#is it mostly because emily becomes a main character again? ............. probably

[aliferousdreamer]

how i felt finishing season 4 of the next step:

[hazbinmurderparty1846]

Full list of casting for the Sweeney Todd AU (and reasons for all of them)

Mr Todd: Obviously it has to be Alastor. Why? Well, because first of all: serial killer. Second of all, I feel like Todd is what Alastor would become if he went off the deep end. I know he's already pretty fucked-up, but he's not as bad as he could be, and mark my words if you put him through something like what Todd's been through, that is exactly how Al would become. Possibly even worse.

Mrs Lovett: Rosie. Do I need to say more? She's a sweet, cheerful cannibal lady with motherly qualities, and she cares for Alastor a whole hell of a lot. I did have some issues with casting her as Lovett, though, mostly because Lovett seems slightly less stable than Rosie and her relationship with Todd is clearly not very healthy on either end even before he kills her. But Rosie still fit her too well not to.

Toby: Now here, look. I couldn't figure out who the hell to put as Toby, so unless y'all have any ideas I'm gonna be casting an OC in his place. Said OC was already intended to be Rosie's adopted child, so it fits. But if anyone has a better idea I'll be glad to hear it, I hate using OCs in things that aren't centric to them.

Judge Turpin: Valentino. Again, need I say more? His main thing is being a rapist, and so overwhelmed by lust that he would ruin a man's life for a small chance at a woman he found attractive. Val already demonstrates this kind of behavior in canon, albeit towards Angel Dust, not Emily. Who else could it be? Plus he dies, so.

Beadle Bamford: Velvette. She's the closest character to Val that I could think of, and them being assholes together would make sense. Plus I just really wanted to draw her in a suit and top hat.

Signor Pirelli: Vox, of course. His only purpose is to be Todd's rival and get murdered by him almost immediately, who else could it be? Vox would probably openly allow Alastor to murder him tbh, the bottom that he is- plus, I also just really like the idea of him singing opera in an obnoxious Italian accent.

Lucy: Emily. Now hear me out - I'm not normally an AngelicSmile shipper, but it's the only Alastor ship other than RadioRose that I can even remotely picture. Plus, she's sweet and naive enough to be Lucy - her getting taken advantage of by Val and attempting suicide after, while a very dark and sad concept, is very plausible.

Johanna: Again, unless y'all have any ideas, I'm replacing her with an OC. I considered Vaggie, but decided against it because she'd be Alastor and Emily's daughter and that just felt weird. I considered Niffy too, but Niffty x Charlie is really not something I wanna write, so I scrapped that too. Help is welcome.

Anthony: Charlie. Who else could it be? A naive, idealistic, determined young sailor who never gives up, especially when it comes to love. Sounds like Charlie to me. Plus, her rescuing Alastor and bringing him home is such a Charlie move, let's be real, nobody else on the cast would do that.

And that's it for now! :D So, do y'all agree? Any suggestions for improvement? I'd love some help if you'd offer it, but if not thats fine! ^^

[hematomes]

You know,as someone who played Genshin,hsr,zzz and hi3 (not at the same time , I dropped hi3 after a while and I might drop zzz cuz combat wise it's also a hack n slash) ,maybe I'm biased but it feels like Genshin gets the worst ideas ,Like if you put the aspects of each game on a spectrum I feel like most of Genshin's aspects end up on the lower half.

It kinda makes me sad because zzz has some cool stuff, hsr too, HI3 has the excuse of being hoyos golden child so to say I guess, regardless of how well it does financially that game is still a big deal you know, but Genshin feels like it's being weirdly left out of all this cool stuff.

Character kits? Been getting worse tbh, animation probably not,I don't think Genshin's animation has ever went anywhere but up, story wise it's fine, and design wise it depends on the character I guess.

Idk ,maybe I'm talking nonsense but it feels like somewhere a few higher ups decided that Genshin would some sort of scapegoat somehow, but then again why would they do that when they could just as well just rake in the money from all of thier IPs, my thought process feels a bit conspiracy theory like

I'm probably just making a big deal out of nothing though.

i agree that genshin has been getting the short end of the stick in v5. rant incoming but i genuinely can't believe how bad it has become lmao

natlan as a nation is... extremely underwhelming. the archon quest has its moments (the war bit was actually very intense imo), but the characters lack depth for the most part, or at least it's explored in different parts that are mostly hidden.

mavuika is the worst archon by a long shot, because she's not flawed like the rest of them. it still feels uncanny that capitano agreed with her plan in a matter of minutes. she feels very... mary sue-esque? like everyone even outside of her nation blindly trusts her, even the traveler. it negates the traveler's character development from nations like fontaine and inazuma, and makes mavuika boring as hell.

mualani is the classic bubbly girl. cool. xilonen exists as a justification for the modern tech. cool. chasca is supposed to be constantly battling demons and was supposedly raised by literal beasts but it's barely addressed/isn't reflected in her character both design and personality wise, and both of her npc sisters were more interesting than her. citlali was cool until she turned into yet another aether simp (they even gave her a specific romantic moment if you play aether, which never happened with playable characters so far). ororon is the saving grace but also turned into a matchmaker for aether and citlali, which is also boring as fuck, and to top it off he's a 4* despite his importance and involvement in the quest (same thing can be said about kachina, the other interesting character). kinich has potential, but appears for a total of 4 frames to have a funny moment with ajaw and then dips. iansan seems really fun but she's yet another chibi with an ambiguous age (professional trainer? how.).

gameplay wise... mavuika is a let down. the nth pyro main dps, HEAVILY reliant on natlan mechanics and characters, fundamentally unplayable without at least xilonen or citlali. the fact that they're rerunning arlecchino in the same patch when arlecchino is 1k better and more powerful is kind of laughable. it is believed that they're surprisingly running both mavuika and citlali in p1 to damage control their revenue, idk how accurate that could be but im inclined to believe it.

xilonen is a cool addition, and a great buff to some teams. she's the only saving grace of natlan so far imo- citlali has a lame ass shield that layla surpasses with a few constellations, kinich is burn reliant so without emilie he's a bit difficult (clinky gameplay as well in my experience), mualani is HORRID to play but she is in fact neuvi-level, chasca is just.. erm. idk. i miss fontaine and sumeru.

even disregarding the glaring issue of gender ratio (a matter so big that even streamers and casual "waifu" pullers are also complaining about it lmao), natlan is ass. like, genuinely. it is ass. i have been playing genshin for 4 years. i stopped buying the battle pass and the login blessing for the first time in these 4 years.

genshin, imo, is the money maker- they've built their empire on it with how big it became, so now they're comfortable enough to neglect it. it's sad and i hate it bc it was one of my favorite games, but i don't really hold out any hope for snezhnaya anymore.

[becomingpart2]

i do agree there was a grain of truth that most stories have a relationship that is central to it, although candy’s wrong about it always being m/f romantic tobin. the funny thing is she did kind of acknowledge that platonic relationships can be central core relationships, but she still insisted that they were always m/f platonic relationships, like the examples she gave were leslie/ron on parks and rec, and eleanor/michael on the good place, she said that these shows had platonic tobin. the thing is she completely disregarded the idea that they could be driven by m/m or f/f relationships. like for example I’d say that parks and rec was actually driven by leslie/ann more than leslie/ron. she also said that certain shows were following romantic Tobin structure when they were pretty explicitly based on f/f platonic relationships. like she said gilmore girls was centred around luke/lorelai when imo the show was always centred around rory/lorelai and to a lesser extent lorelai/rory/emily. again i do think she made some valid points about luke/lorelai in that the ship never would have been so big with the genders reversed, that it was largely centred around Luke’s feelings and disregarded lorelai’s, but i still strongly disagree it was the shows main relationship. she also said charmed was centred around piper/leo and that pretty little liars was centred around ezria, when charmed was pretty explicitly about prue/piper/phoebe and later piper/phoebe/paige and pretty little liars was about aria/spencer/emily/hanna. i haven’t seen supernatural, but from what I’ve seen of the show the main relationship seems to be the brotherly relationship between sam and dean, I’d say that that is the core relationship, although destiel seems to be the most popular ship, so maybe that ends up being on of the core relationships too.

So I'm gonna answer all of these together.

Yes, I agree that there are shows in which the core dynamics are between female characters or a platonic one like the scoobies in btvs. But I also think that with female-led shows romance ends up taking a central role in the story. Mostly because misogyny and sexism; this idea that the most important thing that can happen to a woman is finding the "right man", that that's all we really want and need.

I believe that's what writers/producers think the target audience of these shows want to see and that's what care about the most, and sometimes it is, mostly because of the way girls are socialized since birth.

So yeah, I do think candy has a point in arguing that in most shows led by women, romance does end up being central to the story and what the fans probably care about the most. And I don't think there's anything inherentely wrong with fans caring about the romance.

I also think she isn't wrong in pointing out that m/f relationships hold more "value" in the eyes of writers/producers because we do live in a homophobic society and if a gay ship ends up becoming popular is usually by accident.

Candy is wrong, however, in thinking all shows are secretly about romance and attributing more value to secondary m/f relationships that they have in the story. Romance never takes up that much space in male-led shows where the female love interests are usually only there to further their stories and aren't as well-developed.

I don't disagree with candy about bangel being one of the most important relationships in btvs because it was essential to develop buffy's character and yes, take the show to "new heights" or whatever she would say. But that doesn't mean the show stopped being about Buffy or the angel is secretly the main character lol

I do believe it's possible to write female-led stories that include romance as a big part of their journey while still being said female character's story. TVD was a romance from the beginning, the whole premise is centered around who will Elena choose, but I don't think the show stopped being about her until much later.

TVD is also an example of when the romantic storyline can take a misogynistic turn and became all about servicing the male character in the ship, which I believe it isn't rare because yeah we do live in a misogynistic world. That happened in btvs later on and I'm sure it probably happened in lot of other shows too.

Candy is also wrong in dismissing how huge m/m and f/f pairings are in fandom, especially m/m. So much so that they can significantly influence the way fans interact with the show, and that as a result can also end up reflecting on the show e.g. supernatural and destiel becoming canon.

So yeah, sometimes in fandom gay ships have even more power and are much more popular than the show's intended and canon m/f pairing and that cannot be disregarded if you wanna talk about fandom behavior.

All this to say that yeah I do think that while in some female-led stories the core dynamic is platonic, the romance might end up getting a lot of attention from the show or from the fans because that's what it's expected for women. But that's not necessarily a bad thing. In a similar way, male-led tv shows are allowed to be about so much more and while they may feature romance, if the show is not explicitly about relationships, then the romance aspect is never really that important to their story and the female love interests don't get the best treatment because you know, misogyny.

[sendme-2hell]

Rating the Books I read after Gideon the Ninth (in order) by how well they made me forget my Gideon the Ninth angst

I starred the ones that I actually recommend if you want something similar to gtn.

I was bored so I made this. Mostly just so I can look back at this and laugh at myself in a few months and remember what I’ve read. 

- - - - - - - - - - - - - - - - - - - - - -- - - - - - - - - - -- - - - - - - - - - -- - - - - - - - - - -

**Harrow the Ninth -Tamsyn Muir 

Summary: A depressed girl has to navigate murder attempts by both the mom and the dad of her dead ex-girlfriend who she can’t remember. She tries to make soup and writes fanfic to cope. 

How well it helped me forget: -100/10 but also 10/10 

Rating explanation: This one gets a 10/10 because it did make me feel better about a *particular* GTN plotpoint which I was very angsty about, but tragically it did make me more feral. After reading it I reread both books so I don’t think it helped me forget my angst. 

Similar themes to GTN: all of it, plus more memes 

I Want to Be Where The Normal People Are - Rachel Bloom 

Summary: Rachel Bloom who wrote the world’s most relatable song: “You Stupid Bitch,” and starred/created in Crazy Ex Girlfriend, writes about having anxiety, feeling like she’s not normal, and Harry Potter fanfic.

How well it helped me forget: 8/10

Rating explanation: For a few minutes I actually did forget about my griddlehark angst while I learned more about Bloom’s life and laughed at the painful relatability of it all. 

Similar themes to TLT: ummm depression, feeling very out of place, memes

Fingersmith - Sarah Waters

Summary: The book The Handmaiden was based on. A girl is sent to become a Lady’s handmaiden to con her out of some money. She falls in love. Many plot twists. 

How well it helped me forget: 5/10

Rating explanation: I was sadly still thinking about TLT the whole time I read this. I liked it but I actually like the Handmaiden better because the women spend more time together. Like in this book, I wish that Harrow and Gideon could spend more time together. 

Similar themes: wlw enemies to lovers, at some point you realize the main character’s love interest understands what’s going on way more than the main character

Kindred - Octavia Butler 

Summary: Very dark book about slave narratives. I cannot make a joke here, but this book is excellent. 

How well it helped me forget: 10/10 

Rating explanation: Again, I can’t make a joke. But Octavia Butler is amazing. 

Ash - Malinda Lo 

Summary: A wlw retelling of Cinderella with fairies and an emphasis on stories 

How well it helped me forget:7/10

Rating explanation: This was really quick and fun and I definitely was rooting for the lesbians. Also it was nice it had a happy ending! If you liked Crier’s War (which I did), this was clearly an influence for Nina Varela. 

Similar themes: wlw, the magic one + the fighting one dynamic

Station Eleven - Emily St. John Mandel

Summary: A deadly pandemic wipes out so many people that the world spins into chaos and no one can figure out how to use electricity apparently? But the book is really about fame and wanting to be remembered. Go figure.

How well it helped me forget: -10/10 

Rating explanation: Ok that’s not fair. It helped me forget about Gideon and Harrow but it did NOT help me forget about Corona. It was technically good and a lot of people I respect love it, but either because I was still thinking about TLT or because it was about a pandemic, I couldn’t really enjoy it. 

Similar themes: post-apocalyptic 

Red, White & Royal Blue - Casey McQuiston 

Summary: The Prince of England and The son of the president of the US are enemies. They are definitely enemies.

How well it helped me forget: 6/10

Rating explanation: This was such a fun read that it almost distracted me! Tragically I was in such TLT headspace that I kept pausing to read fanfics where Gideon and Harrow switch eyes. 

Similar themes: Enemies to lovers, queer

Troubling Love - Elena Ferrante 

Summary: In true Elena Ferrante fashion, an event spurs an Italian woman to do a lot of internal processing and have some flashbacks. 

How well it helped me forget: 7/10

Rating explanation: This book was a bit disturbing so it distracted me in that way. Plus I love Elena Ferrante’s writing so much that it felt like coming home to an old friend. Unfortunately for me, this is Elena Ferrante’s least queer book. I know because I have now read them all. Her most queer book, The Lying Life of Adults, would have distracted me better. Also just using this space to tell anyone who’s still reading this (probably no one) to go read My Brilliant Friend (and the corresponding Neopolitan Novels). They are not similar to TLT except they are vaguely queer and about competitive friendships where the girls are obsessed with each other in maybe an unhealthy way. Ok so a bit similar. Genuinely my favorite books ever. 

Similar themes: mommy issues, daddy issues, childhood trauma

On This Earth We're Briefly Gorgeous -Ocean Vuong

Summary: A Vietnamese immigrant reflects on his mother, grandmother, and his own life experience in the US. It is poetic and beautiful and will make you cry. 

How well it helped me forget: 10/10

Rating explanation: This book is beautiful. It really changes how you think about the US. Plus really interesting stuff about the western way of telling stories. Cannot recommend it enough, though very little to do with TLT. 

Similar themes: queer, stuff about language, childhood trauma, you will cry

**The Priory of the Orange Tree - Samantha Shannon 

Summary: OK sorry none of those were good suggestions for what to read after GTN. THIS is what you should read after GTN. It is an incredibly slow burn wlw enemies to lovers. There are dragons, there is magic, there are very cool female characters who I am in love with. This is like Game of Thrones but if it was good, queer, and only one 800 page book. 

How well it helped me forget: 10/10

Rating explanation: Enemies to lovers!!!! What more do I have to say? Also very cool world-building, interesting religious themes. 

Similar themes: wlw enemies to lovers, religious themes, magic, very old wizard milfs, also mlm

*The Traitor Baru Cormorant 

Summary: Baru is a very smart girl in a colonized island. She decides she will play the game of the colonizers, rise up in their society, and destroy them from within. How is that going, Baru? 

How well it helped me forget: 100/10

Rating explanation: This DID make me forget TLT. The only book to truly make me. It made me forget so badly that I wanted my Griddlehark angst BACK. GIVE ME IT BACK I don’t wanna feel sad about Baru anymore. I cannot recommend it more, it is so good, but it did make me ugly cry. It also made me majorly depressed about colonization and the state of the world. 

Similar themes: wlw enemies to lovers, ending will make you cry

*The Monster Baru Cormorant - Seth Dickinson 

Summary: Baru is depressed, has brain damage, throws up a lot, is sad about (redacted), does some things without remembering them because there’s something going on in her brain. Sound familiar? It’s kinda like Harrow the Ninth but more depressing. Oh also a lot of new characters are introduced, old characters come back, a lot of setup for the next book. Euler’s identity shows up out of nowhere?! 

How well it helped me forget: 10/10

Rating explanation: Again, it made me forget but only because I was so engrossed in this story. Also kinda depressed. This book is kinda depressing. But Baru is very fun to be around, and there are some other great characters. Marry me, Yawa. 

Similar themes: again, this is just harrow the ninth on steroids, I am in love with every single woman in this series

*The Tyrant Baru Cormorant - Seth Dickinson 

Summary: Baru makes a new bestie, reunites with an old bestie, and discovers a dead bestie in her brain!

How well it helped me forget: 1000/10

Rating explanation: I loved this book. There were a few scenes I reread >four times. This book makes the other books in the series worth it. 

Similar themes: please see my venn diagram comparing tlt, baru, and A memory called empire for more information

*The Ninth House - Leigh Bardugo 

Summary: A girl has seen ghosts her whole life and because of that, gets accepted at Yale even though she didn’t finish high school. Yale is like a hotspot for ghosts I guess. It’s dark academia, the girl has a secret, the narrator is pretty funny.

How well it helped me forget: 6/10

Rating explanation: I was trying to get distracted from TLT (and Baru at this point), but it’s hard to forget about Harrow and Gideon in a book called The Ninth House (hello?). It was enjoyable and there was some good humor. I’m curious about the next book in the series when it comes out. It is not wlw unless you squint (which I do). 

Similar themes: debatably wlw body posession, nine houses, the ninth one being important, nerd boy who reminds me of pal, woman is revealed to be MUCH older than I originally thought, soul eating, revenants, tombs, necromancy, character named Mercy

The Bone Season - Samantha Shannon 

Summary: It’s the future and London is a hotspot for clairvoyants. Paige is a woman who has a special gift and can jump into people’s bodies and possess them briefly (among other things, this is a terrible explanation). Because of this, she is sent to a secret part of the city where clairvoyants are trained to be monster fighters (but also like, kept there in captivity against their will). Unlike every other book on this list I honestly wouldn’t recommend. I know there are other books in the series. If you’ve read on and it gets better let me know. (I know no one has gotten this far reading this but still)

How well it helped me forget: 4/10

Rating explanation: This one was disappointing because I loved Priory of the Orange Tree so much. This book did not distract me from my griddlehark or barhu feels. There’s also a character named Warden so I thought about SexPal a lot. 

Similar themes: enemies to lovers, ghosts, possession, queer but only background characters 

****The Unspoken Name - A.K. Larkwood 

Summary: A girl is in an isolated cult that wants her to die as a sacrifice (sound familiar?). A definitely not evil wizard helps her escape. She meets a cute necromancer who’s also kinda from a cult. She goes on some gay adventures, gets the help of a morally grey older necromancer (who I’m in love with), and fights with her frenemy. 

How well it helped me forget: 10/10

Rating explanation: This is the most similar to TLT on this list. Gideon and Csorwe would be friends. Seriously I recommend this! And the second book comes out soon! And it’s not sad like TLT or Baru! 

Similar themes: sword lesbian + necromancer dynamic, wlw enemies to lovers, cults, tombs, necromancy, character named “the sleeper”, also mlm

The Invisible Life of Addie Larue - V. E. Schwab 

Summary: Adeline Larue made a deal with a demon in 1714 France, because she wanted to see the world and stuff. It backfires of course. She is immortal but no one remembers her. This causes all sorts of problems and makes her very angsty. The narrative flashes between her going through the years, and her falling in love with the only person who will remember her. 

How well it helped me forget: 2/10

Rating explanation: I know people loved this book but I did not. I liked the last 50 pages, I’ll give it that. I wish it was more queer (it was a little queer). 

Similar themes: as I said, a little wlw, immortality, demons, I guess falling in love with someone and them not remembering you now that I think about it 

Sula - Toni Morrison 

Summary: A story about two black women in the 1920’s-1960’s in an Ohio town. It is really great and interesting. It is a book about complicated female friendships (among so many other things that better writers not writing a list no one will read about their TLT feels have outlined) which I love. I was told I should read this after the Neapolitan Novels by Elena Ferrante and it did not disappoint. Same vibes. 

How well it helped me forget: 10/10

Rating explanation: This was just a great book. Has really nothing to do with TLT

Similar themes: debatably queer 

*Murderbot Diaries: All Systems Red, Artificial Condition, Rogue Protocol, Exit Strategy, Network Effect,  - Martha Wells

Summary: Muderbot is an artificial construct who just wants to be left alone to watch tv, damnit! It doesn’t want to interact with humans, and it definitely does not want to talk about feelings. Too bad some humans want to become friends with it.

