off the rails because she is a traumatized 21 year old with not a single living connection in the world and now she has 10 billion yen to her name which just spells trouble to me

[ihamtmus]

this fandom will never choose hoseok first huh? as long as ANY of the other members is an option?

why does this always always happen i really do not understand

[outeremissary]

Always very surreal when you encounter someone fond of the same character as you and partway through the interaction you realize "ohhh this is a completely different character to you we do not like the same guy at all"

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[arolesbianism]

Was going to do some oni file digging but got too distracted playing the actual video game. Anyways look at her <3

[unproduciblesmackdown]

being alive at the time i gleaned some general elements abt encanto but never actually heard we don't talk about bruno beyond awareness it existed popping off & i think i heard like the title recited off key off rhythm but in a way that indicates speak singing nonetheless lol so upon experiencing it it's like oh but it's the Verses? while the last refrain goes harder but prior to that it's comparatively underwhelming to said verses which feels appropriate like verses / pieces of a larger picture & that a "we don't talk about him" as a disappointing Lid on infinitely richer more characterful & dynamic "but: talking about him" instances. like well personally it'd be like um seven foot frame....anyway besides being able to firsthand go like oh damn Real (the kind of thing you know exists if alive at the time) it's like alright hang on lol. one thing when a core theme is yeah like "is it a refuge if 'especial' vulnerability ultimately gets pushed out rather than made safer" subset like the parties whose even observation of truths (problems) & drawing attention to them is seen as Ruining Things, like if you're painted as Making futures that aren't simply what's desired or reassuring rather than a guidance via just observing & sharing the truth. but then it's like whaddaya mean living in fear of bruno stuttering and stumbling you could always hear him sort of muttering and mumbling lmao like now that's just Association between the Truth Perceiving & Telling behavior & behavior that's just apparently distinctive of the same person. & like Not Accidentally when [what if people were magic] specifics are obviously primarily abt a metaphorical meaning & like, indeed it was made clear like oh this situation isn't Just b/c [boo we hate your prophecies] & that [an Ability that isn't directed towards what anyone Wants / is "weird" even by these magic standards] isn't Coincidentally given to someone who just so happens to already be "weird" in other ways & be set up to have a different perspective & be pushed away due to having the supposed "extra" vulnerability of unmet needs / insufficient support, same as someone who doesn't "correctly" have any kind of magic ability....like yeah banger and also like Oh Yeah Kind Of Devastating re: that metaphorical resonance allowing for like [set the metaphor aside] now hang on with this about this disabled family member lol. misinterpretation to The Ruinerrr / The Problemmm / The Maliciousss etc (i.e. the scapegoatinggg) despite their efforts likely entirely to the contrary. then despite like, efforts aside, Just Existing, always kind of muttering & mumbling like & what of it. & then like oh sorry weird pets. weird [auspicious for adaptable tenacious thriving surviving; either way simply creatures, existing] pets.

truly like As Is The Idea I'm Sure quickly becomes like hands behind back standing at the window Uh Oh Sisters musing on all the [disabled person] metaphorical & already literal elements there. blair witching it in contemplation like We've All Been There whether being so resented for the mere disruption of "existing in a group as the 'abnormal' odd one out" or like people talking shit abt anything associated w/you as soon as you've left the room, which is also made relevant like, this wasn't Only directed at this person when seemingly permanently gone, nor were they unaware / unaffected prior....pacing in the Musing parlor like things don't Have to be compared to billions but i only ever even see so many things & it's like billions sure is like "get scapegoated rword" & then said scapegoating is presented as only beneficial & we hate autists & even beyond that it's like, grabbing billions, Imagine If Things Meant To Be About Something Were About Something. quite a contrast when they are & furthermore like, deliberate thought & Care for [who gets scapegoated & why] & the truth of like, people getting pushed aside & out who have a key perspective & are primed / liable to come through for others similarly vulnerable & the supposedly Ruinous, Problems Generating disruptiveness is actually the strongest effort to make essential changes to a group. & come through with like, it'd be undermining thee point if it was "reassuring" us like oh haha people will be supportive b/c bruno will be more normal, so great that it Didn't like no, no Normality Reassurance(tm), presence of abnormalities(tm), Good, & everyone Can Deal b/c if you don't then it's pushing this person away, is exactly what happens, including even if they're still Around but are being mistreated b/c that is entirely part of that pushing away like anyone's victim blaming is ready to pounce at any time but if someone can't stand to stay / leaves b/c they can't see another option like that's not out of nowhere nor Regardless of what full support & flexibility they were getting lol. these Active Measures everyone loves so much, which are everywhere always & would include Staying & Trying To Make It Work & those efforts would be "disruptive" & resented & Bringing It On Oneself & etccc smh

