#is legitimately one of the things i love the most about their dynamic

[itsabouttimex2]

Oh! Can you rank macaque ships too?

69, shadowpuppet ect

Macaque Ship Ratings

(Scores rank from -10 at the lowest, and 10 at the highest)

(Sun Wukong)

Before reading this list, please keep in mind:

1. Not every ship has enough content for me to remark on, and some ships contain dynamics that I find triggering!

2. My social media usage is limited, and I don’t use every site.

3. I have not consumed every piece of artwork and fanfic in the fandom, so I’m just remarking on trends from what I have seen.

Shadowpuppet

Name Rating: 10/10. I’ll admit- this one is good! I like the reference to: Macaque’s powers, the Mayor’s status as a (willing) pawn of the LBD, Macaque’s status as a (sort of willing) pawn of the LBD, Macaque’s actual use of shadow puppetry… it’s a good name!

Canon Rating: -5/10. Look. C’mon. The Mayor and Macaque have literally no positive interactions at all, they have barely any screen time together regardless. Anything the Mayor does to Macaque is immediately harmful and he takes glee in it.

Fanon Rating: -3/10. In general you’ll notice a running trend that Fanon!Macaque in general is your generically rancid and one-note “He never did even a single bad thing ever at all!” that woobified villains tend to get, and Shadowpuppet goes hard on this trend by portraying Macaque purely through the lens of him being a flat and uninspired “eternal victim”- but it only gets a -3 because it is somewhat appropriate when the person in question genuinely is an awful person who has only ever hurt Macaque.

Personal Enjoyment: 0/10. Sorry, y’all. I just don’t see it.

Shadowpeach

Name Rating: 5/10. Basic, but rolls off the tongue. Started the trend of Sun Wukong having extremely basic ship names, unfortunately.

Canon Rating: 0/10. Whatever they had in the past, Macaque simply treats Wukong far too awfully to really justify the two of them ever getting together. Even the attempts at reconciliation feel more like extremely forced ship baiting, given how it goes from one of the two being marginally kinder to the other than usual, then immediately dropping it for more sniping. (Past!Shadowpeach receives 5/10.)

Fanon Rating: -10/10. I've spoken at length about this, but fans love to distort Wukong into a drooling abuser so stupid he can't breath through his nose, usually while turning Macaque into a Possession Sue who only serves to be the author's simpering self-insert who is the most perfect little baby of all time who has never ever done anything wrong at all even once. If there is an attempt to be “nuanced" or "unbiased" it manifests as "Sun Wukong "killed" (re: defended himself against) Macaque so he's worse." It's an awful, extremely pervasive dynamic that rots any fandom enjoyment I could have had for this couple.

Personal Enjoyment: 6/10. Getting to write Macaque as the legitimately awful person that he is takes off the edge of seeing constant “uwu sadboi" Macaque content. Still, I rarely touch anyone else's Shadowpeach content because of how pervasive “Fanon!Macaque” is.

Blackberry

Name Rating: 10/10. Macaque actually gets like… really good ship names. Whoever is coming up with these is putting in more effort than whoever came up with all of Sun Wukong’s ship names, at least. The name references both Change’s association with food, and is a color that both characters share! Also- I have a serious weakness for ship names that reference real things.

Canon Rating: 0/10. There’s not even any indication that the two know that the other exists. Maybe they’ll meet up at some point, but as for right now

Fanon Rating: -5/10. Hey, remember what I said above two times already? That Fanon!Macaque is a big simpering bitch baby who only exists to serve as an eternal victim for the writer to coddle like a saint whose only crime is being too perfect? Same applies to Blackberry, to no surprise! It’s less egregious in that Chang’e is legitimately a sweet and loving lady.

Personal Enjoyment: 3/10. The fanart can be cute, but that’s about all that Blackberry has going for it that appeals to my taste. Maybe I’ll come around to it if they have some interaction in the show proper, but I’m not banking on it.

Inkypages

Name Rating: 7/10. This is a simpler name, but I like it! Again, Macaque’s (and Tang’s, too!) ship names are willing to go beyond trying to confine him to a single aspect of his character and actually utilize several aspects of his personality and being beyond just one food. (Yes I’m still mad about the peach prioritization that Sun Wukong’s ship names have.) Inkypages isn’t bad! I like saying it! It’s a logical thing to say!

Canon Rating: -10/10. Okay. Okay, I know. I talk about this a lot. Macaque in the story doesn’t really have logical growth as a character because the show isn’t willing to center any significant time around his flaws and misdeeds outside of MK being hurt by him and then in turn throwing him second chances like cheap candy, which means that Macaque’s genuinely villainous actions have no weight because even the people hurt the worst by him don’t actually get to have thoughts or feelings on how he’s hurt them, and even at his absolute most rancid all of his wrongdoings are simply forgotten, which means his dynamic with Tang is literally: Be a piece of shit -> degrade him -> violently attack him -> try to manipulate him -> be defended by Tang after releasing the Samadhi Fire -> nothing.

It’s... it’s just not good. I still don’t understand why Macaque was going to be a villain at all if nothing he did reflects back onto him in any way or is hard to grow past. It’s just... their dynamic is bad. Most of Macaque’s dynamics are bad because the majority of his growth happens offscreen and away from the people that he’s hurt, which leaves reduces what could’ve been a genuinely intriguing and complex character arc to nothing.

Fanon Rating: -8/10. Hey, do you guys like seeing Tang be turned into a snarky lid-eyed whore who hates Wukong? No? Then you won’t like Inkypages. Hey, do you guys like seeing Macaque be reduced to a blubbering pants-shitting baby who needs to be coddled past whatever misdeeds the author invented to be mad at Wukong for supposedly committing? No? Then you won’t like Inkypages. Hey, do you guys like blatant character assassination for the sake of babying villainous blorbos and over-angstifying old men? No? Then you won’t like Inkypages.

Personal Enjoyment: 0/10. This is the longest section of this rant for a reason. I just… it’s a lot like Shadowpeach, where to a large degree the fans have kinda turned me away from any portrayal of the ship- except Shadowpeach has an interesting enough dynamic that I like engaging with it anyhow, at least on my own.

End Result

(Scores ranging from -40 to +40)

Shadowpuppet= 2/40

Shadowpeach= 1/40

(Past!Shadowpeach would be around 20)

Blackberry= 8/40

Inkypages= -11/40

[sanguine-melancholia]

genuinely so happy for you about your ability to be more open about your niche fetish i’ve followed you for a while and when you started posting about it it legitimately made me look into if i thought the idea of being tiny was hot and it turns out no it actually genuinely frightens me like so many things are so big i think if i became very small i’d probably die like a rabbit whose been startled but i really mean it i am so genuinely happy for you

awww thank u anon :3 yea it’s not everyone’s cup of tea and that’s okay. tbh it scares me too, i just get really turned on by the fear lol. it’s such an intense vulnerability, to be so small and in the hands of someone who could kill you on accident. but the power dynamics just elicit such intense and visceral emotions in me.

even the thought of simply being held by a giant just makes me crazy. paralyzed with terror, unsure what this massive beings intentions are. maybe it will hurt you, even kill you. but maybe not. maybe it’s fascinated by you. maybe it thinks you’re a cute little thing and it wants to protect you. maybe it sees your weakness and is turned on by how easily it can dominate you. maybe it sees you as a potential friend, or perhaps a potential toy.

i don’t know exactly what it is, but the idea of a being that could so easily kill me but doesn’t? out of love, curiosity, desire, whatever. it just makes me so horny. that’s about half of my love of the vampire. the other half is the intrinsic desire built into the vampire. a vampire wants you. it needs you.

add that desire to the giant and you’ve got a perfect fantasy. this sublime being who could kill you. but they don’t. they can’t. because they want you. want your company, your entertainment, your trust, your love, your body, you.

and the immense relief that breaks after the build up of the fear is so sweet. it doesn’t want to hurt you. it wants to own you, take care of you, protect you, adore you, feel you, use you, love you. the fear never completely subsides, there’s always a rush, always the exhilaration of not knowing what happens next. and that’s just incredibly hot to me.

of course, this is just one aspect of the erotic potential of giants but it’s the one that appeals to me most

anyway. thank you anon ur very sweet <3

[artbyblastweave]

A few years ago, there was a thread on r/asksciencefiction where someone was fishing for a superhero story with an inverted Omni-Man dynamic, or a setting where Homelander's initial presentation is played straight- a setting where the Superman figure actually is the paragon of morality he's initially presented as, but no other superhero is- a situation where you've got one really competent true-blue hero standing head-and-shoulders in power above what's otherwise a complete nest of vipers.

