#is it even stp at this point??

[danokulus]

i think its a princess and the dragon doodle?? idk but my feverish head conjured this up instead of resting, hope y’all like it X-X

[bridge-arsonist]

This has probably been talked about before, but I love how Cold doesn't represent logic.

Normally, when you see a cold, uncaring sort of character in media, someone who just doesn't care, they're associated with logic or power. The stoic detective, the ice queen, the snarky assistant, you know the deal.

But not The Voice of the Cold. You want a logical character? That's Skeptic! But Skeptic isn't cold by any means: he's, well, skeptical, of the things that people tell him. He has the goal of finding out as much information as possible about this situation, and getting out of the hostage situation the Narrator has set up. He's not super expressive or anything, but he's actually pretty approachable/friendly with anyone not named 'The 'Narrator'.

And it makes sense. Skeptic is the voice you get by taking the most logical course of action. Take the blade just in case, but hear the Princess out and ultimately realize she's as much of a victim in this as you are before freeing her, and doubling down when the Narrator tries to control you.

Cold, on the other hand, is about apathy. The closest things to a 'goal' he has are:

1. Don't be bored.

2. Get revenge on the Narrator somehow.

And so, he really can't be logical, at least, not 'logical' in the way we perceive it. Our goal is to get out as unharmed as possible, and many of his suggestions directly contradict this goal.

But the Cold doesn't care about death. After all, it's already been established it's already temporary. His sheer apathy towards any and all harm that comes towards him fundamentally contradicts conventional logic, because conventional logic dictates taking the course of action that minimizes harm.

Now, that's not to say Cold doesn't care about anything. In his own way, he genuinely is trying to look out for the other voices when he urges them to numb themselves to pain, because it's easier that way, isn't it? He's clearly frustrated when they can't do that, urging the Player to just ignore them and listen to him instead during Moment of Clarity.

But at the same time, because of Cold's apathy, his typical 'logic' is just "whatever seems interesting". He's fundamentally a very impulsive character, not in spite of his apathy, but because of it.

Honestly... It's more like Contrarian than anything. I mean, think about it. An impulsive character who does whatever seems interesting and strives to make the Narrator as miserable as they can? The difference is in how that apathy presents itself, which makes sense, because they pretty much manifested in opposite ways.

That aside, though... The Cold acts based on a bestie to feel. Specifically, a desire to feel entertained. And, it makes sense, considering he's what you get from killing yourself due to agonizing numbness and boredom. Of course he's going to be apathetic, uncaring of his wellbeing, and impulsive. That's what you manifested.

Apathy, taken to its logical conclusion, is very impulsive. And I love just how well Cold represents that.

[toadletthethird]

The moment of clarity is so ruthless. Can't believe they made skeptic get a liberal arts degree

[thesoupisburning]

im not an artisti but this fuckin game is making me wanna try

call it a draft right now, might go in and edit

anyways

[springsketches]

Finished the pristine cut and I now have so many existential questions since I’ve finished. Spoilers below:

The voices using TLQ’s body without him in the princess & the dragon route as well as the cage route certainly was something. Like I know they could choose to do stuff for/in spite of him before, but the idea that they can be 100% fully functional in his body without him is existentially terrifying. That goes for the shadow of the smitten being outside of TLQ’s body and sticking around in the happily ever after chapter too. The idea of them being fully autonomous beings residing in the same space as the main character is…a lot. It kinda makes their deaths/disappearances sadder to me.

It does make me have more questions about the voices though. Like the spectre says that they’re shattered pieces of glass in TLQ’s mind/being. I always assumed that they all functioned together because the presence of TLQ held them together but the new routes are showing that’s not necessarily the case? But they’re still a part of him though, right? Especially given the shifting mound’s line of “this vessel is full of you”? I assume that the presence of TLQ makes things much more organized and without him it’s less like a broken mirror on the floor and more like scattered pieces of glass floating all over the place. Especially given their indecision and struggles in the Princess & Dragon chapter. I guess their presence never struck me as that weird because I always viewed them as an extension of the MC. I know initally when the story started drawing attention to the voices as being not natural it kinda shocked me at first because I had just assumed that the voices were just slightly different versions of the main character’s inner monologue, but not so!