that is to all say like. Woww when clearly basically the core thread was these beats of like, the crucial site of [thee scapegoated], & why that comes down on someone & how that plays out. endless ideas about how someone weird(tm) & disabled (&/or queer. but there's no Or here lol. & again like it's a Context like, to even be the one person without kids? likely not living up to "full" correct sexuality in that way alone; any oppression's logics of "inferiority" being logics of ableism, ready examples being that "inferior" race, gender, sexuality (& their experiences as people classed as inferior) all being pathologized as disordered) are seen & treated as someone Ruining Things & who cannot belong like whew. bracing. winding. which, i also recall like i was watching with headphones & during this one dialogue pause i was like "?? what's this Extra Sound i heard there" & had to go over it like twice before being hit upside the head like well it Was still the dialogue pause but it was also bruno Stuttering in a very quiet whisper for the duration of that pause before continuing like iiiiiiii x_x

[inkskinned]

they will need to whipstitch the wound closed, but embroidery is a "woman's" task. they will need to eat and clean and mend clothes, but why learn basic things when you can have a woman measure out your life in beads. he will be the "head" of your house, but if you want him to act accordingly, you must assign him a list of all applicable activities. you will be otherwise constantly in charge of almost-everything; so he will lead the house he is absent from.

in movies and books, the "cool" girl will be more-like-a-man. she will be "less boring," more "fun". she will have masculine ideas and masculine talents, which means a man doesn't have to change in order to find her fascinating. she will disdain of something as simple as stitching. how boring!

she will kick open the door of a car and quip what, girls can't drive? and flip her long hair down one side. she will grill and shoot a gun and skydive. be a guy. she will be sexualized.

somewhere, working on computers becomes a masculine task, and now on tv a gen-z disney character throws her hands up in the air. i can't be a computer science nerd, i'm a girl! in the real life, she will be unable to sit through some of her classes, shivering when she realizes she is the only woman present in several of them.

how many times have you read this book and seen this show and watched this movie. the singular woman is allowed 5 lines because she's not just smart! she's also pretty! she is surrounded by 20 average men, but she is stunning. she is the exception to the bland, pale lives of women-at-home, who will never be shown. she likes dirt and motorbikes and blood and shows up in a tiny dress during the final scene, rolling her eyes at our male lead's incredulity - just because i like motorcross doesn't mean anything. i'm still a woman, okay? i actually like shopping.

it is almost never reversed, and you think about that often. it is vanishingly rare to have a single man in a cast of women. the male love interest does not show up at a feminist march and sardonically squint at our leading lady - what? you thought only women care about human rights? he does not know how to balance a checkbook or kickbox because i grew up with three sisters.

when he cooks he is a chef, which is sexy. when he cleans, he's being kind, genteel. when he nurtures his family, confetti rains from the ceiling. when she does these things: it is her duty and her identity. what do you mean she has other passions and hobbies? isn't her hobby and passion homemaking?

the other day a friend embroidered a seam closed on your jacket into the shape of ivy. every time you touch it, you think of her.

something about women's hobbies and art and skills. something about women's work.

[norikuna]

MAMA, A DIVA BEHIND YOU! — toji fushiguro sfw!

prologue. → toji loves his son, he really does. unfortunately, young megumi is less than receptive when it comes to toji's efforts to impress the pretty neighbour who just moved into the apartment down the hall.

or five times megumi actively made toji's love life worse. and the one time he actually helped.

pairing. toji fushiguro x afab!reader

warnings. megumi is his own warning. mild age gap implied. non sorcerer au, toji is raising megumi on his own. reader has she/her pronouns. nothing else, just shenanigans :) toji gets knocked down a few pegs by his son 😭 mildly ooc toji <3

word count. song inspiration. paper rings — taylor swift

a/n. this is sooo silly and for fun lol 😭 i feel like you can tell this just isn't my genre or writing style 😭

mp3. i like shiny things, but i'd marry you with paper rings <3

TOJI FUSHIGURO didn't have a lot of treasures in life. he just wasn't that type of guy. treasures were for people with their lives together — the kind who budgeted for organic vegetables and owned matching socks. toji's list of prized possessions was short: a semi-reliable pay check, a fridge that kept his beer cold on a good day, and the one channel that aired late-night baseball games.

oh, and his kid. megumi fushiguro.

the little brat was the one thing in toji's life he could call a blessing without choking on the word. but lately? toji was seriously considering the logistics of international shipping. could you send a five year old punk to siberia? where was the paperwork for that?

everything had been fine. hell, downright manageable. until you moved in down the hall.

at first, toji didn't give a fuck. neighbours were usually either noisy or nosy, and sometimes the tragic combination of both. the last guy had banged on his door at least once a week, yelling about toji's late-night weightlifting sessions and muttering something about 'quiet hours.'

toji had pegged you for the same. maybe with a yoga met and too many scented candles.

but then, you showed up on his doorstep with a kind smile that could probably light up half the districts in the city. and a polite, sweet, "excuse me, but could you help me with my bed frame?"

and that was it.