Someone in the thread floated My Hero Academia; while I haven't read it, my understanding is that that's not really an accurate read of what's going on with Stain's neurosis about All-Might being the only "real hero," that the point of that arc is that Stain's got an insane and unreasonable standard and that taking an endorsement deal, while bad, isn't actually grounds for execution. My own contribution to the thread was Gail Simone's Welcome to Tranquility, where a major part of the backstory involved the faux Justice-League's Superman analogue having a little accident because he's the only one who thought they were morally obligated to go public with the secret life-extending macguffin that the rest of the team is using to enforce comic-book time on themselves and their loved ones; while only a couple members of the team are directly in on it, the rest are conveniently incurious. And Jupiter's Legacy gets tantalizingly close to this- The Utopian, a well-meaning stick-in-the-mud, ultimately gets blindsided and couped by his scheming brother who creates a superhero junta staffed by a Kingdom-Come-style glut of third-gen superheroes, who are framed as fundamentally self-interested because only came onto the scene after most of the situations you legitimately need a superhero to handle have been neutralized. (The rub, of course, is that the comic is also highly critical of the Utopian's intellectually incurious self-righteously 'apolitical' approach to superheroism- if for no other reason than that it left him in a position to get blindsided by a coup!) While Jupiter's Legacy gets the closest, all three of these are only loosely orbiting around the spirit of the original idea, and there's something really interesting there- particularly if the Superman figure isn't hopelessly naive in the same way as Utopian. Because first of all, if you're Metaman or Amazingman or whatever brand-name alias the writer goes with, and you really earnestly mean it, and you put together a team of all the other most powerful heroes on earth in order to pool your resources, and then with dawning horror you gradually begin to realize that everyone in the room besides yourself is a fascist or a con artist or abuser or any other variant of a kid with a magnifying glass eyeing that anthill called Earth- What the hell is your next move?

Do you just call the whole thing off? Can you trust that they'll actually go home if you call the whole thing off? I mean you've put the idea in their heads, are you sure that they aren't going to, like, start the Crime Syndicate in your absence? Do you stick around to try and enact containment, see if getting all of these people on a team makes them easier to keep on a leash? But that's functionally going to make you their enabler pretty quickly, right? Overlooking "should you kill them-" can you kill them? You're stronger than any individual one of them- are you stronger than all of them? The first time one of them really crosses a line in a way you can't ignore- will that be a one-on-one fight? Are they the kind of people capable of putting two-and-two together and pre-emptively ganging up on you if you push back too hard? Do you just start trying to get them killed, or keep them at each other's throats so they can't coordinate anything really nasty? Can you squeeze any positive moral utility out of them, or is that just a way to justify not doing the hard work of taking them down? There've been works where the conceit is to question the default assumption that Superman in specific would be a good person, and there've been works where the conceit is to question the default assumption that superheroes in general would be good people. Something to be done, I think, with questioning the default assumption that everyone Superman becomes professionally close to would be good, and to explore how he'd handle it if they weren't.

[yanderes-galore]

What about a platonic yandere Aegon II with a daughter!reader after B+C?

Fell in love with this idea ON. SIGHT. Broke my own rules on this, my bad. I don't usually do young darlings, but for this it made the most sense. Don't expect stuff like this all the time... but I love the idea of Aegon, Helaena, and Aemond being platonic yanderes to Aegon's Daughter. Unfortunately no Daeron as he's not around during this period.

❗️SPOILERS FOR HOTD SEASON 2❗️

Yandere! Platonic! Aegon II with Daughter! Darling

(FT. Helaena + Aemond - Aftermath of Blood + Cheese)

Pairing: Platonic

Possible Trigger Warnings: Female Darling, Obsession, Overprotective behavior, Child death/Murder, Blood, Manipulation, Fear of loss, Isolation, Mature language, Targcest (Aegon/Helaena), Medieval gender roles, Toxic family dynamics, Forced companionship.

First of all, let's talk about who you are.

In terms of being Aegon's daughter...

You could be one of his legitimate heirs with Helaena.

That or maybe you could be a bastard from one of his many flings. Perhaps one who later became a cupbearer for him?

Regardless of how... Aegon gets horrible after the death of Jaehaerys.

Before the assassination, Aegon isn't... very invested.

He's paying more attention to his first son, hyping Jaehaerys up as his heir.

He cares for you, but not as much as his first son.

He keeps an eye on you yet you're often with Helaena.

Helaena takes good care of you... even if your father is often busy.

You're well cared for, even as a bastard Helaena doesn't wish to leave you on your own.

Perhaps, as a dreamer/seer, she senses your fate beside Aegon and wants to aid you through it.

Your life is... decent within the Red Keep one way or another.

Things only really go downhill when the Blood + Cheese incident occurs.

Jaehaerys is murdered in the night due to assassins sent by Daemon.

The news is devastating.

Helaena spent the whole night with her mother, holding her remaining children and you in her arms.

You're older than the babe(s) when it all happens, perhaps a young kid (To make it make sense, you can probably age the characters up from canon)

In the morning... your father is furious.

Aegon's screaming at anyone he sees.

Maids, servants, the Small Council, his knights...

Anyone.

Aegon screams about Rhaenyra and her side killing his heir.

One would not think he is a man close to his children.

He only seemed to like Jaehaerys because he was a male heir.

That's what you thought, at least.

Until Aegon kept coming to your chambers.

You were often with Helaena before and after the death of your sibling.

So you were not expecting to see Aegon come in to pester you.

You are his by blood, you are his eldest daughter.

Aegon himself didn't realize how... affected he was.

He didn't know how grateful he was to have you until his son was murdered.

Aegon is a man doomed to lose all of his children in the end.

Perhaps even you.

Helaena knows this well and is worried when Aegon shows a sudden interest in you.

Aegon would get noticeably more... protective of you as his daughter.

He may have no eldest son now, but you're still one of his eldest.

He never lets you out of his sight after the death of Jaehaerys.

Helaena often asks he leaves you alone, but the king never does.

"Oh please, wife... let me see her. I won't cause her any harm."

Aegon drags you to Small Council meetings and shows you to Sunfyre.

He's paranoid yet proud of you, his eldest daughter.

He isn't affectionate at first.

But when Jaehaerys dies, he's suffocating.

The king, your father, holds you close.

During Small Council meetings, he has you right beside him or in his lap.

When his Council asks him to leave you with Helaena, Aegon blatantly refuses.

"Far as you're concerned, this is my daughter and she has the right to sit here."

Aegon would not allow betrothals.

That's one thing both he and Helaena can agree on when it comes to you.

You mean too much to him to be married off.

Even when you're of age he dismisses the thought.

Aemond is no doubt appointed as your bodyguard.

He doesn't trust Ser Criston Cole, said man did nothing when his son died.

Even if you are a woman, Aegon raises you like you're his next heir.

Maelor, his other son, is too young for now.

So, for now, you are his main heir.

If anything threatened you, Aegon is not waiting.

He will order Aemond hunt them down.

That is unless he can kill them himself.

You aren't even really allowed to play with Jaehaera or Maelor at times.

You miss your time with Helaena, your mother...

Now all you really see is your uncle Aemond or your father Aegon.

Sometimes you see your grandmother, Alicent, but Aegon isn't keen on it.

It's strange how Aegon goes from indifferent to obsessive about you.

He sits by you all the time, giving you books and often ordering Aemond to look after you.

Aemond would much rather patrol King's Landing with Vhagar... but he adores holding you in his arms so he can't complain.

Aemond may sneak swordsmanship in to teach you in private, even if you are a lady.

Aegon is irritated about it, but soon allows it.

You must be a strong queen... give Rhaenyra a run for her gold...

A way you could get Daeron involved in this is maybe you get to write him ravens while he's out being a squire.

I know this is primarily meant to be Aegon... but I feel at least most of the other Greens would be involved.

Aegon knows you should have a dragon... yet he hates the idea of something going wrong.

Sure, you get along with Sunfyre... he won't even let you near Vhagar... and Dreamfyre is rarely even with her rider...

You'd be fine with a hatchling of your own... but Aegon would be extra careful when giving you one.

He's already lost his first heir, you aren't dying too.

He's so nervous about losing you.

Even more so when he gets burned in battle.

While he's in pain on his bed, he doesn't stop asking about you once he's coherent.

You're left in Helaena and Aemond's care... but often are sent to visit the burned king.

Aemond doesn't see you as a threat to the throne.

In fact there's times he treats you like his own daughter, teaching you High Valyrian... a language Aegon isn't very proficient in.

Helaena is often showing you insects and singing to you as she holds you close.

When you visit Aegon he is adamant on you cuddling up to his good side, holding you close as he hisses in pain.

His body may be broken at this point... but he loves you dearly.

You are his little princess, his little future queen, he's sure of that.

Even in his bed, burned and helpless, he'll keep you safe...

Helaena and Aemond love you too, after all, not a soul will touch you with The Greens.

[bwat5-blog]

Why Didn't We See Cait Tell Vi About Jinx?

**Spoilers For Arcane***

There has been a tremendous amount of conversation regarding Jinx's fate in the end of the show. I think by now, most of us seem to agree she is alive. There is a significant amount of evidence. But one of the conversations I have enjoyed reading different takes on, is did Caitlyn tell Vi her suspicions? should she? and why didn't we see one way or the other? This will be fairly short compared to my usual work, I just wanted to delve into these questions, offer my thoughts, and hopefully get some good discussion out of it!