Also, I have to ask, the Narrator being like “oh you’re new” when TLQ returns to his body in the princess & the dragon route, isn’t TLQ…y’know, kinda essential to the Narrator’s whole plan? Wouldn’t the Narrator notice his absence up front because the princess & TLQ being together goes against his whole plan? Or did he not want to think about it/denied it when it was brought up because that meant he failed? Eh, it’s probably the second one. It does make me wonder why exactly he wouldn’t be freaking out though given that all the other times the princess and TLQ become some form of the same being he’s been like “noooo, you can’t, it ruins my plan” (without saying that explicitly of course). Do the physical bodies being bonded in some way pose more of a threat than just the psychological states/being? I’m curious about that because the story seems to establish that TLQ & the shifting mound are not just their physical forms and can exist without physicality if they so desire. Was it different because TLQ was a part of the princess’s physical form but his own physical body still existed? Did the narrator just not have any way to be able to tell? It’s interesting to think about.

[lady12maiden]

Just read something saying that the moment of clarity route was """ karmic Justice """ and a part of my soul died a little.

[finalexpenses]

TONY TRIED TO CUT PRISON3R BECAUSE ITS SUCH A BUMMER? BUT DAMS3L WAS FINE ????

[sharoo]

Self-knowledge as a theme in STP messes me up so bad, bros.

This all starts with how little the Princess can tell you if you ask her about herself. How little you can say about yourself, more often than not. Most of the time Quiet doesn't even know what they look like!

The Narrator makes it a point to make the Princess' cluelessness, her lack of self-knowledge, into deception, but really, both the protagonists don't know themselves. How could they?

The concepts of bounds, of something that isn't you, the distinction of "self" and "other", "you" and "I", the concept of something being not like yourself... this is the first time this deity which is now two has ever experienced it.

The Shifting Mound and the Long Quiet did not exist until the Narrator tore a whole into parts.

Now, this deity in twain has to reorient. It has only begun existing, it's not yet known itself. A toddler has to develop a self-concept, and the concepts of others.

Now imagine, for the first time in your solitary existence, that there is something that you are not. Unknowable, foreign.

What are they like, you think? Are they a friend? Should I get to know them? Are they a foe? I do not know them, I cannot trust them... Or can I?

This brings to mind, of all things, Contrapoints' video on Twilight, where she speaks about the concepts of Union and Division in relation to love. And while she speaks of it in terms of eros, it can apply here just as easily, romantically and platonically.

Love is the union of two beings. We love because something outside of us allows us to be more than ourself. In others, many seek that which they lack. We seek out people so that we may develop through our similarities and contrasts with them, to change an be changed.

We seek out people because there can be no I without a You. To exist in a void is not a fulfilling experience.

We cannot discover ourself if he have nothing that allows us to compare ourself. The mirrors elude us throughout the game, always leading to the princess - she is the only way we may know ourselves, the mirrors tease as they disappear. And at the end of the route, only then, can you see yourself, now that you have a complete knowledge of yourself in a given scenario, with a given persona.

Was the princess someone you decided to trust? Or to betray? Was she a foe? A friend? A nightmare? A victim?

You both try to find out who you are through your relationship.

The princess assumes many faces and attitudes in response to you, you assume voices and attitudes in response to her. You're two batches of clay shaping each other at the same time. It's almost like knowing someone your entire life, seeing them go through different phases as they try to find out their identity in the world, their place. The 5 routes, whatever they be, are your "adolescence".

And growing means you will hurt each other, intentionally or not. There will be fights, disagreements, there will be heartache, and comfort and love.

And everything will pass.

Shifty, before she's complete, before she discovers her godhood, makes this point so clear.

How could she not be kind to you? You are the only thing in this place that is not her. What reason could she have to hate you? To make the only friend she could have into an enemy?

That's why, at the end of every route, all hurts are forgiven. All the heartache is acknowledged, understood, and then she moves on. So that you may continue being together, so that she may see what else you do.

Even godhood can become a phase. The Shifting Mound recognises what you both were, but it need not be you unless you accept it. Because self-knowledge is unending. You are always changing, and you can always change.

You can accept being a god, and that becomes you.

You can reject being a god, and that becomes you.

You are by that point an "adult". The figure trying to dictate who both of you are is gone, and you can decide for yourself.

