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thephantomcasebook · 2 years ago

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Oh, so Daeron's your boy?

This is yo'boi?

Okay then, "Author", introduce me to ya'boi ...

Show out and roll out ...

How would you introduce him into the show? And since you won't shut up about it, go ahead and throw in some that Alicole aesthetic shit while you're at it.

Go on, "Fanfic Writer", impress us.

Okay, sure, let's introduce Daeron, bitch.

Alright, we'll take what we know of the character with what we hear about the leaks, and the added prerequisite of " That Alicole Shit" as a factor. Which I assume means ambiguity of who his father is - Viserys or Criston.

Right, so

Late-Teens/Early-Twenties

Tall

Has Alicent's coloring

looks like Alicent

A cunning warrior

expert strategist

really good with a sword

Basically Alicent if she were a guy

Got it.

Remember you wanted this ...

So, we open up on a ship sailing to a large city. We get a tracking shot of the vessel as a battered and battle damaged galley from Evening Fall Isle - Ancestral Seat of House Tarth. We close in on the busy and bustling port of Lys. Merchants loading down ships, while others are being unloaded with wounded and dead corsairs and privateers. Some of the crews of the barely held together pirate ships watch in weary contempt at the docking of the Westrosi galley.

We cut to the dock where a Lys official meets the captain of the Westros ship. We see from their conversation that ship is filled with Free City Noblemen captured on the Stepstones whose families have agreed to pay their ransom. The Lys inspector looks over the manifest - is dubious - but agrees. We then see Baratheon men-at-arms start herding out filthy foreign men in stricken armor and ragged clothes, some of them wounded.

Then, as more men are being led out, we follow a figure in a weathered and tattered hooded cloak from behind as he paces across the deck toward the captives and men-at-arms. We see that on his back is a pack of supple brown leather. Attached to the side of the pack is a long sword with a hilt design that resembles the High Tower of Old Town with it's flame. And attached to the pack's clap is a dented and scared - extremely battle tested - wooden shield with the black dots and burnt orange field of the sigil of House Cole.

The mysterious hooded figure paces to one of the Baratheon sergeants and places some gold dragons in his hand. The sergeant looks up at the mysterious figure and simply nods - turning around. When he does, a long haired and slender looking man - very attractive - is stopped in the line of captives when the hooded figure places a padded fingerless gauntlet hand on his shoulder. The man looks aside and then sighs knowingly.

Cut to another show plot.

We return to see the hooded knight and the Lys captive walking down the crowded streets. We hear them talking. We learn that the Knight was one of Lord Corlys Velaryon's crew and that he had saved Lord Corlys when he got his throat slashed and fell into the sea during the battle in which the Knight captured the Lys corsair. After Lord Velaryon's wounding, the knight - rather than return to Driftmark with the crew - parted ways with the wounded Sea Snake fore he had "other business" to attend to in Lys.

The captive admonishes the hooded figure that with the wealth he already collected from captured corsair treasure from the battles on the Stepstones, that he could buy Pentos. To which the knight agrees - he sure could ... if he wanted too. To this, the captive is frustrated. Denouncing that the knight is crazy, that no one - no one - would dare what he plans to do. That not with all the riches of Old Town, Lannisport, and Driftmark could he 'buy" what he was here to take by force. But the knight says cheerily and confidently that if that's the case then they'll have the element of surprise, won't they?

Around them some people stop in their tracks as in the distance we hear just the faintest sound of ... a dragon roar.

Cut to another plot in the show.

We now return to a giant, multi-story, brothel at the heart of Lys. The captive smiles, tells the Knight to take a deep whiff. The hooded figure tells him that it smells like infected fish ... to which the captive agrees ... saying fondly that it smells like home.

We learn that the captive is a former pillow slave and turned famed male courtesan. But that the wife of his lover - one of the richest men in Pentos - got jealous and had him kidnapped and sold to pirates who raped and abused him. In hindsight Lord Velaryon and the hooded knight actually did the man a favor by killing the corsair captain and capturing him on the Stepstones.

The knight - clearly disturbed by the story - shrugs the captive's hand off his shoulder and tells him not to mention it ... 'ever'. But the captive only smirks as they enter the pleasure house. When they get in, the Captive starts getting chatty with the girls - and a few of the boys - while the knight walks up to the manager and hands her a note. The woman reads it, looks up at him, and then at the captive.

'Follow me ...' She says.

We hold on a shot of the captive walking two fingers down an older woman's cleavage when a gloved hand grabs him by the back of his armor and drags him away as he makes frustrated sobs, complaining that the last six months he's only got one end stuck by the pirates, and he'd like to be the one sticking for once.

cut to another plot point in the show.

We return to a sumptuous and palatial room made of silks and gold. Incense is being wafted while the chamber is hung with erotic art - even a tapestry just like the ones that used to hang in Alicent's bedroom. That tapestry in particular is the one the hooded knight is staring at when the door opens.

We focus on a beautiful and richly dressed older woman - her skin fair, her hair dark, and her eyes cat like in observation. This is Johanna Swann - "The Black Swan". The captive Lady Swann whose uncle refused to pay her ransom during the first Stepstone war and was sold as a sex slave. Now she runs the largest brothel in Lys, with powerful friends throughout Essos.

We learn that Johanna has paid the ransom of the captive cause she wants to entice him to work for her as a high end male escort. The knight immediately responses 'I'm no slave trader'. To which Johanna responds that the captive will be well paid for his services ... as will the knight - Johanna 'thoughtlessly' bares a shoulder. The knight is unmoved by it.

'I'm no one's whore' He responds coldly and righteously.

To this Johanna smiles and says that she's heard and that his price for the delivery of her 'prized cock' is steeper than even he is worth. But that she can't help him.

What he wants is impossible.

We learn that the Knight has come to rescue a woman. A Lady Aelyssa Dayne - wife of Lord Dustin of the North. She had been traveling home from Starfall when she was waylaid by corsairs from the Stepstones. She had been kidnapped and sold as a sex slave in Lys. She was now the favored concubine of Harla Houta - one of the most powerful underworld figures in Lys. Once the daughter of Harlen Houta she took over her father's criminal organization 30 years ago. Then there had been six families of the Lysene underworld, now there are two due to the ruthlessness of the "Old Hog" herself.

The Black Swan has considerable power and influence in Lys, but not enough to openly slight "The Old Hog". There wasn't enough money in the world to entice her to do so ... especially not at the behest of a "Hedge Knight", even one as skilled as he was. Her advise was to take what she offers him and leave Lady Dustin to her bed of silks and gilded chains that clasp to the old woman's headboard.

To this, the knight wordlessly removes his boot to the confusion of the captive and the amusement of Johanna. He turns over the other end of till something drops out and into his hand. Then, after putting his boot back on, he hands the item to The Black Swan.

She smirks and takes it, studying it. At first she sighs in disinterest - she's seen more opulent jewelry. But slowly, the woman grows more serious, giving a double take at the ring in her hand ... at the marking of it. With wider eyes she slowly looks up at the hooded figure.

It is then that he slowly draws down his hood and we see the face of the knight. He has grown out and tussled copper hair that is perfectly styled - in likeness to Criston Cole's own when he was younger. The youth is unmistakably the near spitting image to Queen Alicent Hightower of the Seven Kingdoms. And if his look did not give him away than Queen Alicent's ring with her own personal sigil would've done the trick.

We are introduced to Prince Daeron Targaryen, youngest child of the late King Viserys and Dowager Queen Alicent.

'On second thought, I might have a few ... suggestions, My Prince.' The Black Swan smiles conspiratorially clenching up the ring in a fist and tilting her head.

Cut to another plot point in the show.

We return to a steaming Lysene bathhouse where shirtless Unsullied guards in golden pointed helmets and silk pantaloons stands guard of a grizzled and fat old woman that is relaxing and lounging in the water. She has an eye patch and three scars across her other eye. Beside her an older man - younger than her - is having sex with a woman wearing a collar similar to the ones worn in Slaver's Bay.

The uneven rhythm and splashing causes the old woman to remove a warm cloth from her good eye and yell at her 'good for nothing' son next to her. Angrily she lectures him on how he's supposed to fuck a woman - must she teach him even that?! Then, after explaining it to him, she grabs a naked woman off screen by the arm and tells her to 'come here, let's show them.'

The woman is pale and dark haired, in her mid-30's to early 40's, beautiful, and completely removed from reality. Her gaze is distant and her actions dreamlike. The old woman aggressively forces the younger against the wall of the tub, getting behind her while grasping her shoulder. But then an unsullied guard announces the arrival of "The Black Swan"

Johanna sweeps into the bathing room in a silk robe. She is followed by the captive in a loin cloth, and finally by Daeron in worn green doublet, patched black trousers, and supple black boots that are falling apart. At his side is the same long sword with Hightower design on the pommel. Immediately Daeron notices the dark haired woman who glances up at him - a spark of recognition from both of them as from Westros.

The Black Swan asks if she might join them, immediately disrobing to the awe of both mother and son, then, gently she removes the former captive's loin cloth and they walk into the water together. Daeron remains standing, staring at the unsullied who are measuring him up as well.

Johanna and "The Old Hog" discuss business, how the perpetual war for the Stepstones was making the smiths and ship builders rich, while the merchants couldn't give away their stores. However the slave market has never been better. To this - in a subtle que - the Black Swan asks who the 'lovely one' is, motioning to the dark haired beauty. To this Houta grabs Lady Dustin by the ass and replies that it was some "Westrosi bitch" that tastes like a noble and cost her a king's ransom ...

And if that "Hedge Knight" doesn't stop staring at her, she's gonna gouge his eyes out.

Immediately, Daeron places his hand on his sword and the Unsullied grip their spears. But Johanna only laughs, saying that he's no Hedge Knight ... at least not anymore. Now, he's a rich man, absurdly rich - with connections in Westros - and he was in the market to do business. Then, sliding closer - breasts on full display to entice the room - Johanna asks coyly, what if she told Houta that the "Hedge Knight" had the ability to give her shipments to Dunskendale and Lannisport the royal seal of approval to get past Velaryon patrols?

The old woman's eye nearly bulges out of it's socket as she looks up at the ragged and battle worn handsome youth who was glaring at her. The old woman asks off guard what he wanted in return. To this both Daeron and Johanna glance at the dark haired woman. For the first time in years, just the spark of hope flashes in the noble woman's eyes. To this, the Old Hog snarls and pulls the woman against her possessively.

'Do you know what it cost me to get Westerosi cunt? Do you know how rare it is? Now imagine how rarer it is to get Noble Westerosi Cunt!'

'Yes, I believe I do.' Johanna responds unironically - darkly.

'He's a knight of the Seven Kingdoms - wearing the Queen's Green - let him go buy his own Great Lady with his stores of gold.' she dismisses him.

'He'll make it worth your wile ...' Johanna responds.

'How?'

It was then that with a flicking toss, the youth threw her Alicent's ring.

The old woman - showing dangerous fast reflexes - caught it with one hand. She studies it a moment with her one good eye. Before her mistress has said a word, a look of shock and wonder came over the dark haired sex slave who gazed at the youth who was staring at her. But their shared moment is cut off by an obnoxious and fake laughter from the old woman while she hands her fat son the ring.

With mockery did she behold the young dragon.

'Well, well, well, if it isn't Ser Daeron Targaryen ... Hero of the Stepstones, Champion of Old Town ... and Prince of the High Tower.' She jests in mockery. 'The queen's favorite little secret.' she laughs. 'My darling girl-toy ..." She pulls the dark haired woman close as if about to tell her a joke - the funniest she knows. 'Did you ever hear the one about the Prince of the High Tower?' she asked pointing at the angering young man.

'Did you ever hear about the Targaryen without silver hair? How when Lucerys Velaryon was born - with dark hair and dark eyes - how Princess Rhaeynra, in a blind panic of revelations of her own behavior, accused her bother Daeron of being a bastard?' She laughed cruelly, pulling the naked slave girl against her. 'It's true!' she nodded. "She accused Queen Alicent of stealing nights with one of the Kingsguard ... but-she-never-said-who!" The malice in her voice was dripping with hate.

'Princess Rhaenyra was so vehement, so public, in her accusations of the queen, and to King VIserys in private ... that the King began to eye, even begrudge, his youngest boy. Began to believe what his daughter was swearing to him. For you see, your knight in shinning armor, my poor delicious confection, had a dragon egg that never hatched. Dark hair, a carbon copy of the queen, no Targaryen traits whatsoever ... and no dragon. What was his grace supposed to think?' She egged on.

'So, one day, when the king was at council, a small boy steals into his father's room. He takes his toy knights and starts playing with them on the model the king was sculpting. When the king returned, he saw the boy had unintentionally broke a model dragon. Immediately, in anger - perhaps in resentment - perhaps believing that this was prophetic - that he was no dragon ... but the breaker of them - the king slaps the boy across the face. Ah, but he doesn't land another blow. Fore you see, on duty that day was Ser Criston Cole - the handsome and famed knight of the Kingsguard ... the queen's sworn protector. It is his hand that catches the King's from giving a follow up, his eyes that look wrathfully into the old man's daring him to strike that boy - his boy? - again ...' the old woman trails off as the entire room stares at the young prince.

'That next week, the Queen and Prince Aemond accompany the boy to Old Town. And they say that in bitter tears did Queen Alicent leave the youngest prince behind with his grandfather - the old Hand. That after that day she was never the same, that she swore to hate the Princess Rhaenyra forever, to never let her rest for taking away her beloved little baby. And ever since, all of Westeros wonders, questions ... is there really a prince in the High Tower of Old Town? Or is he just one more secret of the realm hidden in within its vaults?' she snarles hatefully, gleeful in her ill-intent.

'Think nothing of it, my delicious cake ...' She tilted the beauty's head up to look at her with a finger to her chin. 'You have all the comforts of a queen, everything that befits your status. Silks for your gowns, oils and creams to be lathered over your yummy body, and pleasures you never dreamed of in my bed ...' Her eye fell on the dark look of Daeron.

'Don't worry, my love ...' she assured her bed slave. 'I'll protect you from the bastard who comes to steal you away to a life of poverty and mockery.' She stroked her hair lovingly.

Then, snatching Alicent's ring from her son's slave girl, the old woman disrespectfully throws it back at Daeron who catches it with one hand.

'Go back to your pious and self-righteous mother, cur! Maybe - with her tight green frocks and repressed sinful nature - Queen Alicent will rapturously give up her plump royal arse to you, now that Viserys is dead and Ser Criston Cole - I mean your father - has higher ambitions these days.' she mocked.

The ring of steel echoed as from Daeron's side there was drawn a smokey glitter of Valyrian steel from "Vigilance" House Hightower's ancestral blade. With a snap and plant the Unsullied guards get into defensive postures, their tall spears resting on their gilded buckler shields.

'Enough!' The Black Swan glides across the bath, pointing to the young knight. 'There will be no bloodshed here, mark my words!' the veil dropped and the hateful and deadly rivalry was shown between the two women vying for ultimate power in Lys.

'Nor is there a need for it ...' the Old Hog sighed. 'The Prince of the High Tower can see himself out.' She makes a dismissive shooing motion with her fingers. 'Unless ...' she slowly slid her hand down the belly of the dark haired beauty, reaching to touch her between her legs. There is helpless resignation in the former Lady Dustin's eyes as she retreats into herself again.

'You'd like to stay and watch ...'

With the sound of sheathing steel, Daeron turns and storms away. In the background the Unsullied return to resting position as a booming and cruel cackle follows him down the hall.

However, in the same shot, from around his neck, we see a pearly ornate whistle like ancient instrument in the shape of a dragon that he pulls out from under shirt and doublet. Daeron takes it in hand and blows into it - making no sound. The shot ends with the door to the bathing room shutting with a loud clank.

We cut to an overhead shot of the Free City of Lys by night ... however, as we pan over it, we see a forming shadow across the rooftops of a dragon in flight.

Cut to Credits with the sound of Tessarion's answering call to the ancient Valyrian whistle.

#House of The Dragon #Daeron Targaryen #Alicent Hightower #Criston Cole #alicole #alicent x criston #You called down the thunder anon ... so now you got it!

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izayoichan · 2 years ago

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Would love to know more about Flynn and Fannar, since I've been more up-to-date with Christian and Hayden in the past. For both, questions 1 until 11, and 18,19,20 :3

(if they've already been asked, just ignore my ask :p)

What is their color palette: Flynn: I guess a mix of black and green, it fits with me somewhat odd skin color I got from my mom, and colors I like. Fannar: I am more leaning toward white, blue, light blue.. lighter colors, and grey because it reminds me of my twin's skin color. - chuckles- Flynn: Your pants do not mimic my skin color!

What does your OC's handwriting look like? Flynn: My dad forced me to learn proper writing, telling me something along the lines I would not be a Vet that was called and asked what I wrote to one of the clients.. so mine has become a fairly pretty loop script I think it is called (google said so!) Fannar: Mine is unreadable, I am the doctor River hates -grins at his twin's chuckle.- I always used to type on a computer, like my dad, so my handwriting is just crap.

What architectural or design aesthetic would best suit them? Flynn & Fannar: Cottagecore -looks at each other and laughs-

If your OC likes art, talk about which piece they like. Fannar: Ehm.. -looks at Flynn that shrugs their shoulders- I admit, I am not that into art, I grew up with movies and music. If we call music art, I would say, Beethoven, I like their sonatas. Flynn: Basically the same here, no one took us to watch art as kids, so if anything it would be classical music, and Beethoven for me too.

The rest will be under a line, it gets long!

5. What Character from Myth or a Farietale beast best represents them? Fannar: Well.. we are both dragons, but, hmh... Flynn: It's oddly hard to say when your brain just goes, But I am one? I guess we represent ourselves? Fannar: Dragons it is!

6.If your OC was a character in a novel from a literary canon, who would they be: (I honestly read the wiki link more times than I care to admit, and I am still stumped, so I choose some character from book series I know.. ) Flynn: Bjørn Belto I think for you. Smart fellow, symbols, math, books. Fannar: Nathaniel from The legend of the ice people. Just generally too nice, and much much stronger than you seem.

7. If your oc could meet any historical or past figure either in the real world or their own canon lore who would it be? Flynn & Fann: See who our grandfather was before he became a reaper. -looks at the other and chuckles- We'd like to know that part.

8.If yourOC were to live in any other time period, which era would they be best suited for? Fannar: Hmh.. Medieval times I think for me. Dragons were known back then if you believe the lore. Flynn: Eh, I dunno, I think I fit best where I am, but well old egypt I think I'd do okay in.

9.If your OC was to imagine their idyllic life, what would that be like? Fannar: With Arlo, back at the cottage and near the lake that was there, watching the star. Simple life with rabbits and some chickens and a small country clinic. Flynn: I guess for me it would be much the same, a bigger house, and no clinic, just working at the two shelters. Simple life really, no big things or so.

10. What piece of moody poetry or novel quote best encompasses your character. Flynn: "Fiction is the truth inside the lie." Fannar: "And I'd choose you; in a hundred lifetimes, in a hundred worlds, in any version of reality, I'd find you and I'd choose you."

11. Who is your muse's muse? (Who inspires them/drives them) -They point at each other- Flynn: Its always been like this, we always had this between us. Fannar: Yeah, other than that, I think I'd say grandpa Hayle, for holding the family together in the worst time. Flynn: Agreed.

18. What is the one thing that they only let those closest to them see? Flynn: Ehm... anger and frustration I think. (he may not show much of it.. yet, but minor spoiler, it will happen) Fannar: Fear. - they look at their twin.- With all that happened, fear is a thing I learned to keep in check, to keep myself safe.

19. How would their life be different if they never met their partner. Flynn: Ehm.. I wouldn't have been bound to an angry dragon for years, other than that I think my life would be pretty much the same. I might of course have been with someone else. Fannar: Oh wow, very different I think... I wouldn't be missing for years, and almost dead when I came back. I would have stayed here, and trained to be a doctor..

20. What was the moment at which they knew they were in love, or was it a slow buildup. Fannar: I knew the moment I met Arlo, I felt at home, a pull to him that could not be ignored. Flynn: It dawned on me slowly, I admit I half thought it was the bond between us aft first, but seeing who this dangerous dragon once was, and seeing what was still there, under all those layers, it became a thing. I guess it fully dawned on me when we were attacked, and I sat with Brooke.

thank you for asking! I hope I did the questions justice! ❤

#oc stuff #wow these were somewhat tricky to answer #sorry it became a long thing #it was a bit of fun making them answeer #I just hope my norwegian mind understood some of the quesitons #if not #imaging they didn't either!

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immaturityofthomasastruc · 4 years ago

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IOTA Reviews: Truth

Hey. Hey guys. Remember when I said I was feeling optimistic about this season? God, that was funny, wasn't it?

Let's just... Let's just get into the actual first episode of Miraculous Ladybug's fourth season: Truth.

We start off with Gabriel repairing the damaged Peacock Miraculous, which also restores Duusu's sanity, before he quickly gives it a test run by transforming with both it and the Butterfly Miraculous.