THE EVIDENCE: (In no particular order)

The Shimmer streak right as the explosion occurs

I have seen some argue that it's simply the purple inside the bomb. This is possible of course but it seems extremely directed.

2. Caitlyn's investigations

When it is all said and done, we have a quiet moment with Caitlyn investigating the cooling/vent system of the tower where Jinx died, as well has holding the mostly intact head of her monkey bomb. the implication here is quite clear. But of course it is not definitive. They are only telling us she reason to be thinking about Jinx being alive.

3. Full Circle

The second shot is the last one of the show.. if we didn't have the first shot to fall back to it would feel quite random but if you think back to that, it seems quite clear what they are implying. Additionally although I don't have a good way to share it here, the score in this moment is variation on "Dear friend across the river" which we hear Powder singing to open the whole show.

4. Glitched The End

That is the very last shot we are given and the animation is very in line with the glitch style of Jinx we have come to know so well.

5. Arcane Afterglow For Act 3

Skip to 1:19 if that is all you are here for

________________________________________________

There are others for sure. I saw someone in the community post some pages from the artbook showing things like "i'm still here" I believe it was. And I know there have been other interviews and such. This is just what I am personally aware of. And while of course I am just a regular fan and I don't know any better than any of you, this is all enough for me to feel confidant saying she's alive. I am of a similar opinion to many I have seen. I do not think Caitlyn had told Vi by the end of what we saw, but I think it's because she herself is not 100% sure yet.

Why isn't she sure?

Well even using the evidence I listed, only one out of those five points is something Caitlyn would be aware of. Now I do think she is probably fairly confidant, as the implication of her investigating at all was very clear. But keeping in mind that she knows how badly Vi wanted to save Jinx, and the enormity of the guilt Vi must feel given that Jinx had to save her (Vi was legitimately having a dissociative episode born of her PTSD and there was nothing she could do. Don't start with me Anti-Vi'ers), I think Caitlyn would be very careful to not give Vi false hope.

Would Caitlyn Even Tell Vi and Risk Her leaving?

I think so. And my reasoning is that she has done it before. When she paved the way for Vi to free Jinx, there was every possibility the sisters would vanish into the night and Caitlyn would never see them again. With that in mind, and their dynamic in general with Caitlyn probably feeling she has a tremendous amount of trust to keep rebuilding between them, I seriously doubt she would risk hiding something so large from Vi if she felt confidant Jinx was alive. Jinx wanted Vi to live free of their past and find her happiness. I think Caitlyn would honor giving Vi the choice and hope for the best. Especially taking into account the whole dynamic around Caitlyn showing Vi how much she loves and respects not only her, but her heart. She cherishes the heart that drives Vi to protect those she loves. I don't see Caitlyn betraying that by trying to control her.

Is it better for Vi to know?

This one is tough. On the one hand, we have to factor all the things we already discussed in. We know Vi wanted them to be together. We know she is probably torturing herself over her sister's perceived death. But, we also have to consider the other side. Because by the end the Sisters are family again. So why would Jinx leave and not tell Vi the truth?:

Jinx herself will never know peace in Piltover or Zaun (at least as things are now). I'm not doing a whole thing here, but in Zaun they all want her to be their symbol. And in Piltover, regardless of her heroism or the reason she did what she did, there will always be stares and whispers for her crimes. Not to mention the whole process of whatever resolving the issues of her crimes would mean in the first place. It would not only be trouble for her, but probably for Vi and Caitlyn as well. She gave Vi permission to move forward with her life, and we saw Vi take it which is a reason to be hopeful. But if I were Jinx, and I had decided to leave, I would be very aware of the possibility that Vi would feel honor bound to leave the love she had found, and turn her back on the peace Jinx tried to convince her she deserves. Because while Vi is full to the brim with wonderful qualities, her journey to believing her own self-worth is still very new. And I think Jinx wisely would be worried Vi could not let her go alone. Just as Vi has to start finding herself free of their past, Jinx needs the same. It's not that she doesn't love Vi. I think she has made it EXTREMELY CLEAR that she does. But in terms of her mental state and her arc, I think she has resolved the conflict between the shattered ghost of Powder, and Silco's terrorist daughter. she IS JINX. She is no longer A JINX. And I think to find out what that means, she has to step away from the shadows of her past and start completely over. Just as Vi has to start finding out who she is without the crushing guilt and pain of their childhood. Listen yall, I know I can be quite harsh on Jinx especially because Vi is my favorite. But let me bring you back to something I first realized in my deep-dive on the sisters relationship.

Vi is a courageous, loving, and loyal sister who would fist fight the devil himself with one hand tied behind her back for her loved ones. But she is still only a person. And as always, the brilliantly heart wrenching writing of this show tells us exactly how Jinx feels about her older sister in the opening of the show, and proves it again at the end:

Even when they were little girls on that bridge, Vi walked tall, trying to shield Powder from the horror around them. But when it became too much, when the horror, and the pain, and the loss overwhelmed her, Powder threw her small body over her big sister trying with everything in her to be that shield for Vi.... Just as she would the next time Violet needed her...

I am firmly and completely convinced she would not leave Vi like that unless she truly felt it was the right thing for both of them. She has come to far and been through too much. Agree or disagree, I think she is doing her best to be that sister Vi deserves once more. Even if its painful.

What I Hope:

My hope, is that Caitlyn shares her information with Violet when she feels she has enough to not devastate her beloved with false hope. And that hearing that, Vi will choose to honor her sister's decision, as well as see the truth that she herself deserves love, and peace, and safety, and be at peace. My hope is that in the end, Vi can see Jinx's decision was not one of neglect, or abandonment, or crisis. But just as Vi had always tried so hard to be Jinx needed, in that moment Jinx saw what they both needed, and made the hard call, to give them both the chance the world tried to steal from them.

Thank you all for reading. I know I have been a tad feisty lately and I wanted to get back to talking about what I love about this show! These characters and this story connect with us all on such deep levels because of their humanity. Their flaws, their strengths, the moments they succeed and the moments they fall short. Ultimately, we can't know if Violet will do the right thing if and when she finds out. But she and Caitlyn give me hope. I hope this has done the same for you.

Never stop standing for the stories that matter. See yall next time!

[physalian]

10 More Character Types the World Needs More of

Part 1 was specifically character dynamics, but I’m considering this a sequel anyway.

1. Fiercely independent character’s lesson isn’t to “trust people”

I’m not projecting. You’re projecting. There is a divide wide enough to fit the Grand Canyon between “trusting that someone isn’t lying” and “trusting someone to follow through on a promise”. Most dumpster fire attempts at these characters (almost exclusively women) rely solely on mocking them for the former because “not all men” or something.

Being consistently let down in life makes you hesitant to a) gain friends, b) pursue romantic interests, c) maintain familial relationships, d) get excited about any event that demands participation from someone who isn’t you. None of this is simply a bad attitude—it’s a trauma response. There is no lesson to be learned, and not even exposure therapy can help because it’s a real, legitimate, and common stunt people pull, whether they mean it or not.

So write one of these characters and legitimize their fears, give them someone who proves the exception to the rule, but do not let the lesson be “well they just haven’t found the right person yet”. Even the “right person” can let them down. It's about not becoming a self-fulfilling prophecy by sabotaging a good thing to prove it will inevitably go bad.

2. Conventionally attractive men who aren’t horndogs

I’m going to find every way I can to tell you to write more aces. This is to fight the stigma that attractive people must be attracted to people. Give me gorgeous aces and demi’s, men, women, enbys and everyone in between, who put a crap ton of effort into looking their best, and yet happen to not have a very loud libido. They look good for themselves, and not to impress anyone else.

Give me someone who could have anyone they wanted, gender regardless, and just simply has no interest. Or, they do actually have a significant other, but sex, how hot their partner is, or how horny they are, isn’t their internal monologue. I don’t even care if it’s unrealistic, it’s annoying to read.

And, you know, giving men male characters who aren’t thinking about sex all the time can be good, right? Right?

3. Manly warrior men who also write poetry

A.K.A Aragorn, Son of Arathorn. Just give me more Aragorns, period. This dude is either covered in filth, blood, guts, and the last 30 miles of rugged terrain, or singing in Elvish at his own coronation while pink flower petals fall. A man can be both, and still be straight.

A man can also drink Respect Women juice, you know? He ticks off all the boxes—he’s gentle when he needs to be, not afraid to hide his emotions, kind to those who are vulnerable and afraid and need a strong figure to look up to, resolute in his beliefs, skilled and knowledgeable in his abilities without being arrogant or smug, and the first boots on the battlefield, leading from the front.

