#is that they’re trying to get the black community hyped up for war

[starlooove]

Uhm not to be a conspiracy theorist but a lot of this black ppl tryna reclaim democracy and the American flags and what it means to be a good ol murcian feels like a set up to manufacture consent for the shit they’re allowing Israel to get away with and the shit they’ll continue to back as tensions rise

[palaceofpassion]

Alrighty!  Time to get some hate!  Also, keep in mind these are my opinions.  You’re free to like, and feel however you want about whatever you want.  

Buuuut, time for some Temple Manga/Manhwa opinions.

Bleach and Naruto are both good at the start, however, they both suffer as the series goes on.  Kubo made it rather apparent that he didn’t even want to continue, this is a series that benefited from the color and action design from the anime as the manga itself is droll.  Everything is just a black ink blot, and he doesn’t do backgrounds.  Also he has the problem of same face.  It’s not good.  

Naruto I feel is better, but it’s still not a good series.  I will give Kishi that he’s a good artist though!  His backgrounds were very nice.  I was able to stomach through the end of both of these.  Alright story wise, but kind of meh feel wise.

In comparison O-parts Hunter or 666 Satan, did the Naruto thing but better.  It was done by his brother.  It didn’t feel drawn on, but the battles were fun and the story actually pretty sad.  You can most def see the inspiration from Naruto though.

Dragon Ball, oh god, the anime drags on way too much.  But the manga is a great read.  I think it’s a fun series, but it’s not great story wise.  

Hunter X Hunter is held back by the mangaka hard.  I know that he’s sickly, but there’s also the parts where he just doesn’t want to work most of the time.  Which ya know, fair.  It’s possible he doesn’t know what he wants to do with the series anymore, as it’s basically Hiatus x Hiatus.  Unfortunately, the Chimera Arc isn’t great, it takes a way a lto of the creativity that Nen had earlier and just goes into full on battle Arc.  It doesn’t help that the manga art turns into literal sketches at this point.

One Piece, I fucking LOVE One Piece, but it’s long.  And you have to be ready.  It can be a bit of a slow start up, however, Buggy had already drawn my interest from the start.  I do think people over hype how much oda has planned.  I do think he’s winging it a few times.  But it’s got a great feel to it, it’s probably one of the msot fun Manga, which I think is what it’s going for.  Battles, especially early in the time skip, are hard to read.  But what happens in them is amazing.  Also, I’d rather not talk about the anime, I’ll look up clips when I want to see things animated.  It’s just... episodes are drawn out way to damn long!  At least the filler is fun compared to Naruto’s.  Also Backgrounds 10/10 Oda.  This is on my to re=read list.

MHA, I enjoy it, but it hasn’t been enough to keep my attention.  I think it’s a good story, yet somehow, I was able to finish Bleach and Naruto, yet I don’t have the attention span for this series for whatever reason.  I’ll sometimes come back to it, so again, yeah not sure what’s the deal with that.  

Berserk is really good, I’m sad about the hiatus and what happened to Miura.  But his friend, the man who did Holy Land, I recommend Holy Land by the way, will be continuing it.  Though, their art styles are incredibly different so I imagine this is going to go vastly different.  One of the things I really enjoy, at least for what it was becoming, is something I enjoy about the more Recent god of War.  Someone who was ravaged by nothing but revenge, finally finding peace in themselves.

Komi Can’t Communicate, It’s cute as fuck.  But it peaked at the second year class.  Year 1 was super annoying, I hate Yamai.  That’s all.

Volcanic Age, this is a Murim styled martial arts Manhwa, so be warned.  It’s better than most!  Like, a lot better, the main character is reasonable, he doesn’t try to be the big bad man and tries to make everyone his enemy.  His knowledge actually feels well earned, compared to most of this type where they’re just gary stus.  Over all a good fun read.

Kingdom:  Fuuuuck, this manga is an emotional ride.  I don’t want to spoil it, but it’s historical fiction.  I enjoy this type of series, ancient warfare, as i was a huge fan of Romance of the Three Kingdoms growing up.  I still have the novels!  I suggest giving it a read, it’s really good.

Mashle, this is the over powered MC kind, but unlike One Punch Man, it doesn’t just remove the main character until plot demands it.  It’s about him, because it’s more than just a gag that became popular and now doesn’t know what to do with itself.  It give sthe main character to learn more about things, be more than just himself.  And he’s just a damned good person, if not a bit...k well weird.

Helck and Verndio, these are togther because one is a sequel to the other, and the effects of helck are slowly leaking it.  It’s pretty godlike.  Probably one of my favorites of all time.  Really wonderfully done, and it doesn’t last for very long.  Helck is a, OP main character, but it’s a riveting story!  You get to learn more about their world, and actually how terrifying it is.  In the end, being a single lone powerful figure just isn’t enough.  I really recommend these two.

Solo Leveling, it’s cool.  Like, it has that power fantasy down pat way more than The Gamer.  I’ll give it that for sure.  If you’ve read fics you’ve read The Gamer ones, the Gamer itself isn’t great... by any means.  Solo Leveling is definitely better, but at the same time it falls into the same problem of not being great story wise.  If you’re just in it for fantastic fucking art, and great fights though, this is really good.

On the note of Gamer style though.  Infinite Leveling: Murim.  Another Murim styled, but with stats and leveling for the main character.  This is done well, like fantastically well.  The leveling system is harsh he doesn’t just gain stats after stats, and they’re kept within the people of the world he’s with.  Those around him are truely superior, and the stats feel more like a natural progression of hard work he’s doing to train.  Unlike msot of the Gamer styled manga/manhwa, this one feels like he has to truly work for it, from excercising to training.

Worn and Torn Newbie, this is a game Manhwa, but the main character is fun and such a damn bastard.  You just can’t help but love him.  This series has really good art, and it’s a fun read if you want to just see how things go.  I suggest this one as well.

Return of the lEgendary Spear Knight, Another Manhwa, this is a breath of fresh air!  This one is one of those rare instances where people straight up change when they’re shown the error of their ways.  The world is shown to not be black and white, and characters who appear to be bastards can actually become better people due to the difference of environment.

The Lazy Prince Becomes a Genius.  The title is misleading, but this Manhwa is really damn good.  Probably my favorite Manhwa at the time of this post!  There are some pacing issues, but over all it’s great, and i feel like I’m losing point.

Anyways!

Mairimashita! Iruma-Kun, this will be the last one!  This is just a better RWBy style story.  If you like RWBY you’ll probably like this one way more.  The author fleshes out the characters at a much better pace, they’re all able to do things even if they aren’t combatants, and unlike RWBY, they feel like genuine friends who have good teamwork.  Story is pretty basic, but it’s elevated by the fun cast of characters who are all incredibly charming.  The main character is also just fun, he gets better and better as the series goes on.  The Rival character, so to speak, makes Bakugo eat dust for sure.

Feel free to tell me off if you want.  Just some thoughts i had when watching a Trash Tastes episode.

[praphit]

Godzilla vs Kong: A Good Christian Film

It was Easter weekend, so I had wanted to check out a good Christian film. There is some new hotness out there called "A Week Away".

It's a musical, about a troubled teen, who breaks the law; his options are then to either go to juvie or go to a Christian camp. Obviously, this teen would be white:) It's a spellbinding tale about right and wrong, about Jesus, and from the looks of the poster, it's also about some Christian booty - and the power thereof to save this young man's soul.

I was all set to watch it, but somehow "Godzilla vs Kong" ended up on my screen instead. 

Weird, right??

But, I can find Jesus in any movie. I was sure I could find Him in this movie too, so I let this weird phenomenon take me:)

The trailer of G vs K had me hyped!

Godzilla and Kong, going WWE in various cities as their ring. I'm sold!

Then, they said "and here's the cast!" I really didn't care about the cast. I mean...  let's say that a young Mike Tyson, time travels to 2021 and says he wants to fight Conor McGregor. 

Young Time Traveling Mike Tyson vs McGregor??!! Are you kidding me??!! The world would literally stop as these two fought (aka Tyson murdering McGregor in the ring). 

And then, the promoters spent all their time hyping Mike and Conor's training staff, and the ref, and the people calling the fight, and why these two are fighting - WHO CARES?! Some fights don't require much promo.

Unless they're going to interview Kong and Godzilla (and how great would that have been??), idc.

But, this movie sure does, so let's go through them, briefly:

Rebecca Hall - 

 I love her! I don't care about her in this movie, but I love her. She is the top smarty-pants scientist who's out there trying to manage this big thing(Kong). She's kinda like Dr. Fauci.

There's a cute,little deaf kid who everyone tells me is special. 

I'm not going to make fun of this character, though I'd really like to, because she does some silly things. But, what kind of asshole makes fun of a cute, little deaf kid??

Alex Skarsgard -

He's eye-candy. Fun Fact: he learned sign language, so he could better communicate with Kaylee Hottle (cute, little deaf kid - who in real life, is a cute, little deaf kid). That's awesome! - he's still simply eye-candy.

Eiza Gonzalez - 

They needed a Hispanic person on the team.

Millie Bobby Brown - 

Her character is annoying, boring, and disrespectful to her dad (a triple threat). She kept referencing the last Godzilla movie (which in it, apparently, her and her dad had issues), as if anyone watched/remembers that movie.

Annnnnd there's a crazy black guy in this

 - he's kinda like Alex Jones.

More interested now? Nah, me either.

Can we please get to the fight now?!

Nope, gotta talk about "the why?" first: 

You see...  

...

Godzilla... um... see, there's some sort of energy that... we need, cuz ya gotta have energy, right?? So, Kong... he... *sigh* damn. He's tracking the energy, but Godzilla is big like Kong, so... there was a war a long ago? Some rich dude is building some THING... there's a planet and a tunnel... and Kong has axe. Boom! PLOT! Kong works with the humans a lot here, which doesn't make much sense. It seems to me that the humans are doing just as much damage to him as Godzilla. Again, I don't care. Just say that Godzilla said Kong's mama is fat and ain't got no teeth, and that would have been enough for me.

An axe though??? What the hell??

JUST FIGHT!

When they finally do fight, it's very cool!

They fight in the water. 

There's an epic battle at the end on some surreal planet full of butt eaters. Not joking, there's a scene where some creature swoops down and starts eating some dude's butt. I hope we learn more about Butteater Planet some day.

Like I said, Kong has an axe (and it's magical... yep) 

And there's some Mortal Kombat-type action that goes on as well.

I loved the fighting, but it was only about 7-10 mins of the movie (and I'm probably being generous). The other hour and fifty minutes are about the cast and "the plot". It's called Godzilla vs Kong, dammit! That's all I need! It's the only reason I'm there! It's the only reason I didn't watch a privileged white boy sing songs about how he found love (in his loins) at a Christian Camp!

I recommend fast-forwarding  through to the fights. 

Better yet, just find the fights on Youtube. Trust me, the rest of the movie doesn't matter. The fights are dope, 

but not enough in comparison to all of the bullshit surrounding them.

I would have rather have had 30 mins of fighting, maybe a couple of breaks for them to sit down, drink some water, and get coached up... maybe have some comedians commentate (Chappelle and Burr, maybe), and right back to it. If they do this again, tell the actors to get out of the way!

Grade: D-

I think I found the Jesus in this though:

Many pay attention to church twice a year. A lot of long drawn-out services. BUT, you can skip around, to get to the good stuff if you'd like.

If you want the gospel - BOOM John 3:16 - now you don't even need to sit through the service (and what makes a long service longer? - watching it online as many did to escape The Ronas)

If you want your shot of religion, so as to not feel guilty until Christmas, then skip the Catholic services, skip the "Black churches" , cuz if you don't, you'll be streaming that service all day and all night. Find that little church, who doesn't have a staff or musicians yet, their tech might not even work right for the live broadcast, the feed could go out on you, but hey... it still counts for that Easter credit.

My point is, Jesus doesn't want you to waste your time, so don't watch this movie. Amen?

Amen.

[theonewiththefanfics]

Hate (one-shot)

Synopsys: Bucky and reader have been stuck in the safe house for quite a while now, and the snow doesn’t seem like it will be letting off any time soon. New Year is creeping closer and closer. And it’s just the Reader’s luck that she’s stuck with a person who absolutely despises her guts.

Pairing: Bucky Barnes x f!Reader

Genre: fluuuuuuuuffff, soft angst 

Warnings: swearing, the reader is so dumb... like the last three brain cells she had, left the chat because of what an idiot she is

Word count: 2816

He hated her. Y/N was absolutely one hundred percent sure – Bucky Barnes despised her. The war veteran, the last serving Howling Commando, the longest-held war prisoner and the man who had stolen her heart hated her.

      She watched him from over the rim of her coffee cup, how his long brown locks fell over his high cheekbones, and he huffed pushing them away from his face. Y/N had to force down the groan of just how much she had to restrain herself from going over, running her fingers through his hair and maybe tying it back in a little bun. Fuck, if he ever did that, she was sure she’d die from the hotness that was Bucky Barnes.

      They hadn’t known one another for that long. Y/N had joined the Avengers a couple of months after the whole Thanos thing. For one, she had been one of the unfortunate ones to be dusted. She had been taking a warm, relaxing bath after a long day when her feet suddenly disintegrated in the water. The last thing Y/N had managed was to throw her book over the side, so at least that didn’t get wet.

      Sam had found her after everyone was brought back by Bruce. He was recruiting new people for the team as the new captain, and the first thing she had been there to witness was his try-on haul of the new star-spangled costume.

      “Don’t you think it’s a bit novel?” Y/N asked biting on her lip. “I think the shield would be enough to tell them who’s the boss.”

      “It’s a symbol!” Sam emphasized and turned around to look at his ass. “It’s supposed to send a message.”

      Y/N hid her smile behind her palm and shrugged. “Just… never picked you as the tights guy.”

      Sam groaned. “They are not tights!”

      That was the moment when Y/N had met Bucky, and that’s when all of her rational thinking flew out of the window faster than Redwing.

      He came sauntering into the living room, a grey T-shirt stained with sweat and clinging to his body, the fabric defining each and every muscle the man owned. When Sam said that Y/N started drooling quite literally, it might've been because of the fact that a little dribble of her coffee she had had in her mouth actually spilt out on her leg.

      “You look like the American fucking flag,” Bucky snorted and gulped down a large mouthful of water, cocking his hip out.

      Fuck, Y/N thought to herself, how in the absolute hell can someone drinking be the most sinful thing on Earth. Like holy hell when did sweat become a turn on for her? Especially when it slowly slid along his neck and disappeared down his chest. She had to close her eyes to remove the mental image of him panting on top of her. Sweaty, like in that moment, but because of different reasons.

      “Fuck off, tin can,” Sam snapped back, “or I’ll replace you with her.” He motioned with his head towards Y/N, and she ducked further down on the couch. “You’re not special with your sniping.”

      Bucky shook his head and threw her a quizzical look. “And what’s so special about you?”

      Y/N would’ve probably answered nothing, that she’s completely ordinary because actually talking about her abilities and giving herself some credit was way beyond her skill set, so Sam stepped in.

      “She’s an army vet and was in the Snakeskin program.”

      Bucky’s eyebrows furrowed. “Snakeskin?”

      “They were an elite ground force group of troops trained to be as stealthy as assassins. Her specialty is sniping. So, don't go on thinking you're something special. 'Cause you're not.”

      The super soldier now fully looked her over, and Y/N wanted the couch to cut open and swallow her whole, because holy fucking fuck, was Bucky’s gaze intense. It was like he was trying to carve out her soul just by looking at her. The only thing that came to her mind was to give him an awkward smile and a small wave. He gave her a nod and then looked back at Sam.

      “I’ll be out for the rest of the day. Steve said he wanted some help with repainting the fence.”

      “Yeah, you go be a good wife,” Sam waved him off and looked himself over once more in the mirror. “And please remind him he owes me twenty bucks.”

      “What for?” Bucky hollered from the hallway.

      “He knows!”

      They only heard a scoff before the elevator dinged, announcing Bucky’s exit.

      “So,” Sam looked at Y/N through the mirror. “That went well.”

      If only that was how she saw it. Y/N thought Bucky hated her, and Sam’s little remark about her replacing him was not sitting well with the woman. She wasn’t there to replace anyone, least of all one of her childhood heroes who was doing everything in his power to prove his worth to the world (even though she didn’t think he had anything to prove and everyone else could just go off and fuck themselves).

      She was just there to hopefully once again regain some sort of a sense to her life. After leaving the Snakeskin program, and being one of the victims of the Snap, it was hard to find where she belonged. Then Sam called Y/N up and told her they were reforming the Earth’s Mightiest Heroes, and he wanted her to be a part of it, so she jumped on the opportunity.

      And that’s what lead them to that moment – Y/N slowly sipping her coffee as Bucky tried to finish up a crossword puzzle. From time to time she glanced up from the swirling black liquid to the super-soldier, but of course, he wasn’t paying any kind of attention to her. He never did.

      After their first meeting, their interactions were limited to small ‘hellos’ and ‘goodbyes’ and communicating during missions. There was never any direct animosity, but the fact that Bucky talked to everyone on a daily basis except for Y/N – well, she didn’t need it to be spelt out.

      But it was just Y/N’s luck, wasn’t it? First, she got sent out on a mission with a man who can’t stand to even spare her a glance, then they get snowed in without a way out (even the jet was seven feet under the snow), and now New Years was right around the corner, and she would have to spend it all alone.

      Y/N looked out the window to the never-changing scene of swirling white flakes. They weaved and moved in a dance she couldn’t comprehend. But while she watched what was happening beyond the glass, Bucky was watching her.

