#interesting to note though that the first two seasons either don't have any or have very few

[blackhholes]

Teen Wolf

Created by Jeff Davies(2011-2017)

[trillscienceofficer]

from Star Trek: Voyager the official magazine, June 1997

ROXANN DAWSON - B'Elanna Torres

by Ian Spelling

“You never really get used to it,” Roxann Dawson says of the makeup that transforms her into B'Elanna Torres on STAR TREK: VOYAGER. “I've gotten used to having it applied, but I don't think you ever really get used to it. Part of me likes it though. It certainly helps me slip into character and, of course, I'm not recognized at all out of the makeup, sometimes not even on the set.

“I remember that in the first few months we were doing the show, even people on the set had no idea who I was. I would walk right onto the stage without makeup and our own director of photography wouldn't recognize me. Over time, people have seen me out of makeup a little bit more often. So at least the cast and crew are beginning to know who I am now.”

Dawson smiles, which is a big no-no. At this very moment, she's sitting in a chair as a makeup artist glues on prosthetics and paints over assorted Klingon facial ridges. Every time Dawson stretches her facial muscles too much—which occurs when she smiles or laughs—she risks ruining the makeup artists work, and that would only mean more time in the chair. “I usually like to look the person I'm talking to in the eye,” Dawson explains. "But I can't turn my head, either. Use the mirror. I know it's a little weird, but if you look at me in the mirror as we speak, we can make eye contact.”

Clearly, Dawson has held more than a few conversations from this chair, which sits in the middle of a make-up trailer just a short walk from the VOYAGER sound-stages on the Paramount Pictures lot.

Hard as it may be to believe, three years have passed since Dawson first arrived here to play B'Elanna in the “Caretaker” pilot. “It is hard to believe, and it has been a great experience. I've been able to do almost everything as an actress portraying this character,” she enthuses. The other day, they had me rappelling for a scene we were shooting. That was so cool. It's one of the neat things about being an actor. You don't have to know how to do something and you don't really have to practice it. They just had me do it. Of course, I was protected, and a stuntwoman would have done anything that would have been too dangerous for me to do.”

Dawson notes, “We're also learning so much about this character. In ‘Blood Fever,’ we really explored many aspects that were very particular to B'Elanna, but not necessarily particular to Klingons or chief engineers in general. We're discovering that she's not just strong in the masculine sense, but that she can be sexual and feminine and interested in learning more about herself. I talked with Jeri Taylor at the beginning of the season because I wanted to see more of B'Elanna's Klingon side come out. I didn't want her to become too complacent. I wanted her irreverence to always be there. I wanted that war going on inside of her to be present and always a conflict that influenced her choices. I think the writers are making sure that's all there this sea- son.

“I don't want B'Elanna to be a goody two-shoes,” Dawson emphasizes. “I don't mind seeing her darker, uglier sides. That's important. It's part of who she is. It's good to see her at her worst. It's good to see her learn from her mistakes. That's what makes a character interesting. I love that, and I hope it continues.

“You never really get what you want as an actress, but with B'Elanna, I've really gotten a lot of what I had wished for. The writers keep surprising me,” she continues. “They keep coming up with different aspects of her for me to explore. I think to myself, ‘How did you know that was in my hidden agenda?’ That's a wonderful feeling for an actress on any show to have.”

Dawson also believes that the writers are doing justice to B'Elanna's relationships with the other characters aboard Voyager. When the series began, she was primarily presented as an outsider, even among her Maquis co-conspirators. Over time, B'Elanna has emerged as a respected member of the crew. Captain Janeway now shows the utmost confidence in her, and her friendship with Tom Paris seems to be blossoming into romance. “One thing people have to understand is that this is an ensemble show. There are nine regular characters to service every week,” Dawson notes. “I just feel really fortunate that, in such a short time, they've developed B'Elanna's specific relationships with just about everyone on the ship. except maybe Kes. We haven't had much to do together and I would love to have an episode exploring that relationship a little bit more.

"With all of the other characters, though, I have a specific relationship and a definite attitude, and each relationship and attitude is changing and growing. I love thee fact that the Doctor can tick me off so much at one moment, but al other moments there is an element of respect, when he does something that impresses me. For example, when I thought we were losing him and his memory, I suddenly realize that I need him, that he has grown me. I love that every once in a while, we see little windows of B'Elanna's past with Chakotay. Paris and I got very close in ‘Blood Fever’, but I was under the influence of something, I was in Klingon heat.

“I want the writers to keep surprising me. Sometimes I love not knowing exactly what's going to happen, and not figuring it out until I'm handed a script. I really don't know where they're going to go with the relationship between B'Elanna and Paris. I do hope they'll take their time and make it happen slowly. I hope it's original, a little different than what we've seen before. I hope they put in a great deal of friction. I'm sure B'Elanna is different from anyone Paris has ever been involved with before, and would love to see him realizing and dealing with that. I see that all happening, and it really pleases me.”

According to Dawson, she and Robert Duncan McNeill have sat down and discussed the best ways to make the B'Elanna-Paris relationship work for them, how to best add layers to the groundwork being provided by the shows writing staff. By way of example, when they received the “Blood Fever” teleplay, the two discussed the arc of the script and how they saw it as the launching pad for an ongoing relationship. They incorporated their conversations into their performances when the scenes were played out before the camera. 'It really comes down to the actors interpreting what's on the page,” Dawson says. “Robbie and I wanted to make sure that certain elements were there and, also, we didn't want to overstep any boundaries. We wanted to be certain we were doing it right. We do discuss things on that level, but we always have to keep in mind that we must by what the script says.”

Sometimes, of course, Dawson also must go by what her directors say. And the actress has been directed not only by actor/directors Jonathan Frakes and LeVar Burton, but also by her VOYAGER costars McNeill and Robert Picardo. McNeill helmed “Sacred Ground”, while Picardo called the shots on “Alter Ego”. “I had about 30 seconds of screen time in ‘Sacred Ground,’ but I was impressed with what Robbie did. Actually, he's going to direct another episode,” she says. “Bob was great on his show. It amazes me, because you don't always know that an actor will be able to direct. Both of these men are obviously multi-talented, because they're not only fine actors but they managed to direct well, too."

Soon enough, Dawson will find out whether or not she can add herself to the list of multi-talented VOYAGER cast members, for she is enrolled in STAR TREK's director-in-training program, which has turned out such directors as Frakes, Burton, Patrick Stewart and STAR TREK: DEEP SPACE NINE's Avery Brooks and Rene Auberjonois. She's watching other directors in action, sitting in on editing sessions and the like, all in preparation to direct an episode sometimes next season. “There's a great education to be had here and they treat me with such grace. I'm so grateful to have the opportunity to learn this craft,” Dawson enthuses with a smile that elicits a wince from her makeup man.

“I've always wanted to direct. I've directed for theater, but it's quite different from directing for film or TV. I honestly don't know if I'll like it or be good at it. I think the time for deciding whether I'll be a good director is right now, during the learning process. So far, I really do love it. Hopefully, I'll be good at it, too. Whatever episode they give me to do, I just want to be able to bring it to life. Each episode is so different. Sometimes you're handled something that's very action-oriented, and sometimes you'll get something that's very thought-provoking. I don't know which kind of show I would be better at, but part of me says I would be better off starting with a quieter episode. I don't know if I have a particular style that I would impose anything. That was always my goal as a stage director. I'll probably stick with that idea for my first episode."

While Roxann Dawson may go on to make her mark as a director of VOYAGER, she's well aware that, even though she'll likely enjoy a long, fruitful career beyond STAR TREK, the show, her role and the fans will always be a part of her life. "I've heard that. Am I comfortable with it? I guess I'm growing more comfortable with the idea," she acknowledges.

"If this was something that didn't deserve that kind of recognition, then I would feel uncomfortable. But I think VOYAGER does deserve that kind of recognition. I'm part of something special. So, yeah, I guess I am comfortable with the idea STAR TREK being a part of my life forever. Let me put it this way: I'm as comfortable as I could be.”

Focus: Star Trek: Voyager

It has been a long time since Roxann Dawson last looked back at the episodes of STAR TREK: VOYAGER which were either focused almost entirely on B'Elanna Torres or which featured scenes of importance as they related to the character. Thus, the conversation backtracks to October 1995, when “Persistence of Vision” first aired:

“Persistence of Vision” (The crew's deeply buried desires surface; Chakotay seduces B'Elanna): “All I remember from that one was not being able to stop laughing when we were doing the love scene between Chakotay and me. Robert Beltran and I just kept cracking each other up.”

“Resistance” (The crew encounters the Mokra; Tuvok and B'Elanna are captured): “I liked working with Tim Russ. That was the first show where I saw any potential for exploring the relationship between Tuvok and B'Elanna. I realized he could help her explore some of the imbalances in the way she views her Klingon and human sides.”

“Prototype” (B'Elanna reactivates a robot, only to have it kidnap her and try to destroy Voyager) and “Dreadnought” (B'Elanna beams inside a missile to deactivate it): “I worked with Jonathan Frakes and LeVar Burton [as directors] on those two shows. They're both great guys. It's funny, in ‘Faces’ I dealt with myself a lot. In ‘Prototype’ I dealt with a robot and in ‘Dreadnought’ I dealt with a computer that had my voice. So, I was acting with myself in three B'Elanna-heavy episodes. I begged the writers to make the next one something where I interacted with a human. “Jonathan did a great job directing ‘Prototype’. ‘Dreadnought’ surprised me because so much effort went into actually developing the computer voice. That came about through hours and hours of looping. The whole show was B'Elanna and her relationship with this computer counterpart. So, it was fascinating for me to create that relationship half in performance and half in a sound studio.”

“The Thaw” (A clown [Michael McKean] holds Harry Kim and B'Elanna hostage while Janeway tries to free them): “I didn't have a whole lot to do in that. but I thought it was a brilliant episode. It had a lot to say and certain moments were just chilling, especially the death of Fear. Michael McKean was just great.”

“The Swarm” (The Doctor's system overloads and B'Elanna tries to help him recover his programming): “That was a great opportunity to work with Bob Picardo and to explore B'Elanna's relationship with the Doctor. I liked the fact that, to B'Elanna, he had always been just a computer, and in this episode she got to see he had this... humanity.”

“Remember” (B'Elanna has bad dreams; Dawson plays two roles): “I loved having the opportunity to do that show. It was a brilliant script. I loved being able to play the two characters, and how Karenna's [sic] life influenced B'Elanna's. I felt the show had something to say. Bruce Davidson [who played Jareth, Karenna's father] was extraordinary. I've always wanted to work with him. I had known of him since I lived in New York City, and he was just brilliant.”