I think this is partially why I love the Leave with Stranger ending the best of all the endings. You begin it by avoiding knowledge of yourself and of another. The self can only exist as far as it is not like the others.

And you meet the Stranger, this being who knows so little about herself, because she too has been deprived of another. The route is quick. It really cannot amount to much, because if you don't know yourself, it's so hard to build a relationship.

But at the end, they've matured. You gave each other time to become fuller beings. You met this person again and they seem so much happier with themself than they were in youth.

I love how they say "We're just a stranger.", and the voices point out how it needn't be sad that you don't know her, unless you make it out to be. You can get to know them, the real them, and they can do that with you.

The way the Stranger speaks if the position of a God only underlines how much the heart of the Shifting Mound can understand self-knowledge.

They speak of how they feel themself be pulled towards taking the position of godhood, of being everything, yet find it confining. Restricting.

"We want more. We want whatever might be on the other side of this door. Something new, that we'll experience together. With someone who exists outside of us. Someone who can see us in a way we can never see ourself."

Self-knowledge through relationships and reflection on how you impact other people.

[blacktabbygames]

Hi, hello, big fan of your game, Slay The Princess.

I'm sorry to bother your amazing dev team, I don't mean to be rude, so feel free to ignore this message.

But I've played STP on Playstation 4, and I'm suffering massive lag problems that I think shouldn't exist.

I'm sure the problem has already been notified by other users, but I wanted to bring it up again on your blog if you are willing to listen.

The lag problems basically affect every single aspect of the game, from saving and loading to just navigating the main menu; scrolling through the dialogue options is a chore that requires weird back and forth gymnastics from my controller, in order to reach the bottom I have to calculate my inputs hoping that the game would register them.

The game is especially a nightmare in The Nightmare route, where I guess the Princess' animations creates so much lag that, at a certain point, the game stops responding (you can tell because you can't hear Heart Lungs Livers Nerves in the background anymore). In order to complete this path, I had to close and reopen the game multiple times (since apparently, the game runs better once you just start it), consume as soon as possible all the dialogue options first available until I reached the bottom options (I couldn't scroll down through them, because the game would freeze before it'd load my inputs), and once I reached the "Leave with her" opinion, I'd click it before it was too late (I didn't bother with the other option for fear that it lead to a third chapter that continued the lag).

The game froze some more times on our way out of the cabin, and I had to reload it over and over again and skip some dialogues, to maximise the game's ability to run. It even crashed once I went out of the cabin with the princess, though thankfully, it wasn't a repeated problem, and in the end, after 10 startups, I was able to complete the Nightmare route.

Despite, all the lag issues, I still really enjoyed your game!

I actually liked it even more than Hades, another famous Indie Game that I've been playing these last couple of weeks, which is a lot I can say about a game that I was basically forced to close due to freezing during it's final "Boss Fight" (yep, the game froze once again during the Shifting Mound section, during, you guessed it! The Nightmare part of the confrontation).

I hope these issues could be fixed, but I also hope you are enjoying your game's success regardless of everything I just said, you really deserve it.

Have a nice day!

Oh, also:

Hi! We've started receiving reports on this recently, so I'm guessing this might come from issues wrt the latest console update. I've passed this along to our console publisher and porting team, but in the meantime, you can probably address those issues in the short-term by turning off first flickering images and then, if the issues persist, the boil effect in your preferences.

[troonwolf]

I’m literally a cult survivor.

syscourse reminder!

just because you don't like a certain side, doesn't mean that it's a cult.

please be respectful to the cult survivors in our communities. please.

[beartitled]

Found your art through the STP Reddit and now I have a new TSPUD artist to enjoy!!! Your style is gorgeous :)

Reddit 🤨❔

I don’t have reddit

*sounds of paws tapping on the keyboard*

Aha repost with no permission I see? 🔍🐻‍❄️👓

This ask actually send me on a mini research lmao

I didn’t expect to see like 4 posts on Reddit with ppl posting my comics/sending a screenshot from ?Pinterest? and asking who the author is

That made me chuckle :'D

To be clear, I don’t really mind reposts if a person credits me

Always appreciate ppl askin permission 👍

For the reference: Reblog - a button that looks like this 🔄, shares a post on your page while showing the original author; Repost - when you screenshot/save someone’s art and post it on your page (ideally with credit, but if you’re a meanie you will just post images with no word about og author); Credit - a reference to the author «this art was made by [@author] on [this social media]». Sometimes see ppl mixing up terms 🫡

