#interview question and answers examples

[ratatatastic]

I'm new here and the Tkashirt reminded me of a question I have: *Is* Cats social media particularly fun and unhinged? Because I love it but I don't know how unusual it is for the NHL today

i am quite literally the worst person to ask these things considering i dont perceive other teams consciously and i have them all blocked on all socials for my own sanity because i am a hater deep down to my bones so quite honestly-

the best i can do is

[jam-packed]

thank god im not a journalist cus the amount of eye contact would kill me

[idkwhathatmeans]

sometimes the jokes in bones fly over my head bc they’re jokes about brennan being ‘weird’ & im just like "omg she’s just like me fr!!"

[hadesknockedupintheunderworld]

What would the prime tails think about modern tails?

Interesting...

Well, anon, I'll be real with you. From what I've gathered thus far, Modern Tails' characterization is inconsistent at best, so I think it would depend upon which game Prime!Tails gets to know Modern Tails from.

For example, I think if we look at Sonic Adventure Tails, given the fact that Prime does incorporate games canon into its timeline (despite the confirmation that it DOES take place within the games timeline, with the inconsistencies that also poses with timeline stuff and characterization I think it's more helpful to analyze what games canon it clearly pulls from to form its own canon) Prime!Tails would see himself in this version of Modern Tails. Sonic Adventure Era version of Modern Tails strikes me as a plausible younger version of Prime!Tails if you only look at Prime itself and don't consider that Prime is meant to fit within games canon.

Likewise, if Prime Tails looked from SA era Tails, to Sonic Boom Tails, to Sonic Lost World Tails, to Sonic Forces Tails, and then to Sonic Frontiers Tails, I think the inconsistencies in characterization would also probably confuse him a bit (basically, "if these are all 'modern Tails' why are they so different in how they act or how independent they are?"). I think Prime!Tails can absolutely understand any given version of Modern!Tails' wish to be able to be as strong as Sonic and stand on his own. I get the vibe from Prime!Tails (especially compared to Nine) that he is a valued part of the team and can pull his own weight fighting, but that he isn't as effective as Sonic on his own (unlike Nine, who had to both learn to be effective in combat AND in strategic planning). So, to me, Prime!Tails is in sort of this in between phase. He can keep up with Sonic, he can fight on the front lines with others, he can sit back and play strategist or give advice, and he builds tools and fixes the Tornado, but (either perhaps from settling into his current role for so long or from coming this far only to stagnate) he isn't quite to the level of hero who can work alone and at Sonic's side effectively. In this way, I think he can understand how SA1/SA2 era and Sonic Frontiers Era Tails feel.

So...I guess my verdict is this. Prime!Tails would be simultaneously confused by the inconsistencies in characterization, but I think he'd actively try to sympathize with the versions of Modern Tails (either by relating to them with his past or his present as well as he can). With that being said, though, we unfortunately didn't get to see much of Prime!Tails in Sonic Prime Canon, so I think I could have a more solid answer if we perhaps knew more about him.

[againstdying]

im so bad at answering questions ack

[navybluetriangles]

.

[anistarrose]

Please don't tune out when you get to the non-partisan section of your ballot this November. First off, where state Supreme Court justices are elected, Republicans are trying their darndest to elect candidates who will destroy reproductive freedom, gut voting rights, and do everything in their power to give "contested" elections to Republicans. Contrast Wisconsin electing a justice in 2023 who helped rule two partisan gerrymanders unconstitutional, versus North Carolina electing a conservative majority in 2022, who upheld a racist voter ID law and a partisan gerrymander that liberal justices had previously struck down both of.

Second, local judicial offices will make infinitely more of an impact on your community than a divided state or federal legislature will. District and circuit courts, especially, are where criminalization of homelessness and poverty play out, and where electing a progressive judge with a commitment to criminal justice reform can make an immediate difference in people's lives.

It's a premier example of buying people time, and doing profound-short-term good, while we work to eventually change the system. You might not think there will be any such progressive justices running in your district, but you won't know unless you do your research. (More on "research" in a moment.)

The candidates you elect to your non-partisan city council will determine whether those laws criminalizing homelessness get passed, how many blank checks the police get to surveil and oppress, and whether lifesaving harm reduction programs, like needle exchanges and even fentanyl test strips, are legal in your municipality. Your non-partisan school board might need your vote to fend off Moms for Liberty candidates and their ilk, who want to ban every book with a queer person or acknowledgement of racism in it.

Of course, this begs the question — if these candidates are non-partisan, and often hyper-local, then how do I research them? There's so much less information and press about them, so how do I make an informed decision?

I'm not an expert, myself. But I do think/hope I have enough tips to consist of a useful conclusion to this post:

Plan ahead. If you vote in person, figure out what's on your ballot before you show up and get jumpscared by names you don't know. Find out what's on your ballot beforehand, and bring notes with you when you vote. Your city website should have a sample ballot, and if they drop the ball, go to Ballotpedia.

