#is my homosexual propaganda working

[nowordsformylove]

this whole episode is just Mike fussing over Davy

[this-file-has-been-redacted2]

a mutual of mine is apparently really into the raven cycle and some guy named kevinsky right now so I keep seeing posts about him on my dash which would be fine except I keep mixing him up with the fucking unabomber 😭

[theskunch]

formula 1 is mostly the latter because it is the least serious sport ever made but then you get the former at surprise intervals. most of this happens to charles leclerc because the gods hate him.

I have realized that the perfect form of media must have a delicate balance between absolutely heart wrenching pure emotional devastation and the most ridiculous nonsense you have ever seen in your whole life

[brandyschillace]

The Forgotten History of the World’s First Transgender Clinic

I finished the first round of edits on my nonfiction history of trans rights today. It will publish with Norton in 2025, but I decided, because I feel so much of my community is here, to provide a bit of the introduction.

[begin sample]

The Institute for Sexual Sciences had offered safe haven to homosexuals and those we today consider transgender for nearly two decades. It had been built on scientific and humanitarian principles established at the end of the 19th century and which blossomed into the sexology of the early 20th. Founded by Magnus Hirschfeld, a Jewish homosexual, the Institute supported tolerance, feminism, diversity, and science. As a result, it became a chief target for Nazi destruction: “It is our pride,” they declared, to strike a blow against the Institute. As for Magnus Hirschfeld, Hitler would label him the “most dangerous Jew in Germany.”6 It was his face Hitler put on his antisemitic propaganda; his likeness that became a target; his bust committed to the flames on the Opernplatz. You have seen the images. You have watched the towering inferno that roared into the night. The burning of Hirschfeld’s library has been immortalized on film reels and in photographs, representative of the Nazi imperative, symbolic of all they would destroy. Yet few remember what they were burning—or why.

Magnus Hirschfeld had built his Institute on powerful ideas, yet in their infancy: that sex and gender characteristics existed upon a vast spectrum, that people could be born this way, and that, as with any other diversity of nature, these identities should be accepted. He would call them Intermediaries.

Intermediaries carried no stigma and no shame; these sexual and Gender nonconformists had a right to live, a right to thrive. They also had a right to joy. Science would lead the way, but this history unfolds as an interwar thriller—patients and physicians risking their lives to be seen and heard even as Hitler began his rise to power. Many weren’t famous; their lives haven’t been celebrated in fiction or film. Born into a late-nineteenth-century world steeped in the “deep anxieties of men about the shifting work, social roles, and power of men over women,” they came into her own just as sexual science entered the crosshairs of prejudice and hate. The Institute’s own community faced abuse, blackmail, and political machinations; they responded with secret publishing campaigns, leaflet drops, pro-homosexual propaganda, and alignments with rebel factions of Berlin’s literati. They also developed groundbreaking gender affirmation surgeries and the first hormone cocktail for supportive gender therapy.

Nothing like the Institute for Sexual Sciences had ever existed before it opened its doors—and despite a hundred years of progress, there has been nothing like it since. Retrieving this tale has been an exercise in pursuing history at its edges and fringes, in ephemera and letters, in medal texts, in translations. Understanding why it became such a target for hatred tells us everything about our present moment, about a world that has not made peace with difference, that still refuses the light of scientific evidence most especially as it concerns sexual and reproductive rights.

[end sample]

I wanted to add a note here: so many people have come together to make this possible. Like Ralf Dose of the Magnus-Hirschfeld-Gesellschaft (Magnus Hirschfeld Archive), Berlin, and Erin Reed, American journalist and transgender rights activist—Katie Sutton, Heike Bauer. I am also deeply indebted to historian, filmmaker and formative theorist Susan Stryker for her feedback, scholarship, and encouragement all along the way. And Laura Helmuth, editor of Scientific American, whose enthusiasm for a short article helped bring the book into being. So many LGBTQ+ historians, archivists, librarians, and activists made the work possible, that its publication testifies to the power of the queer community and its dedication to preserving and celebrating history. But I ALSO want to mention you, folks here on tumblr who have watched and encouraged and supported over the 18 months it took to write it (among other books and projects). @neil-gaiman has been especially wonderful, and @always-coffee too: thank you.

The support of this community has been important as I’ve faced backlash in other quarters. Thank you, all.

NOTE: they are attempting to rebuild the lost library, and you can help: https://magnus-hirschfeld.de/archivzentrum/archive-center/

[the-90s-music-colosseum]

Quarterfinals, Match 2

expand to see all propaganda received! (wall of text warning oh my god this is a severe cautionary message)

Lauryn Hill:

"she paved the way and was hot as fuck the whole time"

"Girl c'mon. Look at her. You're gonna try and tell me that isn't the most beautiful and attractive person alive? Okay. You're lying but okay."

"if u freaks don't give ms. lauryn hill the respect she deserves..."