And good lord, the result looks atrocious. This is the design for the new and improved Hawkmoth? First off, the peacock feather eyepatch looks stupid. Is he trying to be the Phantom of the Opera? When Mayura had the same thing, it didn't completely cover her eye and matched her color scheme. It just doesn't match with this new design here. Other than the feather, the peacock aesthetic is barely visible here. The most we get is a peacock feather pattern on the back of his jacket. And then there's the popped collar and coattails, which only look more ridiculous than menacing. What made the original Hawkmoth design work was how sleek it was. It was simplistic, which reflected Gabriel's no-nonense personality. This just looks gaudy and unnecessary. How was this right after the amazing suit the animators gave Dragonbug?

So after Gabriel designs another stupid looking outfit, we cut to Marinette, who's still trying to figure out how the Miracle Ball works. She accidentally opens it, letting the Kwamis out, who wreak havoc on her room because Marinette suffering is going to be a big part of this episode. This just raises the question: Why can't Marinette simply order them back into the box like Su-Han did, or rather, is going to do? It's still not established what gives the Guardians authority over the Kwamis in the first place.

Two of the Kwamis accidentally start a video chat with her friends, leading to some more Unfunny Marinette Slapstick. But Alya thinks something's up with her friend.

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Has Marinette even told Alya she's already in a relationship? Like, at all? It feels like all Alya is there for now is to remind the audience that Marinette and Adrien are “meant to be”, even if they're both in relationships right now. It's either that, or teasing Marinette over her crush and doing nothing to help her anxiety.

Marinette accidentally ends the call, before Luka calls to thank her for the pictures of Adrien one of the Kwamis accidentally sent him. Yeah, even though he barely appears in this episode (barring his scenes at Cat Noir), they're going to talk about Adrien a lot. Marinette continues to stammer around Luka (once again making fun of people who have speech issues), but Luka, being the ray of sunshine in any abysmal episode he's in, is completely understanding of it. He also sets up a pretty funny joke.

Apparently, Marinette missed her last date with Luka yesterday to see a movie that was re-released, Crocodile Heart, that was actually Jagged Stone's first movie. I wonder if it's connected to Crocodile Dundee.

While walking to the movie, Luka and Marinette play a game finishing the lyrics of a Jagged Stone song, establishing the former as a huge fan of the rock star. Before we can actually get an on-screen kiss for Lukanette, Mr. Pigeon attacks yet again, because I guess he's the first villain Hawkmoth wants to use in his new form.

Cat Noir sneaks up on Ladybug, causing her to accidentally throw him off a building before catching him, chastising him for the stupid jokes, yet Ladybug has to apologize for missing patrol with her partner, who casually acknowledges her new status as Guardian before the two go and fight Mr. Pigeon.

By the time they defeat him, the movie ends as Marinette gets back, disappointing Luka. We then get a montage of Marinette bailing on Luka multiple times to stop Akumas and Sentimonsters. To his credit, Luka is seriously torn up by all the times Marinette leaves him, showing he isn't just a calm soul.

After Marinette gets back, Luka takes her underneath a bridge to listen to the echoing sound of the water. Luka says that he never knew his father, and he would always go here to relax whenever he got stressed. He uses this to segue into asking Marinette where she constantly disappears to. He doesn't pressure her or anything like Alya, and he even says that if she still loves Adrien, he'll understand. He only asks for the truth. Unfortunately, Marinette can't tell him the truth, which just breaks the poor boy's heart.

Hawkmoth, now calling himself Shadowmoth, sends out an Akuma and an Amok for Luka at the same time, corrupting a guitar pick signed by Jagged Stone that Marinette gave him. And again, to Luka's credit, he fights back against Shadowmoth's influence at first, saying he trusts Marinette, but the temptation of knowing the truth is too good to pass up. He tells Marinette to run before being akumatized into Truth, assisted by the Sentimonster Pharro.

Truth's design is... pretty forgettable. The guitar pick being prominent around his neck is a nice touch, but it's just a generic black bodysuit with light blue highlights, and he has a third eye instead of a visible mouth. Pharro is also pretty boring, just a giant eye that freezes people in place so Truth can use his powers to make them tell the truth.

So Truth goes back to where everyone else was hanging out before he was akumatized and asks Alya to tell him the truth about Marinette.

Yeah, he's right, Alya. That's what you believe. We're supposed to treat Alya saying Marinette loves Adrien as an unbiased source. Truth asks Rose, Mylene, Tom, and Sabine what Marinette's secret is in this episode, and they all say she's in love with Adrien. That isn't actually the truth. It's like asking an atheist if there is a God. You know what they believe is the truth, but you don't know if that answer is actually the truth. Why not have them reveal other secrets about Marinette, giving the audience subtle character details? Like the writers could make someone say stuff like she still sleeps with a nightlight on, or that she secretly gets cookies from another bakery.

You know what also would have worked? Instead, have Truth catch Marinette before she transforms into Ladybug, ask who she actually loved, and then she'll blurt out Adrien's name, shocking both her and Luka. This could also make Ladybug's confidence in herself waver throughout the episode, wondering if she actually loved Luka at all. That would have been much better drama than what we're going to get instead.

Ladybug charges in to stop Truth, but is zapped by his truth ray, meaning she'll be forced to tell the truth when asked any question. Before she can admit her identity, Cat Noir saves her by retreating with her into the Seine, before reassuring Ladybug that he wouldn't force her to tell the truth by force. It's a nice bit that does show he respects Ladybug's secret, a far cry from his behavior in episodes like “Syren” and “Frozer”. Truth turns his attention to his mother Anarka, and asks who his father is.

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Yes. Seriously. This is happening. Luka's father is actually Jagged Stone. I have... mixed feelings regarding this development, but my biggest question is, well... they're doing this now? They couldn't save this for another episode? I mean, was focusing on Luka and Marinette's relationship (something that had been established since Season 2) not good enough of a plot for the writers? Why shoehorn in this plot development? Why not save this part as a teaser for a future episode? You know, have Luka walk home, and remember what he made his mother say as Truth, setting up an episode focusing on his relationship with Jagged Stone.

But no! Instead, we're just supposed to go along with the plot taking a detour. I can't believe I'm saying this, but I don't want Jagged Stone to appear in this episode.

Truth heads over to the hotel where Jagged Stone lives and asks him if he's actually his father, the latter admitting that Anarka was right. Truth naturally isn't happy.

Well, to be fair, it's still a better title than his first drafts, like “It's Not My Fault the Condom Broke”, or “Up Yours, I'm Not Paying the Child Support, Bitch”.

Honestly, I can get what the writers are going for, and I like the idea of them trying to give some depth to a character who was mostly used for comic relief in earlier episodes. The problem is, as much as they want to portray Jagged as regretful for walking out on his family, it still doesn't excuse him for never even bothering to check in on his children and their mother while writing a song about it. He doesn't even bother to give some money to the person he knocked up.

I'm not saying a conflicted relationship like this can't work in animation (a decent example being Steven Universe slowly growing to resent his mother for her time as Pink Diamond and believing his birth was an excuse for her to avoid responsibility), but you need to put more emotion into this. I don't come from a broken home, but if it turned out my dad was, let's say, “Weird Al” Yankovic, even if I enjoy his music, I wouldn't be happy that he decided to come back now of all times without so much as a “hello”.

Truth goes to Marinette's house/bakery, and starts looking for Marinette's diary to find out her secrets. It's almost like the minor plotline that he has a deadbeat dad was only there to eat up airtime. Ladybug is still affected by Truth's powers, and not long after she summons her Lucky Charm, Cat Noir is zapped too, so he starts asking questions that basically amount to complimenting certain qualities he and Ladybug have. When Ladybug asks him what he thinks about her being Guardian, Cat Noir says nothing's changed between them. It's a nice strategy, very reminiscent of when they had to talk in rhyme when fighting Frightengale. I'm also glad they aren't trying to play up Cat Noir not feeling as important immediately now that his partner has access to top secret information.

Cat Noir Cataclysms Pharro, but rather than destroying the Sentimonster, it causes it to go out of control, accidentally paralyzing Truth with some manipulation from her and Cat Noir. Ladybug then de-evilizes both the Akuma and Amok, defeating Truth.

Marinette struggles to find the words to explain things to Luka, but he says that he'll be waiting for her when she's ready. While walking back to his houseboat, Luka runs into Jagged Stone, who promises to write a song together with him. Because I guess Shadowmoth was kind enough of him to not erase that part of his memory. And of course, Luka just accepts this despite the fact that Jagged was absent from his entire life.

So according to this show, you shouldn't bother to give mean people a second chance, but it's okay to give your deadbeat dad a second chance without harboring any negative feelings? I'm sorry, but I just don't see the point of shoving in this subplot if you're barely going to do anything with it before coming to a resolution. If there was more detail put into it, like if Luka just angrily lashed out at Jagged for abandoning his mom, I would have been more open to it. But in the end, this major character revelation is nothing more than filler the episode doesn't need.

We cut to what I'm surprised doesn't happen at the end of every episode given how much crap she gets, Marinette crying in her bed, saying it's too dangerous to have a boyfriend thanks to Shadowmoth. One of the Kwamis apparently doesn't know what crying is, so Marinette asks them to give her a hug, and the showrunners really need to find another song to play at the end, because the upbeat song playing doesn't go with Marinette crying at all. Imagine if this song played at the end of Deep Space Nine's “In the Pale Moonlight” when Captain Sisko confessed to basically being an accessory to the murder of an alien ambassador. It'd be tonally jarring, wouldn't it?

Even the ending image doesn't feature Luka and Marinette together. Instead, he's hugging it out with Deadbeat Stone like everything's okay.

So yeah, that's how the episode ends. In case you couldn't tell, I thought it was awful.

Remember in my New York Special review, where I theorized that Astruc rewrote it to focus more on Adrienette to stop people from shipping Lukanette? I have another theory that I also want to be taken with a grain of salt. I think this episode might have also been rewritten a little to follow up on that. I mean, why else would Astruc spend two seasons building up Luka's relationship with Marinette only to rip it away the episode after they officially get together? It would also explain why it feels like there's two separate episodes going on with how shoehorned in Jagged Stone is.

But other than that, this episode managed to screw up the one thing I was actually looking forward to about this season, seeing Marinette together with Luka. Even if they were going to break up, I was hoping there would at least be a character arc for Marinette where she realizes what she truly wants in a relationship isn't with Luka, leading into a relationship with Adrien where she feels more confident in herself. I was at least hoping their relationship would last more than A SINGLE EPISODE.

In fact, remember that tweet Astruc made soon after the New York Special, defending Marinette and Adrien essentially cheating on Luka and Kagami respectively?

What exactly was so complicated about Season 4 when you're immediately going to break up a couple you spent two seasons building up? Astruc's predictions are about as accurate as Uri Geller.

And then there's the fact that all everyone talks about this episode is Adrien. Marinette's wall is covered with pictures of him, Alya thinks her friend's abnormal behavior is because Adrien's in the room with her, Luka somehow knows Marinette loves Adrien and is actually cool with it, and everyone else thinks that it's her biggest secret. How convenient is it that all of this happens when barring his scenes as Cat Noir, Adrien doesn't appear in this episode barring a five second cameo?

When I was writing this episode, I saw a tweet Astruc made addressing a question someone posed, asking why Adrien didn't get as much screentime in the recent Shanghai Special. He said that “history does not revolve around him”.

youtube

For the love of God, writers, just give Marinette a plotline that doesn't revolve around her feelings for Adrien for once. People already started to get sick of it halfway through last season. Either have her confess and make the Love Square canon, or stop letting it dominate the main story for once. Why can't the writers just let her move on from Adrien for more than a single episode? Give her a goddamn break already.

I once again have to ask: what was the point of building up a relationship between Luka and Marinette since Season 2, if you're just going to break them up the second they get together? Why make a big deal about Marinette's conflicted feelings for both Adrien and Luka if you're just going to ignore her feelings for the latter in favor of the former? And remember, chronologically, this was right after the end of Chloe's “damnation arc”, another plotline that had been built up since Season 2 only to be aborted in favor of “sUbVeRtInG tHe AuDiEnCe'S eXpEcTaTiOnS”. It feels like the writers are trying to punish people for getting emotionally invested in any storyline that doesn't relate to the holy pairing that is the Love Square.

This episode is just frustrating to watch. Part of me knew Marinette and Luka were going to break up, but I didn't think it would be this bad, and it would be so soon. I'm glad they're on somewhat good terms, and I liked the buildup to Luka realizing Marinette might not trust him, but the timing of this episode is what baffles me the most. Is it any wonder I think Astruc may have rewritten this episode?

If any Lukanette shippers need to recover, I'd recommend checking out @mc-lukanette. They have some wholesome one-shots and fix-it fics for some of the weaker episodes of the series. In fact, she already wrote a fix-it to this abysmal episode that’s so much better than what we got.

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pyreo · 3 years ago

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deltarune megapost

I wanted to make a Deltarune post about the lore and the things that aren’t obvious. And once I do that I wanna focus on why Mettaton is incredibly important to this setting

And also why he poses a problem

Why did Toriel and Asgore get divorced?

Without the setting of Undertale, Asgore and Toriel’s marriage still broke up after they had Asriel. There needs to be a reason though. In UT it was Asgore’s ‘worst of both worlds’ decision regarding killing anybody that fell from the human world, including children. We saw how close they were before this happened. Only something deep and serious caused that rift. In Deltarune, what on earth did Asgore do?

What happened to Dess?

Mentioned a handful of times by Noelle, Dess was her older sister and is mentioned In Undertale.... in that Xbox exclusing casino thing. The way Noelle talks about her, the conspicuous way Noelle gets locked out of her big house - it implies Dess is gone or deceased. Berdly recalls a spelling bee when he and Noelle were younger where she, despite being smarter than him, misspelled ‘December’, allowing him to win.

In the two-player spelling puzzle, it also spells out ‘December’ as Noelle recalls the past and her silhouette regresses to a child while she does so. Being distracted by her sister’s disappearance, rather than pure shyness, could account for her misspelling her name on stage, and it clearly left a big psychological mark for her to have this visual regression in the Dark World.

However, there’s a graveyard in Hometown with no Dess. I heard another theory that she has been missing for years, because where each character’s personal room is made by Queen to reflect their tastes via their search results, Noelle has a calendar where every day is December 25th. This could imply that Noelle continually searches the internet for ‘December Holiday’, her sister’s name, to see if there are clues to her disappearance, but of course the only result you would get is the date of Christmas.

Who is the Knight?

It’s now implied to be Kris, who has been forcibly removing the player’s influence to act on their own. By all accounts the Knight is the game’s main antagonist. Spade King and Queen both mention the Knight as someone who influenced their position - they brought Spade King to absolute power, and showed Queen that creation of new worlds was possible.

We’re led to believe that Kris was doing this, because they’ve been acting outside of the player’s control. Eating the entire pie between chapter 1 and 2 might have been a red herring to cover that they also went to the library and used that knife to slash open a dark fountain there.

However. This has issues. How would they even manage to shuffle slowly all the way to the library and get in the computer lab? The Knight is also the one creating the hidden bosses. They talked to Jevil until he realised he was in a game and he lost his mind; they ruined Spamton’s life by elevating him to success and then crushing him. Whatever the Knight is doing seems to be deliberately planned with key players in mind.

Kris opening the fountain at home at the end of ch.2 can be explained in that you just figured out in Cyber World that anyone determined enough can do this, and so, Kris decided to. So a better question might even be...

What does Kris want?

We have no idea. They are capable of removing the SOUL, ‘us’, temporarily, and putting things in motion we cannot influence. But they also keep putting us back in control afterward. This is hinted at right when ch.2 starts, where if you inspect the cage in Kris’s bedroom they threw us into, the description says it’s inescapable. Meaning Kris came back and took us out, willingly.

They allow us to pilot them through the game. Why? Because they cannot live without the SOUL for long for some reason? Because they’re bad at bullet hell? Why did they slash Toriel’s tyres before opening the fountain, making sure nobody could drive away?? Why did they specifically open the door?

You can find out details about Kris through the creepy way you interact with the townsfolk, who think you are Kris. They play the piano at the hospital waiting room - better than you. They used to go to church just to get the special church juice. It’s all normal, relatable things, not like someone who’s trying to plunge the world into darkness. Judging by their search history portrayed in their Queen’s castle room, they really want to see their brother again. However the castle has a room based on Asriel’s search history too, and Kris (not you) closes their eyes and won’t look at it.

What is Ralsei?

His name is an anagram of Asriel. Is he an extension of Asriel? The slightly flirtier dialogue in ch.2 would point to no. Is he an extension of Kris themselves, given the link between Kris’s childhood habit of wearing a headband with red horns on it, to pretend to be a monster like their family?

Ralsei knows exactly where the Dark World in the school is located, and unlike regular Darkners, knows the world is folded up inside the ‘real world’. There’s a certain whiplash to Ralsei telling you to hop out of his reality into yours and go down the hallway to retrieve all the board game items.

How does he jump from one Dark World to another, without assistance? How does he not get petrified like Lancer and Rouxls? Is this a power level thing because he’s a prince or something else? We definitely do not know enough about Ralsei.

He also says this incredibly suspicious thing after you spare Spamton NEO. Susie was also curious but accepts that maybe it ‘didn’t mean anything’, which is a sure tell that these optional bosses do mean something.

Someone is orchestrating what’s happening, opening fountains, manipulating the rulers, and influencing NPCs to become the optional bosses. Why? I suspect Ralsei for both knowing too much, and pretending something doesn’t matter when it clearly does. Until Asriel actually comes home from college I’m going to suspect he’s involved in this too.

How much does Seam know?

Seam on the other hand knows a lot about what’s going on but is openly withholding information while helping you. He’s nihilistic. He says things like:

One day soon... You too, will begin to realize the futility of your actions. Ha ha ha... At that time, feel free to come back here. I'll make you tea... And we can toast... to the end of the world!

Either this ‘end of the world’ is a reference to The Roaring, where opening too many dark fountains dooms the Dark World and the real one... or, I can’t get out of my head the idea that Deltarune takes place in a fake, or weird reconstruction of Undertale where things don’t match up, and eventually it will have to disappear. After all, powers of determination and creating and manipulating universes are Undertale’s basic bread and butter. How can we look at an Alternate Universe containing the characters we already know and not suspect that? Seam also uses Gaster’s key words, ‘darker, yet darker’, seemingly to clue us in that he’s not off track here.

Why haven’t we seen Papyrus?

This is a bright neon flashing ‘something’s not right’ sign. It’s not like Papyrus’s voice actor was too busy or anything. His absence is noticable and for a reason. Nice of Sans to promise we could meet him despite being aware we’re piloting a child’s body around, though, even if he didn’t follow through.

What locations in town could be used for dark fountains in the next 4 chapters?

If the sequence continues, we have chapter 1 in the school games room, chapter 2 in a computer lab, and chapter 3 in front of Kris’s television, where the aesthetic of each setting influences the world, characters, and enemies in the Dark World created there. Future possibilities include the church, the hospital, sans’s grocery store, Noelle’s house, and the closed bunker.

What the hell’s in the closed bunker

This one’s too obvious, honestly. I think it’ll open for no reason in chapter 7 and a little white dog will bounce out and steal one of your key items and nothing else happens.

Why does Asgore have these

Unlike the bunker feeling like a joke teaser, I gotta believe this is foreshadowing something weird. For example, what does opening a dark fountain in here with the seven flowers do? Does it just take you into Undertale?

Each chapter will have a hidden boss with a ‘soul mode’ from Undertale

Chapter 1 let you stay red, but I think each subsequent chapter is going to change your soul mode to one of the seven colours and design the encounter around that. Purple, yellow, green and blue were used in Undertale, leaving the light blue and orange modes yet to be revealed.

How does Spamton emulate Mettaton Neo’s name, body, and incorporate his battle theme, and the ‘Dummy!’ theme, with no actual connection between them ingame?

This is a really fun one that’s explained over in this post here. Swatch is the Dark World creation from the paint program on the library computers, so he’s able to explain that a Lightner made the robot body decaying in the castle basement that way.

Mettaton went to the library and drew his ideal form, Mettaton NEO, in MS Paint, and the Dark World formed that into a puppet body which Spamton was able to hijack temporarily. So by doing that Spamton was able to channel Mettaton’s appearance, attacks, music, and SOUL mode for the fight.

This might mean that the future hidden bosses, each with their own SOUL mode, might be based on the associated character for that mode (Muffet, Undyne, and Sans or Papyrus), and the boss will take on some aspect of them from their world to leech their fight mechanics.

The Problem With Mettaton

We don’t exactly know what Deltarune is about. It’s an alternate universe where the characters from Undertale already live on the surface, have completely normal lives, but diverge from the storyline of Undertale and, crucially, have not lived through the changes Frisk brought to their lives.

Remember how Undertale had a dozen different ending routes depending on who you befriended? The constant reinforcement in Undertale was that your choices mattered. Through Frisk, you chose to bring Alphys closure about her mistakes, you chose to befriend papyrus instead of attacking him, you chose to help Alphys and Undyne realise their feelings for each other and it’s only doing that that leads to the golden ending and escape to the surface.