Ballotpedia in general, speaking of which. Candidates often answer Ballotpedia's interviews, and if you're lucky, you'll also get all the dirt on who's donating to their campaign.

Check endorsements. Usually candidates are very vocal about these on their websites. If local/state progressive leaders and a couple unions (not counting police unions lol) are endorsing a candidate, then that's not the end of my personal research process per se, but it usually speeds things up.

Check the back of the ballot. That's where non-partisan races usually bleed over to. This is the other reason why notes are helpful, because they can confirm you're not missing anything.

I've seen some misconceptions in the reblogs, so an addendum to my point about bringing notes on the candidates: I strongly suggest making those notes a physical list that you bring polling place with you. Many states do allow phones at the polling place, but several states explicitly don't — Nevada, Maryland, and Texas all ban phones, and that may not be an exhaustive list. There may also be states that allow individual city clerks to set policies.

You should also pause and think before you take a photo of your ballot, because even some states that don't ban phones still ban ballot photographs. But whether it's a photo, or just having your phone in general — in an environment as high-risk for voter suppression as the current one, you don't want even a little bit of ambiguity about your conduct. Physical notes are your friends.

[jobpreppernation]

Today, we're going to tackle the "What Are Your Greatest Weaknesses?" interview question.

Get prepared for the job interviews that will get you hired with this video series that walks through the most frequently asked job interview questions and provides tips for crafting impressive and well-thought-out responses.

[fuckyeahgoodomens]

Terry Pratchett about fantasy ❤

Terry Pratchett interview in The Onion, 1995 (x)

O: You’re quite a writer. You’ve a gift for language, you’re a deft hand at plotting, and your books seem to have an enormous amount of attention to detail put into them. You’re so good you could write anything. Why write fantasy?

Terry: I had a decent lunch, and I’m feeling quite amiable. That’s why you’re still alive. I think you’d have to explain to me why you’ve asked that question.

O: It’s a rather ghettoized genre.

Terry: This is true. I cannot speak for the US, where I merely sort of sell okay. But in the UK I think every book— I think I’ve done twenty in the series— since the fourth book, every one has been one the top ten national bestsellers, either as hardcover or paperback, and quite often as both. Twelve or thirteen have been number one. I’ve done six juveniles, all of those have nevertheless crossed over to the adult bestseller list. On one occasion I had the adult best seller, the paperback best-seller in a different title, and a third book on the juvenile bestseller list. Now tell me again that this is a ghettoized genre.

O: It’s certainly regarded as less than serious fiction.

Terry: (Sighs) Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire— Was it you who wrote the review? I thought I recognized it— Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus.

Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. Up to a few hundred years ago no one would have disagreed with this, because most stories were, in some sense, fantasy. Back in the middle ages, people wouldn’t have thought twice about bringing in Death as a character who would have a role to play in the story. Echoes of this can be seen in Pilgrim’s Progress, for example, which hark back to a much earlier type of storytelling. The epic of Gilgamesh is one of the earliest works of literature, and by the standard we would apply now— a big muscular guys with swords and certain godlike connections— That’s fantasy. The national literature of Finland, the Kalevala. Beowulf in England. I cannot pronounce Bahaghvad-Gita but the Indian one, you know what I mean. The national literature, the one that underpins everything else, is by the standards that we apply now, a work of fantasy.

Now I don’t know what you’d consider the national literature of America, but if the words Moby Dick are inching their way towards this conversation, whatever else it was, it was also a work of fantasy. Fantasy is kind of a plasma in which other things can be carried. I don’t think this is a ghetto. This is, fantasy is, almost a sea in which other genres swim. Now it may be that there has developed in the last couple of hundred years a subset of fantasy which merely uses a different icongraphy, and that is, if you like, the serious literature, the Booker Prize contender. Fantasy can be serious literature. Fantasy has often been serious literature. You have to fairly dense to think that Gulliver’s Travels is only a story about a guy having a real fun time among big people and little people and horses and stuff like that. What the book was about was something else. Fantasy can carry quite a serious burden, and so can humor. So what you’re saying is, strip away the trolls and the dwarves and things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I’ve got a serious novel. But you don’t actually have to do that.

(Pauses) That was a bloody good answer, though I say it myself.

[notmeowse]

That AMA marks the end of Dragon Age.

In my opinion.

I'll start by saying that I have played all 3 of the previous games repeatedly, I've loved the series for 15 years, more than half my life. These games inspired me to become a writer and they've shaped a lot of my tastes and interests in shows and writing -- to say they were formative is kind of an understatement. Don't want to go on and on about how much I loved them, that's not the point here.