4. Characters who are characters when no one is watching

This is less a specific type and more a scene that doesn’t get written enough. This whole point comes from Pixar’s Cars. I. Love. This. Movie. It’s not Pixar’s best, for sure, but this is my comfort movie. The best scene, one that’s so unique, is when Doc (aged living legend) thinks he’s alone when he rolls out onto the dirt race track and comes alive tearing around the oval.

This character’s unbridled, unabashed glee and euphoria at proving to himself that he’s still got it, when he’s completely unaware of his audience, is perfection. Not enough credence is given to characters to just… enjoy being themselves. He’s not doing it to prepare for the climactic race, he’s not doing it for the plot, he’s doing it just to do it, not even to prove Lightning wrong—just for himself.

Give your characters a “Doc Racing” scene. Whatever their skill is. Maybe they’re a dancer, a skater, a swimmer, a painter, sprinter. Just let your character love being alive.

5. Characters whose neurodivergence isn't “cute”

A.K.A. Lilo Pelekai from Lilo and Stitch. Really, her relationship with Nani is peak sibling writing. But Lilo herself is just so realistic with how she interacts with the world, how she interprets her relationships with her so-called friends, how she organizes her thoughts and rationalizes what she can’t quite understand, and how friggen smart she is for an… 11-year-old?

But she’s not “cute”. As in, she wasn’t written by generic Suits who were trying to cash in on the ND crowd by writing what they think will sell, but also making her juuust neurotypical enough to still be palatable by the rest of the audience. Lilo’s earnestness is what endears her to everybody. But also, she doesn’t get a free pass for her behavior, either. Her “friends” aren’t forced to accommodate her and Nani isn’t written as the cold-hearted villain for trying to discipline her.

6. Straight male characters with female friends

Am I double-dipping a bit here? Yes. While I completely understand how tempting it can be, this type of character is in dire need of exposure and representation to prove it’s possible. No weird tense moments, no double-glances when she isn’t looking, no contemplations about cheating on his girlfriend (and no insecure jealous girlfriend either). Just two characters who enjoy each other’s company and are able to coexist in a space and be in each other’s spaces without hormones getting in the way. Peak example? Po and Tigress from Kung Fu Panda.

Let these two rely on each other for emotional strength in times of need, let them share inside jokes, let them have a night alone together at a bar, at home, cooking dinner, getting takeout, talking on the patio in a porch swing… with zero “will they/won’t they.”

7. The likable bigot

I’m actually on the fence with this one but it’s something I also don’t see done often enough and I’m adding it for one reason: Bigots aren’t always obvious mustache-twirling villains and the little things they do might seem inconsequential to them, but are still hurtful. So showing these characters is like plopping a mirror down in front of these people and, I don’t know, maybe something will click. They don’t have to be MAGAs to be dangerous, and only writing the extremes convinces the moderates that they aren’t also the problem.

Example: I have a “friend” who recently said something along the lines of “I have lots of gay friends” followed up shortly by “I don’t think this country should keep gay marriage because it’s a slippery slope to legalizing pedophilia.” You know. The quiet part being that she *actually* thinks being gay is as morally abhorrent as being a pedo. But she totally has lots of gay friends. Including one who was driving her during that conversation. (It’s me. Hi. I’m apparently the problem, it’s me.)

She’s absolutely homophobic, but the second she stops announcing it, she’s a very bubbly person. She’s a ~likable~ bigot and thus thinks she can distance herself from the more violent ones.

8. The motherly single father

I say “motherly” merely as shorthand for the vibe I’m going for here. “Motherly” as in dads who aren’t scandalized by the growing pains of their daughters, and who don’t just parent their sons by saying “man up boys don’t cry”. Dads who play Barbie with their kids of either gender. Dads who go to the PTA meetings with all the other Karens and know as much if not more than they do about the school and their kids’ education.

Dads who comfort their crying kids, especially their sons. Dads that take interest in “feminine” activities like learning how to braid their daughter’s hair, learning different makeup brands, going on nail salon trips together. Dads who do not pull out the rifle on their daughter’s new boyfriend and treat her like property. Dads who have guy friends that don’t mock him and call him gay. Dad who does all this stuff anyway and is *actually* gay, too, but the emphasis is on overly sensitive straight men’s masculinity here.

Wholesome dads: a shocking amount of single-parents to female anime protagonists.

9. The parent isn’t dead, they’re just gone

Treasure Planet is an awesome movie in its own right, but what’s even better? This is a Disney movie where the parent isn’t dead, he’s just a deadbeat who abandoned his son and isn’t at all relevant to the plot beyond the hole he left behind for Jim to fill. The only deadbeat dads Disney allows are villains and those guys are very vigorously chasing an aspiration, that aspiration just doesn’t include quality fatherhood. Or motherhood. Disney has yet to write a deadbeat mom, I’m almost certain.

I just wrote a post about the necessity of the “dead parent” cliche, but what is perhaps more relatable because it’s more common, and what earns even more sympathy and underdog points for the protagonist? The hero with the parent who left. Then there’s a whole extra layer of angst and trauma available when your hero can now plague themselves with the question of if the parent leaving is their fault. Death is usually an accident. Choosing to abandon your kid is on purpose.

10. Victim who isn’t victim-blamed or told by their friends (and the narrative) to forgive their abuser

Izuku Midoriya lost so much support from me the moment he told his friend, bearing the consequences of domestic violence across half his face, that Midoriya thinks he’ll be ready soon to forgive his abomination of a father. I am firmly in the ��Endeavor is a despicable human and hero” camp and no I’m not taking criticism. I audibly gasped when I heard this line and realized Deku was serious. Todoroki needs friends like the Gaang to remind him that he's allowed to hate the man who's actions caused the burn scar across his f*cking face.

I understand that the mangaka apparently didn’t anticipate the vitriolic backlash toward Endeavor during his debut and reveal of his parenting tactics but the tone-deafness of telling a fifteen year old with crippling emotional management issues and a horrible home life that his abusive dad in any way deserves and is entitled to forgiveness on the grounds of being related is disgusting.

Take it back further to a more famous Tumblr dad: John Winchester. Another despicable human who got retroactively forgiven by his sons after his death in a “he wasn’t so bad, he really did try” campaign. It’s one thing if the character believes it, it’s a whole different matter if the narrative is also pushing this message.

Katara is a perfect example: She lets go of her grudge for her own peace of mind and stops blaming Zuko for something he had no hand in, stops blaming him simply because he’s a firebender and he’s around to be her punching bag. She doesn’t forgive the man who killed her mother, because that man doesn’t deserve her forgiveness. Katara heals in spite of him, not because of him, and had she let him off the hook, she would have gotten an apology for getting caught, not for what he did (which is exactly what happened).

[sunnytheopossum]

I’ve been rereading the MH comics (and rewatching the entire original series and watching analysis videos and reading all the puzzle deconstructions and watching all the behind-the-scenes--) and I wanted to talk about something I’ve noticed and also redraw one of my favorite panels in my style!

I love this one panel on page 19 in volume 3.5 SO MUCH! It legitimately made me tear up the first time I saw it. Watching the original Marble Hornets for the first time all those years ago (and honestly even still upon further rewatches), I always thought that the most tragic thing about Tim and Brian’s dynamic was that they used to be best friends, but then they had such a severe falling out that they would be willing to kill each other in the end, but this… reading this one scene put their entire relationship in a whole new light! They both felt hurt and betrayed by each other because of the circumstances they were forced into, but they never stopped caring about each other, and that’s DEVASTATING! I hope so badly that in future volumes (or possibly even in eckvanet if we’re lucky??) that we see Brian and Tim reconcile somehow, because if given the chance, I don’t think either of them would hesitate to do so. Love these boys.

(Also don’t mind the fact that he’s holding Alex up by the scruff of the neck like a wet cat, it just makes the whole scene even better imo and I wanted to emphasize it more in mine lmao)

Also also, dearest Troy Wagner: if the boys ever do see each other again and make up, can this be how the scene plays out? ( vvv ) Please and thank you.

XOXO -Sunny

[thelikesofus]

Buddie Fic Recs

This is my 5th Buddie Rec List! I started compiling this list last April and omg looking back through them now I desperately need to reread them all. Highly recommend all of these fics, also please show the authors some love in their comments xx Happy Easter lovelies <3 REMINDER TO CHECK THE TAGS AND TRIGGER WARNINGS

where our eyes are never closing by @rewritetheending | T | 6k

After the lightning strike, Buck asks Eddie to take candid photos of him to help prove to Buck that he still exists. Absolute PEAK Softness. Buck through Eddie's eyes! I was a mushy puddle by the end. 10/10 would recommend. 

i got all my sisters with me by @useramor | T | 6k

Established relationship Buddie. Eddie’s sister has a baby and they travel down to Texas to meet the baby. DIAZ SIBLINGS UNITE! Seriously though the sibling dynamic in this is off the charts and Buck and Eddie are sickeningly in love, it is quite beautiful.

meet me where the tide comes in by @iinryer | G | 4k

A 3+1 fic about Eddie getting kissed on the head. FOREHEAD KISSES PTSD MORE HEAD KISSES AND BOYS IN LOVE!! Need I say anything more??