the universe must've been real bored, because that was the moment it decided that toji fushiguro — self proclaimed expert on not giving a damn, was going to lose his damn mind like cupid has struck him with the painful arrows of a crush. and he was a goner.

take #1 — my neck, my back

spring in tokyo had come into full bloom, the kind of day where the air smelled faintly of sunshine, and the cherry blossoms drifted around like lazy, little freeloaders. below the apartment complex, the park wasn't much to write home about — a scrappy patch of grass, a couple of benches that looked like they'd seen some shit, and a swing set that squeaked like it had a vendetta against joy.

but for toji? it was good enough.

he'd figured this 'let me show you around because i'm so friendly' outing would be low effort. easy. casual and neighbourly, even. except now, he was leaning against a tree which was far harder than it sounded when his lower back was screaming at him louder than megumi had this morning about brushing his teeth.

but you stood nearby, smiling that damn warm and disarming smile of yours, gently plucking a stray blossom from megumi's messy hair. the kid, for his part, was pointedly ignoring you both, kicking rocks with the type of dedication usually reserved for a brat trying to avoid his homework.

toji cleared his throat, "so, uh, the area's not bad. quiet most of the time. that convenience store over there's open late. great for snacks. or milk. y'know, the owner's a bit of a bitc —"

"why are you standing like that?"

megumi's voice cut through his rehearsed tour like a rusty knife.

toji shot him a sharp glance. a look that screamed: keep your mouth shut, kid.

megumi just tilted his head, all faux innocence, and then delivered the killing blow with those sea-green eyes gleaming in what toji was certain was pure maliciousness, "dad, your back hurts again, doesn’t it?"

toji froze, scrambling for damage control, but you were already pressing your lips together, trying not to laugh. trying. but he could see the corners of your mouth twitching.

"back's fine," toji huffed, straightening up too fast. something in his spine must have popped loud enough to startle a crow off a branch, "solid a rock, hah! good as new."

megumi glanced at his scuffed sneakers, and then back up, "you said it was hard getting off the couch this morning. didn't you say you're old now and falling apart?"

toji's entire soul left his body. the punk was a traitor to a family name. he should have just sent megumi back to the clan long ago.

"don't you have a rock to kick?" he hissed.

"already did all that."

and that was it. your laugh finally burst out, bright and loud, ringing through the little patch of a park. toji found himself staring at you like some idiot in a rom-com who’d just realised he was completely doomed.

"kids, huh?" he muttered, throwing megumi a glare that promised revenge.

"kids," you agreed, eyes still sparkling as you excused yourself, something about leaving a pot on the stove. you gave toji one last look as you turned to go, warm and soft with that lingering amusement.

toji leaned back against the tree once you were gone, letting out a long sigh. megumi was still standing there, kicking the same patch of dirt, as though he were trying to discover unseen archaeological wonders underneath the earth.

"you're lucky i don’t sell you to a circus," toji grumbled under his breath.

megumi didn’t even look up, "you wouldn’t get that much for me."

smart-ass kid.

take #2 — the liar's pants are blazing on fire

walking someone home shouldn't have felt like scaling mount fuji, but toji fushiguro was now sweating bullet. the evening was crisp, the air cool enough to keep him from outright drowning in these stupid nerves, but it helped little.

the streetlights flickered on one by one, casting a faint yellow glow over the neighbourhood. nothing fancy — just rows of small apartments with laundry dangling off balconies and the occasional stray cat darting under parked car. it wasn't exactly romantic, but in the soft glow of the spring, it didn't look that bad.

you walked besides him, laughing at some half-assed joke he'd cracked earlier. and damn, toji liked that sound. more than he should've. more than he'd admit to anyone, including himself. now though, the silence had crept back in, and he was left psyching himself up for the move.

just hold her hand, his brain hissed, it's not rocket science. come on, man. no! wait, give her a compliment, call her hot. ugh, idiot. don't say that yet -

his thick fingers flexed awkwardly at this side as he tried to look natural. a valiant losing battle when every nerve in his body screamed, you have one job, fushiguro. don't ruin this.

"dad!"

toji's head snapped up like a startled animal, and there he was. megumi. his kid. his little shadow. gasping, clutching his throat, and staggering toward them like a samurai dying in glorious battle.

"dad! i — i can't breathe!" megumi wheezed, voice raspy as he doubled over in dramatic agony.

toji blinked. what the —

"i think i'm dying!" megumi croaked, collapsing onto the sidewalk with all the subtlety of a boulder tumbling down a hill.

toji sighed, already pinching the bridge of his nose. should’ve known. thid kid had been hanging around that white-haired freak downstairs too much. what had that gojo satoru been teaching him? shakespearean death monologues?

"what is it this time?" toji asked flatly, his voice like gravel.