“Blood Fever” (B'Elanna experiences Klingon heat; she and Paris begin their relationship): “That was an extraordinary experience. It demanded a kind of courage I didn't know I had. I took risks there, and I'm glad I did. I hope people think those risks paid off.”

“Darkling” (The Doctor goes bad): That was our Jekyll and Hyde epsiode with the Doctor turning a little evil. Bob Picardo and I had some fun together when he was in his Mr. Hyde mode. He paralyzed me and he was threatening to kill me and Bob was speaking in a sleazy, very sexual way. It was so disgusting, but I think it came across very funny.”

Though Torres doesn't feature heavily in the next few episodes shot, efforts have been made to develop one aspect of her character. “What's happening is that they've been furthering the B'Elanna/Paris relationship in subsequent episodes. In ‘Displaced’ we have the B-storyline. We did a lot of head-butting in that one. And we did one show where, for the first time, I worked only one day. But the whole day was B'Elanna/Paris stuff.

[basu-shokikita]

Dethklok's reaction to knowing they're gonna die

So here I am on my bullshit once again. Just wanted to talk about that one scene from AOTD 'cause it's been haunting me lately.

First things first, the way Nathan's expression contorts with fear upon realizing that he might have fucked up, and now they're all gonna die.

Immediately Pickles' breath hitches up as he tries to confirm the information. Nathan is not any more optimistic the second time.

Then this: Pickles tries to hug Toki, who barely reacts, standing very still instead. Now this one stuck with me, why? Because Pickles is very obviously trying to keep up his 'motherly' role be there for the youngest one. Because of Toki's attitude towards Skwisgaar during AOTD, Pickles can only have concluded that the little guy wants to be physically comforted. So, that's what he does. He goes in for the hug, because Toki must be really scared of death, right?

Now I don't doubt Pickles' good intentions, but I think he's also projecting a little. He's the one having the most visceral reaction to what Nathan said. He's upset, he's terrified, he wants out. He wants to be comforted but how can he be when he's the one supporting everyone? He can't break down, he's been the backbone this whole time. So he clings to Toki, and feigns a protective role when really all he wants is to be protected right now.

Then you have these two. Skwisgaar is hunched, head hanging low, barely showing emotion. Just like Toki, he is shocked.

Murderface is avoiding sadness as ever, venting instead with his favorite projection device: Planet Piss. He's not sad about dying, oh no, he's mad he never finished Planet Piss! And he's gonna be a loser for it and that sucks! But he's not sad, he's just angry, obviously.

Skwisgaar doesn't even try to be a smartass or sarcastic. He's just defeated, it's not just them that are gonna die, everyone will. Everyone will die and nothing will matter. Nothing will have mattered at all because they will all be gone. Definitely think it's interesting that the guy with the biggest ego in Dethklok is the one thinking about how it's not just them that will meet their end, but the rest of humanity as well.

Murderface then is less mad, and more like relieved. He won't be a loser and he won't be seen as a loser because no one will be around to judge him. Speaks a lot about his fear of rejection and constant attempts to fit in. There's no one to fit in with if they're all dead.

And then we get to this, this. The callback to the infamous 'Sees you in Vallhaska' scene. This little thing right here drives me insane because, I can't believe they referenced to that scene, and because, god, the context is so much more different now.

Back then it was just the two of them, about to be slashed by MMA. And that's when Skwisgaar turns to Toki and tells him he'll see him in Valhalla. But it was just the two of them. (Important to note, though: in the season 2 finale Skwisgaar and Pickles are stuck in a similar situation but Skwisgaar doesn't initiate any interaction, and it's Pickles instead who does it, wanting to confess he managed to suck himself off before dying.)

But here is the whole band, the whole band is about to die. Scratch that, humanity as a whole is gonna vanish.

And Toki, right after Pickles tried to comfort him and he didn't react, Toki walks to Skwisgaar. He walks to Skwisgaar and only addresses him. And he says that he'll see him in the afterlife. He doesn't tell this to Dethklok, he doesn't even tell this to Pickles who just tried to support him. He doesn't even say it to Murderface who was talking to Skwisgaar just a few seconds ago. No, he says it to Skwisgaar only.

Toki tells Skwisgaar that they'll hang out everyday for eternity. And there's most likely at attempt at cheering Skwisgaar up, or even cheer himself up, or both, really. But he doesn't look thrilled about it either, he doesn't want things to end up like this. So it ends up coming as a (death) sentence, rather than comfort. And that's what Skwisgaar senses too, he knows Toki is reluctant and so is he because, fuck, is it really gonna end like this? And he's mad but so helpless too that he asks if Toki's implying they're going to hell.

And it's such a cold thing to say for sure but let's be honest the way Toki worded it didn't sound great. Not that he can be blamed really, their situation is so fucked up anyway.

But the most glaring thing about it all for me is the acknowledgment Toki has of their bond. Rather than wanting or wishing to stay with Skwisgaar forever, it's more like he knows, he feels in his heart that that's what's going to happen to them. And maybe it's not the best situation but at least they'll have each other. And that's just incredible to me.

Because back then, Skwisgaar spoke to Toki when it was just the two of them about to meet their end. Here, Toki is choosing to address Skwisgaar only when they're all about to kiss their lives goodbye. It wasn't just circumstance back then, nor is it a coincidence now, these two are tied in some way that goes beyond regular life and death, and they know it. And in a way, it's not really their choosing. It's just the way things are.

[poppyplate]

minor season 5 spoilers for lmk!!!

(some sketches + my thoughts on the new season :0)

this season was so good!! i'm gonna put my long rant about my thoughts below, just cause i have a lot of things i wanna talk about :3

animation: ik the animation change was jarring for some people and i did almost cry about flying bark leaving the show when the news first dropped, but i honestly think wildbrain did a great job and the animation is still super cute and fun. it's definitely different and you can tell, but they still do all the silly animation things that flying bark did and this season honestly had some of my favourite humor (visual and otherwise).

i'll definitely miss the old animation, fully hand drawn 2D animation is becoming harder to come by in cartoons now so it's sad to see this show lose one of the most exciting aspects of it, but i'm looking forward to seeing how wildbrain does in the following season(s?). i'm honestly just glad we're getting more monkie kid content.

plot: i did enjoy the plot they set up. this season did feel different pacing wise? if that makes sense. not that it's necessarily bad i just noticed it felt a bit different. i'm really excited to see more about this whole chaos thing.

ik li jing wasn't necessarily a villain, but he was an antagonist for a bit so i'm adding my two cents about him and nezha. i didn't love what they did with their story arc, but ik there's only so much that can be done in a 10 episode season where each episode is only 10 minutes long. i think their arc would've just benefited from more time :(

villain(s): i think the nine headed demon is such an interesting character (even though he did confuse me a bit) so i hope we get to see more of him. probably my favourite big bad so far personality-wise.

main characters: i'm glad sun wukong had more screentime this season!! he always either isn't around or gets trapped, so it's nice that he was present again.

i definitely felt this season focused a lot more on the monkie trio, which was bound to happen, but i like them so i was fine with it. idk how much of a redemption arc macaque is trying to have, but i kind of hope it's not a standard redemption arc. not that i didn't enjoy macaque's character this or any other season, i do like him most of the time. i just personally hope they keep him as more of a neutral figure even if he does stick around with the group.

i don't have much to say on mk that hasn't already been said. i love the guy and i hope he gets to be happy again soon T^T

side characters? ig: i thought mei and red son's episode was cute. i love dragonfruit interactions a lot, but i do hope red son gets some more screentime next season cause i miss him </3

i am happy sandy got some more screentime though, his episode with mk was cute. also tang was so real this season, he's just like me fr (i hate manual labor).

other notes and whatnot: this season felt shorter somehow, even though it wasn't and i'm not sure if we'll be getting a special like we always do or if they're just going to move on to the next season. either way, i'm excited to see where it goes from here.

although i wasn't in love with the ending of this season, it just felt a tad rushed and i definitely think we would've benefited from a few special episodes again.

i'd give this season a solid 8/10. i would love to go through all the episodes and share my thoughts on them, but i'm just gonna share my ranking of the episodes.

(i feel pretty even with 1-2 and 3-5)

1. collar the king

2. temple of the goddess

3. the cage

4. sacrifice

5. strings that bind

6. into the pagoda

7. claim to flame

8. harbinger

9. the storm within

10. festival fugitives

[viewlumia]

Nothing will be more weirder than the Ninjago fandom acting like Cole was in love with Nya throughout Rebooted.

Through the entire Love Triangle ordeal, he never actually acts for Nya, instead only reacting to Jay. Observe:

Blackout

In the previous episode, The Art of the Silent Fist, there was a scene between Cole and Nya. Throughout that episode, Nya was struggling with her newfound feelings towards Cole (given to her by a machine I might add but that's a conversation for another day). Nya talks to Cole in that scene and it ends with them holding hands and Cole jokingly saying "Don't tell Jay."

Why am I bringing this up? Because I honestly have trouble looking at that through a romantic lense. I often see people use this as evidence even though it doesn't match up with how the show would later indicate romance (they looked at each other so they're in love now! Chemistry, what's that!) More importantly, Nya never actually articulates her feelings for Cole in this scene. This is crucial when getting to Blackout. In Blackout, after Pixal blurts out that Cole is a perfect match for Nya, not Jay, who entered the room at the time, his first instinct is to attack Cole as soon as he saw him! From the POV of Cole, this looks like his friend calling him names and a whole lot of other things seemingly out of nowhere, he never actually heard about the "Perfect Match" results and that combined with the previously mentioned scene leaves us with a Cole who isn't in love with Nya and is only focused on Jay.

The Curse of The Golden Master

In this clip, after the ninja head into the sewer like a certain other group of color coded ninja, Jay gets into another spat with Cole after Cole dared to *checks note* look out for Nya's safety. This causes the two to get into an argument and ignore Nya falling from the broken ladder.

Now this scene on it's own doesn't mean much, but when paired with the other episodes mentioned, it starts to paint a bigger picture. This scene is a tipping point for Cole, going from someone clueless about his situation and fighting with Jay to letting this petty, near one-sided rivalry get in the way of the task at hand.

This scene is honestly the perfect representation of the Love Triangle in Rebooted: it was never really about Nya, she was just a stepping stone to get to Jay yelling at Cole over a situation he has no idea he's even in. Cole isn't out of the woodwork either as he begins to ignore Nya solely so he can insult Jay, but hey, it can't get any worse right?