How well it helped me forget: 10/10

Rating explanation: These books were so good. They did help me forget! The books are really about having anxiety, making friends, and letting yourself have feelings. Also they are SO FUNNY. Highly recommend. In the way that I love Gideon’s POV, I love Murderbot’s POV

Similar themes: funny narrator, queer characters, space, people who don’t want to deal with their feelings being forced to deal with their feelings

*A Memory Called Empire - Arkady Martine 

Summary: Mahit is sent a dangerous, evil empire to be an ambassador. Lots of beautiful writing about colonialism, assimilation, language, and culture.There is gay angst and funny characters. I am once again in love with a morally grey older woman character. 

How well it helped me forget: 10/10

Rating explanation: Yes this book is great and did distract me from gtn (mostly. I did end up reading a great fanfic about wake, g1deon, and pyrrah in the middle but otherwise...). It is part of my holy trilogy of wlw books (this, baru, tlt) that I just read recently. The next book comes out on March 2nd so it will be a good distraction from waiting for Alecto. Like Baru, it made me feel like shit about colonialism but unlike the other two books in my trilogy (redacted but if you’ve read those books you know) didn’t happen. It had a not too sad ending. 

Similar themes: see my venn diagram, but seriously what is going on with brain surgery in these books...

*The Luminous Dead - Cailtin Starling 9/10

Summary: A woman needs money and to get the money she goes on a risky cave dive. It turns out the only contact she has with the rest of the world is a woman who’s kinda a dick. It’s 400 pages of creepy cave diving and these two women talking to each other. It’s creepy and uncomfortable and I loved it. I did spend the whole book thinking it would be such a good story podcast.

How well it helped me forget: 10/10

Rating explanation: It did make me forget about tlt! There are some kinda boring parts but it pays off. The relationship between the two main characters is very interesting (though a bit fucked up). 

Similar themes: wlw enemies to lovers, traumatised characters, shitty moms

[familyagrestefanblog]

Ml Theory: Origins of Emilies name and Mayuras design

While looking up the real life equivalent of Emilies portrait and its artist I came across something that is just WAY too good to be a mere coincidence.

As many fans know already Emilies golden portrait is in real life the painting “Adele Bloch-Bauer I” by Gustav Klimt from 1907.

Its to this day the painting sold for the highest price EVER, making it a fitting portrait to visualize Gabriels love for Emilie I always thought. But there is quite more background information with potential to be important.

Back before we were given Emilies name in “Gorizilla” Adele was a very common name for her in the fandom because of the original golden Lady, Adele. Funnily enough, the idea that Emilies name is connected to her portrait has quite likely never been a wrong assumption in the first place. We just never went deep enough to find her actual name or a couple of other similarities for not only her but for Natalie as well.

Because as the names might have already given it away, Adele Bloch-Bauer and Gustav Klimt were not husband and wife. Adele was married to someone else and Gustav never married at all. So while this painting is one of Gustavs most well known and one of the most valuable paintings in the world, the lady in the painting wasn’t his wife/lover and therefore Emilies name also isn’t Adele.

But just because Gustav Klimt wasn’t married doesn’t it mean that there wasn’t a very special woman in his life, one he was incredibly close with.

So may I present to you:

Emilie Flöge

Right away its obvious that both painting were done in the same eye catching style, but I’m getting ahead of myself.

She was the almost life long and very dear life-partner and Muse of Gustav Klimt. Just like him she was austrian and she was a fashion designer/creator and business woman and the sister of Gustavs sister-in-law. From 1891 onward he drew/painted her several times and rumors even say that Gustav, on his most well known painting “Der Kuss (The kiss), eternalized him and her together as lovers.

So if there is a name associated with the “Adele” portrait that were to be Emilies namesake it certainly was the right call to have it be the dear life-partner of the artist who is basically representing Gabriel in this. Emilie Flöge.

But digging even deeper into Gustav Klimts works one could even make the argument that another name in the show wasn’t as completely random either and apparently not lazy at all:

Amilie Graham de Vanily

Because 7 years after finishing “Adele Bloch-Bauer I” he started painting another portrait called “Das Bildnis der Amalie Zuckerkandl (The Image of Amalie Zuckerkandl)”

but it was never finished because… well… both he and Amalie died in that timeframe for reasons unrelated to each other so.. yeah. But still.

I do think this woman is the namesake for our Amilie de Vanily, not because of background information as with Emilie, its more that I can indeed imagine it very well that for Emilies sister Thomas Astruc and Team went back to the same artist they got her name from and looked for a fitting name. And since it’s a pair of twin sisters we are talking about here the name “Amalie” was probably just waaaaaay to good and convenient to pass on.

So Amalie became Amilie and our family Graham de Vanily twin sisters had their names.

But you know what? If I’m already at it, lets take this to another level and you all know what I'm about to point out.

Because the first thing I thought when I looked at the portrait of Emilie Flöge was a sober: "Yeah, so THAT looks like Mayura" 

-Main color blue with pink highlights

-one piece of each outfit has white incorporated

-both have a "peacock tail". Mayuras is just part of her dress and Flöges is something like a big fancy collar (idk man)

-Hands gloveless

-necks covered. Natalie/Mayura wears a turtleneck and Flöges wears a scarf

-Flöges has dark hair like Natalie (not as dark but definitely closer to Natalies than Emilie Agrestes)

I do even have another reason why I think Mayuras design was inspired by the real life background of Emilie Agrestes golden portrait.

Not only does Miss Flöges blue dress with pink highlights explain why the peacocks signature color is blue combined with (FREAKING) pink even though that isn’t anywhere close to an accurate depiction of a real life peacock the way all the other Miraculous do (It bothered me to no end but now I can finally sleep again in peace) But would you believe it? One of Gustav Klimts last finished paintings shows a woman who is supposedly meant to visualize what he thought to be the epitome of beauty:

Peacocks, fan, you get where I’m going here right?

And this would make sense, RIGHT? Emilie was the peacock miraculous holder before Natalie so Emilies namesake wearing an outfit resembling the peacock holder we know and the peacock in general combined with the symbols of what the artists thought to be beautiful should checkout, shouldn’t it?

Weeeeell yes but mostly no imo.

While it is true that Emilie was the blue peacock long before Natalie became Mayura, it doesn’t change the fact that we, the viewers, were trained to associate the direct complementary color with Emilie right from the start. Emilie for US is not blue, she’s the opposite of blue, she’s yellow like her portrait:

So it is very unlikely in my opinion that the blue Mayura outfit would be used like that for Emilie as well. That’s just WAY to harsh of a color whiplash for a character only given to us (for now) through stoic visual representation and a couple of lines from her family. We have very little to directly associate Emilies character with so yeah, her color coding with yellow and white is way to important to just break like that.

Therefore I do think its safe to say that the Mayura outfit/colorscheme is meant to be primarily associated with Natalie, meaning if the team actually took inspiration from this portrait for the Mayura design even though its also the portrait they took the name of the lost WIFE from, I do think this is supposed to mean something.

Especially when you consider that the painting of the epitome of beauty woman is obviously hindu oriented. Which comes right back to Natalie because not only is her villain name MAYURA the name of the male peacock in hindu mythology (the female one is called Mayuri) a general oriental flair is also how her room is designed as we just saw in the New York special 

So what does all of this mean now? I’ve thrown quite a lot at you and a lot is contradicting each other too much to get a clear picture right away. So lets bring a little order into all of this and translate how these informations properly with what we see in Miraculous.

I’ll break it down like this:

Adeles golden Portrait doesn’t show the actual lover of the artist. Although Adele was married the actual special woman in Gustav Klimts life was Emilie Flöge, his partner, friend and companion he may have been in love with.

Translating this for Miraculous would become this:

Emilies golden Portrait doesn’t show the actual lover of Gabriel Agreste. Although Emilie was married to him the actual special woman in Gabriels life was Natalie Sanccour, his partner, friend and companion he may be starting to fall in love with.

Meaning this for the usage of the real life portraits as references:

Yes they still choose the right name for Emilie. The lady on the golden portrait is neither lover nor wife hence why Emilie couldn’t be named Adele. Because even if Gabriel is now falling in love with Natalie its doesn’t change that before all of this started Emilie was indeed the special woman in his life, hence her namesake being Emilie Flöge.

But on the other hand Natalie/Mayura, Gabriels new love, we know from the very start and a lot better than Emilie, is the right person to give the design of the blue portrait. E. Flöge was life-partner, friend and companion to a single man, everything that Natalie is as well. So while all of these aspects also applied to Emilie Agreste in the past they are way more fittingly at home with Natalie in the narrative of the show.

Besides that I will continue to stand to my believe that once we get Emilie back things will not go the way Gabriel wanted. Too much has happened that is too unforgivable. So our Emilie is portrayed as the not-wife-lady in gold because once Emilie is back and finds out what a monster (of a father) Gabriel has become there will very quickly be no marriage between them anymore. 

Okay, that’s all I have but I just had a thought so I wanna say it for protocol that I called it:

I'm calling dips on Gabriel getting a portrait for Natalie in s4 that looks like the the blue one from Emilie Flöge.

Just saying, I'm calling dips

[your-brilliant-lady-m]

Part 5 - Basic Concepts of Miraculous Ladybug: Guardians

Helloooo! Did you think I was done? No!

My PhD thesis chapters were approved last week, so have some celebratory meta. I haven't seen the latest Season 4 episodes, so do forgive me for not being up to date.

Welcome to the next part of my analysis of the basic concepts of Miraculous Ladybug. Today we are talking about Master Fu, Order of the Guardians and how little everything here makes sense. I highly recommend reading previous parts to fully understand this one, but I'll try to quote most parts of earlier posts.

Order of the Guardians

Order is an international and ancient organisation (New York Special showed us the guardian from North America and he was dressed like Su Han). Presumably, Miraculous jewels were created by these people. Guardians are responsible for the preservation of jewels and knowledge about them. They also distribute Miraculouses to worthy people around the world to combat mostly magical threats, but sometimes jewels are used against normal threats too. It's implied that Master Fu used Miraculouses during WW2 when he was in Paris. Perhaps he performed some spywork with Marianne, but the magical nature of his interferences was discovered and he was forced to flee, before returning to France many decades later.

Why does the Order need so many people to take care of a 3 Miracle Boxes? If its only purpose is to preserve knowledge, keep magical secrets and distribute Miraculous jewels then wouldn't it be more logical to have Master-Apprentice system? It's much easier to keep magic knowledge a secret and train a few people in martial arts than doing the same in the self-sufficient temple full of people, keeping in mind that a good part of them are teenagers and children, who are bad at keeping secrets. Also a single person can travel around the world much easier to give out Miraculouses. Imagine that we have a few active guardians traveling the world with Boxes. What do other people at the temple do in the meantime? They teach the next generation about the powers of each Miraculous and Mirakung Fu, but besides that?

Master-Apprentice system gives us more personal conflict between Fu and his mentor and makes his relationship with Marinette and Adrien more nuanced. In this scenario Fu accidentally caused the death of his Master at 14 because he wasn't careful. It makes sense for him to take on only 1 or 2 students if this is how things were done with Miraculous Guardians. This Wang Fu is very cautious and protective, he spent the majority of his life afraid of hurting someone else and never took an apprentice as a result. But now he is ready to try again, since he is not getting any younger and he likes these 2 kids. He wants them to succeed. Maybe Master Fu, becomes the father figure for Adrien in this situation and a guide for Marinette. Just think about it. This way writers avoid the need to develop all these extra characters (Su Han) and traditions related to the Order. All inconsistencies I mentioned before and later in this post are gone now! Hell, even memory loss and the changing of the Miracle Box shape could make more sense. We also raise the stakes post-amnesia, if it happens of course (the whole Season 3 finale didn't make sense, so stay tuned for my next meta). Marinette and Adrien are on their own now, there's no one who can give them answers. It's very fun scenario, which has potential to be brilliant. Any thoughts on that?

The existence of Order of the Guardians is not quite a secret, at least it wasn't in XIX century China. Master Fu in "Feast" says that guardianship was considered "a great honor". It implies that people who lived close to the temple of the Order knew about Miraculouses and what exactly guardians did for the greater good.

The existence of other Miracle Boxes around the world makes sense from a real-life perspective. Writers have the ability to create many stories set in the same universe and use them for merchandise and an almost unlimited amount of content. Judging by the unholy amount of specials in production, this is exactly what the creators are going to do. It probably won't go down well, but who knows?

However, it doesn't work in our main story. The main conflict is Paris-centred. Gabriel's motivations revolve around Emilie's resurrection and Season 4 gives us more reasons to suspect that Adrien's mom wasn't as wonderful as everyone says. Hawkmoth still remains the main villain of the show and most likely it's going to stay that way. There's no point in moving the main story to different places for the sake of introducing more Miracle Boxes from around the world. Ladybug and Chat Noir aren't needed to fight something halfway across the world unless Hawkmoth also changes locations.

LB and CN are centrepieces of this franchise. They brought success and money to ZAG. Creators constantly need to remind the audience that this new piece of media with new characters who will never be mentioned again is connected to Miraculous Tales of Ladybug and Chat Noir. Writers have to come up with reasons to include our heroic duo into the story even if makes no sense.

New York Special had to introduce American Heroes whose names rarely come up in the fandom because people stopped caring about them or their stories shortly after the release of the Special. I barely saw any content dedicated to them. In order to bring LB and CN into the story, you have to include Hawkmoth too. Gabriel suddenly needs to get his hands on the Eagle Miraculous and goes to USA. Marinette and Adrien suddenly have a class trip to New York. Unfortunately, their presence in this story is required only to expand the world of Miraculous and attract fans of the show, so that they could keep an eye on new content related to newly introduced characters.

In the end, it's not their story. Events of the special don't affect main story of the show and the development of the love square is merely an illusion, because Adrien and Marinette are no closer than before. In season 4 LB and CN are growing apart and their test of trust in NY Special doesn't matter. Perhaps, some people don't see it that way and it's their right, but I find it hard to see NYS as a valid contribution to canon. I mean, even people in large portion of the fandom state in the tags on AO3 that "specials are not canon", "specials didn't happen" or "ignores both specials". It speaks volumes about continuity and preferences of your fandom.

Shanghai Special didn't give us more information about the Order, which is located in China, history of Miraculous jewels. We still don't know much about how Gabriel and Emilie found Peacock and Butterfly. Maybe, Marinette's family had connections to Miraculous jewels. Maybe, Adrien does some snooping and discovers research his parents made while Gabriel is away. All of these are relevant to the main story. However, we got something much different in the end.

Marinette chases Adrien across the globe and they make new friends. Fey becomes Ladydragon and now has a direct contact with Marinette through her uncle. Gabriel's desire to get his hands on the Prodigious comes out of nowhere. Apparently, he had been planning this trip for years, presumably even before Adrien was born. It probably happened at the same time as Agrestes found 2 Miraculouses. He bought bracelet-key (which is also a Miraculous apparently, but its Kwami is a Guardian of the Prodigious and they existed separately for a very long time - and let us not dwell on this mess) from some shady mafia boss, who can easily find out just who Gabriel really is (fashion designer billionaire) and use this information to blackmail him. This Special didn't answer important questions, but it gave us a new superhero character.

The real question is whether Miraculous as a project will survive long enough for writers to create content for every minor character they introduced in all specials. This is only a beginning after all.

Miraculous is not a global show and it can't be globalised in a way that makes sense, at least with Ladybug and Chat Noir in the centre of action. Case closed.

Mirakung Fu

I liked the idea of Mirakung Fu introduced in "Furious Fu". It makes sense and things rarely do in this show. Miraculous grants its holder superhuman strength, stamina, endurance and ability to fight. This means that essentially transformed heroes are guided by magic in combat. There's nothing personal in the way Miraculous holders fight. You can predict their moves and learn how to fight this magic guidance, which is what Su Han does.

However, if the holder has any special training, skills or knows any martial art in their civilian life then they become more dangerous opponents during transformation because now their fighting is a mix of magical moves and their personal knowledge, tricks and style. Therefore, Adrien and Kagami as skilful fencers have more chances of winning against someone who knows Mirakung Fu than Marinette, for example.

Memory loss

At the end of season 3, we find out several things:

apparently, now Miracle Box can change appearance to suit its guardian;

when Guardian passes down the Miracle Box to someone else, they lose memories not only about everything related to Miraculous, but also about pretty much everything in their life (Fu doesn't recognise Marianne, instead he experiences the love at first sight)

Master Fu trains Marinette to be the proper holder and next Guardian off-screen. He says that her training as the holder is complete in "Feast" and wants her to become the next Guardian. Fu told her lots of things, and yet, he never mentioned the fact that he would lose his memory after relinquishing the box, nor the fact that Marinette would lose her memory afterwards. She finds out about this from Wayzz after the battle with Miracle Queen and the letter that Master Fu gave her. That's not proper training! How on Earth do you forget to mention this memory loss? How?

Master Fu's amnesia is a convenient plot device that removes him from the narrative almost completely. That's mostly all there is to it. Why? Because it doesn't make sense.

Fu was around 7 or 8 when he started his training. The disaster at the temple happened when he was 14. He stated that his training was never complete, which means that he never passed any magical ritual, never swore an oath or was bound by some kind of spell that made him subjected to the rule of memory loss.

Miracle Boxes belonged to the order, not Fu. Their design reflected their country of origin because these Miraculous were made and kept in China. They were just standing there on the shelves not magically bound to anyone in particular. When Feast attacked, monks just tossed Wang Fu the miracle box and grimoire. No one at the temple lost their memory after Fu took the box with him (Su Han is the proof). Su Han not only remembers Fu and his mistake but everything that happened that fateful day as well. In "Furious Fu" Marinette explains Su Han that Master Fu lost his memory in the very first conversation they have. However, after Ladybug and Chat Noir fight Su Han on the roof and escape with the Miracle Box, the latter searches for Fu and attempts to take his staff from him. In this scene, Su Han acts like Fu knows very well what is going on and who he is.

Su Han should be aware of the memory loss rule as the Celestial Guardian. He remarks on the different shape of the Mother Miracle Box and calls her "incorrect", which means that Su Han should have been able to easily tell that previous Guardian lost his memory and the Miracle Box is now bound to someone else. But he doesn't say anything. Moreover, since Su Han is supposed to know about amnesia, he seemed awfully chill about forcing this 14-year-old girl in front of him to give up the box and her memories. Hell, Chat Noir wasn't on board with this. But we get zero reaction from Su Han.

During the first conversation between Marinette and Su Han, he doesn't ignore what she is trying to say, instead he actively comments on every word. Even if Su Han didn't listen when Marinette told him about Fu's memory loss, than he still should be able to understand that Fu doesn't recognise him, because of common sense and the "incorrect" shape of the box. But nothing of the sort happens. Because writers apparently forgot that "memory loss" is supposed to be known to everyone in the Order. On-screen it looks like Su Han is not aware of the "amnesia rule".

"Furious Fu" makes the concept of memory loss a plothole no matter how you look at it. Just like "Timetagger" and "Chat Blanc", as well as "Kwamibuster" this episode is not consistent within itself. It does not surprise me, however.

Grimoire and Guardian Staffs

Let's talk about the Miraculous Grimoire. Good things first.

There are no illustrations of Miraculouses in camouflage. Kwami can't read its contents, only guardians can. Certain elements are written in riddles as an additional precaution. The book contains only the information people have learned so far, which means that Miraculouses have more unexplored potential ("Mr. Pigeon 72"). It describes powers of each Miraculous, provides information about weapons, has instructions for potions that don't make sense (see previous parts).

Unfortunately, everything is about to go downhill from here.

Guardians are taught how to read the writing in this book. They can read it just like people learn to read texts in a different language. This means that one can read Grimoire like any other book (you don't need to consult some guide to decode each letter or word). Master Fu proclaimed Marinette an almost fully trained Guardian. He should have taught her how to read the Grimoire then (he doesn't know the code very well, but he knew enough to understand the general meaning and content of the book according to "Collector"). He didn't. We don't know why. He shows her powers of every Miraculous but doesn't teach her the code.

Master Fu knows that Grimoire now belongs to Gabriel Agreste. He knows that it's dangerous for someone else to have it. If they knew how to read the Grimoire, they could discover all secrets of Miraculouses and harm Ladybug, Chat Noir and other heroes. It's very important to keep the information about the code top secret because Fu is not the only one with the source material.

What does he do then? Master Fu proceeds to write a French translation of Grimoire for Marinette, a translation that he doesn't even need. He carries it with him at all times on a tablet (without any precautions) just like the Miracle box after "Feast". Naturally, it means that in "Miracle Queen", Gabriel and Nathalie easily managed to get their hands on the tablet and Miracle Box. It allows the plot to happen, sure. But it doesn't make any sense.

"Furious Fu" created another curious plot hole. It will probably be ignored, of course. Su Han has a staff with a magical compass that allows him to find any Miracle box, but not the Miraculous jewels for some reason. How does the staff work? Can it locate the box without the Miraculous? If yes, then it seems useless. What's the point in the ability to locate an empty box? If it can locate the box only with the Miraculous jewels inside, it implies that the staff can track the location of every Miraculous too. So, Su Han could just locate the Butterfly and Peacock without any problem. But he talks about reassigning Ladybug and Black Cat to adults and defeating Hawkmoth like locating the Butterfly is not possible. This situation makes the Guardian Staff a simple plot device that creates plot holes and its only purpose is to explain how Su Han found Marinette.

Also, I have a few more words to say about this. Master Fu had a Guardian Staff that was never mentioned before. I wonder why? That's because the staff didn't exist before "Furious Fu" was written. Writers just went: "Do you know what would be cool? If Fu's cane was really a secret Guardian Staff with a compass all along that he decided to keep even after he lost his memory? It would make people wonder whether Master Fu is faking amnesia, and everyone will definitely call him an awful mentor after this even though we kind of tried to make him a good and responsible person."