I didn't care for Veilguard for pretty much all of the reasons people have already discussed at length on Reddit and Tumblr. The writing is comprehensively bad, the romances are easily the worst Bioware has written by pure virtue of having the most cookie-cutter pacing and shallow characterization I've seen across their games, the lore has been shafted in every direction, and the nuanced storytelling and roleplay I came to expect from the series has been taken out back and shot in the head.

All, apparently, in the name of a "clean slate". It seems to me that, rather than familiarizing himself with the existing lore of the game he took the creative reins on, Epler clearly had a vision for Dragon Age (or perhaps a different IP entirely) in his head that he decided to transplant into the game (and possibly Trick? But they've said so little beyond defending their work that I can hardly theorize what direction they were coming from). That being a sanitized, wildly self-contradicting, morally absolute shitshow focused on distancing itself from the previous games as much as possible. Now, I know it's unrealistic to blame one person entirely, and I don't blame him entirely. Corinne was there. Trick was there.

But if it wasn't already evident from the numerous interviews Epler's given on the game as well as his participation in the Q&A's (while the actual lead writer of the game has been completely absent in not just the marketing, but in most fan-related interaction pre and post-launch outside of BSKY), this AMA seems to have confirmed, more than anything else, that Epler doesn't understand the game nor does he understand its audience. Neither does Corinne Busche, who despite being Game Director for only the last two years of development, has been answering lore questions a) like she has any fucking clue and b) like she thinks Dragon Age is a cozy-gamer IP, meant to appeal to people that want uplifting stories with uncontroversial characters, morally upright heroes, and unquestionably evil villains.

So as of today's AMA, I think I've finally had enough. We're just outright retconning the lore in Reddit AMA's now, I guess. Among other things. I'll provide a few examples, just so we're all on the same page.

This was part of Epler's response to why Solas didn't have his cult following in the game (insert "We Kind of Forgot" meme here):

Solas' experience leading the rebellion against the Evanuris turned him against the idea of being a leader. You see it in the memories - the entire experience of being in charge ate at him and, ultimately, convinced him he needed to do this on his own. And his own motivations were very different from the motivations of those who wanted to follow him - he had no real regard for their lives or their goals. So at some point between Trespasser and DATV, he severed that connection with his 'followers' and went back to being a lone wolf.

The fact that this (the not caring bit) directly contradicts the writing in the actual game is absolutely INSANE to me, moreso than the lack of Solas's spy network (which he apparently carried with him for 10 years only to conveniently drop right before the ritual? Because he clearly had them research Rook?). But in regards to the not caring -- here's a line from Solas's memory of killing Mythal in Veilguard, which. I'll get to Mythal in a minute:

Why should I not tear down the Veil, and bring back immortality to all the elven people? They deserve it!

Which is it? Does Solas care about the people he's saving (the venn diagram of people he's saving vs. the people following him is surely a circle, i.e. elves) or not? Does he even care about the spirits trapped behind the Veil anymore or is it just convenient to abandon them and have him only care about elves, now? What happened to saving The People? What happened to him not identifying as an elf in his conversations with a Dalish Inquisitor? And what the absolute fuck happened to him wanting to bring back the magical marvels (that the ancient elves did in fact achieve) that were greater than anything we see in Thedas today? Here's what Epler has to say about elven magic, now:

I do agree that the elves have had their place in the sun at this point. [...] The thing about the Evanuris is that, ultimately, they were able to take a very specific type of magic and shape it into doing what they wanted. But even their understanding of magic was only skin deep [...] Even the magic that Tevinter wields, the magic of the Southern mages, is different from what the Evanuris used. The magic of the Evanuris is powerful but it's sterile, and it's constrained. So while the Evanuris have made magic work in a way that's more predictable and understandable, it's not the only kind of magic out there, and even then, I'd say they understood it at a very surface level. People were confidently describing how the natural world worked back in the 16th century. Very few of them were right.

First of all, Tevinter has been stated in previous games to have clumsily adapted ancient elven magic for their own, but they did adapt it. To the point where even Solas is surprised that Corypheus achieved effective immortality -- by binding himself to a dragon the same way the Evanuris did. So, cool, more contradicting the lore here. "They understood it at a very surface level" you mean when all of the magic of the Fade wasn't locked behind the Veil? You mean when magic flowed freely through the world? What do you mean, Surface Fucking Level? The entire point of the Dalish elf culture is what they lost; this wasn't the ancient elves thinking the sun revolved around the earth, the Veil was their fucking Library of Alexandria burning. Oh my god. I still cannot believe he said this.

And how have the elves had their day in the sun? I'm sorry, was Arlathan not given to... the Veil Jumpers? Instead of the Dalish? What happened to all the Dalish clans in the south, who had no infrastructure when the world was apparently blighted to hell? I guess they're just gone now! They've had their day! The story of the Dalish and the Evanuris is over (also confirmed in this AMA), and it apparently ends with the final snuff of the candle that is their culture. Congratulations, Chantry, you've won! Only took two genocides and a double blight, but we're done with the Dalish now! We get your mind-numbingly superficial factions instead!