The one where Buck gets turned into a dog by @911onabc | G | 9k

Law Suit era BUT WAIT WAIT….DOG BUCK!! I am a sucker for fic where one of them gets turned into an animal. They are much more free with their affection when they think it's just a dog, or just a cat, and the bond between Eddie and "Boy" is so so wonderful. And I do love a happy ending xx

can't do this anymore (do it anyway) by @chronicowboy | T | 2k

Short and sweet but GOD this packs a punch. Eddie starts dating after the lightning strike and Buck is feeling Big Bad about it. He is so sad it truly breaks my heart but all works itself out in the end and Eddie proves Buck’s fears wrong.

We Found Each Other (Over There)  by @thekristen999 | T | 46k

Buddie WWII AU. A combat medic and a G.I. meet during one of the world’s greatest battles. This fic is a legitimate masterpiece. I cannot describe to you the quality of this fic because it is beyond words but I will tell you I stayed up until 3:30 am to finish it in one sitting and was left broken but made so so whole again. 

the mortifying ordeal of being known by @the-amber-raven | G | 60k

AU where Bobby is Buck’s adoptive Dad and Eddie is dating Buck but Eddie and Bobby think they are talking about two different people. Buck is training at the fire academy but hiding it from Bobby. This fic is the most beautiful tangle of miscommunication, love and family. 

like all good things are by @try-set-me-on-fire | T | 7k

Perfect, amazing, soul-destroying, magical, healing Fic. This literally covers all the bases. Chim and Bobby both get injured. OH! and Buck and Eddie were secretly dating all along. READ THIS FIC PEEPS!

find a way to you (if it kills me) by @eddiediazes  | M | 19k

The one where Eddie decides to start dating again, Buck figures out his own feelings just a minute too late, and then he spends a week going through the five stages of grief. BUCK PINING LV.10000000!

and i’d choose you (in a hundred lifetimes) by @monsterrae1 | E | 16k

Amnesia Exes fic by the wonderful Rae. Buck and Eddie fall in love via a penpal program and then Buck vanishes. This fic is set four years later. I literally could not put it down. I was reading it in class and then sat in my car for who knows how long just to finish it because I could not continue my day without knowing how it ended.

he never thinks of me (except when i'm on TV) by @loserdiaz | M | 18k 

APRIL'S FAMOUS!BUCK AND ARMY!EDDIE FIC!! In which Eddie finds out years later that his unrequited feelings for his high school best friend were not actually unrequited, Buck is stupidly famous now and they pine. OH THEY PINNNEEEEE! It’s delicious. 

every time we stop talking (the universe starts screaming) by @chronicowboy | M | 21k 

Alternative S7, Buddie Divorce Era Pt.2. Buck does something reckless and Eddie gets angry about it but these boys cannot communicate effectively to save their lives! This fic is peak angst to a happy ending and I felt like I had a hole in my chest OMG.

left your mark on this heart by @chronicowboy | G | 5k

Buck gets medically diagnosed with butterflies and the doctor makes him write in a notebook every time it happens. Surprise, surprise, the cause and effect is Eddie-related. The notebook entries kill me in the best way, the happiest happy ending

ALSO, YES THIS IS THE THIRD FIC BY THE SAME AUTHOR ON THIS LIST WHAT ARE YOU GONNA DO ABOUT IT?? READ IT IS WHAT! COS THEY'RE SO DAMN GOOD. 

endless numbered days by @cal-daisies-and-briars | G | 13k 

Buck and Eddie's wedding but from Bobby's POV as Bobby reflects on the family he lost and the one he gained. Absolutely beautiful, I cried.

don’t wanna let you love somebody else but me by @shitouttabuck | T | 14k

Chris wants dating advice so obviously Buck and Eddie decide to Fake Date for research purposes. This fic is PEAK adorable, sappy, and awkward Buddie. They’re idiots but we love them and the certainly love each other. READ THIS FIC! 

[lover-of-mine]

it’s so interesting that with previous love interests, it was normal and fine to not ship them and to still want buddie in the future, but now, we have to sit down and shut up and accept that it’s never happening and B/T are forever

oh no wait, it’s not interesting, it’s annoying and confusing and frankly just weird. misogynistic and borderline fetishistic

shipping non-canon couples, especially ones with 6 years of history and love and shared experiences, is the norm in literally every fandom, but now suddenly it’s wrong and how dare we

a fair few of the people saying this are also, conveniently, the ones implying that B’s bisexuality is tied to T and T alone and if we don’t ship them, we don’t support bi!B

how. very. interesting! /annoying/confusing/weird

So interesting. Dude, I got called homophobic because I didn't immediately look at them in 703 and decided they were true love. In 703. Because I didn't look at the shoulder touch and immediately started shipping them. Homophobic with all the letters. I got yelled at. After 703. Legit almost deleted this whole blog over some of the things that got sent. I was legitimately crying with friends who are not in the fandom if I was being unreasonable or insane or whatever else I got called for not jumping in instantly and to ask if I was actually doing something wrong. People were saying we were being weird about queer storylines. That we needed to shut the fuck up and enjoy the way Oliver Stark was gonna make out with a hot guy. That not being on board the ship meant that we had an unreasonable and ridiculous necessity of making sure Eddie was the only guy for Buck. Literally every single person in this fandom hc Buck 1.0 also hooked up with guys. Most people never acted as if Buck needs to be guided through his queerness by this hot older guy. Oh, wait, no, they did. With T. People automatically decided that Buck needed a queer Yoda. That he needed someone to hold his hand and be a guide. They added a fucked up power dynamic from the get go. With no information, Buck was already a baby that needed his hand held through his own sexuality. And let me tell you one thing, I know for a FACT that if it was Eddie, the automatic reaction wouldn't be putting T in this idealized experienced gay guide position when that would've made more sense (not that I think any of them needs a guide) because Eddie is the one with the body count you can count with one hand and a weird relationship with sex. But somehow I'm the one who's weird about Buck's sexuality. I don't want Buck to explore. I need Buck to only have loved Eddie. Sure. Look, I don't wanna multiship. The same way everyone is allowed to ship whatever the fuck they want, I'm allowed to not ship whatever the fuck I want. If it was a woman no one would've been in my inbox basically demanding I make the same level of analysis I make for buddie for them (let me tell you one thing too, if I made the level of analysis I do with buddie with bt, no one would like what I have to say ¯⁠\⁠_⁠(⁠ツ⁠)⁠_⁠/⁠¯) but I'm still getting asked for it for some reason when I never indicated I ship the two.

But I'm not allowed to have any critical thoughts about anything involving bt or else I'm being weird and that's the mild term that's being used. I can't point out the fact that T left Buck in a curb and failed to communicate shit properly even though it happened in canon. I can't say that I think it felt kinda callous for him to say "they had henleys in the 80s" to Buck being upset T didn't dress on theme (also, the job requires them to change into a uniform by nature, he could've put a colorful shirt and indulged Buck a little bit there without it interfering with the way he was on standby but I can't say that or else I'm a hater). There is no criticism allowed in the ship but somehow I'm the one being weird. I don't think Buck should be in a relationship. I think Buck is still exhibiting the same patterns when it comes to love interests. And yes, I would feel the same way if it was Eddie. Buck doesn't know how to be happy alone and he will never be happy in a relationship until he learns that. I was saying that when it was Natalia and getting praised for my understanding of Buck's character. Now I'm locking Buck onto Eddie. Buck's bisexuality is only valid if he's actively kissing a guy for some people but I'm the one being weird. BT have so many visual parallels to bucktaylor, but if I say that's a bad sign I'm being a hater. I need to sit my ass down, ignore six seasons of buildup, accept that it's over, and that now making Eddie queer and getting buddie together would suck because it would destroy the friendship they built so bt are endgame and gonna get married and somehow I'm the one who's being weird about queer relationships and attaching Buck bisexuality to a person. The fandom lost its fucking mind when they saw Oliver kiss a guy and, yeah, it does feel misogynistic and borderline fetishizing. But somehow I'm the one getting blocked by half the fandom when I'm not even pointing everything I want out. I lose at least one mutual every time I even suggest maybe we should look at things a bit more critically. I have to sit here and justify things to an insane degree while people's reaction to any of the criticism is "uH BuT T Is hOt aNd hE Is a gUy sO It iS DiFfErEnT oKaY?" Critical thinking skills went out the window because now there's a guy involved and that's fucking weird. People are straight up erasing Eddie, the actual main character of the show, Buck's established partner of years, Buck's best friend, the only person in canon who never left Buck in any capacity, because some guy kissed Buck and, he, uh *check notes* treats Buck as an actual human being? so that means he's perfect. It's nuts. The bar is hell.