Deltarune is the opposite, your choices do not matter. The only thing you can do to force the route of the game to change is to force Noelle into a No Mercy run, which is indirect, and also, a total desperation to mess with an otherwise set course. This version of the characters have not been helped by Frisk - Undyne and Alphys are not together, Papyrus has no friends, Asgore cannot get over himself, and they’re clearly the worse for it, but potentially, you COULD still do these things. In fact it’s hinted that you already are.

But there’s Mettaton.

He’s still a ghost and does not leave his house. In Frisk’s world, Gaster deleted himself, promoting Alphys to royal scientist by bluffing with Mettaton, and she then build him his ideal body. In Kris’s world... Alphys is a school teacher. There’s no barrier to break, no reason to experiment on souls, no Flowey mistake, and no body for Mettaton.

It was sad in Ch.1, but now with the Spamton NEO fight in ch.2, it’s unmissable. Mettaton wants that body and he cannot get it. Alphys in this universe is not going to leave her teaching job and suddenly be able to build a robot. Mettaton is just... screwed out of his happy ending and cannot get it.

So what resolution could this have? If it wasn’t for Mettaton I might believe in the vaildity of Deltarune and Hometown. But. How can you doom this character? If Undertale was the only way Mettaton could be befriended, then Undertale is Primary Universe A and Seam is right - the world of Deltarune is doomed as some kind of aberration. It all relies on how this gets explained in the future, but the core mystery of Deltarune is how exactly this universe intersects with Undertale and whether one is an offshoot of the other. How the Dark World links into that is another complication. But even as we get more fun characters and neat stuff in the Dark Worlds, let’s not forget we have absolutely no idea why Undertale’s characters are living here with no mention of underground or why there are no other humans beside Kris.

#undertale #deltarune #welcome to my giant essay post

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centrally-unplanned · 4 years ago

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Allocating Your Aesthetic Budget: Sailor Moon Edition

Sailor Moon is a show that undoubtedly built a powerhouse of a visual brand. Should I even bother posting a screenshot of the sailor scouts, given that I am 100% confident anyone reading this can recall them instantly? I guess it won’t hurt:

Anime is often really good at creating iconic designs like this, through repetition of the visuals. It is awkward in live action shows if characters just wear the same outfit every scene (what, they only own one outfit? Are they homeless/work in the tech industry?), but animation gives us enough aesthetic “distance”, an awareness that this isn’t accurate to real life, that you can buy into the conceit. By wearing the same outfit every time, it just becomes the character. Not to mention a studio can really save quite a few bucks by streamlining production with neat tricks like having only one character design to animate - when you are on a shoe-string budget, like pretty much every anime in the 90’s was, every cut corner counts.

What is interesting about Sailor Moon is that most of the time it doesn’t really use this conceit at all.

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Episode 15 of Sailor Moon’s first season has, in its opening act, this shot of all of the Senshi (at the time) talking to the plot-of-the-day character, who clearly trains rock Pokemon in 16-bit caves in his off hours:

If you knew nothing about these three characters, you could probably infer about 80% of their personality just from their outfits. Usagi (the blond one in the middle, if that's necessary) is wearing:

Light pastel colours, with pink on top of that: girly, feminine, bubbly and breezy

Short-but-not-too-short of a skirt, and red heels: cares about fashion, wants to project an image of being a woman with a romantic hint to it

Long-twin tails w/ buns: Contrasting the shoes, she is still immature and childish. It also means she is the protagonist of an anime

Rei (far right) rocks a very different look:

T-shirt and jean shorts, shoes over heels: sensible, practical, a bit sporty

Very short shorts, long black hair: Confident, a bit aggressive, and suggestive of a more overt sexuality

Ami (far left) settles into a more restrained vibe with:

Full, long, but sleeveless dress, bob-cut hair: Chaste, more conservative, but not to the point of prudishness; particularly with the length (and the hand posture, shielding her body) probably a bit shy

Monochrome blue colour in outfit & hair: reserved, serene, possessing a calm demeanor

I know I have seen the show already, but really none of these details are a stretch - this is just the language of fashion. And all of these outfits are outfits that the characters have never (or rarely) worn before up until this point. The cast of Sailor Moon, far from that animation conceit of “standard outfits”, change clothes all…

the….

time.

I just randomly clicked on episodes to find these, it requires no hunting

And while it isn’t always as spot on as the top picture, they all in some way embody the language of visual design to speak to the personality of the characters. If you want to see more, check out one of the multiple tumblrs dedicated to the everyday clothing the Sailor Senshi wear, because of course those exist.

If this was a 2010’s Kyoto Animation show, pointing this out would be the end of it - every one of their shows has this level of impeccable detail. Sailor Moon is notable in that it is not at all that kind of show; the animation and designs in Sailor Moon take perpetual shortcuts to get the job done. I don’t think the transformation sequences need to be belabored - the way they permitted the team to recycle identical animation sequences, multiple times per episode, was surely a godsend to the production schedule. Yet not all of the budget limitations are so prettily masked:

I’m sure they finished the background art in the...VHS release?

The show is filled with dirty animation, unfinished backgrounds, backgrounds that are a simple color gradient for no clear reason, and so on. It is clear that the Sailor Moon team did not have the resources for every detail - which is why the decision of what details they did choose to prioritize is so interesting.

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What is the point of Sailor Moon? I do believe that shows have “points”; and by that I don’t mean a message or theme but a core appeal to an audience, something specific that they will get out of the show. Almost every show appeals along multiple axes, and Sailor Moon is no exception, but I want to focus on one: aesthetic identification.

If you learn someone is a Sailor Moon fan, there is the obvious follow-up question you have to ask, namely “which Sailor Senshi are you?” It’s the which-Harry-Potter-house-are-you question of anime, a horoscope where you can choose your sign (in this case literally). The premise of this concept is not hard for media to execute on - it is just personality traits and aesthetics grouped together under a label, a basic building block of media and clickbait internet quizzes. Harry Potter, ironically, raised up its memetic question almost by accident, as its focus is so squarely on House Gryffindor that the others are almost forgotten; it was just so mind-bogglingly popular that it didn’t matter.

Sailor Moon, however, takes this concept and allocates so much of its aesthetic budget into making it a centerpiece of the show. Sailor Moon herself is a klutzy, lazy romantic, Sailor Mercury is a shy, earnest bookworm, and so on, with none of them ever really becoming very complex characters. However, the show devotes itself to making you *feel* these archetypes as strongly and intricately as possible. All of those outfit changes are chosen because not only do real girls care about their outfits and can therefore identify more strongly with characters who do the same, but so they can constantly emulate their archetype in diverse, different ways. The show doesn't have the budget for intense action scenes, so after Sailor Moon engages in her hyper-serious transformation sequences, she proceeds to, nearly every time, bumble through the combat scenes like this:

Oh sure, the scenes are done this way because it is funny (and good comedy can be done on any budget - these shots are frequently still frames with motion lines!), but it is also done this way because Sailor Moon is a total screw-up, and if you identify with that it is validating to see someone “just like you” able to pull off wins despite it all. The transformation sequences are not only beautiful animation that showcases aspirational power, but are also crafted to highlight the personalities of the Senshi in question - unless you think aggressive, combative Rei got fire powers by coincidence. Half of the run-time of every episode is spent, not on the plot du-jour, but on light-hearted personal squabbles between the cast because those scenes are not just funny, but also allow for far more moments of character expression.

All of that work pays off in building with the audience, not a connection with a character who reflects their identity in total, but a connection that reflects one aspect of their identity in an extremely deep (dare I say multifaceted?) way. I think if you were to describe Sailor Moon as a “shallow” show, you would actually be right to say so, in a sense. These characters will never have the true depth of personality, themes and so on of a more ‘adult’ show. But those adult shows have to spend their effort somewhere - for all that the themes of say Evangelion or Paranoia Agent are pristinely detailed and impactful, you aren’t ever going to be memorizing the moves of their transformation sequences. The way Sailor Moon committed so strongly to fleshing out the archetypes the Senshi stood for is, I think, one of the keys to how this cast of five became so iconic.

Not even their school uniforms match! They had to spend time in-universe *justifying* this!

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A Final Note:

At least, everything I’ve said here applies to Sailor Moon at its peaks. The show, however, is not one without its stumbles, even in Season 1. This section doesn’t flow into the core essay too well, but I wanted to note it because if you were to watch Sailor Moon today, you might struggle to feel the dynamic outlined above. The biggest culprit here is the length - Season 1 is 46 episodes long, and sections of it most certainly drag. They also take a startlingly long time to introduce the cast - this choice builds tension around their arrival, but it also means the later Senshi get a lot less time to establish themselves. Sailor Venus in particular gets hamstrung by this - she is introduced and then immediately arc plot elements sweep the narrative, and so she is left as a hollow shell for some time. The pacing of the show is undoubtedly flawed.

I think Sailor Moon is a show that you do have to keep its time and place in mind for - namely, middle schoolers and anime nerds watching it on broadcast TV in the 90’s. As an adult you “get” the point of the show pretty quickly, and get satiated on it almost as fast. Watching it all in a few sittings only heightens this problem. For a younger audience, and one that is waiting for a week between episodes with no internet for plot reminders, all that extra time is needed to jog memories and build connections. And younger audiences just have that limitless commitment to the things they love! If you think no one could actually enjoy seeing the same transformation sequence for the 30th time, watch it with someone who would have died for this show when they were 10 and you will be disabused of that notion *very* quickly.

Still, we can’t travel back in time - Sailor Moon is a show of its era. There are “filler-reduced” guides out there, though I caution that the plot of Sailor Moon is absolutely not the point of the show in comparison to the character dynamics, and so sometimes the filler is the best part (Cat-Rhett Butler is the best character in the show YOU KNOW I’M RIGHT). Certainly, however, some method must be used to cut down on its length. If you are going to be a first time viewer in adulthood, that reality should be kept in mind, and if you do accept it for what it is you can really appreciate its core appeal - and don’t forget to finish it off with a 1990′s era internet personality quiz to really wrap it up!

#essay #anime analysis #sailor moon

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stupid-stew · 3 years ago

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character names keep me alive, toh is my lifeblood.

i am literally obsessed and this show really does provide (i still have to add more smh my head dana terrace why do you do this to me jk i love it so much please never stop) COPY AND PASTED FROM DOC UNDER BREAK

NAMES INCLUDED:

FIRST NAME

LILITH

EDA

LUZ

KING

WILLOW

GUS

ASSORTED BLIGHTS

LAST NAME

BLIGHT

CLAWTHORNE

NOCEDA

PORTER

PARK

BUMP

MISCELLANEOUS

BELOS

HIERONYMUS AND BOSCHA

ADEGAST

HOOTY

OWLBERT

KIKIMORA

GWENDOLYN

RAYNE

NOTE EVERYTHING BEFORE GWENDOLYN AS OF 6/24/21 WRITTEN WITHOUT SEASON 2 KNOWLEDGE, TO BE REVISED, REVISIONS IN BOLD!

Hello and welcome to the ramblings of a mad man. Before we get into it I think you should note that I do write like I talk because I think like a talk and I write how I think, so if you are confused as to why it sounds like i’m not making sense its because I'm not making sense also my capitalization and punctuation suck so sorry about that but we don’t have time for technicalities in this house. TO ADVENTURE!

FIRST NAME

LILITH

EDA

LUZ

KING

WILLOW

GUS

ASSORTED BLIGHTS

LAST NAME

BLIGHT

CLAWTHORNE

NOCEDA

PORTER

PARK

BUMP

MISCELLANEOUS

BELOS

HIERONYMUS AND BOSCHA

ADEGAST

HOOTY

OWLBERT

KIKIMORA

GWENDOLYN

RAYNE

GILBERT

FIRST NAME

LILITH

Ok so because I'm lilith’s bitch we are gonna start with her because her name is so cool and I love her and we should be besties Lilith hmu. Anyways as most people know Lilith is a pre existing mythological character which makes this very much good because that means it’s all outlined. Most people know her as a demonic figure, which I very much dig but similar to our lovely queen of curses out here, that's not all she is. There isn’t going to be a chronological explanation of similarities and conclusions, cope. The basic gist is that Lilith was this chick with fiery red hair (this is important iykyk) who refused to be beneath or below adam, more specifically to subjugate to him, funny because of the tapestry with belos what says subjugation on it, probably a coincidence but I do not believe in coincidence right now. Anyways basically she runs off and becomes this chick who like snatches children and will make them sick if they don’t have an amulet with the names Senoy, Sansenoy, or Semangelof on them, thats a different story but what I find interesting is this one passage,

“(12) Her nobles shall be no more, nor shall kings be proclaimed there; all her princes are gone. (13) Her castles shall be overgrown with thorns, her fortresses with thistles and briers. She shall become an abode for jackals and a haunt for ostriches. (14) Wildcats shall meet with desert beasts, satyrs shall call to one another; There shall the Lilith repose, and find for herself a place to rest. (15) There the hoot owl shall nest and lay eggs, hatch them out and gather them in her shadow; There shall the kites assemble, none shall be missing its mate. (16) Look in the book of the LORD and read: No one of these shall be lacking, For the mouth of the LORD has ordered it, and His spirit shall gather them there. (17) It is He who casts the lot for them, and with His hands He marks off their shares of her; They shall possess her forever, and dwell there from generation to generation.”

And there are separate part of this that I find relevant, especially the description of the location, i’m not all that familiar with symbolism of animals in religious texts, so i’m gonna take it at face value and say that this is more or less a description that could be given to the physical owl house itself, sort of a place for people who don’t fit in, its a little messy and I guess one could say overgrown, but it’s a place for anyone, a place to rest now hopefully for Lilith away from the coven, there shall the Lilith repose. On top of that we see the “the hoot owl…” and you’re probably thinking what that so crazy wacko because like why are they referring to Lilith as the hoot owl isn't Eda the owl lady, yes she is. That’s why the actual meanings of lilith’s name that come from her mythological depiction as a demon lady are so important. We have night monster, night owl, night spectre, vampires, night hag, night creature, nightjar (which is another kind of bird), and night bird, all of these seem to fit lilith’s dark aesthetic very nicely which is very good for her, but there are two other ones, hot owl and screech owl, which draw her closer to Edaand away from the coven and her depiction in the mid-later episodes of the show as a monster for cursing eda, but also the name night monster could come into play if while sharing the curse Lilith acquired some of its traits, similar to Ed aas the owl beast. Ultimately, we have this little red head girl who eventually fights back against the men who are attempting to get her to be under them, for the character that is belos, for the other Lilith that is adam, god, and his angels, and now hopefully both of them will find solace and repose among the owls in a place they never thought they’d belong. All this talk of owls and god brings us into the other clawthorne baddie:

Lilith did find her repose! I love her staying in the owl house, get it queen oh yuh.

EDA

For this I'm going to use her full name edalyn, because you know like that’s just how it be it is her name. There isn’t a wiki page for her name like there is for Lilith which makes this a little bit harder but the general consensus seems to be that it means something along the lines of “gift of god”, which I find very interesting. If you are going to name a child gift of god i’m assuming that you are referring to the child themselves, but I don’t think that really applies to eda. I’m not religious, but its my impression that someone who lies, cheats, pranks, and steals their way to the top and isn’t exactly the most responsible witch on the isles and might not be the best gift god could give. I do really love Eda though, her character flaws are still a part of her character, but I think this refers to her powers. Eda considers herself to be the boiling isles gift to magic, which I mean like, have you seen the woman. In agony of a witch we see her at what probably 30% of her power with how much the curse was already tolling on her and how much magic she was probably using to fight it off, and like goddamn. She was almost beating lilith, definitely beating the shit out of her, but she was almost defeating Lilith who was at her full power, and that is just a fraction of what she used to be able to do. Her powers were a gift of god, and I think that the loss of them will greatly affect her. She’s already admitted that she doesn’t know how to do much without her magic, and I think going straight from the second most powerful witch on this isles to having no power at all is going to be incredibly taxing on her, physically and mentally.

Luckily for her the name edalyn also means patience, another thing about her name is that it not only means gift of god, but also similar things like gifted by the gods or even goddess, and this draws a connection to Lilith who is named after a demonic figure, casted out for having defied god, they are quite literally polar opposites on the name spectrum, and we see that a lot in the show, they are completely different people, I mean have you looked at them they don’t even look related, but the funnier thing is that their personalities do the same thing. You’d expect Edain her youth to be a gift from the devil, just ask principal bump, and Lilith seemed to be a goody two shoes who worked her ass off, their names could be switched based off their characters alone.

A random baby name site I found said that :

“Persons with the name edalyn are usually highly flexible and well equipped to making and accepting change throughout their life. They always seek excitement and are sometimes a bit of a risk taker. They are imaginative, and often, through their unconventional way of thinking, are naturally able to solve complex problems with ease. They are quick thinkers and observers who are clever, analytical and versatile”

Which I mean like very much applies to eda, she takes change like a champ, either genuinely or by pretending she’s ok with everything, and is always seeking excitement. Like literally all of the time. Always. I think she takes felonies as a compliment, and one of the biggest changes in her life that she genuinely was able to adapt to and appreciate was

OH MY GOD HER LEARNING THE NEW GLYPHS WAS SO CUUUUTTTEEE, I love her being able to adapt, she really is doing well. As the beginning of separate tides shows, she’s working around it, and is doing a damn good job, living up to her name.

LUZ

Ok I think at this point everyone knows that at this point the name Luz means light, and if you didn't, oopsies now you do. The character Luz was named and designed after a real life person the miss dana terrace knew at the time she was starting to really think about the show, Luz ’s personalty comes more from dana herself and we love that, but the character has really started to grow into her name. This is made most obvious when the first spell Luz learns is the light glyph, not only coming into her own as a witch, but also starting to live up to her name, which along with light also has to do with “Our Lady of Light”, which is the virgin mary, fitting her right in with the other biblical names we got going on here. I really want to stress that I know next to zero about religion, and all of the connections I am making come from wikipedia, so bare with me here. But most of the time mary seems to be this pure, saint like figure, which I think is what a lot of people see Luz as, especially on the isles. I’m going to flat out say that this is in no way meant to pass off Luz as simple minded, pure, or oblivious, because we have seen what that girl is willing to do, she faced death and poked him in the with an ice cicle. In terms of life on the isles, however, she is more or less pure and sheltered, she’s completely new to the world she’s in, but she does quickly adapt, and shows more of her strong side, and remains a good person throughout all of it, taking losses as they come, and not letting them remain losses at the same time.

Back to the whole light thing, we already touched on the whole literal bit of her and the light spell, but can you think of a better way to describe Luz ? She literally brings light everywhere she goes, even Eda admits that she’s changed things for the better, for everyone around her too. Willow got a new friend, probably the first friend she’s had in a long time, and even got to begin repairing her relationship with amity, and got placed in the plant track so she could do the things she loves, all because of Luz . Edagot to grow as a person and a mentor, and finally got someone willing to accept all her eda-ness, unconditionally, someone to really care about that really cares about her back, all because of Luz . Amity got a friend who cares about her, not just her family name and money, someone who supports her and will do anything for her because she is her friend, and a bit of self discovery along the way for amity, all because of Luz . Not a single person on the isles who has had more than 2 minutes of interaction with Luz hasn’t had their lives improved, even belos got his portal, and the thing is that even characters who people might not even consider changed have been, characters such as

Luz my beloved, she seems a little bit less of a light this season, and i do mean little. That’s totally fine though, it’s expected, i didn’t want her to just be this bright shining star after the events of the last two episodes of season 1, and appreciate her going and starting to take the fantasy of the isles with more than just a grain of salt. Obviously like in escaping expulsion, she’s still trying her best to make everything better and make friends with everyone, but there’s something a little different about it and i’m here for it tbh.

KING

The name king itself is obvious, he is royalty, the king of demoNS HIMSELF ASMODEUS hahahaha pulled a sneaky on you now accept my ideas as your own. I am on a mythological name kick, deal with it. The most important thing here is in the bible, asmodeus poses himself as a false god, which I know is something we have all considered with king, that he might be a full on liar, not be a king of anything and is just your ordinary street demon, it’s even come up in the show with him calling himself the king of artists and Luz asking him if he was just making it up at this point. It’s a good theory, I can see it, and this could be used as proof. There is also another legend that paints him as a good natured dude, who eventually banishes the king by literally throwing him, and then he loses his powers and is banished, but this is also the same legend where he marries Lilith and that is not something I am down for. There is another text in which he tells the king (the same one he threw in the other one) that his kingdom will one day be divided and the king does not believe him, and this is the same text where he admits to hating water and birds because they remind him of god. Lets think class, who has the god name and is related to birds here? King’s name by itself holds true to his character, who (regardless of if it is truthful or not) holds himself as if he is a king, and he isn't the only one with a name like that, there is also

WILLOW

Ok I know we all thought it, willow, the plant girl, how fiendishly clever. This also happens to be the only descriptor for her name I could find, which is totally fine because I think it’s a very cute name and willow is also very cute. This means we get to go into the symbolism of the willow tree wwwooooOOOOO aren’t you so very excited I know I am. Its kind of interesting, willow trees seem to match the character, understanding, warm, a safe space really, but most of all the ability to let go of pain and suffering, sometimes outright ignore it, and move on. Willow does always say out of sight out of mind does she not? She is willing to ignore, even excuse people bullying her, be it bosha or even amity, and the moment she got the chance her inner willow decided to try and literally burn the painful memories she had, willing to cause damage just to forget. Willow as a character is very willing to move on like nothing happened most of the time, key word most because another thing about willows is the ability to grow from the pain. Before understanding willow, we never really saw willow stand up for herself until she really had to, but hy the end of the episode she is willing to tell amity that she isn’t willing to fully forgive her, but she’s willing to grow and try. Heck, we see this over the entire first season, we see this little girl who can barely pull it together long enough to stand up for herself grow into this amazing character willing to publicly oppose the emperor and break into his castle for her friend, she tried to full out attack Lilith when 19 episodes earlier she wasn’t able to stand up to amity for bullying her. And I am in no way calling willow weak, she never was, she just needed to find the ability to show everyone that she’s strong, god I love willow so much, you wanna know who else loves willow?