Codename: Arcturus

It got worse.

In Codename: Arcturus, we see Jay, Cole, and Nya at the movie theater to "prove who Nya should go out with." Now, you may ask "doesn't that sequence end with both Jay and Cole asking who Nya will date and her kidnapping a cleaning robot?" yes, it does! But the important thing here is that it wasn't even Nya's idea in the first place ("Hey, it wasn't my idea to go on a double date to decide between you two.") Interesting thing of note, this is the only episode in the entire season where it's actually shown Cole fighting for Nya's affection, but even then it's not really about her, it's about getting back at Jay more than anything.

I know someone will come in wondering about "authorial intent," the intent in question being that Cole could be a potential love interest for Nya moving forward, but while I can see the intent, I can also acknowledge that what actually landed on the page and later the screen does not match the intent at all. Instead of Cole falling in love with Nya and getting into a spat with Jay that way, we got Cole treating Nya like a stepping stone to get back at Jay, disregarding her feelings in the process.

TL;DR: Kai should've knocked Jay and Cole upside the head for being weird about his sister

[rulerzreachf4n7]

Fight me all you want but huntlow/lumity antis are the weakest links in the toh community,

HEAR ME OUT...

...unless you don't have ears idk block the haters

SKIP IF YOU'RE NOT INTERESTED IN SHIPS WARS IT'S HONESTLY EMBARRASSING I HAVE TO SAY THIS!!

All this slander is coming from the goldric/huntmira/lunter/guster/amiter shippers, yes that's a mouthful, and yes I'll be blocking you if you're a toxic shipper, if your not, good! except if you ship amiter, fuck off you lesbianphobic bitch, anyways back to my rant, also sorry if this comes out as insensitive, rude, or if I sound over dramatic I just really hate these types of people

If I had a dime for every toxic shipper I've encountered since I first came into the toh community...BITCH ID BE RICH CAUSE SOME OF Y'ALL ARE WILD ASF 😭🙏, this is based off of a rant I got below this post so yeah credits to anon it was very helpful pookie

Y'all toxic ass shippers will go FUCKING PARAGRAPH LENGTHS TO DEFEND YOUR SHITTY SHIPS, and this is targated twords lunter and goldric, again, if you're not toxic this ain't for you I don't mean to offend anyone, cause tell me why there is this account on Pinterest, I ain't afraid to say their name it's something like TheGoldenCoven, or some shit like that, BROS A LUNTER FAN ACCOUNT 💀, and a toxic one too, dw I got some proof

How the fuck do you normalize the TWO MAIN COUPLE OF A SERIES??? Hunter was never intentioned to date Luz and vice versa, this is a perfect example of toxic a lunter shipper, and not only are they toxic they're...LESBIANPHOBIC!! I know it was probably from 2021 and they've moved on buuuut they did post amiter art, and they're not even a nice person although having in their bio "I'm nice you if you're nice to me" or some bullshit idk

As for toxic goldric shipper accounts I haven't seen any Pinterest or Tumblr accounts so that's good! But majority of the shippers are the most insufferable human beings on earth, their only excuse for shipping them is "they want a mlm couple and they're the same age" noting against wanting a mlm couple it'd be super nice...buy may I remind you this is post early season two...HUNTERS NAME WASN'T EVEN CONFIRMED YET 😭🙏, And let alone having only two or three minutes of screen time makes the ship have an even worse reputation, and the shippers are just bitchy and biphobic, always complaining that Hunter should be canonically gay instead of literally anything else so he can be shipped with only Edric, and I know huntmira shippers exist but I've actually never had an interaction with one, hopefully they aren't too bad

Y'all will come out withe the stupidest excuses not to ship huntlow/lumity, also sorry I got off track 😭😭, for lumity, don't know how it exists, but it's either "it's abusive" or "it's toxic" brother ew 💀, name one way Luz or Amity have hurt each other and DO NOT say it's by how Luz always makes stuff mess even though it's literally apart of her personality or by how she didn't wanna tell her about the portal door in S2 or how she accidentally helped Philip/Belos, I'll wait 😊, and I see the point of how Amity's personality downgraded to only being Luz's gf but she still did have her family problems but I guess they just didn't wanna make it an episode, I mean we got Clouds on the horizon that counts ig?

And for huntlow I keep hearing the same shit "I-Its a crack ship, I-Its forced, t-they have no chemistry 🥺🥺🥺" yeah I can see your toxic ass shipping a 12 and 16 year old together don't think you're slick bitch, and just because huntlow was rushed doesn't mean it's necessarily bad, you don't know if Dana had intentions on it but because of the cancellation it was forced to be rush, and I'm sorry to y'all hearing the shortened s3 excuse but it's true since there's literally no other explanation, also don't come into the comments saying "B-But you don't know that!!🥺🥺" it's just speculation my brother in Christ 😭🙏, merely a theory put together with brain cells which almost everyone in this community doesn't have, another weird double standard is how everyone ships gustholomule and veesha even though there's very little evidence it'll be canon was supposed to be canon but since it's a more noticeable and popular ship no one bats an eye for some reasons even though huntlow is too a popular ship, but these are the more bigger ones so I'll more obscure like cameda or aladarius which where probably never meant to happen and totally fandom operated

Anyways that's all, I'll block haters/toxic shippers in the comments so don't think you'll get a reaction outta me with some half baked and barely thought through argument you found in a Reddit post

[doctorbleed]

Project 2025 vs Agenda 47: A Quick Rundown

Been seeing a lot of stuff online about Project 2025, an absolute horrific and dystopian set of policy proposals from the heritage foundation. I'm making this post to try to get information out there about it that I don't see a lot of people sharing. Especially the difference between it and "Agenda 47."

To make a long post short: Don't panic about it, but don't get complacent either.

Per Wikipedia, Project 2025 is "a collection of conservative and right-wing policy proposals from the Heritage Foundation to reshape the United States federal government." It goes really, really far with proposals for things like mass deportation, abolishing the FDA and other vital federal groups, and even toys with the idea of banning pornography. The Heritage Foundation itself is a hard right Neo-conservative organization. Several Trump aides and allies have contributed to it.

However, for his part, Trump has publicly denounced the plan and is on record saying he's not a fan of the heritage foundation, openly calling some parts of it 'terrible' (paraphrasing). Trump, for his part, is a Paleo conservative, not a Neo Conservative. The difference is insignificant to most but vital to some.

Trump's actual plans for his presidency are outlined on his website as "Agenda 47." Which has some overlap with Project 2025 but is missing many of the key points.

It's also important to add that many of the things outlined in Project 2025 are blatantly unconstitutional, and the others would require a level of legislative support Donald Trump simply isn't statistically capable of getting.

So, Project 2025 as actual policy is heavily disputed. Trump claims not to have known about it and says he doesn't want to enact it, and quite frankly, I'm 50/50 on whether he's trying to save face or he genuinely hates it because it's not his idea.

I worry the true danger and likelihood if Project 2025 is being exaggerated in order to win Democratic votes, though I also worry a significant chunk of the stuff in it would actually be enacted, as I firmly believe it would be worse for the country if any of it happened.

I'm making this post because I've seen people on Reddit mention Project 2025 as a major source of stress and depression, and most horribly at all, they've mentioned it in suicide notes and other kinds of desperate cries for help. I wanted to add my two cents in to hopefully calm some of the hysteria because I desperately don't want people getting hurt over something that should be taken with a grain of salt in the first place.

Again, TL;DR is most likely, Project 2025 is just the radical fantasy of a neocon think tank Trump himself hates. But that doesn't mean you should pay very close attention. You need to vote this election season, not just for president, but for local and federal politicians as well. You need to fight for what you believe in and advocate for your own interests.

[squgs]

HOTD and Ambiguity

So given that House of the dragon covers nearly 20 years of history (30 if you count the prologue), and a shit ton of characters in ten hours of television there's a lot of events that we don't see and ambiguities around characters. Characters rarely state their motivations and there are reasons to doubt them when they do. It is very easy to make wildly different claims about characters which, while incompatible with each other, can't really be disproved by the show so far. For example Daemon can be a pedo groomer abuser who just wants the throne, or a feminist malewife who will do anything for his queen. Neither of those are explicitly disproven by what we see on screen, though that is not to say that they're equally reasonable readings (I think that the 2nd is pretty ridiculous to be honest).

These different readings of scenes and characters and lines have contributed to the pretty ugly fandom discourse since there is enough evidence for mutually exclusive claims to argue extensively. Whoever your favorite character is you can twist the shown events in order to make them seem like a hero and for everyone who opposes them to be terrible. However I don't have anything worthwhile to say on that, so I want to talk about the writing on its own instead.

Now having uncertain motives can be interesting writing wise (show don't tell and all that), but I think that as House of the Dragon's first season continued it ran into more and more problems around this, especially with the time jumps and actor changes. When character's motives and wants are unclear after the time jumps first impressions are what will decide how most people view them. So when we first see Rhaenyra giving birth, and we first see Alicent trying to separate a newborn from her mother, and we first see Criston calling Rhaenyra a slur and we first see Harwin being a protective father and we first see Aegon bullying his brother, it adds up. Those first impressions are then applied forward and backwards leading to the idea that Alicent and Criston have been abusing Rhaenyra for ten years, and that in the training yard Criston the incel fucked around with Harwin and then found out (my read is that Criston the step-dad took advantage of Harwin being an entitled ass to get him fired).

(Side note about Criston: While the exact thinking behind his downward spiral in episode 5 is ambiguous, the scene between him and Rhaenyra in episode 4 is unambiguously rape given that he tells her to stop and she doesn't.)

In that way the show encourages very one sided readings of complicated and ambiguous scenes, leading to people either being annoyed that the show ignores all the terrible things that the greens are doing, or that it's unfairly biased against them. That's a problem, but things don't completely fall apart until episodes 9 and 10 when people start going to war. For all of the characters we still have no idea what they are fighting for. If we ask why Alicent crowns Aegon we have a bunch of possible answers:

Because she thinks Viserys told her to. This is stupid and I hate it.

Because she fears for her children's lives. This is a good reason, but it has not been brought up since episode 6 despite episodes 7 and 8 both featuring moments that would certainly validate that fear.

Internalized misogyny. This one makes no sense to me, and I haven't seen any convincing evidence for Alicent specifically having more internalized misogyny than any of the other women on the show. However it could be interesting if it was actually seen beforehand.