      His eyes trailed the way her face curved and sloped, eyelids half-closed surveying the scenery, but mostly how her flannel shirt had slipped off from one of her shoulders. He so badly wanted to reach out and gently place it back to where it was, but he couldn’t.

      Bucky was no longer the same confident man in an army uniform that used to sweep ladies off their feet and make them dance the night away. This man woke up in the middle of the night in cold sweat and could barely keep eye contact with anyone that wasn’t Steve, Shuri or Sam for no longer than five seconds. So, pulling Y/N’s shirt back up was out of the fucking question. But he didn’t have to dwell on it for too long.

      “I’m gonna take a shower,” she announced, although she had no real idea as to why. Bucky only responded with a hum, which she guessed was more than what she expected to receive, but then again – it was more of an acknowledgement than she’d gotten in the three days they’d been stranded together.

      The stream of hot water pelleting her skin was a welcome change from the icy touch of being ignored and discarded. Although Y/N was stuck in a safe house somewhere in the middle of the woods, in the middle of nowhere in Finland, it was a Stark-created safehouse. So, it was occupied by every possible piece of technology. Including the best speakers known to man.

      Because Y/N was a punk-rock emo bitch at heart (did you really think I wouldn’t put this in? Killjoys are back, suckers! Put on your fucking eyeliner and get ready cause it was not a phase, mom, it's a fucking lifestyle!), her playlist automatically switched from ‘Kicking-Ass’ that was designed to hype her up during missions to ‘Singing-Like-A-Rock-Star’ with ‘Gives You Hell’ blasting through the bathroom.

      It was like Tony had known that people would be absolutely jamming in the bathrooms because the floor was lined with a rubber mat, giving Y/N the freedom to go ham.

      And she sent up a little 'thank you' to wherever Tony was because she had needed that. She had needed to let go of all of the tension and thoughts that had collected in her body just so she could re-enter that same worrying state a second later. Just with clean hair now.

      Pulling on comfy grey sweats and a huge navy-blue T-shirt, she twisted the towel and plopped it back over her head to keep the wet strands away. The house was constantly warm because Bucky kept the fireplace stocked almost 24/7, but it was even warmer now as he had added a new pile of wood, though the man himself was nowhere to be seen. Which was fine by Y/N.

      With a huff and a roll of her head, she ventured into the kitchen, having decided that dinner needed to be had. It was halfway through her boiling pasta when the shrill sound of her phone ringing made her drop the sauce-slathered spoon.

      “Yeah?” She pressed the phone between her shoulder and ear and went to wash off the spoon, careful not to put the curved-inward part under the stream.

      “Y/N,” Sam’s warm voice invaded her senses. “How are you holding up? Fury and Maria says the storm’s still raging.”

      A glance outside of the window told her as much. “Any news on when it might stop?”

      “None at this moment,” Sam replied. “They’re checking every five minutes for an update so they can finally send an extraction bird out.”

      “Ooh, can you ask Maria to send the one with the bed?”

      “Sorry,” Sam sighed in mock sadness, “that one’s been sent out to Guatemala to pick up Wanda.”

      “Ugh,” Y/N groaned and threw her head back. “Damn Wanda and her mission. Could she not like manage until she got back to the Tower? It's not like she's had to sleep in the middle of the jungle or something?”

      Sam laughed, and it made her smile, knowing that he understood her joking tone. “Yeah, right? What a princess!”

      Y/N smiled and finally added the pasta to the boiling water. “What are you gonna get her for her birthday?”

      “Dunno,” her friend replied. “She’s been looking at that one perfume for a while, but we gotta figure out what Vis is getting first… speaking of other halves – you and Bucky getting on well?”

      Y/N huffed turning to face the boiling pot and stirring the pasta in it. A little vortex formed completely mimicking how she felt on the inside. “As well as two people who can’t stand to be near one another, but have to share a place, can.”

      She heard him chuckle. “Come on, it can’t be that bad! I still don’t think you’re in the right about this.”

      “About what?” her eyebrows furrowed. She took out a piece of pasta and chewed on it. Still wasn’t the right texture.

      “About Bucky. I think you’ve got it all wrong.”

      The scoff that wanted to escape her throat was blocked by the piece of food, and she almost choked on it. “Sam, he fucking hates me!”

      “I – I don’t hate you,” came a voice from behind Y/N, and she spun around, mouth left hanging open as her phone was clutched tightly by her ear.

      She could practically hear Sam grin through the phone. “I guess you gotta go.”

      Bucky stepped closer just as she lowered the now silent mobile. “Y/N, why would you ever think I hate you?”

      “Be – because you do?”

      “When did I say that?”

      She shook her head. “You didn’t have to.”

      Bucky’s whole face fell at her words. “What do you mean?”

      “I mean you talk with everyone else but me. You can’t look me in the eye one bit, and do I need to remind you when you actually left the whole Christmas gala thing right after I walked in, and I quote ‘I can’t be around her’.”

      Bucky’s eyes widened, and this time it was his jaw that hung open. “You heard that.”

      “Loud and clear.”

      “I – I,” he stammered and then cleared his throat. It was time to put all the cards on the table. “I only said that because had I stayed; I would’ve done something I’d regret.”

      “Like what?”

      “Like kissed you.”

      And there went Y/N’s breath. And her heart. And her sanity. And frankly, everything she’d ever known.

      “I would’ve most likely told you how I felt,” he said and stepped closer watching every facial feature of hers.

      “And how do I make you feel?” she breathed out.

      “Nervous. I haven’t had feelings like this for a girl in decades… and I didn’t know how to process them let alone act on them. Things have changed so much since I was chasing skirts… nowadays everything’s so complicated… and I was scared you wouldn’t feel the same. I mean, we have to work together, and we live in the same place, so if things didn’t work out… I just didn’t wanna risk it.”

      As he talked, she had started to pace. In stressful situations where she didn’t have to focus on pulling the trigger or if she wasn’t trying not to trip off a treadmill, Y/N paced. A lot. She was pretty sure there was a line in the living room floor where she had done her thinking before missions.

      “Wait, so you like me?” Y/N spun around and pointed at him. “Like really like me?”

      “Yeah,” Bucky chuckled as relief flooded his veins. He wouldn’t have smiled as wide as he did, had he not seen her lips quirk up. “Yeah, I really like you.”

      “And you don’t hate me?”

      “Not one bit.”

      Y/N stepped forward, head hanging low as she carefully grasped Bucky’s hand and intertwined their fingers, metal twining with flesh. “So, you like me?” she looked up at him, eyes intently watching his face. He squeezed her palm stepping closer as well, chest to chest at that point. He placed both of their hands right over his beating heart.

      “Yeah, I do... Happy New Year, Y/N,” Bucky muttered with a shy smile gracing his face.

      “What?” she had been so lost in his eyes that his words weren’t registering. His soft chuckle was like a melody designed by angels.

      “I said Happy New Year.”

      Y/N looked down to the worn watch on his right wrist and sure enough, the two hands were perfectly aligned to 12. A small chuckle escaped her mouth as she reconnected their gazes.

      “Happy New Year, Buck.”

      He was so close to her; she could smell the hot chocolate he had been drinking. Y/N closed her eyes, insides trembling as he leaned closer. But the kiss never came

      “I heard you in the shower.”

      “What!?”

      Bucky grabbed a spoon from the table and used it as a microphone, pointing at Y/N and wiggling his hips to the rhythm of the song. “’ Hope it gives you hell, hope it gives you hell!’” She shoved him away from her and through a laugh threw her towel at him.

      “Ugh, I hate you!”

      “No, you don’t!” Bucky grabbed at her waist and pulled her to him. Together they plopped down on the couch, and Bucky didn’t hesitate to pull her in his lap, legs thrown over his and head resting against his shoulder. Y/N looked up at him, her hand leaning against his stomach as she drew gentle circles on the shirt clad torso.

      “Can I kiss you?”

      She chuckled and moved closer to Bucky. “Are you still going to make fun of me and my singing?”

      He looked like he was contemplating before he nodded, a wide smile on his face as he pressed his forehead against hers. “Yeah. Most definitely. For as long as you let me.”

      “And if I say forever?”

      She didn’t need to hear him say what was on his mind when the only thing that existed was Bucky’s smile. Y/N’s own lips widened, as he bent closer. The New Year and the new decade had begun quite a few minutes ago, but neither cared much because as their lips touched, a new chapter in their lives opened.

Tags (crossed out wouldn’t take):

Bucky tag list: @thunderous-flower @who-cares-rn​ @projectxhappiness​ @callmebucky-doll​ @coal000​ @killuaenthusiast @courtneychicken​ @sophiealiice​ @raquelbc2003​ @watch-out-for-thorns​ @potentially-kinetic​ @thatonegirljessy99​ @proxinge @bbkenna @buckysclub​ @ulired @fangirlofeverythingbasically @mrsalh32611​ @horrorx570ximagines​ @the-nargles-made-me-do-it​ @pooslie​ @itsisabelanotisabella @httpmcrvel​ @purplebananatragedy​ @pxrrishly​ @parker-barnes-af​ @skulliebythesea​ @california-grown​ @stevehesaidabadlanguageword​ @belongsto-prachi​ @hello-i-am-insane @its-nott-my-problem

Marvel tags: @nerissa98​ @happyseagrill​ @asguardiansoftheavengers​ @crazybutconfidentaf​ @wishingforahome​ @pizzarollpatrol​ @desir-ae​

Forever tags: @lumelgy​ @palaiasaurus64​ @supernaturalbaesduh​ @breezy1415​ @crazy--me​ @thatawkwardlittlefangirl​ @sea040561​ @staryeyedgirl​ @deathbyarabbit​ @s-c-a-r-e-d-po-t-t-e-r @reblogger-not-a-blogger @m-a-t-91​ @dalilx​ @i-need-a-hero-i-need-a-loki​ @maladaptive-ninja-returns​ @averyrogers83​ @in-the-end-im-still-trash​ @gallifreyansass​ @dewy-biitch​ @avxgers​ @unlikelygalaxygiver​ @sweet-ladyy​ @magicwithaknife​ @ollyoxenfrees​ @bnhvrdy​ @tvwhoresblog @celebsimagines​ @thatkindofgurl​ @sj-thefan​ @teenwolflover28

A/N: Hi! so, quite a lot of things have happened. and the biggest thing is... I’m gonna be seeing MY CHEMICAL ROMANCE in JUNE!!! AAAHHHHH!!! I’ve been a fan of them since I was nine, and now I finally get the chance to see them perform live! I’ve never been so stressed in my life while trying to get tickets to something! I was in the middle of my 9 AM lecture and I was legit shaking. I fuffed about for like 3 seconds and those 3 seconds cost me the tickets... at first! and then it was like the emo gods were smiling down upon me, I saw there was another date added. I thought it was a glitch in the system because nothing was announced. so, obviously, I clicked off, only for my twitter notification to go off that they have announced they have added another date. I think it’s fair to say that I was barely functioning as I clicked furiously on my computer. And now I get the chance to see them... I am STOAKED!!!

[gloster]

FAVORITE FANFICS OF 2019

HAPPY NEW YEAR’S EVE & HAPPY 2020 TO YOU ALL.

So this was a fun post I did last year, inspired by the dozens of Favorite Books of 2018 by the booktubers I followed and I thought to myself: why not do a little something something for the fanfics that stood out to me, stuck me with throughout the year. 

Last year I read insanely amazing reads, and if you’re interested to see what were my favorite fanfics of 2018, here’s the link: past favs

For this year, I read sooooooo many incredible fanfics that it was hard to narrow it down to just 10. And the funny thing is, a good portion were from the same author, so it was insanely hard picking the top one. 

I implore all of you reading and following me to try the tag-and please tag me. Always on the hunt for fanfic recs. I also am curious to hear the favorites from the following people: @kila09, @sebbies, @bookstakeyoutootherworlds, @scarlet47, @fleetofshippyships, @eyelashesandentropy, @tired-luxis, @dreamydrarry, @mothermalfoy, @profoundfelicity & @goldentruth813

Without any further ado, here are my top 10 favorite fanfics for 2019:

1). Soup-pocalypse and The Great Curry Cataclysm by SqaudOfCats/ @norelationtoatticus (drarry)

Summary: Eleven years after the war, Draco Malfoy leads a quiet, boring, and perfectly respectable life, thanks very much. Or, at least he does, until a sudden and very unexpected veela awakening causes him to throw soup all over Harry Potter in the middle of the Ministry cafeteria.

If the summary alone doesn’t get you to immediately click on the link and read, I don’t know what to say. But I can say this. SqaudofCats has become my new drarry favorite author period. I read all of her drarry stories, loved them all, and am hoping she does more. 

This story, in one word, was a GEM. A FUCKING GEM. It was so so so good.There were so many good elements: Veela Draco, Dad Harry raising Teddy, Draco learning how to cook, a strang but HILARIOUS courtship involving food that I didn’t realize how much I needed until this story. It was also a perfect blend of fluff with so many cute moments and angst, which thankfully didn’t involve the couple but had to do with Harry’s mental health and PTSD post-war. 

I read this story back in May and I still think about it. Have to stop myself from reading because I have so many fanfic tabs. But it is so good. It’s so addicting. Highly recommend. 

Honorable mentions from this writer:

*Gift for Draco

*Nearly Lost Things, Carefully Tended

2). Cinderfella by @goldentruth813 (sheith)

Summary: Takashi Shirogane is exactly the kind of man Keith likes; built like a brick house with a smile sweet enough to rot teeth and a heart of gold. Of course he’s also YouTube famous and worlds out of Keith’s league. The closest he can get to his pseudo-celebrity crush is when he watches Shiro’s videos from the safety of his bed. Or so he thinks.

This incredible bean of a human being, this incredible writer is the reason I was pulled into the sheith ship long before I finally got into the show-and then had me drag @kila09 into the incredible maddness that is Shiro and Keith and the crew....and the disappointing season 8 that I am still pissed about. But yes @goldentruth813 is the reason why I got pulled into this ship, and this fanfic is the story that sealed my love for sheith and made them my 3rd favorite ship of all time. 

This story is a fun, hilarious modern twist of Cinderella that obviously involves two guys, one is who a popular Youtuber and the other who is a hardcore super fan who meet in the most surprising circumstances and come back together in the most hilarious of ways. With our classic glass slipper being a beloved leather jacket. 

It’s so stinking cute. It’s so hilarious. And it’s so weird since, while I do appreciate the fairytale, Cinderella isn’t one of my favorites but I’m a sucker for a good retelling of it. And this was so good.

Honorable mention by this writer: 

*Safe Haven 

3). Burn the Witch by @lettersbyelise (drarry)

Summary:  When Harry Potter is sent in to investigate Draco Malfoy’s successful potions company, posing as Draco’s bodyguard, he doesn’t know the case will launch a series of events that will change his life — and Draco’s. A story about choices, scars, Chopin piano pieces, and finding all kinds of love in the most unexpected places.

Let’s be honest here. At this point, are we really surprise to see this story here , featured in a favorites/rec list? Are we honestly surprise? At this point, I feel every drarry-shipping reader has read it. Devoured it. And praised it. 

This story pretty much took over the drarry community the way Red, White & Royal Blue took over the book world. There wasn’t a day when I didn’t see Burn the Witch featured in a drarry fanfic recs post, saw posts praising it. Fanart of it, edits for it, and several mood-boards. It was THAT STORY. And I am proud to say it was worth THE HYPE. 

Because it’s so well-known, I’m not going into too much detail but I can say it involves Daddy Draco and Scorpius who is precious, Harry in an undercover mission, and has one of the BEST post-war, slow-burn to the point of excruciating drarry relationship I’ve read all year. READ IT. 

Honorable mention by this writer:

*Draco Malfoy’s Stupendous Seduction Seminar

*Love Me (Four Times)

4). Evitative by Vichan (drarry)

Summary: In the summer before his fifth year at Hogwarts, Harry is drawn to a room in Grimmauld Place. Like the Gryffindor he is, he enters the room without fear. The room is a library, and Harry is surprised to find that he’s eager to learn.Then he gets the bad news: he’s been accidentally expelled from Hogwarts, and he needs to be sorted again. Everyone is confident that he’ll go straight back to Gryffindor, but with what he's been learning, Harry’s not so sure.

Out of all the stories I have in my list, this is the only one that is currently a WIP. I know some are hesitant with WIPs but this one is so worth it. Another hidden jewel found by chance. This story has to be one of the best slytherin-Harry ever and that shows the Slytherin House and the Slytherins in a positive light while still remaining true to their cunning ways. 

5). Up We Go by Oh_Hey_Tae (BTS: Taehyung x Jimin x Yoongi)

Summary: “If you’re a witch that works with plants, then why are all of yours dead? That can’t be good for business.”

The room dims again, and Jimin lifts a hand to flip off the ceiling. Taehyung knows he’s sad and that’s why the shop darkens and he shouldn’t find it funny—but he can’t help it. Because this is ridiculous. The good kind of ridiculous. The amazing kind.

(Or: Taehyung has a green thumb, Jimin runs a magical store, and Yoongi can kind of see dead people.)

Oh my goodness, where on earth do I even begin with this one? I am loss for words. It’s been months since I read it and I am still lost for words on how incredible it is. This story reads like a fairytale. Who am I kidding? This is a fairytale. A beautiful fairytale that is of loss, grief, friendship, family, love, and magic. And a beautiful fairytale that features a poly relationship

I was broken at the last word of the last chapter. Broken. Broken and put back together again.This story was so heartbreaking and heartwarming and I couldn’t think of anything else the whole damn week after I finished it. It was that good. 