GUS

Gus, my main man, love you but for this we are gonna have to use the full on augustus sorry babes. The name augustus means majestic, or venerable, which while I must say that the illusion of kiki doing the worm was probably one of the most majestic things I have ever seen, I’m going to focus on venerable a bit more here. Venerable is a big word, it means “accorded a great deal of respect, especially because of age, wisdom, or character.”, which for gus the age part might play a smaller part here, but he is good as what he does, Luz and willow both respect him, Eda Respects him, he’s this little dude who is younger than everyone and has to rely on his ability to succeed, not only with his power but with his personality. Gus seems to be confident in himself, communicating with everyone regardless of who they are or what power they hold, similarly to willow he was willing to do anything to help Luz , leading into the second description of venerable, “heroic in nature”. Now, you might be wondering, bestie where ever did you get that description, it totally wasn’t from a religious page okyesitwas but that's fine because being pronounced venerable guarantees a spot in heaven so get it bestie. Overall, the general meaning for augustus is that they are strong, respectable, and powerful, which takes us right into the

Gus, shawty, ily but please stop the obsession with death babes ur starting to scare me. I hope with the upcoming Gus content in TTLGR we will see more of him growing into his powers and such.

ASSORTED BLIGHTS

The blight first names bring me joy so I am putting amity last because I think its really funny, starting off with alador, the name alador evokes diplomacy, correctness, and confidence. We know zilch about alador, but if the vibes of the blight family have anything to say it’s definitely something along those lines. The name odalia means wealth, which I mean like have you seeeen blight manor? Also back at it again with the fact that it’s a variant of the name odilia, like the saint olilia which I don't have ties for you right now because again, we know nothing about her. Edric also means wealth, fortune, riches, powerful, you get the vibes, same thing with emira which means commander, or prince, princess, leader, or star. So you know like we have all these super powerful names happening, and then, oh boy and then we get to little miss perfect herself, amity blight. It means friendship, or harmony. If I was her I would be so mad at my parents like yall have these mad powerful names and I got stuck with friendship? Hand me the emancipation papers. You know what they say, friendship is the real magic (even if no longer taught in schools due to budget constraints). I hope that this leads more into season 2 with amity working on her friendships and ultimately her relationships in general, which we got a bit of already with her working on repairing her relationship with willow, and making the moves to cut off old toxic friendships and moving into more genuine ones with willow, Luz , and gus. I guess you could say that the only thing ALL the blights have in common with each other is their

They are rich assholes, alador is a little wacko, odalia is hot asf dana seriously what the hell man that was out of pocket. The only thing about alador that lives up to his name is his money, odalia seems more obsessed with image and money, and i too am obsessed with her image literally boy what the hell boy.

LAST NAME

BLIGHT

The word blight by itself means a plant disease which boy oh boy can you believe how nicely that fits into amity bullying willow because I sure can. Outside of just the plant bit it overall just means like something that damages another thing, and this works beautifully for each member of the family. The parents are damaging their children, the twins just causing general damage, and amity and her goddamn relationships, but fortunately that whole plant thing brings us into the next couple of last names

CLAWTHORNE

The last name clawthorne means “cold or exposed thorn tree” which had me kind of like what the heck so I went off and had some fun and got you some presents that I think are funny, so there was this guy right, his name was joseph clawthorne, and he created the term whiffenpoof, which is the name for a wildly fictitious animal, things like a jackalope, or even a griffin with spider breath, though I guess that would be the work of a

NOCEDA

Back again with the trees good lord, it means field of nut trees, so again I went into prominent people an found this guy named jorge noceda sanchez, he was a painter and some of his works are kinda baller actually it seems like something that would fit in on the isles, but also not all of the names have a deeper meanings, names like

PORTER

Ok I am like pretty sure this was just meant to be a play on the fact that gus’ dad’s name is perry and is a reporter, get it, perry porter, perry porter, reporter, but nonetheless I did some digging because why the heck not, it means doorkeeper, or gate keeper, someone who guards something like an important building, which honestly I think this would be a good last name for hooty if he ever gets one, but again not all of these are important names at the moment, or maybe they won't ever be at all, names like

PARK

At first I was kinda like l m a o willow park plant girl hahahahah plants in the park parks have trees willow is a tree but then I remembered that someone pointed out that park is a traditionally korean surname and then like a week later disney posted about it for aisian pacific american heritage month which kind of confirmed it, and I don’t know if the whole intention behind it was to establish willow as representation or not, but the surname park by itself means gourd and willow I am so sorry that is so unfortunate LMAOSIFN

BUMP

To be honest I was not expecting bump to have a last name that meant anything but it means swift walker and I think thats funny so you have to know it now

MISCELLANEOUS

BELOS

BIIIITCH LISTEN UPPPP there is a butt tone of mythology surrounding his name and its mostly a different form of it, belus, that is referenced, but same thing different shape. Most of his depiction is as a great king or ruler, in babylonian mythology being the equivalent of zeus of jupiter, which liiikkkkkeeeoajolnjojnkjakjavnjfvdfkjf but its fine everything is great its all ok most importantly, he is recognized as the god or ruler of war, and in that same mythology he lived in babylon, which “... was originally water, and called a sea. But Belus put an end to this, and assigned a district to each, and surrounded Babylon with a wall; and at the appointed time he disappeared.” and idk about you but the smell of him assigning a divide and disappearing smells sour like funky to me babes

HIERONYMUS AND BOSCHA

I am only putting this here because the fact that it’s totally a play on hieronymus bosch makes me cackle and you all have to know it thank you

ADEGAST

B-but brevyn he was only there for like one episode, yeah ok and? Radegast is the slavic god of hospitality, and there is no host like a host that pretends to take you on a mythical quest and then tries to eat you and your mentor and her deranged cat demon, ok? His name translates to “dear guest” or “welcomed guest” and I mean I think if my host tried to suck me into some fantasy would delusion i’d feel pretty welcomed

HOOTY

He is an owl

OWLBERT

He is also an owl

KIKIMORA

First and foremost, she is a little night gremlin who hates children and I think that really fits her, but she is also a little house demon, who is very difficult to get to leave, have we seen her outside the castle? Will she be a spy along with the mask next season? She also has a name that means nightmare or night demon, similar to a certain other night creature we might have heard of a while ago. She tried to strangle children and I love that for her,and she is described as a little old ugly messy haired lady and I feel like her current character has the personality of one so i’ll take it, but what really gets me is her villain origin story, which is that she "grows up with a magician in the mountains. From dawn to sunset the magician’s cat regales Kikimora with fantastic tales of ancient times and faraway places, as Kikimora rocks in a cradle made of crystal. It takes her seven years to reach maturity, by which time her head is no larger than a thimble and her body no wider than a strand of straw. Kikimora spins flax from dusk and to dawn, with evil intentions for the world.”

GWENDOLYN

Ok, the queen herself, haven’t met her yet but like who knows. Not really a whole lot here (my ears are ringing oops one sec ok i’m back hi) anyways um uh rings? Her name right off the bat has a lot to do with rings, and really that only applies to eda, because her ring was a big thing for her, she gave it to lilith, we all watched wing it like witches you know what’s up, but i mean like was that gwen’s ring? I really wanted the hand on eda’s wall to be gwen’s, very upset to see she has all of her body parts so far. I am also not sure if that’s how it’s spelled, but it means the same thing anyways. Also meaning fair or blessed, any woman who created both eda and lilith is probably mad powerful and we love to see it, also she’s a beastkeeper and i like i want to talk about that with eda’s curse but now is not the time for shenanigans (that’s a lie every time is the time for shenanigans i’m just exhausted)

RAYNE

Bitch, sorry, ok listen like um sidebar I AM SO EXCITED FOR THIS CHARACTER AND YOU ALL NEED TO KNOW IT but also at this point i’m not really sure about this character, is this their name, is that even how it’s spelled, girl idfk but like whooptydooo I do what I want so cope. Right now, we are assuming that they are the new bard coven head character, and like let me tell you the way that I am fully pissing my pants atm like bestie, anyways, if spelled rayne, then it means counsel or song, and this is why, do you see why this is why we spell it like this? It’s also scandanavian which means like nothing but it’s cool. This spelling fits because like counsel, head of the bard coven, you get it it’s fine, and then song, also head of the bard coven, you know. It fits so well, especially since this is supposed to be a friend from eda’s past, and like is supposed to try and recruit eda for a rebellion against the emperor in the episode eda’s requiem, i cannot convey to you how goddamn excited I am like there are not enough words in this realm or any others to tell you how prepared i am for this character to rock my world.

GILBERT

I AM S O B B I N GGGGG apparently one of willow’s dad’s names is gilbert and that is literally so cute I cannot like actually this knowledge makes up for coronavirus anyways it means bright promise and idk what that even has to do with anything but I love it and you should to omg

Now i have to go update the other characters see you in hell <3

#the owl house #luz noceda #lilith clawthorne #eda clawthorne #gwendolyn clawthorne #amity blight #alador blight #odalia blight #blight twins #willow park #gus porter #principal bump #rayne #hooty #character names

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nintendylan64 · 3 years ago

Text

My problems with FNAF Lore

Hey guys. I felt like I wanted to explain my problems with the FNAF lore, and how the lore was ruined for me years ago.

My history with the franchise and the lore Now, I discovered the Five Nights at Freddy's franchise back in 2014 through DanTDM's Let's Play of Five Nights at Freddy's 2. It was the first time I had ever been introduced to the jumpscares and characters in-game. But I actually discovered the first game through a YTP someone made of it. With how little I knew from discovering that YTP, I assumed that Freddy, Bonnie, Chica, and Foxy were anthropomorphic animals that ran the place, and that Freddy just liked to leave scary stuff in his office because he was a horror guy. That assumption was way off and DanTDM's Let's Play let me discover that the antagonists weren't anthropomorphic animals. I then discovered Markiplier's videos on the games in 2014, and fan-animations of the games like SMG4's Freddy's Spaghettiria series, and Piemations' 5 AM at Freddy's series. Besides the surprising jumpscares, what really got me hooked on the FNAF series was the 80s-90s aesthetics, and the lore behind it all. Around late 2014 and early 2015, I had discovered the hidden lore series by MrCreepyPasta, which was what got me interested in exploring the lore. I loved the FNAF lore when it was just, "Man kills 5 kids in pizzeria joint and the animatronics become haunted by the spirits of the kids". This made it feel much more realistic, as murder of kids in a place like this can happen in real life. The fact that the staff weren't behind any of it, and that the guards were originally just some average joes who got hired for a night guard position without knowing the dangers of it was also very realistic too. And the inclusion of another tragic event known as the "Bite of '87" was also interesting. But the biggest thing that made the lore have a charm to it, was how there was an implied history of Fazbear Entertainment, and FNAF 2 showed us the history of the place before the tragedies happened, as well as implying that the negative impression was stuck before the murders was also interesting. The lore was interesting back then because of how realistic and mysterious it was. And when the third game came out, it was a great conclusion to the franchise, in which the killer got his comeuppance, leaving the kid's souls to rest in peace. And the killer haunting the suit he died in as an attempt to escape his torment of being trapped in a suit, eventually leaving him to be burned alive in the location he was at was a very nice way to end things. But the way it had expanded on the story by taking place thirty years after the events of the first game, with the unsolved mysteries of Fazbear Entertainment trying to be recreated by people was a good way to expand upon the story. So basically, I prefer the FNAF lore when it was the story of how kids were murdered in a pizzeria joint, and how they eventually got revenge on their killer, while room was made to show us how the pizzeria joint handled this, and how the alleged hauntings were shown through the animatronics being possessed. Because of the lore being so interesting, I tried making up my own timelines to tie the story of the first three games together. And seeing as how the lore was concluded, it should've just ended there, right? Well... it didn't.

Where the problems crept in I think that the problems with the lore crept in with the fourth game. Now, this game could've had potential, as it could've taken place in the location where the withered animatronics were used in before FNAF 2, but it didn't do that. We got instead a child suffering through nightmares, with animatronics that have particularly stupid designs. Plus, what made it worse was that the Bite of 83 was introduced, making the topic of the Bite of'87 confusing since it was implied it happened in the second game, but now it was happening in the fourth game? But then it was revealed to be a separate event, why two separate events of the same thing? What constitutes the idea of establishing a similar event to the Bite of '87? It had nothing to impact the games itself at all. The bigger thing that was confusing is this, Fredbear's Family Diner was implied to have been closed for longer than 1983-1987, and the fact that you see the unwithered versions of the withered animatronics in Fredbear's makes it all the more confusing, since Fredbear's was established as a separate, and early location before it was later re-enfranchised as Freddy Fazbear's Pizza. So why retcon what was established in the previous games? Why not just show us in the fourth game what happened with the withered animatronics before they became withered, and then make a fifth game that took place in Fredbear's Family Diner? I don't know why Scott felt the need to retcon things, especially since most people thought that the franchise had already ended with the third game. Later on down the line, Sister Location came out in 2016. And I honestly hate Sister Location, lore-wise that is. The reason I say this is because Sister Location fucked up everything more than the 4th game. This time, there was more retconning, the horror tone and 80s-90s aesthetic was gone, the game felt like Sci-fi and less like the older games. Worse, Purple Guy was given an actual name, and turned from a cold-blooded killer that killed kids because of being a psychopath, into a mad scientist obsessed with placing souls into animatronics using soul juice in an attempt to create murderous animatronics, and he killed kids to do this, but most of them were his own or his friend's kids, Fazbear Entertainment was actually started by this maniac, and Mike Schmidt from FNAF 1 was no longer an average joe working a night shift job, but instead the son of the killer and later became an unrealistic purple zombie that somehow got hired for night shift positions. Jeremy and Fritz were no longer average joes either, and were now aliases for the purple zombie who's actual name was Michael Afton, making Mike Schmidt another alias for this zombie. And now, this was more about a family that was insane to begin with trying to put their own personal demons to rest, rather than the story of the murder of 5 children in a pizzeria joint, and the killer gets his comeuppance while the faceless pizzeria chain tried keep its reputation afloat, eventually failing which lead to the closure of it. All of this shattered how I interpreted the lore. The biggest things that Sister Location fucked up were the following. 1. Taking away the 80s/90s aesthetic. In the first and second game, the game has an 80s and 90s aesthetic with the looks of the locations and decor, as well as the camera sounds sounding like cassette tapes, and the first took place in the early 90s, while the second took place in the late 80s. FNAF 3 kept the 80s/90s aesthetic, and I'd argue FNAF 4 kept the old aesthetic too, such as how old everything looked in FNAF 3, and how the house looks particularly old in FNAF 4. FNAF SL's aesthetics look way too futuristic for a FNAF game, especially since it's said to take place before the first 4 games. 2. Making it more sci-fi. The original FNAF games, and the fourth one were meant to be horror games, and they established this greatly with audio and visual cues, as well as the storyline having a horror-esque feel to it during the first 3 games, and even the 4th game kept. The focus on sci-fi traits or elements in SL kind of kills the horror-esque feel that FNAF originally gave off, especially the whole soul juice and mad scientist part. 3. Making Fazbear Entertainment have an owner. Fazbear Entertainment should've just been left as a faceless corporation that had nothing to do with the murders, the type of company to try and cover up the damage done to their reputation by cutting costs or not batting an eye when a man kills children in their restaurant. 4. Making Mike, Jeremy, and Fritz into aliases. It doesn't make any sense as to why a company would hire a foul smelling zombie who kept changing his name. I think that Mike, Jeremy, and Fritz should've just been average joes that got night guard positions not knowing that their jobs were dangerous and not knowing the hauntings of the pizzeria they applied to work for. And 5. The Afton Family. The Afton Family completely ruined the idea of the children being killed at Freddy's by an unknown man, since now it's just about a family killing his own for a dumb mad science experiment and the son is trying to stop his own father, making it so you no longer play as an average joe that discovers the dark secrets and hauntings of a pizzeria joint, but instead you're just playing as a zombie that needs to kill his own father in order to stop his father from killing anyone else. Seriously, it feels less like a horror game, and now feels more like a badly written self-insert sci-fi story with some bit of horror mixed in. The FNAF series is way too complicated to figure out now due to loads of retconning and unnecessary changes made to the story. Worse, the Nightmare, Funtime, and other animatronics that have been added to the franchise just seems like an excuse for Scott to just add new characters simply to keep the franchise going. Now, let's look at a FNAF fan-game series with a better written story.

Five Nights at Candy's Five Nights at Candy's has a much easier to understand story than FNAF. In the first game, you play as a female night guard at a burger joint where an unfortunate incident occurred between an animatronic and a customer, and an incident involving two kids at the factory where the animatronics were made. The backstory of everything, such as the original location and the burger joint's opening are explained in FNAC 3, showing how two unfortunate incidents at the puppet/animatronic theatre led to the closure of the place. We also learn more about the main character from the first game, and the one who caused the murders as well as the victims. In the second game, everything is concluded with the daughter of the guard solving the mysteries of the old factory. The reason is because Emil Macko managed to actually tell the story in an effective way, without retconning anything and without relying entirely on twists and misdirection.

Conclusion So yeah, I can't stand FNAF lore post-FNAF 4, because of how it became way too confusing to understand, and with how the series started retconning tons of things and making unnecessary changes. And it's amazing how a FNAF fan-game was able to tell its story better than the actual FNAF fan-games. So for me, I'm sticking with the FNAF 1-3 lore, which is my interpretation of it. Before I end this blog though, what's annoying is that no matter if you mention the FNAF 1-3 lore on YouTube, people will instantly start bringing in the modern FNAF lore and correct you, even if you're following you're headcanon.

#fnaf #rant #random rant

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oonajaeadira · 4 years ago

Text

in which adira enters the party and just starts blabbing on about her relationship with a film no matter what effing convo you were just having

Listen. I’mma spout off about my hard-on for Prospect. So if you’re not here for me and my little puke of nerddom, I apologize, but not really.

If you keep reading, It’s gonna get really something up in here. There’s a lot of exposition your don’t need. And too many pictures. I’m just here to talk to myself. Unless you wanna talk Prospect with me, then come find me.

My love for Prospect started with the short film on Dust. Was a time, whippersnappers, when I absorbed all the sci-fi and horror shorts on Dust and Prospect was one of the only ones I saved and revisited. The superb world-building in a compact story! The father/daughter relationship is actually loving and respectful in that short and the ending is super bleak and I’m like oh scratch, this is the set up for a longer story I want to know more about.

Then I heard they were making a feature-length film out of it.

And then I forgot about it for a long time.

Meantime a little show called The Mandalorian came around and changed my life. I found this dude named Pedro Pascal (perhaps you’ve heard? big hands? broad AF? world’s best mustache? brown eyes? flat ass? cinnamon bun?) and I’m like, balllls I’m in love and that’s the end put me in the ground I’m done here.

But then Prospect came up in my “we think you’ll love this movie” cue on Netflix and I’m like, oh yeah! I didn’t know they actually made the film! I’ll have to watch it.

Wait. PEDRO’S IN THIS? BONE-EFFING-ISSS. I put it at the top of my list. But. Because the girl and the father were the main characters in the short, I assumed the same in the movie too. Didn’t realize Pedro was a lead, thought he was just playing a passing role and let it sit for a hot second.

Watched it, and I think if you follow me, you’ll understand that it did things to me.

So we have 1. existing love of the short film, and 2. Pedro “Ezra’s gonna wreck you” Pascal.

But what actually hooked me? 3. World building and DESIGN. And that, my kitkats, is why we’re here tonight and I’m having a moment.

I am a HOOOOOOOOORRRRRR for cinematic design. (Please don’t get me started on how Wes Anderson can put a bag over his stories and characters so I can screw his aesthetic art department all night long. Also, I don’t feel that way about all of Wes’ films. Also don’t get me started on Royal Tennenbaums or Fantastic Mr. Fox or Moonrise Kingdom or we’ll be here all night for a different kind of love fest.)

I am also a fan of visual and modern art, and I do know of the art collective TAKA out in Seattle and when I learned they did all the design for this film, I kind of dropped my innards out my shoot.

The further discovery that they designed and were selling marketing ephemera for the film? Stop. Just. Stop. Take my dollars.

(I am embarrassed to say how much I would shell out for Cee’s headphones if they were on offer.) I just got done framing the posters which are coming with me to work to hang in my office, so I thought I’d do a photo shoot before they leave the house.

THE DESIGN. THE EFFING DESIGN. THE LAYOUT OF ALL THE PROPS. I am so hard for this.