Fu didn't give it to Marinette and didn't mention it to her. Why? When he gave up his memory, he should have written about this in his letter at least. Why did he decide to keep it? He can't use it anyway now.

Please note how in the flashbacks Fu didn't take any staff with him when he escaped the temple. Su Han seemed to know how Fu's staff looked like. It means that Master Fu didn't make this staff himself, because it belonged to the Order.

Su Han wasn't even surprised that Marinette didn't have the staff as the current Guardian. Was she not supposed to have it? He never questioned the fact that the former Guardian without memories has the staff. Su Han actually returns this staff to Fu after he is deakumatized and Fu acts like they have never met before. Why did Su Han gave the staff back when he knows what it is and to whom it should belong (to him or to Marinette as the current Guardian)? The staff is useless in the hands of the civilian. Does Marianne know about its secret? We'll probably never find out, unfortunately.

Guardian Staff of Master Fu has a compass too and therefore this also makes it a plot device, just like Su Han's staff.

[ukiyoart]

Soooo I wrote a kinda rough draft story based on my stardew character so here it is :D

Starts off with the beginning of Elliot’s story, then there’s the sound of a foghorn and it switches to Elliot, startled out of his focus. He looks out the window, but there is only gray (see what I did there hehe)

Then it’s Anni, sitting on the mountain with Sebastian. She feels happy as she leans against him and watches the twinkling lights of the far of city she used to live in. Sebastian lights a cigarette, which Anni tells him he should quit. He grumbles that she’s probably right, but smiles, puts it out and kisses her. And etc, something like the mountain scene.

Anni is at first only friends with Abigail, Sam and Sebastian who is her boyfriend. She’s also acquainted with Emily, though she’s mostly just friendly.

Elliot is friends with the old fisher living on the docks, and Leah, a fellow artist who likewise came out to the country to focus on her creative works.

Elliot has seen the new resident of Stardew Valley around, but never really spoken to her. But one day they bump into each other at the supermarket, quite literally. Anni apologizes for hitting him and Elliot says he’ll only forgive her if she gets coffee with him.

“I have a boyfriend...” she says deadpan, but he assured her he only needs a break from his writing and someone to share his ideas with. Anni agrees if he’s going to pay the bill.

So he asks her what kind of books she likes and they talk about books for a while.

The next time they run into each other, Elliot finds Anni drinking in the back corner off the bar, and asks if he can sit with her. She agrees. After a few verbal exchanges, he finally asks her what’s wrong. Slightly buzzed, she vents about paying the bills, and Elliot relates that the most he can afford is his shabby cabin on the beach, but it’s charming in its own way and it’s the perfect place for his writing. Anni thinks it seems like a nice place to live, far away from other people. Like her boyfriend, she says, then starts complaining about how he sometimes seems like he could care less about her. Elliot assures her that certainly can’t be true, to which Anni just shrugs and takes another swig of beer. Elliot orders a whiskey, and they both drink and laugh till the bar closes.

The next day Anni appears at Elliot’s door with a basket of Apricots, apologizing for her whining last night, and thanking him for talking with her all night. He smiles and says it’s no big deal, and thanks her for the fruit. He asks her where she got it, she sheepishly replies that she grew them. He smiles and invites her in, she politely refuses saying she’s got plans with her boyfriend

She goes to the fair with Sebastian and Sam and Abigail. They go on the Ferris wheel and several roller coasters. Finally at the end of the night, they all get ice cream and watch the boats light up the river. Everything seems wonderful, but when Anni gives him a little flower, he is unenthusiastic when he takes it, then runs to catch up with Sam and Abigail. Anni rationalizes he just doesn’t like flowers that much, which she already knew, then goes to catch up too. When she gets home she lies on her bed and looks up at the ceiling, her anxious thoughts catching up with her once again. Does he really hate flowers that much? It was only a joke! Or was it her that he was unenthusiastic about?

She asks Abigail about it, who only says that Sebastian is an independent person, and it’s hard to tell what he’s thinking.

Sam says not to worry about it.

Back to Elliot, he is hanging out with Leah at the beach. She’s painting, and he’s writing down ideas for his story. Leah asks him how his story is going, which he enthusiastically says he’s gotten some much needed inspiration. Leah asks where he got it from, and he asks if she knows the new girl from the city. Leah hasn’t really interacted with her either. Elliot tells her about their coffee trip, and mentions that she seemed genuinely interested in his book, and had some great ideas. But mostly, it was her that inspired one of his characters. Leah teases his admiration of her, which Elliot waves off by saying writers tend to romanticize everything. He goes back to writing and periodically staring out at the sea.

Leah, intrigued by Elliot’s description of her, seeks out Anni and introduces herself. They talk as they shop, then She asks what kind of things Anni likes. Anni isn’t sure how to answer, she starts off with staple things like board games, hanging out at the bar with friends, then gets more comfortable and says she enjoys gardening and watching the fog rise from her pond in the early hours of the morning when it’s still dark. Leah says she would love to paint it sometime, and suggests they go apple picking. Right now? Anni is surprised but goes. They talk a lot and start becoming good friends.

Later Anni and Abigail Sam and Sebastian are trying to figure out what to do, Anni low key suggests apple picking. Sebastian shuts her down, saying he doesn’t really enjoy being out in the sun. Abigail agrees, saying she doesn’t want to get a sunburn. Anni is a little disappointed, but doesnt show it. They decide to play pool at the bar, which Anni still thinks is fun so it lifts her mood a bit. She has a good time, and Sebastian buys her a drink and tells her he’s sorry if he seemed kind of rude earlier. Anni tell him it’s fine and thanks him for the drink.

The next day, Anni goes with Leah and Elliot to skip stones across the lake. Anni tells them about how her other friends didn’t seem very interested in apple picking. Leah points out that not all people are interested in the same things. Anni expresses that she shares a lot of interests with Sebastian, but she wishes he wasn’t so emo sometimes. She brings up how he barely sets foot in the sun, at least not without a hoodie over his face. Elliot says that it’s great to share interests with someone, but in the end it’s shared values that makes them a precious friend. So even though Sebastian will not always agree with you, as long as you share a view of what’s important, you’ll be okay. Anni smiles and says that’s good advice. They continue skipping stones, until Anni gets a text from Sebastian saying “come immediately it’s important!” She apologizes and says she has to go. After she leaves, Leah says Anni is so cute! And Elliot agrees that she really is a sweet person.

Anni gets to Sebastian’s house and finds him grinning in the wet grass with a frog in his hands. “This is the emergency???” Anni asks, puzzled. “I never said emergency” Sebastian laughs, then shows her to frog, explaining how he found it by a little puddle. Anni thinks it’s cute that he’s so excited, but tells him not to make her worry. Sebastian laughs and tells her if he’s ever in trouble, he’ll use all Caps. Anni shakes her head, but laughs.

Next day Anni is working at the coffee shop, Leah comes in and says she didn’t know Anni worked here. Anni explains that she didn’t, she just applied for part time the other day to help with the bills. Leah asks her what her main job is. Anni doesn’t want to say at first, but after some prodding she admits that she’s a farmer. Leah thinks it’s awesome and asks why she’s shy about it. Anni tells her how Sebastian and Abigail and Sam aren’t really country people, and it rarely comes up. Leah asks if Sebastian knows, Anni says he does, but he’s never really come to the farm. He probably thinks it’s just a family business I help out with. Leah is concerned, but Anni says that she doesn’t plan to be a farmer forever anyway, she’s taking an online course for computer science. She and Sebastian might even open up their own business someday. Leah still isn’t convinced, but leaves it alone.

Some stuff in here, Anni tells the squad she likes farming and they are supportive, she introduces them to Elliot and Leah, they do some fun stuff together and become friends. Elliot helps Anni realize there are some red flags in her relationship with Sebastian, not that he is bad but they just might not be the most compatible for the long term. Meanwhile, Anni starts to catch feelings for Elliot, and battles with her growing love for him and her attachment to Sebastian. With the help of Abigail and Leah, and even Sam, she gathers the courage to work it out with Sebastian, and they decide that they should break up. Things are tense between them for a little bit, they still want to be friends but Sebastian is hurt that Anni doesn’t love him anymore, and Anni wants to reassure him but isn’t sure how to make him understand. Elliot finds her crying and she tells him about their breakup, and how she doesn’t love Sebastian any less, she just has realized they would only be unhappy if they continued a romantic relationship. Elliot comforts and hugs her, reassuring her that he only needs time to come to terms with it, and with enough patience and understanding hopefully they can patch things up properly. Anni hugs him tightly, then looks up at him before kissing him on the cheek. Elliot is surprised, but thinks she’s just emotional because of her situation.

The next day Anni apologizes, slightly embarrassed. Elliot tells her it’s alright, that she’s going through a lot and he understands. Anni can’t tell if she’s grateful he didn’t think anything of it, that’s one less thing to worry about right now, but she’s also kind of disappointed he doesn’t think of her that way. She moves on and asks Sebastian if they can talk. He agrees, and she lets him know that she never fell out of love with him, she just realized they wouldn’t be very happy in a long term relationship. Sebastian expresses that he thought he just hadn’t done enough for her, and that was why she didn’t want to be with him anymore. He’s relieved that’s not the case. They seem to get along better after that.

After that Anni continues talking to Elliot a lot, but now their conversations are much more relaxed and not about drama, many are about books and places they would love to travel, etc. Elliot finishes his book, and everyone comes to listen to his reading. He thanks everyone for their support, and thanks Anni for agreeing to have coffee with him one day, without her he would never have thought to write what he did. Soon after, Elliot invites Anni to go with him on his rowboat after he fixed it. Anni agrees, and they talk about his book for a while. Elliot starts to thank her again, then starts acting a little flustered and confused. For once I don’t have the right words.. he says... for the way I feel about you. He ends up kissing her on the cheek to convey his affections, asking her if she feels the same way. Anni happily agrees, and they share a kiss.

Soon after they start dating, making it publicly known. Abigail, Leah and Sam are supportive. Sebastian tried hard to be okay with it, but he resents Elliot.

They all go for a picnic by the lake. Sebastian acts defensive and rude around Elliot, and Anni is upset. She goes to talk to him, worried that she’s hurting him and sad that he can’t get along with Elliot. Elliot stops her, and says to let him talk to Sebastian. Anni is reluctant, but Elliot says that she doesn’t need to fix everything herself, and he wants to help. He goes and talks to Sebastian. Sebastian is annoyed at first, but after realizing Elliot truly loves Anni, he admits that he wants Anni to be happy, even if it means she isn’t by his side. Elliot suggests he let Anni know, so that she can be free of worry and released from her romantic ties to him. Sebastian ponders this for a moment, then frustratedly says he doesn’t want to let her go yet and storms off. Abigail walks up next to Elliot and says she’ll talk to Sebastian. She goes off, then returns with him, motioning him over too Anni. He pulls her away privately and tells her that he still loves her, but he can see that she’ll be a lot happier with Elliot. Anni hugs him and thanks him for understanding. Sebastian hesitates, then embraces her back for a moment, before she pulls away and takes his hand, beckoning him back to the rest of the group. Sebastian tells Elliot to treat her better than he could have. Elliot laughs and agrees, then goes over to Anni and hugs her from behind. Sebastian watches wistfully, but smiles and looks towards Abigail, who nods approvingly.

And so on and so forth, a happy ending :)

[entity9silvergen]

My Oriented Aroace Headcanons From 8 Fandoms

Oriented Aroace is an aspec identity where someone does not experience sexual or romantic attraction but experience other forms of attraction in a way that causes another nonaspec label describing sexuality to feel significant enough to have a place alongside one’s aroace identity. For more information on this term, here is the info page on the oriented aroace subreddit and here is the wiki page on it.

Headcanon is a subbranch of fanon, meaning headcanon is something generally not accepted as canon but some fans choose to believe about the original content. In the queer community, it is common to headcanon characters as queer. Sometimes it’s with good reason, sometimes it’s just because we like the characters, sometimes it’s because we see something of ourselves within the characters. 

Here are some of my oriented aroace headcanons.

1. Sai (Naruto)

This is by far my favorite aroace headcanon but I don’t talk about it much because I don’t want to support the stereotype that aromantics are heartless or that asexuals are traumatized. In Naruto Shippuden, Sai is a character who does not experience emotions after an illegal black ops organization killed his brother and brain washed him. He does, however, recover his emotions and learns to be very in touch with them. In Boruto, he is married to Ino and has a son named Inojin.

I headcanon Sai as pan-oriented aroace, possibly demialterous as well, but he experiences some degree of internalized homophobia and aphobia which leads him to pursue a romantic relationship with Ino. I don’t doubt that he loves her, he definitely does but I don’t think he loves her in the same way that she loves him. I wrote about this for Aromantic Writing Month. I believe that Sai initially started courting Ino because that was what was expected of him. Ino went along with it because she is attracted to him. At some point she probably realized Sai doesn’t quite feel the same way as her but they talked about it and continued their relationship as a allo-aspec qpr.

2. Rook Blonko (Ben 10) 

Rook Blonko is Ben’s (work) partner in Ben 10: Omniverse. He is an alien from the planet Revonnah. When we see his homeplanet, we learn that he is very attractive by Revonnahgander and all the local girls are interested in him but he is bothered by it, only showing affection for one girl named Rayona. They end up dating later in the series. A couple villains show interest in Rook as well and he is usually bothered by it or has mixed feelings with no desire for reciprocation. 

I headcanon him as hetero-angled aroace, specifically gray/ frayromantic and acespike. Gray romanticism means that someone is aromantic but can experience some kind of limited romantic attraction or experiences romantic attraction under specific circumstances. Frayromantic is essentially the opposite of demiromantic. Someone may experience romantic attraction that fades as they get to know the other person. Acespike means that someone is asexual but can sometimes experience spikes of sexual attraction. 

If you have seen the show, you may know where my thoughts are coming from. Rook mostly shows romantic interest in Rayona before they start dating. Once they’re in a relationship, their feelings seem very platonic and their relationship is much like a qpr. This may be because of their age, lack of experience, or their culture but I’d like to imagine that Rayona feels the same way as Rook and they are in a qpr.

The only other character Rook has shown interest in is Isosceles Vreedle. He is briefly attracted her during a battle but doesn’t seem to have any intent on acting on his feelings (presumably because he is in a relationship). He seems to be aware that this is out of character for him, which leads me to believe that he is acespike. 

3. Alain (Pokémon)

Alain is the star of the Mega Evolution specials and Ash’s main rival in the Kalos League. I headcanon him as gay-oriented aroace.

I don’t have much of a reason for this. Headcanons don’t necessarily need reasons but I’m still going to try to explain this one.

He never has any romantic interests in the show, probably because we don’t see much of him and his story is very focused on his Pokémon training. There are many characters who are solely focused on Pokemon training and that doesn’t necessarily mean they’re aroace but with Alain, I can’t really see him ever wanting to settle down or pursue a relationship though and he doesn’t seem like a women’s man. 

His perfect life is retiring young from a decent battle career on a Pokemon ranch where he works as a Pokemon professor, giving out starter pokemon and providing a place for trainers to send their pokemon when their parties are full. He won’t have many visitors but maybe he’ll have a close companion to keep him company and help out with any projects he’s working on.

4. Toph (Avatar: The Last Airbender/ The Legend Of Korra)

Toph is Aang’s earthbending teacher in ATLA, the founder of metalbending in the comics, and Lin and Suyin’s mother in TLOK. I headcanon her as sapphic or trixic-oriented aroace.

Sapphic and trixic are both non-exclusive terms for attraction to women but sapphic is specifically for women and trixic is for non-binary people. Canonically, Toph is a girl but she is very free spirited and independent and I feel like she wouldn’t let something like gender limit her.

In TLOK, Toph does mention that she tried to have relationships with Lin and Suyin’s fathers but it didn’t really work out. I imagine that Toph is sex favorable and likes sex as kind of a fun way to enjoy herself but does not experience sexual attraction nor does she feel a need to have regular partners. Similar goes for romance. She is romance-indifferent but does not like it much.

The lesbian Toph headcanon is a popular one. Not really sure why but Toph seems like a ladies’ woman. She likes to have her fun and she just finds women to be better companions than men in these aspects. She doesn’t get attatched easily though and she’s not really into the commitment. 

5. Korvo (Solar Opposites)

Again, I feel like this plays into a stereotype that I don’t want to support but these are my headcanons and I will do with them as I want. Korvo is an alien who is having a hard time adjusting to living on Earth. We know that his species has no biological sex and do not reproduce sexually but many of them choose genders, enjoy sexual activity, and pursue romantic relationships. I headcanon Korvo as bi-oriented aroace, possibly bi-electio aroace.

I have not seen the most recent season but in season 1, Korvo is mostly uninterested in anything outside of returning the ship. We have seen him in real no romantic contexts but he and Terry are co-parents of sorts. We also see him in a couple of sexual contexts. When he got zapped by a ray that removed his intelligence, he tried humping Terry and when he and Terry tried going to college, he remained on his side of his and Terry’s shared bed when Terry brought home sexual partners.

I don’t think Terry and Korvo are in a relationship or a qpr but am not completely opposed to the idea. My point was just that we know he isn’t repulsed by the idea of doing traditionally romantic or sexual things with someone who is masculine in nature. I think he could also appreciate what a woman brings to the table, as seen when he built a robot to fulfill the role of wife and mother in the house.

I don’t think Korvo is interested in a relationship but he does value the companionship and wouldn’t be unhappy with a partner. He may struggle to maintain a partnership but I don’t think gender would be much of a factor.

6. Todd Chavez (BoJack Horseman)

Todd is BoJack’s off-and-on best friend/ roommate. Canonically, he is asexual and heteroromantic (presumably, all we know for sure is that he is alloromantic). I headcanon him as straight-oriented aroace, specifically heteroqueerpatonic and panplatonic.

I love that Todd is canonically asexual and I appreciate that they showed an asexual character who is not aromantic. But, all of Todd’s relationships have that queerplatonic vibe. When he described the kind of relationship he wanted with Emily, it didn’t sound like a romantic relationship. What he had with Yolanda certainly wasn’t romantic. Maybe it was just the writing but Todd seemed most happy when his relationship resembled a qpr. When he was dating Maude, the lines between romance and friendship were blurry and they seemed very happy, and that included not doing traditionally romantic things like getting married.

I could also see Todd as greyromantic. For him, I feel like having a label isn’t really that big of a deal. Being able to say he was asexual was a big deal for him but he just wants to be himself and find whatever makes him happy. Sex and a traditional romantic relationship don’t really seem to be a part of that.

7. Silver Surfer (Marvel Comics)

Again, this isn’t one I talk about much because I don’t want to support the stereotype that aromantics or asexuals are inhuman or lacking emotion. Before becoming the Silver Surfer, Norrin Radd is in a relationship on his home planet and he does express interest in a few women after becoming the Silver Surfer. I headcanon him as straight-oriented aroace.

Some of it may have to do with Galactus’s interference. Maybe not. The Surfer doesn’t need sex or romance (no one does but you catch my drift) but he doesn’t really want it either. Sometimes it is portrayed from a sense of duty but we don’t really know what he’s feeling. He’s been one of my favorite characters for years so I may just be projecting but it feels right.

He can get lonely. He wants a companion but I don’t think he’d want a romantic one or even a queerplatonic partner. He’d be most happy with a friend and he’d get all the fulfillment he needs from one. A romantic partner might be a bit too much.

8. Gina Linetti (Brooklyn 99)

Gina is Jake’s childhood friend, Captain Holt’s assistant, and Boyle’s... something. I’ve seen a lot of headcanons that she is pansexual but I headcanon her as heteroflexible-oriented aroace.

Gina, like Toph, is just kind of doing her own thing. I feel like she’d be sex favorable and romance indifferent. Sex is fun, relationships are alright, she’s just living her best life. Men are nice, women are too. She’s just living life and rocking with whatever rolls her way.

When she has her daughter, she does want to settle down a bit but not with a man. She loves the kid and steps up to her new responsibility but she doesn’t let it change her. She’s still as wild and free and she doesn’t want or need anyone.

[inscribed-in-asteroids]

AN: Here’s chapter four! We get into some character interaction.

Title: The Ripple Effect

Canon Characters: Entrapta, Hordak, Scorpia, Perfuma, Mermista, Seahawk, mentions Catra and Adora

Original Characters/Fankids: Odessa, Hydrangea, Tristan, features Adam and Molly

Pairing (i.e. ones having actual moments): Entrapdak, Scorfuma

Rating: M

Read on AO3. It always has more info there.

                                                      Venture

Entrapta places her recorder in her pocket, done for the time being. There have been advancements in the settlement on Beast Island. It continues to grow in size and technology, and contains more portals than other places on Etheria. Most places only have one portal, with Bright Moon having a few. The Whispering Woods contains the second-highest amount after Beast Island, predominantly so that if anyone gets lost, they will eventually find a portal and land in one of the main kingdoms, with that particular portal having that kingdom’s crest.

She and her lab partner have been diligent in the upkeep of Beast Island. It had taken time for the island to become fertile. First One’s tech had buried its roots deep within the earth, far below what anyone but drones could see. Soil had melded with machine, somehow: dirt containing minerals that were not of Etheria, and when they attempted to dig out the First One’s tech—mostly from the other princesses’ insistence that it be done—they learned their mistake when slumbering beasts and inanimate plants had sprung to life and attempted to kill them. That had been terri-fun-fying!

But it did confirm what Hordak and she suspected: Beast Island and the First One’s tech had morphed into one gigantic organism. A problem to be sure, however, they also proposed a radical hypothesis: by changing the code of First One’s tech, they could alter the parasitic relationship to a symbiotic one. That had been a major doozy, since there was so much, but it worked! The island had released its many species from its catatonic state, and they had called She-Ra to aid the process run smoother with her magic.