(Most of the time creators dislike reposts, bc it often leads to art theft)

Since we’re on the topic, specifically what I do have a problem with:

- Don’t use my art for AI training or for NFTs

- Don’t profit off my art (no merch is allowed without my approval, if you want to use my art for commercial purposes, this must be discussed with me in advance)

- Don't pass off my work as your own (here does reposting my art without credit, creating blogs/accounts impersonating me and so on)

- Don’t use my personal projects (this applies to my ocs, any original IPs/content I create: picture books, comics, artbooks, megadrawings etc. At some point in the future I may register a legal copyright for them btw.)

I’m more flexible and forgiving with fandom art, but still would appreciate ppl communicating with me. Fandom comic dubs - are welcomed, just be sure to credit me (tag me and share the final dub too man, I’m always interested). Fandom comic translations - ask permission first please.

This list is a pretty standard for any artist really, if you’re doubting something - feel free to ask 👍

If you see somebody breaking those/potentially breaking those - feel free to notify me 👍

I considered creating “blog rules” or “list of boundaries”, but I’m not sure if it’ll work on my blog 🤔 My header is pretty oversaturated as it is - portfolio, tags, navigation and so on; if I add rules to the pile, something tells me ppl won’t even look at it 💥 + I didn’t have specific issues with anyone yet (as far as I’m aware), I might create a list if something happens, but stayin hopeful for now

There’s certain things that do make me very uncomfortable/are triggering to me. But again didn’t have any specific issues where it was a huge problem + those stuff are highly personal to me to just put publicly. For now, I prefer to resolve issues personally, there wasn’t anything I couldn’t handle at this point 🫡 Mayhaps in the future it may change, we’ll see

Also some might have noticed that I don’t use any watermarks/signatures on my art, again considered that, but never ended up implementing that 🐻‍❄️ Some part of me just likes lookin at pictures in full HD quality with no watermark 😭 (I have an art signature, but I mostly use it in my mega drawings or if someone specifically asked for a commission lmao)

Sorry for a wall of text on such a sweet ask 💥 Just saw an opportunity to talk and took it lmao

Thank you, I really appreciate your words ❤️💕

Made a doödle of the narrator bois for the old time sake :D

Surprisingly there is a bunch of reposts of my art, with is a bit wild to me (you guys actually like my comics? 🤨 what? 🤨)

Especially never imagined my voices x princesses would get so popular 💥

Oh I see you went under read-more

Come closer

Closer

Just a smol step more

I forgot to draw Smitten’s brows in this specific frame

Now you will never unsee it 😈😈😈

*tiny mischievous bear giggling*

[miyuka1709]

Good afternoon!...

Anyway here's a cute little Cold, and some pen-tasting.

Pretty great stuff.

(There's a pretty long rant ahead about an STP swap AU!!!!!)

I think it's so interesting that there are 5 very different Princesses in the Stranger; I heard from somewhere that their names are The Hopeless, The Sinister, The Snide, The Kind, The Blank.

I imagine it'd be fun if a swap AU implemented those Princesses as "bases" based on the first thing the player says upon being told about the cabin and the Monster.

I mean Voice of the Sinister could be like Nightmare and Tower. She might appear when you first say the "Sweet I've always wanted to off a monarch!" Dialogue in the base game? It'd just be "I've always wanted to off someone!" Instead maybe cause TLQ isn't a monarch and it's definitely pretty sinister to just outright say that.

Voice of the Snide would be like Prisoner/Sharp Princess. Could be a "Why would I listen to you?" "Have you ever considered that I'd be okay with the world ending?" defiant type voice.

Voice of the Kind is obviously Damsel/Soft Princess. "What if he's going to end the world BECAUSE he's locked up?" Or smtg like that, morality talk and whatnot.

Voice of the Hopeless could just be.. Broken? But a girl, I guess? I'm not sure what she'd say but it's something that Broken would say - like "What's the point of doing this? The world will end one day anyway."

They sound so cool and I'm sure anyone can work with that, but Blank Princess? That could probably happen if we outright try to leave like in Stranger so the Monster can't perceive us.

