#is it meta? yes

[sanjiafterhours]

being a sanji fan is an intense experience because it takes you like 200 episodes to finally understand why sanji's eyes turned lifeless for a flickering moment at those words

[weirdsociology]

hey writers we have to talk.

if you've read any romance or fanfic in the past twenty years (i know you have), you know that there are a certain number of scents associated with hot dudes. you can probably recite the list of Things Men in Fic smell like in your sleep: leather, black pepper, pine, sandalwood, "something uniquely him", clean sweat, and if the character has ever fucking been within 50 yards of a firearm, something called "cordite".

here's the thing.

NO ONE SMELLS LIKE CORDITE.

cordite was a highly specific type of smokeless gunpowder developed in the 1890s by england specifically and used mostly in wwi.

if your good-smelling guy is not (a) english (b) using a very specific type of british rifle (c) dying in a trench in flanders, he does not smell like cordite. technically even if he does meet all those conditions he still doesn't smell like cordite because he smells like trenchfoot.

the point is, cordite is so far from universal that no one but the most hardcore gun nerds give a single shit about it. making your Sexy Hero smell like cordite is like naming a cassette-only bootleg live recording from the 1970s as your favorite grateful dead album. everyone at the party hates you immediately and knows you're doing it for clout. also, it's just factually... wrong. please stop. i know everyone else is doing it, but you can do the right thing here, i believe in you.

so what do people who are using guns smell like?

well if your story is set before the late 1880s, the smell of a fired gun is black powder, which, unfortunately, smells like seventeen flatulent cows have been shoved in a tire factory. trust me, you do not want your Hot Dude to smell like black powder. it's b a d.

if your story is set after the late 1880s, guns are using some variety of modern 'smokeless' powder - which speaking broadly doesn't really have a ton of scent when used. it does have some, but it's sort of non-descript: the best way i can describe it is the sweet, ozone, hot-plate smell of popping your car hood with a warm engine.

people who use guns a lot don't smell like fired guns all the time anyway, so while those scents might work in a fight scene, they're not realistic all the time. but there are some things that your Sexy Shootist will smell like basically 24/7 and that's metal and gun oil. metal you can go and sniff (i recommend non-stainless steel), but if you want a reference, most gun oils have a sharp, organic smell that's not dissimilar to canola oil but muskier and with a tang overtop. it's not unlikely leather is in the mix as well due to routine handling of leather equipment and gear. modern gear also tends to have a certain smell although it varies by production country and storage conditions - lots of opportunities there.

in conclusion: gunslingers and hired killers and military folks can be sexy and smell great on page, but i am begging you not to say "cordite" when you mean "gunpowder" ever again. we can do this. we are writers and therefore pedants. i believe in us!

[essektheylyss]

I understand the impulse to clown on Essek for walking around in Vasselheim with his recognizable voice with the Bright Queen's spearhead commander, and of course we could turn to the metatextual elements (the necessity of signposting the world for players on the part of the GM, the ease of using a familiar ally to introduce a relevant NPC and new point of contact) to dismiss this if we wanted, but I think it's more interesting—and funnier, as you'll see—to imagine this as simply an extension of the laws and logic that dictate the Mighty Nein as a narrative entity.

Fundamentally, the Mighty Nein within their campaign pursue personal and collective agency, often at the expense or in denial of political power. Where they do interact with more political forms of power, they evade its grasp upon them, most notably in their interactions with the war, but also while they engage with the Cerberus Assembly, the Cobalt Soul, and even the Revelry. The way they pursue agency, on the other hand, has far more to do with their own support of one another and their own individual power, especially where there is magic involved, and manifests in having the freedom to move and act as they wish in the world.