"actually one of the prettiest women ever I'm such a lesbian for her. like irl I'm already a lesbian but she is helping"

Damon Albarn:

"Don’t think Damon should be here? Why don’t you get your head checked by a jumbo jet? Maybe you’ll feel heavy metal and calm down."

"If Damon is in the “some guy” category, he’s the heavenly and heartbreaking version. Damon is the sort of significant stranger I’d see on the train out of Colchester but could never speak to, just a face seen in passing yet too radiant to be real. I’d fall in love for an hour and carry the ache for a month."

"Damon sets the standard for me. I think he’s the most fascinating man alive. What I find attractive in Damon is not just his gorgeous bone structure and boyish charm, but how wholly he’s committed himself to music. Damon is an artist who walked the walk: in one of his roughest years with some of his rawest songwriting, he said he was no longer excited by anything except the creative process. He was disillusioned with the celebrity of it all, with his relationships suffering for it, and only wanted to make art: nothing more, nothing less. He would go on to compose film scores, write operas and stage musicals, produce other artists’ records, form collectives to fulfill his passion for world music, and create some of the most globally successful music of his career in a completely innovative format that placed him as the phantom behind the characters. Whenever one band takes a break, he makes a solo record or puts together a supergroup to stay busy. He’s uniquely collaborative and still writes personal letters inviting artists to record with him, and yet can function as a one-man show, acting as a multi-instrumentalist, a singer-songwriter and a producer. He’s been a constant voice of bringing British music to the world *and* bringing world music into Britain. Sure, he’s won Brit Awards and a Grammy among others, but he also has a Guinness World Record and was named an Officer of the British Empire for his services to music; his long work with Africa Express earned him respect even from peers who’d previously dismissed him, and his commitment to support his Malian collaborators in the face of violence earned him the title of Local King in Mali. There is so much talent in the world, but there is truly no one else with a career that looks like Damon Albarn’s. Damon is far more than just a prettyboy to look nice on a magazine cover, but looks are the ultimate point of this tournament, so make no mistake: he was terribly, terribly pretty. You watch him performing in the 90s, you sift through photoshoots and interviews and documentaries, and it feels *cruel* how beautiful he was. If his talent was god-given, so was his face. To put a bow on this thesis: I don’t know if Gorillaz and Damon’s musical universe would be the experimental, globe-trotting, boundary-pushing community affair it is if Blur hadn’t become such a central figure in Britpop and if Damon had not been made such a media spectacle, and I don’t know if Damon would have been that spectacle if he wasn’t so ungodly pretty. The domino effect is that Damon’s cherubic face launched a thousand multimedia art school projects for decades to come."

"I wish I was basically any bloke in the 90s so I could tongue Damon Albarn down. Damon will see a man and ask “is anyone gonna kiss that?” and not wait for a response."

"I have a pillow with his face on it. I sleep with it every night 😊"

"“I’m more homosexual than Brett Anderson, always have been. As far as bisexuality goes, I’ve had a taste of that particular fruit, or have been tasted you might say…” is just the rawest most Shakespearean statement ever"

"he is the ultimate Pretty Boy ™. his glorious golden locks, his electric blue eyes. he is if Princess Diana was a Britpop Dude. he is the Regina George of Britpop. he is if Aphrodite took male form. Zeus would come down to earth to fuck him if he knew. he is a caffeinated orange cat let loose. he is deranged. he is unhinged. you never know what will come out of his mouth. he had sexual tension with every single man who knew him. he pulled justine fucking frischmann. his aura knows no bounds. he is a siren. he is a weird guy. but being so gorgeous stunning ethereal didn't stop him from also being one of the most prolific songwriters of his generation"

"THE MAIN BLUR"

"literally where do i even begin. i could write entire essays on this man. a good place to start would be the beetlebum music video, i suppose. i'll never forget the first time i watched that music video. something in me changed, my brain chemistry was altered, my life was never the same, i view the world a lot differently now. and a lot of the viewing i'm doing is of pictures of damon albarn's face because of boy do i have a lot of those saved. every time i try to look for a photo of something on my phone i can't find it because there's so much damon. okay that's maybe an exaggeration but this man has the most unfathomable beauty ever. his eyes? HIS EYES. god dammit i love his eyes i want to stare at them until the end of time like nothing else exists. i'm so normal about this man (lying) and while i'm usually very shameless about my interests i'm actually incredibly glad this propaganda is anonymous because otherwise. yeah. but the world deserves to see damon albarn's beauty and also hear his fantastic voice because what the fuck. his voice is literally the most gorgeous sound ever produced like bro sounds like that and expects me not to fall in love? i want this man to sing his silly songs and talk absolute nonsense to me until the sun eventually blows out and the world ends. cmon damon girlies let's demolish this tournament i know there are a lot of you."

"He’s beautiful. He’s a little rat. He’s a sweetheart. He’s a dickhead. He’s a musical genius. He’s a dumb bitch. He’s a jock. He’s a weirdo. He’s real. He’s an illusion. He’s everything. He’s just Damon."