What happened to Mythal, by the way? What happened to "She was betrayed as I was betrayed, as the world was betrayed! Mythal clawed and crawled her way through the ages to me, and I will see her avenged!" What happened to the reckoning that will shake the very heavens? John's answer to this:

People grow and change over time. Mythal's essence - and in particular, the fragment of her spirit that Morrigan carries, that she got from Flemeth - is not the same Mythal who he knew millennia ago. Centuries of living in this world and being around the kinds of people Flemeth found herself around - the Hero of Ferelden, Hawke, the Inquisitor - changed her views, and made her realize her own culpability in turning Solas into the kind of person he is now.

Oh, right, okay. So she was pissed for like a thousand years, got her big speech about the impending "reckoning" out 10 years ago, and then she just chilled out because the last 3 heroes were neat people. What a fucking joke. And yes, here is the confirmation that the Evanuris story is over --

The story of the Evanuris is done - the gods are dead (or imprisoned) and Thedas is in a state of flux and uncertainty. I imagine that whatever happens next is going to be a surprise to everyone, including the people of Thedas."

So I guess Mythal's reckoning is never coming. One of the most fascinating characters in the series, shrouded in mystery for those first 3 games, PROMISING US a blaze of glory, only to fizzle out in this one. Again, and I can't emphasize this enough, for Epler's clean fucking slate. And we've not just tied up her story, but also the Veil and the Blight:

When Solas bound himself (or, depending on your ending, was forcibly bound) to the Veil, it severed the connection that the Blight had to the waking world. The reality is that the Veil has been leaking ever since the Magisters first entered the Black City, and the dreams of the Titans gave it its terrible and awesome power. Now that the Veil is fully repaired, the Blight lacks that motive force, and being so close to the epicenter of that change has stripped the Blight in Minrathous of its vitality. It's calcified now - dead - and Bellara/Neve no longer suffer its effects. If they'd been anywhere else, further from that epicenter, it would've likely been different and they still would be looking for a cure.

So the Veil is permanently fixed now because our half-dead Dread Wolf bound himself to it (a decision I still don't understand) and that somehow fixed every single hole ever poked in it. Fully repaired. No more holes, no more "Veil is thin here" because tons of people died in the same spot, nope, we're washing our hands and leaving it (and the spirits) behind us because we've wrapped up both the series-long Veil storyline and the blight storyline in a big red bow.

And Epler tells us Solas not only bound himself to the Veil but fixed it entirely in one fell swoop, no ritual required, just a little slice to the hand. Again, all in the name of a clean slate, so any future installments or media centered around Thedas can turn away from this story.

Then there's this. What we can expect from future installments, I freaking guess. The aforementioned roleplay getting taken out back and shot:

Q: "What lead you to the decision to step away from active conversations with the companions as in previous Bioware games, where you can initiate them at any moment and ask exhaustive questions?"

John: "For us, because of tech limitations, it became a choice between exhaustive investigate conversations, or letting the companions move more freely around the Lighthouse. With the kind of experience we were going for, one where seeing the team grow around you is paramount, we felt that seeing them interact in common spaces (and in each other's rooms) made more sense."

Literally confirmed that they chose companions moving freely about the cabin over ... interacting with them outside the handful of cutscenes we got. Who in their right mind would think this was a good call in a Dragon Age game? A series that quite literally prides itself on complex character interactions and storytelling? So they could... sit in different places? Are you kidding me?

They don't see an issue with the game's reception. They don't have any interest in addressing or responding to criticism. They're either happy with their choices or EA's got a gun pointed at their heads, I'm honestly not sure anymore. I used to believe the latter was true, but looking at both Epler's and Busche's responses today, I'm inclined to believe the former.

So I think that's it for the series. Not that I thought it was going to get another game after this, but on the absolute off chance it did, what would be the point? The best stories were ruined. Anything left they have to tell is going to read a lot like Veilguard -- superficial, morally absolute, flagrantly disrespectful to the lore, and delivered in a very poorly written package.

[arjunsinghadvocatenagina]

What is Data Science? Introduction, Basic Concepts & Process

what is data science? Complete information about data science for beginner to advance you search what is data science data science is like data analyzing, data saving, database etc.

[art]

Creator Spotlight: @themetalhiro

Hi, I’m Metal! I’m a freelance artist from good ol’ New Jersey. My favorite things to work with are a lot of bright colors, exaggerated poses, and candid scenarios. I try to farm sensible chuckles whenever I can, so I’m also big into comics. I love making them about my life, and the media I’m into, and one day I’d like to publish my own series!  Thank you to everyone who has gotten me this far!!