The culmination of this, as we know, is the mechanical ability in their final battle against Lucien and the Somnovem to manipulate the terrain of the battle map to their advantage with only imagination. At the same time, Jester and Caduceus can both call in free favors from their gods, one of whom is unlimited by the Divine Gate and in fact is far more governed by fey logic. Fjord has made three different divine pacts and is virtually unrestricted by any of them. Caleb's hallmark is an almost infinitely malleable home that almost literally seems to operate as a hammerspace, with a pinnacle dedicated to the potentiality of the universe, the application of which is one of his signature spells—against all odds successful in his initial goal, no longer fueled by guilt and grief, of bending reality to his will. It's narratively and thematically cogent that this be the calling card of the party as a whole.

The Mighty Nein are, in effect, dictated by Looney Tunes logic, and nothing else. They have been so successful in their pursuit of their own freedom that they no longer abide by the cosmic laws of Exandria, let alone the laws of physics or sense. So yes, from an external point of view, it does look exceedingly foolish for Essek to be traipsing around in Vasselheim under the Bright Queen's nose, but it's far more entertaining to argue that being a member of the Mighty Nein in fact simply confers the capability of ignoring the laws of reality without consequence when it's narratively convenient, characteristically interesting—or just really fucking funny.

[vandersprodigy18]

The sex scene could only happen after these conditions:

1) Jinx telling Vi she deserves to be happy with Caitlyn

2) Caitlyn letting go of her singleminded mission to capture/punish Jinx

Vi as a character has ALWAYS been torn by the division between Jinx and Caitlyn. The narrative has always demanded that she choose only of them and she has always refused. Always loving both of them, always trying to keep both of them in her life.

But after those scenes, the two loves of her life, the two halves of her heart weren’t pulling her in different directions anymore. Now both of them were leading her to the same destination: allowing herself happiness.

[nenoname]

It's still interesting that TBoB called more attention to Stan's control over his mindscape (And if you go with the interpretation that the lost pages are partial truths that are heavily influenced by Bill, then he's the one insisting that only someone with training should be able to have that much control over the mind.)

Meanwhile we have a memory!Stan. Someone who apparently knows too much and is rather aware for being a simple memory.

From the Wheel of Shame, we know Bill was able dig up all kinds of dirt on Stan but... that wasn't why he was there in the first place, was it?

Bill couldn't find the code immediately despite a memory of Stan opening the safe being a few hours old at most and decided to have Mabel try find it for him (The original concept of the ep had it far more hidden but this was likely cut because of time constraints)

Ford did experiments on Stan's mind which likely meant using Project Mentem and actually looking around his mindscape, and his only reaction was to comment on his jokes-- despite what little we the audience know being enough to render us sobbing wrecks

(yes I refuse to shut up about this part cos the book's intro is extremely underrated)

Stan was able to replace his memories of Ford with the swingset instead and managed to hide Ford in his Bar Mitzvah memory. And that's not even mentioning the lack of visible Portal and Stan o' War which noticeably show up in Ford's dreamscape (the broken swingset manifesting anyway pains me tho)

He subconsciously has misdirects for his secrets that are both silly and manages to disturb everyone too

And while Bill-as-Soos being bored by the vending machine memory is a joke that's basically the crew's way of going "hey remember the thing way back in the first ep that's going to show up in the next one?" and in-universe appears to be Stan slipping up, it's interesting that they had Stan input the wrong code when it's consistent literally every other time its inputted (especially when it shows up correctly in the very next episode)

It's even possible that the safe code that Bill found could have been a misdirect too but we'll never know since the safe got blown open by dynamite.

Stan was able to buy time by making his mind blank despite being genuinely terrified when Bill enters his mind (to the point that he breaks character and uses his own voice to yell), and could conjure up his living room (in colour opposed to his mind's regular greyscale) to make sure Bill didn't have enough room to flee, slamming the door in his face before the effects of the memory gun kicked in.

(EDIT: Random door analysis here)

And maybe the twins eventually told him that Bill had already been inside his mind after their W3 reunion, but all we know was that his conscious self was left in the dark for ages and wasn't really aware of Bill until Weirdmageddon.