Honorable mention by this writer:

* Tell Me Again

6). Silence by the Night by @parkkate (drarry)

Summary: After a spell goes horribly wrong, Harry has to deal with the loss of his eyesight. It’s such terrible timing, too, because how is he supposed to find out what Malfoy has been up to in the Room of Requirement? It’s not like he can ask the git, not only because it’s Malfoy, but also because the Slytherin has suddenly lost his voice. While they’re both trapped in the hospital wing, however, Harry discovers there’s so much he didn’t know about Malfoy, and it’s highly intriguing, but also a bit alarming. Where did all these confusing feelings come from all of a sudden? And what is Harry going to do about them?

See no evil. Hear no evil. Speak no evil. That is the best way to sum up this story. The themes of it certainly tie with the story. This story....there is a certain chapter and @parkkate knows what I mean if she remembers my reviews that shattered me. That made me sit down with a gasp because the angst just cut through me in a way that no other drarry fanfic had do to me. @parkkate I hope you know what I mean. 

Funny thing is about this fanfic is that it took my lazy butt forever to read it, like months after it was done. And mind you, I’ve seen so much praise and incredible fanart for this fanfic as well. So yeah, I was cursing myself for not getting to it sooner. And it was so so so so damn good that I literally said to @parkkate THIS IS CANON. This is canon. This happened 6th year after the bathroom scene and no one can tell otherwise. 

7). You only Live Once by @dreaming-fireflies (viktuuri/victuuri)

Summary: It's when the man is soaring in mid-air under the full moon that Victor gets a good look at him: he's Japanese, with black hair slicked back in a styled look, and a lithe body covered in tight, tight, leather under a navy blue coat.

And when the man lands on the ground again, Victor sees the final piece that captures his heart absolutely and thoroughly – a pair of brilliant, golden eyes.

Victuuri supernatural AU in which Victor is a Western demon hunter and Yuuri is a Japanese half-youkai exterminator.A cross-cultural romantic comedy/drama, with Japanese mythology, shounen action, and slice of life elements.

Literally the summary itself said everything you needed to know, everything that should AND MUST intrigue you enough into reading, that I don’t know if I really have anything to add. But I’ll try to add some of my own input. 

Like the summary said, this is a Supernatural-au YOI story, infused with Japanese mythology. Two different shows that shouldn’t work together but somehow did, creating such a fantastic read. I loved it. From beginning to end. I even knew first chapter it was going to be an ultimate favorite of mine. This fanfic just reminded me of my great love for Vikor and Yuuri-and my need for a fucking season two. As well as reminded of the glorious prime days of Supernatural, which in my opinion were seasons 4 & 5. There was action, there was angst, there was mutual and insane pining from both sides, and so many incredible moments to put into words. Seriously, what more could you want?

@dreaming-fireflies, you seriously did the damn thing with this story. 

Honorable mentions by this writer: 

*Entwining Fates 

*Zanka

8). your sharp and glorious thorn by @arahir (sheith) 

Summary: To end the war they inherited, Keith marries the King he lead an army against.

“You know, we met once,” the king continues, voice closer, and Keith almost turns. They met many times on the field—but then the king clarifies with a single word. “Before.”

Before he was a king. Maybe before he was a general. Keith has traced his rise like the growth of a seed he planted in clay and never expected to see again for how poorly he sowed it. None of this would have been possible without Keith—not the war, not a line soldier's battlefield promotion, not the end of it all, tied up so neatly by all Keith’s best mistakes. Not the killing, either. The king is right about that much, at least.

This is an arranged-marriage AU story, a trope I don’t love too much unless it’s really well done, and had very strong Game of Thrones vibes. And please note when I said Game of Thrones, I mean Game of Thrones back in its incredible prime, not the shitty season 8 we all agree was a nightmare never to be thought of again. But yes, this story was so good. Arranged marriage, enemies-to-lovers, slowburn. Please read. 

9). Your Constellation Prize by rosegardenlake aka @whoalookingcooljoker (sheith)

Summary: Akira is Hollywood's biggest celebrity. He sings, he acts, he models, he does it all and he does it perfectly. That's what Shiro thinks at least, but what would he know? He's just a tired office worker whose dreams fell through years ago. ...But when he sees Akira, oh god, when he sees him - Shiro's world fills with light again.

When Shiro lands an interview to be an assistant at Akira's company, he has a hard time believing it's reality. Though Akira's rarely around, meeting everyone is like a dream. Especially meeting Keith, Akira's shy sweet dorky cousin (OR IS HE?!)

I didn’t realize how much I would liked-love in fact-or needed a celebrity-AU until I read this story.  And that’s about all I will say since I feel anything else will probably make things spoilery. But I will this say: these two can be such idiots, but they’re our lovable idiots and they’re so sweet, so soft. Also that this story definitely well-portrayed the dark side of fame.

10). That Old Black Magic by @bixgirl1 (drarry)

Summary: Centuries ago, marriage contracts were the norm — ready-made alliances between families, expected and complied with, without complaint. But norms have a way of changing, and when a long-dormant contract flares to life, Harry has to navigate an unexpected splintering of the path he'd thought would be easy after the war... with Draco Malfoy.

Least but certainly not least: an incredible, incredible drarry story done by the impeccable @bixgirl1. 

I know I said that I’m not the biggest fan of the arranged marriage trope since I’ve been let down by so stories that started out promising but disappointed in the end. However, there are a few authors who I can always count on to make this trope into a great story. Such as @beatitudinembty, and also @bixgirl1. 

This being is pretty much....I wanna say Sarah J Maas, one of my fav authors, in the drarry community. Everyone knows her. Everyone loves her. Everything she writes always turns into gold, and this latest story by hers was no except. Arranged marriage brings Harry and Draco together in the most infuriating, excruciating, incredibly-done slowburn. 

Honorable mentions that I seriously wanted to add to the list but this post is already lengthy. All amazing, all greats reads by various writers y’all should check out:

*Moon-Eyed by @l0vegl0wsinthedark (Veela Draco, werewolf Harry, done by another star in the drarry community 

*Expectant by @l0vegl0wsinthedark (drarry mpreg with Veela-Draco & werewolf-Harry)

*Where There is Tea by @bafflinghaze (drarry + bookstore+ tea=goodness)

*The Rules of Matchbreaking @nerdherderette ( drarry: match-maker Draco, oblivious Harry, what more could you want?)

* Come For Me by Frayach (drarry; STEAMY STEAMY smut and disabled rep)

*I Want Your Touch (And I Want Your Love) by @awjiminie (yoonmin with bad boy Jimin, good boy yoongi. What more could you want?)

*Seasons of Love by mucha (BTS; Jimin x Tae x Yoongi; incredibly well-done poly relationship)

Lovely people, that concludes my favorites of 2019. So many fantastic fanfics that I could spend hours gushing over them. To the writers who created these incredible stories. I applaud you. I thank you for creating and sharing these wonderful stories. Anyone interested in doing the tag, please do. 

HAPPY NEW YEAR, GUYS. 

[bookish-black-girl]

Decompressing My Thoughts and Hopefully Arriving at a Conclusion

I want to preface this by stating and acknowledging that I am a recovering People Pleaser. Some days I have thick skin. Most days I cry, LOL.

The second thing I want to get out of the way is that I didn’t have reader friends growing up. I was the reader friend***. Which means I’ve read many books not because I wanted to, but because I was so starved to talk about one of my greatest loves that I’d read whatever was cool or in vogue at the moment. 

Alrighty, on with the post!

Right now Bookstagram feels like a war zone for me. Half the people I follow love all of Sarah J. Maas’ books and have dedicated stories, reels, memes, and posts to declare this love and appreciation. The other half would probably love to see all past, current, and future books burned to ground, citing cases of misogyny, lack of racial and sexual diversity, tired tropes, problematic tropes, and lackluster characters and plots. 

“Okay Blaire, you’re doing a lot of talk about what others are saying but what are you saying?”

Y’all I’m saying that I’m TIRED. My honest opinion on this whole situation?? People should be able to read what they want to read and enjoy what they want to enjoy within reason and not make others feel like shit along the way.

When it comes to SJM books I think they’re average. I really do. They’re not the pinnacle of fantasy and fae tropes in fiction, I have beef with the fact that they are marketed as YA when they really should be NA (not counting Crescent City), fandom darling Rhysand is....there.... and I have the biggest bone to pick with aggressive Nesta supporters but that’s another post and I’m not getting into that right now. Will my Goodreads and Storygraph pages incriminate me for giving the 3 books I did read (A Court of Thornes and Roses, A Court of Mist and Fury, A Court of Wings and Ruin) 4 stars? Sure would but changing the rating to reflect current feelings would require a reread that I just don’t have the energy or interest to carry out. 

I guess what I’m saying is that I understand and agree that these books are problematic, but I don’t have a problem with you reading and even enjoying them? I’m a proud and obnoxious supporter of The Selection Series so I lost my Judgment Card a long time ago 🤣 What I do have a problem with and can articulate within the safety of this Tumblr space is that I have issues with the mainly white women who praise SJM books and refuse or just don’t put in the effort to also read BIPOC fantasy books?? And/or rate those books lower than the SJM ones??? (Take a drink every time I say “SJM” LOL!) And then go out of their way to shut down meaningful conversation with others (mainly BIPOC readers) who point out triggering content??? That’s ugly. That’s really ugly and I hate it here. 

I want to apologize to one of my best and closest irl friends, who may or may not read this, but I find more enjoyment out of listening to her talk about why she loves the ACOTR books, watching people tear the series to shreds (shout out to Cindy and other booktubers, but mostly Cindy sksksks) and then going on IG to again watch people liveblog their reading journeys. Don’t ask me to explain why I’m like this, we both won’t get answers. ...That’s why I haven’t added Silver Flames to my TBR and skirt around the possibility of the Throne of Glass books. Never say never, but there’s too many other books I wanna read before I die, and some of those are rereads. So.  

To the people who make lighthearted and serious content criticizing these books, who continue to do the work and make the videos and essay chats and IG posts breaking down why you shouldn’t read this series, why it’s bad, why, why, why....I’m annoyed, but I get it? I just think this goes back to respect, something that we could stand to remember. Like, respect that people are going to like books that you think are trash, but ALSO respect BIPOC readers in the community who explain with very good reason why they personally find issues. I know it sounds contradictory but these are dark fantasy books with faries and smut and I’m tired of feeling like I have to defend my friends and mutuals who like the SJM books while simultaneously declaring the books are only HALF as hyped and loved because of a white audience. 

***Which brings me to my last point because your girl is running out of steam and will have to reread this for clarity and grammer before other people read this, damnit. I’ve been trying to figure out why this is one of those subjects that I don’t have thick skin for and my anxiety is having a whole field day without my permission. I think it ties back to baby Blaire trying to fit in as a Black girl in predominantly white situations and being teased about not being the typical Black girl by Black and non-Black friends. Obviously I know how toxic that was and is, but that internalized diminished self-esteem doesn’t go away. 

So I feel some type of way when I see and hear the arguments about SJM books and agree, but also see other Black girls just vibing and loving the books and basking in the community and I feel sick to my stomach for gatekeeping. (I don’t know if gatekeeping is the right word, so I’ll edit this post later once I locate the right one).  It gives off the vibes of “because you’re a Black girl, you shouldn’t like/enjoy/engage in xyz content” and I hate it. It’s a terrible feeling. 

So. In conclusion, I don’t know if I made any sense BUT I feel better and less anxious and stressed so this exercise accomplished what I needed it to.

tl;dr: let people enjoy what they want within reason, don’t be a dick, diversify your reading for Pete’s sake, and I probably won’t read the rest of SJM’s books but will continue to devour all of the think pieces 

[enthusiasticmusicalquotes]

QUESTION OF THE DAY #6: Send me your most unpopular theatre opinion. Something that might make someone want to fight you. Please don’t be offensive (racist, misogynistic, etc.), but other than that…go as hard as you want. Spill all the tea.

MY ANSWERS: 1) The Pretty Woman score fucking slaps idek, 2) Come From Away (or even Bandstand...) should’ve won the 2017 Best Musical Tony, 3) I prefer the West End Heathers cast album to Off Broadway, 4) Shows shouldn’t sweep the Tonys just because they’re Best Musical worthy...shows that aren’t too critically acclaimed but have really impressive elements should get recognition too.

SUMMARY: Out of 37 responses: 5 were about Dear Evan Hansen, 3 were about Hamilton specifically, 2 were about: Rent, ALW, Wicked, In The Heights, Be More Chill, etc. etc....if your favorite musical is one of these and you get easily offended i wouldn’t read these.

NOTE: I agree with some of these, I highly disagree with others. I do not endorse any of the things that were said, I am simply sharing them with you all. These were what was sent to me. I’m going to number them so if you want to complain about or agree with one you can send me an ask with the number you’re referring to. 

1. howmuchchildrens said: unpopular opinion: i really liked the 2012 version of les mis. i liked russel crowe as javert.

2. Anonymous said: Unpopular opinion: Bootlegs harm to local theatre communities, though I do not believe anyone intends for that to be the case. While it's possible to bootleg responsibly (and I might even say it's beneficial to do so), those who may not know the intricacies of theatrical copyright law or who haven't heard the horror stories from a theatre that's been hit with legal action DUE to a bootleg may record or watch a show irresponsibly, which can greatly harm other routes of theatre accessibility.

3. Anonymous said: Andrew Lloyd Webber musicals are mostly terrible. He only got and stayed popular because a lot of other musical creators and taste makers died in the AIDS epidemic

4. Anonymous said: Almost all musicals using the songs of one artist are cash grabs with no plot or point.

5. Anonymous said: If your musical only has 1 woman OR the women only get sad/romantic songs you need to do something else with your life.

6. nerdshrimp said: Unpopular opinion: Next To Normal does a better job of portraying the effects of mental illness than Dear Evan Hansen does. N2N also doesn't romanticise mental illness & excuse shitty behavior like DEH tries to

7. Anonymous said: Hadestown is a lesser show on Broadway. I fell in love with the live album, and I was so excited for it to come to Broadway. I was so disappointed to see the changes they made. Orpheus and Eurydice's relationship is less interesting and more generic. The changed lyrics are often sloppy and not as good as the original. They fucking wrecked Epic III. Also, no hate to R/ee/ve, but he's just not a good enough singer to convince me that he could soften the heart of Hades. His high notes are awful.

8. Anonymous said: opinion: we are the tigers deserves a broadway run or at least a proshot

9. bimystique said: e/c is NOT A GOOD FUCKING SHIP. the ENTIRE PLOT OF PHANTOM OF THE OPERA is christine trying to escape erik's abuse. WHAT FUCKING PART OF THAT IS ROMANTIC TO YOU PEOPLE.

10. Anonymous said: unpopular theatre opinion(s): Dear Evan Hansen is Very Bad for its handling of mental illness, Hamilton is overrated and praised too much, and high school/college musical theatre programs can be just as good as Broadway. (also, musical movies would be better if they hired broadway actors, but that's not an unpopular opinion)

11. Anonymous said: I don’t like Lin Manuel Miranda and Hamilton is overrated

12. Anonymous said: I don’t like dear Evan Hansen..... at all. I think it’s kind of boring and really overhyped.

13. Anonymous said: unpopular opinion: in the heights is far better than Hamilton. both are good but ith hits different yknow

14. Anonymous said: The bring it on and legally blonde musicals are BAD! The movies are 100 times better

15. Anonymous said: unpopular opinion? wicked is the epitome of white feminism. it's preached as super great for representation but we literally got the first black glinda in 2019?!?!?!? and before that woc could only play elphaba who's villainized and deemed evil by the whole city

16. Anonymous said: Not so much an opinion as a reaction, but of all Lin's works (ITH, Bring it On, 21 Chump Street, Hamilton), 21 Chump Street gets the biggest emotional reaction of all the cast recordings. The second Justin is like "I don't want your money" (And then later on with the "...what the heck did you.... dooooo", I am a complete goner. Worse than Abuela Claudia and Philip Hamilton's deaths combined

17. Anonymous said: Whenever Je.ssie Mu.eller hits certain notes, she sounds like Tommy Pickles from Rugrats.

18. Anonymous said: aotd6: not everyone knows what im talking about, but the cats 2016 broadway revival choreography was WAYYYY better than the original. the original had a lot of creepy uncomfortable moments and the new one looks way cleaner and up to date

19. Anonymous said: raoul is better than the phantom in every conceivable way

20. Anonymous said: I hate Anastasia so much. it's such a boring show and the music is uninteresting. I wanted to like it so bad but GOD is it boring.

21. Anonymous said: In the Heights.... Overrated.

22. Anonymous said: I do not know if this is an unpopular opinion or not, but here is my opinion: Musicals that are entirely or nearly entirely songs (Hamilton, Hadestown, In The Heights, etc) are the most valid bc I can understand the plot without using wikipedia (I'm looking at you, Jagged Little Pill, I love you but what is your plot????)

23. Anonymous said: I'd rather have a bad film adaptation than no film adaptation

24. Anonymous said: Rent sucks and while it was a stepping stone for more ""controversial"" topics to appear on Broadway it's actually biphobic and features several generally terrible people doing generally terrible things and doesn't actually address the real crisis at all; it's all performative wokeness. The only real good it did was cast a bunch of "nobodies" for the time and make theater somewhat more accessible.

25. stardust-and-seas said: Dear Evan Hansen doesn't properly address mental health despite being about mental health and resolves nobodies character arcs satisfactorily. It's another show that reaches its hands around the throats of marginalized teenagers saying "look I'm relatable!!" The songs taken out of context are significantly more powerful than when placed in the context of the show, which gives us exactly zero evidence of Evan's work to improve and also never resolves Evan's u healthy goals in the first place.