Bonus:

Puzo sticker:

They made an in-world cartoon character. He’s basically the Totoro of the Prospect world.

Bitchin’ patch:

MOTHER LOVIN TRADING EFFING CARDS SUMBITCHES:

Each one of them has in-universe symbols and design elements, as well as text in the in-universe fonts.

And, of course, the guide to getting rich on the Green Moon:

(these photos are not mine)

THEY MADE. A WHOLE LANGUAGE AND CARTOON CHARACTER AND POLITICAL FIGURE AND WORLD FOR THIS MOVIE. And you don’t really even learn about it in the movie. It’s just there. All the symbols on the trading cards. The product packaging design. Why is there a lock of braided hair on Fahr’s musical instrument? DON’T CARE. MEANS SOMETHING IN WORLD. BECAUSE DEDICATED DESIGN.

(This is the part where I admit that I own all the extended versions of LOTR not just because I love the films but because of the PRODUCTION DOCUMENTARIES. Because DEDICATED DESIGN. I am that girl.) Anyway. I’m going to go and discover new things about a stand-alone movie that I already am pretty nerdy for. I’ll leave you to the convo you were having. If you wanna come join me in the weirdo corner, just follow the scent of fornicating channel rats....

#prospect stan #showing true colors #come find me if you wanna talk design and world building #the puzo show airs alternating cycles public morning block set your keychains to 0943

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brawltogethernow · 4 years ago

Note

So on the whole, how useful would you say Death Note is for teaching someone how to write a convoluted plot between enemy chessmasters that's at least... 50% watertight?

General disclaimer that I haven’t touched the source material directly in many years, and all my dn posts are me feeling my feelings. But yeah, I can shake my 8-ball about this.

There are two components to dn’s approach to “a convoluted plot between enemy chessmasters”, and they’re only roughly stapled together. There’s the rivalry/characterization part, which is both compelling and silly, and is mostly about aesthetic. That never really concludes in a satisfying way. It’s not TRYING to, because the characters are pretty much there to hold up the thought experiment premise, which demands a lot of grit and unpoetic death and not solid foundations of character/relationship work. Like there’s stuff there but you’re really deep-mining for it and doing a lot of the work yourself, and that’s by design. All of the character arcs, which are pretty thin on the ground, trend in a negative/dismantling direction (because it’s a tragedy), and few of the relationships play out all the potential they have (because it’s not a tragedy about relationships).

The character aspect of the chessmaster stuff is heavily reliant on the conceit that once people are smart enough they will start reaching the same conclusions in the same way. Like there’s a single most ideal train of thought for every situation that even people who should have very different thought processes will reach with the assistance of enough little gray cells. This isn’t uncommon in smartboi stories, but dn went absolutely ham on it, if you want to make a study of that trope.

The biggest takeaway there is probably noting how the creative team seems to have been unaware that a lot of their audience was actually buying into that between the lead and their rival as a “meant to be enemies” kind of thing and didn’t realize that faction would be less interested once it became obvious that no, all geniuses in this world are taking turns using one brain. I’ll freely admit I deliberately misread this element to maximize my own investment.

Then there are the tricks and puzzles. The odd logical hole is inevitable, but overall they’re solid. They’re also just procedural plots delivered in a less formulaic story than that usually makes one think of. There’s nothing distinguishing them from the weekly puzzle of a House episode or a Detective Conan arc except for raw creativity and panache. There is rarely any characterization going on whatsoever. The twists require players, but you never get the sense that only whoever is being pulled to act could fill their part. They’re always stand-ins for perfectly generic individuals, putting their distinctive quirks and intense personal philosophies aside. This is that idea that there’s one way of thinking that everyone is accessing at staggered intelligence levels in play again. People are simplified until they can be pieces in contraptions no more complex than Light’s exploding desk drawer trap.

This is why the trick plots of dn don’t get pored over a lot by fans. They’re looped too loosely to the rest of the story to have an emotional impact that will make them memorable long-term. They’re deceptively simple, too. Kind of the opposite of a story twist that makes you rethink everything that came before it in a new light. You can’t dismantle dn and reassemble it like pentominoes very easily. A lot of it is grand set pieces, and if you tease out any of the puzzle plots they sort of lose structural integrity and flake away. This is why most canon divergence fic for dn is “diverging” by asking the question “what if Light were less of a shit”.

Ultimately, Death Note only gives the impression of being a complex engine made of moving parts. Its strong suit is its showmanship. It’s very good at carrying you along from twist to twist in a state of mild beffudlement that doesn’t quite escalate to belligerent and securing that “Oh wow! That was clever!” reaction. The mastermind-offs of are deceptively static, pretty much coming down to one party either failing or succeeding to thwart a plot laid out by another in advance without a lot of combating each others’ machinations in real time. Once resolved, twists vanish from the consciousness like disappearing gold. There’s no fiber to them, just flash.

This isn’t critique! Most elements of this story do what they’re deployed to do. (If the tricks needed workshopping, people would analyze them more, ironically.)

I’m myself shit at (de)constructing brain tingler twists and can’t really identify if dn’s are useful for instruction purposes. Not for people who don’t already have a natural talent for them, I guess! It might be interesting to identify why they’re not immediately identifiable as bloodless trick plots, except I suspect it might just be that the rest of dn is so insane and dissimilar from stories that usually contain those? Like I already compared it to two Holmes descendants, and it definitely has BBC Sherlock “let the asshole speak, genii are a protected species” vibes, and the criminal protagonist facing off with a detective premise is Arsene Lupin-y, yet I still feel weird identifying Death Note itself as in this broader genre because *gestures to all of it*.

It’s the least formula-reliant example of the breed I can think of right now, which is neat. (Annnnd also definitely feeds in to people being dissatisfied with it because they miscalled what it was trying to be. Dn is just generally pretty unique, and I imagine the team was making up a lot of its playbook from scratch as it went along, which leaves the audience in kind making up the experience of consuming it.)

All of the above is incidentally why dn is infamous for being very compelling in the moment but then having people revisit thinking about it and decide the he-knows-that-I-know-that-he-knows conceit is actually ridiculous and needs to be taken with a grain of salt.

So uh. This all SOUNDS like bad form, but that’s arguably me being a basic bitch who “likes when plot and character and aesthetic inform each other”, and that’s just fundamentally not what Death Note is. Also it’s kind of a lofty starting goal and writing is hard. Like! This approach worked! We are discussing a very successful property with many fans. (And a weirdly finite cultural impact for its popularity but this isn’t necessarily why.) I guess this is an acceptable playbook, and the takeaway is that you CAN successfully Frankenstein together different unconnected storytelling methods, and it will look dazzling and impressive and barely leave any of your readership feeling confused and hollow inside and likely to return and make fun of themselves for accidentally liking your work wrong.

Oh, also, dn as do’s and don’t’s of building a mastermind character. Do give headlining characters eye-catching, memetic traits. Don’t fail to trace those traits down so they actually represent something at your character’s core because you crossed over the line from “spinning characters out as foils and parallels who compare and contrast to each other in interesting ways” into “all of your smart characters are basically the same challenge-seeking misanthrope stamped with different surface features” -- except WHO ELSE IS GOING TO HAVE THAT PROBLEM? THAT’S NOT NORMAL.

So yeah you COULD study Death Note, or you could binge some crime dramas and then some X-Men issues that have battles in the center of the mind over the same weekend and get basically the same net effect.

#death note #mirrorfalls #asks answered

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nat-20s · 4 years ago

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MEDIA THAT I RECOMMEND YOU CONSUME INSTEAD OF SUPERNATURAL FOR BOTH HEART AND HEALTH BROKEN DOWN BY TYPE OF MEDIA AND WHY YOU MIGHT LIKE IT IF AT ANY POINT YOU, LIKE MY POOR POOR SEVENTEEN YEAR OLD SELF, WERE INVESTED IN THIS ABSOLUTE GARBAGE FIRE OF A SHOW

with apologies to anyone on mobile who’s readmore function APPARENTLY doesn’t work

(I haven’t watched supernatural for at least five years and, given any sort of luck, I will never do so again, do not @ me)

hello babes. I am talking to you know bc I keep seeing supernatural, unironically, on my dash, and I think we can all do better. I see what’s happening and I think: https://www.youtube.com/watch?v=hU3i_o5Xd4g

Supernatural is fudge stripes. You are Megan. We can fix this.

So a list of alternate things that I think are overall better written/characterized/just generally more enjoyable that might scratch some of those itches:

TV SHOWS

Good Omens

okay look if u were on tumblr last year u probably already watched this show but like. If u haven’t, it’s only six episodes babe and there’s a large enough fandom that u can go down a fanart hole for days on end

Basic summary: the antichrist has reached that lovely young age where he’s supposed to bring about the apocalypse. An angel and a demon who have decided that actually they like the world as is, thank you very much, try to stop the end times. They’re not very good at it though, which makes for a comedy of errors.

Shared elements with supernatural that you might Vibe with: theologic (mostly christian) exploration/parody/imagery without inherently being a religious show. Fighting off the apocalypse narrative, which I think pretty much always goes hard as hell, but that’s just me. There’s a gay angel who’s socially awkward. There’s a fun very British demon. Touches on the hierarchies of heaven and hell, with framing Heaven as a bureaucracy and blurs the differences between angels and demons. Pining. Tenderness. A deep nostalgia for 80s music, though in this case it’s specifically queen, and who doesn’t love queen. Main character has a weirdly strong bond with his black vintage car. Satan is (sort of) fought.

Gravity Falls

sometimes...things that are kids shows...with a set story and a predetermined ending...are better

(also this isn’t relevant to any of what I’m talking about but I really appreciate that Gravity Falls specifically went against the thing that most begged me about ATLA aka that a 15 year old girl would be like yeah I’m into a 12 year old boy because the 12 year old boy has a crush on me and I apparently don’t get to really have a say in this. How does that make sense.)

Basic Summary: Twelve year old twins Dipper and Mabel go to stay with their Grunkle Stan for the summer in a small Oregon town called Gravity Falls. Turns out this town is filled with all sorts of strange phenomena that they often have to confront, work around, learn about, or befriend!

Shared elements with supernatural that you might Vibe with: The core focus of the show is a close sibling duo, but like It’s obvious that the siblings actually like and love each other and while they have their spats it’s still incredibly clear that they deeply care about each other even with their differences LIKE SORRY SUPERNATURAL YOU CAN’T JUST TELL ME THAT SIBLINGS CARE ABOUT EACH OTHER AND THEN THEY SPEND ALL THEIR TIME FIGHTING AND LYING TO EACH OTHER AND GENERALLY ACTING LIKE THEY CAN’T STAND EACH OTHER’S COMPANY BUT THEN OOOHHH YOU CRY ON TOP OF THE HOOD OF A CAR EVERY THREE EPISODE AND SUDDENLY THEY’RE SOULMATES OR WHATEVER

Anyway. Yeah. GF has a solid sibling dynamic. Monster of the week that builds up to greater over-arching plot. A little bit of body horror, you know, for humor. Fair amount of meta humor playing with the tropes of the genre. A Good Ol Big Bad that tries to pit the siblings against each other. Have to fight the apocalypse (you’ll see this point on like a good half of these recs, I really like ‘what are we gonna do about Armageddon’ media). Interesting creature design. Planned, satisfying ending (which supernatural absolutely does not have, but I still think if it had ended with the season 5 finale like it uhh pretty obviously was supposed to, that would sort of counted. Don’t revive shows that have clearly already told their stories kids.) Tie in media that gives you some fun extra stories when you miss the characters. (yes I read some of the supernatural novels when I was a c h i l d, yes I’m pretty sure there’s one or two of them still buried somewhere on my laptop, no I don’t wanna talk about it.) Older father figure (?) who owns a tbh kind of shitty shop. Both already in place and found family.

It’s a good show, and it’s two seasons. John Mulaney Voice: I dunno it’s 40 episodes

MINI REC ALERT! (mini recs are basically things that I’m not gonna go into detail about for whatever reason [probably either due to i’m not familiar enough with it OR I just don’t like. Have a bunch to say about it in regards to how it will scratch the itches presented to u by spn] but still seem like a Good Watch)

Mini Rec: Over The Garden Wall. Spooky Kids Media! Episodic! Miniseries so you can watch it in like 2 hours! Cool ass Animation! About two brothers encountering said spooky stuff! Big Bad tries to pit brothers against each other! Might haunt you for the rest of your life! Check it out!

The Haunting of Bly Manor

I think about this show every goddamn day of my life. (Also not relevant but Greg Sestero makes a brief cameo in it and I was like hi greg my friend greg!)

Basic Summary: An girl named Dani, while staying in London, decides to take on an Au Pair job for two young children, an older brother named Miles (age 10) and the younger sister Flora (age 8) at the spoooooky and mysteeerious Bly Manor, and she gets far more than she bargained for.

Shared elements with supernatural that you might Vibe with: Okay so supernatural doesn’t actually do this but I know I KNOW why we let ourselves be queerbaited in 2012. Four words for you: CENTRAL! GAY! TRAGIC! ROMANCE! You want some pining? Some tenderness? Some LOVE? Some dealing with internalized homophobia but no, like, actual violent onscreen homophobia? HAVE I GOT THE SHOW FOR YOU. If ur favorite episodes where the ones that make you sob (for me it was kevin’s death on god), I recommend this show. If you wished that supernatural literally ever had consequences or perma deaths or didn’t retcon major plot events like every five goddamn episodes so that there could be some exploration of like grief and trauma through the lens of/ higher stakes of horror, I recommend this show. If you really do stay up at night picturing a supernatural that wasn’t made by dumbass cishettie white men hack writers but was actually allowed to have Dean and Cas be in love over the course of the show so they could have like actual development and not the most homophobic gay reveal of all time, I recommend this show. Hell, if you just want a banger ghost story in general, I recommend this show.

As for what they actually have in common: horror setting/aesthetic without actually being all that scary most of the time. A strong sibling duo, though they’re not nearly as much of the focus of Bly Manor. Found family. Strong themes of grief. Questions of what turns someone into a monster (and done much better) An actual, much better noble sacrifice done out of love. Escalation of stakes until there’s a big final confrontation. Semi-big bad trying to tear this family apart. Found and pre-installed family. Sad orphans.

Watch this show. Vibe with me. Cry with me. Yell at me about Owen Sharma

MINI REC ALERT!

Haunting of Hill House- spiritual predecessor to Haunting of Bly Manor, though they’re not actually the same universe/story. However, it’s made by the same dude and has a shared aesthetic/sensibilities/some of the cast. This is only a mini rec bc I haven’t actually seen it, but I’ve heard good things and that it, while much more heavily leaning into family dynamics, has similar themes of exploring Grief and Trauma through ghooossstttsss.

Community

Okay I know that this may seem like a Wild rec considering community is a school sitcom with basically Zero paranormal elements but just like. Hear me out. And no this isn’t just because I think it’s a realy good show and I want more people to watch it, though that is a factor. If I was just recommending comedies that I think are good and more people should watch regardless of them serving as a replacement for supernatural I would demand you all go watch Galavant and Crazy Ex-Girlfriend. I’m gonna demand it anyway. Everyone go watch Galavant and Crazy Ex-Girlfriend. Now back to your original program:

Basic Summary: A group of students at Greendale Community College form a Spanish study group, and things quickly go Off The Fucking Rails in the best way possible.

Shared elements with supernatural that you might Vibe with: All right I’m gonna be real honest this rec is for all of my (correct) bitches who’s favorite episodes of Supernatural were French Mistake, Changing Channels, and/or Mystery Spot. You think if Supernatural would’ve been fucking fantastic if it had been a committed comedy instead of a CW melodrama that occasionally landed some admittedly really fucking funny episodes/concepts, Community (and the movies on this list) will gently take you into its loving arms and give you everything you desire. It’s about the Meta comedy. It’s about the discussion, exploration, and subversion of common tropes within the format. It’s about the grand use of group/ found family dynamics in order to max both the goofs and the heart. It’s about fantastic callbacks. It’s about having one of the few “asshole with a heart of gold” leads I can actually stand because. You know. Growth. It’s about the INCREDIBLE genre and pop culture parody. Which genre do they parody, you ask. All of them. They parody all the genres. The glee parody episode is a fucking masterpiece of television. If you don’t want to watch a show that features a Halloween party where everyone turns into zombies and the ABBA discography blasts in the background, you can stop reading right now, because I can guarantee you won’t be interested in a damn thing I have to say.

MINI REC ALERT: The X-Files. I’ve also never seen this but a: everything I’ve seen out of context has been fantastically weird and delightful b: it appears that there’s a general consensus that Scully and Mulder are one of the only valid straight couples so it’s probably pretty fun and c: let’s all be honest. Supernatural was already basically an x-files rip off, it had like half of their original writers swiped from the x-files crew, I’m pretty sure if you liked especially the first couple of seasons of supernatural, you’re gonna like the X-files.

Subcategory: TV SHOWS ( A WHOLE TWO OF ‘EM, OR MORE LIKE ONE AND HALF IF YOU WANNA GET TECHNICAL) I’M SPECIFICALLY RECOMMENDING FOR THAT COCAINE HIT OF PURE UNADULTERATED UNCUT 2012 TUMBLR NOSTALGIA

BBC Merlin

Yes, I know the show ended in 2010. Yes, it still provides that 2012 Tumblr nostalgia. 2012 Tumblr is a feeling, not an actual time period.

I love this stupid show. I plan on rewatching it all over the month of January. I harbor a deep amount of fondness for it. It’s why every time I see literally any depiction of Merlin I get just so fucking excited, and why I’ve consumed as many ridiculous Arthurian adaptations as I have (side note: my two favorite other ridiculous Arthurian legend adaptation are Avalon High, a DEEPLY silly DCOM that is required viewing to level up friendship with me, and The Kid Who Would Be King, which is the only movie that I think truly understands the comedic potential of playing a King Arthur Adaptation mostly straight but everyone in it is 12. I’m not sure it intended to be as fucking funny as it was, but again, they’re all middle schoolers. I have never been more jealous of an actor than I was of the 22 year old that got to play a 16 year old dumbass Merlin who was sometimes also Patrick Stewart and did all of his magic with ridiculous hand gestures That should’ve been me that should’ve been me that should’ve been me. Also Sword in the Stone by TH White is pretty good, because Merlin knows germ theory in the fantasy 400’s and he just uses it to be petty mostly. Also listen to High Noon Over Camelot by The Mechanisms. Also Also I tend to prefer family friendly adaptations because they don’t have the uhhh. You know. Incest and sexual violence of the original legend. Love to Not have that shit!) Whether you watched it initially and are due for a rewatch, or you’re intrigued enough by the concept of the show to watch it for the first time, you should join me on this wild wild ride.

Basic Summary: You know who Guinevere, Arthur, and Merlin are, come on. BBC said let’s make em all YOUNG let’s make em SEXY let’s make em FAMILY FRIENDLY and let’s make magic REALLY SEEM LIKE A THINLY VEILED ALLEGORY FOR BEING GAY BUT TO THIS DAY IM NOT SURE IF THAT WAS INTENTIONAL OR NOT BUT IT SURE SEEMS LIKE IT WAS. @ THE BBC MERLIN CREATORS WHAT IS THE TRUTH BECAUSE THERE WAS SOME INTERVI-

Basic Summary but like a bit more helpful: A BABY version of Merlin (and by baby I mean like 20 year old.) is sent from his small town to the big city the Kingdom of Camelot to find his destiny. Staying with the town physician and friend of his mom’s, Gaius, he ends up as both his assistant and personal manservant to Prince Arthur. But in a kingdom where magic is punished with death and the prince seems hell bent on getting himself into situations that are going to kill him, the young sorcerer has his more than his share of work cut out for him.

Shared elements with supernatural that you might Vibe with: Primo supremo queerbaiting. Like, yeah, okay, it’s queerbaiting, you know it’s queerbaiting, but you watch some of the scenes and ur like okay. I know why I let this bait me. Obviously with a modern show, I would expect more, I would expect better, I would raise my standards, but I gotta admit. Some of these scenes are fuckin compelling as hell, and the subtext is like barely sub. Monster of the week shenanigans. Some awful CGI creatures but like a charming awful. Like the kind of awful that tells you their very limited budget was more focused on cool swords than realistic creatures. Episodic stories build into a more overarching plot, with things getting darker in season 4/5. Shitty father that end up eating shit and while the son of said father is rightfully conflicted and upset over the death it’s cathartic and victorious as all hell for the audience. Multiple hot evil women, and I love hot evil women. There’s also nice hot women, which is a bonus. These women don’t all immediately stupidly die, so that’s a nice change. Also like a LOT of sarcastic humor and shenanigans if u like Sass Merlin is there for u personally name a more iconic line than “Oh I’m sorry, how long have you been training to be a prat, my lord?” AND THAT’S IN THE FIRST FUCKIN EPISODE brilliant amazing fantastic show stopping. Also you know those like dumb hijink episodes where like Dean was possessed by the spirit of a dog or some shit? You bet your bottom fuckin dollar BBC Merlin has those kinds of storylines. Also I know some people go to spn bc it had that HUGE fanbase and like BBC Merlin’s fanbase is still SURPRISINGLY poppin even though it’s been a decade since there was new content so like. Have fun!