TBoB showing McGucket's dreamscape also brings up the idea of the effects of the memory gun manifesting differently to each person. To Stan's mindscape, the memory wipe manifests as blue flames which immediately brings to mind Bill's powers but it's a far lighter shade (maybe to more closely match the memory gun and its eventual fade to white?)

The end of TBoB and the website poem also firmly reminds us about Stan's connection to fire but there's also the question if Stan himself is actually aware of it...

[tonydaddingham]

fr tho i understand why crowley wants them to run away together and run from all of it but he just seems to have forgotten that aziraphale does not cower, he doesn't back down, and he. does. not. run.

and honestly, crowley knows it:

[lass-us-slay]

So I read a prompt about how Wonder Woman found Danny in a trash can (don’t remember which one) and I was bored.

So I took that lil info and made it into an AU.

So basically, Danny get yeeted into this unknown universe and has no where to live. And no where to live means no money. No money means no food. No food means Danny can’t keep his human half sustained.

So what does he do?

Decides to not change into a human and live in a trash can.

Yes you heard that right, live in a trash can.

Because he’s a ghost, he doesn’t have to worry about the germs and stuff. But that doesn’t mean he lives in just any trash can! He lives in a clean one ☝️

AND he also decorated it with his name so other people know it’s his!

And so Danny has been here for a while now and realizes

Holy shit there’s hero’s here- you know what, why doesn’t he have hero’s back home?!

And being minorly annoyed jealous (but he’s never admitting that)he thought:

Well since there’s hero’s here already, guess I’m not needed.

.

.

.

Good. I’m tired af

And so Danny caries on his life, being content with his trash can and scaring whoever comes into his alley. It’s fun. Sure he sometimes needs to ugh overshadow people to feed his human side, but other than that.

It’s going great.

But Danny doesn’t realize that with Amity gone (or smth, you choose) which was his haunt, he slowly makes the trash can into his new haunt.

And slowly but surely, Danny’s beloved haunt trash can starts to become other worldly kinda.

Yk because of the ectoplasm.

So now Danny’s lovely trash can haunt has more space inside and- Hey Danny can actually sleep in it better!! And he got some company too!

In the form of blob ghosts.

Two actually.

They keep his trash can clean and help purifying some corrupted ectoplasm that he finds. Because for some reason this universe’s ectoplasm seems half way artificial and tastes a bit weird. Which is where the blob ghosts help out in.

Everything was great.

Danny was loving the trash can life style.

He has two blob ghosts friends. Which he named Sam and Tucker, and yea they couldn’t talk but that was fine.

He wasn’t lonely, he wasn’t. He had two very much talking friends like Sam and Tucker.

However one day two weirdly dressed people- oh they were hero’s.

Well anyway they found him, one woman stripper and one furry guy.

But it was on accident! He was just peaking out of his beloved haunt trash can, and they spotted him.

He stared, they stared back.

Then the woman stripper asked him questions, even when he said:

“Don’t mind me, have a nice day!”

But they just kept bother him and giving him weird looks and glances.

Which- rude.

Didn’t they see his mark on his haunt trash can? Obviously it means it’s his home, so they shouldn’t be bothering him still. He’s safe as can be.

Plus.

It’s not like he’s looking at them in suspicion and weirdness, I mean look at them! What kinda cheep knock off vampire fury mix and American stripper style clothing are those!

They should mind their own business!

———

Just a silly lil drawing of this lmao, don’t mind me.

[atlasshrugd]

no but the thing is, when the hero falls in love with the villain she is falling in love with the darkest parts of herself. she is owning her shadow and the owning makes her stronger. it is not about whether a ship is toxic or romanticising abuse because it’s not about two individuals. the struggle is not one between two people, just like the love is not between two people. when the hero falls in love with the villain she is loving herself. when she loves herself she is stronger, better, able to transform darkness instead of running from it. at the moment of loving, a person changes. the loved changes. and the love of the villain changes the hero. it’s all about this, don’t you see?