Check out Metal's interview below!

Did you originally have a background in art? If not, how did you start?

I guess so! It’s funny, I don’t remember a single time in my life that I wasn’t drawing as a hobby… somewhere in middle school (a little late, I know.) I put the pieces together that animated movies were made by artists, and that it wasn’t just for fun, they were paid to do it. The moment I discovered people could be paid to make art, I decided I would do that, too. Now I’m here!

How has your style developed over the years?

I think the best way to answer this would be with an example! Over the last few years, I have made more of an effort to draw more intentionally, which sounds silly. Now, I put more thought into my poses and step out of my comfort zone with shape language and composition. I had a phase where I drew everyone with a huge, perfectly circular head and no nose. That definitely did not lend much variety...

Which 3 famous artists (dead or alive) would you invite to your dinner party?

Ack! I’m so terrible at history! I’d love to give a well-thought-out answer about fine artists of old, but I don't think we’d have much in common… Most artists I admire and who have driven me forward creatively are the people behind comics I’ve read. Andrew Hussie, Bryan Lee O’Malley, Eiichiro Oda... these guys have inspired me greatly and had a heavy influence in developing my art style and sense of humor. I’d love to ask them questions about their processes and upcoming projects. I think it would make for an entertaining night!

Over the years as an artist, what were your biggest inspirations behind your creativity?

Outside of pure aesthetics like searing bright colors, layered clothing, and loud noises…. the best and most inspiring moments in my life were those surrounded by friends and loved ones! I cherish the hell out of memories of hanging around in fun locations, trying weird food together, and impromptu midnight walks... so I try my best to capture that atmosphere and my own memories in my work when I can, even if I’m imposing fictional characters on top of them. That’s always the core of it.

What is a medium that you have always been intrigued by but would never use yourself?

I would never permanently refuse a medium, but every time I pick up clay, I’m like a baby using its hands for the first time. Absolutely dreadful. If one day I could make and paint a figurine like the ones I admire in videos, that would be awesome... But for now, I’m not counting on it.

How do you want to evolve as a creator?

I’ve had an absolute blast drawing fanart over the years, and it’s certainly played a massive role in my growth as an artist. But my dream has always been to publish my own stories for y'all to enjoy! I have lots of worlds I want to introduce to you before I’m old and gray. I want to get faster, work harder, and get better at drawing interesting settings so I can get the wheels turning as soon as possible. I also want to stop avoiding the color blue like a coward.

What do you wish you knew when you first started out creating art that you know now?

Pay your taxes quarterly. Tablets will break at the exact moment you need them most, so have a spare. Wear your blue light glasses. You’re going to need to wear a brace on every joint on the right side of your body. It can be lonely sitting at your desk all day. The car on the side of the road that costs $1000 cash….. don’t trust it!!!

Who on Tumblr inspires you and why?

@cranity—They use absolutely beautiful colors and weighty line work. Everything looks so sharp and clean! I wanna put it all up on my wall!

@vewn—Their ability to crank out quality short films and illustrations packed with detail is incredible. The off-kilter perspective they use really sells disorientation and catches your attention like nothing else.

@nelnal—They have absolutely banger character designs again and again, I can’t believe one person’s mind can come up with so many creative ideas!

@jinx88kc—They have a beautiful and recognizable style, and the way they incorporate animation into their illustrations sometimes is SO cool!

Thanks for stopping by, Metal! For more of Metal’s work, follow their Tumblr, @themetalhiro! If you haven't seen their Meet the Artist piece, be sure to check it out here!

[pangur-and-grim]

I'm looking into getting a purebred cat for the first time because I've developed allergies, and it's such a different world from my niche corner of dog breeding, I'm so lost How common is it for cat breeders to focus on temperament over conformation? I've shown a dog and been to many shows, and am working on a breed in development. I'm uncomfortable with a fixation on "correct" appearance versus a heavy focus on what an animal's quality of life is and what they're like to live with If I'm paying more for a kitten than I charge for a puppy I want to know the breeder has done a lot of handling and enrichment, grooming conditioning (for relevant breeds), and pair their cats for temperament strengths and weaknesses, not just conformation. What should I look for on a breeder site/what should I ask without sounding rude? I also have seen a couple breeders advertise a health guarantee including FIP for one year, and I'm wondering how that's possible. Can you really guarantee against it? I'm so sorry you and your gremlin are going through this, it sounds like a rollercoaster!

it's difficult to answer your first question! cat breeding seems more…..casual in terminology than dog breeding, if that makes sense? 

with temperament, there’s a stereotype for each breed (Bengals = active, Siamese = yowly, Ragdolls = angelic beings, etc). breeders often have a page on their site explaining their idea of what the breed is (the ideal appearance, personality, and so on), and then a section with their breeding cats, with blurbs for each one. and they usually also have social media, where you can see how these cats slot into their lives.