"DAMON DAMON DAMON where do I begin oh jeez I've hyperfixated on this man for a solid 4 years and still going strong. Damon makes me wish that British people are real. That says A LOT. This man created a whole ass ANIMATED BAND WITH A SHIT TON OF LORE as a SIDE HUSTLE??? Not to mention, what other man has collaborated with Stevie Nicks, MF DOOM, Del the Funky Homosapien, Snoop Dogg, AND Beck?! People, we're literally in the presence of a god. And he's STILL GOING. Anyways, TL;DR, damon is so so so neat and cool and he should definitely win this competition. Thank you."

"Okay 90s Damon is The Perfect Boy yes yes, but the people who parrot the Daily Mail and say "he's ugly now" will never understand. I would still suck every drop from him on his deathbed."

"Vote for whoever you want to. But Damon is so pretty."

"i did not spend hours admiring this beautiful man's face on pinterest just to see him lose."

"Damon Albarn just brings me joy. When I'm watching him perform, following along as the camera lingers on and adores his pretty face, I get butterflies like I'm 15 again. It's nice to still feel that totally unguarded giddiness sometimes."

"God let the intrusive thoughts win making Damon. What if he's a beautiful blond twink with eyes like saucers and dick to his knees, he reads Herman Hesse and plays footie and is insufferable about both, he'll be the most prolific musician of his generation and write operas and seminal albums in 5 different genres and also he's gonna be the dumbest bitch alive? He'll also be kinda bi, but only kinda. And send."

"when i found out about his existence, my life was changed forever. i wish i could use him like the hannah montana boot milk pillow and chuck him at the wall so he makes a loud thud"

"Think of the drama and anon fights it'll cause if Damon wins it all! And think of how quiet it'll get after Damon's out. You'll miss him when he's gone, like memories of a noisy house years after it's grown silent. Choose Damon, and keep the messy train chugging."

"Even the Gallagher brothers have the hots for him."

"Kiss kiss I love him also you can't vote for any of the Seattle men they're literally copy and paste it's not fair. We need Brit representation"

"I want to take care of him, I want to provide for him. I need to gauge his baby blue puppy dog orbs out to I can clean them with wood varnish, paint shades of Pantone 320 C in his eyes, spray eau de parfume by dior in them and sew it back into his eyes like that scene in Toy Story 2."

"Seeing as simply filling the page with ‘Damon’ written 10000000 times isn’t going to cut it 😅 may I admit/submit: I DO have him tattooed on my being (no descriptive, is this anon?); he’s inspired somewhat unhinged late night/early morning fandom conversations in which I’ve served as ‘parish’ priest hearing confessions from all manner of folk about what they’d like to do to him/receive from him; sadly I lost an essay where I detailed why the letters that make up his name suit him so well, and described him as the hot caramel sauce to Graham’s cool vanilla ice cream. He’s a faerie princess with a nose that makes people weep and a voice that feels like the warmest home and he gives amazing hugs. He loves trains and chickens and his tuxedo cat. He’s annoying and sweet and somewhat unhinged and his music saves people and all this is on top of that fantastic dick. He’s a dream yet very real and we’re fucking blessed to be on earth at the same time as him, amen"

"Damon Albarn was a beautiful, beautiful boy. The world saw that, regardless of if every individual reading this has the same taste in men; it felt like a truth of the universe at the time. They don't make celebrities that angelic in face and erratic in personality anymore."

"I need to touch his eyebrows, nose and prostate just one time JUST ONE TIME COME ON"

[hussyknee]

THE LEFTIST THIRD PARTY HAS WON SRI LANKA'S PRESIDENTIAL ELECTION.

WE HAVE A PRO-LGBT, PRO-UNION, ANTI-ETHNOFASCIST, ANTI-IMPERIALIST PRESIDENT. MY ANTHROPOLOGY PROFESSOR IS GOING TO BE PRIME MINISTER. A COMPETENT ACADEMIC WHO HAS WORKED ON FEMINIST INITIATIVES AND RESEARCH ALL HER CAREER.

please please please please god don't let them fuck this up don't let them turn into a bunch of cunts to retain their new voter base don't let them fuck up the economy don't let them let the minorities down please please please they won't ever get another chance if they ruin this one we'll be stuck with more idiot corrupt nepo babies till we die please please please PLEASE LET THIS BE THE END OF THE EXECUTIVE PRESIDENCY AND PREVENTION OF TERRORISM ACT AND PERSECUTING THE NORTH please please please let them decriminalize being gay and not bury LGBT rights please please please let there be a god I can't take anymore of this shitshow please please please don't let hope be something that keeps pissing in our faces please please please please please please please

ANURA KUMARA DISSANAYAKE WILL BE THE NINTH PRESIDENT OF SRI LANKA. TAKE THAT YOU TWO PARTY VOTING MOTHERFUCKERS.

Edit:

WHAT DO YOU MEAN FUCKING COLOMBO WENT TO THE IDIOT NEPO BABY???