[dandelionjack]

broke: the doctor having two hearts represents “one being happy, one being sad” (sorry 13. it’s cute but like…)

woke: the doctor having two hearts symbolises the idea that he cares about everything twice as much

bespoke: the doctor has two hearts because, to quote paul cornell writing the shalka doctor, he “doesn’t like the military but has so many friends in it; he says he doesn’t kill but then… exterminates thousands”. always of two minds about any decision, any impossible choice. he’s completely human and completely alien. completely merciful and completely ruthless. contradicts himself constantly. breaks his own rules, sets new ones, repeat. the #1 hypocrite. two hearts like the two guards at the door of that riddle — one always lies, the other always speaks the truth — but not even he remembers which one is which

[ennas-aesthetic]

If we DO ever get a Good Omens season 3 (and fingers crossed we will) then using the Second Coming as the narrative device to facilitate the final culmination of Good Omens' ideology and message is brilliant, actually.

Because the Second Coming IS NOT another Adam situation. And, contrary to the misconceptions I've seen, It IS NOT about Jesus being born again as a baby, etc, etc.

THE SECOND COMING. QUITE LITERALLY refers to THE LAST JUDGMENT.

As in. The SAME Last Judgment Michelangelo painted on the walls of the Sistine Chapel. As in - THE JUDGMENT of the Living and the Dead. THE LAST, FINAL, ETERNAL JUDGMENT.

It's the WHOLE thing Armageddon was leading towards. Book of Revelation speedrun: the world ends, everyone dies, and then they get resurrected again to be judged by JESUS himself. He will flick through the Book of Life (WINK WINK WINK DO YOU SEE HOW LOUDLY I'M WINKING AT YOU???), and if your name is there he will go "oh nice you deserve eternal paradise! :D" and if your name is ERASED from the Book of Life he will go "oh no, sorry, you go to the lake of fire for eternity now D:" (except apparently in Good Omens lore it'd just DOOM YOU TO NON-EXISTENCE FOREVER???)

And if you THINK about it, The Last Judgment is the ultimate manifestation of moral absolutism. No shades of gray, no chances. Just BLACK, and WHITE. Never mind that you're like Wee Morag and Elspeth, who are forced to do "bad" things because of circumstances. It's either you pass Judgment Day, or you burn (or disappear forever.) And the way THINGS are going in the Good Omens universe? I don't think there's ANYONE "good" enough to be "saved." Not Crowley, not Aziraphale. Hell, not even the Archangels themselves.

So it provides a PERFECT opportunity for Aziraphale and Crowley to UPEND that SYSTEM entirely.

I think that's what Crowley and Aziraphale would do in s3: establish a new kind of system in which angels and demons have free will to determine the right (or wrong) choice.

Giving them the APPLE, so to speak.

And then they'll go off to retire in a cottage, together at last.

[vaguely-concerned]

the more I play the more I think lucanis basically knows it's illario who betrayed him right from the beginning (he's had a year in the ossuary to think. not that many people knew where he was going. when you ask him 'did Illario know you'd be on that ship' his only answer is the hardest flattest 'yes' you ever heard). so it's not so much about figuring out who the traitor is (because that's ludicrous. we all know. immediately. they didn't really bother to hide it lmao) as about methodically closing off every single avenue of denial lucanis has clung to that whole time with as much or little gentleness as you might prefer until he has no choice but to admit it. because the moment he has to admit it, he'll have to do something -- feel something -- about it. and that's such a catastrophic event in lucanis' inner landscape (he has had TWO people in this whole entire world up until now and will do anything to hold on to them with a heartbreaking child-like desperation, even at and especially through the detriment of his own self) that he'd rather just. not. what if we quite simply. didn't. what if we just stayed here in the emptiness where we can both pretend you didn't hurt me in a way I should never forgive. I have so much practice in that with caterina already it's always worked out great for everyone so far. (press x to fucking doubt but that's trauma logic for you lol)