if you’re from the states, be VERY WARY of breeders who cage their cats! that’s more of a cultural norm there, and personally, I prefer breeders who treat their animals like family members and live alongside them.

here are two examples of breeders who go above and beyond: Praticalcats and Trillium Devon Rex. their sites give away how obsessive they are about their animals - all the articles on Praticalcats, and all the genetic testing on Trillium - and I would feel comfortable recommending them to anyone who asked.

as for over-emphasis on a “correct” appearance – for each breed, there will be a certain look that’s a red flag. Devon Rexes that are too brachy, Maine Coons that are too large, Siamese that are too spindly, etc. if you do enough research on your breed of choice, you’ll start recognizing it. the cat will look more ‘special’, and more ‘like it’s breed’, but it’s an exaggeration at the cost of other qualities.

for specific questions like what handling they do, whether they’re conditioned to tolerate grooming, and how the cats get paired with buyers, most of the time you have to contact a breeder to ask that. there should be a mini job interview before any money changes hand, where the breeder grills you, and you get to return the favour. if a breeder skips this, I’d consider that a major red flag. and don’t worry about sounding rude, a good breeder will be delighted that you care so much about all of this!

and now, the guarantee against FIP – what are they guaranteeing, exactly? it might be a guarantee that they’ll replace the kitten if they develop FIP (the contract with my breeder had a similar clause). but if they’re guaranteeing that any kitten from them won’t develop FIP, then that’s nonsense. basically all young cats get exposed to the feline coronavirus that causes FIP, and whether they develop it or not is just a lottery gamble. I'd be suspicious of any breeder who claims that their kittens are exempt from this.

anyway, I think I've answered everything. hopefully that was helpful, and not just me rambling!

[lc-holy]

Thomas Astruc and Sébastien Thibaudeau were interviewed on Catboat's Twitch channel. A 5-hour interview in which they talk about their careers, the 5 seasons of miraculous and a little about the seasons to come. (There are no spoilers about season 6, only a few teasers).

The interview will probably be available with English subtitles.

In the meantime, here's a summary of what was said in the interview about season 6 and other Miraculous projects.

Thomas has always loved SAMG's work, and it was he who strongly suggested working with them on the series. But unfortunately, they will no longer be able to work with SAMG for future seasons of Miraculous. Episode production has changed and is no longer compatible with SAMG. However, he remains open to working with them on other projects.

Miraculous will be produced entirely in France from season 6 onwards.

The interviewer asked Thomas if an OVA project with Toei was still planned. But Thomas didn't want to answer the question.

Sébastien explains that they always plan the scenarios well in advance. For example, what happens in season 6 was already planned when season 3 was written. They've already written two pages of ideas for the Season 7 finale.

Thomas says they have ideas to go to a season 12 but it will all depend on the success of the series.

It's impossible for them to have one season too many, because their work is very emotionally demanding, and if they feel that what they're doing is no longer interesting, they stop.

Sébastien hopes that Season 6 will appeal to new viewers as well as those who have been following the series since the beginning.

Miraculous will never evolve into an adult series, it will remain a children's series. But they will always try to satisfy the fans who have been following the series for years.

They also wrote the series to appeal to parents who watch Miraculous with their children.

Sebastien teased us that there will be a song in season 6.

Thomas sincerely believes that season 6 is better than season 5, which was off to a bad start because he wondered how they were going to do better than season 5.

They had a lot of fun writing this new season, and the new writers who joined the series brought a lot of good ideas.

As season 6 begins a new arc, they consider it a season 1.

And with the new animation style, season 6 will bring a lot of new storytelling. It will be different. The stories won't be like the other seasons.

Some people will probably complain that it's different, that it's not like before. It's a question of adaptation.

Sebastien says we'll appreciate season 6 even more when season 7 comes out.

They don't know yet whether the theme song will change. Thomas would like to change, but he knows the fans love the theme song so they don't know yet.

Thomas hints that he didn't write the Shadybug and Claw noir universe to exploit it in a single special. But he remains very vague.

Thomas explains that there are many details in previous seasons that fans didn't understand, but which will make sense in later seasons.

There's a reason why Lila is a mythomaniac, and they'll tell it one day in the series. Thomas even says they've already told it in the series, but we haven't figured it out yet.

Thomas says that Chloe will remain an important character in the coming seasons, as she has always been in the series.

They have clarified that the new animation for the new seasons will have nothing in common with that of the Miraculous movie. Because the movie and the series are not linked.

They will soon be meeting to decide whether Miraculous will be made into a live-action series or not. It will be different from the series. Thomas mentions kwamis in particular, which are complicated to integrate into live action. Thomas has already written the concept. For the series to see the light of day, it will mainly be a question of budget.