Doctor Who but Specifically the RTD Era

Look I’m not here to say that the first four seasons of reboot doctor who are the only good doctor who or inherently better than all the rest (though the RTD era is my favorite personally) BUT when ur seekin that sweet sweet superwholock frenzy nostalgia, this is the ‘who’ that is being referred to. Also like. Stan 9. We should all collectively stan the ninth doctor. Chris Eccleston, the Objectively Best Famous Chris, deserved better.

Basic Summary: An immortal alien that goes by “The Doctor” travels across time and space with a variety of different companions, often to try and save the day or fix a (sometimes self created) mess. It’s distilled campy sci-fi with a family friendly tone that has made me cry on several occasions.

Shared elements with supernatural that you might Vibe with: Monster of the week that, you guessed it, builds into bigger overarching plot style narrative. Fighting off the apocalypse, but like every couple of weeks because worlds are in danger a LOT. A semi-tragic romance that made people go absolutely buck fuckin wild bc pining n shit. Wamen, but they aren’t fridged. (actually for real though none of the main women die and I just think that’s really fun and flirty even though I could go on a COMPLETELY SEPARATE rant about the injustice of one of the character’s ending YES season 4 is my favorite season and one of my favorite pieces of media ever and I am currently actively recommending it to you YES im still fucking pissed over how it ended YES we exist) Specifically, a Wonderful and Very Excellent woman named Donna who goes on a spa trip that doesn’t end up going very well. That seems like a highly specific example, and it is, but it did happen in both shows. (Also, to anyone that continued watching SPN after like idk season 9 what happened to Donna? I always liked her and I know she became a recurring character so like DM whatever probably injustice was the end of her story line pls and thank you) I’m also extra specifically recommending for Supernatural Fans and also The World At Large: Season Four of Reboot Who. I rewatched it last year and it still goes so fucking hard. Donna Noble is the best character in existence. In regards to the appeal for SPN, personally I think the best part of SPN was when people who are soulmates went on adventures and tried to save the day and it was a good mix of banter and sincerity AND GUESS WHAT’S BASICALLY THE ENTIRETY OF SEASON 4 OF DOCTOR WHO. It’s so good y’all I wish Everything was about soulmates going on adventures and trying to save the day.

OKAY TV SHOWS DONE TIME FOR M O V I E S which I don’t have nearly as many recs for but uhh here goes

What We Do In The Shadows/ Shaun of the Dead

I’m lumping these two together bc my reasons for recommending them are largely the same, and I would call them tonally similar enough that if you like one you’ll probably like the other

Basic Summary (Shaun of The Dead): Uh-oh! London’s had a break out of some of that good ol’ zombieism. Shaun and friends decide to hunker down in a local bar, but they have to get there first. Will they survive? Will they fuck up some zom zoms? Who’s to say?

Basic Summary (What We Do In The Shadows): Some vampire roommates dick around. I think there’s technically, like, a plot, but it’s really just about some vampires Doin Their Thing. Vibin.

Shared elements with supernatural that you might Vibe with: This is kind of similar to the Community recommendation, in that supernatural had the opportunity to be one of those things that was both a parody of a genre but also just a really good example of the genre. WWDITS and SotD are both those things for vampire and zombly movies, respectively. Have the aesthetic and some of the themes of a horror but is not actually all that scary. Horror Comedy is a god tier genre and I don’t know why it’s not more widespread. Fun monsters/cast of characters in general, so at least one person in it is probably going to make you go “oh gender” ya know? With SotD you have the fantasy power trip that comes with like any piece of media that involves hunting monsters. With WWDITS I go “yep that’s how bisexuals dress” and I Will Not Clarify which character I’m talking about.

MINI REC ALERT: All of Taika Watiti’s filmography. Thor:Ragnarok is one of like 3 marvel movies that I consider genuinely fucking fantastic completely independent of the MCU and my own tendency to be like “hurr bdurr I love. Superheros”. For the one that is most tonally like Supernatural But Significantly Better and Written By Someone Competent I think I would say try out Hunt For The Wilderpeople. It’s got a reluctant curmudgeonly father figure and I KNOW some of you motherfuckers were so invested in spn when you were like 16 bc you had daddy issues. This is a callout post for my friend [REDACTED], who I should text to watch Hunt for the Wilderpeople, actually.

MINI REC ALERT X2!!!: Bram Stoker’s Dracula. I’ve never seen it but it has both Winona Ryder AND Keanu Reaves so like. Goth bi rights.

Happy Death Day (and Happy Death Day 2 U)

happy death day was one of those movies that I saw the trailer, went “eh”, heard other people say it was great, watched, and went holy fuck this slaps. Not nearly as much of a slasher film as the trailers implied if im remembering the trailer correctly

Basic Summary: Our main character Tree keeps waking up on the day she was murdered. The day resets every time that she dies. That’s right, it’s a time loop storey babey!!!!!!!!!!!

Shared elements with supernatural that you might Vibe with: If you were anything like me you were foolishly lulled into supernatural for way longer than you should’ve been on the promise that the characters would idk like grow and change and become better and learn lessons and some of that would be through the power of receiving love and kindness. You know. Like how good writers would do it especially if their main characters are kind of dicks that really should make some changes. Well, Happy Death Day fucking delivers on that promise in SPADES. It’s about growth! It’s about change! It’s about making the active decision to become a better person and putting effort into doing so! There’s heavy themes of like grief and trauma and acknowledging them and facing them head on in order to move on and the negative consequences of refusing to do so and just trying avoid it until it goes away. There’s a romance that makes my dumb little self do the pleading face emoji. Tree is also one of the only good asshole with a heart of gold characters. I also think media is improved by having at least one character that is a Good Good Boy (note: Good Good Boy character does not have to be a man.) and Happy Death Day has Carter. Oh on that note: Tree Voice: I’ve only had character for (the same repeating over and over) a day but if anything happens to him I’ll kill everyone here and then myself. Also the movie is funny so like hell yeah.

that’s all I got for relevant movies right now

BOOK RECS

jk i’m illiterate. Everyone should feel free to go ahead and add their own suggestions for this section The best I can do is uhhhh I think y’all would probably like Mira Grant’s novels, particularly the Newsflesh stories, bc sibling dynamics. Also the book The Haunting of Hill House is really good. Ballad of Black Tom slaps? There’s of course the Good Omens novel that the show was based on. I’m about to recommend some podcasts after this section which will include to Welcome to Nightvale because of course it will and the tie in novels for that slap, especially It Devours!, and I’m pretty sure they work as stories even if you know nothing about the podcast. Also also I think you should read “The Long Way to A Small, Angry Planet” by Becky Chambers It’s not thematically similar to supernatural at all but it’s one of my all time favorite sci fi novels and only like four people have read it which is a goddamn TRAVESTY.

Anyway yeah that’s it that’s all there is. Onto the medium that is like books but I can fold laundry or cook while consuming their narratives.

PODCAST RECS

Okay so this is getting uhhh wicked long so I’m gonna limit myself to only three full blown recs and a

mini rec

Alice Isn’t Dead

Fuck me running this show is so good. Literally hands down my all time favorite (and scariest!) horror podcast. Mamma mia, that’s a good fuckin story. The Book version is also good and has fewer Weird events but some further character development so I recommend them both.

Basic Summary: After her wife Alice disappears mysteriously, Keisha takes up a job as a long haul trucker, traveling all across America in order to find her, but ends up finding so much. Pursued by a deadly creature she calls The Thistle Man, the stakes of her journey are raised.

Shared elements with supernatural that you might Vibe with: okay so I have a lost of bullet points of things that appealed to me specifically about supernatural and how no other shows covers all of them which sucks bc it means I basically Yearn for a show that’s supernatural but good. Alice isn’t Dead, however, hits the most of these bullet points AND is so fucking good. It has monster hunting. It has stopping a cataclysmic event BUT also discussion of the cyclical nature of events such as these and how the fight never truly ends but you can make some fucking progress nonetheless. It has a central gay romance that’s actually a central gay romance. It’s the ONLY show on this list that really hits that the weird and dark underside of americana vibe but specifically the americana of not like suburbs and shit but that eerie haunted feeling you get when you’re hours into a late night drive on open roads with no civilization around and an expansive sky and it just Seems like something should be watching you. Have you ever been out for a walk at midnight and encountered a deer and you looked into each other’s eyes and it felt like it was telling you a message that you couldn’t possibly hope to parse? Have you ever felt an incredible sense of deja vu eating in a restaurant you couldn’t have possibly been in before, because you’ve been to a thousand diners a thousand times just like one, and there’s an incredibly sense of homogeneity even though you’re 2000 miles away from anyone and anything that could possibly know you? Have you ever traveled to an area that seems to be stuck in a bubble of time, the only thing that shows any evidence of having aged past 2006 being yourself, and you wonder how your cell phone even works around here? THAT’S the spooky americana I’m fuckin talking about! Messed up road trips! Too much goddamn space! America is scary because it’s big and Filled With Things but also Not Enough Things! Fuck yeah!!!!! That time bubble fuckin EXISTS in Wyoming the most recent song on the radio I heard was fuckin Hey Soul Sister!

Also has a thing where like are there even good guys and bad guys in a conflict or is it all just one umbrella nightmare that you’re trying to stand against in anyway possible (u kno..like how the overarching structures of both heaven and hell were kinda fucked in spn? No spoilers but similar shit be happenin in Alice Isn’t Dead). Exploration of what makes someone into a monster, like how do you go down that path? Also this is the only show on this whole damn list that southern gothic music really suits it so points for that.

The Magnus Archives

You know I had to do it to ‘em.

Basic Summary: Jonathan Sims has just become the Head Archivist at the Magnus Institute, a “research” “facility” that looks into paranormal/esoteric/unexplained phenomena.

John Mulaney Voice, Again: Nobody knows what the archivist is going to do next, least of all the archivist. He’s never been in an archives before, he’s just as confused as you are.

Shared elements with supernatural that you might Vibe with: Oh fuck this document is over 5k long I said I wasn’t gonna do this hhhhh so lipton lightning round: Slowburn Gay Romance but Actually Canon, Monster Hunting but Hey What Even Is A Monster Anyway, Acts Somewhat like a Loosely Connected Horror Anthology until it DOESNT, Little Things Build to Bigger Narrative, Characters Be Goin Through It (On God These People Need Therapy), Trying to Prevent/Fix The Apocalypse (X2!!!), Smug Asshole Big Bad, Horror as a Metaphor For Various Shit, Basically if you thought that the Men of Letter concept slapped and you think it should’ve been the whole damn show including being Deeply British you would probably really fuckin like TMA. Also if ur like the ideal piece of media is a horror tragedy but also like it’s a wacky sitcom but also also fuck cops. U will like tma.

Welcome to Nightvale

IF ANY 2012 TUMBLR FANDOM DESERVES TO MAKE A MASSIVE COMEBACK AND BE EVERYWHERE AGAIN AND ABSOLUTELY FLOOD MY DASH IT’S WELCOME TO NIGHTVALE WHY DID WE ABANDON THE SHOW THAT TREATED US THE MOST KINDLY DID YOU KNOW THAT EPISODES 108-110 ARE THE BEST FUCKING BUILT UP NARRATIVE REVEAL THAT I HAVE WITNESSED IN MY LIFE DID YOU KNOW THAT IT CONTINUED TO BE REALLY FUCKING GOOD AFTER MOST PEOPLE STOPPED LISTENING DID YOU KNOW CECIL AND CARLOS ARE MARRIED AND THEY HAVE A DOG AND A TODDLER NOW BECAUSE OF ALL THE GAY PODCAST PROTAGONISTS CECIL GERSHWIN PALMER LOVE OF MY LIFE ELDRITCHIAN CHEERLEADER AND CERTIFIED BIMBO KEEPS FUCKIN WINNIN BABY. DID YOU KNOW THAT CECIL THINKS PEANUT BUTTER IS A ROCK.

Basic Summary: Welcome to the sleepy desert town of Ņ̶̏ight V̶͚̰̮͗̔̊̊ale! Community radio how host Cé̵̟͚͕̗̞̙͂͑̽̄́c̵̤̼̞͈̪͓̍̽̋̚̕͜il Pǎ̵̧̨̢͚̻̈̂̄̇͐̇̊̀̆ͅl̶͚͎͕͉͖̬͓͑́̐̒̍̿̈́͢͜͝ͅm̸̧͙̟̖̠̳̬͋́͋́͌̚̚ͅȩ̙̖͎̖͂́̒͐͜͞r̢̢̛̰̻̮̺̩͙̼̈́͋̀͘ is here to k̠̠̰̦͙̯̥̎̄̆͌̎̀̿̔̌̚ê̷̢̬̥̞̩̯̘͒̽̈̓͐̂̔̍e̶̡̝̗̺̫̪̜͆̓̿̈͌͌̆͒͞ͅp̵̹̗̬̼̠̬͙̏͐͐̉̅͊͊́͟͞ͅͅ ỷ̛͙̞̦̦͖̑̉̌̎͞͡͡͝ͅo̧̧̥͎̻̥̲͇͋́́̔̈͌͞ǔ̸̬̯̫͇̦̮͕̤̲̯̽̔̀̔͆͋̈́͘̚ up to date all the local happenings, including w̸̢̢̢̧̡̡͍͖̻̳̹̼̼̰̬̭̱͔̲͙͍̰̠̥̺̝͖̺̖̼̮̼̞̳̞̜͉̤̯͇̖̳͖̠̙̺̲̤͇͈͚͓̮̭̱̭̩͚̟̥̬̟̻̝̼̖͚̘͐̆̅̂̃̈́͆͊̉̏͒́̈́̋͗͑̄̉́̐̌́̿̌͛̾̎̊̾̃̈́̉̔̍̐͛̕͘̚͜͜͠͠é̵̢̡̧̨̨̡̧̨̡̛̹̥̥̞̮̯͙͈̻̝͓͖͙̦̰͍̖̜̲̰̞͎͈̭̯̳͕̗͓͈̭̫̼̯̪̞̯̰̲̘̭͎̪̱̗̝̝̞̤̱͉͙̯͎̬͎̙̜̗͉̩̦͕̪̳͇͙̺̙̰̠͚͎̜̠͔̬͎̺̣͕̜̊̓̃̐̂́͂̎̐̾̔̽̀̉́̍̊̂̿̎͂͐̎̐̄̍̔̋̐̃͗̈́͂̀̒̊̎͘͘̕̚̕͜͝͝͝͠ͅͅa̸̡̧̡̡̨̡̨̛̛͙̣̘̳͎͖̥̝̟̱̩̥͙͉̝̲̙̮̩̩̹̱͔͎̥̹̻̜͚̭̬̳͚̤̙̖̯͎̱̫̞̪̻͖̱̞͔̭̻̺͚͚̯̬͓͓̳͇̳̦͓̞͈̮̤̭̣͉̲̞͚̘͗̆̃͌̅̍͊̓̈̇̌̒͊͑̊̏̊͌̈̓̿͗̒̏̒͊͒̏̃̎̒̀̅̾̍̀͘͘͜͝͠ͅt̵̢̡̨̧̧̛̛̛̯̤͓̘̻̤͓̪̰͔̪̝̫͎̻͔͈͎͔͙͕͈̰͓͍̀̏͒̆͋̈́̈́͂̔͋͆͂̅͗̍̆̍̆̔̑͊̏̈͒́̽͊́̿͂́̓͛̽͐͌̌̐̈̇̃̓̆̍̅̃̔̚̕͜͝͝͝ͅͅh̸̨̨̡̢̢̡̢̧̡̧̢̡̨̡̭̜̬̬̙͕̗̙̻̯̠̘͙̻̥͉͚̼̗͚͇͉̰͍̥͉̗͎̬̫͖͉͔̼̮̯̞̫̬̟̻͉̖̙̥̫͖̬͚̟̜̭͇͎̭̘̝̲̤͕͎̰̭̗̯̮̤̙̙̯͍̞̭͚͔͎̞̹̲̟͉̩̭̖̱̠͍̺͈̟̩̋̆̈́͆̍̆̄̏͜ͅͅȇ̸̢̢̨̨̧̛̜͍̺͎̬̪͙̻̝̣͓͈̺̩̳̟̲̠̣͈͎͎͈͉̙̪͖̳̺͇̹̊̍͊͑̿͊̌͛̿̓͊̾̀͂͛̉͆̾̽͆̈̏͛̊͛̍̈́̇͋̔͂̑͐̂̿͊̽͑͘̚͘͝͝͠͝ͅͅŕ̵̨̡̨̨̢̧̡̧̨̘̟͙̦̲̲̪̦̙̼̠̳͚̞̦̞͖͚͇̳͖̲̭͕̜̫̳̖̙͖͉͎̘̘̤̠͈̬͕̝̻͚̥͍͕̠̥͙̙̪̖̯͍̘̘̲̣̹̜̪̲̭̟̮̫̖̤̰͔̩̩͉̲͚̟̝̦̬̪̘̬̮̱͔̻̦̼̃̐̂͋̐̅̋͒̉͛́̅̈́̒̒͆̑̆͊̒͒̀̍̈́̍͌̍̏̔͋͌̒̍̌͛̓̈̂̐̕͘͘͜͜͝͝͝ͅͅͅ ̶̢̡̨̛̠͇̹̯͕͍̻̟̼̼̗̩̱̗̙̱̥̜̬̫̜͎͉̺̣͓̟̯̱͖̣̞̠̝̥͍̲̳̙̠͔̹̘̲̲̻̖̈́̊͋͜͜ą̵̡̧̟͕̬̳̜͈͈̳̝̜̣̬͔͈͈͎͉͍̯̟̞̺͎̝͇̰̥͖̬̯͙̤̬̼̲̦̯̭͓̠̺̳̱̰̮̎͋͆̈́͌͆̎̉̓̇̐͋͋́̃̉̈̄̏̓̉̿̅̒̉̒̉͂͛̄̀̇̒͊͛́͊̎́͆̌̆́̌͂̈́̽̋͛͗̑̊̀́̍͊̌͆͊͐͆̅̒̊̉̾̄͛̑̕͘͘͘͘͝͝͝͝͠͠͝n̸̡̛̛̛̛̛̙͎̬̦̠̼͓͈̝̾̍͑͛̅̒̾́̌̍͛̇̋̇̓̏͛̔͛̈́͆̿̌͐̿͊̿́͒̍̃̀̈͐̐̆͐̉̒̂̉̀̅̇̾͋̍͒̋̈̌̿͒͐̍́͗̀̌̌̚̕̕̕͘̚͘͘̚͜͠͝͝͝d̴̡̢̢̛̛̛̺̠̳̬͎̞̲̣̲̱̳̪̹͉̝̠̱̗̙̫̠̹̼̙̝͉̲̟̮̙̙̮̻̹͈̦̙̞͚̜̙̖̞͓̙̭͉̃̽̌̅̔̾̈́̒̽͑́̒͋̓̈́͆͋̽̒̃̽̋̐͌͂̍͑́̽̋̍͗̋͗͂̅̽̈̈̾͐̄̃̕̕͜͠͠͝͠͝ͅͅ ̵̡̡̢̛̛̗͚͍̺͇̲̳̯͓̰͍̙̮̙̜̟̞̣̼͕̝͔͙̺̫͈͈̠̻̘̱͍̦̭͔͈̤̺̗̮͕̦̞̘͍̯̻̝͓̤̳̫͔̩͉̬̈́͋̈́̐͒́̔́́̿̓̆͐̎͆̇͒̄̈̿̓̑̾̏̔̿͊̌͆͒̒͊̓̅̓́̔̅̀̀̀̃̿̂̑͂͆̅̎̾̏̓̂̈́͛͌̇̾͌͐̈̂̆͐̅̓̍̓̃̆͗̃͛̏̒̌̀̅͊́̽̐̆̿́̌͘͘̚̕͘̕̕͜͜͜͠͝͠͝͠t̷̢̥͓̄͗̾̄̅̚͜r̵̨̡̨̧̧̢̛̛̛̛̛͍͙͚̥̱̞̜̦̜̼̺͉̠̬͎̰̻̜̼̫̤͓͖͖̤͇̞̥̖̈́͊̆̓͊̑̑̋̒̈́̔̆͆́̐͛͑͊͋̇̈́̓̑̍̏͐͛̽̋̎͑̃̈́͒̇̂̇̌͂̀̍̊̇̓̋̈́̌̏̕͘̚̕̚͝͝͠ǎ̴̡͓͓̯̘̥̱̱͖̦̺͓̘͉͖̞̟̦͈̜̥̰̘̞͈̦̠̼̯̙̭̼͚̟̖̲̠̝̜̐̅͆̏̈́̍́͂̃̾͑̓͋̽̄̾́̾̆̾͒͋̎͂̈́͘̕̕̚͜ͅͅf̷̢̡̡̧̢̨̡̧̢̢̧̡̧̫͖̖͇̲̫̮͕͉͓̩̪̳̹̩͎̖̟̤̤̲̟̪̫̻̻̖̟̦͉̼͎͖̭͍͖͎̖̳̳͙̜͉̝̘̺̖͚̙͉͕͙̯͖̞͚̮̲̻͉͙̺̭͓͎̤͙̦̦̺̯͕̜̰͍̳̙̦͉̪̥́͋̓̅̀͋͐̀̄̊̆̉̒̐͒̀̏̈̇̊̉̆̐̏̾̀̀̓͛͆̍̾͗͌̀̄̔͒̀̍̈́͆̔̒̑̏̍̏͆́̾̐̂͋̂̔̂́̓̓̌͌̉͛́̒̐̽̏́̑͊́̌̆̂̑͋̇̈́͌̑̿̅͗̚̕͘̕̚͜͠͝͝͠͠f̴̨̨̛̹͌̂̓͌͛̀͑̾̓̍͗̽͆̉̊͗̇́̍͌̊͐̔̈́̊̇͆̄̃̑̕̕͘͘͘͠͝͝͝͠i̴̧̡̢̢̧̢̨̨̧̧̧̛̛͎̗̳̦̘̙͓̦̙͔̜̼̘͇͇̺̭͉̠̩̟̤̥̘͙̤̩͔̪̱̻͈̪̼̼̞̠͎̟̹͕̻̭̤̪̲͕̟̺̻̻͖͕͚̣͇̖̰̝̩͈̤͕͇͕̝͙̙̪͔̗̫͇͎̙̲̲͖̗̘͉̲̣̤͎̔̐̆͒̄̈́̀̎̃̃̅͆̌̈́̽̈́̅̈́̑̄̇͒͐̀̐̀̒̍̀̓͌͗̓̽́͗̓̎͂͛̅̑̔̀͛̈́̽̾̃̊͊͆̄̍͑̍̆̌̾͗̄̊̽̉̅̆̀̎̀͑̿̎̋̄̆̃͐̾̏͛͒̍̋̅͘̕̚̕̕͜͜͝͝͝͝͠ͅͅc̷̛̛͚̝̻̣̞̓́̃́̀̃̓͗͌̂͛́̒̊͑̓͆̇̈́͑̏̆̀͌̑͂͂̄͌̉̔̋́̎͒̿͗͒͛̇͛̿̎̍̕̕̕͝͝͝͝͝ ̴̢̧̢̡̨̢̡̨̡̢̢̛̺̘̹̯̤̩̘̯͔̞̟̬̠̣̟̻̥̜̤͔̥͕̠̥̞͎̗̩̱̮͉͔͎̲̯̱̙̜̥̳̮͔̦̣͖͔̜͉̗̪̳̹̦̤͇̣̙͕̯̫̖̝̼̹͍̠͎͓̗͎̦͓̲̯̱̠̰͇̮̹͔̝͉͙̹̜̹͈̹̥͖̣̳̲͖̓́͌̈́̈́̀͌̄͂̌̾́̍̔̊̓̿͋͂͋̈́̋́́̒̓̀̒̃͂̀͑̐͛̆̆͒̈́̅̿͊͌̍͗̌̌͆̂͌́̉̏̒̓͊̾̒̓̋̽͐̏̾͘̕͜͝͠͝ͅͅr̸̨̢̛̪̞̬͓͔̥̤̣͔̭̥̙͉̦̗̠̳̩͙̂̈́͑͑̿̋̓̀͋͆̋̕͝͝ë̴̢̡̨̬͈͉̖̞͔͎͓͖̼̘̬͕̰͈̥͈̝̩͎͉͉̫̜͚͕̤͔̟̯͓͎̟͙̜̭̩̗̮͎̗̤͇̝̩͎̜̺̯͕͇̝͎̯͙̖͙̮̗̮̘́̑͑͛̂̅̄̌̽̓̒̾̿͆̏̏͐͛̾̂̃͑͆̅̄̿͋̅͂̈́̽͋͒̎͐̒̓͆̌̉͑͊́̀̈̾͛̋͑̋̎̈̀̽̀͊̏͘͝͝͝͝͠͝ͅp̴̧̧̡̢̢̢̛̛̛͚̟͓̖̭̪̻̪̲̬̥̙̥̰̼̹͎͕̪̞̮̺̰̬̘̫̤͉̦͙̮̖̙̹̻͔̖̮̲̞̣̻̜̠͇̬͚̱̦̼̲̮̀̂͌̍̈̒̍̋̌̏͐̓͛̉̂̈̀͑̈́͊͗͋͗́̂̎̎̃͆͒̅̑̇́̈͐̾̀̔̒̉͑͒̅̓̈́̋͋̀̍̄̿̌̀̉͆̇̔̈́͗̋̄̓̇͗̎̉̆͊̒͗̚̕͘͘̕̕̚͜͜͝͝͠͠͠͠͠ͅͅͅơ̶̢̡̧̨̡̛̛͔̦̼̰̠̯̰̟̲̣̜͙̲͙̪̱̱͕̺̪͈͉̺̻̙̥̲̩̲̩͔̠͚̩͓̞̠̯̟̫̣̗̦̰͉͚͙̺͎̼͖̥̙͈̯̲̝̞͎̻͕̮͔̰̖͔̭͙̩̼͔̫̹̘͓͔̜̘͍̍̅̄͋͑̋̍̊̉̄̈̽̈͐̀͌͐̆͊͂̐̋̃̎͆͛̐̀̂̿̈́͂́̈̌͐̇̀̒͋͑͐́͌̐̇̊͆̀͂͋̏́͋͆̏͗͂͑̂̓̽͘͘̚̕̕̕̕̚͘͜͜͠͝͝ͅͅͅr̴̨̨̨̧̨̛̘͕͈͔͙̠̬̯̩̗̰̗̬̦͈̗̝̣͓͓̟͕͙͈̠̘̻͓̭̝̘̦̦͓̭̘͙̻̙̼̩̰̝͈̱̝̱̬͉͙̣̖̮̲͈̙̱̩̣͕̦̰̮͔͈͓̙̮͍̳̟̠̞͎̱̣̰͕̩̝̲̝͐́́̍̈͐͋̐̑̌͋̓̈́̈͗̿̈̈́͗̑̚͜͜͜͜͜͝ͅͅţ̴̢̨̧͇͉͎̣̬̣̝̗̬̹͇̮̞̈́̐̌̇̈́̌͊̐̅̂̌̂͒͌́̈͌̂̊͗̍̿͑͋̎̓͂̀̎̎͒̾̏̒͌̃̄͋̌̾̍̈́̐̏͑̊̍͑͆̉̓́̆̌̾̓͊̊̈̑͘̚̕͘͘̕͝͝͝͝͝s̴̢̢̡̛̬̹͚̻͉̦̦̣̦̠̜͕̤̳͓͙̟̬͕̘̦̿͗̉̏̒͆̓̄͊͌͛͂͑̒̃͛͘͜͝͝!