AKD HAD 52%!!!!! HE WAS ALL BUT SWORN IN?????

THEY HAVE TO COUNT THE SECOND PREFERENTIAL VOTE FOR ONLY THE SECOND TIME IN HISTORY??

There is a very real chance that nobody will get over 50% of the vote. That would be really, really bad.

Fuck.

I HATE YOU MOTHERFUCKING URBAN MIDDLE CLASS LIBERAL CUNTS SO MUCH. PLAGUE ON THE WHOLE DAMN COUNTRY. FUCK YOU.

Edit 2:

Ok so first counting gets AKD 42% and SP 32%. It's very likely the preferentional vote will put him over the 50% line.

It's so poetic that Ranil's greed for power ended up handing the country to the very Marxists that his uncle hunted like animals. You love to see it. 🥰

Edit 3:

So the preferential vote didn't give anyone a 50% majority and we're still at AKD 42% and SP 32%. But apparently that's enough to declare AKD President as per the Constitution. I don't think that's ever happened before. He was sworn in an hour ago.

Point of clarification: The NPP are not Marxists. Foreign news is just uncritically regurgitating the pro-government Red Scare propaganda. AKD and his JVP party used to be Marxists back in the '80s and '90s. They're now more very pro-union socialist. The NPP is their coalition, which is even more mildly social democrat and just happens to be a little more left than the other two. Calling them a Marxist is like how MAGA thinks the Dems are commies. 😂

I truly don't have great hopes that much will change, but there's a chance one or two important things might. Which is more than we've been able to hope for in decades.

See this post for a run down of the what's really been happening.

Edit 4:

I retract the "openly bisexual" part with many apologies. I completely misremembered. It wasn't AKD but JVP senior K. D. Lalkantha, who said in a 2018 interview is that he has also had same sex encounters with his friends as a boy and young man, and that he knows others who have had as well. And he specifically said he doesn't see the need to maintain a label for his sexuality. Still, the fact that his party allowed this in a country that still criminalises homosexuality, to a Sinhalese magazine, speaks to a commitment to LGBT rights. He also explicitly stated his support for women's rights, trans rights, polyamory, open relationships, explicit sexuality in media. It's impressively progressive for this country. The interview is in Sinhala and you can read it here.

Here's an excellent write-up of AKD's career, political outlook and creation of NPP in The Hindu by correspondent Meena Srinivasan, a journalist whose reporting I've always liked.

[yuespropagandablog]

Hello esteemed mutual. If you are reading this, then that means my propaganda is working. But you might still have questions, so I am here to answer them.

What is Falsettos?

A damn good musical.

But time to get serious. It's a sung-through musical written by William Finn and James Lapine, with Lapine also writing the music and lyrics. Falsettos is a two-act musical, like many, but it's important here because Falsettos is actually two musicals in one. The first act is March of the Falsettos, and the second act is Falsettoland. These are the last two installments of the Marvin Trilogy. The first part, In Trousers, flopped on off-Broadway and is also not part of Falsettos. Are you following?

The first acts centers on a Jewish man named Marvin (the main character of the Marvin Trilogy, who would've thought) and his homosexual relation with Whizzer, and how that impacts the family. He's left his wife Trina and son Jason to be with Whizzer, but Marvin is also Marvin, and loves to have a tight-knit family that includes all of them, but fails to see how his wish impacts the others. The second act takes place two years after the first and it's all about Jason's bar mitzvah, but oh, oh no, it's a homosexual story set in the 80s. Yeah folks, I am going to be upfront: this musical does not have a happy ending. Spoiler. I know. But I just want people to know what they're getting themselves into.

The show has a lot to say about gay life in the 70s and 80s, gender roles and masculinity, traditional family, illness, and Judaism. Yes, you cannot separate the Judaism from this show, no matter how hard a Spanish production tries.

Where can I watch it?

The original Falsettos debuted in 1992 on Broadway. I know it from its 2016 Broadway revival. There are, uh, slime tutorials for both (and also for In Trousers if you're interested), and the 2016 version also got a proshot that was aired on PBS, so they did have to censor some language. RIP "You save lives and I save chicken fat, I can't fucking deal with that", you will forever be missed. This link totally definitely does not lead to a YouTube upload of that proshot, what do you mean?

There are also a bunch of other productions, sometimes with footage, sometimes not. I actually saw the Dutch version in 2021 in Amsterdam (probably while I had COVID, but in my defense, I tested negative before I boarded my train!)

Is there a trailer or something?

Yes, here's a trailer for the proshot.

Here is their Tony performance, which is also my favourite song of the show:

(They did take out the "Lighbulb up the ass" and "I can't fucking deal with that", because America is America. But at least we got Andrew Rannell's boner in return?)

And for funsies, here's the Tony Awards performance of the OBC:

(They did censor the words "homosexuals" and "lesbians", unless that was the original lyrics. I dunno. I am not very familiar with the original one.)