"maybe, maybe it's the peanuts!" megumi sputtered, clutching his chest now, because why not? "the ones i ate at home! i think i'm allergic!"

toji stared at him, unimpressed. this was the same kid who could inhale salted peanuts by the handful, barely pausing for air, like he was training for some bizarre snack-eating championship.

"you're not allergic," toji deadpanned.

"i think i am!" megumi wheezed, dropping to his knees, his little hands shaking dramatically.

"oh my god!" you gasped, wide-eyed. "should we — i mean, do we need to take him to the hospital? i can drive —"

toji waved a rough hand, trying to salvage what little dignity he had left, "nah, kid’s fine. just go on home. i'll handle this."

"but —"

"it's fine," toji insisted, forcing what he hoped was a reassuring smile, even as megumi collapsed onto the pavement like he’d been struck by lightning.

you had hesitated, clearly torn, but eventually nodded, "okay… but call me if you need anything, okay?"

toji nodded, biting back the heat threatening to crawl up his neck. "yeah, yeah. go on."

the second you turned the corner, toji crouched next to his "dying" son, who immediately cracked one eye open and coughed weakly for good measure.

"what the hell was that?" toji grunted, "what did i say about huffing gasoline in the laundry?"

"don't do it."

toji flicked the punk's forehead, "mhm, so?"

megumi shrugged, sitting up and dusting off his pants. "thought i was allergic."

"to peanuts? that shit you eat everyday?"

"better safe than sorry, dad."

toji huffed, ruffling a hand through his choppy black hair. he glanced in the direction you’d gone, muttering under his breath, "you're lucky you’re cute, kid."

the next morning, toji opened his door to find a basket sitting on the mat. a pristine, gingham-lined basket packed with golden, buttery pastries and muffins that smelled like heaven. attached was a note:

for megumi! i hope he’s feeling better!

karmic justice demanded that toji sit down, scarf it entirely, and leave nothing but crumbs for the little brat. he'd earned that much.

take #3 — they didn't get my nose right!

toji fushiguro didn’t get flustered easily. fights? He could eat a punch for breakfast. bills? well, avoidance was a valid financial strategy. but you, sitting on his couch, smiling at him like you’d never met a red flag you didn’t want to rehabilitate, while unpacking groceries for him and megumi? that was uncharted territory.

terrifying.

the apartment was...presentable. which was more than he could say ten minutes before you arrived, when he'd barked at megumi like a drill sergeant to hide every suspicious stain and questionable stack of dishes. now, the faint sting of cleaning spray lingered in the air, and the tiny place almost looked cozy. not that toji would admit it.

"you didn’t have to bring anything," he muttered, rubbing the back of his neck.

"oh, it's no trouble!" you chirped, beaming like some kind of saint. "i thought you and megumi might like some fresh vegetables. and i couldn’t resist grabbing some sweets for him."

from the corner of the room, megumi's ears perked up at sweets. he dropped the crayon he’d been chewing (toji pretended not to see it) and padded over, all innocent wide eyes and suspiciously good behaviour.

"dad," megumi started, his tone way too angelic for a kid who regularly schemed like a demonic manga villain, “can i show her my drawing?"

toji utterly froze.

megumi never asked to show off his drawings. usually, he just thrust them into unsuspecting hands like a nosy salesman who couldn't take no for an answer. this? this was premeditated.

"uh," toji grunted, squinting at the kid. "maybe later. she’s busy."

but you, bless your overly trusting heart, smiled and said, "oh, i'd love to see it! i'm sure it's adorable."

toji didn’t even have time to stop him. megumi whipped out a crumpled paper from his pocket like he was smuggling state secrets and handed it to you with an air of triumph.

you unfolded it carefully, and toji wanted to crawl into the walls.

there it was: a chaotic, technicolor mess of lines and smudges.

and centre stage?

a terrifyingly accurate caricature of him labeled "dad," locked in what could only be described as a life-or-death struggle with a rabid raccoon twice his size. above his head, a speech bubble screamed, "no!" while the raccoon yelled back, "mine!"

toji groaned so loud it could’ve registered on the richter scale, "kid. seriously?"

your laughter was instant and loud, the kind that made you clutch your sides and tear up. "this — oh my god, this is amazing!" you wheezed, doubling over.

"it’s not even accurate," toji muttered, crossing his arms, his biceps straining against his shirt like they were trying to leave this embarrassing moment behind. "i won."

"dad didn’t win," megumi piped up, as smug as a kid who’d just blown up his old man’s spot in front of a pretty lady, "the raccoon stole the chips."

"megumi," toji growled, pinning him with a glare that would’ve made lesser beings tremble. the kid just shrugged, popping another crayon into his mouth like this was all part of his five-year master plan.

later, after you’d left, still giggling and promising to "treasure" the drawing, toji leaned over the kitchen table where megumi was innocently snacking on his candy.