Ambition and pride. This isn't really seen in the show, but it certainly seems like an understandable feeling for Alicent to have after suffering through an abusive marriage for 20 years and being denied the two things that women are promised through marriage (her husband's protection of her and her children, and the inheritance of her son)

Now if we ask why Rhaenyra wants the crown enough to go to war for it (she agrees to lay siege to king's landing before Luke dies so I'm ignoring that) we have a similarly confusing list of possibilities:

Her dad told her to. This is the reason that I think fits best, but it isn't really delved into. I think there would be a lot of rich interesting stuff with Rhaenyra evaluating her father's legacy and whether she wants to continue it, but Rhaenyra never seems to acknowledge how much bad shit her father has done.

So she can fulfill the prophecy. This is stupid.

Ambition and pride. Also aren't really seen, but certainly understandable and believable.

She fears for her children. This also isn't really shown at all, but you could argue that she fears her children will be killed either to protect Aegon's claim or to put an actual Valeryon on the throne of Driftmark. However we don't really know Rhaenyra's view of the political situation.

To destroy the patriarchy. This would be interesting, but we don't really see her wanting to do that. We do see her usurp Baela's claim to Driftmark in episode 8 though.

These issues get even worse with the more minor characters, the worst example being Rhaenys for whom all her possible motivations contradict her previous actions and opinions:

To protect/honor her grand daughters: if this is what she wants why doesn't she take Alicent's offer of Driftmark, giving her granddaughters an inheritance and keeping them out of the war?

To protect Luke and Jace: she never shows them any affection except maybe in the background of the eye gouging aftermath.

Feminism: if she is willing to go to war in order to have a queen on the iron throne why didn't she fight for her own claim?

Because she wants peace: then why didn't she accept Alicent's offer which was made in the name of peace? Literally as soon as she and Corlys put their support behind Rhaenyra, Rhaenyra stops considering making peace.

Because she trusts Rhaenyra more than the greens: Why? She thinks that Rhaenyra and Daemon killed at least one of her children, she saw Daemon murder her brother in law and we have no reason to think she knows of any misdeeds done by the greens.

All these unclear motivations make the themes of the stories non-existent. The dance could have all sorts of different thematic meanings, all built around what is being fought for and against. It would be fascinating if Alicent and Rhaenyra were both fighting for ambition, making the show about how women are pitted against each other by patriarchy or if they were both fighting for their children and the show is about the cruelty of the system that doesn't allow power to be shared and forces branches of families to fight until one side is wiped out. However, for any meaning to be clear the writers have to know what it is and they have to write their characters with that meaning in mind. Hopefully the show can be more clear going forward, but I don't exactly expect that, and I think that without a coherent set up it's not going to mean much when bodies start dropping next season.

[toastingpencils37]

Ok, so some random DR Season 2 theory, but first I have to credit @nyaskitten for two things that I'm going to use as a basis for my theories.

One, back when the Season 2 sets first leaked way back in 2023, Raine had noted that the gong had three eyes, similar to that of an Oni. I can't find the post detailing it for the life of me, but I do remember it.

Plus, later, he made this post, which actually predicted a leak we recently got in the Summer 2024 set description leaks.

Anyways, on that, it is reasonable to believe that whoever that Oni (assuming it's an Oni) is, they were probably either trapped within the gong or made the gong, and first physically appears towards the end of part one/beginning of part two, as they first appear in the Summer sets.

Which open up multiple possibilities as to who they may be, some a lot more far-fetched than the others:

A Source Oni: In this case, if the Oni is a Source Dragon, 1) Source Oni would have to exist in canon, and 2) they cannot be trapped within the gong. If Source Oni aren't gonna be canon, this option is automatically out. But if Source Oni are canon and this is a Source Oni, it has to originally be outside the gong, because capturing & freeing it would probably upset the cosmos like doing so to a Source Dragon would. And from a narrative perspective, I don't think the writers will want to do another Chaos Storm in the season right after the first that already did it. Now, assuming it's a Source Oni, what'll it be the Source Oni of? Honestly, it could be any, if it's red eyes are from whatever blood moon magic it uses. Or it's the Source Oni of Fire. But even though the Source Dragon of Fire appears to be relevant this season, I don't think there's anything relevant to do with fire in relation to the villains. So just some random other Source Oni would make sense. Now how they made the Gong I have no idea. Maybe they made it in a regular non-Oni/Dragon way and then just infused it with the blood moon stuff, and then possibly lost it/or decided to go into hiding.

Just a regular Oni: In this case, it would just be a regular Oni that started using and probably even created the idea of Blood Moon magic. If the Oni is just a regular Oni, then it is possible that they got too powerful and either their magic itself or something/somebody else trapped them in the gong, and then they get freed in Season 2, probably by Ras, as leaks claim that he's Ras' master.

A Dragoni: Sadly, I feel like this may be the least likely option, just because it's unlikely that another Dragoni will be included in the series. But if Ras' master was a Dragoni, that would allow the Oni to possibly create the gong themself. Of course, like the previous possibility, it would still be likely that the Dragoni made the Blood Moon magic (possibly through the actual power of creation in this case) and then got trapped in the gong. I personally feel like this would be the most interesting, especially because then there could be a character that could be like the opposite to the FSM in a way, who holding both the powers of creation and destruction, decided to pursue destruction and pain rather than creation and life. But again, probably the least likely option.

Of course, if the Oni is in fact not an Oni at all, it would completely disprove all of these theories, but it's nice to theorize.

[heroesfixated]

50/50 Heroes - The Mysterious Symbol

There's one more mystery scattered throughout the episodes I have yet to discuss: the mysterious eye-question mark symbol.

Episode 12B - The Invisibles

This is the first episode that we officially see this symbol appear on a book that J.C. is reading.

From this book, he has discovered a map leading to a secret room in the library, marked by the symbol, as well as having it on the door's handle. He calls the room a "lost time chamber", however, his description of it being a "fun room to escape the teachers" is only based on a legend.

Upon opening the door, the room appears to be empty and long abandoned.

That is, until Lenny discovered a secret switch, revealing the actual hidden room. It's interesting to point out, that we never get to see what's inside, not even a peek, leaving us with only Mo and Sam's reactions, as they remain the only people (including Lenny) to have seen the inside of this room.

As of right now, I have no idea what this room could be, or what secrets may lie in there. Their reactions don't indicate it being anything dark or mysterious, but either way, I am certain this room will come back to play a major role in season 2.

However, this is not the only episode we get to see that green book...

Episode 25A - Sam Plays With Time

In this episode, when Sam and Mo time travel 10 years back and search their grandmother's house for some information on how to get back to their timeline, Sam is seen checking this book before being interrupted by Mo and closing it.

This prompts a question (assuming there is only one copy of this mysterious book/journal): how did it end up in J.C's hands in the present time, if it used to be in Wanda's possession? The only thing J.C. says is that he "found" it, which doesn't explain anything.

And in true Gravity Falls fashion, let's not forget the question of all time: who's the author of the journal?

However, the journal and the room are not the only times we see this symbol. Interestingly enough, several adults in the show seem to have/know about this symbol as well.

Episode 13B - A Sizable Problem

For example, the symbol appears on Peter Witherspoon's (Amber's father) ID card, which we can see when Sam is calling Mo from his pocket.

Episode 16A - A Dazzling Future

We can also see it on the janitor's ID card in this episode when he announces that he is quitting the job.

Episode 22B - Good Old Mo

It was also seen drawn by Mr. Brick. Even tho his conscience has been turned into a baby by Mo's half-power, he still seems to know about the symbol and purposefully draw it on the door.

How and why do the adults know about it? Perhaps it's not a symbol representing one single person, but instead it's a group of people, which some adult characters we know belong to?

That's not all, though, as we still have a few more random appearances of the symbol to go through.

Episode 15A - Dramedy My Friend

Kevin, the town's first police dog, has this symbol on his collar in both the big picture and his statue.

Episode 25B - Who Took the Fly Swatter

Moreover, J.C. and Amber's detective board has two pieces of paper with the symbol, one is seemingly some kind of document or note.

And in that same episode, when J.C. is talking about his ancestors, the very first one is shown with the symbol on the beetles.

Episode 26 - Swatteroo the Sublime

And this collection wouldn't be complete without the mysterious person's hand. The symbol on it could be a drawing, a tattoo, a mark left after some magic, or even possibly a scar, like the one Gruncle Stan from Gravity Falls had burned onto his back.

How does all of this connect, what does it imply, and what does that symbol mean? It is seen in many almost random places and it's hard for me to pinpoint any correlation between these moments to come up with one fully explained theory. Hopefully, this mystery will also be explored and explained when or if season 2 comes.

[the-ninjago-historian]

Ninjago Dragons Rising Season Two News! Sets and Plot Info!

HELLO EVERYONE! I have some great info for you guys on the new Dragons Rising Sets and Seasons! I worked REALLY hard on this article, so I hope you all enjoy it. There's a lot to talk about so let's just jump in. Below the cut. SPOILERS!!!

Our Sources for all this info are these two interviews here.

Now, let's get started.

First off, the mechs. The third wave will be for Part Two of Season Two! The mechs have interchangeable parts. So you may mix and match different sets to build your own mechs. The suits in the first wave the Ninjas are wearing are called the mech suits. There are only for when they are specifically in their mechs. They wanted to make sure everyone had a mech suit. So even though Zane doesn't have a mech, he got one anyway. The mechs did best in testing. They aren't as relevant to the story as the other sets.

There is also a short series coming that will showcase Sora building the mechs from the first wave. (It's important to note, that since there is a Cole mech, perhaps we can expect to see him in the shorts.👀) Also, Cole's golem form from the show was based off an early version of this Cole Mech.

I heard people asking why Sora and Arin haven't gotten any new suits yet. This has been addressed. The reason is Sora hasn't gotten a new suit since she's only been present for one wave. This means she might eventually get new variants. On a side note, Arin had a new hood now. Maybe not a full new suit, but hey. It's a start!

Also, there is a new sword Lego piece. So if any of you guys for some reason collect Lego weapons, nows the time to add to your collection. Lol.

And the dragon in the Wyldefyre set is just called a Source Dragon. It's not actually one. This is possibly for marketing. On more thing to remember is that there will be January, March, Summer set wave. So more sets ARE coming.

Now, the villains. Cinder is confirmed to be the new Elemental Master of Smoke! The designers don't know if Cinder is actually Ash. Or what happened to Ash. We can only assume we'll find out in time.

Second, the wolf army and Lord Ras! The wolf army is called the Wolf Clan. Ras's wolf warriors are humans in Wolf Masks. Not werewolves or anthromophic wolves. It is also interesting to note that The people that worked on Chima worked on designing the Wolf Warriors. And the Wolf Mech is based on a scrapped Nexo Knights Malware Wolf model.