after everything illario did, so much of the storm of lucanis' emotions around it is 'what the FUCK did you get yourself tangled up in this time and how do I get you out of this mess safely'. what's worse: the fact that your brother murdered you, or that he put himself in horrible danger doing so and thus exposed you to the risk of losing him forever. lucanis' heart certainly has an opinion here and it's fucking unhinged (affectionate)

the themes of dissociation in lucanis' character in general makes me feel nuts. allllll these contradictory messy things he needs to cut off from each other because they can't coexist or be easily reconciled inside him. but all remain stubbornly true separately anyway and will have their due one day. love and resentment. tenderness and fear and rage. terror and longing. love and freedom don't coexist. the burned out golden child anthem is playing in the background. he was always caterina's favourite and he has to keep striving to deserve that dubious honour with every breath he takes and then, presumably, mercifully, some day he will die and be excused and can rest. and until now he's suppressed all the -- natural, healthy, protective! -- negative feelings that threaten the few attachment relationships he actually has, at the cost of ever actually having his needs for connection and safety met and leaving his core self imprisoned and compromised. and spite goes 'what. no. that's dumb fuck that' (*spite voice* I do not understand that and even if I did I would not respect it) and does not allow him to fall back into that, which I think is what saves his life, ultimately. it took being possessed by a demon for lucanis to even contemplate telling anyone he loves 'no' in any way, but hey. whatever gets you there right lol

lucanis is dealing with the freeze response allll the way down baby. and he was even before the ossuary, that just turbo powered it and brought it to a breaking point way before it could happen naturally. but something was going to break eventually no matter what, and I'm just glad that in the end, through the power of friendship and also pure spite, it doesn't have to be him

[yourleastfavoriteplaguerat]

thinking about fandom and wicked and how having three different iterations of a story impact one another in the current fandom climate. because on one hand, fan creators have, for as long as i can remember, been fucking with elphaba’s gender expression and/or identity. i think it comes along with the whole ‘being born different from your peers/being born in a body that others you/ostracization for something you can’t control’ narrative she has going on. you can always identify with and relate with elphaba if you’ve ever felt outcasted in some way. and the gender fuckery goes a step further if you look at the book and the whole ‘elphaba was born with both genitals’ thing because there’s A Lot that could be unpacked there. so while it’s not like, a fandom headcanon or widespread trend or anything, people do and have been ascribing varying levels of femininity and androgyny and masculinity to elphaba

but then again. the masculinization of black women is a real and damaging stereotype/bias. and in that case hackles can be (rightfully, imo) raised if fan content depicts cynthia erivo’s elphaba in a non-feminine way. because her particular elphaba is fairly feminine and there is like, an actual precedent of misogynoir both irl and in fandom spaces.

i don’t really know what to make of it. i’ve always thought that since elphaba’s story is so widely relatable that it would make sense for any actor of a stigmatized group to play her (be it jewish like idina or black like cynthia) but it never occurred to me to think about how a new (explicitly black) iteration of the character would impact previously established fandom practice as wicked becomes even more mainstream and a whole new audience joins the fandom. would the solution be to use idina’s elphaba in fan content that wants to mess with elphaba’s gender expression? i feel like that would introduce a whole new set of problems if someone was also using ariana’s glinda or writing a fic taking from the movie

[huginsmemory]

Been thinking about how Bill legitimately had a horrifying reason (the literal progressive disintegration of the nightmare realm that erases whatever it disintegrates from existence completely) to move himself and his crew into a new dimension. Like that's terrifying. And yet he never utilizes this to his favour. He could have been honest about this with Ford, and you KNOW as long as Bill didn't mention plans of overtaking the earth, Ford would've made the portal for him, both out of Ford's own interest and because Ford when faced with these big moral questions will pull through. But this is a card Bill NEVER plays because although he needs to leave the dimension, he cannot lose face. He can't put aside his pride and admit to the humility that he needs to flee from his dimension, that he's not actually all powerful. And so instead he pretends to be a muse and when Ford figures out something else is going on, instead of being open and humble and saying that his dimension is unravelling, Bill focuses on that he's going to over take earth, that he's actually been a monster all along, surprise Ford!