Shared elements with supernatural that you might Vibe with: Honestly, probably bc Nightvale and Alice are by the Same Dudes, a lot of these points are the same as Alice Isn’t Dead, but it’s less scawy and more funney. Also hits the “horror, but make it kind of a sitcom” vibes. Doesn’t have the same road trip vibes, but DOES capture the exact weirdness of South Western USA, so I’m still giving it “fucked up americana” credit. If you’ve never been to New Mexico ur like this is an exaggeration clearly no desert town is subject to like ACTUAL cosmic horror and unexplainable sights but I’m telling you New Mexico is just Like That. (I highly recommend visiting the land of enchantment if you ever get the oppurtunity it is a deeply odd and wonderfully unsettling experience.) Look man it’s gay it’s a horror comedy cecil has a wonderfully soothing voice and it hates capitalism so fucking much like oh my god so much what more could you want.

MINI REC ALERT: Wolf 359! I have nothing deep to say about this I just like it and my gut tells me that y’all would enjoy it too I know there isnt much for physical descriptions in the show but I know in my heart that the main character is so so pretty and so so stupid. I KNOW yall like some himbos that experience character growth.

Okay since It’s my party and I’ll speak if I want to rapid fire list of podcasts I just like and want more people to listen to even though I’m behind on like all of them shhhhh: The Penumbra Podcast, BomBARDed, Dungeons and Daddies, Stellar Firma, Wonderful!

SONG RECS

okay these aren’t like replacement recs or anything they’re just really good and I almost certainly would have put them on some sort of supernatural playlist in 2013 but I don’t, like, have a good playlist for them now so I’m subjecting y’all to them also they all have the youtube link for ease of access

Woah There Kimmy- Felix Hagan & the Family

Devil’s Backbone- The Civil Wars

Blood On My Name- The Brothers Bright

Awake O Sleeper- The Brothers Bright

The Bottom of the River- Delta Rae

Old Number 7- The Devil Makes Three

The Bullet- The Devil Makes Three

In Hell I’ll Be In Good Company- The Dead South

Bartholomew- The Silent Comedy

Pomegranate Seeds- Julian Moon

Curses- The Crane Wives

Tongues & Teeth -The Crane Wives

OKAY THAT’S IT! THAT’S ALL FOLKS! FUCK!

#long post #if you didn't want this blame of-mice-and-mentality for enabling me posting #supernatural

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manychocolatefactories · 4 years ago

Text

CatCF Milk Chocolate: Part 1, the kids

About this version: Milk Chocolate was inspired originally by a mix of the book, the vibes of the 1971 movie and the Tim Burton movie aesthetic. A bit more goofier and whimsical than the other versions. In term of era, I thought of it as a mix of 1960s, 1970s and 1980s.

In this version seven Golden Tickets are spread throughout the world, and each time one is found the same female reporter (her character is a reference to the musical) goes to interview the children. Another recurring joke is that while the hunt is going on for the Tickets, there are all sorts of ridiculous debates on television such as: do the Golden Tickets really exist, or is this just a hoax ? Do the Golden Tickets give cancer? Can animals go on a tour like humans? What happens if a Golden Ticket winner dies before the tour? Are the Golden Tickets linked to the rise of youht delinquence? Are the Golden Tickets a proof of Wonka's alleagiance to the obscure sect of the Golden Bird?

First Winner: Augustus Gloop

(Based on Augustus Gloop)

This Augustus was actually based on an idea Stained-by-the-sea allowed me to "borrow" a bit. Stained noted that Augustus always made him thought of this section from the movie "North", about Buck and the Texan parents. If you don't know what I am talking about, I'll leave links down there. And this is such a perfect matc I had to dig a bit down there.

This Augustus is basically a mix of all the archetypes associated with Texas and Nevada. But more precisely, he is basically "Buck" from North - a boy whose family (and his own mindset) embody the motto "bigger is better".

The Gloop family always thought that they should be "the biggest and the bests" and that "bigger is better". Ironically, the Gloop parents themselves are regular-sized people, but they clearly enforced this mentality on their son. Augustus is a big boy. Literally. He is tall, he is thick, he is fat, he is very, very big. He is probably one of the tallest, and definitively the largest boy on the tour (in fact, he once or twice gets stuck in the doors of Wonka factory). He eats ten meals per day, and we are not talking of regular sized meals. We are talking piles of ribs, kilos of potatoes, entire chickens... His parents also prepared for him a "big" and "best" future - paying the local sportive teams to claim he is a sports champion despite Augustus never setting a foot on a sports field, arranging his marriage with the local beauty queen of the state he lives in, already preparing the three different houses he will live with his fifteen kids... As a result, Augustus isn't just big and fat physically, he also has a massive and bloated ego. He thinks that he is the best at everything, and that he should have absolutely everything he wants.

The Gloops themselves are actually the masters of the state they live in, so to speak. They are the wealthiest and most influential industrials of the area: they built highways, casinos, hotels, private villas, they are cow-farmers, owing a lot of slaughterhouses, and also dig for oil and gold. They want their business to be the "biggest there ever was" and all they do is exaggerately big: their villas are enormous, their hotels are everywhere, their farms hosts several thousands cows, their mines are among the deepest in the world...

Trouble is that, due to their expansion and consumption of everything, they are a threat to the landscape and the environment - destroying forests to build their roads and buildings, drying out the lands to feed their farms... in fact, part of the reason why their state looks like the most desertic parts of Texas and Nevada is due to their actions.

Think... Buck from North. Think Art Land from Mar Attack. Think an evil (and obese) version of Clay Bailey from "Xiaolin Showdown". In fact, if I remember well in one episode Clay turns into a sumo for one of the Showdowns... this would probably be Augustus' appearance in this version: sumo Clay Bailey. (Edit: Yes, I checked out, it is episode 23 of the series).

Second Winner: Clarence Crump

(Based on: Clarence Crump)

Clarence didn't had any kind of personnality in the original drafts outside of a desire to prove he was right. As a result, I decided to have a lot of fun and create my own character.

The idea of vanity has already been touched several times with the other brats, but I wanted to give it its own character and kid. I also wanted to create a polar opposite of Augustus, denouncing the fact that being skinny can be just as bad as being fat when in excess. As a result, Clarence Crump is here a boy obsessed about being thin, and proud of being too skinny for his own good.

Mr. Crump is a pseudo-health guru that keeps writing phony and very dangerous diet books, the kind that will advice you to stop eating altogether to lose weight. As for Mrs. Crump, she is a beauty pageant champion (local and regional, and while she acts as if she was some national beauty champion, she always failed at nationals). From their union was born a child who inherited their vanity, pride and obsession with "health"

Black haired, very pale, very thin, very slender, to the point his bones show, Clarence delights in being skinny, and works as a teenager model promoting the "thin-fashion". He is also the embodiment of fat-shaming, never missing an occasion to insult fat people (in fact he often calls Augustus a big fat cow). He uses however the excuse of health for that (a trick his parents taught him) - promoting extreme thinness by talking about health and fat-shaming people in the name of health allows one to be much more horrible than normally accepted.

A good proof of how Clarence actually is just very vain and obsessed with being thin, and not at all defending health - Clarence condemns sports for being unhealthy, because according to him "muscles are unhealthy because they don't make you look beautiful, they make you look ugly".

He always wears short and black sleeveless tank-tops, the point being that he needs to show as much as his body to the world as possible, to be a "living example". He even wears his black short and tank-top during the tour (despite it being winte - the only thing he wears on top of his clothes to not get cold is a skunk fur coat).

Third Winner: Miranda Grope

(Based on: Miranda Grope)

This character was based on Dahl's own character of "Miranda Grope" from early drafts of the story, the horrible and atrocious girl allowed to do "whatever she wants".

In my version, the Grope parents are hippie-like people, the father having a very long beard and being covered in fleas, while the mother is covered in flowers and oss (plants that grew over her), and both always wearing rose-tinted glasses. They are the kind of parents that refuse authority and orders, seeing these (and social norms as a whole) as a "dictatorship". They prefer to trust their daughter to find her own way in the world, believing that experience is the best teacher in life. The result? They lazily raised her by telling her they would never forbid her anything and that she could do anything she wanted.

Miranda is a devilish little girl who does only what she wants, and becomes extremely violent when prevented from doing something. Or when people say something she doesn't want to hear. Or just when people she dislikes are near her. She shouts, the screams, she insult, she kicks, she hit, she throw enormous and terrifying tantrums. She has a very wide range of insults, and a truly evil mind : most of the things she wants to do are borderline crimes. It seems for her only chaos and destruction is "fun", a true little punk.

Miranda has a disastrous haircut because she cuts her hair herself, and she is always wearing the same clothes that she rarely washes): a white shirt, a blue sweater with long sleeves, and a plaid tiles skirt. An outfit that looks strikingly like a school uniform - but it is pure irony, because Miranda hates more than anything in the world school. She doesn't go to school, and the only time she went near one was to try to burn it down. (Her appearance is in fact based on Lauren Child's illustrations for Miranda, if you are wondering).

Fourth Winner: Veruca Salt

(Based on: Veruca Salt)

For this Veruca, I wanted to do something slightly different... here, Veruca doesn't want everything just because she is a spoiled rich brat. She is still one, but she is also the product of post-WW2 consumerism.

This Veruca was born surrounded by advertisements, logos, slogans and product placements. On television, in the streets, in shops, in journals, at the radio... She grew up with them and was influenced, brainwashed by them. As a result, she is obsessed with obtaining everything that was advertised, and she herelf looks like a walking billboard since she is covered in big, flashy logo and keeps reciting different brands' slogans and mottos. As soon as she sees something she saw publicity of before, she needs to obtain it at once. She is a true zombie, only hearing the call of the shopping mall and of the television advertisements.

One idea I had was that the Salt parents actually worked for (or where at the head of) a wealthy advertisement company, known to produce, design and create all kinds of famous publicities and slogans - and that they used their daughter as a guinea pig for their tests, and delighted in Veruca being so addicted to consumerism. In fact, they may have named her Veruca because at the moment of her birth they were working on advertisements for an anti-wart product, so that's all they had in mind.

Fifth winner: Herpes Trout

(Based on: Mike Teavee)

I went with this version of Mikee Teavee with the focus on "violence" already present in the original work, but also heavily used in the opera (and touched a bit in the 2005 movie).

This Herpes Trout is the embodiment of the fear of kids becoming violent upon watching television and playing video games (his only two passions in life). He has a true fascination with guns and firearms - US soldiers shooting aliens, gangs shooting each other, cowboys shooting at bandits, it's all he ever plays and watches. Herpes worships violence, and is absolutely obsessed with war (here I am thinking of all the wars present from the 60s to the 80s, the Korean War, the Vietnam War, the Glasgow Ice Cream Wars...). War propaganda and the fight being glorifyed heavily influenced him - as a result his biggest dream is to go at war in some foreign country to kill everyone there and come home a hero.

Herpes comes from a family of rednecks and hillbillies from the deep country. They are not poor however, they are wealthy enough to have television and several video games, but they are uneducated people full of stereotypes, discrimination and hate. They named their son Herpes because they ignored what it meant but just thought of it as an "intelligent" name. Herpes has everal brothers and sisters, and all have a disease name.

Herpes himself is a big and strong kid, who followed body-buildings process a la Charles Atlas and military training, becoming impressively muscular. However, he retained a soft, childish and chubby "baby face", which kind of ruins the effect of this massive, muscular, almost adult body. Always dressed in a military outfit, he carries everywhere with him guns and firearms, the question being: are they real? Or are they not?

Sixth Winner: Violet Glockenberry

(Based on Violet Beauregarde)

I wanted with this version to take back the idea of a competitive and "sportive" girl obsessed with contesting and winning - introduced in the Tim Burton movie.

This Violet is a tall, muscular and strong girl. She won numerous sportive competitions, but this doesn't make her just arrogant and prideful like in the Tim Burton version. In my version she is also very aggressive and violent (a bit like in the original novel). She is a nasty and rude bully easily prone to anger (in fact, if she keeps chewing gum it is mostly to calm her down sot hat she doesn't punch everyone around). Her parents originally pushed her towards competitions to manage her anger issues, but sports only gave her more strength and destructive power. In fact, they became terrified of her, while she considers them losers here to serve her - she basically thinks of herself as self-made, literaly.

Seventh Winner: Charlie Bucket

(Based on: Charlie Bucket)

For this Charlie, I wanted to go with a Charlie similar to the original illustrations of the character: blond hair, blue eyes, a white boy...

Basically, he is the original Charlie. Very sweet, very innocent, a gentle kid, the best of the group.

However I changed slightly his background. Charlie in this version is not the grandson of four grandparents, but rather the big brother of four younger siblings - and his family here struggles with trying to feed five children (and a total of seven mouths) despite having very humble and low-paid jobs. I think Charlie has taken the role of a parentive figure for the siblings, but at the same time him spending so much time with young children helped him keep in touch with his "childish" side.

#charlie and the chocolate factory #catcf #milk chocolate #retelling #charlie bucket #violet beauregarde #mike teavee #augustus gloop #veruca salt #miranda grope #clarence crump

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af1899 · 3 years ago

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FEH - "The outside world...! So vast!" (+10 WIP Sophia mini-showcase and appreciation)

So, with the [Feh Pass] subscription, I've been auto battling as much as I could while doing whatever else and gather [Hero Feathers] to get all the [HM] I had yet to get, and it was absolutely worth it, although I've already spent like 300 out of my 900+ something [Stamina Bottles] in the [Forging Bonds] lmao, I have around 660 now.

But with the obtained [Hero Feathers] I merged up Tailtiu to +6 and...

Poggers

I'm happy to have finished merging Sophia at long last which makes of her my eleventh fully merged project soon after New Year Eir, her build is pretty much done but I'd be delighted to give her more premium stuff she can use in the future and make more builds, as well as giving her the remaining [Dragonflowers (I)] but I'm so close to fully boost Sonya and then I have to boost OG and Legendary Julia because of the post-[CYL 2021] update. 🥴

But her current build does wonders already, true, she's not impervious to nearly everything as it is, but I can give her some team support and the like, she's still great on her own.

Now, onto appreciation talk which includes describing her a little and explaining why I like her. I did this in one of my previous posts but it's time to review the info we have about her and expand on it. As always, feel free to read on (long read ahead)...

About Sophia

She's a half-dragon, half-human girl with the power of foresight, she's a priestess residing in Arcadia, a village that houses manaketes that survived one of the most vicious wars from past lore (The Scouring) located in the southwestern desertic region (Nabata) in Elibe, the continent on which the sixth and seventh Fire Emblem games take place in, she's a playable [Shaman] in the former and makes a minor appearance as a NPC near the end of the latter. Her class makes of her one of the two playable dark magic users in Fire Emblem: Sword of Seals (the other is the guy you're most likely to get while pulling on red stones in FEH, a.k.a. Raigh), and she gains access to basic staves after promoting to [Druid].