The First One’s tech proved to be a valuable asset in not only repairing Beast Island, but creating a thriving metropolis that used the natural resources and ancient machinery available. Buildings, bridges, plumbing, aqueducts, everything made by Horde clones was molded around the landscape. They were determined to function alongside the proper residents of Beast Island.

 It really surprised everyone how well they behaved when not obeying the rules of a tyrannical madman.

Entrapta found life on Beast Island exciting and peaceful at the same time. Being the princess of Dryl, she would still go to her old home, but she pretty much gave it to Wrong Hordak and the other clones who desired to live a little closer to the other kingdoms, to mend relations and have a better comprehension of the way Etheria works. Hordak’s brothers were curious, inventive and engaging once they were free, and went through rehabilitation to cope with the loss of Prime.

They were all so cute!

Entrapta looks to her left, watching Hordak move around the room. He keeps his eyes on the clipboard, hair falling over his forehead. He taps the back of it with his fingers, humming to himself as he kneels down to inspect a piece of equipment.

Entrapta smiles, propping her cheek against her hand.

Hordak senses a gaze on him, and he looks at her, smiling, “Did you need anything?”

“No, I’m content,” she says. But none as cute as him.

                                                                -

Odessa disembarks first, greeted by several of her uncles, her parents and siblings. Imp flies toward her, landing lightly against her back. She instinctively moves to the piggyback position, kissing his cheek. Emily whirs happily, and she leans over to kiss the top of her dome.

“Find anything fascinating?” Imp plays back in Entrapta’s voice.

“Yes! There was a lot on the flagship that we had to explore,” she says.

“Ooh, what’d you get?” Entrapta herself asks, hanging upside down from a rafter.

“I’ll show you in a bit. Right now, I need these two to go,” Odessa says, annoyed.

“Your friends?” Hordak asks, confused.

“No,” she points at Adam and Molly, who are standing behind Tristan and Hydrangea.

“What are you two doing there?” Entrapta asks.

Adam, shameless, grins at her, “Oh, we snuck up on the ship! It was awesome!”

Entrapta blinks, surprised by this development. She furrows her brows, “Wait, so you two were on the ship for that long?”

“Yeah, it was great!” Adam says, jumping over to stand by Odessa. “Can’t wait to do it again!”

Odessa glares at him, the urge to grind him underfoot intense, “You could’ve jeopardized the mission!”

“Uh, but we didn’t? I don’t see the problem,” Adam replies, folding his arms.

“The problem is that we had to have two additional people on board! Our supplies were meant for three, you’re lucky we had spares!”

Entrapta moves in, looking at Adam, holding his arms out with her hair, “Ooh, so you used my suits! Tell me, did it affect your mobility? What was your heartrate? Can you grab me your suit so I can scrape your skin cells off the inside?”

“Mom, please,” Odessa begs. “I want to yell at this idiot!”

“I know, sweetie, but can’t it wait ‘til after I pluck some hairs?”

“No way, you can’t go plucking my hair!” Adam protests.

Odessa whirls on him, poking his shoulder not-too-gently, “You get involved with my mission and you think you’re in any position to object to anything!”

Hydrangea approaches her, “Des, calm down.”

“I’ll calm down when he gets out of my sight! Having to deal with you for this long was torture!”

Entrapta hovers over Adam’s head, measuring his body with her tape, lost in thought. 

“Entrapta,” Hordak says, getting her, and their, attention. “Perhaps this is the time to lay out ground rules.”

“Oooh, gotcha!” Entrapta swings over to him, sitting atop her hair in a swift motion. She nods at Hordak.

He walks forward, hands behind his back, coming up to Adam and Molly. Molly shrinks under his scrutiny, while Adam has the decency to look like he fucked up for once. “I will send the two of you home by portal immediately. I will be speaking with your mothers to inform them of your behavior, to ensure neither of you tell them anything different.”

Molly groans inwardly, knowing she’ll be the only one to care. Adam is likely forgetting everything as it’s said.

Adam’s ears flatten against his head, annoyed, “Dude, no offense, but we didn’t do anything to risk her mission.”

“It is not a matter of you managing to be competent aboard the ship,” Hordak chastises. “It is the matter that you were not privy to the information or mission itself to begin with. Your inability to think ahead has always been a problem.”

“But—”

“Do not argue with me,” Hordak whispers, deadly quiet, leaning close. At Adam’s silence, he pulls back. “The two of you will accompany me to the portal now. Come.”

Adam keeps from huffing, crossing his arms, ears pressed to his head. Molly rubs her left arm, looking over her shoulder.

Tristan meets her gaze, giving her a reassuring smile.

With that, she follows her brother and Hordak.

Odessa turns to her mother once they’re out of range, “I found some things on the ship that I know you’ll be interested in.”

Entrapta squeals, “Oooh, I can’t wait to see it!”

Hydrangea yawns, patting Entrapta’s shoulder, “I’ll have to see you all tomorrow, I need to go home and see how things have been.”

“Aaaaw, so soon?” Entrapta asks.

“Unfortunately,” Hydrangea says, hugging her tight. “I’ll be back later after I get some rest.”

“I’ll see you tomorrow, Gea,” Odessa says, opening her arms for a hug of her own. Hydrangea shakes her a little, the two laughing, before heading toward the portal. Odessa looks up, “What about you, Tris?”

He shrugs, “I don’t have anywhere to be.”

“You’re welcome to hang out with us!” Entrapta shouts.

Emily spins in place, beeping with excitement.

“Awesome,” Tristan says, giving Imp a high-five as he flies around his head. “I can hang out with your siblings while you and your Mom talk science.”

Odessa touches her mother’s shoulder, “So, do you think Dad is going to be gone a while?”

“He does have to talk to Adora and Catra, so probably,” she replies.

“Okay, because maaaybe I should show you one of the things I found without him.”

Tristan raises a brow, while Entrapta blinks in puzzled silence.

                                                              -

“Oh my,” Entrapta breathes, peering into the case. “That’s my girl! Not a single mark or blemish on it.”

Odessa grins, “I know! It came out perfect.”

“Are you sure you don’t want to let your dad know?” Entrapta asks a second time. “I think he might find it interesting, too.”

Odessa’s lips are pursed for a moment, folding her arms across her chest. She sighs, “It’s not that I don’t want to tell Dad. I’ll ask him some questions to hint about it, I suppose, but I don’t know how he will feel about it.”

“I think it would be best to be upfront,” Entrapta says.

Odessa bites her lip, uncertain.

Entrapta continues to study the brain in the jar. These discoveries could be important, but she understands her daughter’s concern. Hordak has been making reparations for decades now, but when it enters especially sensitive territory about his time serving Horde Prime, he becomes sullen, despondent and incapable of holding a good mood. She doesn’t blame her husband either. That’s a part of his past that continues to pain him. The years have softened his heart, and he feels shame and guilt every day for things he had done. She doesn’t want to lie to him, but she doesn’t want to hurt him either.

She imagines that’s how her daughter feels. Ethical dilemmas are her least favorite kind.

“I will see how he feels by implication,” Odessa reaffirms. “I won’t do more than that, at present.”

Entrapta nods, not liking any of this, but standing by her child’s decision. She takes the jar in her hands, “We will study it later. Why don’t you go and take this to your room?”

“Alright, I’ll put it away real quick. I’ll be back to show you and Dad the other thing I found,” Odessa says, jumping toward the ceiling and heading into the vents.

Entrapta sighs, then her smile returns when she hears Hordak’s voice from behind, conversing with Tristan.

“You’re more than welcome to spend the night,” Hordak offers, clasping his hands behind his back. “We have plenty of rooms to accommodate your needs.”

Entrapta bounds over, eager, “We’re having mini pancakes in the morning!”

Tristan smiles at them, “Thank you! I’d be happy to.”

Odessa hops down at this moment, grabbing him into a headlock, “Cool! If Gea was here, it’d be like old times!”

Chuckling, Tristan pats her forearm, signaling for release, and she obliges. He gives a yawn and stretches, “I’m gonna head to bed, then.”

“Imp, Emily, can you show him to his room?” Odessa asks.

More than happy to, the three exit the room, leaving Odessa and her parents in the sanctum. She walks to her bag, “There wasn’t much on the flagship, but I did discover this.”

Hordak and Entrapta stare at shining fragments, clattering softly on the table. Entrapta holds one in a hair strand, “Pretty! Where was this?”

“It seemed to have been located in one of Prime’s trophy rooms.”

“Look, hon,” Entrapta says, holding it up to Hordak. “The craftsmanship for this must’ve been delicate and precise.”

Hordak takes it between his fingers, inspecting it slowly, quietly. It does have an air of elegance. He somewhat recalls seeing it before in that room. Lined with trinkets from planets no longer around. Hordak frowns, placing it on the table, “Did you find anything else?”

Odessa considers her words carefully. She says, “I did find an area that had past Primes.”

“Was it intact?”

“More than we expected.”

“Did anything of consequence come about?”

“I did interact with one of the bodies,” Odessa tells him. “But it’s nothing that important.”

Hordak peers closely at her, and Entrapta glances at the ground, trying not to pull down her mask.

“An entire vicinity filled with inanimate bodies, and you didn’t do anything with them?” Hordak asks.

“Not really. I turned one on by accident, though, so I got to take a close look at it.”

“That must’ve been elucidating, on some degree, I suppose,” Hordak scowls, tilting his head. He adds, “Well, there’s no need to go to the flagship anymore.”

“I know, Dad,” Odessa says, sitting on the table. “That part’s done with.”

Hordak pats her head, an unexplainable relief coming to him.

Odessa’s stomach grumbles, and she gives a sheepish grin, “Oh, guess I’m hungry.”

Entrapta beams, “Late-night snacks! We got lots of fizzy drinks! I missed my little drinking buddy.”

Laughing, Odessa hops to her feet, “Mom, the day we get actually drunk together is gonna be nuts.”

                                                              -

Tristan wakes up to the sound of scuttling on the walls. Seeing Imp climbing around, Tristan closes his eyes, getting drowsy again.

“Morning!” Odessa yells, jumping on top of him.

Tristan throws her off him, smirking as she falls, “Des, I’m sleeping…”

Landing with ease, she stands, arms akimbo, “But don’t you want to eat?”

He debates whether to leave the warm comfort of the bed or enjoy the warm comfort of mini pancakes.

Noooooo…

“Gea’s bringing the really good syrup,” Odessa teases, poking his shoulder with her hair.

He opens one eye.

Tristan doesn’t take much convincing afterward, pouring caramelized fruit syrup onto an assortment of small pancakes, his third helping. Hydrangea pours him and her a cup of green tea with lemon, setting his cup down in front of him. He says thanks with a full mouth, and she smiles at him.

Odessa, on her third plate too, licks her lips, “This is so good! You’re turning into a pro at making syrups.”

“Thank you,” Hydrangea blushes. “I’m glad you’re enjoying it.”

Taking a healthy sip of his tea, not minding the burn, Tristan lets out a satisfied sigh, “You keep this up, there’s no way I’ll be able to move.”

Entrapta looks up from her plate, peering closely at his face, “Have you been experiencing a slack in your metabolism? Are your joints functioning, or are you showing signs of muscle atrophy?”

Tristan smiles reassuringly, “No, no, I’m okay. The food’s just delicious.”

“It is!” Entrapta says, returning to her meal. She turns to Hordak, “Do you want to try any?”

“Hmm…” Hordak looks at the sweet cakes, drizzled with thick syrup. All of it golden in color. Pleasing to the eye, but he isn’t sure.

Entrapta grins at him, expectant.

“Very well,” Hordak says, taking her fork. He tries to not be aware of the eyes on him. Giving it a delicate sniff, he sticks it into his mouth, chewing meticulously. Thinking.

He looks at Hydrangea, giving a nod, “Excellent work.”

“T-Thank you!” she stammers, beyond shocked. She is going to remember this compliment for the rest of her life.

Entrapta, delighted he had a good experience, finishes up the rest of her food. Getting up, she announces, “Well, we’ll see you later! Hordak and I have a lot of work to do, so we won’t see you until tonight.”

“Alright, Mom,” Odessa says. “You two have a good day!”

Squealing at how adorable she is, Entrapta kisses her face multiple times as she says goodbye. Hordak pats her head before joining his lab partner.

“So,” Tristan begins, dabbing his mouth. “What are we up to today?”

Odessa turns to him, “I was thinking we might begin preparing for our next trip.”

Hydrangea sips her tea, “Our next trip will be when, do you think?”

“Preferably, sooner than later, and I am going to begin preparations in the coming days,” Odessa explains. “The next trip is going to be significantly longer, even with using portals.”

“How long do you expect?” Tristan asks.

“It might be more than a year,” Odessa answers.

“Oh!” Hydrangea says, setting down her cup. “More than a year… Where are we going?”

“I’d been thinking about it since we left the flagship,” Odessa says. “I think it would be provident to visit my uncles on Inicos. If no one on Etheria knows, maybe I have relatives that can give me better answers there.”

Tristan and Hydrangea glance at each other, both wondering what it would take to prepare it all.

“I understand it’s a lot,” Odessa tells them, aware that they’re unsure. “There’s no rush, since it will take a little time to prepare. I will inform you before we launch. Take your time to figure it out!”

Hydrangea smiles at her, “Alright, that’s good. It might take my parents a little convincing.”

“And you, Tris?”

“I’m sure I can figure something out with my folks,” Tristan replies.

“Excellent. I have a little bit to do around here for a couple hours, but I’ll meet up with you both later today.”

“That’s fine, I got stuff to do too,” Tristan stands, stretching out his arms.

Hydrangea claps her hands together, “I’ll see you guys later!”

                                                               -

Tristan doesn’t go home.

He swims through the ocean for several hours, thinking. Enveloped in the comfort of water, Tristan swims further down into the water, the light dissipating as he descends. Tristan looks to his side, shadows moving in the liquid black. He reaches out, skimming the surface of smooth skin. The aquatic behemoth lets out a sound of greeting, its voice thrumming through the water.

Swimming deeper, the pressure intensifying, darkness consuming his sight. He senses the scales of another animal, and it swims beside him for a while, enjoying his company. He loves to come down here. Communicate with all the oddities beneath the ocean, gliding along its floors, descending into greater trenches.

Despite what people think, the bottom of the ocean isn’t silent. There’s a cacophony of sound here, all varied in tone, pitch, and layered.

His mother never went beyond where dolphins ranged. Her demeanor, his father had told him, has remained exactly the same since they were young adults. But she has a penchant for cuter creatures, spending her time with more mammalian ocean-life.

His interest in creatures from dark depths was something she had no qualm telling him wasn’t to her taste. The first time he told her he would like to go out and swim into less shallow ends, she looked at him like he was bluffing. Like what he was telling her was a mere joke. At his insistence, she gave in, with much reluctance.

They swam toward the black, but never entered past where the dim sunlight ended. She told him it was an uninteresting place down there, and was rather disgusting. Made it obvious that she thought his choice was inferior to her own.

Tristan didn’t ask her to accompany him after that. He would only tell her he was going out, until it got to the day he knew it didn’t matter if he informed her of his whereabouts or not. She occupied her time and he was expected to do the same.

Being in this unfathomable space, he found a sense of peace. There was so much life here, unseen and unwanted by all above the surface.

He isn’t sure if anyone in his family had this desire for the darkness of the ocean, but he knows that he takes after his grandfather. Where once, Tristan shared the similar dolphin tail to swim, the more time he spent on his own, exploring, sensing, he found his own identity. His fin elongated, skin becoming sharp. No longer as agile or fast, but powerful all the same.

He pushes onward, tail propelling him downward still. Lost in thought and the feeling of not knowing where to go, but believing that if he keeps moving, he’ll eventually reach somewhere.

                                                               -

“I don’t like it,” Perfuma objects, arms crossed.

Hydrangea bites back a sigh, “Mom, it won’t be forever.”

“I think she’ll be able to handle herself,” Scorpia says.

“But for more than a year—”

Hydrangea sets down her teacup, “Mom, I know you’re worried about what will happen, but I would be among friends. And we would use a portal to help speed up the trip.”

Perfuma frowns, looking down at the table.

Scorpia turns to her daughter, “Hydrangea, hon, where is it you’re going again?”

“Inicos,” she explains again. “That planet where a majority of her uncles went to.”

Scorpia turns to her wife, “See, that’s good! That’s a planet where she’ll be more than okay.”

Perfuma rubs her temples. The idea of Hydrangea being gone for that long isn’t one that is sitting well with her. She would prefer if she remained in place. A child needs roots; what good would it do her to be away from home for that long? And there’s the fact it’s Odessa. There is no chance that this will be a one time thing. Hydrangea has been her friend for years; Odessa is too much like her mother—fixated on her goals.

“Mom, I don’t see any reason why you should be against this,” Hydrangea tells her.

Perfuma rises from her seat, “I’m going to bed. I will think about this.”

Hydrangea watches her mother go, knowing better than to continue her argument.

Scorpia sighs, “I’ll see if I can talk to her about it later.”

“Okay. There’s time left, but I would prefer to know sooner than later. You know how Odessa can be,” she replies, smiling.

Scorpia nods, sipping from her mug. There’s no reason for Perfuma to reject the notion, and with little base to go on. She knows Perfuma means well. She always does. 

Once she encourages Hydrangea to retire for the evening as well, Scorpia leans against her bedroom door; she stares at Perfuma, brushing long yellow hair. Approaching her, Scorpia leans down to kiss the top of her head.

“I’m not wrong to be worried,” Perfuma says.

“I know.”

“I just…” Perfuma trails off, gently setting down her brush. “Hydrangea is growing up so fast, and I would prefer that she spend her time here, with her family.”

“I know it can be difficult. But when I was her age, I was getting ready to go out into the world.”

“Not for good reasons,” Perfuma says.

“The reasons aren’t really the point,” Scorpia says, holding up flaxen locks in a claw. She tried brushing Perfuma’s hair, once; she clipped right through it, and, horrified, she refrained from touching her for a good while. With practice, she can do it now, but only because she forced herself to try again. Even now, though, she feels… out of place. Bizarre and incongruous. She doesn’t want Hydrangea to lose her connections. To feel alone, and not know who she is. “The point is to let her discover what she wants out of her life.”

Perfuma reaches behind her, trailing her fingers along Scorpia’s jaw, “I know…”

“Give it some thought, at the very least,” Scorpia tells her.

Glancing down, Perfuma meets her wife’s eyes in the mirror, “I will see how I feel.”

                                                                -

The brain floats in its case. Undisturbed.

Odessa furrows her brows, wondering what she should do. Should she inform her father of her true intentions, or should she wait until she finds something of value to offer him? To show that it’s worth the effort?

She has deliberated over it for a while. She doesn’t want to exclude her father from the potential discoveries that await within the stars. But Prime…

He’s beyond a sore subject for Hordak. Her father is confident, proud, and immovable. But when Prime is delved into, either on a shallow or intimate level, he becomes sullen and distant. Similar to how he used to be, according to her mother. It normally takes Entrapta to bring him out of whatever reverie decides to perturb his thoughts.

Is it really a good idea to bring it up?

Odessa is not the sort to believe her father is weak. To the contrary, she has the highest respect and adoration for Hordak. And that’s partly why she hesitates to confide in him her plans.

He will eventually find out, though. He might not be good at picking up lies, but he is suspicious by nature.

Folding her arms, Odessa sits back in her chair, allowing the front legs to hover in the air. If she kept it a secret, he wouldn’t like it, but he may understand her reasoning if she explained why.

Ethical dilemmas are the worst.

“Odessaaaaa!”

“Hey, Mom,” she says, looking up at the ceiling.

“So, I was wondering what to prepare for your journey, and your father suggested that we give you a mini portal,” Entrapta says, hanging upside down. “The portal to Inicos will save you some time getting there, but if you want to send us something of value ahead of your arrivals, a mini portal might help!”

“Oh, that’s a good point!” Odessa says, feeling uncomfortable. “I’ll thank Dad for the idea later…”

Entrapta brushes Odessa’s cheek with a lock of her hair, “What’s wrong? Do you feel bad?”

“A little,” Odessa admits. “I don’t like not telling Dad anything, and, perhaps, I’m being unfair to you too—for having you keep it under wraps right now.”

Entrapta sits on her hair, “It’s not too late to be honest with him. Your father can handle more than we give credit for.”

“I know he can, but he has reservations about anything involving Prime,” Odessa says, shifting the chair back and forth. “He didn’t object to going to the flagship, but everything that comes after might not be to his liking.”

Entrapta places her hands on her cheeks, leaning forward, “Maybe we can try again to hint at it?”

“Dad’s too smart,” she says, setting the chair legs back on the ground and mimicking Entrapta’s position.

Entrapta and Odessa sit in silence for a few moments, each wondering about the best course of action.

“I still feel we should tell him,” Entrapta says.

“I do too, but I don’t want to risk Dad getting upset.”

“Then… I won’t say anything until you do.”

“Thanks,” Odessa replies, staring at the brain in the jar.

She doesn’t know why she hesitates so much when it comes to this. But she has inkling he might not approve. That isn’t a potential circumstance she wants tainting this trip—that he might not give his full support if he knew that this whole thing was to find out their origins.

                                                                -

Tristan lays in his room, staring up at the ceiling. Music plays in his ears, low and smooth in its lull. He can hear the faint sound of seagulls beyond his window, which gives him a growing sense of calm.

A knock on the door disturbs that calm. Annoyed, he says, “Yes?”

Mermista enters the bedroom, walking in. She inspects the room for a moment before addressing her son, “Are you busy?”

“No,” he answers, continuing to look at the ceiling.

“Good,” she tells him, folding her arms. “Because you’re needed downstairs to discuss matters in Salineas.”

Tristan groans, “I don’t know why I need to be down there.”