Now for Ras, we now know that Ras's Shadow Dojo is located in a place called The Shadow Forest. It's where he uses the BloodMoon's power. The Gong of Shattering is apparently ANOTHER tool Ras uses to power/command his wolf army.

As for this Shadow Forest, the designer stated that the highly anticipated climbing suits will be for when they are climbing in the forest.

Last but no least, we have Egalt. The Master Dragon Not much is said about him other than he will take on a mentor role, much like Master Wu.

For our last topic, we have this very exciting news about Pixal! She has been confirmed by the designer to be returning to the series! Her name is on the storyboards and everything!💜🤍💜🤍💜🤍💜🤍

Well, that's all the news for now! Also, you like this newsletter format, let me know, as I am considering setting up a weekly Ninjago newsletter that will publish either every Wednesday or Sunday.

Bye! - ✒️🐉

[spaceorphanssecondbreakfastclub]

SO's Bookclub : On The Way To The Wedding

Title: On The Way To The Wedding Author: Julia Quinn Genre: Romance

Goodreads Summary :

Unlike most men of his acquaintance, Gregory Bridgerton believes in true love. And he is convinced that when he finds the woman of his dreams, he will know in an instant that she is the one. And that is exactly what happened. Except...

She wasn't the one. In fact, the ravishing Miss Hermione Watson is in love with another. But her best friend, the ever-practical Lady Lucinda Abernathy, wants to save Hermione from a disastrous alliance, so she offers to help Gregory win her over. But in the process, Lucy falls in love. With Gregory! 

Review :

Here we are, at the end of the line, and it's a little bittersweet if I'm being honest. This has been an interesting experiment for sure - and I enjoyed the run a lot more than I thought I would!

The thing about this one, even with the second ending, honestly felt like -- every other book in the series. I get and understand the nature of these books are supposed to be stand alone, with a shared background of connectivity. But I am sad that there wasn't something more to tie it all together.

So. Gregory. The first half-ish of this book dragged. A lot of it was about Gregory kind of being torn between two women, and even though Kate was there a lot to facilitate (it was so lovely to see Kate again!!) it wasn't that interesting?

After Gregory kind of gets over his crush on the main love interest, Lucy's, friend Hermione, and start paying attention to Lucy, the book picks up. And the last 100 pages are kind of a riot. There is wedding crashing, and Lucy being engaged to a gay man named Halsby who is absolutely hilarious and why was he not in the rest of the book, and black mail and attempted murder, and seriously -- if Julia Quinn had kept to these main ideas then I'd say this one would be a whole lot better. And honestly, I hope they do make the show until season 8, because this will be a riot when adapted.

Gregory is fine as the male protagonist. He's kind of bland and one note a lot, but at least he isn't as temperamental as his brothers. Meanwhile, Lucy is... kind of the same as every other female protagonist. I mean, Julia knows her structure and continues to stick to it. There are a bunch of elements that do feel a little recycled from the other books. And I don't know that anything necessarily feels fresh. But there wasn't anything in it that made me throw it across the room, either.

The family is there and it isn't. Kate being around is great - because she's a delight, and we really haven't seen her much. There are some really great moments with Violet and Hyacinth, too. Colin is back for a few scenes, but I was a little disappointed -- not only is there really not any mention of Penelope, Colin is so bland that I wonder why she even bothered other than she felt obligated to.

I do wish the book had wrapped up all the Bridgertons in a bigger, more thematic way, but you know what -- that's just not what these books are, and I guess the book giving the main characters a happy ending kind of suffices. (I am a little sad that the second epilogues for all of these -- except Viscount Who Loved Me -- have been a little disappointing.)

Overall, it was fine. The last portion of the book was bonkers and kind of fun. And I guess that is that.

Rating : 3 stars

[lumine-no-hikari]

Dear Sephiroth: (a letter to a fictional character, because why not) #194

I did A WHOLE LOT OF STUFF today. And I wish I could tell you all about it all at the same time simultaneously, but I don't live in a space where that's possible, so I guess I'll have to settle for starting at the beginning.

Actually, no. I'm going to start at the end. And then I'm going to move to the beginning! Here's a doodle I made today!

Please go easy on me; it's been a number of years since last I doodled with multiple media (or at all, really, with any kind of seriousness), and Sharpie isn't exactly the most forgiving medium...

Anyway! Back to the beginning! I cooked a food!!! This is broccoli, pan-fried in butter, with garlic powder, parmesan cheese, and the leftover goat cheese from that time when I made mashed taters when R visited my house!

...And here are a couple of the steak I cooked. Br was visiting, and she said she always wanted to try a tomahawk steak, so I got one and tried to figure out how to cook it!

This was super simple, actually. All you gotta do is stick it on some parchment paper on a cookie sheet, and stick it in the oven at 225 degrees F (or like 107 degrees C) for 30 minutes, take it out, flip it, and then stick it back in for another 30 minutes. Once that's done, you season it however you like on both sides (in this case, my classic mix of salt, pepper, paprika, and garlic powder), and then sear it on a griddle. Sometime while I was cooking, J went out to play laser tag. M wasn't hungry.

I also made bok choy, pan-fried in a little butter and chopped garlic:

You gotta be careful with bok choy; if you cook it for too long, it becomes terribly, horribly bitter.

But! I didn't cook it for too long! And so this is the plate of awesome deliciousness that resulted from all of this:

It all turned out really excellently. Br went back for a second helping of everything! I wish I could have given you a plate of this.

Br boiled water for tea for us, too. I got a new kind of vanilla rose tea that I think might be suitable to include along with your necklace. I got two tins so that I could test one and ensure that it is the same as the one that I am familiar with. It's the same brand, and they say it's the same flavor, it's just that this one comes in a nice tin instead of in a paper box.

The flavors are a little bit different. At first, I was displeased because I didn't expect that. But on further evaluation, I decided that I think I like the new one a little better. But I have to test them side-by-side to know for sure which one, if either, is superior.

Once Br and I were done eating, she suggested that we play a game in which we take turns doodling on a sketchbook page. Br is an amazing artist, and I haven't doodled with any kind of seriousness in a while, so when I was presented with the blank page, I felt pretty daunted. And especially when she reassured me that I could doodle whatever I like, my mind flooded with so many options that I got overwhelmed and didn't know what to pick.

So after a while, I thought, "Well I'm good at doodling eyeballs." Because Br had noted that my facial expression was very interesting as I tried contemplating things during my feelings of overwhelm. J keeps telling me that my eyes get like saucers sometimes, so I imagined that that's what I was doing (my face does things without my knowledge or consent, I guess...). So I decided to draw an eyeball, and before I knew it... well...

Whoops. Hahaha...

This one is done in a combination of mechanical pencil and Sharpie marker; I have a collection of different Sharpie colors because... I don't know why. They're pretty, I guess. I pulled out all the blues and also my metallic silver for it.

Here's a bigger picture of the doodle:

I doodled the eye first. And then I doodled the feather. Br doodled the abstract flowery squiggle in between; isn't it cool???

Here's a close-up of the feather. It's not the best-est, probably. I still kinda like it though:

Br got tired though, so we both decided to take a short nap. I had several very interesting dreams, and when I woke, I felt compelled to draw what I saw. But I am not going to show those images.

Instead, I will show you a couple pictures of the sky I took right before I took a nap with Br:

I'll also show you what I did with the eye doodle after I discovered that Br had brought her Nupastels:

Oh hey! We're back at the beginning of the letter! Hahahaha...

Hey, Sephiroth? Have you ever tried to doodle? If you have, what sorts of things do you like to draw? I tend to like doodling organic things, but some people like to doodle buildings, and some like to do abstract shapes, and others like to do geometric things, or landscapes, or any number of things. So... what would you draw? What sorts of things do you imagine?

Once J got back, he, Br, and I watched the Steven Universe movie, because Br had just gotten through the original animated series, and so the movie is up next. J and I have already seen it. I hope someday you'll get to see it; I think you'd find Spinel extremely relatable for a variety of reasons.

...Please try to get an ending like hers, okay?

You can find people who will treat you better. Not everyone is like the people who raised you. You can find some of those people who will treat you better, people who want you around, right here at my house. Pop by for a visit if you're ever in the neighborhood, okay? We can make you tasty snacks.

...I guess I'll end this one here. It's getting pretty late, and I wanna go to bed.

I love you. Please stay safe out there, okay? Because I'm gonna write again tomorrow, and you wouldn't wanna miss out on all my weird, delightful shenanigans, right? All the weird, delightful shenanigans that comes with living my version of an ordinary life. All the weird, delightful shenanigans that you can have, too, if you make choices that bring you there.

Your friend, Lumine

[interstellar-debris]

*slides in Risky Business style*

Hello, you glamorous rock star! I've got an idea for you. Would you be interested in doing some headcanons for Beckman, Shanks, and Reader (if you're comfortable, I know you mentioned being new at it!) for this lovely holiday/winter season? I think we could all use a bit of fluff this time of year to counter the added stress and what better way than with two of the best pirates/parents on the seas? Thank you for hearing me out, for your time and effort, and I hope you have a marvelous December!

Hi, my dear shining friend! This made me so excited that I literally wrote this at 1 am. Your order of fluffy (and fun, if I may say) hcs with two of the most fearsome pirates is up! I hope you will enjoy it!

Winter HCs

°Characters & reader pronouns: Shanks; Benn Beckman & GN reader in mind

°Synopsis: What would winter with these two fine pirates be? (Add to it a sprinkle of the crew shenanigans)

°A/N: I did it with GN reader in mind, but if I missed smt, pls let me know.

Cozy moments in the quarters. Just you, Shanks, Beck, and your hot beverage of choice. And yes, there are definitely plenty of eggnog refills. 

Speaking of eggnog, Roux has mastered the art of most alcoholic, while still delicious eggnog…, and now the first mate is on babysitting duty twice as much. 

Despite the crew being a loud one in general, I can guarantee that both Shanks and Beckman love those quiet winter moments - candles, fluffy blankets, yummy beverages, and time, which feels like it has slowed down so you could fully appreciate this all. 

Be prepared though. The second the deck gets under a blanket of snow, chaos ensues; even if only among the three of you, though more usually than not everyone gets dragged into this icy war. And while yes, Shanks usually starts the fight, don't get fooled by the usually laid-back Beckman. He can, and will, throw the snowball with scary accuracy…

Usually, you and Shanks get together to bring the first mate down, but occasionally your lovers side against you, and well… good luck, you are screwed.