And part of it is definitely because Bill's built himself up on power and violence and to grovel and earnestly ask for help, to admit that he cannot stop the unraveling of his dimension completely invalidates that; showing vulnerability? Can't do that, even under the guise of lying to get his way. And part of it makes you wonder if it's also a form of self-sabotage, because underneath his deep denial Bill is guilty over what he occurred; he sees himself as a monster and so he'll be that monster, and having people recognize that feels good in the same way that pressing a bruise feels good. But it makes you wonder what would've happened if Bill even just was open about his dimension unravelling and had lied about overtaking the earth.

It's also interesting because although Bill has SOME charisma and can manipulate people decently well (as evidenced by his cult, and pandering to people's desires with Ford, Mabel and Blendin), he refuses to be vulnerable, refuses to not be true to his off-putting self, even when if he was just vulnerable of pretended to not be himself, to put aside the (false) pride he has in himself he would've gotten a portal by now. and part of me wonders if it's because it's this false pride that built on insecurity and denial on who he is he cannot drop that mask.

Further thoughts on this!

[eveningdawn222]

people who act like batman isn't "judge jury and executioner" because he doesn't kill people are like. genuinely so funny to me because. they're very obviously thinking of "executioner" as like. the stereotypical guy with axe who chops people heads off, and not, yknow, the literal definition of the idiom itself, which is about someone who has the ability to judge and then subsequently punish someone unilaterally. which is quite literally what batman does.

he has the ability to decide what is a "crime" to him, he is the one who decides whether people are guilty of those crimes, and he is the one who executes their punishment. the severity of the punishment doesn't matter - he is unaccountable to anyone else, and indeed is allowed to commit as many crimes as needed to reach his arbitrary ideal of "justice."

the ideal of batman is this: a man who is so fundamentally changed by an act of senseless violence that he takes it upon himself to fight back against the rot and corruption in the world. he does this not through political activism, not through ridding himself of his wealth in favor of a greater good, not through community outreach, but through an individualistic fantasy of being a hero.

and you'll say: charlie, but he does do that !!! he donates his money all the time, he funds social programs, hospitals, orphanages, gets people jobs -

and i will say this: so why don't things get better?

because here's the base of it. gotham, at its core, can't get better. no matter what bruce wayne does, there will always be more crime, more villains, more death, more people for batman to beat up in back alleys. because that's what sells.

reoffending rates don't matter in gotham, prison reform doesn't matter in gotham, what actually causes crime doesn't matter in gotham because that doesn't sell books.

and so here it is; dc has unintentionally created a world where batman can't win, but can't be wrong, and where thousands of nameless, faceless, only-created-to-die civilians must be pushed into the meat grinder that is gotham, to fuel bruce wayne's angst and vindicate his constant, tireless, noble fight against the forces of evil.

and then: a new robin, who is poor and who's parents are dead or gone because of this cycle; who is happy go-lucky and hated by editors and fans for being robin, for not being dick grayson, for being poor.

and this robin is written, unintentionally or not, to be angry at the ways in which batman's (the narrative's) idea of justice is detached from its victims. bruce seems perfectly fine to allow countless unnamed women to be at risk from garzonas in his home country, yet robin is the one who is portrayed as irrational and violent.

this robin is not detached from gotham in the way bruce wayne is: this robin is a product of gotham.