Mermista raises a brow, “You’re the prince, that’s why.”

He waves a hand in the air, “Still don’t see why I should.”

“Because I say so, how’s that for a reason?” Mermista declares, turning on her heel. “Hurry up, we can’t keep members waiting.”

He doesn’t move, wanting to drown out everything.

“Tristan, I said now!” she snaps from outside the door.

At the command, he throws his arms in exasperation, getting to his feet in a huff, “Fine!”

Walking quickly through marbled walls, Mermista shakes her head at him, “It wouldn’t kill you to be more involved with your kingdom.”

Tristan rolls his eyes.

“Don’t give me an attitude,” Mermista chastises. Another shake of her head, and she pauses mid-step to reach for his hair. “You don’t look the least bit presentable!”

“You told me to get going right now, you can’t get upset about that!”

“You should’ve been getting ready a while ago,” Mermista says, continuing to—very poorly—comb through his locks.  

He steps backward, waving an arm, “I’m not a child, stop touching my hair!”

“If you didn’t look like crap, I wouldn’t need to,” Mermista says.

Tristan flushes in embarrassment and anger, “I never look like crap.”

“Right now you do,” Mermista insists. “Straighten your back.”

“It’d be a lot easier to do that if you got off my back,” Tristan snaps.

Mermista turns to narrow her eyes at him. She lets out a groan, “You know what, go back to your room. If you’re going to be immature, I’d prefer you not be there.”

With that, she continues walking without him.

Tristan stands there, miffed. Another waste of time! What does she even want? Whirling, he stomps back to his room.

This whole place is fucking stupid.

                                                               -

Hydrangea approaches Perfuma in the garden. Her mother seems to be in a good mood, “Hey, Mom.”

Perfuma turns, smiling, “Hello, dear! Would you hand me that water container please?”

Doing so, Hydrangea decides to mosey through the pathway. She lifts her hand over a row of violets, brushing their petals lightly with her fingertips. They respond to her touch, swaying gently beneath her palm.

“Is there something that you wanted, sweetheart?”

Hydrangea doesn’t look at her, listening to the flowers hum quietly, “I was wondering if we could discuss the trip.”

“Oh? I thought we dropped the matter,” Perfuma replies, tone nonchalant.

“No, Mom, you did,” Hydrangea says, voice equally collected.

Perfuma walks over to another section, pouring water into the soil, “There’s no reason to give an attitude, my young blossom.”

“Mom, no one is giving an attitude to you,” Hydrangea says, turning to her. “You’re the one who’s been avoidant about the issue since I mentioned it. Don’t you think you should hear me out?”

Perfuma sighs. Setting down the water pitcher, she places a hand on her cheek, “Alright… what is it?”

“All I’m asking is to go on an expedition for a while. I don’t think it’s that large of a request.”

“I believe you’re forgetting that you are a princess; you can’t go wandering the galaxy whenever you please—you have responsibilities here to your people!”

“I don’t understand your resistance. You’re always telling me that the best way to understand others is by putting yourself in their position.”

“You don’t have to travel around to do that,” Perfuma scoffs. “You can learn everything possible right here on Etheria.”

“Mom.”

“You aren’t ready to go out and be away from home for so long.”

“Traveling the galaxy is infinitely more safe than fighting a war, yet you did the latter around my age.”

Perfuma sighs, irritated, “You are being too argumentative.”

“I’m not being argumentative,” Hydrangea says, keeping her voice even, despite her own growing sense of frustration. “I’m trying to explain to you why this isn’t as bad as you make it out to be. This could be a really good experience for me!”

Perfuma shakes her head, “You are asking for too much at your age. You should be concentrating on your duties here on Plumeria, as well as your studies.”

“I haven’t slacked at all when it comes to my princess responsibilities. My studies are just fine, not to mention that if I travel around, I can learn about plants from other planets.”

Perfuma clasps her fingers together, taking a deep breath. Count to ten…

Hydrangea waits, knowing not to interrupt.

“I’m going to be frank with you, Hydrangea. I don’t like the idea of you traveling without proper support.”

“I’m not without support—Tristan should be coming too, and Odessa is capable. We’re going to be communicating with her parents, so there’s nothing to worry about.”

“They’re not going with you?!”

Crap… “No?”

“That’s even more reason to not let you!”

Her patience wears a little thin, though Hydrangea keeps her temper levelled, “Mom, this isn’t a scary trip that is going to harm me. We’re going to a planet that has lots of Odessa’s relatives, we have a portal to go back to in case we want to arrive sooner, and we’re always well-stocked on supplies.”

Perfuma inhales through her nose, exhales through her mouth. She can’t help but be nervous about the idea of her baby girl going through the universe with absolutely no parental guidance whatsoever. She might not be a young child, but she has a lot to learn. Scorpia thinks she is being too restrictive, even though she doesn’t believe so. She didn’t have her parents during formative years, and she would’ve wanted to have direction when she was around Hydrangea’s age.

But she knows that Hydrangea is determined to help Odessa in any way possible.

Perfuma walks over to her daughter, patting her shoulder. She stares directly at her face, solemn. Hydrangea stares at her, expectant. Sighing, Perfuma gives a small smile, “Very well. I feel this is against my better judgment, but you are free to go.”

Hydrangea breaks into a beaming grin, “Really?! Thanks, Mom!”

“I want you to let me know what’s going on every day, okay?”

“Mom, I can’t do that, I’ll be busy. Once a month?”

“Weekly.”

“Biweekly.”

“I guess that will do...” Perfuma gives in. She can’t help but hug her close when Hydrangea embraces her tightly in her arms.

Hydrangea couldn’t believe her luck—she was actually given permission to go! This is going to be awesome!

                                                                -

“You want to do what now?” Mermista asks.

“I want to go with Odessa and Hydrangea on a space trip.”

“No.”

“Why?” Tristan asks.

“I say so.”

Leaning his cheek against his palm, Tristan scowls, glaring at the fruit spread along the table.

Mermista doesn’t look up from her food, “If you continue to frown like that, you’re going to get wrinkles faster.”

Tristan bites back a retort, knowing there’s no point arguing.

“I don’t understand why you even want to go space travel. There’s nothing out there that’s important to us Salineans.”

Tristan rises from his chair, “Fine. I get it.”

Mermista watches him go. He’s been more insistent on being away from home the last several years; he didn’t spend much time here for about a decade or so, choosing to go frolic with his friends nearly every day, and it was more so when Odessa would return from her trips. Mermista is not quite sure if this is something that all teenagers go through, or just her son in particular.

She spent much of her time in Salineas, occasionally visiting her friends from other parts of Etheria. But Tristan is the opposite of that.

Sighing, she doesn’t bother to call him back, listening to the faint echo of his footfalls past the doors. If he wants to be a brat someplace else, that’s his issue.

Tristan strides through the hallway in a huff, discontent written across his face. Never breaking his pace, Tristan heads outside, where the once calm surface churned and frothed as a raging sea. Diving straight into the waves, his tail morphs the moment his skin makes contact with cold water. The weather was unexpected, but that’s fine—he loved storms.

Racing through the darkening ocean, Tristan swims northwest. He doesn’t think of anything—simply revels in the sensation of darting through water. Eventually, the seas revert to a quiet demeanor. Approaching nearby docks, Tristan catches the sounds of roughhousing and glass breaking. Changing from tail to legs, Tristan moves his arms in a simple motion, wrapping water around the lower half of his body, he lifts himself onto the pier.

Walking toward the tavern, Tristan enters the establishment. Without another thought, he slides to the right, avoiding a body that got flung in his direction. Not looking down at the unfortunate patron, Tristan heads to the center of the room, glancing around.

“Alright, men! What do you say we go set a couple boats on fire!”

Tristan turns in the direction of the voice, accompanied shortly after by exasperated groans and complaints.

“Well, don’t everybody jump up at once,” Seahawk complains.

“Don’t worry, I’m sure they’ll come around when they’re not hungover,” Tristan says.

Seahawk looks up, grinning from ear to ear, “Tristan, my boy!”

“Hey, Dad,” he replies.

“Pull up a seat, son! Barkeep, a drink for the young man!”

Tristan watches one of his father’s friends fall onto the floor, passed out. Taking the chair for himself, he says, “You seem to be in a good mood.”

Seahawk twirls his moustache, “Ho ho ho, my boy, you’ll be pleased to know that I have an expedition coming up! A crew and I are supposed to go south and find a coveted treasure that hasn’t been seen for hundreds of years!”

“Oh yeah? What’s it called?”

Seahawk hums to himself, then waves his hand, “I can’t remember right now. But it’s bound to be a glorious trek across the grand blue that is the sea!”

The bartender places a drink in front of Tristan, who nods his thanks before taking a generous gulp. Tristan sets the mug down, “That’s great! It’s been awhile since you’ve done anything like that.”

“Indeed, my boy. And what about you? Have you been answering the wild call?”

Tristan traces the side of his mug, “Odessa does have an expedition coming up that would be fun.”

“Ah, sweet Odessa! That girl is always ready to explore. Hydrangea is going too, I presume?”

“Yeah, I don’t doubt that.”

“From the sound of it, you’re unsure about your place in this. Why don’t you go too?”

Tristan rolls his eyes, “You know how Mom can get.”

“My dear Mermista does tend to be unyielding,” Seahawk says, then shrugs. “Your mother doesn’t have to get upset about what she doesn’t know.”

Tristan smirks, “Dad, are you giving me permission to go?”

“No, but I’m not denying you the call to adventure, either!”

Shaking his head, Tristan takes another swig of beer. He slams it down on the table, much to his father’s delight. Seahawk shouts, “Barkeep, more of your finest alcohol, please!”

Tristan smiles to himself, relaxing in the midst of chaos. He might even sing a shanty with his dad for the shits and giggles of it.

                                                               -

Hordak has noticed a change in Odessa’s demeanor, however slight.

He didn’t think much of it, at first. She has been preoccupied with her upcoming mission, but she’s been working near non-stop since she returned from Prime’s flagship. Not wanting to pry into her affairs, Hordak believed it would be best to let her do as she pleases.

And it’s not that she’s pulling away from him. On the contrary, she’s always been an affectionate child with him and Entrapta. She’s, in essence, a good kid. But that’s the thing about good kids—they’re not total experts at covering up what they don’t want you to see.

Hordak comes up to Odessa, tinkering away with one of her personal tech projects. He leans slightly forward, “If you turn that bolt to the left, you should be able to get the polarity to work.”

Odessa, mutely, does so. At the sound of it working, she smiles at him, “Thanks, Dad!”

Smiling in turn, he pulls up a chair and sits beside her. He reaches for a wrench, and tightens a loose bolt, “You’ve been deep in thought as of late, Odessa. Are you excited for the expedition?”

“Yes! It’s going to be exciting,” she replies. She takes the wrench from her father with a lock of hair. “I haven’t heard from Tristan yet on whether he can come, but Hydrangea informed me her mothers are allowing her to go.”

Hordak gives a quiet nod. They enter the state of routine: Odessa works, and he watches. She asks for tools and he hands them to her. Their roles reversed from when she was a child. In addition, he gives her suggestions about what to do next and she’ll do it, or make notes for future projects. Hordak glances at Odessa. Not wanting to disturb the silence, but she breaks it first.

“What is it?” Odessa asks.

“Traveling to Inicos will take a fair amount of time,” Hordak begins. “Even with a portal taking you a part of the way, you will be absent for a while.”

Odessa giggles, looking up at him, “Aw, are you going to miss me, Dad?”

“Of course,” Hordak says, sincere. He turns to her, eyeing her movements. “You are my daughter. I want you to be safe on this mission. You’ve been gone before, but this is different…”

“It’s not too different,” Odessa replies, eyes centralized on her work. “I’ve been on trips before.”

Hordak inhales deeply, then exhales. “I know.” But there’s an aspect to this venture that is niggling the back of his mind. “You have a… passion for this journey that is dissimilar to the ones prior.”

Odessa’s hair moves around the table, skimming over the tools, “I guess I do.”

“Odessa.”

She looks up, meeting her father’s eyes.

“You would tell me about your goals, wouldn’t you?”

Odessa’s eyes flit over Hordak’s face, his expression earnest, open. “Yeah, Dad. I would.”

At his smile, Odessa stands up, “I’m going to get a snack. Do you want anything?”

“No, thank you. I’ll wait for you to return.”

“Okay,” Odessa tells him, walking out of the room.

Hordak’s smile fades, unable to shake that niggling sensation.

                                                              -

“Launch day!” Entrapta yells. “Are you excited, my little cupcake?”

“I’m born to be excited!” Odessa shouts.

The two look at each other, shaking their hands and screaming in anticipation. Emily spins in a circle, letting out a long beep, as Imp yells in his natural voice.

Hordak stands with his arms folded, chuckling.

Entrapta kicks her legs in the air, cackling at the top of her lungs, “This is an absolute thrill, and I’m not even going! Ooooh, my baby is going away for a while! Ah, I’ll miss seeing that cute widdle face every day!” For added emphasis, she squishes Odessa’s cheeks together, kissing her nose.

Odessa doesn’t pull away, a light blush on her cheeks, “I know, Mom. I’m gonna miss you too.”

Withdrawing, Entrapta goes into scientist-mode, “Now, remember: your uncles will be there to greet you and answer any questions you may have. By the time you arrive in Inicos, they should have a portal functioning again, so they can send you back to Etheria directly. Make sure to contact them when you are nearby.”

Odessa nods, shaking in place. Her heart always beats faster when she’s about to head out into space. She hasn’t been to Inicos in a long time, that it’ll practically be new. She has so much to look forward to! She hopes this won’t be a dead end before her true exploration begins.

She looks to her left, waving, “Gea! You’re here!”

Hydrangea walks up, Scorpia at her side, “Hey!”

Entrapta scuttles over to Scorpia, the two going for a large hug. Scorpia picks up Hordak, and he shakes his head in resignation, despite the smirk on his face.

“Must you?” he asks.

“Every time, Lord Hordak!” Scorpia teases.

“Scorpia,” he threatens.

“Whoa, haven’t heard that tone for years!” Scorpia says, setting him down. “Brings back memories.”

“I know,” Entrapta says in a softer tone, wiggling her eyebrows at him.

Hordak blushes, clearing his throat.

Hydrangea glances around the hanger, “Where’s Tristan?”

Odessa shrugs, “I’m not sure. I haven’t heard from him in a while.”

“He’ll be here soon, I think,” Hydrangea replies.

Odessa isn’t sure. She’s been holding out on his reply for weeks. Well, it’s not that she isn’t sure about his intentions; it’s his parents she isn’t certain of, and even then it’s just the one.

Hydrangea touches her shoulder, “I’m going to get my things inside the ship. Relay the plan to me when I get back.”

“Alright,” Odessa says. Arms folded, she taps her fingers quickly against her skin.

The hours pass and Odessa sets the final cargo in Celeste’s compartments. Sighing, growing frustrated and upset, she continues moving about the ship.

Hydrangea stares out at the front, equally worried.

Entrapta walks up to Odessa, “Has he arrived yet?”

“No.”

“I have everything set up for you in the cockpit,” Entrapta says, sitting on her hair.

“Thanks, Mom.”

Entrapta pats her back, “You still have an hour before you head out.”

“I know.”

Hydrangea suddenly yells, “Tristan! There you are!”

Odessa looks up, screaming at him, “You son of a bitch, where’ve you been?!”

Tristan runs up to them, an apologetic grin on his face, “Packing!”

Hydrangea holds a hand to her chest, “Thank goodness, we were beginning to worry.”

“If you missed out on this trip, I was going to be pissed at you forever,” Odessa tells him.

Tristan laughs, placing his luggage in the ship, “Well, you can love me more now.”

Odessa rolls her eyes, despite the smirk on her face.

Soon enough, they’re heading inside the spaceship. Entrapta is squealing in joy, kissing Odessa’s face. Scorpia hugs Hydrangea tightly, and pulls Tristan in for good measure.

“Have fun! Keep me updated on all the cool stuff you find!” Entrapta says.

“You got it, Mom!” Odessa replies, giving a salute.

Hordak comes up to her, patting the top of her hair, “Take care, Odessa.”

She pushes the top of her head into his palm, “I will. You know me, I can handle anything.”

He smiles down at her, “I know you can. But…”

“But?” she repeats, eyes bright and alert.

“Nothing,” he replies. He draws his arms behind his back, “I wish you safe travels.”

Odessa beams at her parents, kissing both of them on the cheek. She runs into Celeste, and waves at her family as the ramp closes, “I’ll see you all soon!”

Hydrangea and Tristan are already in the cockpit, awaiting her instructions.

“You guys ready?”

“Ready!” they crow together.

“Let’s go!”

Celeste rises into the air, and once it breaks the atmosphere, it gives a jolt of energy and light.

Scorpia wipes her eyes, “Ah, I forget they’re not little anymore.”

Entrapta pats her shoulder, “We made food, do you want to join us?”

“That’d be nice,” Scorpia says.

Entrapta turns to Hordak, “You coming?”

“In a moment,” Hordak replies, staring up at the sky.

Smiling, she pushes up from the ground on her pigtails, placing a soft kiss on his lips, “She’ll be okay.”

Hordak’s gaze scans the stars. Wondering if he should’ve been more forthright with his thoughts. He supposes he can talk to her at a later point…

Observing the sky, he waits until it darkens before heading inside.

[popculturebuffet]

Close Enough Season 2 Review! or Josh Murders About 10 People

It's been hard to put into words just how wonderful a surprise this season getting released this month was. For starters before JG Quintel announced it last year shortly after season 1, I honestly was convinced season 2 wasn't happened. Do NOT get me wrong, Season 1 of Close Enough was one of the best parts of last year: It was funny, had a lot of heart, a great voice cast, and a great cast of characters that was throughly likeable and broke sitcom stereotypes, having a doofy husband and more straight laced wife with layers who clearly love and respect each other and BOTH can be prone to taking things too far instead of JUST Josh screwing up. Add in two great fellow leads Bridgette and Alex played by two of my faviorite va's, Kimiko Glen and Jason Mantzokus, whose name I finally learned how to spell, an adorable daughter and neat but out of focus neighbors and supors pearle and randy, and the show was just damn near perfect and felt like an improvement on regular show, taking the same humor and animation style but to an older cast and audience with more nuanced and likeable characters, and far more character development per episode. I wanted to see where the show would go.. but I was convinced given the show was leftover inventory from an animation block that never happened held over to give HBO Max some content it'd be canceled after one season, because I can't have nice things. But....

And very happily so: JG Quintel revealed the show had been picked up for season 2 not long after season 1 dropped, having listned to fans. As it turns out though they hadn't.. they just had a ton of faith in the show as I got ANOTHER bombshell earlier this month. While the show had showed up on the schedule for this month late in January, with no release date on said schedule, I wasn't 100% sure the show was coming back this month or that it wasn't just an error. But once again, I was wrong, it was earth all along, and they merely saved it for the press release for their adult animation lineup: alongside the huge and welcome bombshell they were the ones picking up the Clone High reboot and for two seasons, Close enough not only got two more seasons publicly announced, but fimrly revealed season 2 launched February 25th. LIke they likely had with infinity train the show was quitely picked up for another season, and they simply waited to announce it till the right time. Though unlike infinity train, they had faith in it to become a big hit and while they SHOULD HAVE with infinity train and should've accepted it was already a big hit simply not with the target demographic, it's still nice to see that after all it went through Close Enough not only got renewed but is now the network's flagship adult animated show, closely tied with harley quinn, and will likely go on as long as it wants to.

So naturally given I reviewed all of season 1 in the hopes i'td get renewed, I was happy to make room for season 2 and continue covering it and over the moon it was happening so soon. However I'm doing things diffrently this time: instead of flooding the tag with individual longform reviews, i'm reviewing the season all one go, to see if this format could work for me as I have tons of other shows i'd love to cover in this format that are either heavily comedic like say the Great North, regular show or the simpsons and thus dont' lend themselves to riffing as much and leave me less to do per episode, or more seralized shows like she ra or ones that are entirely complete like Steven Universe or Gravity falls that I could cover alone but this format could help expidite covering. Gravity Falls is also one of my patreon stretch goals if your instrested as is a whole lot of ducktales stuff, link on my blog. It also works with my much larger workload with a much tighter schedule, 6 reviews a week with a flex day in case I get behind so everything comes out as good as it posisbly can be, versus my original method of...

TLDR: One big post with smaller reviews each episode and an overall coverage of what changed this season and how good it is as a whole. We good? Good, then join me under the cut for some delightful sentient presents, couch ghosts, and jim fucking crunch as we get close enough to the heart.

I will never get tired of that image. I want it blown up and put on a banner at my funeral. But death plans aside let's get into the season

Slight Tweaks to a Great Formula: Given it's slice of life format based largely around likeable multi layered characters in comedic absurdity, not a lot has changed nor did it need to. What has are just simple tweaks to make things even better. For starters a natural result of getting to the episodes now produced directly for the 11 minute format means the pacing is much focused, subbing in full subplots for the occasional runner instead, and often only using what characters the episode needs. It will use the main five often, but the lack of subplots for the most part allows stronger focus on one or two characters to give the stories added weight and nuance and often laughs. While i'll always love season 1, this allows for much tighter stories and allows for everyone to get some major screen time instead of mostly Josh and Emily in season 1. It does mean we sadly get less of my boy Alex per episode but it's a sacrifice i'm willing to make if it means the show can grow and take more risks and evolve naturally. Though the former probably wasn't help by two of his three episodes being kinda weak, but i'll get to that.