'kid," toji said, his voice low and dangerous, "if you ever pull something like that again, i’ll eat your crayons. one by one. and i'll make you watch."

megumi didn’t even flinch, cool as a cucumber, "good luck. i hid all the good ones."

take #4 — take your broke ass home!

the neighborhood festival was the kind of event that came together with duct tape and misplaced enthusiasm. a few janky game booths, a cotton candy machine that looked like it ran on prayers, and a ferris wheel that creaked like it was auditioning for a horror movie. but toji didn’t mind. he had a plan.

this was going to be his moment.

he invited you under the pretense of "fun time" for megumi, but really, it was to show you what a catch he was. buff, capable, ruggedly charming — he was ready to prove it all. what better way than with a little festival bravado? he’d win you a giant stuffed panda or one of those oversized bears that could double as a couch. easy.

you and megumi stood by a booth plastered with painted bullseyes, rows of rubber balls stacked neatly on the counter. toji rolled up his sleeves, flexing his arms just enough to catch your attention. he reached into his pocket, pulling out a wad of crumpled cash like he was buying the entire festival, "watch this."

from beside him, megumi crossed his arms. his eyes squinted with the kind of judgment only an six-year-old could muster. then, like a sniper, he fired off the line that would ruin toji's day.

"careful, dad," megumi said, voice loud enough to turn a few heads. "that’s our grocery money for the week."

toji froze mid-reach for the first ball and his jaw clenched. slowly, painfully, he turned to face megumi, who was standing there with a look of angelic smugness.

"megumi," toji growled through gritted teeth, "let's remember who brought you here."

megumi didn’t miss a beat, "oh, right. i'm just worried that dinner tomorrow is soy sauce soup."

"kid’s got jokes," toji muttered, rubbing the back of his neck, his cocky energy now entirely replaced by something closer to "please make this stop."

"oh, i don’t think he’s joking," you teased, tears forming at the corners of your eyes from laughing too hard.

"yeah, definitely not joking," megumi deadpanned, "dad’s gonna start eating protein powder straight from the jar."

"megumi," toji barked, praying for divine intervention that would include his son being carried off by a stork, "you’re grounded."

"for what? telling the truth?"

before toji could escalate into full-on dad-mode, the game attendant — clearly desperate to avoid whatever domestic drama was brewing, handed toji a stuffed panda.

"here, sir, on the house," he said with a strained smile, like he was hoping toji wouldn’t throw a ball through the booth.

toji grabbed the panda and shoved it into your hands with all the grace of a man trying to save face, "here. told you i'd win ya something."

you had just hugged the panda, still grinning ear to ear, "who knew you had a sweet spot? i'll cherish it forever, especially after hearing how hard you worked for it."

megumi, the little bastard, had already wandered off to scope out the cotton candy stand.

toji watched him go, then glanced at you, feeling oddly resigned, "i’m never bringing him to one of these again."

"oh, come on," you said, nudging him playfully, "i'm glad we came. this was fun. besides, he's a sweet kid."

he wondered if you were half-blind, but held his tongue. instead toji groaned, rubbing his temples, 'kid’s not eating for a week."

take #5 — brought the heat back!

it was a quiet thursday evening, the kind of night that lured people into thinking life wasn’t a complete dumpster fire. the sky was fading into a smug sort of pink, and a light breeze was making it just nice enough to forget toji's apartment was a little too warm because he’d cheaped out on air conditioning.

you’d accepted his invitation for dinner, and now here he was, a grown man trying to pretend he wasn’t about to impress the hell out of you with his cooking.

see, toji wasn’t just some dude who could barely boil water. nah, this man knew his way around the kitchen — specifically around a bowl of spicy curry that could win hearts. but he couldn’t let you know that.

toji liked to think that he had a reputation to uphold: rough around the edges, dangerously hot, and way too casual about everything.

so when you walked in, he scratched the back of his head like he’d just thrown the recipe together from a vague memory, muttering, "i dunno, figured i'd try somethin’ new. if it’s bad, there’s takeout."

except this wasn’t new. toji knew exactly what he was doing. his curry was legendary in very specific circles — namely, his own ego.

meanwhile, megumi was hanging around the kitchen like a suspicious little gargoyle, all quiet and sneaky-eyed. that should’ve been the first warning sign.

and when dinner was served, toji had to admit it, it looked perfect. rich, golden curry with just the right balance of spice, heat curling off the plates like a victory lap. hah, an easy win.

you had taken a polite bite, smiling at first. until your face suddenly froze like you'd just been slapped by a fire demon.

"what, it's too spicy?" toji asked, as he watched you struggle to smile. your lips twitching like they were trying to run away.

"no, no!" you wheezed, "it's — it's really good. just got a lil' kick to it, that's all!"

kick? toji blinked. you looked as though you had been delivering a roundhouse to the face.

suspicious now, he scooped up a big bite himself. the moment it hit his tongue, he nearly choked. his sinuses exploded, his tongue went numb, and he could feel sweat instantly forming on his brow.