Yes, I know this is not everyone in the fandom and I know this is not everyone who ships them but if what I'm saying feels like a personal attack to you maybe you should do some thinking. Anyone can ship anything, you want to ship them go off, power to you, the weird part here is the way some people are demanding other people ship it too. We could all be coexisting if people didn't get weirdly comfortable demanding shit from other people in the fandom and deciding their opinion is the only one that matters so they need to call out anyone who thinks differently, but alas, that's too much to ask.

[lurkingshan]

I am once again screaming after finishing an episode of Blue Canvas of Youthful Days. This show is incredible.

Let me start with one of the more smartly constructed misunderstandings I've seen in a minute: after seeing Teacher Liu's lost love in a photo, Tan Lin avoids him for days, Liu eventually gets drunk and calls him, then ends up flipping him onto the bed and saying he missed him so much--which Tan Lin believes is Liu confusing him with his ex. So he removes his hearing aid to shut out Liu's words, right before Liu keeps talking and makes it clear he knows this is Tan Lin and Tan Lin is the one he missed. So Liu finally gives in and kisses him, but Tan Lin thinks it's only because he's mixing him up with his ex. Diabolical, show! Teacher Liu, you are a fucking mess and you need to get it together, stop running hot and cold, and communicate very clearly about your intentions.

On the other side of our story, this episode gave me everything I hoped re: filling in Qin Xiao's perspective to help us understand why he rejected Qi Lu. This show continues to be so solid on the class dynamics and how they inform this romance. Teacher Liu laid it out clearly: Qi Lu is privileged and he will be able to go to college with or without this special admissions boost, but Qin Xiao has many fewer opportunities and he can't blow it getting caught up in Qi Lu's problems. Qin Xiao knows this, and is also battling some feelings of unworthiness and unwillingness to make Qi Lu's life harder by saddling him with Qin Xiao's struggles. On top of that, and what I found most heartbreaking, Qin Xiao admits he has always longed for a "normal" family, with a wife and kids of his own. He wants that desperately, and so of course he is fighting himself on falling for a guy. And I get him. When you grow up that deprived of things other folks take for granted, there is a real drive to build it for yourself and strong resistance to anything that would get in the way of it, even including your own true desires and feelings.

I liked that this episode had Qi Lu crossing the line into being far too pushy and displaying a real lack of empathy for Qin Xiao and his different life circumstances, because it put them back on more equal footing in this conflict. Qi Lu clearly does not understand Qin Xiao's perspective and is not interested in understanding; he's too fixated on what he wants and how he wants to live in defiance of his abusive father to hear Qin Xiao's legitimate hesitations and give him space to work it out. It's a really beautifully constructed impasse where they're both in the wrong but we understand what's driving each of them.

[hughesybear]

thinking about them (extensive Petey & Quinn thoughts below cut)

so! Hughes and Pettersson, Quinn and Elias, Huggy and Petey. the natural and the savant. the “odd couple” holding out for contracts together in Michigan. named alternate captains at the same time; when Petey was asked about Quinn being named captain, he said “Quinn is the captain and we’re happy.” the two most talented players on the team.

they are so similar in so many ways. quieter personalities, lead-by-example types, relentless drives to improve. people who care deeply about their communities. a perfect fit for the leadership dynamic alongside each other.

Quinn on Petey: “I think our skill sets are complimentary.”

Petey on Quinn: “We think the game very similarly.”

leading up to his draft, Petey broke his shot down into twelve component parts and mastered each one because he knew it was viewed as a weakness; leading up to his Norris-winning season, Quinn improved his shot to the extent that it became a legitimate weapon, and it’s gotten even better this year. the day after he got drafted, Petey came back to the Canucks’ draft table for the later rounds to learn about their process and the players they were picking after him; the offseason after playing the Predators in the playoffs, Quinn consulted with Allvin to sign Sherwood, who has been an amazing fit with the Canucks so far this season. they both see exactly what the team requires from them in order to improve, and they don’t stop at anything to get better, whether it’s their own game, working with their teammates, or any other aspect of the team.

Petey was at Quinn’s captaincy press conference, and Quinn was at Petey’s contract extension press conference. both so skilled, so cerebral, so creative, and yet so different in how people perceive them, but their similarities on the ice unify them nonetheless.

Petey on rooming with Quinn:

What are the best and worst parts about rooming with Huggy Bear on the road?

He is the messiest guy I know! He’s going to say I’m throwing him under the bus, but it’s time for a change!

Is he one of those guys that lives out of his suitcase?

Oh, gosh, that’s the perfect explanation. He steps into the hotel room, I’m trying to be neat, put my bag where it’s not taking up space. Then he comes in, throws the bag in the middle of the room, open it up, takes out his suits, puts it over the chair. Lays in bed, kicks off his shoes. Then his socks off, just kicks them too. He’s very messy. On the good side, he doesn’t talk that much! No, but we put on movies. Netflix. We have similar taste, similar interest in what movies we like. It’s fun.

Quinn on rooming with Petey:

Petey called you a messy guy, what was Elias Pettersson like as a roommate last year?

I read the thing, he’s just so dramatic. Let’s just leave it at that […] Me and Petey are really tight so I loved it. We had a lot of fun together. We don’t have roommates this year in the hotels but I think me and him both miss each other and would want to roommate […] But yeah, we had a lot of fun, he’s one of my best friends so we had some good times too.

they’ve come a long way from rooming together five years ago, and now they find themselves in a position they’ve been in from the moment Petey scored his first goal on his first shot in his first NHL game - bearing the burden of the franchise together. enjoy the future, folks, here it is right now! except it isn’t, not all of it, because three of the six Canucks that were with the team five years ago are currently out of the lineup.

so what do Hughes and Pettersson do? they step up. they lead in tandem. roommates, franchise cornerstones, brunch pals - some of those things are in the past, but they still share what they have in common on the ice, and so many things off the ice as well.

they bleed for this team in the same way, in the same places, for the same cause.

Which teammate would you choose to make a playlist, if those were the only songs you would be able to listen to for the rest of your life?

Quinn Hughes: “Petey.”

[1hotmuyfunbro]

The "symbolism" of the Battle of Marlas

Since I’m on vacation, I’ve had plenty of time to think, and I couldn’t help but analyze a pretty symbolic situation in Captive Prince—one of those "destined" things in that world. Kastor was born 2 or 3 years before Auguste. I’m sure Theomedes loved him (especially since he was the son he had with his true love), but the pressure from the Kyroi forced him to marry and spend several years trying to produce an heir. This was necessary because Akielos is a group of independent states united under one king, and Damen tells us how his father was the only one who managed to unite them all with the sword, a "proud and warlike" man.When Kastor was 9, Damianos was born. For nine years, Kastor was raised as the future king, with all the effort and expectations that entailed. But then Damen came along, and in Kastor's own words, "everyone forgot about him, even his own father," leaving him marked by insecurity, rejection, and resentment.Imagine what Theomedes must have felt, with all his pride, hearing how Auguste, the legitimate son of King Aleron, was loved, adored, accepted, and practically a living legend—while his own firstborn didn’t represent the same stability or unity for Akielos. Ouch. During the battle of Marlas, Damen and Theomedes didn’t fight directly on the battlefield, but Kastor likely did. This didn’t help the father-son dynamic, as Damen describes how Auguste, the general of the Veretians, tore through Akielon ranks, killing many. So Damen decided to step in and deal with Auguste himself, killing him. For his father, this must have been like renewing the pride of Akielos and his own name. Indirectly, Theomedes extinguished the light and pride of Vere to strengthen the light and pride of Akielos.It’s likely that Theomedes loved Kastor, but he also probably felt frustrated that his son wasn’t fully recognized as legitimate. This must have been a blow to his personal and political pride, especially in a culture like Akielos, where strength and legitimacy were everything. At the same time, Theomedes was surely aware of Auguste’s success and popularity in Vere, which would have only deepened his discontent. Watching his political rival have a legitimate, beloved son must have been a constant reminder of Kastor’s limitations in comparison.Auguste, born into an environment where his legitimacy and position were never questioned, became a national symbol of pride—something Kastor could never achieve due to the circumstances of his birth and the lack of acceptance from the council and the people. The contrast between Auguste and Kastor could be seen as a microcosm of the rivalry between Akielos and Vere. While Vere had Auguste, their golden prince, a symbol of unity and honor, Akielos had Kastor, who embodied internal divisions and political tensions.It’s incredibly ironic and tragic how things played out. Kastor and Auguste were symbols of pride and conflict: Kastor represented Akielos’s insecurities, while Auguste was the epitome of Vere’s pride. Both were measures of success for their fathers, Theomedes and Aleron, as kings.The irony is that Damen, the son who met all of Theomedes’ expectations, was the one who ultimately killed Auguste. Instead of Kastor eliminating the shadow of Auguste, it was his younger brother—who probably didn’t even share the same personal grudge—who carried out the most significant act for Akielos in the battle of Marlas. Damen, the golden prince of Akielos, destroyed Vere’s golden pride, Auguste. This act not only ended the war but also symbolized how the resentment and rivalry between brothers, Kastor and Damen, were channeled on the battlefield in indirect ways.Furthermore, this event reinforces the idea that, even though Kastor hated Damen, he never would have been capable of that act. Damen was Akielos’s golden prince, the complete opposite of Kastor. In the end, Damen cemented the pride and strength of his nation while extinguishing Vere’s brightest light.