The other noticeable change is Pearle and Randy. While they were promoted as main characters, even getting profiles along with the rest, they were in practice recurring characters in season 1, showing up pretty frequently but with only one starring episode for Randy and none for Pearle. And givne Pearle has an interesting backstory as a cop who likely had to put up with a LOT being a black woman officer, as well as raising a white redneck, while also being hilarious and having a fun energy to her, I felt they kinda wasted her in season 1.

Here though? Both have been bumped up to main cast proper, getting two focus episodes a piece (compared to the other main adults each getting three, some of those shared, and Candace getting one, hopefully more in the future as it was really good, along with, to my delight, mr.cambell also getting one), appearing far more in supporting roles and generally showing up with the main group a lot more. They still don't hang out with our loveable family all the time, but it makes sense as they have their own apartment and stuff to deal with, but it feels far more like their part of the main group. The show always treated them like this mine, but showing up more makes their friendships with their tenants feel more genuine, as it feels like their part of their lives more, whlie having their own to deal with we get to see now.

So while the series didn't change much, as I said it didn't need to and all of this is stuff is the kind of thing I wanted, especially Pearle getting a larger role and Randy being fleshed out from a dollar store version of muscle man into his own similar but difference character, and i'm happy to have it. So now i've talked about how the seasons' changed, let's talk about the episodes themselves. Grab a snack this is going to take a bit.

The Episodes!:

Josh Gets Shredded: 

Our premier and honestly it's a solid one with a singular premise on poking fun at gym culture, though in a nice twist Jim Crunch, the guy who runs the Gym Josh ends up going to to strengthen his core to play with Candace and whose voiced wonderfully by Kevin Michael Richardson is a genuinely good guy and there's no horrifying twist with him. He just wants Josh to get ripped and dosen't know his training is keeping josh from candace. IT's a simple setup of a father doing something for his daughter but getting distracted by it and while not new it works well here and we get plenty of fun gym jokes, including an exchange from Jim and Josh when Josh wants to become an "absolute unit", which in this case ends up meaning turning into the hulk but with the glowing firey eyes of an angry god, feels like it came straight out of the hockey bros from letterkenny, which is a good feeling to have. There's also a nice setup with Candace wanting to play king kong with Josh due to seeing it in class (Specially the Peter Jackson remake, also Candace knows who jack black is which I buy because of who her daddy is. I wouldn’t be surprised if Josh had Saving Silverman on a loop for several days until emily threw it out the window like a frisbee. ), which kicks off the whole thing.. and ends with ultra instinct hulk josh taking her to the top of a building and swatting away helicopters. It’s more of an average episode for the series and the runner about Emily being REALLY hot for buff josh comes off as a weaker version of the plot from family guy where Lois likes a thinner peter, apart from one inspired bit where in order to talk to him about candace without getting distracted, Emily pours an entire bag of ice down her pants.. and subtly after Josh talks about becoming an absolute unit, it’s gone nad rather than animation I like to believe it melted. Still a decent start to a great season. 

Meet the Frackers: A Randy Spotlight episode and unlike his season one episode rather than be a subplot in another episode it’s a full episode about him. And the starting incident is great as the gang gets their ancestry results back from costco, with Emily and Bridgette having ancestors in Guadalajara and Kiyoto.. and Josh being white (”Can you believe it?”). Alex coming from a long line of creeps is also pretty funny, those are his actual results by the way. 

But what the episodes truly about is Randy finding out his parents are alive in Malibu after Pearle claimed they were dead when he was a kid. She had a very good reason though: Randy’s parents were serial gas thieves, and Pearle nearly caught them one night with the two chucking him at her to escape. And to her credit Pearle TRIED to reach out to them once they ended up in jail for their crimes.. but they again chucked him at her which is hilarious. She simply didn’t want him to feel abandoned. He instead feels betrayed. 

His parents are hilariously white trash and played by two faviorite va’s of mine, David Kochner and Wendy Malick, who i’m happy is finally playing a lead roll on Owl House. They drink redneck maragretihas and eat mcribs (As Randy puts it “God’s favorite sandwich!”) every day and still steal gas, just legally now as frackers. Naturally though the two are still assholes and soon use a carnival as a cover to illegally frack and it’s up to Randy an dhis real mom to stop them> It’s a touching story with Randy genuinely wanting to hlep his mom, though I feel it would’ve been more interesting if Randy’s parents hadn’t been scum an dhe had to genuinely deal with having three parents now. Still it was worth it for some great lines from Malick and Kochner , so it works. Decent ep. 

Sauceface: Now we come to both one of the best eps of the season, and the series so far, and one of it’s most unique as it stars Candace and dosen’t feature the other main cast hardly at all, only Emily who kicks things off by, in a great bit, breaking Candace’s illusion their rich as “they live in a castle with alex and bridgette”, with her slowly realizing “Were poor”. Which is just a very kid thing to think that your parents are rich when they very much aren’t. 

But the episode really is a crime boss parody story, as the title would imply as Candace and her best friend start selling hot sauce, which is banned from the school due to it’s political correctness having gone mad and it being offensive to “sensitive palates” (They’ve also banned general tso’s chicken for mitlarialism and everything bagels for being “too much”). This leads where you’d expect: Candace getting drunk with power and forgetting why theys tarted, wet willies, and an art room brawl, all leading to candace’s friend getting pinched and candace having to use the money to buy Mr. Cambell a pelaton to get him off their backs, which leads to this lovely exchange “YOur letting them off just because they bought you a present?” “This is a 2000 dollar bike”. We also get the subtle reveal Mr. Cambell is gay which given how straight the main cast is, is nice.  But this was a great one with too many good gags to mention, a great setup, a great rolling stones song played during the montage I do not know the name of, and I hope we get other candace advnetures at her school in the future, because this was a real delight. Again one of the best episodes of the season. 

The House Guest From Hell: Speaking of best episodes, this is probably the best pairing of episodes yet, as both are standouts of the season. 

Emily’s old friend Becca drops back into her life, to everyone’s annoyance as Becca is an utter leech who constantly take advantage of Emily’s lack of boundaries with her to constantly talk about whatever drama she’s wrapped herself in and mooch off her. Josh and Bridgette want her to set firm boundaries, but Emily fails to and instead only gets Becca to set boundaries with her boyfriend.. which leads to her moving into the apartment temporarily, and annoying the hell out of everyone. Becca is a great character, being that asshole in the most over the top and annoying way possible, to the point she takes alex’s room, watches tv on a loop and doesn’t seem to realize Emily is married (Despite being part of her bridal party), or that candace is Emily’s daughter and not a tiny butler (Which Candace assumes is a game. )

Naturally for this show things escalate hilariously as Emily finds out she’s pregnant when she tries to throw her out and the pregnancy is escalated.. and we soon find out it’s because the pregnancy is demonic: She has Hecate as her dula (And Alex naturally asks if she’s single, get it guy get it), needs goats hoves, locusts and the blood of the innocent (Which is the only item that trips josh up who hopes they can get it at costco, which made me have to pause as I could not stop laughing). This would be funny enough. .but what takes it into making this episode a classic is when Emily tricks her boyfriend Luke over he’s unsurprisingly a devil.. but also a hilariously over the top douchebag dudebro played by Beck  Bennet, who it’s not only nice to see outside of ducktales, but is also just totally game. Luke is so odious it wraps around to being funny, to the point he unsurprisingly hits on Bridgette while his girlfriend is in labor, messily makes out with her and they try to move in, though thankfully Emily cathartically screams Becca out midbirth. Also they end up going to hell, with Luke getting there by doing donuts. Yes really. This episode is a treasure and does the series schitck of taking a relatable problem and escalating it to perfection. 

Joint Break:

Another unsurprisingly good one, as Pearle deals with the fact that despite her decades of service, the force’s health plan doesn’t cover her needed hip surgery after she slides over a car wrong (Which also leads to a great riff on the old csi Miami parody). She then finds herself between her oath as an officer and her needs for help as she befriends a gang of saucy old women at water aerobics who are also bank robbers and want to cut her in. And they provide a tempting offer, getting what their owed and ti feels like a genuine dilemma, even if Pearle ends up siding with the police, not that she should. It’s also full of great bits of the old lady gang weaponizing stereotypes about old people, with the three of them dawning classic old lady getups to fool an officer, and having one of them i a walker slowly cross the street to stop an armored truck. Fun stuff helped by their leader being voiced by Jane Lynch, continuing this season’s red hot guest star streak, not that the series has ever been light on them (They got David Hasselhoff and weird al in season 1, so yeah), but this season ramps up the good guest voices to the point there’s one per episode almost. 

Cyber Matrix: This one’s okay though the setup is good. Unsurprisingly given both his dale gribble-esque penchant for conspiracies and his hipster holier than thou ways, Alex has never had a smart phone, and has a very old flip hone that’s horrifc to look at and naturally gets destroyed, leading to him getting addicted to the thing.. and this being the show it is fusing with it. What makes this one is the climax, as the rest of the main group scramble to take out the cell tower so Alex’s phone doesn’t upload him to the cloud while Josha nd Alex open everything they can to slow her down. The result is the phone hacking Emily’s and ordering packages, task rabbits to punch her inthe face (With randy taking it so they can go) and outright hijacking a car in a clever chase. The ending though does sink this as suddenly their in veirutal reality again and it just feels weird given the series, while not really using continuity much so far, dosne’t have negavite continuity punch out endings outside of this one ep and I hope this dosen’t happen again. Otheriwse a decent one if sadly not one of Alex’s best and he equally sadly onlyg ets one truly great episode this season, compared to having a good chunk of the best plots last season. Still you can’t win em all and i’m sure my boy will return to form and said great episode, which we’ll get to soon, certainly shows they didn’t loose their touch. They just fumbled a bit and that’s okay. 

Haunted Couch: Balancing that out is the fact that Bridgette, who didn’t get nearly as many good eps as Alex or as much focus as the rest, gets some great episodes this season with this one being my out and out favorite as it fleshes her out more and has some really great gags. Josh brings in a street couch (And he and Emily’s argument over it is great including him using the fact she forced them to get a savings account as leverage somehow), just as Bridgette is in emotional turmoil over her latest boyfriend suddenly ghosting her. 

Naturally she ends up falling for a REAL ghost, a french couch designer who had a habit of cheating on his lovers, died for it by one of their hands, and his soul ended up bound to the couch. Naturally hea nd Bridgette hit it off and we get a LOT of good stuff in a montage as the two take the couch everywhere, and her friends, minus Alex who surprisingly rather than being jealous, simply dosen’t like the fact there’s a ghost in the house technically haunting them which surprisingly goes nowhere, are happy for her and like him after the initial shock wears off, though Josh still wants to sit on the couch. He and Bridgette even have really good sex using Randy’s body, with him being a willing vesel for Marcus. And i’d just like to point out that an intensely weird comedy show that also has a sentient present, bob vila with saw hands, and dude bro satan in this very season, 2/3 of those to come.. STILL did this better than wonder woman 87, as they actually asked someone to let the ghost of the couple use his body so they could fuck, and he gave full consent to it. And no I sitll haven’t let that go, it was a very bad plotline with nightmarish implications and the fact close enough did it better in a joke, they also have the song from ghost in the background by the by, than a big budget movie from the same company, is a really large bilboard saying:

But while the episode was thoroughly interesting and funny.. it’s what happens next that makes it one of the series best. While the series is amazing at comedy, it’s the character growth slid in between it that makes it so awesome and this episode is a great example. Bridgette turns cold towards Marcus as it’s clear he’s serious, and he’s even moved a tooth brush in. She gets more and more hostile until eventually Marcus calls her on it, and prevents her from leaving with a vortex of furniture.. which could’ve gone bad very quick but instead just means she has to face him.. and is hit with a rather painful relization when he asks “Do you what me to, how you say, ghost you?” (She explained the concept earlier). She says no.. but quickly a series of flashbacks puts the previous breakup in context as the guy she was seeing asked to leave a toothbrush, a  simple escalation and she got real nasty real quick without saying what the problem was. We see more of this with a previous boyfriend and hilaroiusly one before that guy who not only had a toothbrush in a ringbox but was also in a hot air ballon she casually cuts the anchors too and has float away. Which does mean Bridgette probably killed a man but that’s one compared to josh’s 10 this season. Yes, 10. We’ll get to that. 

Point is she realizes “oh shit i’m the dick”, and has a genuine talk with Marcus, realizing why: “You know how women feign being submissive because society’s taught them to so they don’t get raped or murdered or kidnapped?” “Oui”, best bit of the episode and damn if it ain’t horribly true. But due to tha Bridgette simply got terrible quick to scare guys off when she really just wanted to break it off instead of take things further and breaks it off with marcus.. and is surprised and relieved when he doesn’t want a big fight and takes it acceptably, Marcus having grown from his past of being a women using cad and genuinely wanting to treat them better. For once Bridget gets to have an emotionally mature breakup with someone, and while you could say her relationship with alex is like that, it’s very clear from an upcoming episode it wasn’t a very clean break at first and while their amicable now their marriage was a hot volcano of arguments. This allos Marcus to pass.. if also destroying the couch to Josh’s misery. An instant classic and one of the season’s highlights and one that really fleshes Bridgette out a bit by giving another reason for her relationships not working besides alex that fits the character perfectly and has her grow from it. 

Also just a quick sidenote, this episode vaguely reminded me of the Nightmare Time, theater troupe team starkid’s zoomcast I highly recommend set in their hatchetfield multiverse, episode “Jane’s a Car” , which is about a man’s wife possessing his car and also involves an object. Both are very diffrent mind you, Jane’s a Car ends up way more depressing, but its’ stil la story involving ghost fucking though Bridgette found a vesel instead of straight up fucking a couch the way tom went to town on that car. It also involves the lead’s perosnal issues, if far more severe in Jane’s a Car’s case, reflected by their relationship with a ghost. I mean it is a stretch but these are the weird connectoins my brain makes and I mostly bring it up because an  upcoming episode in the season goes from kind of similar but only to me to very similar, and a very fun concidence that these two episodes existed in the same year, especially since this happened last year with this show and Ducktales. But first josh doing a murder on some people. 

Man Up:

Okay for starters the title man up reminds me of this short lived abc sitcom I never saw but given it was about three guys tapping into their “inner man” it sounds like aresnic somehow took the sentient form of a tv show. This actual poster for it not only proves the point but why it lasted one season if not why the hell I remembered this existed at all despite never seeing it, not recognizing anyone in it and not wanting anything to do with it. 

Given I have 8 more episodes to go after this one, I do not have time to disect all the way that poster is a waking nightmare, though i’d love to, and instead i’m going to talk abotu the episode itself. The intro is funny enough, with the Ramierz-Singletons going to a bank for Candace’s first bank account, the Bank of Hollywood. An alien seemingly attacks, it turns out to be a promotional stunt with high budget effects a great gag in of itself, but Josh runs out on his family.  Naturally he’s horribly rattled by this, and wants to be a better dad, a John McClane type. So two things: I now want a crossover with this show and brooklyn nine nine along with the hatchefield one in my head and the regular show one most fans want. And the second is that John wasn’t the best dad or husband, and both the original film, the sequel josh saw, and the fourth film all spell this out. The fifth does too but I feel if I wish hard enough a good day to die hard will just spontaneously cease to exist and we’ll all be happier that way. 

So Pearle agrees to help him, and we get a fun training montage, with Josh protecting a candace made of eggs Alex made, because of course he did, and an emily made of the same because of course he did, and get punched in the junk by randy in a dog costume, as you do. He actually feels tough and is ready for phase 2, pearle hitting him with something unexpectdly.

Instead what he thinks is Phase 2 is actually a die hard style hyjacking of Emily’s company christmas party, which josh misses due to being in the bathroom after panickily running into corn. As a result.. we get josh killing about 8-10 people not realizing it’s not a simulation but not really caring about that part when it’s revealed. Which granted it is in self defense but he still kills a LOT of people this episode, and I will be forever haunted by the fact that stringbean can REALLY do some murders. Seriously who knew JOSH had it in him. That is terrifying to comprehend. Naturally after he john mclanes his way up, he finds out it wasn’t a simulation panics but instead of running away runs the hans gruber knockoff, whose sadly not very entertaining out of the building and onto some exploding corn, saving the day, earning his family’s respect and cemnting himself as a badass. The reveal of what the text actually was is just.. perfect as it’s just a bat on a string with Alex saying “he’s totally going to shit”. The perfect capper to good ep only hampred by hans being really weak.. seriously he just has a weird sentence sturcture tha’ts hte joke. They can do better. Otherwise a good die hard parody. John would be proud. 

Handy:

Another decent one not a standout but it has a truly astounding bit. Randy finds out, after going to Guy Fieri’s flavor diaster for Pearle, that she hired another handyman and he’s not good at his job as as he puts it “I’m going to do what troubled young men have done for years : i’m going to sea!”. Which is funny enough but leads to him stranded on a desert island, hallucinating and then meeting his idols in handy manning who may or may not be hallucinations: Bob Vila, The Ikea Mascot (Who speaks only in pictures and is a fun gag despite never having seen him before this episode) and my favorite tim the tool man taylor, whose tie is constantly pointed up for some reason and who amazingly only speaks in grunts. I didn’t know I needed this so thank you close enough. We also get the three helping with bob turning his hands into buzzsaws, ikea man creating nails and screws and Tim using his head as a tool. All accurate to their original shows and in ikea man’s case brocures. Really good adaptation. But through this he discovers the clog the guy is trying to fix at the house is loadbearing and rushes home to save the house, leading to a fun actoin scene and a weird version of the celebration from the end of return of the jedi, complete with force ghosts. So we also get a tim taylor force ghost which I did not know I needed and as much as that show makes my stomach churn I badly hope shows up in the finale of last man standing. A decent one and givne how I keep sayin ga decent episode over and over you can kinda see why I didn’t review all these. LIke season 1 I simply don’t have a full review in me for every single one of these episodes. We’re now at the halfway mark, only 8 more to go, I envy the dead, let’s do this. 

Birthdaze: This was the episode most heavily promoted in the trailer and for good reason as it’s the best of the season. Also relatable as while not having kids I do get how Kids Birthday parties feel and how they often end up weirdly close together. In this case both coalse as Josh and Emily have three birthdays in one weekend, their friends Emily’s friend Trish from “Cool Moms”, who is so far some of the only continuity the series has, but a nice sign it has it, and that we could see Jim Crunch (who rose from the grave after an utterly wonderful funeral) or Dog Boy again. Or this episode’s standout gifty. But we’ll get to that in a second.  So Josh and Emily well intentiondly decide to throw a party for the parents at the same time as Candace’s.. but end up neglecting Candace. While their idea is good, to reward the other parents for having to sit through so many parties, putting it at the same time was a horrible idea as giving a bunch of pent up people with low alcohol tolerance booze ends up resulting in drunken antics and them heckling the magicain... and given the world we’re in, that’s a horrible mistake as he makes the children disappear to a world of perptual brithday parties and forces JOsh and Emily to follow him if they want their child back.  What results is an utter delightly as we meet the wonderful and incomprable Gifty, a giant living present who works iwth the magician, named sardini, and is voiced by Kate Miccuci, heart eyes> Just.. evey bit with gifty is great, from her genuinely being animated and looking like a muppet, to her casually going demonic to explain if the kids stay too long they forget parents, to as seen up top playing a pipe organ that is apparently made of gold plated clown bones, and her best bit, which I posted on this very blog, where she assures the trapped kids if JOsh and Emily fail their final test, they’ll get to live of nutricious necco wafers before vomiting a giant cloud of them at the poor children. Those things are gross and we now knwo it’s because they come from a giant present’s stomach. 

We get a great montage before most of that of our heroes treking through a weird and awesome birthday landscape with too many good parts to mentoin, before finding Sardini who puts them through tests before they can get candace back.. and one of those are you human image tests via the ball from phantasm. As gifty puts it “We have to make sure your not a bot”. But the tests, about candaces faviorite things, help the two realize she liked them because they did it together, and a final talk with candace, as the final test has her ask why theyd idn’t want to spend time with her, with the two warmly apologizing and explaning why they did it but that they went too far. Candace reconclies with her parent,s the kids and our heroes go home, and Sardini finds himself sad no one stayed.. but at least he has gifty... and then start making love to her “Unwrap me!” which is far and away the best gag in the season’s best episode by a mile. 

Time Hooch:

Now to talk about two things I hinted at earlier: The only good Alex episode this season and the one that vaugely resembles one of the Nightmare Time episodes. And while their two very diffrent stories with very diffrent outcomes and only one of them involves this guy

And suprisingly it’s NOT close enough that has the eldtrich horrifying goat monster with a goofy cartoon voice who says things like “I’m coming for your ass Teddy Bear!” But both are stories about a sketchy (mildly for alex, entirely for Ted) middle aged man who feels one moment is where his life went wrong then accidently time travels after drinking 80 tons of liquor and decides to use said time travel to save a relationship, and fails at it in some fashion.  There’s even a jaunt to a distopian future with robots and cyborgs. So while it’s not 1:1, alex is far more sympathetic than Ted, Time Bastard is dark horror comedy, and it again dosen’t involve a horrifying goat man suprisingly enough, it’s till way too many happy coincidences for me to outright ignore. Also check out nightmare time and especially the musicals it spun off from The Guy Who Didn’t LIke Musicals and Black Friday. It’s good stuff. But I couldn’t help but make the comparison, or now imagine Alex, Ted and Professor Hidgens as some weird diasterious power trio. This is how my brain works now. 