You implied AIDS. Are there other content warnings?

Yes. AIDS will be the main theme of the second act. You can ignore it by just turning off the show after the song What More Can I Say, but that is obviously not the full show. There's also some period-typical homophobia, as in in act one, Jason is afraid that his father's homosexuality is a fatal hereditary disease. There are also a lot of dysfunctional relationship dynamics in act one, including one instance of physical abuse. Act two has the AIDS of it all and because of that, the major character death warning.

But is there also fun to be had?

Yes, definitely! One thing that makes Falsettos a good show is the tonal whipslash. Both act one and act two start out as the funniest shit you've ever seen and then BAM, drama. It is kind of impressive how the show does that. It has stellar comedic songs like Four Jews in a Room Bitching, My Father's A Homo/Everyone Tells Jason to See a Psychiatrist, I'm Breaking Down, Jason's Therapy, Year of the Child, Miracle of Judaism, The Baseball Game, A Day in Falsettoland, Everybody Hates His Parents and whatever the fuck March of the Falsettos (the song) is.

The first half of both acts you can't stop laughing and the second half of both acts you can't stop crying. That's Falsettos, baby!

Does the music slap?

Oh yeah. It is a fully sung-through musical. If that's not your jam, then you're better off skipping it. It also has a more "traditional" musical theatre sound, whatever that might mean. As you saw in the previous section, it has a lot of great comedic songs, with stellar lyrics like "Look, look, look, look, look, it's a lesbian from next door!/Followed by her lover who's a lesbian from next door too!", "Hepa-hepa-hepatitis-hepatitis?", "We're watching Jewish boys who cannot play baseball play baseball", "You have paintings of dicks!/Don't talk to me about taste!", "Lightbulbs in the ass!", the entire "You are going to kill your mother" section, "Homosexuals!!!!!" and of course the opening line of the entire show "Four Jews in a room bitching". And many more. But don't be fooled, because this song also has some emotional bangers (mostly in the second part of the acts due to the aforementioned tonal shift).

Are there German characters in this musical?

Mendel's last name Weisenbachfeld sounds German. Is that close enough?

[vintagetvstars]

Alexander Siddig Vs. Danny John-Jules

Propaganda

Alexander Siddig - (Star Trek: Deep Space Nine) - The very first actor I ever had a crush on.

Danny John-Jules - (Red Dwarf (Seasons 1-8)) - the fashion! the sheer confidence! the smile! hes a triple threat with those AND in the traditional sense!

- No Negative Propaganda Please -

Master Poll List | How to submit propaganda | What is vintage? (FAQ)

Additional propaganda below the cut

Alexander Siddig:

“At my first meeting with Garak I became visibly flustered. That was entirely my choice. It wasn’t written into the script. So I set off in that direction right from the get-go. And Andy (Andrew Robinson) obviously loved it, and that character became a series-long character because of that first scene. It’s an innocuous little scene on one of the little replimats on the station, and it only lasted like five seconds but it packed a punch because of the visible, kind of a charged, discomfort. That really made it. [...] I subconsciously keep that door open with just about every character that I play, and I always keep it as ambiguous as possible. One of my first roles was in [the TV movie] A Dangerous Man: Lawrence After Arabia with Ralph Fiennes and I played Feisal and again, not in the script, but that was charged with homoerotica and implied homosexuality. I’d just come fresh off that project. And I’ve done it numerous times since, characters that are written straight I just make sure are not quite straight. That’s just one of my things, probably because I’m not quite straight myself and that’s probably perfect." - Alexander Siddig in a recent interview with comicsbeat.com

Danny John-Jules:

context here is i literally found out WHILE looking at his imdb page for relevant tv credits that he did voice work in labyrinth including a song and theres photos of him with david bowie so what am i gonna do Not submit it

[horrorvillaintourney]

HORROR'S NEXT TOP GENDER, ROUND THREE MATCH FOUR: Ellen Ripley (Alien) vs. Herbert West (Reanimator)

PROPAGANDA FOR RIPLEY:

"The character of Ripley was originally meant to be played by a man. also pleaseeee if this competition is a bunch of white guys im going to lose it"

"She is so incredibly butch and cool, she has that butch mechanic thing going on"

"The character was originally going to be a man but Sigourney Weaver killed it at the audition so she was hired and not a single line of dialogue was changed. Also, overall, most of the films leave an implication that gender is not very important to the point of being a practically genderless society. Everyone in these movies is too stressed and too busy working under late, late stage capitalism. My point is that Ellen Ripley is definitely (however unintentionally) agender"

PROPAGANDA FOR HERBERT:

"His short king stature and intimate knowledge of human anatomy all point to a guy who did his own top surgery in the backyard at age fifteen"

"The entirety of the speech in bride of reanimator about defying god sums it up."