[alexistalkscomics]

Why Is The Jewish “Representation” In Agatha All Along So Problematic???

When it was first confirmed that Joe Locke was going to have a role in Agatha All Along, most fans quickly came to the conclusion that he would be portraying Billy Kaplan AKA Wiccan which unfortunately ended up being correct.

The problem with that casting you ask?

Joe Locke isn’t Jewish and he is playing one of Marvel’s most prominent Jewish characters. Whilst many goyim (non-Jewish people) often inaccurately perceive Jewishness to solely be a religious identity which is a massive oversimplification of what it means to be a Jew, Jewish people are actually an ethnoreligious community which means that we’re our own distinct ethnic group and culture that have a traditional religion that is intrinsically tied to our identity and culture regardless of individual Jewish people’s levels of observance.

And because we are an ethnoreligious group, that makes the casting of Joe Locke, who is not ethnically or religiously Jewish, inherently problematic to say the least, especially when placed into the wider context of Jewish representation in the MCU.

Marvel Studios has previously been criticised for the way that it’s approached adaptations of Jewish characters for the MCU with the two main examples being casting Elizabeth Olsen as Wanda Maximoff, who is Romani and Jewish in the comics, and Oscar Isaac as the Ashkenazi Jewish Marc Spector in the Moon Knight streaming series and in both cases, the heritage of the characters were either downplayed or just outright erased. So for anyone who understands the issue, it should be clear that the MCU has a poor track record when it comes to representing Jewish characters and that Agatha All Along’s adaptation of Billy Maximoff/Kaplan is just another addition to the list of disrespectful adaptations of Jewish characters.

What is the specific problem with how Billy has been adapted in the MCU?

Well, in order to answer that question, the answer has to effectively be split into two parts:

In the most recent episode of Agatha All Along, we finally learn the backstory of Billy (who had previously only been referred as “Teen” due to a spell that prevented his identity from being found out) and as part of that, we are shown a flashback to the day of Billy KAPLAN’s (the capitalisation will make sense in a bit), Bar Mitzvah, a sacred Jewish ritual that marks the transition into adulthood and the responsibilities that comes with being a Jewish adult. In this flashback, Billy (who if you’ve payed attention, is being played by a non-Jew) is shown wearing traditional religious garments and handling what is potentially an actual Torah scroll.

Within Judaism and Jewish culture in general, handling a Torah and then reading from it is seen as both a great honour and responsibility for any Jew who is called for an Aliyah so seeing a non-Jewish actor who has no experience as a Jewish person and in interviews, has mocked fans who criticised his role in the show, wearing my culture and religion as a costume to advance his career just felt wrong to me. I love Marvel and I take great pride in superhero comics being an art form that was created by Jewish immigrants so seeing one of the biggest franchises in history cast a non-Jewish actor to appropriate Jewish culture just felt disgusting to me. At least with Moon Knight, all we got was the smallest references to his Jewish heritage rather than being subjected to seeing the christian Oscar Isaac partake in sacred closed rituals.

And now, moving onto the second part of the answer to the above question, after we see Billy reading from the Torah and are then shown the party following the ceremony, we learn that the flashback takes place concurrently with the final episode of WandaVision. Because of that, the party has to end early so that guest can evacuate and soon, Billy and his parents are in a car accident where Billy dies…

…until his body is quickly revived after the soul of Wanda and Vision’s artificially constructed son, Billy MAXIMOFF possesses and takes control of Billy Kaplan’s body whilst erasing everything that made Billy Kaplan who he was. The reason why this is especially problematic is because of the great importance of the soul within Judiaism. According to Jewish laws, one of the most important things that distinguishes Jewish people from goyim is a Jewish soul and in Agatha All Along, one of the main protagonist who is an adaption of a Jewish character who was created by a Jewish writer is reimagined as a non-Jewish soul that hijacks the corpse of a Jewish teenager to use as a meat puppet. It becomes even worse when later on in the episode, “Billy” is shown rejecting his identity as Billy Kaplan which effectively takes the undertones of ethnic erasure and cultural appropriation of Joe Locke’s casting and makes it an essential part of the characterisation for this incarnation of Billy.

In Conclusion?

In the Marvel Comics, Billy Kaplan is a proud queer Jewish man who was partially based on the lived experiences of his creator who is also a gay Jewish man. Becuase of that, he holds a special place in the hearts of many fans who see a piece of ourselves in him and we deserved to see the really Billy Kaplan be brought to life in a way that would honour the source material that we love and introduce mainstream audiences to a really cool and fascinating Jewish superhero who can open up so many possibilities for the more supernatural side of the Marvel Universe to be explored in further MCU instalments.

But instead, we got the bare minimum of Jewish representation followed by the complete erasure of that “representation” with the ultimate end product being a show riddled with the underlying rot of antisemitism.