26. stardust-and-seas said: Be More Chill is a raging dumpster fire and the only decent song from it, Michael in the Bathroom, reads as a whiny rich white boy whose potential social anxiety and depression is left ambiguous, which is exactly what it is. When taken out of context it better exemplifies the othering that happens to marginalized groups but lets be real here: bullying/cliques don't happen to "just anyone"; it's the marginalized groups that are othered and abandoned for not being "normal"

27. stardust-and-seas said: There's a difference between shows that don't take themselves seriously because they're meant to be fun and light and shows that pretend not to take themselves too seriously but want to be taken seriously by the audience and the latter always ends up mediocre at best

28. redueka said: i think that dear evan hansen handles every issue it presents badly. i also think that beetlejuice was badly directed

29. Anonymous said: Well I don’t EVER condone cheating, I’m team Jamie in the last five years. He tried so hard to make their relationship and life good, and Cathy gave him nothing in return

30. youcanlolyoucansayohwell said: The answer of the day- I don't get the BMC hype. I'm out of the age bracket it's meant for that might it be. I enjoy it but I don't think it's the greatest thing in the world like some theatre fans do.

31. Anonymous said: i like the rent 2005 recording better than the obcr

32. Anonymous said: unpopular opinion ? : the music of wicked just like isn’t that good. like it’s good but it’s not like, Good, yknow. it’s pretty standard it doesn’t stand out to me. kinda boring

33. Anonymous said: mari.ah r.ose fa.ith is not a good regina george. everything she says sounds monotonous and while i understand she's trying to play off the ""whatever"" teenager (she does this a lot with her teenage characters), 90% of the time she sounds and looks like she doesn't want to be there; her voice is great but most songs feel unnatural and forced and she changes them too much. she's just not selling regina to me as a believable character (this is all from a technical point of view)

34. Anonymous said: Unpopular Opinion: as much as i like musicals based on movies (like waitress), i think not every movie needs to be a musical.

35. Anonymous said: Unpopular opinion (?) the emojiland musical Kinda Slaps

36. Anonymous said: as one of my high school tech theatre teachers once said: "Andrew Lloyd Webber is overrated"

37. Anonymous said: sorry to whoever likes it but Seussical is an absolutely nonsense crackpot plot disguised with okay-to-good music, like I don't even know where to start. I was in the show and didn't even know there was an entire secondary plot line featuring sending children to war until we were halfway through rehearsals

[recentanimenews]

FEATURE SERIES: My Favorite One Piece Arc with Daniel Barnes

  I love One Piece and I love talking to people who love One Piece. And with the series going on 23 years now, there is a whole lot to talk about. As the series is about to publish its 1000th chapter, a true feat in and of itself, we thought we should reflect upon the high-seas adventure and sit down with some notable names in the One Piece fan community and chat about the arcs they found to be especially important, or just ones they really, really liked.

  Welcome to the next article in the series "My Favorite One Piece Arc!"

  My next guest in this series is Daniel Barnes, writer for the Aggretsuko comic, and his original graphic novel The Black Mage. For my chat with him, he chose the Marineford arc, in which Luffy drops into a World Government headquarters in a desperate race against time to save his "brother" Ace from execution.

  A note on spoilers: If you haven't seen the Marineford arc yet, this interview does contain major plot points. Watch the Marineford arc starting RIGHT HERE if you'd like to catch up or rewatch!

    Dan Dockery: Let’s say that for some reason, I get to the end of Impel Down, just before Luffy & Co. drop into Marineford, and I’m like “I’m done. This is it. I can’t handle any more One Piece.” In one sentence, what do you tell me to keep me going?

  Daniel Barnes: Why are you stopping before you reach the payoff of everything you’ve read so far?

  I like that! How long have you been into One Piece?

  When I first started consuming One Piece in earnest, ironically enough, I was in the Navy at the time. It was 2014, and up until that point, my only exposure had been the 4Kids dub on FoxBox.

    Nice. I love a good FoxBox reference. Was it recommended to you? Because I know that, when a lot of people start One Piece, it’s like “FINE. I’ll watch One Piece. You’ve convinced me.”

  I don’t consume anime as voraciously as I did back then. Back then, I was an anime vacuum, but I was also in this weird spot where I was semi-depressed. But someone told me, “You gotta try One Piece, it’s the best.” And my first reaction was “Umm, the art style’s kinda weird, though.” But they told me “You’ll get over it,” and the thing that made me finally take that leap was Gurren Lagann, which also had an unusual art style and then became one of my favorite things ever. So I figured I should at least give it a shot. 

  That’s something I’ve heard a few times. Because in other big series like Naruto and Bleach, the character designs are much more proportionate and straightforward. And I felt the same way...until I watched it, and realized the art style is PERFECT for what it is. So, Marineford is pretty much the halfway point of the series, with characters returning from all over the place. Were there any that you were excited to see come back?

  There’s a few of them. I always love it when Mihawk shows up, but I think the big one is Whitebeard. Because up until this point, he’s just sitting around and you know he’s a big deal but you’re always wondering why he’s a big deal. And then you find out in Marineford. I enjoy seeing characters that are kind of defined as the “power ceiling” in an anime universe get to do stuff, and it was cool to see him make the entire world quake.

    I think I called it in an article a “Be Quiet, The Parents Are Talking” character. You’ll go through Luffy getting new power-ups and increasingly strong villains and these seemingly insurmountable admirals with their elemental powers and then Whitebeard comes in, and he’s leaps and bounds above everyone. And like you said, for the most part, he’s just sitting down beforehand.

  Yeah, he’s sitting down drinking a giant gourd of sake. His name is Whitebeard, but he doesn’t have a beard. Got a real Hulk Hogan vibe to him. Who is this guy? But then you finally see him after all this time, and that’s the magic of One Piece. You see all of these things over the years and you wonder what part they’ll play and then it finally hits you and their role and strength becomes clear. 

  Marineford, obviously, is all built around Ace. And what you get out of the arc probably depends on how much you enjoy Ace’s character. How did you feel about him? Did it make you emotional at all? I know he has the one scene with Garp where they talk about finding your purpose in life, and that really got to me, even though I’m not the biggest fan of Ace.

  Okay, I think Ace looks cool and I think he has good powers, but I didn’t really care that much when he died. I didn’t really know him enough. 

    Were there any characters that you did get attached to or like a lot in Marineford? I know you said you liked Whitebeard and Mihawk, but who was your Marineford MVP? Who shines brightest among all those crazy diamonds?

  Okay, so the cop-out answer is probably Luffy. He’s one of the weakest characters there and he manages to survive and he plays such a big role by rallying everyone despite being constantly outmatched. So, objectively, Luffy. But maybe I give it to Coby, because Coby stands his ground against Akainu. He gives you hope that maybe the Marines can change their ways one day and when he refuses to move in front of an Admiral, I thought that was a real stand-out, awesome moment. 

  So Ace dies, Whitebeard just wrecks Akainu and throws him into a pit, and then, out of nowhere, Blackbeard shows up. Whitebeard beats up Blackbeard and Blackbeard’s forces kill Whitebeard. What do you think about Blackbeard as a villain? Because he’s so unlikeable. He’s underhanded, he whines whenever he gets hurt, he’s super pompous. He has cool powers, but there’s nothing cool about who he is. 

  He’s super interesting, to me. He has a mystery around him with his two Devil Fruit powers, and he doesn’t really fit into any shonen villain stereotype. He’s an inverse of Luffy, but not in all of the super obvious ways. When you first see him in Jaya, you see him start with basically nothing, and you watch him work through the system and the powers that be, just like Luffy. They’re both trying to achieve the same thing and reach the same goal. But Blackbeard’s methods are different. 

    Yeah, Luffy will punch you in the face, while Blackbeard will stab you in the back.

  And getting to see that evolution is great, because they easily could’ve just said, boom, here’s the next big bad guy and given him to you without context. But it’s like I said about One Piece earlier, where it shows you stuff over time and gets you to look forward to what will happen with it later. That’s Blackbeard’s whole appeal. 

  You talked earlier about Coby standing up to Akainu, ready to die for his beliefs. And then Shanks comes and stops the war. How did you feel about that? Because we’re all still waiting to see what his deal is (which as you said is a big part of the continuing appeal of One Piece,) but were you hyped to see him show up?

  I thought it was cool, because One Piece has done a good job of establishing him as an awesome guy. He’s a lot like Zero from Mega Man X, where he shows up at the beginning, they imply how powerful he is, they make the main character want to be as strong as him, and then they take him away and only show him sparingly. So whenever Shanks drops by, he's been handled so well that you’re just on the edge of your seat wondering what he’s gonna do.

    So, after the war is over, Jimbei has to remind Luffy that he still has things worth fighting for. And then, the timeskip. Were you aware that a timeskip was coming?

  Oh yeah. It’s kind of hard to exist on social media and not get a bunch of these little hints about what’s gonna happen. But that was my goal with One Piece for a little while: I’m gonna get to the timeskip. I have to get there. It’s coming, I know it’s coming, I don’t know when it’s coming, but I just have to reach it. 

  There are so many big moments in this arc, but looking back at it, are there any moments that stand out as prime One Piece to you? 

  The obvious one, for me, is when Luffy goes Third Gear and punches the giant out of the way. That’s so cool and such quintessential One Piece. A giant on an arena made of ice and a rubbery kid inflates his fist to make it huge and knocks him around. It’s so weird and it works. 

  ONE PIECE LIGHTNING ROUND!

  Favorite One Piece character?

  Usopp.

  Favorite One Piece villain?

  Crocodile.

  Favorite One Piece arc?

  Sabaody Archipelago.

  Which Devil Fruit would you eat if you had the choice? 

  Bellamy’s Spring Spring fruit. 

  If you had to live on any island in the One Piece universe, which would you choose?

  Does the Gran Tesoro from the Film: Gold movie count? That one’s pretty dope.

  Favorite One Piece fight?

  Luffy vs Blueno, when he first reveals the Second Gear.

  One Piece moment that made you cry the hardest?

  When the Franky Gang beats up Usopp and Nami finds him and Usopp is like “I’m useless. I can’t do anything.” Whenever Usopp gets beaten up, his nose gets all crooked and he loses teeth. There’s so many cartoon-ey visual indicators for Usopp in pain. It got me.

  One Piece moment that made you cheer the loudest?

  When Luffy punches the Celestial Dragon in the face. It’s so cathartic. 

      Stay tuned for the next installment of "My Favorite One Piece Arc" as we speak with One Piece Podcast Co-Host and storyboard artist Steve Yurko about his favorite One Piece arc: Baratie!!

      Daniel Dockery is a Senior Staff Writer for Crunchyroll. Follow him on Twitter!

  Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features.

By: Daniel Dockery

[magic-owl]

i wish these had numbers to not take up room but alas: what is your absolute favorite ship? what’s a ship you like that most people don’t? what is the most underrated ship, in your opinion? (choose any of your fave pairings for the following bc I'm curious about all your faves) rate [pairing] from 1-10 and explain why. what’s your favorite headcanon of [pairing]? what’s your favorite canon moment of [pairing]? favorite AU ideas for [pairing]? what song(s) remind you of [pairing]?

Thank you my dear! You are my Star Wars Friend so I’ll keep it SW focused (if you wanted to ask this to solely find out what else I liked BESIDES SW sorry lol just let me know and I can redo it). This got long because turns out I have a lot to say about my ships so answers under the cut!!! xD

Absolute favorite ship: This one’s kinda hard but I’m gonna have to go with Obi Wan/Anakin! I also like them a lot as a trio with Padmé, but overall I gotta say these two are just my faves? Why? Because they are such a M E S S and gosh I just love them so much. Ppl say they don’t like each other very much but come on, have you watched the TCW, have you watched RotS, they’re the greatest team there ever was, they’re constantly fretting and worrying about each other, they’re always teasing (the constant banter omg boys pls) at each other and hyping the other up and believing in each other and Ahsoka literally calls them her adoptive guardians in the Ahsoka novel, that’s how much of a family they were and ugh they’re just so married. And they’re such a TRAGEDY and it breaks my heart and it’s delicious to watch because in the final fight it’s just heartbreaking betrayal because through it all they love each other so much and that’s WHY they’re so furious with each other because to them it feels like the ultimate betrayal. Even after (when after everything, Obi Wan still loved Anakin too much to kill him himself) they’re constantly on the other’s mind, and ugh the pain hurts but in such a good way, and how in the end Anakin did the right thing and Obi Wan was RIGHT THERE to help guide him back to the light in spirit and now they can rest happily together for eternity (with some spare stressing about, ya know, Kylo Ren and the impending return of Sidious, but never mind all that). and on top of that, it’s my fave because I also absolutely love their relationship platonically as well, as much as I LIKE to see them together, it’s not necessary for me because they have such an enjoyable dynamic. *coughs* Sorry, so yea, they’re my disaster faves! 😅

A ship I like that most people don’t: See above lol. I get aspects of the Obikin ship can be problematic in the whole power dynamic and age difference thing, but I’ve only ever shipped it after Anakin was knighted as an adult when there’s literally not a problem with it (it was weird for me because I watched the prequels totally out of order. I actually saw the TCW cartoon FIRST and then I saw RotS and then I didn’t watch the first two for a while after that because I was a fool and listened to prequel bashers who said the first two weren’t good, so when I started shipping them as adults that was all I saw them as). To be honest, for the most part the PT fandom is done with the drama since ya know, like a good half of the SW general fandom still hates us, so no one’s really vocal about not liking it and our shipping community is mostly left to ourselves, but every once in a while I’ll come across a joke post/fanart of the two and OP will be all snarky in the notes like “tag as a ship and I’ll come after you with my spiked bat” (someone’s exact words btw) and it’s like ok jeez, do not interact then, was minding my own business dude...

My most underrated ship: Hmmmm....... Gonna have to go between Luke/Ezra and Satine/Padmé. Skybridger I understand since they’ve literally never met in canon, but come ON, they’d get along like a house on fire and argh they should have met, it would be great. I honestly don’t get why Pads and Satine aren’t more of a thing (THEY DON’T EVEN HAVE AN OFFICIAL SHIPNAME ;_; ) cuz c’mon they’re the subtler explosive yin to Obi and Ani’s wildfire yang. They get along great and work together really well, and they both seem to have a type. I am doing them a little better in my new OT4 fic, and I hope ppl like it!!! Ya know what, I’m also gonna add Kaeden (cute girl from the Ahsoka novel!) and Ahsoka because even if a lot of ppl actually ship them, they hardly have any content and neED MORE DANGIT THEY WERE SO CUTE!!!!!!!

Gonna go with Obikin for all the following ones cuz I haven’t had the chance to gush about my boys in a while and you’ve opened Pandora’s box

Rate them from 1-10: 10, plus a hundred more points because I love them, then subtract that hundred again cuz Anakin is an gotdang idiot who ruined it and now they both make me cry. My scoring reasons are that they make me feel all the emotions and I love them Ever So Much and argh.

Fave headcanon: Oh boy, I’ve got a couple actually!

Whenever they’re talking/arguing over the phone, they’re always subconsciously mirroring each other’s actions even when they can’t see what the other is doing. It’s kinda creepy because you’ll hear yelling and it’ll look like one of them’s talking to an invisible person in front of them when it’s actually each other.

There has been multiple instances of them both getting injured in battle because they were distracted watching the other be a total badass (not that either will admit it)

Neither of them are morning people. AT ALL. Obi Wan actually has self-discipline and is able to get up with an alarm and crankily drag them both up, but both are almost impossible to deal with until they’ve had caffeine in them, and it’s been established that unless you want to risk murder, neither of them talks in the morning until caffeine has been provided.

There has been many, many cases of accidentally taking the other’s robe and not realizing it but thinking to themselves that said robe feels more comforting than usual today.

A mutually drunken arm wrestling match absolutely turned into a mutually drunken makeout once. Neither can remember it, and they wonder why some of the clones have been acting funny all week.

Half of the Temple thinks they’re already dating.

Ok I’ll stop it here

Fave Canon Moment: Ughhh, this is HARD. I really like the “any closer and you’d be kissing it” line in TCW, basically any moment in TCW when one of them refers to Ahsoka as “OUR padawan”, the extra long stares and unnecessary touches they give each other in TCW, the elevator scene in RotS movie (THE NOVEL MAKES IT A MILLION TIMES BETTER), also in RotS the way Anakin is half-ready to straight up fight Palpatine when he suggests leaving Obi Wan behind to die, the RotS “No loose wire jokes” bit, the RotS “Roger. Roger.” bit (OKAY JUST THE WHOLE FIRST HALF OF THIS RIDICULOUS MOVIE), the way Vader built his big stupid castle where they had their breakup, the way he’s constantly mentioning Obi Wan when the convo wasn’t even about him, seeing them together again at the end of RotJ (whoops you asked for one, you get MANY SCENES)

Fave AU ideas: Again, there’s a couple!

Superpower AU: Can’t decide whether I’d put this in canon or modern. Most powers in this AU are stolen from inspired by X-Men, DC, and other popular media, so I’m torn between Anakin having Jean Grey/Dark Phoenix style powers while Obi Wan had a variation on Rogue’s with additional energy manipulation. OR it would be a thing where Anakin could commune with the dead a la Klaus from Umbrella Academy while Obes had sort of Avatar-style wind/flight powers. (Both are relevant for different plots).