"He's a mad scientist so automatically transgender. Also he reanimates corpses. With glowing green goo (testosterone allegory). Also he has autism in his eyes and homosexuality in his heart"

[hotvintagepoll]

Propaganda

Deborah Kerr (Bonjour Tristesse, An Affair to Remember, The King and I)— For several decades she held the record for most Oscar nominations without a win (6 in total), and she was a prolific leading lady throughout the 40s and 50s. She's best known today for the romance An Affair to Remember with Cary Grant, and as the governess in The King and I. Many people have this erroneous perception of her as extremely prim, proper, and virginal, but this could not be further from the truth. When she first came to Hollywood under MGM she was typecast into boring decorative roles, but broke sexual boundaries for herself and Hollywood generally in From Here to Eternity, when she made out (horizontally!) with Burt Lancaster (on top of him!) in the famous Beach Scene. She went on to play many sexually conflicted women, a character type that would define most of her post- Eternity work. She continued to break Hays Code boundaries with Tea and Sympathy, which addresses homosexuality/homophobia head-on, and even did a topless scene in The Gypsy Moths 1969!! One of the only classic stars to do so. She deserves a more nuanced and frankly a hotter legacy than she currently has!!!

Ethel Merman (Anything Goes, Call Me Madam)— Possessed of a bold, brash voice, and an even bolder and brasher presence, Ethel Merman might be more well known for her stage roles, but she made several movies, and was bold and brash in them as well. Also I think if I don't submit her, she's going to come back and haunt me.

This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut]

Ethel Merman:

You've gotta love any woman who got typecast as lead-MILF

Deborah Kerr:

I think she was one of my first crushes before I realised I was bi in The King and I when I watched it as a kid honestly. The kissing scene in From Here to Eternity is iconic for a reason. Actually tried to learn the accents for the characters she was playing if they weren't English which is more than pretty much anyone else was doing then. Played very restrained characters who frequently seemed to be desperate not to be so restrained. Did horror movies without venturing into hagsploitation tropes. Gave Marni Nixon the credit she deserved for her share of the singing in The King and I.

Anne Larsen is a peak late 1950s bisexual with big MILF energy. Have you seen the behind the scenes pics of her wearing a suit?? Have you????? Vote Deb as Anne Larsen.

Nominated for an Oscar six (6) times and never won, but besides her having actual talent (hot), and besides her looking Like That (very hot, also beautiful), she was always playing women who are, like, crazy repressed. Which makes it fun and easy for me to read these characters as queer. Icon!!!! You know what's hot? Playing ambiguously gay in vintage Hollywood.

Her face and talent and body, yes, ofc, duh. But also!!! Her HANDS!!!! I may be but a simple lesbian, but she is the best hactor (hand actor) that ever lived and that's HOT! For propriety's sake I feel I must redact a large portion of my commentary on this subject. Anyway. She's hot in her most famous roles (mentioned above), and also some of her sexiest hacting is on display in An Affair to Remember (her hand on the bannister when Cary Grant kisses her off-screen??? HELLO???), Tea and Sympathy (when she's trying to persuade Tom not to go out and she keeps flexing her hands like she wants to reach out to him but can't??? ALLY BEHAVIOR! WE STAN!), and The Innocents (which opens and closes with extended shots of her hands bc director Jack Clayton was also an ally and he did that for ME). Much of her appeal also lies in the fact that she often played deeply repressed characters and you know what's hot? When those uptight characters finally unravel. It's sexy. It's cathartic. It's erotic. Plus, she's beautiful to look at in both black & white and technicolor, and the more of her films you see, the more you can't help but fall in love!

Literally is in thee most famously sexy scene of all time (or maybe just during the hays code era which is what we're talking about HELLO), which is the beach scene with Burt Lancaster in from here to eternity. To quote a tumblr post of a screen capture of a tweet of a video of joy behar on the view: "y'know, there used to be movies where they were kissing on the beach... From Here to Eternity. They're kissing-- Burt Lancaster and Deborah Kerr are Kissing on the Beach and then the WAVES crash!! You know exactly what they did!"

She might have a reputation of being chaste and virginal or whatever, but we all know it's the quiet ones who are certifiable FREAKS

[lavenderfeminist]

I live in a country with LGBT propaganda laws, and the things late bloomer "lesbians" say are literally a mirror of what I hear from homophobic politicians. Late bloomers say: "I didn't have any gay representation and didn't know I could date the same sex, so I had a traditional family like everyone expected me to." My government says: "If people don't see gay propaganda, they will not know they can date the same sex, and they'll have traditional families like we want them to." I don't understand how people don't realize those are two sides of the same coin. If one of those statements is true then so is the other. If you're saying the outside factors can make homosexuals so confused about who they are or aren't attracted to that they would date the opposite sex for years without realising anything, then you're saying that conversion therapy works, that homophobes are correct about stuff like media turning people gay, and that we wouldn't exist at all if all LGB content is banned and homophobic laws are harsh enough.

!!!

[actualmermaid]

It's been three months since I made this post about Saints Sergius and Bacchus, John Boswell, classical Western homoeroticism, and Christian homophobia.