Now tell me, what do you think?

[dailyadventureprompts]

DM Tip: Creating a Campaign Skeleton

Learning to be a better dungeonmaster was a protracted process. A younger me was often so stressed out by the desire to be a better artist that I'd have legitimately mauled a person if it would've revealed to me the wisdom I sought (with my hands or even an actual maul given the chance).

One of my biggest hurdles was the idea of a universal framework for d&d adventures, a guideline that would tell me if the things I was creating were on the right track. It was sorely needed, I loved the process of being creative but without an understanding of how my creative energy was best used I ended up sinking days, weeks, or even months worth of energy into projects that went nowhere. Worse yet, when I DID get a chance to put my ideas into practice at the table they'd frequently spiral out of control and crash, resulting in even more stress.

Over time I learned from these mistakes, I got better, and then I got good. I moved from conscious incompetence to competence, and I ended up having a run of absolutely stellar campaigns that were everything my younger self could have dreamed of: stable, enjoyable, meaningful, and most importantly an absolute delight to my players. Routinely I'd have people, including folks that'd only played with me a few times, mention that getting together to roll dice and listen to me babel on in silly voices was a highlight of their week.

It was as one of these campaigns began to wind down (three years! a satisfying conclusion on the horizon!) and I started looking for a followup scenario that I decided to study all my really successful campaigns and figure out what connected them. The end result was something I'd been looking for for nearly a decade, a reliable format that I could build campaigns around.

I want to preface this section with the understanding that while this information is laid out in a vaguely chronological fashion there's no guarantee that these ideas will occur to you in any particular order. Inspiration is a funny thing, and each idea flows into the others to make a cohesive whole. Due to foreshadowing and setup reasons you're also going to need a pretty solid idea about all of these when starting a campaign, though exact details will likely change/ can be vague up until the moment they're needed.

The Reason: Who are we and what are we doing?

Gives your players a solid background to build their characters around and give them a reason to travel together, rather than having to ad lib one on the spot. Likewise sets expectations of what the campaign is "about" that you can build on or subvert in time. The reason doesn't need to hold true for the entire game, just long enough to serve as a framing device. EG: The Witcher starts out as a "monster of the week" setup and then uses that framework to pivot into politics and prophecy once we've seen the premise play out.

The Pilot/Crashtest Adventure: What's first?

I’ve already written about these, but the general concept is to give your party a mostly contained first outing that doesn’t have any larger bearing on the plot so they can focus on learning how their characters play/building the party dynamic.  By the time the party's finished this first adventure they'll have already started putting down roots in the world: they'll have in jokes, npcs they've started to care about, an understanding of what's on the horizon, and an idea of where they want to go next.

The Central Gameplay Pillar: How does this all work?

It's important to have an idea what your campaign is going to be about in a mechanical sense in addition to its plot and themes. There is a difference between an adventure that has the party delve a dungeon, and a dungeoncrawling focused campaign. I like to lead with these outright during the campaign pitch so that players can know what they're getting into. Your playgroup will likely have strong opinions about what they like and dislike, even if they don't have the words to describe it, so you might need to explain the ideas for them.

The Hub: Where are we?

I think every good campaign has a hub, some kind of settlement that the party returns to between adventures to offload loot, pick up supplies, and sift through the latest gossip to look for the next questhook. Letting the party return to the same place lets them build up a relationship with it, clarifying the picture in their mind as new details are added and they grow more and more attached. It's possible to have multiple hubs over the course of a campaign, but I'd advise really only having one per arc to best concentrate your efforts. Fill up your hub with distractions and side adventures, shorter stories that the party can get tangled up in while the larger adventure slowly reveals itself. Returning to the same hub also means returning to a familiar and expanding cast of NPCs, which helps your party become more and more invested in the setting

The Main Event: What's going to happen?

Here we get to the meat of the issue, the big story you want to be telling using this campaign. To pull off the sick narrative kickflip you wish to perform, you're going to need to lay a lot of groundwork, seeding in details left and right as well as giving the party a chance to stumble across evidence of your schemes without ever realizing the whole thing. To do this, you're going to work in the building blocks of your big reveal/twist/pending disaster into the setting along with those side adventures from the hub. This will give your party an idea that something is going on, but with more pressing matters to take care of they're going to be distracted up until the moment you decide to pull the trigger.

The Setting: What's over there?

While things like genre and tone are definitely things you should have a handle on from the outset, I personally feel like the details of a setting are best constructed on an ad hoc basis, either in a direct response to something required by part of the narrative (be it side story or main event), or pencilled in at the margins as the party explores the world.. That said, creation of the hub and setting often go hand in hand because it's important to match the settlement to the environment and then shape the environment to the quests inside the settlement. As for what's beyond your hub, I happen to have just written something about building out settings.

Now, this next option is one that I recommend you start thinking about only once your campaign is fully underway, so it doesn't clog up your creative process by focusing on something that you might not even get to

The Change: What the fuck?

A little while after the main event has kicked off and your party is off on the quest that will turn them from mere adventurers into heroes, they start to hear rumours of strange happenings. It's certainly not related to the present scenario, it may even be an unexpected windfall, but it's not something they have time to look into. Time ticks on, the land is saved, and the party is able to enjoy their victory lap as well as some dearly needed time off. Before they can get comfortable however they're slammed by some strange occurrence that they could have never predicted that changes the state of the world. A neighbouring kingdom invades, an important ally is murdered and they're blamed for it, a dragon starts rampaging through the realm. Its important that this event is outside the party's skillset, not necessarily diametrically opposed, but counter to what they were planning

artsource

[azulaaaaaaah]

atla/tlok characters that i think did *it* (but i just can’t prove it)

this is the most unserious post i’ve ever made. (AND I WANT TO PREFACE BY SAYING BY *IT* I MEAN KISSING)

Sozin and Roku

and history will say that they were just great friends…

this is the only one where ill legitimately die on this hill

like i’m 90% sure roku just showed Aang their friendship in the flashbacks to prevent awkwardly explaining to a 12 year old monk that he was romantically and/or physically involved with the person who committed a g*nocide against his people

LIKE CMON WHY IN THE WORLD WAS SOZIN SO PRESSED IN THE BACKGROUND OF ROKU’S WEDDING ??? AND FOR NO REASON?? WHY WAS THEIR FRIENDSHIP SO INTENSE?

sozin i feel loved roku (to an obsessive level) and roku literally dgaf. king shit

Wan and Raava

genuinely what the fuck was going on between these two. like i don’t even have any words

canonically at the very least it was a domestic partnership

S2 korra doesn’t make sense at the best of times. imagine trying to explain the intensity of this pair’s devotion to each other, to someone who hasn’t seen the show- all the while knowing raava is a disembodied spirit practically older than time

she’s the embodiment of everything good and light in the universe and he’s just wan. (and he’s wanough <3)

‘do you think we’re soulmates in every life?’

‘bet’

‘wait that’s not what i-‘

Cabbage Merchant and his cabbages (or at least a cabbage)

yeah i’m not touching this one with a 10 foot pole

Every member of the red lotus squad

ah yes it’s my favourite evil polycule

amidst plans to kidnap children and topple monarchies what else is there to do except… kiss.

let’s be real there’s something so inherently romantic about being apart of an elite, vaguely murderous anarchist squad

they all share one exact bed. it’s canon

(p’li somehow big spoons all of them)

The S2 Nomads

these dudes are the textbook definition of anti-monogamy

like they’re obsessed with love so i fully believe that they think ‘it should be spread amongst others’ or some shit

oh to be a travelling communist nomad in a band, wandering the wilds with my wife, and our several partners

they’re somehow the opposite of the red lotus and yet the same. they all share a single bed/sleep area

The dangerous ladies (but all separately)

i don’t ship any of these particularly and yet can still admit that it’s canon

ty-lee and azula have kissed bc azula probably made up a dumb excuse like ‘oh i don’t want my first kiss with a guy to be… erm… bad’

mai and ty-lee have kissed because they both probably have genuine, vaguely deep rooted romantic feelings for each other

mai and azula have kissed to purely spite zuko (and yknow what ty-lee too)

HOWEVER A KEY ASPECT TO THIS DYNAMIC: azula is completely unaware about the ty-lee and mai thing. it’s uh… better off that way.

Hakoda and Bato

i ship this about 50% but like… it’s got to have happened once right? considering all that down time they spent together on a boat away from the repercussions of water tribe society…

also considering they were leaders i doubt the other warriors were in a position to ever call them out on it

like cmoooooooon what’s a little kiss between the homies every now and again?

hakoda is where sokka gets his rizz/flagrant bisexuality from and i can’t change that guys

[hazbin-a-helluvamagines]

Hello! I love the idea of a platonic! yandere! Lucifer Morningstar that treats the reader basically like his adopted child. I would like to see some headcanons on this dynamic!