Sith AU: I know these are far from unpopular in the SW fandom, but the way I’d do it would be to try and write two stories at once, update one every other week so one update a week total. The stories would what would happen if either of them became the Sith Apprentice after the events of Episode 1, and how their dynamic would be during Ep 2 and The Clone Wars with one of them on the other side. It’s funny because the way I’ve plotted it, the Sith!Ani fic would have very big Good Omens vibes, while the Sith!Obi one would have very strong Under the Red Hood vibes, so two VERY different dynamics going on xD

WWII Spies: This is one I 100% plan to write someday, even tho it is a very long time from now. It’s basically following Anakin as an American naval pilot who got injured in a crash and discharged. He still wants to serve and eventually his talent gets him into the intelligence end of the war and sent to Europe where he meets Ben, who’s been working with British intelligence since it broke out, and sparks fly. I’m kind of cheating here cuz as of now this is an Obianidala story, not just Obikin, but it’s one I’m very excited for

Phantom of the Opera AU: This idea I had when I realized that Anakin as Vader is kinda a Lot like the Phantom, but he’s also a Lot like Christine too. So it turned into Anakin as a talented ballet dancer getting preyed on by Palpatine!Phantom (there is NO romance there, Palpy is a total creep and will be treated as such) with Obi Wan as a combination of Raoul and Madame Gery and I have a bunch of ideas and idk if it’s gonna be an actual thing, but I want it to.

Shapeshifter AU: Canon, not very complicated but they can all shift into animals. Obi Wan is a kind of cougar panther cat with a fluffy ginger tail, and Anakin is a big grumpy black Krayt Dragon with a stump for a front leg.

Not A Jedi!AU: One in canon in which set like the Sith!AU, two different stories exploring how their dynamic would be if one of them wasn’t found by the Order. As of now, I’ve got Anakin as the warrior pirate prince of Tatooine, after having grown up and staged a slave rebellion, then promptly put his mother on the throne, and Obi Wan’s there to negotiate something during TCW and things happen. For the Obi Wan one, he’s a political journalist and war correspondent who keeps on running into Anakin’s assignments and popping up where he’s stationed and Anakin has to keep this idiot from getting himself killed/stop asking me annoying questions that criticize the Jedi and the government.

Dark!AU: A kind of morbid canon divergent fic where Padmé dies early and unexpectedly (Palps didn’t plan it). Anakin goes off the rails and Obi Wan agrees to go with him on a murder vengeance roadtrip to try and keep him from Falling or the Sith from getting to him. He kinda fails and they both Fall in a way and it ends with them hunting down Sidious’ players one by one. I’m not entirely sure I want to continue with this tho because it plays strongly on the Fridged Woman trope, which I can’t stand. I’d have to figure out how to give Padmé some sort of active role after her death...

Songs to describe them: There’s a couple (I could have very well gone cranky but I decided to do (mostly) serious))(also my music taste kinda stinks)

Icarus— Bastille

Anna Sun— WALK THE MOON

Animal I Have Become— Acoustic cover by Vitamin String Quartet (original by Three Days Grace) (seriously y’all listen it’s sooooo gooooood)

Warriors— Imagine Dragons

My Demons— STARSET

Ignorance— Paramore

Set Fire to the Rain— Adele

Stubborn Love— The Lumineers

How to Save A Life— The Fray (yes i am aware it is stereotypical angst song leave me Alone it FITS)

Viva la Vida— Coldplay (tbh this fits like the entire PT but I liked it)

Raised by Wolves— U2 (another more PT-centric, but this one works dangit)

Bonus Broadway Song! : Confrontation from Les Miserables (now that ya think of it, that would be a pretty good AU too.....)

Bonus Broadway Song! : The Tango Maureen from Rent (I always imagined this one as Obi Wan and Padmé about Anakin, but it would be about something other than cheating cuz canon has established Anakin views cheating as a worse crime than murder, so yea)

Bonus Broadway Song! : Anything You Can Do I Can Do Better (aight this one’s mostly a joke but come ON don’t tell me that’s not completely them xD)

[meta-squash]

Lipstick Traces Review/Thoughts

(I wrote this 2 years ago but didn’t have a tumblr to post it to at the time)

So I’ve just finished reading Lipstick Traces by Greil Marcus. And it’s fucking long with so much information and I’ve been having a lot of thoughts. Some just about little specific things mentioned in the book, and some more about the themes of the book written in the 80s compared to our current epoch of technology and politics and art and culture industry etc.

I mean, a lot of the stuff in the book/the thoughts the book gave me are things I’ve rambled about before on tumblr. But I guess it’s stuff that’s still in my head, that still bothers me, that I still have no solution for, or that I can find cracks in my arguments for solutions.

Mostly what I took away from this book was a giant feeling of conflict and ambivalence and uncertainty. It is, ultimately, a book of regret. It’s a book that explores these artists and movements and ideas and people that made a series of tiny but huge impacts to art and creation, who could have made a huge revolutionary change, but whose small revolutions were lost to time. It is a book about anger or frustration that incites a change, an avant garde, and how that anger fizzles out or is smothered and forgotten. It is a book about the cycles of history and how the new, the angry, the ones pushing back, are always eventually suppressed. In a 1994 quote Richey said, essentially, that you only really get remembered if you’re an Einstein or a Newton– a person who creates or discovers something that is such a massive revolutionary change that it affects the way the world is perceived and how it is believed to function. This book talks about those who aren’t Newtons and Einsteins. Those artists that made little waves that changed a few but didn’t change enough.

And it’s simultaneously fascinating and exciting and depressing, reading and thinking about this. That this book is a book of regret written in the 1980s, and 35 years later things have only gotten more extreme, and the regret can only feel heavier. The anger is still there, too, but it was more potent in the 80s and 90s, it had more potential. Now the anger is becoming impotent, or trapped. Either the meek inherited the earth and forgot what it was like to be meek, or the ones who inherited the earth were strongmen wearing the masks of the meek and the ambition of the avant garde.

Honestly, the biggest takeaway I got from this book is how drastically things have changed. How the way the book compares the Dadaists to the original punks is a fairly close, similar type of comparison, with similar movements, ideas, ideals, messages, and actions. And how the comparison to both of those with any sort of movement that might happen in the next decade or so will be massively, drastically different because of how much culture has changed, media has changed, access and accessibility has changed, government, education, class awareness, and on and on. How, honestly, I’m not sure if there could be another movement like the dadaists and like the punk scene, because to be reactionary and avant garde and revolutionary is something very different these days.

Already Greil Marcus discusses speed and the culture industry. Which makes sense, since his primary theoretical sources are Guy Debord and Theodor Adorno. But it’s fascinating to see these theories–both written and published in the 40s and 60s–being used to critique and analyse culture and art back then, much closer to the texts’ inception. Those theories were new-ish in terms of being put into words back then. The idea of the prison of capitalism, the labor that turns the proletariat into machines and then sells them back to themselves, the speed and change of media, the homogenous nature of entertainment and pop culture. All of that was relatively new, at least in terms of being stated outright.

And people were frustrated! People have always been frustrated! The Dadaists were frustrated by the war they didn’t want to participate in, and then in the monotony of the post-war expectations that everything go back to normal, when nothing was normal. They were frustrated by the Modernists, by the Expressionists, by art becoming something that gave you Status rather than something that you just did because you had the urge. Punks were frustrated with the economic and social malaise, the labor issues, the failed ideals of the hippies, art and music stagnating, the lack of platforms for them to express themselves. But they were able to use art to express that anger, that frustration, that feeling of nihilism or of glee at meaninglessness, that feeling of “fuck it, we have nothing so let’s do what we want.” Both generations did it in different styles, but both threw convention out the window, focused on what was taboo, what was weird, what was scandalous, what they wanted to say but society didn’t want them saying.

What’s interesting about the book is that it expresses admiration for this, for the daring and avant garde and original and clever and badass nature of both Dada and Punk ideals/styles/philosophies/actions/etc. But it also expresses regret. Regret that it only lasted so long. That it didn’t leave any major effect on art or politics or life or society (that is, aside from what capitalism stole or what minor underground movements admired or were inspired by). That it was stolen by capitalism. That it inevitably fell apart as time moved forward.

But for those glorious few years….

And what it made me think of, which (like I said) Marcus talks about quite a bit, is the effect that the culture industry and the speed of culture/media/news had on both movements. For the Dadaists, it was more about the speed of the news and also just blindly making, with no knowledge of a goal or ultimate desire, that resulted in the group eventually separating into other factions and the movement petering out into other artistic ideas and styles. The Dadaists were reacting to the war, to the newness of certain parts of culture, to the personal conflicts between artists. The punk movement was more affected by the ever-increasing speed of culture and media as well as news. Things were moving faster. Styles and ideas were coming into fashion and then becoming old hat more quickly. Punk started out as avant-garde, as a refusal to conform, as an excuse and/or reason to speak out and act out and express oneself. Especially in communities that weren’t being heard. It started out as a way for individuals to force society to acknowledge them. And then capitalism and the culture industry got their hands on it and began to use it as a marketing ploy, as fashion, selling punk back to the masses it was intended to belong to.

It’s pretty obvious that the world has sped up immensely since the 1970s– media, news, and culture industry included. Things that are new on Monday are old by Friday. Memes that are hilarious and circulate social media for weeks are dead by the time companies try to capitalize on them (see: Zumiez etc making Grumpy Cat shirts etc). Music or films that are popular fall out of popularity in just a few weeks, unless they’re vapid pieces of media or unless the creators/artists continue to hype themselves over and over again in different ways. It is impossible to create focused critical art because there is always so much going on in the news and in world politics or social issues; everything is so intertwined it’s impossible to pick out certain things to criticize. Artists and art movements and things of meaning and import fall by the wayside. It’s hard for me to imagine an avant garde or artistic movement within a community growing in popularity and staying strong for long enough to really make an impact or a difference. And the speed of the news is insane now. Things are only big news for a few days before vanishing under the avalanche of new stories and new events. Things stay big news within the communities that care about them (ie Black Lives Matter, Flint MI, Grenfell, DAPL, etc) but not within the eye of the media. News changes as fast as a feed can refresh.

I also have the feeling that art doesn’t have as much power. Subliminal marketing power, sure. But the last few art pieces I remember hearing even random people talking about were Shepard Fairey’s 2008 portraits for the Obama campaign, Ai Weiwei’s Han dynasty vase smash (which was from 1995 but came back into the spotlight in the mid-2000s for some reason) and Yayoi Kusama’s infinity mirrored room. It’s hard now, with the constant barrage of information and images and sounds, to figure out what is important and impactful art, and what is rubbish (or advertisement). It’s also hard to figure out what to focus on when making critical art: what moments or events in politics and current events will be remembered long enough to be used in critique; what will people remember and be affected by? Maybe hindsight is 20/20 tunnel vision or the gaze towards the past is tinged with roses, but it seems as though art had a larger significance. Barbara Kruger, for example. The Sex Pistols, The Guerilla Girls, Robert Mapplethorpe, Keith Haring, Annie Liebowitz, and (obviously) Jenny Holzer. All used their art to critique various current events, social/political/global issues. They had an effect on viewers in their time as well as after it. It seems as though, now, there’s no during-and-after. There is only during (like Shepard Fairey’s portraits).

A big reason for that, I think, is because of the disintegration of Dadaism and Situationism due to speed and capitalism. Basically, Situationism was created to force those going about their daily lives to stop for a second and think about their situation, to make a moment of “real living,” to jolt people out of the stupor of the daily grind and make them remember. Remember they’re alive, remember they shouldn’t be living a life of a drone, remember they’re consuming things they’re being told to instead of doing what they want to. And those moments were created through graffiti, through the detournement of taking normal comic strips and rewriting dialogues to critique the world, through the music and fashion of punk, which shouted out the flaws in society without caring that it was supposed to be kept hush-hush, through visual art that confronted the viewer with critiques (like Barbara Kruger or Jenny Holzer), etc etc. But now, do something like that and you’re called “edgy” and mocked. Why? Probably because of the likes of Banksy. I say this because Banksy often creates graffiti pieces that probably should or would have meaning, or should or would make you stop and think. Except that they’re pieces by Banksy, famous for being edgy, whose pieces are worth thousands or millions of dollars. Who rarely actually has a statement, except money-making. How many of us howled with laughter when he made that nightmare-Disneyland piece? Because it was edgy and unoriginal. Because we already know we’re living in a slowly growing dystopia, and being told that by a guy who benefits from said dystopia and gets so much money from criticizing it is bullshit.

It’s also because it feels like there’s nothing new under the sun. Now, Greil Marcus kind of talks about this. The punk movement expressed this too. The nihilism that nothing is new, that everything has already been said. But it did so gleefully, embracing the nihilism in order to laugh at it and point it out and roll in that glee. There is nothing new to be said, they thought, but there are new ways to say it. Because we’ve been saying things for centuries but nothing has changed, except the way it gets said. The problem now, in the 21st century, is that nothing new under the sun is now nothing new under the sun and that can no longer be used as a statement. “It’s all already been done, just say it in a new way” is no longer good enough. Ideas have to come out of a vacuum— except if they come out of a vacuum, they’re either never noticed or they’re appropriated by the media and capitalism.

Basic Adorno, basic culture industry theory. But Adorno would have a fucking aneurysm if he could see how his theory holds up in the 21st century compared to 1944. And honestly, that is a terrifying sentence to type. That Adorno and Horkheimer published Enlightenment as Mass Deception in 1944, that they were noticing this in the 1940s. And every point in their essay has only increased exponentially since then.

Greil Marcus hints at the whole “punk is dead” thing throughout the book without actually saying those words. I don’t think the phrase really existed as a buzzword type thing when the book was published. But I think the points and ideas expressed in Lipstick Traces kind of say what my thoughts have always been on that idea. Punk is dead, and punk is also not dead. Punk is dead; its looks and sound were stolen by the media and by capitalism and sold to the masses, sold back to the kids who created and popularized it. Punk was the sound and creativity and style of the kids who had nothing and wanted to be everything, so they made it all themselves. They created their own style and said what they wanted to say. High fashion stole it, television stole it, department stores stole it, ad agencies stole it, and sold it back. “Ever get the feeling you’ve been cheated?” Punk is dead, as an original movement, as an original fashion. But! But, punk thought is not. Punk as an ideal, as a philosophy, as thought, is very much alive. Punk, as the idea that you make your own, that you use your own creativity and express yourself the way you want to. That it’s passion and not necessarily talent that matters. That wearing what you want, saying what you want, confronting the issues that need confronting, being whoever you are so long as you’re not hurting or fucking over an innocent person, that’s still very much alive. The original punk fashion has been stolen. But punk fashion still exists, in people that make their own clothes or wear strange things even though they get stared at. Punk in art still exists, in people that make their art for themselves, or who make art with friends despite knowing they might go nowhere, just because they have the passion. Punk music is the same. The ideals and thought is still thrumming and alive. Its parent has been consumed by consumerism, devoured by capitalism and marketing and fashion. But the orphaned offspring is still hiding and alive.

And yet there’s another ‘but.’ The depressing one. Which is that it feels as though punk, in the early, original days, gave the youth a label, an identity. This goes for plenty  of other youth movements as well, and art movements, etc etc. But these days it seems a community identity hardly exists. And it’s hard to push a movement, create a feeling of community or solidarity, without some sort of shared identity. Perhaps the label of “Millenials” and “Gen Z” are the closest we’ve come so far. But those are so broad, and so often used in a derogatory fashion (although, I suppose, so were “punk” and “mod” and “hippie” and “teddy boy” etc etc).

And I also think that everything is so fast now, and moments are so fleeting, events are so quick to be forgotten, that it is hard to impress an idea or affect change or put an artistic statement or movement out there for long enough to make a true impact. I would say that maybe a large amount of the generation(s) banding together to make a statement would do something, would make that change. But Black Lives Matter was made up mostly of Millenials, young people, people under the age of 35. And yet it slowly petered away into almost nothingness with no changes.

But the kids of the next generation, Gen Z, do give me hope. Like that other person’s post going around says, they’re pissed, they were raised on a steady diet of dystopian literature with strong main characters, they’re highly aware of the state of politics and the job market and the economy, they’ve seen how fucked Millenials are and they know it’s not going to get much better for a while. And maybe they’re the next ones, the next to say “fuck it, we have nothing and we are nothing, let’s do whatever we want because we haven’t got anything to lose”. And maybe the millenials will join.

That’s what I hope. That’s what Greil Marcus’ book seems to be trying to say. That these sorts of movements don’t always have massive, lasting effects in the grand scheme of the world and society. But they leave cracks, and fragments, and shrapnel, and artefacts, for the next generation or the next movement to find and use. That dadaism might have faded away and punk might be dead but the dadaist yell is still echoing and punk thought is still very much alive. And it’s up to us to hear it, to use it, to find the crack in the culture industry and capitalism and society and somehow find the next avant garde, the ideas and movement that will stick and create an identity for unfettered expression, if only for a little while. That “the moment of real poetry brings all the unsettled debts of history back into play,” and it is up to us to figure out what we have to do or say to ignite all of that history and to wield its power. And how we can make our own history or try and settle the debts of the past.

(And yet…. And yet…. And yet I can’t help but doubt that the speed of the world will allow this to happen. And yet I want to believe that something can be done to create critical work that sticks. And yet how do you make critical work without it being eaten up by the culture industry and disappeared into homogeneity. And yet we have technology and creative mediums now that we didn’t in 1977. And yet punk is dead. And yet punk thought is not. And yet, and yet.)

[fyrapartnersearch]

I solemnly swear that I am up to no good!