Fair warning: if the crew is involved, be prepared for them nagging the hell out of Yasopp and Beckman, riling them up, until it ends in a snowball sharpshooting competition… It has already happened several times, and you can't convince me otherwise.

Baths. Especially after playing in the snow. Shanks has a bigass bath,  which can fit the three of you comfortably, so that's where you go for the evening - if it's time.

On another note - Shanks is a little shit! Even more in the wintertime. He will have the cutest and most innocent look on his face… and then he will shove his icy cold hands under your clothes - cuz gloves are for weak! - all while sporting a proud smile. He is happy, cuz he caught you unaware. Meanwhile, Beckman leaves the moment he sees that look on his lover's face; he fell for it far too many times than he wants to admit. And no, he doesn't alert you. Learn it the hard way - as he had to.

Beckman will, however, make up for his betrayal by being extra cuddly. I like to think that he comes from a fairly warm island, so he isn't the best in dealing with cold weather… Luckily Shanks runs hot, and who wouldn't mind some extra cuddles with this fine man, you certainly don't. 

Beckman can't skate. He just doesn't do it. I mean, Shanks can't skate either, but only when sober - no one knows why or how, but the moment Shanks gets on the ice drunk… he is a pro ice skater. He is not allowed though, Hongo banned him, saying that he doesn't need any more stress in his life. He would like to have his hair stay blonde for at least a couple more years. -

Speaking of the duo stressing the hell out of the ship doctor; Lime Juice made a bet with Shanks once, that Shanks can't persuade the first mate to try skiing… A week later Hongo was the one who collected the money to buy a splint for Beckman´s broken leg and sprained wrist, while Shanks mopped around being scolded by the doctor.

So, all I am saying is: “Good luck, you will need it. And please give extra appreciation to the ship doctor, for making sure they survive the winter months, okay.”

[hadesknockedupintheunderworld]

Sonine Prime ... Part 7

Hi, everyone and welcome back to Sonine Prime! The part of the show when I come out and talk about Sonine (and a bit of Sontails) in Sonic Prime!

Last time we covered the first big scene in The Grim, and now we're so so close to finishing off Episode 6. This time, I'm hoping to move on to Episode 7 and hopefully reach the end of this season, but we'll see if my hopes are cut short by the tumblr media limit again.😂

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<< Part 6 | Part 8 >>

(Essay/thoughts/analysis under the cut)

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So, starting off where we left off last time. I will note that Nine just informed Sonic (with a serious face and a frown) that he's going home right after this battle (essentially giving Sonic a second chance to join him in the Grim before Nine closes himself off forever), and Sonic responded by being so happy that he knew Nine would "come back". Keeping this in mind is important. Why?

Well, after being so frustrated and disappointed that Sonic didn't choose him in the Grim, and after just posing sonic a new choice ("You can either stay here and I'll seal myself off alone in the Grim, or you can join me there in the Grim")...Nine can't help but smile in regards to Sonic again.

"I'll take em low, you take em high!"

"Already on it."

Once Nine makes his point to Sonic as best he can, they fall right back into working together again. It's been so long since they last fought together, and both seem...happy for it. Even if Nine doesn't actually want to be here, you can see on his face how much he enjoys cleaning house with Sonic (not surprising, given how much he perked up in Episode 1 when he believed Sonic was telling him that the two of them used to fight the Chaos Council and win).

That also being said, despite the fact that they (chronologically) hadn't actually spent a lot of time together in the first few episodes and spent a while apart, it really is a testament to their relationship just how well the two work together and continue to. You get the impression from this short little scene that the two don't need to say much to know how they should fight, actual plans be damned. Yes I think one can extrapolate that Nine has already been forming a strategy and Sonic was largely planning to wing it, but the fact Sonic didn't need to say much says that they trust each other (and that, at the very least, they both think the other understands an unspoken plan).

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Now, when Sonic and the Rebels celebrate the defeat of the last of the Eggforcers (and what seems to be the Chaos Council's retreat), Renegade mentions that he doesn’t know what happened to Nine. While we as the audience know Nine was captured by the Council, Sonic hasn't seen Nine since he jumped off of his ship. Neither he, Rebel, nor Renegade know where Nine is.

However, here's what's interesting about this scene.

"We're good. Not sure what happened to your "friend" though."

"I don't like this. The shard could be anywhere."

Rebel and Renegade still have no solid reason to trust Nine. Even if it's true that he came to aid in the fight, they didn't see him finish it, and they have previously expressed the concern that Nine would hand the paradox prism shard over to the council. While they're not as convinced that Nine has traitorous intentions as they were earlier in the episode, they still are afraid that the shard is in the wrong hands or could be. Whether Nine is traitorous or not, it's concerning to them not to know the whereabouts of the shard.

"You're right. I better find him before he portals outta here again."

Now, I think it's clear Sonic agrees it's good to have a good eye on the shard, and that he is meeting Rebel and Renegade in the middle (so to speak) by offering to look for Nine.

However, what's important is the focus. Rebel and Renegade are focused on the shard. Nine's well-being? Not so much. Sonic? Sonic is focused on Nine himself. The shard? Well, find Nine and find the shard, right? Sonic doesn’t go into this expecting Nine to be in any danger, and Nine had told him earlier that he'd be leaving after the battle. So, if anything, Sonic’s concern is exactly as he says—finding Nine before he leaves.

Since Sonic never makes a reunion with Nine here, it's hard to say for sure what would have happened if he did. Or, rather, I feel confident that Nine would remind him of the choice he presented earlier in some form, forcing Sonic to choose, but I can't say for sure whether Sonic's intentions were to convince Nine to stay, to make sure he knows to keep the shard safe, or what. All I can say is that...Nine's absence at the end of the battle seems to leave him focused on the fact that Nine will leave soon if he doesn't get to catch him and see him beforehand, not so much on the shard itself.

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And we are finally finished with Episode 6 (an episode that has now spanned three parts😂)!

Onwards to episode 7, where while looking for Nine, Sonic accidentally portals out of New Yoke.

"Okay, stay calm. One minute I was looking for Nine, then I saw that gnarly ship, and then, somehow..."

Funny, huh? All 3 times he was transported to another shatterspace after his original arrival in New Yoke, Sonic thought about Nine's whereabouts just after arrival. This time, he was looking for Nine before the transport, versus the last two times, where he'd at least briefly thought about doing so after arriving.

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Okay, so just like with Thorn Rose in episodes 4 and 5, I'd like to talk about Knuckles the Dread for a minute (and not just because he's my other fav).

While I can't pull a "wow there are some surprisingly direct parallels here" as I did with Thorn and Nine, Dread serves a different purpose for being brought up. Simply put, Dread is also a character who forms a fast relationship with Sonic, his story is a bit more complicated than "guy who is secretly evil", and Sonic's relationship with Dread shows the audience just how much Prime Sonic can handle when a friend turns on him.

Now, since we're only on season 1, we won't be touching on this last point until later, but I'm going to compare and contrast Dread and Nine on purpose.

So, let us begin with the first meeting.

Sonic was specifically searching for Tails when he trailed Nine all the way to his lab. This was the beginning of the show and he still didn't know much about what was going on, so when he entered Nine's lab, he assumed that Nine was Tails. He acted friendly off the bat, entering the lab and turning Nine's chair like he does in that flashback depicting him entering Tails' lab. However, as Sonic was a stranger to Nine at this point, had intruded in his space, and called him a name only thrown around by his bullies, he ended up in a fight with Nine.

As for Sonic's first meeting with Dread, he isn't specifically looking for anyone before this. When he arrives in No Place, he recounts what he was doing and what happened before he landed first. After this, while he does wonder about the outfit change for this shatterspace, he's largely focused on his own safety. This can be seen in the number of times he puts emphasis on how much water is around, how many times the camera focuses on water as Sonic darts around trying to avoid the pirates, and how panicked he gets trying to argue for his safety in front of Batten Rouge, Black Rose, and Sails.

"Aharr harr I don't mean to harm, ye. I'm just a wayward hedgehog, looking for a way home. Agh! Water."

...

"Listen, I'm not a part of any crew you're looking for. In fact, I've lost my crew. It's...a bit of a sore spot, actually..."

...

"Wait, you're leaving? Uh, you can't leave me here! There's literally water everywhere! Uh, where you going? Somewhere with a lot of land hopefully?"

...

"I'll row! I'm a great rower! I'll bet you twenty coconuts I'm the best rower you've ever seen!"

...

"Or else...the plank? I can assure you that this hedgehog has no interest in planks. Captain's orders. Got it! I love captains.

As for Dread, even beyond the fact that he's surrounded by pirates, Sonic has good reason to meet Dread assuming he's (Sonic's) already in danger (in contrast to how he'd assumed that things would be all okay as soon as he found "Tails" in episode 1), even beyond the fact that Dread is a pirate captain.

"I say we pirate!"

"A-But...the captain's not here! I-I don’t think he'd approve of us—you know—pirating."

"What kind of pirates don't pirate?"

"Well, you know how the saying goes Rose. Dead men tell no tales."

While it clearly throws Sonic off that the pirates would be under orders not to pirate, I'd say if one kept in mind the trio's actions, it's not hard to conclude that they may fear going against Dread's order's. After all, they reason that they can cleave Sonic to the brisket as long as Dread doesn't know about it, and as long as they think Sonic is from "the old crew" (who do periodically mess with their ship and steal their supplies).

And given how happy Batten, Sails, and Black Rose were to attempt to "cleave him to the brisket", even though Dread's orders are not to pirate, I don't think it's a stretch to say that Sonic could preemptively assume Dread will be harsh on him or aggressive the way these three were (which is to say, happy to deliver harm).

"All right, all right. Enough's enough. Gather the coconuts. The captain'd want us to get back to the ship without takin' too long. Leave this scalawag for the buzzards."

A bit of urgency to get back (which one can assume is either or both because of captain's orders and for balancing his disposition), and essentially a "let's leave him to die".

Then, when Sonic asks where they're going and says that they can't just leave him...

"Back to our ship. And we don't take scallywags."

"You know... With all that speed, this landlubber could be useful. Swabbin' the deck. Raisin' the mizzenmast. Rowin' the boat?"

"Agh. I hate rowin' the boat..."

In short, I this little moment conveys to Sonic that they don't just take people onto their ship, and that if he wants to leave this island with him, he'll need to prove himself useful. It's pretty clear that he's acting in the interest of his safety and not being confined to this tiny island, so it makes sense that he'd try to argue that he's useful.