Since then I have read both of Boswell's books on the history of gay/queer people in premodern Christianity (Christianity, Social Tolerance, and Homosexuality and Same-Sex Unions in Premodern Europe), familiarized myself more fully with the spectrum of charges against Boswell and his scholarship, and realized that he's been the subject of ideologically-motivated smear campaigns by just about every political/religious/academic faction you can imagine. My conclusion: Professor Boswell is a saint, martyr, and important queer elder who does not get the respect that he deserves, and I'm in awe of the sheer volume of the massive genius brain that was somehow crammed into his little blond head.

ANYWAY. This is an official followup to my original post, now that I've read Boswell's work.

I take back my hunch that Boswell's work was not intersectional. He was, in fact, a pioneer in the field of medieval social history, and utilized a wide range of critical lenses in his work. He was inhibited by the lack of documented evidence about some groups (for example, he was frequently criticized for not writing more about lesbians, but he was open about the difficulties of researching lesbians in history and explained what he was doing as a scholar and as a teacher to mitigate this) but he constantly called attention to issues of class, gender, and other social factors wherever they were relevant.

I was RIGHT in noticing that the slight difference in rank between Sergius and Bacchus seems to be an erastes/eromenos indicator! Boswell spoke at greater length and with greater sensitivity about erastes/eromenos dynamics in history, so if you want a deeper look into that, you should read his books.

I was also probably right in noticing that the legend of Sergius and Bacchus is seeded with various forms of Byzantine propaganda! I really wish that I could talk to him about it. :(

Both secular queer theorists and religious queer theologians seem to be most uncomfortable with the fact that Boswell was reporting on historical facts and observable social forces, not idealized concepts of queer people as somehow being more ethical or spiritual than the straight majority. He included evidence of things like abuse, prostitution, and exploitation not because he thought they were cool, but because they were part of the material reality of queer people's existence in the past, just like they were part of the material reality of his own 70s-80s gay subculture.

That was his bottom line: gay/queer people are a normal human variation, and as a historian, he could provide hard proof of their existence and what their lives might have been like. If his work seems "shallow" or "dated" to some more modern queer researchers, it's only because so many people were willing to dismiss his scholarship, reject his work, and abandon his research leads after he died. But, he was actually super smart and his scholarship was actually meticulous, so even his most dedicated critics have been unable to "debunk" him. Christianity, Social Tolerance, and Homosexuality most recently had a 35th-anniversary reprinting, and he is still being cited as an authority by more recent scholars.

Even though the full strength of the Church and the Academy were leveled against him, his work has proven its own worth. He still deserves to be read and discussed by both professional scholars and enthusiastic hobbyists. And, the Open and Affirming movement in Christianity wouldn't be as strong as it is without his confirmation that "gays and lesbians are normal," as he put it, and not simply a construct of modern society.

Rest in power, Professor Boswell. We won't forget you.

Since I made that post, I have also opened a sticker shop with a bunch of queer Christian saint icons, including Boswell and some of the queer saints he discovered/wrote about. They're pretty cool. You should buy one.

[manns-cape]

graduated students from my former university are supposed to have lifetime access to the theatre's library/archives and l o l getting an email on a casual wednesday informing me that my access has been revoked based on morals that are incompatible with the theatre's expectations for artist behavior. this is two days after i noticed that all the work myself and k did at the theatre were removed from the theatre's youtube channel (retired performances are normally archived there, and these had been) so i contacted the library to request access. was informed that ~materials that are currently considered homosexual propaganda are not available to anyone~. and now i'm just generally blocked from everything... very cool.

[teafromthemicrowave]

Wait, why are we shipping Arthur and moist? Not against it at all (the propaganda is working), but I'd love to hear your reasons

WHY NOT/silly

no uhm, it originally started in a discord server with my friends, and we were drawing arthur and moist (seperately) all the time, exchanging our art, and we would go insane about both of them all the time (because we are incredibly gay)

So yeah, one day we were like: What happens if we draw Arthur and Moist together in ONE DRAWING?? And somehow, it turned homosexual, pretty fast actually and now were absolutely obsessed with that ship. Soo so normal. I MEAN. THE HOMOEROTIC TENSION sorry

At this point it's way more than a crack ship to me, it's literally one of my fav things to draw rn. ALSO PATHETIC PRIVATE INVESTIGATOR BEING IN LOVE WITH A THIEVING CON MAN!!!!

It's just. So. so. sooooo. dear to me, and very present in my brain, so i am happy to see that there are people who find it as appealing as we do :)

[amielbjacobs]

@yaoist

Yessss let me list my favorite Soviet history books

The Whisperers: Private Life in Stalin's Russia, by Orlando Figes - I wound up doing a lot of deep dives into very specific subjects without ever reading a good general history book, so this was one of the more general histories I've read. As a writer, I love all of the specific detail. Figes himself is kind of a . . . character (read: writes his own Amazon reviews under a sockpuppet) and there's a few weird moments in the text that seem to reflect that, but it was really enlightening.