-> Introduction <-

Hi! I’m Fae, a geek from the UK who is looking for a long term RP partner to explore the wizarding world with. I've been roleplaying for about 20 years in various formats, from forums and chats to tabletop and larp - this does however mean that as I am older (early 30’s), I’m not comfortable writing with folk under 18 (21 and older is preferred). LGBT+ friendly, OOC chat friendly :)

-> Roleplaying Style <-

Stylistically, I write in third person past tense and my post lengths vary from 3 paragraphs up to about 9 depending on what’s needed for the scene (I will never push for a partner to match, just give me enough to work with :D). The frequency of my replies may also vary as I do work full time and have other hobbies, but I aim to reply every other day at least. If my schedule gets hectic I try to shoot my partners a quick email just to let them know that there’ll be a delay - I appreciate it if my RP partner's do the same :)

One thing I do ask from my RP partner is not to ghost (seriously!) communication is key, and if you’re not enjoying the thread, or you need some time for real life stuff then I will understand. Just please let me know, and if we can work something out then thats great, if not then we can part on good terms :) There's nothing worse than being super hyped for a plot, only to not get a reply :(

-> Roleplaying Preferences <-

I only RP canon characters against other canon characters - I play tabletop RPGs, so I have plenty of OC's already in play and not looking for more ;) As for the rest of my RP preferences, I’m pretty chill about it; I enjoy most genres from adventure to fantasy, angst to romance….or a mix of all! As for limitations, mine are fairly standard (no to: non con, toilet play, underage, heavy bdsm), and I prefer not to fade to black. Feel free to discuss with me any particular topics or triggers you wish to avoid in the RP. The only real big deal breaker for me is God-Modding. I get when people are excited they want to jump ahead to having their characters react or to the next action, but it’s unless there is a very specific reason (ie. My character is under a spell and I have consented for you to take control) then please don’t assume what my character’s reactions will be 😊

Italics being my preferred character

Harry Potter - Marauders Era

Remus / Sirius (wolfstar)

 Currently I am absolutely craving to play in the First War (1978 onwards); I want something gritty, something with some good action and angst mixed in with some good old Marauder mischief 😃 I'm open to having multiple storylines with the war being the setting and other plots interweaving that. These could include Order Missions (infiltrating the Death Eaters or having to rescue folk captured by them, going to parle with the werewolf packs etc), Regulus turning sides and asking for help finding the Horcruxes, Sirius and Remus getting caught by the death eaters and having to fight their way out etc. I'd also love to play with the Potter's wedding and of course the stupid things the Marauders get up to when not fighting for their lives!

I’m also willing to discuss Hogwarts RP providing it’s set in their final year, so they’re 18+, but I’d also like to find a cool plot to work alongside the ‘slice of life’ Hogwarts format.

-> Contact <-

If a bit of angst and mayhem takes your fancy, or if we’ve rp’d before and lost touch, I’d still love to hear from you - whether it’s to continue our old threads, start new ones or even just a catch up! Feel free to email me and we can chat/plot! contact: magicandmayhemrp at gmail dot com - i do also have a discord if absolutely necessary, but email is my preferred due to ease of access and Discord constantly crashing my laptop.  

[isuzukuretsuki]

Ikemen Revolution - Fenrir’s Route

Aaaand here’s one for Fenrir’s route!

My main comments are: FUCK those avatar challenges. It took me five thousand years to finish this damn route because I was stuck grinding for Lin for five thousand years because according to cybird, I can’t get the good ending w ma man unless I look cute smh.

The night that Alice lands in Cradle, she pretty much goes out to the garden to sob her eyes out because of the stress of being killed (oh honey don’t worry this game doesn’t have any bad ends. If you were in a game like Amnesia then I’d start crying LMAO). Fenrir happens to see her and wipes her tears away (*๓´╰╯`๓). He decides to spend the month with Alice to make her have as much fun as possible, and makes her promise that so there will be no regrets, the two will not fall in love.

But we all know that’s not gonna happen.

I guess because the boys finally learned from Lancelot’s route to never send a nameless faceless nobody with Alice, Ray assigns Fenrir as her personal bodyguard. 

Fenrir takes it upon himself to be Alice’s personal tour guide, so they go on a date around the Central Quarter eating all kinds of sweets like a bunch of dorks D’AWW. Of course the red army are full of party poopers who crashes their alone time.

@Red army boys, I LOVE YOU ALL BUT YOUR SOLDIERS NEEDA CHILL. Like my grievances from Lancelot’s route carry over in twofold because the nameless red soldiers are once again, STILL a bunch of blood thirsty hooligans who are clearly letting “may glory flow crimson through our veins” slogan get to their heads WAYY too much. 

(☪̤̆_̆ ☪̤̆) THAT’S SO SPECIFIC LMAO.

But anyhoo I guess having a body guard with actual plot armor was really beneficial because Fenrir drives off all of the Red soldiers! And as it turns out, they were sent by Edgar (but of course why am I not surprised smh).

They return home and a few black army soldiers comes out shitting their pants because apparently there’s a ghost, and when Fenrir hears that HE shits his pants. 

Luka has his priorities straight.

Fenrir pussyfoots outside the army headquarters for a few minutes because GHOST but then big bear Sirius comes out RURL pissed because everyone keeps making a ruckus.

WHY DO I FIND THIS SO FUCKING FUNNY. LIKE IT’S PICTURE PERFECT. I CAN IMAGINE HIM DOING THIS IN MY HEAD FRAME BY FRAME.

So the ghost was actually a magic cult goon creeping around like a lech looking for women's’ underwear, whom Seth covered for. I had zero interest in Seth before but I do find it interesting that more hints about Seth’s connection to the magic cult goons are being dropped, and if anything it makes me want to play his route now.

I’d love to be your friend!!! But unfortunately Fenrir is a giant stick in the mud and won’t let me! But never fear because your route is coming out soon so soon I’ll be more than just your friend LOL!

 Fenrir gets news that some of their soldiers got cornered on the Red Bridge. Well what do you know, turns out the nameless red soldiers are still mad that they busted a nut in anticipation for nothing because they didn’t get to skewer any soldiers in Lancelot’s route, so now they’re taking out their pent up frustration here.

Luka hears the news as well and rushes to the red bridge just in time to see Jonah and the rest of the red soldiers man handling the black army soldiers (wtf Jonah I expected better of you). Luka goes from simmering with rage to boiling with rage and charges at the red soldiers. Obviously the red soldiers don’t care (or... they just can’t comprehend) that Luka is their superior’s freaking brother because all they can think about is reaping the reward for unnecessary stabbing and so they go into Ultimate Shish Kabobing Mode and decide to kill Luka.

Jesus christ... these fucking red soldiers. I am so sorry but I think the only people in this clown of an army that has any shred of honor or self control are the red army love interests LOL.

Anyway Fenrir drags Luka’s delirious bloody corpse back to the black army and the scene ain’t pretty. But it’s okay because we all know that this game doesn’t have the balls to actually kill anyone so it’s not like there’s any need to be worried.

See even Alice acknowledges it lol. This game’s too soft (not that that’s necessarily a bad thing... if I want angst I’ll just read fanfiction ¯\_(ツ)_/¯)

Apparently the one who actually made swiss cheese of Luka was Jonah. At first I was just SO CONFUSION?? JONAH WOULD NEVER DO THAT! until this bomb dropped and my only reaction was honestly just “...yikes”.

CRIES @ MY HEART

Jonah sneaks into Black Territory unarmed and Fenrir decides to arrange for him to see Luka like a the great wingbro he is. Alice’s left awkwardly keeping Jonah company but the ice quickly breaks and they end up spending the day talking about Luka ♡(.◜ω◝.)♡.

Fenrir successfully sneaks Jonah into Luka’s room but the two end up just having a screaming match and Luka boots Jonah out of his room. Understandable, considering how all the red soldiers are like little kids that you needa put those backpack straps on because who knows what the fuck they’ll do if left to their own devices.

me whenever I have any kind of guests over.

eat my ass @ Sirius 

When it’s decided that the Black and Red army are gonna go to war for realsies, Alice requests to go onto the battle field with Fenrir so she can repel magic. Sirius freaks out going all like “ojou-chan, you mustn’t! It’s not a walk in the park!!” but Alice ain’t having any of that and essentially tells Sirius to eat her ass. Fenrir being the amazing bro he is sticks up for Alice and asks Ray if he can take her with him, swearing he’ll protect her. Ray’s like sigh fine. This scene was honestly my favourite because I loved how much confidence Fenrir had in Alice and how he respected her desire to help. Unlike a certain someone ੧| ‾́ェ ‾́ |੭ (totally not throwing shade at Sirius LMAO).

CRIES SOME MORE THAT’S SUCH A CUTE NICKNAME.

I could have asked the exact same thing of you Sirius.

The rest of the Black Army can clearly see sparks flying between Fenrir and Alice but unfortunately, Fenrir has to join Sirius in the emotional constipation of “what is this feeling in my chest?! Definitely not love!” Granted Fenrir has an excuse because of the promise he made her, but it’s still frustrating nonetheless.

oh my god can you shut up about this dumbass slogan for one minute. 

Ngl despite the heart warming moment of resolve when Fenrir decides to take Alice into battle, it’s pretty damn hard to take the war seriously because it feels like a bunch of 14 year old teenagers doing a play-war considering of how almost comedic it is. Again, I’m not saying that this game needs to be an angst fest where everyone dies, but for a story about two armies on the brink of war, it does a pretty bad job at building any real tension or showing this war as a source of any real conflict with any real stakes or any real consequences.

I totally *do not* dislike that nickname 👀

We cut back to the red army who are all quite frazzled because they all had that “oh fuck” moment when they realized that they’re getting their asses whooped by the black army.  Lancelot decides to stay his hand, whereas Jonah rages at Edgar’s incompetence but Edgar’s ultimately like “¯\_(ツ)_/¯ King’s orders”.

Alice you’re doing amazing, sweetie.

Alice continues to fight with Fenrir on the front lines but she realizes that she really loves him and she doesn’t want to go home anymore! UNFORTUNATELY FOR HER, our lovely gentleman Fenrir “this feeling in my chest is totally love but I WON’T ADMIT IT!” Godspeed repeatedly dodges her attempts at confessing (¬_¬). GOOD SIR I KNOW WHAT YOU’RE DOING. You’re just trying to put off having a heart to heart about your feelings until the full moon so you can boot Alice back to her world without ever having to talk about it (ლಠ益ಠ)ლ.

Alice tries once again for the nth time to confess her feelings to Fenrir but this time they’re interrupted by the magic cult goons who are hell bent on capturing Alice. This plays out exactly as you’d predict and the two get cornered at a cliff LOL. Alice gets blown off the cliff and Fenrir jumps after her to save her.

This, my friends, is what we call: plot armor.

They miraculously (and conveniently) survive their fall and end up in the castle ruins in the forbidden forest. I guess being lost in an abandoned forest with a totally not haunted castle next to them sets the mood for sexy time because they end up making out like their life depends on it. Conveniently, without actually saying they love each other ლ(ಠ_ಠლ). 

GUYS... THE DRIVER IS LITERALLY RIGHT THERE.... GUYS....

They make it back to Black Territory in one piece with the help of Loki and Harr and Ray loses his shit because he thought they died T T T.  Fenrir is sent back to the front lines and Alice is totally ready to go back and kick some ass but I guess all the fire and confidence in this power couple completely deflated because Fenrir becomes Sirius 2.0 and refuses to take Alice SMH. 

Alice finds Fenrir boarding a carriage to leave, and she stops him and tries to tell him that she loves him. Fenrir responds by pulling Alice into the carriage with him and at this point I was HYPED because “is he actually gonna take her with him?!?!” but my hopes are quickly dashed when he shoves her into the carriage, initiates round 2 of INTENSE MAKE OUT SESSION LIKE YOUR LIFE DEPENDS ON IT..... then throws Alice’s sad ass back out of the carriage and leaves her behind once he’s finished (┛ಠДಠ)┛彡┻━┻.

UGH! FENRIR! JUST--- AGHHHHHHH. 

YOU CAN SAY THAT AGAIN. Like yea sex is great, but have you ever heard of proper verbal communication??

(I also find it funny how the driver was just sitting there the entire time they were making out doing a big boi sweat).

me with group assignments in school.

Fenrir comes back on the night of the full moon and Alice for the 100TH DAMN TIME IN THIS ROUTE, tries to tell him that she doesn’t want to go home, but Fenrir, again, dashes her hopes and tells her she has to go back he won’t be able to protect her all the time. Which we all know is bullshit, but nevertheless Alice decides to listen to him. 

Ha ha ha you are so full of shit.

And so Alice once again goes to the gates of hell garden portal which I officially dub as “The Hole Where Bad Things Happen” or more accurately, “The Hole That No Player Ever Wants To See”. 

Anyhoo Alice leaps back home and spends about a month moping in London until one day a black army soldier comes to London and begs Alice to go back with him because Fenrir’s in danger! Alice, having literally zero self preservation because I guess her time on the battle field taught her jack shit, blindly follows this fellow back to Cradle and the moment she arrives, the guy reveals himself to be a magic cult goon and so she’s kidnapped and taken to Amon’s sex dungeon.

Look. I’m not gonna accuse Alice of “dumb mc syndrome” and I don’t necessarily blame her for falling for it but at the same time, COME ON. THIS IS THE DUMBEST PLOT POINT EVER. Of all the possible reasons she comes back to Cradle, THIS IS THE ONLY THING THEY COULD THINK OF? What makes it so aggravating is that it’s stated multiple times that any person from Reason can repel magic, so if that’s the case, the cult goons could have just kidnapped any random off the street instead of wasting time and energy looking for Alice. And if they could conveniently stroll into the land of Reason, why didn’t they do that ages ago?!

You know that writing rule “make your villains smarter, not your protagonists dumber”, or something like that? Well in this case, everyone is dumb!

Anyway during the month Alice was gone, Lancelot finally decides to stop going radio silent and consults the Black Army about Amon and his weed stash. This felt really convenient and almost inconsistent with Lancelot’s character because in the other routes he was hell bent on not talking unless 100% cornered, but in Fenrir’s route he spills the beans like it’s no big deal. 

Fenrir hears the news of Alice being kidnapped by Amon and the Black army pretty much storms into the Magic Tower and fishes Alice out. Amon finally reveals himself but honestly he doesn’t put up much of a fight because Fenrir shoots him with one of those hiccuping guns and that’s enough to deflate all of Amon’s fighting spirit lmao so he gets arrested in the end. Talk about anti climatic as hell. This entire thing just felt really stupid because if all they had to do with storm the damn tower, they should have done so ages ago.

Admittedly I do like the resolution to this whole fiasco. Fenrir is totally ready to get down and dirty, but before that Fenrir and Alice actually, finally, and at long last, properly talk about their feelings and sort out their relationship mess. 

Dramatic End:

Alice officially joins the Black Army, and they hold her enrollment ceremony. Hosting it is usually Ray’s job since he’s king but since Alice is his best friend’s babe, he decides to let Fenrir take over. Unfortunately, Fenrir can’t keep his excitement in check and ends up picking Alice up and spinning her around in joy ╭(๑ ॔ㅂ ਂ ॓)و ̑̑. THIS WAS SO CUTE I LOVE THIS ENDING.

-----

Honestly I have a lot of mixed feelings about this route. There’s the good, the bad, and the ugly, but since I don’t wanna end this post on a salty note so I’ll just start with the ugly and work my way up.

The Ugly: The route starts losing momentum their promise of not falling in love morphs into the source for Fenrir’s self cockblock fest for the rest of the route and him repeatedly rebuffing Alice’s attempts to tell him she wants to stay in Cradle became unbearable frustrating. Playing Sakuya’s route in Norn9 alongside Fenrir’s route did not help at all because his route also had a “promise of not falling in love” premise and had the exact same problems as Fenrir’s route so honestly my frustration was just doubled at this point.

The Bad: The plot is balls off the rail in the second half if it isn’t obvious enough from my complaints earlier. The Hole That No Player Ever Wants to See making a reappearance in Fenrir’s route kills a lot of the build up between Alice and Fenrir and there was honestly no point of having Alice go back to London. The circumstances that lead her to returning were so stupid it had me head banging against the wall.

The Good: I think Fenrir and Alice have a very strong “friends to lovers” romance going on and it was honestly really sweet and wholesome. I loved how their friendship and subsequent romance builds them both up and makes them better people-- they’re both stronger together, they’re equals, they’re partners. You really get a sense of camaraderie between the two and their relationship is founded on mutual respect, understanding, trust, and confidence in each other which I’m 100% on board with. Fenrir taking Alice onto the battle field with him is a testament of the rock solid trust between them. They have a very strong partner in crime vibe that I love! 

I adore how Fenrir refers to Alice as his “best friend” or his “best buddy” and it was just so cute, it made my heart swell because I’m a firm believer that your s/o SHOULD be your best friend.

Overall imo, Fenrir’s route is about on par with Lancelot’s, though it has higher highs and lower lows than Lancelot’s route did.

Anyway, I’m making my way through Edgar’s route currently (♥ω♥*).

[dlamp-dictator]

Allen Rambles About Three Houses

So last week I finished up my Black Eagles playthrough of Fire Emblem Three Houses. It was... okay. It wasn’t great. I had a few issues with the pacing how quick the plot move to the final battles and the lack of build-up for the big climaxes in the last few chapters, but I had a good time overall. Still, I was left unsatisfied. Between Fates, Echoes, and even Warriors, I think I enjoyed this game the most, but also had the most uncertainty with. 

Fates was a fun game with fun mechanics and fun customization options if you were willing to grind for it, but also had the worst stories and narratives. Echoes had the best story out of the three, but had some game mechanics I really wasn’t a fan of like dungeon stamina and enemy AI nonsense. And Warriors was just fun fanservice as a fan of Dynasty Warriors, but was overall boring and repetitive after completing the story mode. 