"what the fuck," he sputtered, slamming down his fork and lunging for his water. toji guzzled it like a man who’d just escaped a desert, while you valiantly kept nibbling as though your dignity depended on it.

megumi, sitting way too calmly at the table, didn’t even flinch. he was eating like the curry was perfectly fine, which made it even worse. this little freak.

toji squinted at his only child, "megumi. what did you do?"

"nothing," the kid said, wide-eyed and dripping with fake innocence. too fake, tsk, toji knew that look. "just...helped with the seasoning."

toji’s stomach dropped, as his blood pressure rose, "how much seasoning?"

megumi shrugged, stabbing at his rice like he wasn’t actively committing a felony, "i dunno. a lot. jus' wanted to be helpful, dad."

"y'trying to kill me? her? yourself?!"

you laughed nervously through the pain, "ah, toji. it’s really not that bad —"

"don’t lie, doll" toji snapped, shooting you a look, "sweatin' like you ran a marathon."

"so are you!" you shot back, snickering. and you weren’t wrong. toji's forehead looked like he’d just finished a full-body workout.

megumi leaned back in his chair, chewing slowly, and said with an infuriating amount of smugness, "i like spicy food."

toji pointed at him, wondering if it would be easier to pick up the kid and launch him out the window, "you better start liking ramen, ‘cause that’s all you’re eating for the next week."

"fine with that," megumi said, clearly unbothered, "isn't that what i eat all the time anyway?”

toji groaned, dragging a hand through his messy hair, which now stuck to his forehead in sweaty, choppy strands.hHe turned to you, desperate for some kind of redemption. "this wasn’t how it was supposed to go. it’s normally amazing. i swear."

"it’s fine," you laughed, even as you sipped water like your life depended on it. "honestly, i think it’s kinda cute."

that threw him for a loop. "cute? what’s cute about this? i just served you a bowl of liquid hell."

you grinned, a little too amused for his liking. "it’s the effort."

toji, for once in his life, had no comeback. he just sighed, defeated, and grabbed his phone to order takeout. megumi, meanwhile, looked entirely too pleased with himself, even lifting the bowl to his lips to smack away the remnants of the soup that he slurped.

interlude: the peace talks

you’re standing outside toji's dingy apartment building, where even the cracks in the walls look like they’ve seen some things. you’re not entirely sure why you’re here. okay, that’s a lie. you’re absolutely sure— it’s because of him. that rough-edged, broad-shouldered man who can bench press your common sense into oblivion. but of course, you’re telling yourself it’s "just to check in."

totally innocent.

you knock. a few beats of silence, then the door creaks open just wide enough for a face to peek out. it's megumi fushiguro, toji's odd kid, and his expression already screams ugh. the kind of look that says, "what does this clown want?"

"uh, hi," you say, suddenly unsure if you’re allowed to be nervous around a first grader, "is toji here?"

megumi stares at you like you just asked if the sky was plaid, "nope," he says flatly, but doesn’t move. he keeps the door partially open, like he’s either waiting for you to leave or deciding if you’re even worth his time.

"oh. okay, that's fine, i'll just —" you motion vaguely toward the stairs, already regretting this whole situation. but then the kid speaks up.

"why do you wanna see him?" his tone is casual, but his eyes? sharp like sea-glass. too sharp for someone so young. he’s leaning on the doorframe now.

you blink, mind going blank.

"i don’t...i mean, i was just dropping by to say hi. that’s all."

megumi tilts his head, scrutinising you like you’re a suspect in a crime only he knows about, "do you like my dad?"

you choke on what must be your last breath on this earth, "what?! no! i mean, what are you even saying, he's..."

you’re spiralling, and megumi's smug little smirk says he knows it. He’s enjoying this way too much.

"sure," he says with a shrug, stepping back into the apartment. he leaves the door wide open like it’s an invitation — or maybe a saw trap. against your better judgment, you follow him in.

megumi plops down on the couch, picking up a laptop like you’re not even there, "you’re not the first," he mutters without looking up.

"what’s that supposed to mean?" you ask, trying to sound casual but failing miserably.

he shrugs again, still not meeting your gaze, "just saying, dad’s got... fans." he says it with the kind of disdain only a kid can muster when talking about their parent, "but you’re, like... different."

"different how?" you ask, instantly regretting it. you shouldn’t engage. this is toji's kid, not your personal gossip columnist.

megumi finally looks up, one eyebrow raised, "you don’t seem as dumb as the other ones."

wow. compliment of the century. "that's way harsh. but thanks," you say dryly, crossing your arms. "and here i thought we were bonding."

there’s a flicker of something else in the child's eyes. a glimmer of protectiveness, maybe, "look, i'm just saying...don’t get your hopes up, okay? i don't think my dad's that type of guy."

you frown, perplexed at having this conversation with a child who barely comes up past your waist, "what makes you say that?"

megumi looks like he’s about to launch into a powerpoint presentation on why toji fushiguro Is a walking red flag, but then he stops. his petulant expression shifts, softens, just a little, "i don't anyone to be sad."

and there it is. the kid act drops for a split second, and you see it. he’s not just being a little punk — he's protecting himself. maybe he’s seen toji screw up one too many times, or maybe he’s tired of people coming and going from their lives. either way, you feel a pang of sympathy.

you sit down on the edge of the couch, careful not to invade his space, "i get it,” you say gently, "and i appreciate you looking out for me, and for your father. but...maybe your dad’s not as bad as you think."

megumi snorts, "yeah, right. i think he's a mess."