Homosexual Desire in Revolutionary Russia, by Dan Healey - the definitive book on queer Soviet history. My favorite parts are the portraits of early trans people - although like many historians, Healey is (imo) way too eager to label historical people as cis when the evidence is at best mixed.

Red Closet: The hidden history of gay oppression in the USSR, by Rustam Alexander - A series of portraits of queer people in the USSR. As someone morbidly fascinated by the secret police, my favorite was the case of the KGB officer who was 1) gay and 2) weirdly obsessed with arresting gay people, to the point where it made all of his comrades very uncomfortable. It's a fascinating window into the institutional KGB approach to the "crime" of sodomy.

The Lost Spy: An American in Stalin's Secret Service, by Andrew Meier - I picked this one up at random at a library book sale and loved it. An investigation into an American agent of the NKVD who vanished into the USSR during the great purges and was never seen again. My favorite part is how the writer (a journalist) makes his own research part of the story, a kind of detective story.

Police Aesthetics: Literature, Film, and the Secret Police in Soviet Times, by Critina Vatulescu - this is another academic book so it might be really boring to anyone who isn't me, but I am fascinated by the interplay between propaganda and the people who propaganda depicts, especially in terms of spy fiction. I quote the line "In classic secret police fashion, the true secret is that there is no secret at all," all the time to my other war-crimes-special-interest friend.

Next Stop Execution, by Oleg Gordievsky - A memoir by KGB defector Oleg Gordievsky. I found this a fascinating look into the inner workings of the KGB, as well as into the mind of a man willing to risk everything for what he believed in.

Those are my history book recs, I have some more historical fiction or Soviet fiction recs!

[gay-disabled-characters-showdown]

LGBTQ+ Disabled Characters Showdown Round 2, Wave 3, Poll 11

A character being totally canon LGBTQ+ and disabled was not required to be in this competition. Please check qualifications and propaganda before asking why a character is included.

Check out the other polls in this wave and prior here.

Ayda Aguefort-Dimension 20

Qualifications:

Autistic queer women/phoenix💜💜

She is Sapphic and canonically on the autism spectrum.

Propaganda:

She's an awesome autistic head-librarian who also happens to be the girlfriend of one Fig Faeth (pc of Emily Axford). She's cute, super-powerful, and her dynamic with Fig is one of the best romantic storylines I know💜💜

Ayda Aguefort (pronounced EYE-da) a half-phoenix divination wizard and head librarian of the Compass Points Library in Leviathan, a vast pirate city in the Celestine Sea, made up of thousands of shipwrecks all connected together to create a floating island. She is described as a resplendent and beautiful young woman, with a striking resemblance to her deadbeat father/legendary wizard Arthur Aguefort. From the knees down she has large, almost metallic golden talons, with digitigrade ankles. Her wings are deep red, turning orange, and as they reach yellow at the ends, flicker with little flames. She is noticeably not a harpy as she has has arms as well as wings. Her arms are tattooed with many orange runes on her dark human skin. Her eyes are pupils set into roiling balls of flame. She has a short shock of fiery red hair at the top of her head. She wears white linen pants with a pirate sash, a vest, and a bandolier which holds two scrolls. She also has two small books strapped under each arm where one might have guns. Ayda has experienced multiple reincarnations due to her abilities as a half-phoenix. She has lived in Leviathan for around 150 years, but is over 300 years old. In one of Ayda's previous reincarnations, she adopted Garthy O'Brien as her child. Her current reincarnation is seventeen, with Garthy now as her guardian. Her past reincarnations have left notes for her future selves to follow, as once she's reborn, she has no memories of her past lives. She previously believed herself to be only 175 years old, and has no idea what she did for the first 125 years of her life, as one of her incarnations destroyed all her notes in an attempt to start fresh. She regretted this decades later and began writing notes again. Ayda is autistic and can be very hard to read as she often behaves in a very transactional way and uses blunt language. Her eyes being balls of fire doesn't help. She's a very intelligent and accomplished wizard, and takes pride in her work at the library, although gets lonely sometimes and is desperate for a friend. She is always looking to expand the library with new knowledge, and asks a lot of questions. Before meeting the Bad Kids, she was very lonely, and is now very excited to have so many transitive best friends, as well as a super awesome/badass punk-rock tiefling bard girlfriend.

Kim Kitsuragi-Disco Elysium

Qualifications:

Visually impaired

Propaganda:

I dunno man. He's Kim Kitsuragi. There's nothing I can say about him that hasn't already been said. He's quiet and reserved and uncomfortable with emotions. He's a self-proclaimed Torque Dork who loves his car like a child. He listens to heavy metal music. He's a centrist. He's a homosexual. He's consistently given shit by everyone around him for his race, his sexuality, and his disability, and he's taught himself to respond to it with cold professionalism. He dresses in historical communist pilot cosplay. I love him with my entire heart.