Three Houses honestly succeeds in every category so far. It has an engaging story, fun gameplay mechanics with a lot of customization options, and a lot of fun interactions and cute moments in it. But even so, I still can’t help but have issues with it. 

So... I want to talk about that for a bit. I want to cover what I like and what I dislike about this game so far. Just talk a little bit with the fanbase to see where my feelings and thoughts are compared to everyone else’s.

But first, as always, a synopsis for those unfamiliar with Three Housed. 

Fire Emblem Three Houses is a strategy game for the Nintendo Switch and the 16th game in the franchise. This game in particular focuses on three heirs to three different nations on the continent of Fodlan. The proud and commanding Edelgard of the Adrestian Empire who has great ambitions for her nation and its people despite how radical and blasphemous her manifesto seems. The kind well-mannered Dimitri of the Holy Kingdom of Faerghus who’s smile and inviting nature hides a dark and maleficent past that still haunts and eats away at him to this day. And the easy-going and playful Claude of the Leicester Alliance who always seems to be planning something more sinister and malicious than his devil may care attitude shows. These 3 heirs all go to the same military academy at the Garreg Mach Monastery, both a religious and military center where the church resides. Together they enjoy school life, interact with students and classmates, compete in friendly competition, and learn the ways of war together. However, as political events, social changes, and possible wars erupting, the three friends are tested and eventually break part, now pointing their blades at each other for their own beliefs and goals. And as violence is all but certain as the years tick by, all the three can do is wait until they’re forced to kill each other for their beliefs, their goals, and their countries.

You play as none of these characters.

Instead, you play as Byleth, a new professor at the academy and former mercenary. You choose one of the Three Houses to teach and become wrapped up in their machinations as the plot thickens. How you train your students and ready them for the real world for the trials to come is all in your hands.

So... with that all said and the plot laid out, I think I should start with my issues first in the say way I did my quick thoughts. Just so I can at least end this on a good note after all my nitpicks and issues. 

With that said, I’m going to start small and first cover...

Things That Only Annoy Allen

So last time I tried to write this I had to make my first “small” grievance into it’s own part. I’ll try and keep this short since I really want to keep this to the actual small stuff:

I don’t like Byleth’s female design. I’ll go into detail later but for now just know the lacy stockings are distracting for the wrong reasons.

There’s no female brawling class and it bugs me greatly due to Petra’s and Ingrid’s high speed growths. They could be some extremely high DPS infantry in the right hands with those things, but there’s no really class to take advantage of that aside from maybe Swordmaster.

More for story reasons than anything, I wish there was an in-game limit to how many students you could have join your class. About 3 students per House if I had to put a number on it for reasons I’ll explain later. This isn’t an issue, but it’s something I’d like.

Magic only being accessible for certain classes bugs me. I understand the in-game reason for this as a physical unit that could use some emergency (if very weak) magic after losing weapons or fighting armored units would honestly break the game even further than it can be now, but still.

Something I might mention later, but after watching a Blue Lions playthrough by one of my favorite Let’s Players I feel that the game should had limited which House we could join first, as my Black Eagles playthrough would had been more fulfilling learning of some things I’ve learned in that Blue Lions run.

Class mastery should be tied to levels instead of as a separate experience bar. I understand why that’s done, mostly keep people from really min-maxing classes and abilities, but it’s still annoying in terms of optimization.

Edelgard, the only female lord, is the only bisexual lord. Now I’m not in the LGBTQA+ community, but as a gamer and self-proclaimed degenerate I know that denying the yaoi fangirls a male gay option for a main character is... suspicious, given the lovable bisexual rouge of Niles in Fates, and it clear that Claude could had easily been a bisexual option as well given his personality. Again, not in the LGBTQA+ community or trying to play the social justice card, but it is making me raise eyebrows toward the games marketing and aimed demographics.

Byleth in general just... bugs me as a character, but I’ll get to that later.

...

...

...

And now it’s later, so let’s get to talking about the main thing that bugs me with Three Houses, and that’s...

Byleth

I don’t like Byleth. I don’t like Byleth at all. I namely don’t like how they were executed, but the fact that we have another avatar character after how well Echoes worked as a story without a self-insert character, I’m just... baffled. I’ll try and break this down a little.

Byleth’s Design

I really don’t Byleth’s design, namely the female design. The male version looks fine, if a little too black for my tastes, but the female version is trying way too hard to look sexy. This only makes me mad because both Awakening and Fates had female avatars that didn’t look overly sexy or obviously pandering to the male gaze. They were just the female version of the male version’s outfit. Maybe there was some more boobs and hips because female, but it was mostly forgivable. 

And look, I’m not prude, far from it. Senran Kagura is one of my favorite video game series (cautiously hyped about Yumi being in Cross Tag BTW). Rumble Roses is a guilty pleasure I play every so often. One of my favorite anime is freaking Koihime, aka ‘Ikkitousen but better EVERYONE is a girl.’ I’m not saying you can’t have a sexy character or a bunch of sexy characters in a game or piece of media. However, that character should at least have a sexy personality to go with it. And with Byleth, who has the personality of cardboard has been with her mercenary father all her life fighting for her life, it doesn’t feel like she would actively be trying to look sexy since she doesn’t have the personality for it, or a personality at all. She looks less like a mercenary or teacher and more like Manuela forced her into some lacy stockings to make her branch out...

Huh, that would be a good paralogue/support conversation, but I’m not about to rewrite the game just for my satisfaction... yet.

 If you want my quick armchair redesign ideas in terms of design I’d just stick her in Male Byleth’s armor, maybe have a more pronounced/noticeable skirt instead of a long shirt, and dear God get rid of those lacy stockings. Byleth is suppose to be a mercenary that’s only known battle with her father, the Ashen Demon that rarely shows their emotions, not a sexy fashion model. The Enlightened One model is it’s own mess, but this section ate up enough of my time already so I’m moving on.

Byleth’s Personality

Again, Byleth having the personality of a damn rock really kills my attachment to the character. They don’t speak or emote beyond generic level up phrases and crit quotes. 

Which is a shame because Byleth has some really good crit quotes. 

However, from what Jeralt and other students say about Byleth I can gather that their someone that’s often quiet and standoffish. They don’t speak unless prompted to or needs to interject. They tend to observe more than act, even more so after they gain the ability to rewind time, but have a razor-sharp and deadly focus when in combat. And despite their distant nature, they do care about their students, friends, and family quite a lot, willing to break the emotionless Ashen Demon persona to crack a smile even now and then, even completely showing deadpan shock when something surprising or appalling is said, as rare as it happens. 

This is literally Yu Narukami’s personality in Persona 4 the Animation.

And that anime not only gave Yu Narukami more agency and personality than the self-insert the game made him out as, it also gave him a lot of a good back-and-forth with his friends and cast at large. 

Seriously, this could had been Byleth if they bothered to let them speak and actively interact more independently, and it would had been great.

But that aside, I’m moving on to something a little more important, which is...

Byleth’s Importance

[Spoilers for the Black Eagles Route Ahead] 

Again, I’ve only played the Black Eagle’s route, so maybe this changes in the other Houses, but Byleth seems way too important for his own good when we have 3 other “main” characters. He’s the crux of a lot of events and it doesn’t feel deserved or built up to well enough. In the Black Eagle’s path, you’re the one that convinces the class to work with Edelgard instead of Edelgard just explaining herself before the class of her goals. You’re the one leading the Black Eagle Strike Force instead of Edelgard or Hubert taking command and leading after years of not having the professor around and having to survive the war on their own. You’re the one that Rhea has a personal vengeance for instead of the woman that torn the church apart with both words of steel and blades of iron. And you just randomly find out that your the progenitor god from Edelgard and Hubert toward the very end. It feels really anti-climactic, but I also get the feeling that we were suppose to play Edelgard’s route last, something I’ll save for later. 

Among other things, I just feel that the focus on Byleth stagnants Edelgard’s character a lot. I want to see Edelgard struggle with the fact that her ideals, while noble in concept, are dragging the world in the flames of war and that she’s seen more as a tyrant than a savior, but instead we focus on Byleth’s mysterious birth and power after being gone for five years. This game, at least on the Black Eagle route, was so damn close to telling a really good war drama, but backpedals due to Byleth’s existence and perceived importance.

Sothis

[Spoilers for Mid-Game Ahead]

I wish she was more active in the story. Nothing too big, but if I had to deal with emotionless rock that is Byleth, I’d like to have seen Sothis sprinkling her commentary on everything they did. Just imagine Sothis sassing Byleth about how their always eat lunch with their students. Her commenting on the fish they catch. Her giving additional small hints about who owns certain lost items after failing so many times to give the right item to someone. Her sassing every student in their support with Byleth on C-rank. Her telling you to go to sleep when you run out of activity points. It’d add a lot to her character and it’d make the moment later in the game when you no longer have her voice around feel more impactful. Imagine catching a big fish after fusing with her and... hearing nothing about it how big a catch it was. Imagine trying to give Ingrid a lost sword for the fifth time, hoping to hear a hint from Sothis and... you hear nothing.

Again, just an armchair idea, but at least that way when Byleth is being a plank of wood we’ll have Sothis to add some literal flavor text to everything they do.

Ah, but that’s enough about Byleth, let’s move on to something a little more important. Like... 

The Gameplay

Thankfully, my issue with the gameplay are more nitpicks if anything, and I can actually have this in list form too.

As I mentioned in my quick thoughts, I feel like late-game/master classes are more of a pain to gain than most others. A lot of them need to have some heavy grinding in a stat you didn’t likely need to worry about before. Mortal Savant requires you to heavily grind either a physical class in magic or a magical class in swords, something that you likely didn’t do. Speaking of magic, it’s annoying that for all the customization in this game only certain classes can use magic. It makes raising a Mortal Savant or a more physical Holy/Dark Knight a nightmare. Again, I understand why this was done, but it’s annoying all the same.

Gender-restrictions, as I also said in my Quick Thoughts, are just dumb. Fates had removed this and it was great to have the freedom to give my male units the ability to become Falcon Knights, or my Female units to be... Okay, I only played Fates and Echoes, but the fact still remains that not being able to make a female Grappler/War Master or a male Falcon Knight really sucks and limits me quite a bit. Especially the inability to make Lysithea a Dark Mage. It’s practically wrong. 

A lot of these maps have the same issue that Echoes had. They’re big and have a lot of enemies, but not much creativity to them. Okay, they have some thought put into them, more than Echoes anyway, but a lot of them still just feel like big fields that need at least three flying units to be manageable. Again, I’ve only played the Black Eagle route so there might be some more interesting maps in the other routes, but from what I’ve played there was no real strategy to these maps outside of baiting enemies and maneuvering around traps. I think there were probably only two maps that weren’t giant mazes or an empty field with a lot of enemies in them.

To the point above, this made slow moving armored classes almost completely useless. What point is there in having a slow tank on maps that span to what feels like 60X60 tile maps? Plus the maze-like design? Yeah, I don’t know how these maps were meant to be interesting.

And that’s it for gameplay issues. Moving on to...

The Story

Again, something that can be put into list form due to the story having more nitpicks than actual issues:

[Spoilers for Black Eagles Route Ahead]

The split decision to join Edelgard or not is dumb, as is the requirement to have the option available. I think it’s foolish to think we wouldn’t agree with her after listening to her manifesto for so long, especially if you played a Blue Lions route and seeing how Sylvain and Ingrid were screwed over due to their Crests, or just... Lysithea’s  background in general. I can’t argue with her beliefs, only her execution.

The Flame Emperor reveal was... really anti-climatic. As if, again, they assumed we’d do Black Eagles last. Playing this route first just leads to a lot of anti-climatic reveals, especially on Edelgard’s route.

I just really wish Edelgard came clean with her classmates and commanders at some point in the story, to just tell them all that she was experimented on as a child and had two Crests as a result. That she wants to eliminate the nobility and Crests as a symbol of statu because of the harm it does to people both on top and on the bottom of the social food chain. It’d give a lot more weight to her cause.

Again, most of my issues with the story come from Byleth having too much screen time and importance compared to Edelgard as a whole. Especially when I did the route where I chose to go with her.

Alright, I think that’s it for all of my nitpicks, all the major ones anyway. I think I finally move to...

The Good Things

Again, this will be in list form since a lot of the nicer parts about this game don’t need as much breakdown as the bad parts.

But anyway...

As much as I don’t find the late game reward in terms of class advancement, the mid and early game are great for experimentation. I've had a bunch of fun on my second playthrough with some creative builds. I might suffer a little in the late game due to not optimizing everything, but that’s managable.

As I also stated in my quick thoughts, dismounting is hilariously broken. The amazing amount of utility you get from being about to dismount once you reach a destination and then mount at the start of the new turn for free while also being safe from arrows and horse-effective weapons is hysterical. I honestly think this was a bug that just didn’t patch and that dismounting meant you were stuck with the lower movement for the rest of the turn, but God am I going to use it until they eventually patch it out.

I’ve got... issues with the Black Eagle route, at least the route I went through, but I’ve been watching a playthrough of the Blue Lions route and it’s everything I could have wanted in a Fire Emblem game and more. If you want to play a good story I recommend the Blue Lions as your first route.

But to cut the Black Eagles route some credit, a lot of Edelgard and Hubert’s A-Supports were probably some of the best I’ve seen in the series... though I’ve only played Fates and Echoes, so...

Speaking of supports all of them were done very well. Like I said, Edelgard and Hubert had great supports, but Lysithea, Petra, Caspar, and Dorothea had great supports as well.

A lot of the supports and voice acting are great. It’s a key reason as to why I like the supports so much. The Lords are especially great to hear and were directed well.

And... yeah, that’s all the good things. Don’t let the short length fool you, folks. Like I said before, my issues are more nitpicks. The game as a whole is just fine.

That said...

In the Future

As much as I want to, even as a fun little project, I think it’s a little arrogant of me to be making any rewrites or “improvement” to the current story of Three Houses. I have various reasons for this that I might go into depth to in a later Rambling, but the short version is as someone that’s struggle to write their own story I feel like a hypocrite for trying to “correct” another’s. However, I think it’s far game to make requests and bring forth ideas for a future title, especially since this one is selling so well. And so, before concluding I’d like to present a few things I hope to be in the next Fire Emblem game:

No Avatar Character

Like I said, I feel Byleth’s entire presence can ruin scenes due to his lack of personality and engagement. And as easy as it would be to give him one that would also mean the play losing their use self-insert character. To this I say it’s probably best to just not have an avatar/self-insert character to begin with. You can easily make a character that has the stats of an above-average all-rounder as your main character/lord while still having a personality. I think Echoes did this well enough with Alm and Celica, especially Celica if we’re talking stats and utility as a healer/magic/swordsman hybrid.

No Gender-Locked Classes

This is more of a personal desire than something that needs to happen, but if the next Fire Emblem game is going to give us this much customization then I’d really like to have complete control and not be restricted by gender, especially when we’re talking stats. A War Master Hilda would be wild. As would a Hero Petra, a Gremory Linhardt, a Dark Mage Lythesia, and so on. To restrict us is not only screwing people who want to make quirky builds, but also those that want to make optimal builds. Either remove the gender lock, or have these characters with more straight-forward classes like in Fates.

One/Limited Routes

Again, I haven’t played Blue Lions or Golden Deer yet, but the Black Eagles route had a branching path that I honestly think shouldn’t have existed. Maybe this was for reasons I can only guess at, but the story of the Black Eagles Route I was on felt very rushed, or at least it assumed I had played either the other Houses or the “canon” Black Eagles route first. That left the actual story, while I personally found engaging, very rushed and underwhelming at the end. In the future I’m hoping for either one path, or for alternate paths to be locked until you complete the other “main” ones that give a fuller story, because a lot of what I’m seeing in the Blue Lions playthrough I’m watching would had been nice to learn in the Black Eagles route to see Edelgards view of things.

Smaller Maps

Like I said, the maps in Three Houses are a little too large, especially with slower armored/magic units in the early game with only 4 movement. In the next game I’m hoping for either smaller maps or at least maps that accommodate for that slow movement of early game and saving the bigger maps for when you’d naturally have some cavalry and infantry units with 5 movement. I think Fates’ Conquest and Revelations maps did this perfectly.

Brawling Weapons

No real critique here. I just really like the gauntlets and I hope they come back in the next game.

Conclusion

Overall, I think Three Houses is a good game, despite all my nitpicks. I hope the next game will be even better and hopefully have some of the things I want to see. I recommend this for anyone with a Switch wanting to play a decent strategy game.

Anyway, I got a draft to make on that story I’m writing, as well as draft up another Rambling. See you all later!

[anchoredtether]

Title: A Cappella

Author/Artist: AnchoredTether

Rating: T [mild swearing, graphic depictions of violence]

Pairings: Plance [Lance x Pidge]

Series: Harmonious Conjunction

Chapter: 2/?

Summary: After discovering a secret (or not so secret?) talent of Lance’s, Pidge finds herself realizing how little she actually knows about her longtime obnoxiously flirty teammate. She thought she had Lance figured out, but the more she learns the more she realizes the complexity of the Blue Paladin’s personality. It turns out her curiosity just might be the death of her.

Timeline: Takes place after the end of season 5

CHAPTER 02 ][ A CAPPELLA

Pidge made a mental note to look into her hacked Garrison files still on her laptop and find Lance's file, delve into his test scores or something to find out the hidden whatever it was that piqued her interest in the Blue Paladin. The team went on a mission the next morning to free citizens from Galra forces, so Pidge didn't exactly have time to work on her "research." Between shooting warships and forming Voltron and fighting Galra soldiers, it wasn't until a few days later that the crew found some much needed peace and quiet after an exhausting battle.