But to the episode itself it’s just great from start to finish: Bridgette finds out while rumaging for an old photo in an old box of their stuff that Alex never signed the divorce papers. Turns out he was hoping they’d get back together.. and while not doing it and not telling her was a VERY selfish and horrible action.. you still sympathize with him. He hoped things would work out and they’d get back together, and given they had some close calls with that in season 1, to the point I shipped them, you can see where his sprig of hope came from. But with this he’s realized there probably isn’t any hope and drinks some old moonshine he and Josh made in college.  Said moonshine was from a recipie in an old blues record, the titular time hooch that true to form, allows them to travel back in time. And since he was thinking of when he thought the relationship truly hit it’s breakig point, when Bridgette at a sandwitch of his and he’d said in the heat of it he wished he’d never met her, they end up there and Alex tries to use it to help. Also Jason’s delivery of Alex saying what the recipie was “rye, barely, a dead man’s pocket watch, mixed under a full moon (Laughs) okay we probably should’ve seen this coming.  

Naturally here’s where it really gets intresting. As you’d probably guess, our heroes are the ones who made the sandwitch disappear and in desperation, alex kidnaps his past self before he can say the fatal words> We also get another spectacular bit where all past alex needs from alex to know he’s really him from the future is what year he was born (1982), meaning he’s defintely older than the rest of the cast. Though I wouldn’t be suprised if he was held back.. like at all. Look i’m not thinking too hard into it this is also a story about whiskey based time travel. 

But with that said intresting part takes hold as Josh’s past self reminds him of another fight that made things tense for a while.. and you can see where this goes. Alex keeps going back, and back, and back and back and back and back and back... and back, to try and stop the one fight, only to find a bigger one, leading to a montage.. to the point he ends up at the start of the relationship, the day they met at a college bar. The younger Alex’s have decided screw it it was always wrong, let’s end the relationship. 

We also get more of Alex’s backstory as it turns out he’s at a community college rather than UCLA, where he used to teach because of his own dumb actions: He met bridgette, let her enroll in his class and didn’t try to convince her to take another one. Don’t get me wrong the decade age gap and power dynamics are iffy.. but it’s not as bad as it could be. They met before the class, and it comes off more as both being too stupid or too horny to realize how her being in his class came off before it was too late. She got with him entirely on his merits, and yes he has some trust me.  Case in point.. Alex realizes a few things. The first is that no amount of time travel can save his relationship. They fought all the time clearly, and there were inherent problems. It’s also clear just from the series itself that while they have chemistry their just not that compatible as people. Bridgette is obessed with image, social media, and herself while Alex just two episodes ago called phones the downfall of society and likes feeling superior to the exact kind of person bridgette is. They have chemistry but sometimes it’s jut not enough. You have to have some common ground or your going to fall in a big hole. It’s honestly feels like a much more tolerable and realistic version of Leonard and Penny from the Big Bang Theory. And yes I know that show’s not the most popular with my core audience, nerds, and I bring it up because mom’s been watching it a lately, and any time I see Leonard and Penny on screen it annoys me into a tizzy as the two just have NO REASON to be together other than boning, and even then he’s apparently not a good partner so why then. They have nothing in common and she mocks and belittles him all the fucking time, mocking his hobbies, finding his job boring, and mocking him as a person. And not sharing hobbies or finding his job intresting would be fine, and still work but it’s the constant teasing about it that comes off far more vitrolic than probably intended that just makes me hope for a divorce. Here it’s not only much milder but they did actually get a divorce because their just diffrnet people and i’m not mad the ship was sunk. It was done in a poetic way. 

And part of that poetry is Alex realizing that as doomed as things ended up being, via a very sweet montage of their time together.. he realizes he can’t loose this all together. That sure he’d gain a lot and porbably woudlnt’ be living in a closet, but he’d loose all the good times, and he’d loose a friend. His marriage wasn’t so bad he wants to erase it it just ended and that happens. Naturally the other alex’s don’t feel that way but Alex stops them.. Josh is too drunk at this point to help, and ends up creating a time vortex. The vortex sends our heroes home, where Alex realizes his mistake and apologizes for it to bridgette and signs the papers in front of her.  As for the Alexs we get a horrifying and hilarous gag as, given they’ve all commented each other is handsome.. start having an orgy, and are later found in amber and their dna is used to create our alex apparently. How does that work?

Point is this episode.. is a masterwork. It’s emotoinal, hilarious, and really good character work, with Alex having a really stellar arc that shades him in and putts a final button in his and bridgettes relationship. And having seen many ships I like end horribly, it’s nice to have one end in a satsifying way like this. Also we see Alex in his borat thong, and i’d just like to point out how funny I find it that the same year they made a borat joke, specifically on it being from a decade or two ago, we ended up getting a second Borat movie. Very niceeee. 

World’s Greatest Teacher: This one was alright. On the bright side we got a Mr.Cambell episode! I”ve loved the guy since first meeting him in 100% no stress day, it was the first episode and that hasn’t changed and he’s always a bright spot when he shows up. So an episode about him dealing with a rival teacher, MS. Lake a twice a week music teacher gunning for his job and his students love sounded made for me. In practice he gets a bit too petty to be symapthetic which takes things down a peg, even if it turns out  Ms. Lake really is coming for his ass Teddy Bear, but it has enough good gags to help it still be a fun episode.

The biggest one and the biggest reason I sitll like the episode is Timothy’s coffe mug for world’s greatest teacher.. which naturally comes to life, possibly as a psychotic break possibly for real because of the show this is, and starts speaking in the dulcet tones of keith david. ANd i’ve made no secret I love and am thirsty for Keith David on this blog and never will, and having him voice an abusive fowl mouthed coffee mug  is something I dind’t know I need but boy did I always need it my entire life. Yes even as a baby. It’s just glorious every time he shows up. The climax is also great as the two teachers end up bonding over the greatest love of all and george micheal after Candace invites River to a part sh’esd having for her tooth coming out, and end up becoming frinemies, a nice solution i was glad to see. Even if i’ll miss evil keith david coffee mug. Rest in power my dude. 

Where’d You Go, Bridgette? The second major Bridgette episode of the season and like “Haunted Couch” this one’s an instant classic. After realizing Bridgtte’s already out of control addition to her phone has gotten even worse, Pearle confinscates it and takes her to detox. This leads to two great plots; Bridgette going into withdrawl, complete with an inspired nightmare sequence about her aps and missing her friends death because she was on her phone and the rest of the cast thinking sh’es been kidnapped because she’s not on social media, which while stupid is DELIGHTFULLY stupid and makes some sense given how glued to her phone she is. They end up calling a true crime podcast over, two egosticial college girls who quickly blame them for it despite it making no sense and their fans torm the apartment, and don’t belivie it when bridgette actually shows up.. It takes an inspired speech from Bridgette, whose developed as a person and after actually tasting a late for the first time sees how good they are, and Pearle posting that speech online to dismiss them and our heroes are saved. It’s an utterly amazing plot from josh being excited about the mob attacking them, to Pearle revealing part of the reason she’s so dedicated to helping bridgette is due to her own weird addiction to six flags, which is just so oddly specific I love it. 

The Erotic Awakening of A.P. Lapearle This one STARTED well, with Alex reading his viking erotic to everyone, and not getting that Candace maybe shouldn’t be there, only for Pearle to be the only one to actually enjoy it and be inspired by her enjoyment of his work to submit it to a publisher. The publisher ends up making a valid point that women want erotic fantasy from someone they can feel safe by and alex is well.. alex, so he suggests using pearle as a front. it goes how you’d expect: he wants actual credit, the publisher slowly pushes him out, she regrets it, they fight an army of fans and make them vomit with alex reading the book.. standard stuff. It’s just not very funny or a great insight into either characters, and is easily the weakest episode of the season.. though the next one gave it close compettition. 

Men Rock!

This one was a chore to sit through, and is only ahead of the last one because it has some really good josh bits and musical numbers which is more than the last one gave me so hey. In a nutshell Emily is on the verge of quitting her and Bridgette’s music careers as she feels they’ll never be famous only for their latest song Men Rock!, an ironic title for a sarcastic song poking fun at a bunch of toxic masculinty bs that is a good song, has hit it HUGE in a fictonal foreign dicatroship and get invited to go, reclutantly agreeing. If you haven’t seen the ep, you can still guess how this goes: say it with me THEY TOOK IT AT FACE VALUE. So our heroines have to help inspire the repressed women and inspire a bloody cou, helped by josh finding some improisoned femisinists in a bathroom. They also gain a fan. it has a few good gags, mostly Candace trying to remind her dad to help her find a place to pee after he keeps getting sidetracked by being taken back by Emily’s sucess. I’ts just a very bad, very predictable episode with very obvious misogyn is bad jokes. And misgoyny IS bad but other shows, paticuarlly tuca and bertie with one early episode, have tackeld this topic better. This episode did not. Last one. 

Secret Horse:

This one in stark contrast is one of the series best and an utter joy to watch. On a bad day for the whole apartment with some santa anna winds, an adorable, poofy mained utterly precious horse gets free and ends up at the apartment. Thus we get a vingettte episode, as the horse has a delightful adventure with each of our main 7, and each up tot he last try and hide the horse badly only for the horse to suddenly sprout up and help their mood.

I do love a good vinegtte episode, with two of my faviorite simpsons episodes being 22 short films about springfiled (Minus kirk dragging MIlhouse away from the bathroom, fuck you you balding asshat, it makes the episode hard to watch) ,and trilogy of error, and this is a classic example of it as we get some fun adventures fro each of the housemates: Candace plays with the horse, adorably so, Josh finds it in the garage as his car breaks down and takes them on an install with him, even stuffing them into a suit and we get a great bit of the horse getting fed sugarcubes and josh money. Brigette gets help living in the now instead of posting about it all the time.

My faviorite comes next as Alex needs new patches for his suit but obviouslyc n’t afford them so he takes the ponyt ot he track.. to help him pick which horses to bet on. It’s just such an inherntly funny idea, especially since it works, and really the horse is just hilarious wherever it ends up. It next helps randy win a skating contest, we get a touching story as Pearle misses her old tragically dead horse partner and uses our boy as a subtitute and finlaly we get emily who needs help relaxing and while she naturally calls animal control she hangs up as she falls for hte horse. The group all fight over the horse in the end, the horse leaves and they let it go home, wonder if it was a hallucination and it whizes on thier car. Overall a really great finale and a wonderful note to go out on. 

Overall Ranking I’ve decided eveyr time I do one of these, or a post season wrapup of a show i’ve covered every episode of the season to rank them from best to worst sooo

Birthdaze Time Hooch Haunted Couch Secret Horse Where’d You Go Bridgette? Sauce face Houseguest  From Hell Joint Break Josh Gets Shredded World’s Greatest Teacher Meet the Frackers Handy Man Up Cyber Matrix Men Rock!  The Erotic Awakening of A.P. Lapearle

And i’d like to note that outside of the bottom two hear.. I enjoyed ALL of these. WHich leads to

Final Thoughts; This season was excellent. It had everything the first season had the heart, the character and the utterly great sense of humor, and fine tuned it to be a well oiled machine I could hardly stop laughing at and with tons of great character stuff. Before it had the potetial to surpass regular show but now it has as despite having a few dud episodes itself, as is intievitble in any show, now, they still aren’t as bad as a lot of RS’s early misteps. And Regular SHow as a FANTASTIC show and really stuck the landing, so i’m only saying this is even better and can only go up from here. And even if it stays about the same quality wise, that won’t be a bad place to be. This season was near damn perfect, i’ll probably watch it again and again, and I can’t wait to devour more and given the current tragectory probably will this year. And I couldn’t be more excited.

If you like this blog follow for more reviews, become a patreon to help reach stretch goals or comission a review outright, details for the latter two on my blog. And i’ll see you at the next rainbow. 

[justanotherpersonsuniverse]

Chloe in the Panthera Noire Au

As always, I’m giving her a redemption, but not yet, she has to be a major ass first, but not like.. psychotic (I’m still wondering on what to do with Lila because while I want to give her a redemption too, I’m not sure what to do about things like Chameleon- maybe Gabriel’s forcing her in this? Idk)

Let’s start off with a few things first that are pretty obvious with how I write chloe: she’s really really gay, using adrien as cover for such, she’s a better friend to adrien, and has a lot of mother issues that weigh on almost everything she does with an Overwhelming force.

Great? Good.

I’m gonna ramble so I’m adding a read more here

The redemption actually low key starts at Reflekta. Reflekta actually doesn’t happen here, because while Juleka isn’t as crazy as Anarka, she’s still a feral cryptid when she wants to be- so added with her new strength from working out as Panthera: SHE SCALES THE FUCKING BATHROOM WALLS AND JUMPS OUT

There’s this huge argument and Vincent the Photographer gets akumatized (the say spaghetti dude). And while Juleka is pissed off, she still saves Chloe during the attack and invites her and Sabrina to the park class photo. (It’s not a class photo if not everyone is there) So why does she give a shit about Chloe?

Well one of the main things I noted about Juleka in this is that she notices things. She an observant person by nature(so is Luka, and hey- maybe Anarka too) (If Lila was evil in this she’d probably notice and pull Rose and a few others out of her web as quickly as possible, and if she didn’t notice, she’d notice the inconsistencies anyways or the things she knew that were completely untrue (other than the superhero thing))

So what Juleka notices is Chloe’s absent Mom. The way the light practically died from Chloe’s eyes over the years, how it just so easily boiled over into aggression, the flickers of regret and grief on her face as she did something bad, before twisting backwards again after no doubting thinking of what her mother would do, how she spoke briefly of the agreste family and the lonely son that resided in its walls before shutting up entirely with the disappearance of Emilie Agreste.

One of the plot points in this whole ass fic is Juleka’s relationship with her family (because unlike the show I’m writing actual character development here( and she has a little bit of dad issues. Those issues with being absent, being the cause to her slightly manic mom’s slightly rough relationship with her, him not being related to Luka, and also most likely abusive from the few memories she has of him

She sees that shit, looks at Chloe and is like “yep. This is a problem.” because although it’s not the same obviously, their upbringing is similar.

Although Juleka is pissed half the time by Chloe and won’t hesitate throwing her into the seine, she also sympathizes with her and gets where she’s coming from and doesn’t want Chloe’s sibling relationship with Adrien to break/strain (like hers and lukas is due to luka being more of a parent than a sibling and is much more protective), she genuinely wants to help and see her get better, and she can through Panthera.

See- I haven’t to it yet, but I’ve already written and published part of Style Queen/Queen Wasp in a Panthera Noire One Shot called “Dont Do This” and it’s definitely canon to the story so I’ll just spoil:

Basically- Chloe still nabbed the Bee Miraculous and Audrey does her bitch thing where she’s like “lol you mean nothing to me child” and Chloe is about to reveal herself as Queen Bee. HOWEVER- Juleka -daughter of an anarchist-Couffaine— snuck in just for kicks and seeing Chloe about to pull out the box, she chucks Plagg into a pillar that he destroys and crashed into the ground. They all jumped out of the way and are mostly safe (Audrey’s weird jumper is ruined and covered in dust) but there’s a big cloud of dust now, obscuring a lot of shit.  Juleka runs through, scoops Chloe up, and hides behind a wall far away. She covers Chloe’s eyes and is like “hey it’s me Panthera, don’t look I’m detransformed, I know you have the bee” and lectures Chloe on the fact that no her mom doesn’t love her but that means jackshit because she never will and Chloe shouldn’t waste her energy on someone like Audrey and instead work to be happy and a better person for herself.

She gives Chloe back the box as Audrey somehow Akumatizes AGAIN and is like “okay good luck byeeee” and scrambles off. Queen Bee keeps her identity a secret and she and Panthera become bros. (I’m considering whether or not Ladybug knows who Queen Bee is, Juleka could pull a “Hey I don’t know who Rena and Carapace are let me have this one”, but granted the fact that Jules knows who Marinette is.. I wouldn’t be surprised that she was able to connect Rena or Cara too, we’ll see).

TLDR: Crime Cat Girl Goth helps Bee Bitch with her mommy issues through the power of collateral damage and subtle Ladybug manipulation because she has daddy issues and anxiety.

[panlight]

thanks to @sweetrosaliebahbahbah​ for tagging me! AND I ACTUALLY REMEMBERED TO GO BACK AND DO IT THIS TIME.  

1. Character you find most relatable to you as a person? Bella, in the first book, but she loses me as the series goes on. I was that ‘old soul’ who didn’t feel like she related to other teenagers. Also made total sense that she was afraid of going to a house full of vampires because she was afraid they wouldn’t approve of her.  Same, girl. Same.  Also, and this one is a little weird, Carlisle. I don’t drink (for a lot of reasons, none of them moral/religious. It’s mostly mental health--I know it’s the right choice for me), and while obviously drinking human blood is way different than drinking alcohol, pre-1918 Carlisle being surrounded by a vampire culture and friends who are constantly questioning his choice not to drink human blood, and trying to get him to drink human blood, and don’t understand why he doesn’t drink human blood is #relatable.  Like, I get it my dude. 

2. Character that didn't have a POV in the books or certain unfinished manuscripts, but you wish did?

Pretty much everyone, tbh, but Charlie would be interesting because he is so in the dark about so much.  But I keep thinking about Billy Black’s POV too--he DOES know what is going on (mostly) but he’s still an outsider. He knows about the wolves, but isn’t a wolf. He’s human, like the reader, so he might be a relatable narrator? 

3. Character that's underrated and deserves more recognition?

Again, pretty much everyone?? I think the moms or mother-figures need more love. There’s a lot about fathers--Charlie, Billy, Carlisle, and so much is made about the Power of Mother!Bella’s Love for Renesmee. But Esme is sort of left in the shadows and like, let’s talk about SUE CLEARWATER and her roller-coaster of a journey--helping Emily after her accident, her husband dying, her kids turning into wolves, becoming a leader during what is obviously a very scary time, her kids fighting newborns to the death (!!!), finding a second chance at love. She went through as much as anyone in the story did, really. 

4. Character you thought was unnecessary for the story? Renesmee by a mile. 

5. Top 5 female characters?

Rosalie, Leah, Siobhan, Esme and Victoria/Maria (tie) although I’ve pretty much talked myself into Sue being in there somewhere now, haha. 

6. Top 5 male characters?

Carlisle, Emmett, Seth, Aro and, hmmmm I have a soft spot for Alistair. And movie!Charlie but I don’t remember being all that attached to book!Charlie tbh.

7. Character interaction that didn't happen but you wish it did?

Leah and Rosalie having a good old vent session about all the chaos the dumbasses they were surrounded by are creating in their lives.  Also BELLA AND ESME TALKING ABOUT HOW ESME MET CARLISLE WHEN SHE WAS A HUMAN TEENAGER. 

8. Character that deserves more development?

Most of them, tbh, but of the ‘main’ characters Esme and like, all of the wolves. Who even is Jared? I constantly forget he exists. 

9. Character who is your total opposite?

Probably Felix? Big and brawny and kills people. I am none of those things. 

10. Character you warmed up to after experiencing the Renaissance?

Edward, honestly. All of Bella’s gushing narration about him kind of made me roll my eyes at the perfectness of his perfection in the books, but I love the fandom version of him--which is pretty in line with Midnight Sun, actually--where he’s a lot more awkward and anxious and weird and totally, totally aware of it. 

I’m not going to tag anyone but if anyone wants to fill this out and tag me I’d love to read your answers!

[nellynee]

FowlPlayAU (aka Miraculous Peacock Marinette AU)

Literally no one asked but I don’t care. An AU in which Marinette holds the Peacock Miraculous

This actually developed from a few different threads that I tugged on over the course of a few months.

I guess the starting point for this was probably the season 1 episode “Simon Says” with the very short but profound moment of understanding between Gabriel and Ladybug over the pedestal they both placed Adrien on and the subsequent really, really heavy handed comparisons everyone kept making towards everyone else about who resembled Emilie the most

Basically I thought this episode was the heaviest seed in the narrative of the parallels between Gabriel and Marinette, both fashion career focused workaholics who take way to much responsibility on their own shoulders and get obsessive to the point of destructiveness over their respective, similar love interests, and using those parallels as a point of interest in showing both Marinette's growth as she moves beyond that destructive mentality and towards regarding Adrien as a person and how Gabriel’s “love conquers all” mentality isn’t an inherently positive thing but no. *sigh* no, they needed more screen time for one time characters. It fleshes out the world,yes, but not the characters. LOTS of interesting long term threads were dropped in favor of broadening the cast to try and shoehorn that “kid superhero group” into the show that was originally tossed. Basically I’m saying that I do think Gabriel and Marinette have enough in common to surprise some people, including each other, and I’m a sucker for intergenerational friendships

The second main factor was the small subplot at the time of Gabriel suspecting Adrien of being Cat Noir. I got really interested after “Gorizilla” about what might actually happen if Gabriel did figure out that Adrien was Cat Noir at that point in the series (I have words about Cat Blanc, trust me. No those words aren’t “throw the whole mess out the window” because I actually love it. But many, many words) Going off the heavy handed implications that Emilie was the former Peacock, I thought it would be interesting, and in character, for Gabriel desperately analyze his son’s behavior as Cat Noir, trying to figure out WTF Adrien thinks he’s doing, only to realize that Cat Noir has some pretty obvious affections for Ladybug. This is unacceptable of course, but understandable in a “he’s a hormone ridden, teenage boy, and Gabriel was once too the same sort of boy in love with the same sort of heroin” sort of way. The obvious answer to getting rid of what is the only possible obstacle for his son’s cooperation (I was going off the pilot with the potential of Cat Noir as a Hawkmoth agent because of their familial connections) is to get rid of his affections, and since it has to be shallow, he’s too young and also Gabriel controls his whole life so it can’t be love, then all he has to do is shift his son’s affections. Cue an uncomfortable number of episodes in which Gabriel subtly inserts a B plot into his Akumatized villains by trying to push various girl together with his son in carefully controlled circumstances. Because this is before Kasumi, and again, those nice parallels between Marinette and Gabriel himself, he eventually after trial and error settles on Marinette as the perfect candidate. Thus, we get a series of hilarious situations in which Marinette and Adrien are pushed more and more into high pressure uncomfortable and intimate situations, losing time and ability to turn into their superhero personas as a natural deterrent to power creep and justifying the use of other Miraculous users a lot more. 