But what would she say? Would she act or speak like Cold? She'd generally have minimal opinions, wouldn't she? Would having her even change anything? Would she be completely pliable or changeable? Would she be like Opportunist, but sincerely ever-changing and not just for self reason? Is she just a shell and says things just for the sake of it like Deconstructed Damsel? Would she just follow along the Princess as the main character and mirror her actions? Would she be as moldable as we (Princess) are to TLQ?

Again, I think the "Base Princesses" might work really funny if they were a byproduct of SOLELY your first ever choice in the narrative, and it sticks, and they act like Voice of the Hero who accompanies you throughout the entire run.

So instead of having different TLQs, you get different You's at the final Heart scene? That's a pretty funny concept to think about - but it sounds like it'd be painful to work with in a game because you'd have to make all the routes compatible with each of the 5 Base Princesses and make it not feel too clunky or too different.

I'd honestly want to write or plan a whole thing with this kind of story, the only problem is I don't know how to make the Narrator want to kill TLQ.

The Echo's literal purpose is to get rid of change and death with it while leaving a sliver of TSM in TLQ so the world could still move along and people could have lives that aren't completely stagnant and devoid of growth and change.

Would this swap-Echo's job be to protect TLQ and tell the Princess/Player to save him? Or would His view change entirely so He'd oppose TLQ by saying"The world will be doomed to eternal stagnancy"?, instead of death, would he be afraid of the constant and stillness? Why would he want to rid the world of it specifically? I'm really not sure.

Just a little idea I had, y'know!.. phew, I didn't mean to write a whole thing but yeahh..

[felikatze]

I think Happily Ever After and The Cage both explore some similar topics in inverse ways and once again the Prisoner and the Damsel are twisted mirrors of one another

Pristine Cut spoilers and discussion of abusive relationships below. One suicide mention but it's STP what do you expect tbh

Compilation of rant I went on on discord 👍

prisoner and damsel are very much always parallels since u take the same path to get to them so they're both versions of the princess that you the player Trust, right. and the Greys are a betrayal of that trust if you kill them, and all that. obvs w the prisoner being reluctant trust and the damsel being unconditional because Knife.

but HEA and Cage are both about being Trapped. In Cage, the Princess has seen the same thing happen twice now, she's disillusioned, she's never going to escape. It will be The Same Thing, Forever.

WHICH IS. THE EXACT SAME AS HEA. The Princess believes she is never going to escape. That it will be Just This, Forever. And both of them believe that it *has* to be Just This Forever even if they don't *want* it to be.

Both of this is shown through an Externalized Force. in Cage, that is the Princess' body, which she has conceived as separate from herself. The body simply acts as it must, which she has no input over. Ignoring, of course, that she can *make it stop.*

And that's the same way HEA can't imagine she'll ever escape the Smitten! She's afraid and scared of change, of the torches going out!! But she wants it more than anything!!

Yet these two routes are foils for each other, too. Bcuz in Cage, it's the Princess who enforces the pattern, and in HEA it's the Hero. (part of him, anyways.) What's interesting here too that both of the routes result from a breakdown of communications.

I said in my big long rambly Cage post, but Cage route doesn't happen bcuz Fate, it's bcuz the Princess wants the Hero to carry her head out and he just *doesn't get it.* He just didn't understand what she wanted.

And the leadup to HEA, everyone in Hero's head is upset because they can't communicate to the Princess what is freaking him out, and Smitten tries to... well... show her, I guess.

(Post-rant addition: Hey, both the Prisoned and the Smitten kill themselves to get their points across. Add that to the parallels tally!)

also like abusive relationship metaphors on both ends tbh. Smitten doesn't respect Princess' autonomy at all. I think part of that is the end of Damsel means he doesn't think she *has* any interiority when it's Hero + Paranoid/Opportunist who want the Princess to be a person instead of a doll, which causes her to be a Person Again in HEA. But Smitten is, again, just so stuck on the vision of Damsel who no longer exists.

+ you could also read Damsel chapter in the context of HEA as just seeing that this is the first person who could conceivably save her so she is leaning in HARD to the romance angle because she sees it as the best way to finally get out. Got herself into the romance out of desparation and now she's stuck and regretting it.