"Fine. I, too, hate the rowin'. But there is one condition when we get back to the ship. It's captain's orders. Or. Else."

And judging by Sonic's understanding of that being "or else you walk the plank" and insisting he by no means plans on disobeying the captain, he understands this threat for what it is. He needs to be useful and follow orders (or at least suck up and pretend he will be/do these things) so he can survive and/or have a chance to escape and continue his search for the prism shards.

However, given how causally Sonic comments on Catfish drinking "a few too many coconuts" and about how the pirates should consider cleaning the poop deck (essentially, how much more casual and less on edge he is) compared to his disposition change after he learns that the captain is a Knuckles variant, I'd say that once he feels assured that the crew isn't going to kill him or leave him to die, he settles back into a more casual attitude. However, once Black Rose and Batten Rouge introduce Knuckles the Dread as "The Dread" and Sonic sees that he's Knuckles, he flashes back to his meeting with Knuckles in Sonic the Hedgehog 3. We can clearly gauge by the flashback that Knuckles was strong, assumed Sonic was a threat, fought him like one, and stubbornly refused to listen to reason after listening to Eggman. Unlike how Sonic was bewildered by the idea that "Tails" would fight him in Sonic Prime Episode 1, after all of his knowledge of Knuckles the Dread he's gotten so far comes to head, he no longer seems as confident in his safety on this ship.

"The Dread is...Knuckles?"

*Queue flashback sequence*

"Yeah, does make sense. But you're pirate Knuckles. I'm not taking any chances."

So, to clarify, while it bewildered him that "Tails" would fight him when he first met Nine, the idea that Knuckles would fight him (especially a version that doesn't know him) is not at all surprising to him, given that he assumes that Dread will be aggressive towards him.

So, interesting I suppose that we have Tails (someone who Sonic can't fathom wanting to hurt him, who he feels more okay around), Amy (someone who is sweet, but nevertheless is someone who's not beyond being aggressive towards Sonic), and Knuckles (someone who is not beyond being aggressive towards him and has done so in the past).

So, while Nine pretty quickly gets defensive, preemptively assuming that Sonic wishes him harm, and thus tries to get on the offensive, Sonic does the same with Dread. The main difference here is that Nine reacts quickly, treating Sonic as someone who wishes him harm and actively fights him. Sonic holds out a sword, showing that he's prepared to protect himself, but he doesn't rush into battle. Rather, he makes it clear that he has a weapon, isn't afraid to use it, and that he doesn’t trust Dread.

With this, while Sonic fought an uphill battle trying to convince Nine during their fight that he meant him no harm and that they are friends, Dread was able to talk Sonic down in a more peaceful setting, which he does instead of treating Sonic like an aggressor or getting angry and attempting to get rid of Sonic. Needless to say, it's a bit out of the expectations one would have, given how the crew had talked about Dread and that he's presumed to be just like Prime!Knuckles at first.

With Nine:

"Yes! There's my two-tailed genius friend. Surprise!"

*Nine growls*

"Tails, it's me, your best–"

"What did you just call me?"

"Uh... Tails?"

"The name's...NINE!"

...

"What do you want?! Who sent you?"

"Woah! Heck! How many tails do you have?"

"Nine!"

...

"Tails, stop! We're buds—amigos! Best friends!"

"I have no friends!"

"'No friends'? You have the best friends!"

...

"You've been working out? Heh. Who's your trainer? Ow!"

"I was trained by the misery of life in this foul and heartless city."

"Snap out of it, we go way back!"

...

"All my best memories of Green Hill have you in 'em, and you're not punching me!"

...

"Don't you wanna go home? Blue skies, sunny beaches, palm trees?"

"I don't know what kind of mind games you're playing, but it won't work!"

...

"You...saved me?"

"I've been trying to tell you that we are friends."

"Fabricated stories won't keep me from beating you back, intruder!"

"Stop! Just...stop. We're friends—best friends. This has to ring a bell."

Of course, after this Sonic and Nine have a much calmer conversation, but Sonic can only seemingly convince him he's not a threat, not fully convince him that the two of them are friends (though Sonic does recount times with Tails and soft events they often partake in together).

With Dread:

"The Dread is...Knuckles?"

*Queue flashback sequence*

"Yeah, does make sense. But you're pirate Knuckles. I'm not taking any chances." *Sonic sniffs the air* "Fire? Fire! Wait...dinner? Dinner!"

"I'll trade you that sword of yours for this nice, shiny apple."

"So you can stuff it in my mouth? Uh, no thanks. Uh, you do know hedgehog quills are a choking hazard, don't you?"

*Dread and the crew laugh*

"Don't you worry. The fire isn't to cook you. It’s to welcome you!"

"Agh!"

...

"...Definitely not the Knuckles I know."

"Besides. Have you seen your legs? I've seen more meat on a starfish!"

"Wait, this really is a party?"

"Ha ha. Sure is!"

It's worth noting that relations become more amicable after both of these events. Nine is still a bit prickly, not completely sure why he and Sonic would have been friends once before, but he is no longer fighting him, he let's him into his lab, and he does help Sonic out and worry for his well-being. We also know that this leads into Nine's attachment to Sonic. As for Sonic, once Dread convinces him he's not in danger and throws a party, he calms down, even proclaiming that Dread is his favorite Knuckles.

And this entire scene with Dread is very interesting. Though he doesn't actually act like The Dread of the seas anymore, it's still strange given how the crew talked about him that Dread is...taking everything so well. It would be one thing if he had just decided to let Sonic attack like with the old crew, or if he was just getting on Sonic's good side so he could use him, but (first of all) he actively (and calmly) talks Sonic down from being defensive, and he hasn't met Sonic before now. Dread doesn't yet know about Sonic's speed or usefulness!

We can infer from Sonic's first meeting with the crew, and Sonic's finding Catfish asleep on the dirty ship and surrounded by coconuts, that these days Dread only gives his crew orders when needed. We know from later (when he decides to have another party for the second day in a row) that Dread is trying to keep his crew happy and largely out of danger by his doing. And, even though Dread mentions that they "don't come across adventurers that often" as a reason for throwing a party for Sonic, it says a lot by the fact that his crew had assumed Sonic was part of "the old crew" pestering him without real proof.

I think we can safely conclude that whether Dread had planned this party in advance for not, the idea that it is for Sonic specifically is something he decided on the fly.

And why?

Well, the simplest explanation is that since Sonic is neither necessarily someone to be brought into his crew, nor someone who wishes him and his crew harm, he used his words and demeanor to take control of the situation so that Sonic the adventurer may pass through peacefully. And frankly, I do believe that this is part of why Dread initially acts the way he does.

But...I don't think that's all. Rather, like the way Nine and Sonic take to each other fairly fast, I personally wager that Dread initially gained an interest in Sonic beyond any particular usefulness he'd have.

Well, and that Sonic takes to him fairly well too, if you consider the return of this expression (being leveled at Dread this time) significant of anything

"You're officially my favorite Knuckles ever!"

For the sake of the tumblr picture limit, I've compiled a video of some clips of Sonic and Dread interacting (mind the quality) that take place after the "You're officially my favorite Knuckles" line, and before Dread gets a firsthand demonstration of Sonic’s speed and fighting prowess (i.e. before he learns that Sonic is or could be useful).

Of course, the main reason I compiled these was to show off how...touchy Dread is with Sonic for someone he's only just met (not to mention the limp wrist gesture😂). However, there are a few other things I want to point out from these clips.

So, just to begin, I'll emphasize once more that Dread does not know about Sonic's speed yet, and he’s very much at the moment trying to distance himself from his past self that was willing to work his crew to death for the sake of getting the blue shard. So if there are any ulterior motives as to why he's focusing on pampering Sonic, then it can't be because he wants to use him, and it's unlikely that it's because he's either trying to push Sonic along and out of his life peacefully, or because he's trying to recruit him for the crew. For the former, if he was trying to peacefully push Sonic the adventurer towards his destination for the safety of himself and crew, then he wouldn't be (frankly put) as in Sonic's personal space, he wouldn't have tried to rope Sonic into a second party til sunset on day 2 of knowing Sonic, and he would have talked at all about where they can drop Sonic off so he can pursue his mission or adventure. For the latter? I'd like to explain why I personally don't believe Dread intended on necessarily recruiting Sonic into the crew.

The short of the "why" for why Dread is most likely not trying to recruit Sonic into his crew, is because he's treating Sonic even a bit differently than his existing crew members. Earlier, while writing this, I considered the idea that perhaps Dread pulled this whole "I threw a party for you!" routine for his other crew members back after losing his previous crew. I considered that Dread picked them up originally because he was in need of a crew (and didn't want to leave the high seas), and because they were wayward souls (so to speak) or looking to become pirates. However, while all of this is plausible, there are two things that came to mind regarding Sonic.

Presumably, Dread doesn't really need more crew? He doesn't know anything that would make Sonic stand out from anyone else ability wise, he clearly doesn't care for recruiting someone to help with the old crew's plundering of their ship, and he doesn’t offer at this point to recruit Sonic. He merely treats him as a wandering adventurer. Does he even need Sonic for upkeep of the ship or for getting supplies/food or even for steering/navigating on the ship when he has crew members already who can handle it all?

That Dread has clearly told his crew members his tale of woe (because they seem to know a bit more than simple rumors), but not only does he skirt around telling Sonic, he gets angry at the prospect of any of his crew telling Sonic the story of Dread at his worst. If it's common knowledge or something that Dread told the rest of his crew, why would he not tell Sonic? In fact, if you check those clips, when Batten goes to tell Sonic about when Dread used to be a "not so nice" pirate, Dread is not only quick to angrily shut the talk down, but he moves much closer to Sonic to ask him about himself instead. In addition, as you see towards the end of the video I embedded, when he emphasizes that Sonic should leave the story and shard be, he glares at him, pushing a fist lightly into Sonic's chest (again, physical contact).

So Dread doesn't know about Sonic's speed. He knows that Sonic isn't from his former crew. He doesn't need more crew. While he's very nice to Sonic, seemingly focusing on him and doting on him, he's quick to get angry at the crew if they try to mention his past to Sonic. The crew knows Dread's story. Dread doesn't want Sonic to know his story. Dread keeps on switching the focus on Sonic or trying to get him to party more, and he neither talks about recruiting him nor about Sonic leaving at some point. Do you want to know what this means to me?

Dread is acting the way he is about Sonic, treating him differently than his crew, trying to learn more about him, being more "physical" with him so to speak, neither trying to make Sonic leave nor make him a crew member, trying to pull him into a party again or incentivise him to chillax on his ship, trying not to let Sonic know of his backstory of being "not so nice"...