"well, sometimes messy people need someone to believe in them," you say, surprising even yourself with the honesty in your voice.

he doesn’t respond right away, just stares at the laptop screen like it holds the answers to life. finally, he sighs, closing it with a decisive snap.

"fine. you can...hang out with him. or whatever. i won't pull any dumb shit,” megumi suddenly pauses at the slip of his tongue, “wait, don't tell him i said that word. but if this screws up, i'm saying ‘I told you so."

he sounds like he’s just agreed to let you borrow his favourite video game.

you smile, relieved, "deal."

just then, the front door opens, and in walks toji, all feathery raven hair, sweat-slicked muscles, and a duffel bag slung over his shoulder like he’s just conquered a small country. he pauses when he sees you, eyebrows raising in surprise. "hey, didn’t expect to see you here," he says, voice rough but warm.

before you can respond, megumi pipes up from the couch, "we had important business."

megumi watches you leave, your footsteps echoing down the hallway. you turn back once, smiling at toji like he’s just said something funny — or maybe like he’s not completely hopeless. his dad stands in the doorway, looking uncharacteristically relaxed, a satisfied smirk on his face that makes megumi's stomach churn.

how disgusting.

the second the door clicks shut, toji sighs like some kind of romantic hero from the bad drama his dad loves to secretly watch, running a hand through his choppy black hair and scratching at the back of his neck.

"isn't she cute?" coming from a guy who once tried to flirt with a waitress by asking her how many push-ups she thought he could do.

toji disappears into his room, leaving young, burdened megumi stranded on the couch with his thoughts. his dad — the six-foot-four slab of muscle and bad decisions who calls protein shakes "wizard juice" — is clearly falling for you. and honestly? megumi doesn’t hate the idea. you’re nice. you don’t talk down to him like other adults, and you don’t smell like motor oil and regret like toji's usual crowd.

but toji? his dad couldn’t woo a cactus. if this is going to happen, megumi's going to have to step in. it's the responsible thing to do.

he grabs his laptop again, boots it up, and clicks on the email icon with all the gravitas of a general preparing for war.

to: thestrongest@mail.com from: demondog02@mail.com subject: hey gojo i need help message: hey gojo i need help.

he hits send, satisfied. within ten minutes, there’s a reply. gojo's always on his computer nowadays, swamped by senior finals.

to: demondog02@mail.com from: thestrongest@mail.com subject: re: hey gojo i need help message: why are u emailing me. i feel weird emailing a six year old.

megumi rolls his eyes. he’s six, not stupid. he definitely thinks he's smarter than gojo satoru.

to: thestrongest@mail.com from: demondog02@mail.com subject: re: re: hey gojo i need help message: i think my dad has a crush.

there’s a pause. megumi imagines goji sitting in his weirdly pristine apartment downstairs, wearing those stupid sunglasses he insists are cool, trying to process what he just read.

the reply comes in two words.

to: demondog02@mail.com from: thestrongest@mail.com subject: re: re: re: hey gojo i need help message: come downstairs.

then another one.

to: demondog02@mail.com from: thestrongest@mail.com subject: re: re: re: hey gojo i need help message: let’s debrief. i got cookies.

megumi shuts his laptop, slides off the couch, and heads for the door. it's time someone with real intelligence got involved.

megumi fushiguro sits at the kitchen table, eating rainbow cereal and trying to ignore the way his dad is pacing the room like a stressed-out gorilla. toji fushiguro, a walking, grunting tank of a man, is mumbling under his breath about "women" and "bad timing" and something about his shirt being "too tight." not that his dad has any normal shirts — just those stupid gym shirts.

megumi, as the only person in this house with half a brain cell, knows exactly what’s going on. his dad's got it bad for you.

not that he thinks that his dad would admit it. no, his dad's strategy for dealing with his obvious feelings is to act like a complete idiot whenever you’re around. last time, he dropped a dumbbell on himself while trying to show off. the time before that, he laughed so hard at one of your jokes he spat coffee everywhere. megumi had to clean it up.

so yeah, his dad was hopeless, and apparently, it’s megumi's job to fix it.

but megumi doesn’t think of himself as a matchmaker. he thinks of himself as a tortured genius, forced to live among lesser idiots. and frankly, he doesn’t even like the idea of his dad dating. because that's gross.

but the truth is, megumi's tired of toji stomping around the apartment like a lovesick rhino, and if getting you and his dad together means toji might finally stop asking megumi if his hair looks "cool," then so be it.

he starts small. when you knock on the door that afternoon, megumi answers and blocks the entrance like a bouncer, just like gojo told him to.