(and here's the thing. you can't punch aids. you can't fight a disease with colorful fights and nifty gadgets. and how would robin dying from aids add to batman's story; it would call into question the systemic changes that haven't been made in gotham. how does a child get aids, in batman's city?)

so robin dies, and then bruce (the narrative) spends the next couple of decades blaming it on him. it is jason's fault; he was reckless, he just ran in, he thought it was all a game. if only bruce had seen what was coming, if only he could have known that jason wasn't rich enough or smart enough or liked enough to be robin.

batman gets a little more violent, a little more self destructive. he hurts people more and almost (!!) kills a couple guys. this is bad because it's self destructive and "not who he is." it is not bad because batman should not be able to just beat people up when he's angry.

and then he gets a shiny new robin - who is all the things jason "wasn't": rich and smart and rational and he doesn't put who batman is into question. batman and robin are partners, and jason is a grave and a cautionary tale, and (crucially here) never right.

the joker kills thousands and it doesn't matter because they were written to be killed.

batman beats up thousands and it doesn't matter because they were written to be criminals.

and then jason comes back, and nothing has changed. there is a batman and a (shiny! rich!) robin and the joker kills thousands. (because it sells)

and jason is angry - he has been left unavenged - his death has meant nothing, just as willis' had, just as catherine's had, just as gloria's had, just as -

thousands. ten of thousands. hundreds of thousands. written to be killed.

but one of them gets to come back.

and he is angry - not only at the joker, but at bruce (the narrative) - because why is the joker still alive (when thousands-)

here is the thing - jason todd is right. not because the death penalty is good, not because criminals deserve to die, not because of everything he says -

but because of what he calls into question. why is the joker alive?

because he sells books.

and dc has written a masterful character, through no fault of their own, because jason knows what is wrong, and he knows who is at fault - batman. (the narrative)

so the argument that bruce can't kill because he's not judge jury and executioner; the argument that jason is a cop or that jason is insane or that jason is in the wrong here; they hold no weight.

batman can't kill the joker because the joker sells comic books.

and jason can't kill the joker because the joker sells comic books.

so he will beg and plead and grovel - he will betray everything that is himself, he will forsake his family and his city and kill himself - just so that bruce (the narrative) will let the joker die.

he was condemned to death by an audience, and after he came back he has spent his whole life looking us in the eyes and screaming, asking, pleading; why is the joker still alive?

why are thousands, tens of thousands, hundreds of thousands (the number doesn't matter, see, because they're just a number. not people. not real.) why are we expendable for his story? why did i have to die just for nothing to change?

and the answer is money. and the answer is the batman can never be wrong. and the answer is shitty writing. and the answer is -

nothing jason can ever change.

which is the worst of it all. he is a victim with no power, and no one else in the world can see it. he is raging and crying and screaming at his father and his writers and you - and it doesn't matter. jason doesn't matter. and he knows it.

[kurthummeldeservesbetter]

listen I know death of the author and everything and we should all ignore what one of the co-creators of arcane says anyways but like. it’s so fucking hilarious that quite literally everyone else involved in the making of the show ships jayvik. animators. storyboard artists. some of the writers. the fucking music video for the line included jayvik scenes. I’m pretty sure the voice artists ship it or support it. like this one man is like idk we designed them in mind as brothers and the rest of the people involved are like we did?

[puppetmaster13u]

Prompt 318

Danny is learning how to shapeshift. It’s fun, really, and he honestly thinks it’s more than a little cool. Plus it’s not a learn or you fully die sort of thing, which is pretty cool too. He just erm, might’ve also made a mistake. A little oopsie. An uh-oh. 

Erm. So. Apparently stuff stays when you go from ghost to human form. Just erm. More… permanent? Look he panicked, okay! And it wouldn’t have been that bad if not for the fact erm… his friends might’ve done it too…? 

Okay, okay, this is fine erm. Oh hi Mom, Dad I- O-oh yeah! D-definitely! Psst, Tucker, what’s a meta…? Oh. Okay yeah- wait can they use this to avoid the GIW thing? They definitely could, right? Like they definitely can- Sam we need the corkboard!

Er. And inform their parents too… even if it’s more than a little obvious. Maybe they shouldn’t have been trying to mix and match…