-🦊♦️

"My Child" ; Lucifer Morningstar

Okay, so first off. Have you seen this man? Absolute daddy material. So soft, so playful, so silly, so gentle, so caring. Literally the opposite of what you'd expect from the literal devil.

I'd imagine you're definitely probably a fallen angel or someone who he's able to see a piece of himself in. Maybe you were thrown out of your family for new ideas and free thinking. Maybe you're a fallen angel. Hell, maybe he just spotted you feeding some ducks. Just as soon as you've managed to make him empathize, you've won his heart.

He'd ask why you're not with your parents. If you don't tell him why, but mention that you have none or yours are bad, he'd sigh and continue speaking to you as normal, offering you a place in the palace with him at the end of the conversation. If you told him why, he'd immediately offer to take you in. He couldn't just leave a child to struggle and fend for themselves on the streets of Hell. That'd be a death sentence for a poor, innocent child.

Once you're there, he'd do absolutely everything to make you feel welcome. His little cherub shouldn't be expected to do anything, they should be able to just relax and feel comfort in a home that was now theirs.

He'd definitely introduce you to Charlie shortly after, and she absolutely adores you, both because you're a cute kid and because there's finally someone to keep her very lonely man of a father company in his huge palace.

If you were ever to ask about Lilith, he'd just smile sadly and try to make some excuse that'd both give you hope while not lying to you.

"Mommy is... out right now. But maybe she'll come back one day."

He'd make ducks of you... a lot of them. A creepy amount, actually. But who could blame him? You're his second chance to be a father right!! He can't lose that! He wants to show you how much he loves you and spend as much time as possible with you!

Lullabies and bedtime stories. Every night. Sorry, I don't make the rules. Cute ones like The Ugly Duckling (Lucifer's favorite), Bearenstain Bears, The Very Hungry Caterpillar, If You Give A Mouse A Cookie, There Was An Old Lady Who Swallowed A Fly, or a cute little pop-up book.

Takes pictures. A lot of pictures. Every day. Of the most mundane things. Just playing with your toys? Picture. Trying to read? Picture? Tried and failed at cooking? Too bad, that's a picture in the scrapbook now.

He'd be legitimately confused if you ever asked him to stop and said you weren't comfortable with it.

"But why, Y/N? You're such a cute little duckling! They're only for personal memories, I won't show them to anyone!"

By that, he means he'll both show them and gush to anyone that will listen to his ranting about you.

He just wants you to know he loves you and never question his adoration for you. :(

He'd try to keep you in the palace... possibly forever. After all, he's already had one person he loved leave seemingly just out of nowhere, he doesn't want to risk you just deciding you're done with him and abandoning him one day, too.

So he has to be by your side.

He HAS to.

Forever.

He has nothing to live for if he isn't.

[miraculouslbcnreactions]

Last post you talked about your ideal version of canon, I was wondering could you share it with us? If not, that's ok

Oh man, I could go on about my dream version of canon for ages! I've talked about various aspects of it on here with stuff like my "sugar" posts on Nino and Alya, but the broad strokes are:

Serialized story where it's basically one large narrative told in chunks

A true teams setup where Adrien, Marinette, Alya, and Nino feel like this amazing, tight friend group who grows into a found family as they get older, giving platonic and romantic love more equal billing

No guardian order, just have it be a single-person role that gets passed on from person to person

Kagami and Luka in supporting roles that have nothing to do with being love interests

Sympathetic Gabriel who feels like a truly tragic figure, but who does NOT get redeemed

Emilie gets an actual character

No sentinonsense

Revised miracle box that is way smaller and that has strong lore

The Agreste's aquiring the miraculous is far more morally complex, makes sense, and was not done for explicitly selfish reasons

Reverse the love square right from the start and never have the crushes flip

I've talked about all of these things on here, but the one thing that I've only briefly touched on is my love of a reverse square setup. I am passionate about that one, so let's take a moment to talk about why since it's probably going to be the most interesting to read.

I don't hate the canon setup for the crushes, but also I don't think that they're the ideal crushes. When it comes to romance stories, you want to design your love interests around each other. You want them to feel special and like they bring something unique to the table. Canon doesn't really give us that. There's nothing all that special about Adrien that makes him feel like the person that Marinette would be drawn to above all others. Same goes for Chat Noir and Ladybug, but we'll get to them in a second.

What is Marinette's biggest struggle? Her role as Ladybug.

Who is her main support in that role for most of the show? Chat Noir.

Who is her main support on the civilian side even before the reveal? Alya.

So why is Marinette's crush on Adrien and not Chat Noir? I don't know. It's the lesser setup by far and that goes beyond just the logic elements of who it makes the most sense for her to fall in love with. A lot of Marinette's worst behavior actually feels justified in a reverse crush setup, allowing you to write her without major changes to her character.

For example, Marinette keeping a chest of gifts for Adrien is kind of pathetic. She's friends with Adrien and she gives her friends gifts all the time, why can't she give him gifts, too? Reverse the crushes and suddenly this behavior makes perfect sense. Marinette isn't storing up gifts because of overblown fears of rejection. She's storing up gifts for legitimate fears about how her partner will explain these random gifts, thereby risking his identity, meaning that she has a sold argument for waiting until the time is right (post reveal) to give them to him.

There's also the legitimate fear that confessing her love could ruin their dynamic and put Paris at risk. Keeping her feelings to herself is now an act of self-sacrifice and not just an act of nerves. Basically everything about Marinette's hesitance just makes so much more sense if it's on the hero side.

But what about Adrien? How does this fix him?

I love the idea of our male romantic lead falling for our female lead because she's bold and brave, but it honestly doesn't fit Adrien's character. He is surrounded by powerful, confrontational women. Nathalie, Chloe, Kagami, Amilie, Audrey, and Tomoe are all no-nonsense women who get what they want. This means that Ladybug doesn't bring something unique to his life. She fits the standard mold. Adrien falling in love with her after she talks down Hawkmoth doesn't feel like the right choice for his character because it doesn't feel like something he'd be wildly impressed by.

Meanwhile, Marinette is shown to be a generally wonderful friend. She cares about others and will do what she can to make them feel welcome and accepted. That's a much more unique thing for Adrien to experience. Think about the umbrella scenes and imagine if it was Marinette apologizing. Marinette owning that she treated him poorly and asking his forgiveness. How often do you think Adrien gets moments like that? Doesn't it make more sense for something like that to make his heart flutter?

We see Marinette doing things like making banners to celebrate her friends (Timebreaker) and making sure everyone feels included (Reflekta). Imagine her giving Adrien that kind of treatment because it's just who Marinette is. She shows up to his fencing matches to cheer him on. Brings him his favorite snacks as a treat just because, surrounding this poor boy in honest, genuine love and support. Add in respect, too, and he'd be a goner because those are the things that he's not getting anywhere else! The things that make Marinette unique.

This brings us to our new civilian dynamic. In canon, it's Marinette failing to confess in ever more spectacular ways as Alya tries and fails to help. In a reverse crush setup where everyone is friends without gender barriers, it's things like Adrien coming up with his canon confessions and then watching Alya and Nino react with genuine horror because, dude, you're going to give her a panic attack! No! Bad kitty! Stop that! No confessions until you come up with a plan that we approve of and read at least five books of dating advice because holy shit did homeschooling do you dirty in this area!

Then, while Adrien is working to learn how dating works, he learns that Marinette is in love with Chat Noir and, oh no! He thinks she's into his public persona, totally unaware that she knows the real Chat Noir and loves his dorky self. So he tries to emulate his sexy alter ego while Nino and Alya suffer and Marinette is just generally confused because she doesn't think of Chat Noir like that, so she doesn't even notice what Adrien is doing.

This also adds a nice mitigating factor to Adrien's unwillingness to give up even though it's pretty clear that Marinette isn't interested in his civilian self. If he knows that she loves him, then his persistence is less concerning and more comedic. It's not that he can't take a no, it's that he honestly knows with 100% certainty that the answer is NOT no because she's told him that to his face. He just needs her to realize that the guy she's in love with is right here, ready and willing!

The potential for comedy is just so much more broad and so much less mean spirited because Marinette has none of Adrien's reserved nature, so her friends would totally know about her massive "celebrity crush". Adrien comes over for school projects and just stares longingly at her Chat Noir posters, wishing he could tell her his secret, but knowing that he can't.

In my world, that is so much more fun than canon's setup where Marinette has no reason to hope. I also wouldn't draw the crushes out anywhere near as long as canon did. I like getting couples together in the mid-game. It's a nice early plot to hook you in, but defeating the villain is the end game, so we don't need to draw the romance out that long. Romance isn't that special. It's not all that different from an arc about two characters becoming friends.

That's far from the only major change I'd make to shape canon into my ideal version, but it is the probably the change that I love the most. It's also the change that requires the least context to explain, so there you go!