In her support convo with Niime, it's revealed that Sophia's father was human, meaning that her mother was a dragon, but neither's identity is ever known to the player. But despite this, she never transforms into a dragon, most likely because she never had her own stone to contain those powers. Being half-dragon also allows her to live much longer, but not as purebred manaketes/dragons.

She's fully self-aware of her heritage and doesn't let that bother her, she accepts both halves of herself which make of her a whole person.

She's somewhat important around the half of the game's duration as she helps a gravely injured Cecilia to at least tend to her wounds while waiting for Roy's army to rescue them as they were both thrown into a prison under Bern's control (the kingdom invading the other countries during the events of the game).

Sophia displays a shy and gentle personality, showing clear astonishmnet yet in a calm way when witnessing what the outside world is like and what it has to offer (beyond the village she's been living for around a century), this is most evidenced in her support dialogues with Igrene. She even feels similarly when wearing a new set of clothes, such as those of Embla in the World of Zenith, anytime after she joins the Order of Heroes.

«As long as I am with you... I can go anywhere...even a new country...»

― Sophia

She also mentions she was raised to avoid outsiders, and in the same aforementioned support convo, it's mentioned why.

«I understand what he's saying... The Dragons' powers could easily destroy entire countries. If the outsiders found out, they would surely fight over it. I've seen many conflicts like that in my life...»

― Igrene

And it's understandable why she feels that way after being raised by the elder of the village to do as told for decades. But in the end, she wants to work towards a world of peace where both dragons and humans live together without a war ever spreading out, and befriend other people, she's appreciative of other's kindness.

So... why do I like her?

Because she's purple-haired and most of her design has purple and I love purple soooooo much, that's all you need to know. :)

...Kidding kidding, that's not actually it, but it's in part true that I find her aesthetic pleasing, partially due to my passion for this color:

(Official artwork from FE6)

Her design is rather simple but so charming, clearly evidencing her shyness (see the way she holds her book and her facial expression), and feeling clean without going overboard on details.

Also, I find long, purple hair a rather rare yet dazzling sight, I always look at it in her artwork and remins me why I love her design.

True, her neck in Zaza's take on Sophia in Fire Emblem Heroes bothered me a little, mostly because her neck is a little long as seen above, but not as slim as long as Zaza has drawn her (it's still a decent artwork and the artist has made some really nice pieces later, look at Emmeryn), the style also felt a little off to me. But her Resplendent upgrade made Sophia look more cute and still being the one we know, doning a brand new attire.

(❶ Original by Zaza. | ❷ Resplendent by Miwabe Sakura)

But for me, it's pointless to be pretty if there's not a likeable personality behind the character in question, and Sophia has been proven to be really interesting, often a mysterious but shy girl, she's capable of kindness and finding comfort with outsiders like Kiran or Roy, when I see her, I always feel that she's so nice, never feeling bitterness towards any of her allies, just being shy due to how she's grown, but with a desire for friendship and peace pushing her forward, even slowly but surely, she's so lovely. 🥰

What's more, some of her quotes show she has a protective side, determined to stand up to help her allies but specially those she's close with, this eventually includes Kiran themselves.

Her voice in Fire Emblem Heroes is also really soothing, Wendee Lee has made such a delightful work giving new life to Sophia through her voice acting, there sure are differences between her work back in 2017 (Sophia is a launch unit, meaning she's been around ever since the game was live) and the work on the Resplendent in 2020, yet both are pretty consistent and equally pleasant to hear. But if I have to vouch for one or another, I give a point to the Resplendent voice acting, her voice can be heard with a little more depth and calmness to it than the original, which feels more natural.

And she's a dark magic practitioner but that doesn't make her evil at all, she's really pure actually. But I actually find dark magic most appealing out of any kind of weapon I have ever seen, the whole concept is cool, being always creepy and nefarious in nature, often portrayed in hues of black and dark purple.

And like, c'mon, this thing is amazing:

I wish that [Apocalypse] was her PRF weapon in Fire Emblem Heroes but neither Raigh nor Bramimond who's its OG owner got it and just got random PRFs instead.

Anyway, in short, I adore Sophia and it always makes me happy to turn a seemingly weak unit into a tough to crack cookie, love for favorites sure can take them far.

"And... as a unit?"

I've been trying her mainly against the foes she has advantage with, but I've been also trying her against red/blue units and sometimes she does a nice job holding them at bay, she has low speed even after all this investment but with buffing it's somewhat usable.

Yet I prefer to focus on her strengths, not weaknesses, and she stands as a fairly good magic tank, with the few extras she enjoys as a launch unit and full demote plus Resplendent skin since around the first weeks of the [Feh Pass].

I actually tried her here some time after posting this because I didn't notice the [Limited Hero Battle] for today requires you use FE6 units, so I went with my faves in the game and it was rather easy. 🙂 But it still took a little thinking.

"Who's the next +10 you have in mind?"

Hmm... actually gonna (at least try to) work on Lilina, another one of my Elibian favorites. I also have her Resplendent upgrade and could revamp her kit. 🤔

But she's currently +3 so her turn might take longer or someone's else may come before, Idk.

And then, hopefully someone I like out of the next potential Resplendent Heroes...!

#feh #fe heroes #fire emblem heroes #fire emblem #fire emblem sword of seals #fire emblem the binding blade #fe sophia #af1899-updates

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kinetic-elaboration · 3 years ago

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August 5: 3x02 The Enterprise Incident

After several weeks of being in like a TOS desert (Assignment: Earth; Spock’s Brain) finally we get to The Enterprise Incident, one of the best episodes, possibly of all time. Why was D.C. Fontana so good??? How??

McCoy narration! How unusual. I like how it contributes to the generally jarring opening, with Kirk acting so out of character and so on. All of the crew being fooled and the audience too.

I’d say this scene is the only one Kirk haters have ever seen--where he’s all arrogant and impatient and mean--but he’s not being slutty enough.

When you need intel, you go to Uhura.

This is an interesting ep because the Enterprise is being uncharacteristically sneaky. Usually, they’re obviously doing the right thing in the straightforwardly right way, but this really is an espionage mission, which includes, in addition to the garden variety lying, major stuff like uh treaty breaking.

Wow, a Romulan with a name. Unusual. Is he the first named Romulan?

They want the Enterprise. They want his lady!

Hmmm, you have a Vulcan on board, do you? Very interested in that. It’s pretty funny that the Commander calls up as soon as Tal mentions Spock,like she has a sixth sense that picked up on a potential hottie on the enemy ship.

Oh no, Kirk and Spock aren’t getting along. Trouble in paradise...

Spock looks very disapproving. And Kirk is acting downright despotic. Hot.

Imagine being the Romulan hostages lol. That’s awkward. “Go their ship and uh sit in their brig, nbd, we’ll bring you back.” (And then later one of them is unceremoniously stripped naked.) (And then later still they’re completely forgotten about!!!)

Scotty’s face when he sees the hostages is very funny. Like “oh I know what to do with YOU.”

I love the Female Romulan Commander already.

Wow Kirk is such a liar. Just say it loudly enough and it will SEEM true. Navigation error etc.

“It’s no myth that Vulcans can’t lie,” Spock lied.

“It’s not a lie to keep the truth to oneself.” Feel like I gotta outright steal that.

Oooh, the Commander has a temper.

Kirk is “a highly sensitive and emotional person.”

He’s living for the drama.

This must be all very confusing for the crew.

I love Captain Scotty. He’s so intense.

“You make a brave noise.” Burn.

Spock’s been an officer for 18 years. I’d do the math on that but I’m not sure when one becomes an officer specifically.

“Do you like Captain Kirk?” (I don’t even remember why I wrote this down, but uh, yeah.)

...Damn this whole scene is so good.

“I don’t make house calls.”

Except for Kirk.

It’s bizarre that the Romulans are in Klingon ships (that look like Federation ships on the inside) for pretty much no reason but I do like the design of them in general.

Funny how “Attend me” sounds an awful lot like “My wife, attend.”

Lol at the crocheted board shorts on the male Romulan officers. The Commander is MUCH more stylish.

“Are the guards invited on our date?”

“It would be illogical to assume that all conditions remain stable.” What a F L I R T.

Very bold of her to basically declare “Spock, you’re Captain now.”

Kirk looks like the drunk friend, swaying in the background, gearing up to something.

“Vulcan death grip” lol. Sounds like made up Vulcan nonsense to me! (And it is.)

Even if it weren’t, Spock is an adult Vulcan and a trained Starfleet officer, he would never just accidentally death grip someone.

And now it all comes out. Because Chapel was nosy. Love that she just casually knows all this stuff about Vulcan abilities.

They told Bones pretty late about this whole plan. I feel like Scotty and Bones should have been in the original loop.

“You’re lucky they didn’t start an autopsy.”

Love that part of Kirk’s transformation into a Romulan was putting on eye shadow.

Also love Scotty’s face journey when he sees Romulan!Kirk.

Look at these decadent Commander’s quarters. Spock must love them.

Recruiting inducements lol--is that what the kids are calling it these days?

“Don’t beam me into a bulkhead.” Don’t even joke.

Spock hasn’t sent the coordinates because he’s DISTRACTED while on his DATE.

I love their little square drinking glasses.

“I do... appreciate it.”

“If you don’t tell me your name, I’ll have to make one up for you.”

TOS Spock apparently more smooth than AOS Kirk.

When she stood up, that mini-skirt basically became a shirt--barely.

His lady leaves the room and he immediately call his man--what a slut.

The Commander’s “casual” outfit is easily one of the best TOS costumes. So pretty! 10/10 would wear today.

“Stimulate...our discussion.” Sure. Your discussion.

He’s been moved emotionally.

Dammit Tal! Stop cockblocking the commander.

Love how obvious it was that she and Spock were hooking up--she's dressed up, he appears dramatically from behind the flowing white curtains in her frankly huge quarters.

The cloaking device looks suspiciously like Nomad again.

“How could you do this to me?” Girl, you’ve known him for an hour. Calm down the drama.

Also love the earrings.

That was a weak slap. She should have sent him sprawling with her Romulan strength. I guess her heart wasn’t in it.

Romulans are Vulcans but with unfiltered Drama.

I like her jellyfish chair.

Now Spock shall fillibuster his own death by reading a very long prepared statement.

She hears the phrase "historic tradition" and sighs like "this is gonna be the longest 20 minutes of my LIFE.”

Silly of Kirk to assume they wouldn't fire on the commander and/or that she wouldn't ORDER them to fire.

“Alien contraption.” Scotty enjoying himself.

Hmmm, the Commander was bragging to Spock off screen about the cloaking device--what else might she have said that we didn’t hear?

Mr. Spock will escort you to your quarters--more like Mr. Spock will escort you to HIS quarters amirite?

She would like his weaponry.

“Military secrets are the most fleeting of all.” Well that line didn’t have to go that hard.

“It was the only choice. You would not respect any other.” Where’s all the talk about loyalty and oaths now?

“They do not look aesthetically agreeable on humans.” Textual evidence for my theory that Vulcans, though humanoid, have some sort of indescribable Alien Aura quite apart from the eyebrows and ears.

That was such a good ending. Last major dialogue scene was a serious one between Spock and the Commander, but then there’s a little humorous coda, too--a good shot of Spock looking pensive, but also the peanut gallery having a little laugh.

I love that episode so much. I love how... difficult Spock is to read. On the one hand, I do think he was really attracted to the Romulan Commander. I also think he was hiding a lot of the truth about why he didn’t join the Romulans--I mean yes, that was never a real option and it would certainly be wildly out of character for him to do it. But he also talks exclusively about loyalty to Starfleet, his oath, his uniform, as if but for the happenstance of these things, if he were making a decision for himself instead of following his duty, he might prefer to be with her and the Romulans. But what about the obvious other factor--Kirk himself? What about “A starship runs on loyalty to one man, and no one can replace it--or him?” I feel like his connection to Kirk is like the unspoken undertone to all of this. Especially because, as Captain and XO, they were the only ones to know about this plan from the beginning, and probably came up with the details of it themselves. But we also know that Spock takes the mean things that Kirk says to heart, even if they’re only said as part of a mission or larger ploy. And we also know that he truly desires belonging, and that being part one thing and part another often makes him feel as if he belonged nowhere. But the Romulan Commander didn’t seem to care about his human heritage. She asked him what he was, and only mentioned the human part one other time, not in a negative way. I do see the temptation for him.

It’s also interesting that Kirk initially refers to the Commander as “he,” implying he didn’t know specifically who was in charge of the ship. That means that while he and Spock clearly planned for Spock to undermine and then “kill” Kirk, and almost certainly to play on Romulan/Vulcan cultural connections, they probably did not plan on Spock seducing anyone. He did that on his own.

This would reboot so well. Like, aside from the S/U aspects, it’s a perfect candidate: a spy narrative that has a little bit of the gray morality they’re so attached to; Kirk and Spock tension; Kirk being Dramatique; cool aliens--and it would have been very interesting to see this story play out in the context of the destruction of Vulcan. (More generally, I think completely forgetting about the Romulans after the first reboot film was a huge mistake but whatever.)

Mmmm, I just... I want to watch it again lol. D.C. Fontana was truly the queen of alien world building. That sense of alien-ness that I get in the Spock and Commander scenes is like what I’m going for in some of my own stuff.

#the year 2021 #2021: fandom thoughts #2021: star trek #star trek tos

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benmcm18 · 4 years ago

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Group 7 Independent Project!

Pre Production -

This is the second time I’m working with Group 7. It is truly an honour to be surrounded by such talented people. We have learnt from last time and we thought it would be interesting to switch up the roles. Here was what we ended up with:

Director - Jack

Cinematographer - Bonnie

Producer - Heather

Production Design - Ben

Editor - Heather

Writer - Tom

Here were also the tasks we sorted ourselves:

Write a 1-page proposal (synopsis and directors statement) - JACK (13th May)

Make the movie - Jack

Make a plan and a schedule for your work - Heather

Create a mood board (Each character) - Ben

Create a sonic world for the film (no dialogue / no voice-over) - Heather and Ben

Cut together a series of still images or sequences of footage to create a 2min film - Heather

Record some sound effects using objects you have in your room/ house - you can record on your phone. - Heather and Ben

Source and use sound effects and Atmos sound on Freesound. - Tom

Make a storyboard + animatic - Bonnie

Source footage - eg shoot, take stills, source stills, or work with stock footage from Film Supply to envision your idea - Bonnie

Shot list - Bonnie

Scriptwriting and development - Tom

Present it at the crit - receive feedback - Everyone

Write a short critical reflection on your blog. - Everyone

Songs - Everyone

As Production designer I had to create a mood board. We had discussed in meetings what aesthetic we wanted to go for and I believe we ended up with a mixture between films like “Moonrise Kingdom” and “Fight Club”. Either way, these were two of the films I took inspiration from when working on the mood board of the film.

Additionally, I had to think of the costume for both actors. For the man I chose to instead of having major differences in the two separate costumes to instead change them subtly to give a feeling he is still grounded in reality. So that means I added the glasses, changed the tie and gave him a watch to switch up how he looked. The Imagination costume is inspired from Ewan MacGregor’s character in “Big Fish'' we wanted to give him a full blue costume originally but I realised fairly soon that that wasn’t going to happen. So I adapted and decided to use his ties as a means of stating which reality he was in. When he is in the “dream world” he has a very colourful yellow tie but when he returns to his office I believe we went with a black/red tie.

For the woman, I chose to give her a very colourful look. This was purely so she could match the imagination around her. I discussed with Bonnie about possibly putting flowers in her hair but for some reason we couldn’t find anything. In regards to the rest of her costume I gave her shades so that there would be a physical separation between the two. If he can’t make eye contact with her how is he supposed to connect.

Overall, I’m very happy with the costumes and for a first attempt I’m actually quite proud.

Finally, set design. I had recently worked on a project called “Pied” where I had to create a whole set for my actors. That was pretty much my crash course for this independent project. Using the knowledge I can gain from creating that set I tried implementing it into the office workspace and the picnic arrangement. I’m happy with it but it will honestly be down to you to decide if I did a good job. If I could mention any little “fun facts” about what I did here would be a few:

I used a ping-pong table as the walls splitting the workspace

I tried spreading the food along the picnic like a wall that separated the two of them.

There is a jar of pickles in one of the shots. I don’t know who would bring a jar of pickles to a picnic but I thought it would be funny

On the back wall of the office there is a bunch of hidden Easter eggs *HOWEVER* David’s massive head covers them up!

In regards to how the other team members did. We developed the script ideas until we landed on this one. Jack had a great idea about filming some really nice shots of food. We were actually quite a big fan of this idea. I just thought Heather’s idea would allow us to experiment more.

Tom then wrote a (very) detailed script in collaboration with Heather, Bonnie drew a genuinely fantastic storyboard (she is too hard on herself haha) and Jack prepared for the shoot. One issue that presented itself fairly soon was the fact we had two actors on set. However, our Producer (Heather) handled it like a pro and we managed to get the all clear. Overall, a very hardworking start with the promise of Bonnie doing a short animation for the storyboard. (I’m looking forward to hopefully seeing it)

Production -

The shoot day was very fun. We all arrived at 11:30am and we made our way over to the location. Originally, we had planned to film on top of a hill however, things quickly changed and Jack said there was a fantastic path to film on. I was fairly set on the hill idea (As I had imagined the scene being somewhat similar to the UP opening montage) but he said it was a better location and I trust him.

So this is where it got a bit funky. It turns out the location had been converted into a dirt road since the last time Jack had been there. This was a bit demoralising as we had carried a lot of props out but luckily we had seen a location closer to the beach that could possibly work and the rest was history. That very location near the beach ended up where we would film.

With Jack directing and myself on camera we began to make our way through the storyboard Bonnie had devised. I have to be honest there were parts where we deviated from what was on the storyboard: For example, there is a section where he falls over however it didn’t look natural so we thought of another way to film it. This was where I got a bit carried away with VFX. In the long run I’m pretty sure everyone is happy with it but I wasn’t too sure at the time.

Jack did well as a director, he worked well with David and Kady especially when it came to movements of the actors. There isn’t any dialogue in the scenes so it's mainly physical language instead of verbal. My only advice for Jack would be to do a bit more research on the project before going onto the shoot because there were parts of the shoot where actors would ask questions about their character and I wasn’t confident he knew the answer.

In regards to me, I find it very hard to create something someone else envisions because I’m used to directing and filming projects on my own. I definitely think I improved on this project and having the storyboard and detailed script was a big help. I also felt I should have been more prepared as it didn’t look very good in front of the actors with me fiddling around with the camera because I had set it up in the wrong position.

Overall, I think it was a very fun shoot and it went pretty smoothly. You're going to hit speed bumps on the way but I believe Jack and I handled them well.

Oh also, forgot to mention that I had to also record sound and label all the audio and footage for Heather (why do I almost call you Clair XD) It didn’t take as long as I expected and was actually somewhat therapeutic if you can believe haha.

Post-Production -

The post production process has been going well. We have plenty of time until the deadline and we have already got a very solid draft edit so I’m not worried. I just kind of want to get it finished.

First and foremost, Heather has been doing a fantastic job editing the video. She works efficiently, takes feedback on board and seems to me to have a very solid feel on the fundamentals of editing. Looking at the edit now, there are definite issues but nothing that can’t be solved in 10 minutes. It’s clean, fluid and most of all enjoyable to watch. I’m worried without a synopsis people might not get it but I guess you could see it as “up for interpretation” haha!

Before I talk about my role in the Post-Production process, I just want to mention who else is working on the edit as well. Bonnie is planning on adding some very small animations to the edit to give it that feeling of “not-reality” I think this is crucial because without the animation in the shots. When the man defies the laws of physics it will seem really strange. I believe Tom is doing sound, I’ve supplied them with plenty of audio from on set and am free at anytime to get more for them so it will just be down to when it is completed, I have faith that Tom will create something really special with the Sound design as he will probably blend the sound of the surrounding nature with cold office sounds. I’m excited.

Now onto the part I play. I offered to do the VFX for the film and I’m very happy with them. It’s nothing incredibly tedious to create. It’s very basic motion tracking and keyframing but I think using it in small doses works well and with it accompanied by the animation and sound it will take the film to new levels of quality.

I’m just going to talk about the final VFX shot as it was the most challenging (but fun) part to work on. First, I had to figure out how I was going to get the image of Kady onto the wall without printing her because I realised I would be able to match up the shots if I had just zoomed out from an actual image. So I went for a bit of green paper. I motioned tracked it through After Effects and then played with the colour so it matched the scene. I then added an artificial zoom in Premiere and I got the final result. Now, it is not perfect in any means. I wasn’t able to track back any further than I did so the image in the paper actually moves but with the help of Heather and the use of changing aspect ratios I think it really works. I guess we will have to see how people respond.

So that is about everything on the project. I will be back to reflect next month on the finished project. Hopefully it turns out okay. Hopefully, it doesn’t turn into a train wreck. I’m sure it won’t :)

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