[starkwlkr]

hi i love your writing, i have a request could you imagine where ruby talks about being in love with a friend from school, and charles and ruby's uncles are protective and jealous and y/n laugh at the whole situation

the L word | charles leclerc

“Maman, when did you know you were in love?”

Y/n thought it was such a serious question for an eight year old to ask, but she answered the question anyway.

“Well the first time—”

“You can be in love more than once?”

Y/n chuckled and nodded. “Yes, Ruby, you can. Some people fall in love once, and other don’t.”

“Why?” The girl asked.

“It’s just how life is.”

That stuck with Ruby for a while. Her mother explained the concept of love to her. For being an eight year old, Ruby understood it quite well until she asked if being in love automatically means that you had to marry that person.

“Um . . Not necessarily. Not everyone that’s in love married each other.” Y/n explained.

“Why? They love each other. You and papa love each other and you’re married.” She stated.

“Well not everyone wants to get married. And it doesn’t really work like that. For example, I love you and Mathéo—”

“Don’t forget about Floppy.” Ruby interrupted.

“And Floppy, yes,” Y/n chuckled as the mentioned of the stuffed bunny. “I love my friends and family too. Do you get it?”

Ruby slowly nodded. “I think so. But maman, can I tell you something?”

“Of course, what is it?”

“I think I’m in love.”

Y/n kept Ruby’s secret until Charles made it back to Monaco for the Grand Prix. Ruby had told her mother about her crush on a classmate from her piano class. Y/n thought it was adorable that her daughter had a crush unlike Charles who thought it was the end of the world.

“She’s too young! She’s my baby!” Charles spoke with Y/n as he got ready for the day. The Monaco Grand Prix was in a few days and he was already stressing about the race, now he had more to stress about.

“She’s eight, Charles. It’s just a little crush. You never had crushes as a kid?” Y/n asked, as she started to make the bed.

“I didn’t care about girls back then, I was too focused on racing.” He admitted. Y/n the stopped what she was doing and stared at him until he said the truth. “Okay, I had one crush, but she didn’t like me back! She liked some boy who stole my favorite pen from school.”

“Poor you.” Y/n chuckled then walked to the bathroom to start doing her hair, Charles walked in with her.

“But now I have the best wife who gave me the best children ever and hopefully she’ll give me more . .” Charles kissed his wife’s cheek repeatedly.

“Keep dreaming, Perceval. Maybe in the future. If we have more, imagine how you’re going to be when they start dating.”

“Oh god.”

After getting ready, the couple and the kids made it to the paddock. Usually, Ruby was energetic and loud, but her behavior that day changed. She was quiet and stayed with her mother holding her hand. When they walked into the Ferrari garage, Carlos was shocked to see a calm Ruby.

“Is she sick?” Carlos asked the parents.

“No, she’s fine she’s just nervous.” Y/n replied.

“Nervous for Charles or Ferrari?”

Charles rolled his eyes. “Actually, she’s nervous for herself. The boy she has a crush on is coming to watch the race, which I’m not happy about so can we please talk about something else?”

“She has a crush? No, she’s too young!” Carlos whisper yelled.

“That’s what I said! Thank you!” Charles brought his teammate in for a hug.

“Unbelievable, come on kids. Let’s go find Aunt Kika.”

By the time it was time to do interviews, the whole grid seemed to know about Ruby’s crush and each of them reacted similar to Charles and Carlos. Since Ruby’s first paddock appearance, the grid loved her. She had them wrapped around her finger and they didn’t mind one bit.

“What’s his name? How old is he? Do I know his parents? Where does he live?”

“Calm down, Pierre, they’re eight.”

“I need to know who my niece likes! What if he’s not good enough for her? Ruby deserves the world.” Pierre told Y/n as the family and a couple of drivers sat in the Ferrari hospitality.

“They’re eight. Why are all of you on Charles’ side? They’re kids, they’re not going to get married tomorrow.” Kika added.

“I’m not on papa’s side. I’m here for ice cream!” Mathéo said as he continued eating the frozen treat.

“Thank you, Théo. Keep eating, baby.” Y/n kissed her son’s cheek.

“There’s a percentage of people that end up marrying the person they met in their childhood. Ruby could fall into that category.” Charles stated.

“You sound ridiculous right now. I don’t think that’s a bad thing. It’s cute, my childhood crush moved away to Canada or something.” Y/n said casually.

“Is it Lance?” Lando questioned.

“Mate, she said he moved to Canada, I’m pretty sure Lance was born there.” Carlos told Lando.

“Anyways . . . I suggest we keep Ruby in the Ferrari garage at all times then when the race finishes, we take her straight home and we all live happily ever after.” Charles proposed.

“Yeah, that seems dumb. But good luck finding her, she’s been with the boy from her piano class this whole time we’ve been talking. I think Fred is giving them a tour of the garage last I heard.”