So TLDR Smitten doesn't actually respect Princess as a person and just wants her to be this perfect image he has of her, and we see also in HEA how he literally restrains Princess + Hero and deliberately scares Princess when she even dares voice her own opinion. Smitten sucks so bad in this one and it's shit of him but also thematically interesting and again a good escalation of his character.

Cage on the flipside is the typical "I can't help myself" excuse. See, *she's* not at fault here. It's her *body* doing this! Really, nothing could change this. And u see the rebuttal of that angle from the Hero's dialogue options ("You're making a choice. You're choosing violence *right now.*)

No matter how often she says she's just a head, she's still the one who physically restrained the Hero (wow, just like the Smitten!), it's her who refuses to listen to anything the Hero has to say (wonder who that reminds me of), and it's her who is hurting him, on purpose, to feel better about herself.

the "good" endings to these chapters (as much as there are no wrong endings) meaning leaving with the cage's head / dancing with hea under the stars, both of these only occur once Hero/HEA are finally heard and acknowledged. Cage is so rattled that the Hero didn't bring the knife that she finally actually listens to a single word he's got to say and the two can break out, and the final torch in HEA only goes out once Princess says "I'm so tired of this." and has the courage to say what *she* wants and is *listened to.*

in conclusion (x2): STP good 👍 i love you missus the cage

[bowie-boy]

what about your trans Wilson headcanons pretty please? 👀👀

An excuse to talk about my beloved, trans Wilson…this is an amazing day

(Def me projecting but) Wilson was one of those kids who always knew. Growing up with two brothers, he didn’t really get as a kid that he was different from them and got confused when his parents treated him differently

His first early sign of being trans was when he tried to pee standing up and pissed all over the floor (he assumed he would just grow a penis as he got older) (also me projecting dw abt it)

Once he realized he was technically “a girl,” he went along with it but never really felt connected to being female at all, which led to him feeling really displaced and unattached to people around him all the time

He found out that being a trans dude was a thing sometime in undergrad from one of those 80s talk shows and felt like the world exploded beneath him

Definitely went through an extensive questioning period (even though he definitely knew he was trans) where he would make really long lists of reasons why he was trans, why he couldn’t be trans, pros, cons, etc. and mull over them excessively because he was terrified of making a mistake (me projecting bc OCD Wilson is real and true to me but that’s another post)

Part of this phase involved going to gay bars and finding trans people and basically giving them the verbal equivalent of an “Am I really trans?” Reddit post until they told him he probably was and to stfu

Wilson came out and started transitioning between undergrad and grad

His parents weren’t super accepting at first and didn’t offer to help him pay for anything, nor did they gender him correctly at all, which took top surgery off the table for a long time

The only family member of Wilson’s that was accepting from the get-go was Danny (sad)

Wilson always looked pretty masc so once he started T he passed easily almost immediately but even to this day he’s still paranoid to no end that people somehow Know he’s not cis

Wilson really leaned into dating women once he started transitioning (he’d fooled around with people of both genders in the past while extremely drunk but dysphoria had pretty much taken any kind of sexuality exploration off the table for him)

Got married to Sam way too fast bc he assumed no one else would ever accept him for being trans (Sam’s version of acceptance was like. Never bringing it up)

In my perfect beautiful T4T hilson world, House was Wilson’s first ever trans friend and was his connect for getting top surgery

In an equally real world, Wilson being trans was the one personal detail House never found out until Wilson revealed it at some point in small waves purely to drive House insane

Stealing from @occultbooks but Wilson’s McGill sweater is 1000% his dysphoria sweater

Wilson and Chase go so many years at PPTH with no idea that the other is trans

Wilson’s comphet goes crazy until at some point post season one when his doctor ups his T dose and his sex drive gets completely thrown out of wack and he starts being attracted to House in a way he cannot ignore

Wilson learns from the Internet that starting testosterone can make you gayer and briefly considers dialing his dose back but the dysphoria is too strong so he decides to accept it as a “side effect”

Anyway eventually he realizes he was gay along and is just lowkey super repressed and maybe a little stupid

Amber never made Wilson feel awful about being trans from the get-go and was so supportive and curious and interested and that’s part of why Wilson loved her so so much

In non-T4T-verse, House pretends to be a chaser and is like wow Wilson it’s so hot that you’re trans it turns me on but actually he’s just hiding from vulnerability bc he really is just obsessed with Wilson and his body no matter what