"oh, dad's not here again," he says, casual.

your face falls, and megumi immediately clocks it. bingo.

"you're in luck today, lady. wait here," he interrupts, darting inside, "i'll grab him."

except his dad is in there, muttering something about a broken pipe in the kitchen, while tapping furiously on his phone. megumi marches in, hands on his hips.

"i let her in," he announces, like a town crier.

his dad looks up, like a deer caught in the headlights of his own stupidity, "what? why didn’t you tell me? damn punk," he scrambles for a shirt.

"i'm telling you now, dad," megumi says, dully, "also, you’re acting like a weirdo. just go talk to her. ask her out."

toji freezes, halfway into his shirt, "what's gotten into you, kid? gonna drop a knife on me, huh? what am i supposed to say?"

megumi resists the urge to roll his eyes so hard they fall out of his head, "i don't know. say hi to her. maybe don't mention the gym."

his dad frowns, "you're six, punk. what do you know? people like hearing about that shit."

"not normal people."

once toji is finally presentable — or as presentable as a man with permanent bedhead and a scar on his lip can be — megumi ushers him out of the room. then, like the misunderstood mastermind he is, megumi follows quietly, lurking behind the door to eavesdrop.

toji opens the door to find you standing there, fiddling with the strap of your bag. his usual dumb smirk creeps onto his face, "hey, didn’t expect to see you here," he says, leaning on the doorframe like he thinks he’s starring in a cologne commercial.

"yeah, i was just...in the neighborhood," you say, sounding way too nervous for someone who claims this is a casual visit.

megumi winces. they’re hopeless. this is your neighbourhood, too.

toji scratches the back of his neck, a nervous tick Megumi’s only seen when he’s trying not to embarrass himself, "well, uh, you wanna come in? i was just... doing some cleaning. we can...talk, or some shit like that."

megumi knows for a fact that there's a lie in toji's words. the only cleaning his dad's ever done is shoving everything into the closet and calling it "organised."

but somehow, it works. you step inside, smiling at him like he just offered you free ice cream. now, that would be a decent offer.

from his spot behind the door, megumi mentally pats himself on the back. phase one: complete. he decides to clock out, flopping back on his rumpled bed to pull his laptop back out, immediately logging back onto his game.

but by the time you leave an hour later, toji looks like he just won the lottery. you’re smiling too, waving awkwardly before heading down the stairs. and ugh, gross! you lean in and press a soft kiss to toji's cheek before you turn.

as soon as the door shuts, toji leans against it and lets out the most ridiculous sigh megumi has ever heard.

"hah, kid. she likes me," his dad says, grinning like a lovesick idiot.

megumi, standing in the doorway to the kitchen, crosses his arms, "that's foul. but no thanks to you."

his dad opens one sharp green eye at him, and scowls. "what’s that supposed to mean?"

"it means," megumi says, feeling a lifetime of bribery for ice-cream excite him, "you owe me. big time."

toji’s standing in the doorway, looking at megumi like he just asked him to join some cult. he scratches the back of his head, giving megumi that look — like he’s trying to figure out what the hell his kid is up to now.

"eh, you look weird today," toji mutters, a half-smirk tugging at his lips. he reaches down and ruffles megumi’s hair like it’s no big deal, making it stick up even more. his hair gets all spiky and untamable, and megumi scowls, smoothing it down, trying (and failing) to get his dark spikes to behave.

"yeah, whatever, dad," megumi mutters under his breath as toji turns and saunters off into his room. toji’s probably about to do a hundred push-ups and gloat to himself. megumi can already hear the dumb grunting from the other room.

as soon as toji’s gone, megumi sits back down at the table, shoveling a spoonful of cereal into his mouth.

for once, the apartment is quiet. no random phone calls, no weird people showing up, no random training sessions that sound more like a one-man wrecking crew than “exercise.” just peace.

it’s bliss.

he takes another bite of cereal, enjoying the calm and the fact that someone else is going to have to deal with toji’s nonsense for once. it’s about time.

to: thestrongest@mail.com from: demondog02@mail.com subject: mission accomplished message: it worked. my dad's in love.

a few seconds later, gojo’s reply pops up.

to: demondog02@mail.com from: thestrongest@mail.com subject: re: mission accomplished message: that's great! wanna help me with the guy i like?

megumi squints at the screen, blinking twice. he closes his laptop with all the gravity of someone who has just solved world peace.

to: thestrongest@mail.com from: demondog02@mail.com subject: re: re: mission accomplished message: no.

[babisawyer]

I know it's 2 am but I must complain about something.