I saw someone comment in one of their author’s notes on a fic a long time ago that they hated the trope of Marinette being an emotional Atlas and my instantaneous internal response that that kinda WAS Marinette's character early series, especially the origin episode, and that a lot of the most prevalent fics were written in that time period, and that really intense response from me really stuck. 

Peacock aesthetic. yup, that alone gets an equal piece of the pie 

So yeah, if any of that interests you, keeping in mind that on top of potential sympathy and understanding of his actions, Gabriel is still absolutly a shitty person, then the actual (canon divergent) AU is under the cut.

The actual thing diverts during Stone Heart, in which the moment Marinette decided to become Ladybug for realsies rather than try to faust it off Alya doesn’t happen. Rather than deciding to put on the earings, Marinette distracts the monster enough they can get away. Alya finds the earings, and takes up the Mantle of Ladybug.

This decidedly marks a regression in Marinette. Where as Ladybug, and with Tiki’s constant assurances and influence, Marinette learns to work past her urges to take responsibility for everyone’s emotions, Marinette has now lost that constant companion, and has to deal to with her new best friend’s time being diverted

Cut forward to “Stormy Weather” and Marinette has fallen into a vicious cycle of guilt. The little creature had told her it was her destiny to be Ladybug. And while we know that the situation with Hawkmoth is not much different than it is in canon, Marinette is totally convinced that the only reason Hawkmoth is still around hurting people is because she rejected the call. That guilt has built into a feeling of impotent inadequacy that convinces her that she’s no longer deserving of the Ladybug roll, and so she’s both unable to do anything, and responsible for Hawkmoth still being around. 

The most prevalent of episode changes is Lady Wifi. It’s Marinette who’s akumatized, not Alya, and it’s a fairly traumatizing, but empowering experience for Marinette. 

The ultimate culmination of this is this universe’ “Volpina” episode, where, in the background of main battle events, Marinette gains an understanding of the suspicions that Gabriel might be Hawkmoth, and in the climax of the battle, believing Adrien in danger, she confronts him, confirming his alter ego. 

In a scene I have no time to actually extrapolate on, if your curious, just ask, Gabriel and Marinette come to a tentative understanding. He’ll give her the powers to protect his son, and she’ll actually have some sort of control in her life again. This akumatization takes the form of a faux Peacock Miraculous. 

This marks the first half of her partnership as an antihero with Hawkmoth. (and yes, I do have the mechanics of how he can akumatized more than one person at a time without Catalyst, which will be extrapolated upon request, but this is long enough already)

Again, I wanna draw attention to those Sweet, Sweet Marinette and Gabriel parallels. Gabriel, through half truths and carefully peppered moments of emotional manipulation and practiced vulnerability, attempts to B plot Marinette into stealing the Miraculouses. Believing herself to be at least somewhat in his thrall, Marinette allows herself to empathize with his plight, and they build a surprising, if strained, raport. 

After discovering that she is not, in fact, under Hawkmoth’s control Marinette rebels just long enough to have Hawkmoth take back his Akuma, and Marinette caves the next time Adrien is in Genuine Danger, stealing the real Peacock Miraculous and using it.

This marks the second half of their partnership, and Hawkmoth reveals that the miraculous is broken, and Marinette is now dying from it’s use, and that her only choice of survival is to help him make his wish. This evens out the power balance, at they both now have the same goals and powers independent of each other, but also ups ante. 

That’s the most tldr general of overview, with other more specific highlights like

Ladybug!Alya having to reach her own emotional maturity, her earlier stint as a hero leaving her with a much bigger ego in terms of how she perceives her impact of the morale of the city and where her priorities lie in trying to boost that morale vs her personal needs. Ladybug!Alya tries too hard to take notes from already established heroes and public images. She still runs the Ladyblog, Spiderman style.

After quickly realizing (after some confusion) that the Ladybug he fought Stoneheart with the last time is not the same as the one he fought the first time with, Adrien gets a big old case of the pining sighs

Early series Adrien and Alya are both not the type to value secret identities, and so yes, they do reveal said identities to each other fairly early.

They also can both keep a fucking secret, so it works. They are secret BFFs

After the first time Adrien is rescued by the mysterious Peacock Holder, he figures out that whoever she is, she’s the original Ladybug, and more and more ends up distracted and drawn away from fights by her, the perfect reason for Alya to have to bring in other miraculous users. (the interactions tend to take place on moonlit balconies. There’s heavy Pilot influences here)

Marinette does this thing where she spreads her fan when she’s startled and hides her face. Mostly because Cat Noir wont stay out of it. The miraculous’ memory means she tends to fan speak a lot. Symbolism

Speaking of symbolism, the character designs are rife with them. I know exactly what Peacock Marinette looks like and there’s a reason for everything.

The subplot where (inspired by the pilot) Cat Noir finds out that there used to be a curse on the ring that could only be lifted by a kiss from Ladybug (thanks to her creation/retcon powers). Cat Noir convinces (inaccurately) himself that his destruction powers can totally do something similar with Hawkmoth’s mind control now all he needs is to kiss the Peacock user and she’ll be free! She’s totes not a bad guy!

Yes, Marinette does get a different miraculous ala being an episode helper, and her emotions are complicated about it

And other fun tidbits. This got way to long but I’m more than willing to extrapolate on anything more specific that anyone is curious about

[supercasey]

Werewolf Fire, a piece of writing by me

Not quite a poem, but some feelings that have been on my mind for a long time now. I dunno if the quarantine is what brought this out of me, but fuck it, I need to scream and with nowhere to run and hide, I guess I’m being vulnerable on main. Under a readmore because I may be raw, but not THAT raw.

Werewolf Fire by Theodore JJ REDACTED

Love is an oddity to me. It's not that I don't feel love at all- I feel love towards my friends, my family, my pets, my fellow humans- but love in a romantic setting... it just doesn't happen for me, at least, as far as I can tell I doesn't.

I think I've been trying to fall in love for a very long time. There was a boy named Adam in sixth grade, and when my best friend told me she had a crush on him, I told her I also had a crush on him; I was lying. Nonetheless, this was my first attempt, and I really did try to fall in love with him; I took up reading the Percy Jackson series, as it was his favorite, which sparked my love of Greek Mythology and teen coming of age stories involving super powers, but it wasn't love. Besides, he went to another middle school after we graduated sixth grade, so it wasn't like we had a lot of time left together.

I tried again in ninth grade, with my friend Nick. He was funny, polite, and overall one of the kindest people I've ever met, so if I had to fall in love with anyone, it was gonna be him. I knew I liked him, that's for sure, but... well, he started dating our mutual friend Emily, so I gave up. Months later, they broke up because Emily moved away, and my best friend suggested that I ask Nick out. But I didn't, because I thought it would be scummy to date him right after Emily left. Years passed, Sarah told me that Nick liked me back, we danced at prom, and I kissed him on the cheek. Then I graduated, and didn't keep contact, mostly because I'm bad at those sorts of things.

I tried again in eleventh grade, while I was still wondering if Nick was the one. This time it was a girl, Cassidy, and goddamn, was she beautiful. The other kids in class whispered about how she used too much make-up, was faker than nylon, was too popular to be in Theatre class, but I couldn't help but like her. I think, out of all these loves, she was the closest to being real; we were cut from the same cloth, both having hippy mothers that everyone else loved but we resented, and we bonded over it. I used all my birthday money to buy her a protection necklace, as we both believed in ghosts and the like, and she hugged me and said I was her best friend. Then I graduated, and again, I lost contact, but with her it hurt even worse than losing Nick.

I tried so, so hard the fourth time. I tried to love a friend, a girl I won't even name, and although she hurt me and I'm half convinced I was exaggerating the pain she inflicted on me, it was my worst attempt at love yet, and didn't even come close to becoming true.

That was almost two years ago, and I haven't tried again since. Part of me kind of wants to, as I can't help but think highly of love and in it's many forms. I mean, honestly, who wouldn't? The very thought of being in love, of finding the other half- or many halves, in some cases- of your soul, or staying with someone forever and always... it sounds lovely, and I want it so bad, but it feels like a shooting star that's just out of reach, appearing so close yet so far, and even as everyone I know leaps up and catches the stars as they fall, I always manage to miss, much to everyone else's confusion and worry.

I want to fall in love so badly, it makes my bones ache and my eyes wet annoyingly often. It seems so easy, but really, it's so hard. It's hard watching everyone you know fall in love, and yet it just... doesn't happen for me.

Sometimes I think I can't fall in love because of my upbringing- Mom and Dad got divorced when I was ten, and before then I thought that they were the epitome of true love- but this can't be the case. After all, Dane has had a partner for quite awhile now, and I'd honestly be surprised if he doesn't marry them someday. Alyx has dated other boys several times, and he seems content with it. Lisa just fell in love, and her girlfriend makes her so incredibly happy, it's adorable. All my siblings have found love, and yet me, the youngest of the pack, the runt of the litter, can't seem to fall in love.

I've been told I might be aromantic. Hell, even I think I might be aromantic... but I don't want to be. I know that sounds horrible, and probably makes me an arophobe, but I can't help it. I want to fall in love more than anything else, and it feels cruel and terrible to take this human right from my heart, to strip this beautiful, intricate tattoo from my bones. Who decided I should be born this way? Who deemed it humane? Is this nature vs nurture, or something else entirely? What am I, if I cannot fall in love?

I want platonic love to be enough, and sometimes it is. Spending quality time with my Dad, watching TV and building Megablocks with Lisa, hanging out and drawing with Dane, talking about writing with Alyx, those things make me happy, and I love my family members so much. It's not just my family, either! Discussing writing and sharing interesting/funny posts with West, talking on the phone with Jason, watching anime with Sarah, these things make me happy, too.

And yet, I can never remain sated, can never make myself satisfied with this lifestyle. I feel like a werewolf, staying calm and content for a majority of the month, but when the full moon hits- the teasing of love, of something I'll never feel or understand- I scream my throat raw and lose myself to a bloodlust that will never end, will never stop. I am forever wandering, tempered yet so very hungry, begging for an end, an answer, but every antidote that's forced down my throat is temporary at best and poison at worst. I can't even tell if this is normal anymore, it just fucking hurts, like a wound that just won't heal, no matter how well I tend to it.

Something that feels akin to a double-edged sword for me is writing romance. I absolutely love doing it, love giving something to the characters that I will never have, and expressing what I wish I could through them. I've been told I'm good at writing romance- good at the communication, the intricacies, the little moments of contentment they share- and I don't know how to feel about it. Should I be proud? Should I be mad? I don't even know anymore. How can I write something so well, yet not feel it in my soul? I'm highly empathetic, I know this, and yet, this is the one thing I can't absorb, the one feeling I will never truly understand or feel.

I don't much care anymore that I'm asexual... if I ever did, I don't remember it. I'm fine with never having intercourse, and from what I've read, it's not necessary to make a relationship work. And yet... how do relationships work when you can't fall in love, either? Yes, platonic and familial relationships can still exist of course, and as loving and warm as they are, I still end up freezing in the winter. I'm cold, shivering as I await the roaring fire of romance, and yet, no matter how much timber and dry leaves I gather, no matter how many hours I spend with a flint and steel, struggling to light the smallest of embers with my shaking fingers, getting brief glimpses of sparks every so often, the fire won't come to life, and I'm left with only piles and piles of fuzzy, soft blankets... but they're not a fire, and I damn well know it.

This must all seem so strange, so exaggerated, but I'm a writer, and writing my feelings, it's the only way I know how to express this pain, this misery. I wish I could fall in love, but I don't think I can, and that, above all else, is what's killing me.

[a-ratt]

Into the Mari-verse (for real this time)

Alright. Alright. Alright.

I’m back. That’s not a good thing. Maybe it is. I don’t know.

Okay, so, like, a week ago, I made a post about a WIP fanfic I was writing, but, uh, that may or may not happen idk. Anyways, I thought I might as well throw out all the notes I took and ideas and concepts I came up with, so, here goes:

The Goal:

So, when I first brainstormed this I wanted to think about how this would have to differ from Spider-Man: Into the Spider-verse. First things first, the main character, Marinette, is an established superhero who’s confident about herself, both in her personal and superhero life. Meanwhile, Miles Morales is a normal teenager who suddenly gets superpowers and has to learn how to be Spider-Man to save New York City.

Taking that into consideration, I had to write out a completely different arc for Marinette. From reading multiple fanfics and posts critiquing the show (credits to @zoe-oneesama @miraculouscontent and others.) I decided the best course of action would be for Marinette to work on her self-confidence. Now, here’s the thing, she’s already self-confident. At least, that’s how she’s portrayed. (Unless she’s in the same room as Adrien.) But, through reviewing the show’s canon and plotting out how characters should be growing, I decided that she’s probably got a lot of pent up emotions. Chief among them is probably anger at always being walked on and taken for granted, especially after Chameleon.

With the goal being more introspective, I was also able to validate the idea of the Mari-verse. (i.e. bringing multiple Marinettes into the same reality.) Each one has their own issue that they’re dealing with and each one helps the others with dealing with those issues.

The Marinettes:

Okay, so this is the real meat of the story. This is what everyone’s probably coming for. The base concept of Into the Mari-verse, is that multiple, alternate Marinettes converge on the same reality due to some phenomenon (I’ll explain that later.)

Anyways, the final total of Marinettes to show up in the story was five:

Ladybug!Marinette: The canon Marinette who received the Ladybug Earrings and became the Miraculous Ladybug. She has lived a rather successful life, saving Paris and getting A’s at school. Recently, she’s hit some rough terrain thanks to the return of Lila and her plot to turn her class against her. Thanks to her, Marinette has become tired and detached from her personal life; depressed, but not to an extreme.

This has led to a crisis of identity. Unlike most stories, however, she beholds her superhero alter ego, to the point that she questions her role as Marinette. Though Tikki argues that she shouldn’t neglect her personal life, Marinette cannot help but notice that people take her for granted, but they worship Ladybug.

Butterfly!Marinette: An alternate Marinette that succeeded in giving away the Ladybug Earrings to Alya in the Origins episodes. While Ladybird and Chat Noir continued to protect Paris, Marinette remained a side character. She stayed true to her values, standing up to bullies and helping others, but her she often feels guilt and experiences moments of self-loathing for pushing such a heavy burden as the duties of a superhero onto someone else; i.e. the new girl in class and her best-friend at that. Her closeness with Alya, however, has also translated into favoritism by Ladybird and Chat Noir, something Hawkmoth noticed.

During the events of Hero’s Day, Marinette was captured and used as bait, but after being freed, she helped distract Hawkmoth long enough for Team Miraculous to regroup and defeat the super villain themselves. She was taken to safety before the final fight and in the aftermath, crossed paths with an exhausted Gabriel Agreste who claimed to have been transformed into the Collector. Unbeknownst to either of them, Nuuru stole the Butterfly Brooch from Gabriel and stowed away inside of Marinette’s purse. Later that day, she discovered him. He convinced her to take up the superhero mantle once again and she became Le Monarque. Her inexperience has resulted in self-doubt and a fear of failure.

Bee!Marinette: (credited to @zoe-oneesama) An alternate Marinette that had the Ladybug Earrings stolen from her by Chloé without her ever realizing she had them. While Scarlet Lady and Chat Noir defended Paris (mostly Chat Noir), Marinette remained a resolute figure of confidence and courage among her peers. After receiving the Bee Comb, she became the Miraculous Marigold and clashed with Scarlet Lady over the role of team leader during akuma attacks. Her constant taking command of situations and pushing Scarlet Lady to the side has developed into a kind of controlling behavior, resulting in a minor issue of pride. Usually seen as the obvious leader among her peers, she rarely butts heads with anyone.

However, in Ladybug!Marinette’s reality, she butts heads with the other Marinettes over what course of actions should be taken.

Dragon!Marinette: An alternate Marinette who received the Dragon Miraculous. In a Paris that has long been protected by Ladybug and Chat Noir (in actuality, the married couple, Gabriel and Emilie Agreste), Marinette Dupain-Cheng was born with brown eyes. She adhered to her mother’s Chinese heritage, but was bullied for this. Due to this, she has developed an isolationist demeanor, veering away from social contact.

Later, in collège, Paris came under attack by the former Guardian of the Miraculous, Master Fu, who abused the powers of the Butterfly Miraculous in order to reclaim the Miraculous protected by the Agrestes. To fight him, both Ladybug and Chat Noir required aid, so they gifted Marinette, a notably resolute and resilient classmate of their son, the Dragon Miraculous, turning her into Chu Long.

Cat!Marinette: An alternate Marinette who received the Cat Ring instead of the Ladybug Earrings. Plagg’s influence developed her into a more mischievous and conniving character, often playing pranks, making jokes, and playing around. Though she retains her serious demeanor when it comes to situations demanding it, she is usually playful. (She’s basically a Meme!Marinette) However, she has an issue with self-sacrifice, believing that she must give up herself if it means she is helping others. While it is a tense issue in akuma fights, it is even worse in her personal life, with her classmates usually walking over her and bullies, such as Chloè and Lila taking advantage of her kindness.

Peacock!Marinette: An alternate Marinette that lost faith in herself. (Yeah, this is gonna take a dark turn.) Marinette has always proven to be a strong and confident character, incorruptible and resolute in her beliefs. However, she has had moments of doubt.

She holds Ladybug to an impossible standard. She must be the flawless symbol of heroism and nobility in order to be a superhero. However, is she truly worthy to be Ladybug is she’s been nearly akumatized twice? These seeds of doubt have haunted her for some time, and after the akumatization of her father because of her own emotional, irrational actions, she chooses to give up the Ladybug Earrings.

Her life took a downspiral from then on out. Her classmates abandoned her. Alya and Nino turned their backs on her. She was slowly breaking. Lila’s lies were destroying her life.

In the end, she managed to find comfort in Adrien, but when she managed to build up the courage to confess her feelings, he rebuffed them and told her about his devotion to Ladybug.

That was the last straw.

She once beheld Ladybug, but now she loathed her. While Paris praised their beloved hero, they forsook her.

Her festering negativity drew Hawkmoth’s attention, but instead of akumatizing her, he invited her to the Agreste Mansion under the guise of an internship. She was overjoyed at the prospect, but was quickly horrified to find the super villain in Gabriel Agreste’s place.

Hawkmoth manipulated her emotions, making her believe that the world had turned its back on her. He offered the damaged Peacock Miraculous to her, hoping she would claim it and work as his minion. Marinette, at the lowest point in her life, accepted.

Thus, Le Paon was born and began her reign of terror on Paris, hunting down her former friends and forcing Master Fu into hiding.

The Catalyst:

So, this is the event that actually causes the Marinettes to crossover into Ladybug!Marinette’s reality. It’s not so much of an event as it is an akuma, though.

Her name is Metadrama.

Prior to her akumatization, she lost her father to cancer. He often read her storybooks and she was fascinated with the fantastical tales. Heartbroken at this “bad ending”, she longed for a happy ending. Hawkmoth granted her the ability to search every reality for that happy ending.

In battle against Ladybug and Chat Noir, she proved a powerful opponent. Unlike most akumas, she manipulated the environment around her. Wielding paracausal and reality-warping abilities, she forced Paris to “glitch” and alternate between different versions of itself.

Her ultimate goal was to reach the Eiffel Tower and, from there, alter the entirety of Paris in search of the perfect universe where her father survived.

Ladybug and Chat Noir managed to restrain her with the former’s Lucky Charm, but realized to late that her akumatized object was not on her person, but was actually a storybook that she was using to conjure a portal.

Ladybug was able to destroy it, but was exposed to its paracausal and reality-warping energies, causing multiple Marinettes to converge on Ladybug!Marinette’s universe.

Extra Notes:

So, yeah, that’s Into the Mari-verse, or, at least the base concepts and ideas that I came up with. Thought I’d just throw this out there since I don’t know if I’m actually going to write the story. Pairings with the Marinettes are subjective until I finalize who I want with who. (Kinda gunning for a Chlonette/Kagaminette ending, though.)

Character development is based on how the Marinettes interact with each other, either clashing with or helping each other. For example, the Marinettes, looking for a way home, need Butterfly!Marinette to akumatize someone into Metadrama so they can create another portal. However, Butterfly!Marinette doesn’t know how to use her powers, or even how to be a superhero, so they spend their time teaching her. Another example is Ladybug!Marinette coming to terms with how she’s treated by her friends (i.e. Chat’s neglect of her personal space and feelings, her classmates invalidation of her feelings, and her own weariness of herself.) Over the course of the story, the other Marinettes support her and encourage her to believe in herself.

Characters outside of the Marinettes are still being worked on. I definitely want to include redemption arcs for certain characters, Chloè especially. I would like to put more spotlight on Kagami and Luka, both are characters with an incredible amount of potential. I’d like for Alya to have a moment when she comes down from her pedestal and actually apologize to Marinette for her behavior and confess her faults.

On the note of Gabriel Agreste/Hawmoth, I’m uncertain if I want to resolve the Agreste storyline. It’d be a good conclusion to have the Marinette expose his true identity, but it’d also deprive the show of its basis of Team Miraculous winning the day instead of a single character and her many selves. Also, it’d also leave out a future where Team Miraculous deals with Akumas rather than regular crime.

Anyways, thanks for reading. I hope you all enjoyed what I’ve got jotted down. If you’ve got some constructive criticism, please leave some notes. Share this around if you’d like, I’d love the promotion. It’d help me build this idea more.

Thanks again to @zoe-oneesama for letting me use Marigold in this story concept and thanks to @miraculouscontent for her amazing critique and “fixes” of ML canon.