Wilson is always afraid that his STP looks like a boner in his pants and House takes advantage of this paranoia by making as many jokes about it as possible bc he’s evil

Wilson never got a hysterectomy bc expensive but he still gets insanely awful cramps once a month that sometimes suck so bad he needs to stay home from work (this makes him hella dysphoric)

Wilson doesn’t like his top surgery scars but House thinks they’re the hottest thing ever which Wilson uses to make House feel better abt his leg scar

Wilson’s guilty pleasure is man spreading to a horrendous degree bc it helps his dysphoria a fuck ton

The reason why he wears those old man matching pajama sets is because that was his ultimate transition goal as a kid

On really bad days House does Wilson’s T shot for him (the catch is that House insists on doing the shot in Wilson’s ass)

This lowkey got extremely long my apologies but I could actually talk abt this forever

[insert-random-account-name]

Crappy Character Analysis for STP

part 1 (you are here) part 2 (Skeptic) part 3 (Cold)

part 4 (Paranoid) part 5 (Stubborn) part 6 (Contrarian)

part 7 (Smitten) part 8 (Opportunist) part 9 (Cheated)

part 10 (Hunted) part 11 (Hero)

I really REALLY loved this game, and have been subjecting my family members to my thoughts so often that I finally decided to write them down. I'll probably do more in the future, but my thoughts about Voice of the Broken wound up getting so long I decided to just post it. I know I've given my thoughts about him in the past, but I wound up having more to add, so parts of this may be repetitive to a previous post.

THE VOICE OF THE BROKEN:

The Voice of the Broken is generally seen as dead weight, even being referred to as “The worst one” by the Voice of the Opportunist. This claim isn’t without reason: In his own chapters, he actively works against you, stabbing you in the lungs multiple times. Pre Pristine Cut, all of his other appearances are similarly unhelpful. In the Razor, (if you get him in Chapter 3), he just whines about how terrible everything is, and only has a couple mildly funny lines. In Chapter 4 of the Razor and the Moment of Clarity, there are too many voices to really have any insight on his character. His only other cameos in which he is a Chapter 3 Voice (That I know of) are in the Wild, in which all the voices are acting weird, or the Fury (through the Adversary), which ended too quickly to get a good grip on his personality. He’d always been a sticking point for me: If all of the voices have their “thing” that helps you, what was his? The Pristine Cut changed everything. From his new appearance in the Cage, plus his expanded dialogue in the Fury and the Apotheosis, his character is fleshed out to its fullest. Here are my thoughts.

The main way to get the Broken as a voice is to surrender your will. Whether that is to the Princess or to your own doubts is up to you. Because of this, he has the perspective that everything is hopeless. He views himself as nothing, and will immediately surrender himself to power. His obsession and servitude to the Tower, Fury (from Tower), and Apotheosis stem from a need to feel safe. He’s been hurt, and he’ll jump on any opportunity for the pain to finally stop. However, through his pain, he also has empathy. He sees that you aren’t the only one suffering. As far as I know, he’s the only one (besides Hero) to show any understanding for how the Princess might be feeling. In the Fury (from Adversary) he survives being unwound by accepting that you have hurt her in the worst way possible (for her) and embracing the torture rather than resisting it. At the end, he even attempts to comfort you, another rare sight. In the Cage, he calls out the Skeptic for being unfeeling, pointing out that disliking death is natural. He also realizes that the Princess claiming she isn’t in control stemmed more from trauma than actual fact, straight up calling her “Poor thing” as he recognizes what she must’ve gone through to get to that mental state. All in all, despite my original feelings about him, I think I like him not only as a character, but as a person.

[puppyboyknot]

bladder control scenario where a transmasc who uses a STP device to use urinals has his STP taken away by the bladder controller, and then is taken out to coffee and told he is only allowed to pee using urinals today even though they both know he can’t use a urinal without the STP. the dom/me takes him out for drinks after and keeps him out of the house for hours and hours as he gets more and more desperate, to the point where he is genuinely considering trying to use a urinal without his STP. by the end of the day he has a rock-hard bladder and has to loosen his belt, and is sweating and desperate to not wet himself. when they finally get home he is only allowed to piss standing up and has to straddle the toilet and try not to miss or he knows he’ll get punished