"This juice is incredible, Hunk! What's it made of?" Lance slurped his straw obnoxiously as he finished his seventh serving of the stuff. They were all lounging in the common room, enjoying some refreshments Hunk whipped up from the planet they were currently occupying.

"You don't wanna know." Hunk replied ominously.

"Ew, please don't tell me this is made of intestinal juices or something." Keith made a face at the cup in his hand.

"Gross Keith! Why would your mind go there first, of all places??" Pidge stuck out her tongue as if the juice she was just drinking was, in fact, made up of intestinal juices.

"Ohmygosh guys, it's not from something that bad!!" Hunk cried. "Give me some credit!!"

Lance had turned a few shades paler. "So...." His eyes slowly moved to glare inquisitively at his friend. "What iiiiiis it made of??" When Hunk didn't answer, Lance stuck out his neck. "I GOTTA KNOW MAN! I DRANK SEVEN CUPS OF THIS STUFF!"

Hunk sighed. "It's from a plant similar to a coffee bean, one of the natives showed me how to make it."

"Okay, so it's like coffee, I can handle that. Tastes more like pineapple orange juice though, which is weird."

"But the 'beans' used to brew it come from... from..."

"FROM WHERE?!?"

"....from the regurgitations of a creature that looks like a field mouse."

"SO WE'RE EATING MOUSE VOMIT JUICE!?!" Keith looked ready to snap, but the whole crew looked equally disgusted or abhorrent.

"But...it's delicious mouse vomit juice." Hunk protested.

"It's perfectly safe, Paladins." Allura assured them, the only one aside from Coran who seemed unphased by this information. "Food preparation can come in all kinds of strange forms. This juice that Hunk learned to create is actually incredibly nutritious and will no doubt help you all replenish after a hard battle!"

"Allura's right, ya know." Coran butted in, taking a pitcher of the stuff to refill his own cup, then went around filling everyone else's cups despite their looks of disgust and horror. "Besides, there are plenty of weirder drinks you Earthlings are accustomed to, such as the deliciously disturbing drink produced from Kaltenecker."

"Oh don't remind me of that." Allura said softly as if she were reminded of a nightmare.

"What!? I thought you two loved milkshakes. You drank em faster than Lance." Hunk said.

"Ehhhh, yeah." Lance took a sip of his refilled mouse vomit juice before continuing. "I showed them how one 'acquires' milkshakes and they were... horrified."

Pidge still frowned at the drink she held in her hand. "That's perfectly normal on Earth. We get milk from cows, goats, camels, yaks... all mammals get milk from their mothers as infants. I'm surprised you Alteans are weirded out by such a... natural concept. Or do you guys not... breastfeed...?" She only realized how awkward the question was after she said it.

Lance interrupted the awkward silence with his obnoxious slurping.

"How are you still drinking this stuff?" Keith asked, impressed but disgusted.

He shrugged. "It tastes good. You can't let the psychological-ness of it get to you. Let your taste buds decide if you want it."

"That is something Lance would say." Shiro finally spoke. Although his expression was hesitant, he drank the juice as well.

"That is something Lance would say." Keith echoed in agreement.

"What is that supposed to mean?" Lance didn't quite sound offended, but moreso confused.

"Well, I'm sorry about the uhh... 'psychological-ness' of this, as Lance puts it." Hunk apologized. "I'll try to make something less... you know what, I just won't tell you guys what's in my recipes anymore."

Pidge sighed. "That's probably for the best."

In the end, it was mostly Lance, Hunk, Allura, and Coran who drank the juice. Shiro seemed to like it the more he drank, but Pidge downed her glass like it was medicine (complete with disgusted noises) while Keith gave his cup to Lance. They slowly trickled off from the common room one by one, heading to get ready for bed after a long day of fighting.

][ --- ][

Pidge retired to her room, ready to take off her Paladin armor and plop down on her bed, but she decided instead to take a well-needed shower. She was normally a morning shower person, but her shoulders were sore and she figured the hot water would help her relax to get an even better sleep. She gathered her towel and pajamas and headed towards the bathrooms. As she approached, she heard something that sounded vaguely familiar, something that reminded her of Earth.

It was music, no, singing, faintly coming from the bathroom door. When the door slid open with a whirring sound and she stepped into the steamy room, she could hear it with greater clarity. She recognized the song, but she couldn't put a name on the artist who originally sang it. Pidge had more of a taste for techno and movie soundtracks, so the more popular songs were less familiar to her. She was drawn further into the communal bathroom, lingering just past the edge where the mens side began. She was mesmerized by the voice, the words beautiful and passionate.

This is it, boys, this is war - what are we waiting for? Why don't we break the rules already? I was never one to believe the hype Save that for the black and white I try twice as hard and I'm half as liked, But here they come again to jack my style That's alright I found a martyr in my bed tonight She stops my bones from wondering just who I, who I, who I ammm Oh, who am I? Mhmm... Mhmm...

Pidge's honey brown eyes widened as she realized who was singing. It was Lance. Since when could Lance sing? How had she not known? But now that she thought about it, she had never heard him sing. Usually individuals who had a voice like that were constantly singing, whether along with their headphones, with the radio, or a cappella at random spurts. It seemed incredibly contradictory - Lance, the one who was always batting his eyes at women and sliding smooth pick up lines, didn't ever use his siren-like singing ability to woo the ladies. Why would he hide such a talent? Lance wasn't exactly one to be bashful. He continued, and Pidge couldn't help but sit down on the cool tile floor and listen intently as he sang the chorus even louder.

Well, some nights I wish that this all would end 'Cause I could use some friends for a change. And some nights I'm scared you'll forget me again Some nights I always win, I always win...

She couldn't help the small giggle when he started singing overlapping parts of the song, although he did it amazingly well for a one-man-choir. She was about to head towards the girls' side to shower when he ended the song, but as she was in the middle of getting up onto her feet he started singing another song with hardly any pause to catch his breath. This song had a much different feel than the last, but Lance still sang it with all his heart.

I am a question to the world, Not an answer to be heard Or a moment that's held in your arms. And what do you think you'd ever say? I won't listen anyway… You don't know me, And I’ll never be what you want me to be.

And what do you think you'd understand? I'm a boy, no, I'm a man.. You can't take me and throw me away. And how can you learn what's never shown? Yeah, you stand here on your own. They don't know me 'cause I'm not here.

Pidge was standing now, her towel and clothes held tight to her chest, her eyes staring vacantly at the floor as his words struck something deep inside her. She knew this song. She loved this song. It reminded her of home, of Earth, of her family, and it brought tears to her eyes. She could hear the music in between the words Lance sung. As the song enveloped her core, she felt how the words applied so strongly to the boy who sang them, the boy she was starting to finally better understand.

And I want a moment to be real, Wanna touch things I don't feel, Wanna hold on and feel I belong. And how can the world want me to change? They’re the ones that stay the same. They don’t know me, 'Cause I’m not here.

And you see the things they never see All you wanted, I could be Now you know me, and I'm not afraid And I wanna tell you who I am Can you help me be a man? They can't break me As long as I know who I am

When she felt the tears spill over her lashes and fall upon her towel did she blink rapidly, snapped out of her trance. His words weren't just notes to be sung. She could tell this was a favorite song of his and the words resonated with him and who he was. In a sense, hearing him sing I'm Still Here felt more personal than something akin to reading his diary. Pidge contemplated leaving the bathroom and going back to her bed so he wouldn't know anyone heard him, but she couldn't find it in her feet to leave the bathroom. She wanted to continue listening, not only because it made her bittersweetly nostalgic for Earth but because it was a side of Lance she never knew... a side she was starting to admire, if only in secret.

Finally she made her way towards the girls' showers, albeit slowly. She hesitated to turn on the water because that meant it would be harder to hear Lance's voice, but eventually she shook her head and willed herself to take her shower. Lance unknowingly serenaded her and she found herself standing under the stream of hot water completely lost in thought. In time she heard the shower water stop on the opposite side of the bathroom and the Blue Paladin's voice ceased its beautiful chorus. For a moment Pidge panicked, realizing that he would know that either she or Allura had heard him, and shut off her water. It was a desperate attempt to hide the fact she was there, and Lance would never be a hundred percent certain unless he dared to walk over to the girls side and see Pidge's feet beneath the curtain. There was a long, terrifyingly anxious pause of silence where she tried her best to hold her breath. To her relief, she heard the door to the bathroom open and close and let out a long, drawn-out sigh.

She didn't know what to think of the whole encounter.

And for Pidge, not knowing what to think was a first.

[sometimesrosy]

Eliza and Bob have hyped up the finale to say it's going to be super emotional and heartbreaking, but if you could write it in your own ideas what would you have the episode look like? Not just in bellarke terms but in general?

It’s hard, because my style of writing is just not that heartbreaking. I WILL kill off characters because the story demands it, even if I love them and don’t want them to go. The novel I wrote before watching The 100 has at least two major deaths of important characters who I loved. And multiple deaths of more minor characters. And it also has transformations to the dark, and explorations of our own darker natures and flaws, and tragedy and trauma. But maybe because I write scifi and fantasy novels instead of episodic tv, I don’t feel the need to “top myself” in the trauma. And since watching The 100, and dealing with this new garbage fire of a world which has proven that all my fanciful paranoid conspiracy theories are not actually paranoid, but ACTUAL REAL CONSPIRACIES PERPETRATED BY ACTUAL REAL VILLAINS IN ACTUAL REAL LIFE, I’ve felt the need to pull back from the dark and morally gray, constant suffering fictional worldview and HAVE SOME FREAKING HAPPY ENDINGS AND VICTORIES. Unqualified. 

Okay. That said. I’m not predicting what I think will happen, but I am imagining what I would do, given what I’ve seen so far. I will probably skip the story lines that do not resonate with me, and also maybe some that I don’t understand where they’re going yet (like Abby, I’m just not sure because I think it’s been building. maybe after tonight it will make more sense.) I’m also not going to talk about what the episode will look like, because I am not sure what the action will be that takes us to the wrap up of the themes and storylines I see.

A storyline I do NOT see wrapping up is finding peace. I don’t think they’ll get it. I don’t think they’ll get the chance to start living, yet. To build a new society outside of war. Not yet. I think that is a season 6 or 7 storyline. Or longer. That might be the new main conflict. No longer war, or survival, but LIVING. It’s been important from the beginning, but more as a long term goal, not one they could actually work towards. Kane tried, but because of the multiple wars, all his efforts were dismantled. Without peace, there could be no building. So we see them trying now, with Kane and Monty and Eden itself…. but no. Everyone is sick, not just Eligius with their lung ailment. Wonkru is too, with their trauma. Both of them can’t stop fighting, can’t stop wanting to own everything they see. Even when they want to.

Okay. So.

Eden: I don’t know how it’s going to work out, but I don’t think Eden will be an option anymore for our heroes by the end of the season. Either it will be destroyed, or it will become a warzone. The worms are still out there, as is the weapon of mass destruction Eliglius brought back from space. 

Survival: In order to survive, our heroes will have to turn their back on the war, and also on trying to save Eden. It’s been stated as the ONLY living spot on earth, and since Eligius spent time in orbit LOOKING for living earth, I think that might be true. BUT while everyone is thinking THEY have to be in control of the only living valley, Monty has been like, hey, yo, we don’t need a valley. I kept everyone alive in a tin can in the airless void of space with squicky algae, and you managed with this hydro garden. I can fix the garden. I can make the land fertile again. We can live here. It ISN’T our only option. There’s ALSO the easter egg of Eligius 3, and the planet with 2 suns which is why they needed the nighblood in the first place.  And there’s Shannon Kook, coming during the finale, who I believe will offer our heroes an option out of the valley. Space? Another community of survivors on earth? IDK. haven’t seen any easter eggs about another community, so space looks more likely. 

Our heroes will lose the war for Eden and lose Eden, but find the new option behind door number three. 

Wonkru: They’re going to break. No longer wonkru, because they are no longer locked in a bunker. If they don’t want to follow Octavia, they don’t have to. Some were already trying to break free, and then she took away their options by burning the garden. Not cool octavia, not cool. Her people are not happy with her. And there’s a real Heda out there. They DO have options. And it’s NOT to follow her. This is going to cause more problems. More war. More death. 

Octavia/Blodreina: Okay. I think this is the main emotional story. Like what Bellarke would sacrifice in order to save their people in seasons past?  I still think she’s getting a redemption. That does NOT mean that whatever she did will be okay now. It was WRONG. And she is responsible for the monster she let out. She has never actually been held responsible for what she has done wrong. I believe this is part of her storyline and character arc. Bellamy always let her win. When a person never understands what it means to lose, they develop a sense of entitlement. Even though she was the girl under the floor, Bellamy gave her that sense of entitlement that made the world black and white. The Ark was evil. She was good. Jaha was wrong. She was right. Grounders were good. Skypeople were bad. When she switched over to Jaha’s reasoning and type of leadership, she accepted that she would be going to the dark side, I think. But she was also still stuck with the Good/Evil thinking. And now, with all her power, she maintained her righteous sense of entitlement. Only choice, right? Therefore righteous. She did it for her people, therefore she was good. Bellamy and Clarke made these choices, but they also recognized that it was not righteous, even when they did it for their people. But then, both of them have much more nuanced understanding of the world. 

Okay, so because of this, I do see her redemption, as when we have a reunion of not just Bellarke, but Clarke, Bellamy AND Octavia, we’ll have, for the first time, the active Heart, Head, AND the Soul. And part of the sacrifice this time, is not just going to be about what needs to be sacrificed to save their SOULS….

Wait. Wait.

Season 3. Clarke and Bellamy had to save everyone from where their MINDS were trapped in the COL. The head.

Season 4. Clarke and Bellamy (and Octavia)  had to save everyone from their BODIES (where their hearts are, and specifically heart because they separated all the families. We SAW them sacrificing parents for children, Clarke and Abby, Bellamy and Octavia. And they went to save their FRIEND Raven, and the romantic promise of Bellarke, AND recovering, we saw Clarke with her new family/heart, Madi.) The Heart.

Season 5. Clarke and Bellamy (and Octavia?) will save everyone from the damage to their SOULS. Clarke and Bellamy got to recover. Octavia just became more damaged and so did Abby, and the addiction story might be more about her damaged soul that a physical thing. She did reject Kane’s offers to help her through withdrawal. 

So. 3: victory of the head. 4: victory of the heart. 5: victory of the soul.

I do not feel that Octavia is likely to make it out alive. They have avoided talking about Lincoln, because I think his death was when she received the damage that broke her. She struggled with that all season 4, and the bunker was when she gave up the fight and just let her soul die in order to keep people alive. BUT I think she’s coming back to Lincoln (that apple blossom parallels the lily he left for her to follow to him,) and I think when we see what happened in the bunker, we’ll get Octavia facing herself, and her heart, and her soul again. We’ve seen her emotions leak out over Bellamy, although she hides it. I think in the end, in order to save her people, Octavia will have to sacrifice herself, and it will be done out of love, it will be done because she recognizes that she let the monster out and what she did is her responsibility to fix. Like Maya, or more importantly, LINCOLN. She has been AGAINST Lincoln’s teachings. And I think when she faces that, she’s going to face her responsibility, like Finn did. I see redemption, sacrifice, and death for Octavia. Could they save her? Yes. If it were a different story and not the 100 and we still didn’t have two major deaths coming. But because it’s this story, I also think we WILL see her redemption, not just death. Because THATS the story. And with the LACK of Lincoln mentions, it’s more likely we’ll see her have a “come to jesus” moment. Like the 2199 days not being mentioned, and the traitor who you love not being mentioned. The more they DON’T bring up Lincoln, the more important it will be. 

i think i got sidetracked. What do I have left? Oh. Bellarke.

Bellarke: They will reunite. They will figure out their shit. They will be canon by the end, because every season is ABOUT the head and the heart coming together, and both concepts have been reiterated. They are not gone, they are still in effect. And we’ll have to see a reveal of the 2199 calls that were the cliffhanger of last season, and we’ll have to see that resolved. HOW? I don’t know. Canon, though. 

What will the finale be? Bellarke together, perhaps brought together by Octavia’s tragic and heartrending sacrifice, with all those years, a life time really, of pain, and I feel she’s going to be reunited with Lincoln, in death. I HATE that kind of story, but I think JR has said that he loves the tragic Romeo and Juliet story and Linctavia IS the tragic Romeo and Juliet story. It just is. And their story ended with both of them dead. But Octavia had to carry on. SO, heartwarming in that they are together, tragic in that their lives have ended. ALSO, according to Romeo and Juliet, their deaths forged a new peace between the Capulets and Montagues, so if we see that parallel, then whoever is left of wonkru, eligius and our heroes, will get to forge a new life. The war over Eden is almost irrelevant at this point. It will be exciting and someone else besides Octavia will die. yikes. We also have Shannon Kook to show up, so let’s expect the unexpected. I expect he comes from space to offer them a new world, and a new way out. Perhaps his people need resources and that’s why he came back to earth from the planet with 2 suns, and there ARE no resources on Earth… but we have Monty and his magic algae. And so they leave the war for Eden behind and head off into the wastes of space to find a new home, a new hope, where they can finally start LIVING instead of just surviving.

That means, Octavia’s story, romantic tragedy, Eden, war tragedy. Bellarke together like Penelope and Odysseus, finally, so a “comedy.” The Dante’s Inferno cycle ended. Breaking the cycle of violence and abuse.

 I didn’t mean to do this. I went off for far too long. I don’t have specifics, just looking at a few themes i’ve noticed. Few details. 

[grimesgalloway13-blog]

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