...because he likes Sonic.

Dread doesn't need Sonic or anything, he's not making it clear he needs Sonic, but perhaps he just wants him around, and not in a way that makes Sonic his subordinate. He wants Sonic to think of him as this nice pirate captain, not as the guy who lost his crew over his obsession with a jewel.

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Okay, okay, let's take a momentary breather. You're probably wondering what everything I just said has to do with anything. If Dread met Sonic and decided he wanted him to come along with him, no responsibility attached, as a "friend" after barely knowing him, what does this have to do with Nine (or Sonine, for that matter)?

Well, there's something I'd like to remind you of. Just like with Sonic and Dread in S1 E7 (to the point that Sonic assumes he and Dread are going to fight the old crew in tandem), in earlier parts of Sonine Prime I mentioned that Sonic and Nine really haven't known each other for very long. In fact, before Nine picks Sonic up in S1 E6 to take him to the Grim, Nine doesn't actually need Sonic.

Nine has two prism shards at this point, and (as we see later in S2) he has the power to start molding the Grim into the home he desires. By the time he goes to fetch Sonic, he's planning on staying there, closed off from the rest of the shatterverse. He's planning on showing Sonic what he's already created and living here alone with him. Nine doesn't even care about gathering the other shards until he has to worry about what the Chaos Council will do with even one shard, and once other characters besides him and Sonic can jump between the shatterspaces, he actually has to worry about keeping his new home and his own life safe.

But back in S1 E6? Nine doesn't need Sonic. He doesn't need anything from him. Not his speed. Not anything he possesses. Not his connection to the prism. He wants Sonic there to build a home with him, even if Nine can do it without him, has everything already lined up.

Likewise, early S1 E7 Dread doesn't need Sonic. Not his speed (that he doesn’t know about yet). Not as a crew member. Not to fend off the old crew (he wasn't preparing to fight them). Not to get the blue shard (which he explicitly didn't want anything to do with or for Sonic to know the details about). He just wanted him to come along and hang out, party, relax.

Interesting, right?

And also funny that Sonic ends up rejecting both Dread's offer to continue to hang back and relax on the ship and Nine's offer to stay and build a new home with him in the Grim

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And so ends our time in S1 E7: It Takes One to No Place. Now we will finally move onto the last episode of the season!

So begins Season 1 Episode 8: There's No AARGH In "Team"

So, like with Nine, once they're on amicable terms Sonic begins to form an idea of Dread in his head that differs from how the Echidna actually is. While we can see this sort of come to head a bit in episodes 7 and 8, one major moment I want to talk about is when Dread flees the sinking Angel's Voyage. The once mighty Knuckles the Dread, who Sonic had thought of highly due to first impressions and of certain traits of Knuckles' he assumes of Dread, is a coward.

But...that's not all that's going on here.

There are miscommunications abound in this show, and Sonic has a pattern of listening to people's backstories (Nine, Dread, Thorn, Shadow, etc), thinking he understands this person and their situation, and trying to help what he believes the problem is at hand (in a way that's often pointed towards his own goals, and leads him to assume the other person wants the same things as him or should). For Dread, Sonic got the part where Dread lost his courage when it comes to pirating. Even when his inexperienced crew fought during episode 7 and at the beginning of episode 8, he yet hid and hung back.

But Dread is also scared of something other than fighting other pirates or death. He's scared of himself.

"I don't care what version of Knuckles you are. You don't give up. It's your most annoying virtue! This shard is my only hope of finding my home! I need you. Your crew needs you! You're Knuckles the Dread, captain of the Angel's Voyage! Dreaaaad!"

Sonic thinks that Dread has simply lost his courage and pride. He needs Dread's help to get the shard, and he can't do it if Dread is gone. So bringing "The Dread" back fulfills two purposes. The first, (like with Thorn, Prim, and the scavengers) is to "make things okay again" (also known as "the right thing to do"), and to restore Dread's courage as a captain. The second, is to get the shard. The Angel's Voyage and its crew have a proud captain, and Sonic gets the blue shard. It should be a win-win, right?

"I gave up years ago, blue, when I wrecked trying to get that shiny rock yer after."

"We can still get it! With your captaining and my speed, you're not gonna wreck on those rocks again!"

"He is fast—fast enough to get me past them rocks..."

"We can do it together! And I can get home!"

"And I'll finally get me treasure."

"And you'll forever be known as the legendary Knuckles the Dread. The legendary Knuckles the Dread!"

"Aye. The legendary Knuckles the Dread."

The part of Dread's tale of woe that Sonic missed (or perhaps ignored), was the part where he was so obsessed with the blue shard that he lost himself and put his crew in danger. Dread lost his crew because he showed that he didn't care about them, not because he failed to get the shard. So sure, it makes sense that Dread is afraid, but for Dread getting that treasure became tied to being the "Dread" of the seas. The fact that he even took a crew on after that, tried to make most days fun and relaxing, and forbade them from acting like pirates, I don't think it's a stretch to say he was trying to keep history from repeating itself.

Because being the great pirate he used to be means going after his white whale again, and he'd responded to losing everything by trying to keep it from ever happening again.

Dread, like Nine, is the type that does care about people, they just both tend to place their goals and their well-beings over the innocent. Nine hesitated before leaving Renegade, Rebel, and Rusty Rose behind, ultimately choosing the safety of himself and the shard. Dread took in a new crew, got a new ship, left who he used to be behind, and focused on making the days peaceful and fun. He stopped going after the shard to protect himself, to keep from hurting anyone else for his obsessions, and so he doesn’t have to be responsible for the deaths of others (like his new crew).

So Sonic M. Hedgehog pushes Dread to help get the shard, because Sonic wants it, and because he thinks Dread will become a great pirate again if he succeeds. He convinces Dread to take this path once more, perhaps not realizing the outcome that convincing Dread to go for the rock (that "brings nothing but pain") will bring.

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Okay, so I'd like to back up for a second and talk about both Dread and Nine.

Both of them have a wish, a great attachment to something they wish to get, but initially believe is impossible to. For Nine, it's "home", and for Dread, it's his treasure, the devil's lighthouse. Home and treasure. Neither of these things are inherently bad to wish for.

Nine isolated himself as much as possible, tried to contend with just being alone and protected so he couldn't be hurt again. Dread locked away his love of pirating and his want for his beloved treasure, not wanting to drive himself to doom and lose everything again in the hopeless pursuit of it.

Both created a life of safety for themselves and reacted based upon the pain they'd experienced and struggles they went through. For Nine, truly all he needed was to create "home" for himself, but the trouble is that he never would, because he believed this to be impossible, and because he doesn't really know what "home" is. For Dread, truly all he needed was to move on from the shard, focus on his love of pirating and make his crew feel cared for, but the trouble is that he never would, because to him there is only one choice that can be made. To Dread, there is only getting his beloved treasure at all cost (which would likewise return his reputation and status), or there is keeping the days fun and peaceful, suppressing his desire to keep himself and his crew safe.

But then Sonic arrived, and he each made them believe. Sonic made Dread believe that he could succeed and get his treasure without losing anything. With the shard, Dread reasoned he could have the treasure he'd so desired and have his ideal life again. Unbeknownst to Sonic, who assumed he'd be able to just leave with the shard and take that step to restore his home, Dread's dream is tied to that shard, and he's willing to hold onto it no matter the cost now (exactly what he'd feared before). Sonic made Nine believe that he could finally make a home for himself. With one shard and an entire shatterverse, Nine reasoned that he could finally escape New Yoke and create a new home away from everyone else. Unbeknownst to Sonic, who's assumed that Nine has the same goal as him, and will eventually hand over the shards so they can restore his own home.

Dread stood aside. He gave into the stubbornness of Sonic and his crew (especially now that they'd banded together), allowing them to choose to sail straight towards the light that brought him ruin without him having to reap the consequences (since he didn't make the choice).

With the shard in hand, Nine found a new, empty shatterspace for himself. He intended to move forward on his path, and create his home, isolated from everyone else. He intended to leave the other shatterspaces to their fates, let the people there deal with their own problems that they caused.

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Let's go back to the scene where the ship was beginning to sink, taking Sonic and the crew with it, and Dread responds by fleeing alone. Let's think back to episode 6, where Sonic and the resistance were fighting the Chaos Council for their right to exist, and Nine takes Sonic away.

At this point, Dread left, not willing to be doomed for a goal he did not pursue (or rather, to die because his crew decided not to listen to him, decided to follow Sonic towards the shard instead). Here is the first main difference between himself and Nine.

While Nine had also decided to leave the resistance and council to fighting, feeling as if none of it was his responsibility or fault (since he owed nothing to the city), he very explicitly chose to take Sonic with him. Both he and Dread had found out the way they believed they would be able to live a peaceful life (with Dread spending his days on the seas partying, and with Nine spending his days alone in an empty world), but when they each left others to their fates (deciding to leave and pursue their immediate goals), Dread chose to leave it all behind, while Nine chose to bring Sonic with him (even though Sonic had involved himself in the resistance's plight too).

Think about the crew being left to sink with the Angel's Voyage as Sonic went to bring back Dread. Think about the resistance fighting a losing battle with Sonic gone in the Grim.

"I need you. Your crew needs you! You're Knuckles the Dread, captain of the Angel's Voyage!"

...

"We can do it together! And I can get home!"

Vs

"Look, Nine, it's incredible but it's...it's not going anywhere. And those rebels really need our help. Come with me. Help me finish the fight."

...

"I hope I see you in New Yoke."

And then, as Sonic lost hope that Dread would return, believed he had fully given up, Dread swooped in to retake his captain status and fix the sinking ship. However, Dread didn't come back for the crew just to save them. He came back because he reasoned that he could use Sonic's speed to get his treasure this time.

And then, as Sonic fought in New Yoke with the resistance, as it seemed like they had lost, Nine swooped in with his craft and freed Sonic and the others. Sonic proclaims that he knew Nine would come back, glad that he chose to help these people with him. However, Nine didn't come back just to save the resistance or to fight the Chaos Council. He came back for Sonic. He came so he could give Sonic another chance to choose him—to choose to come back with him so they can fulfill Nine's dream of "home" together.

And now, Dread needs Sonic to acheive his goal (what, with the map leading to The Devil's Lighthouse gone, and because only Sonic can guide the ship past the rocks), but Nine explicitly does not need Sonic to achieve his. Whereas Dread decides he needs Sonic to get the blue shard, Nine simply wants Sonic to be with him when they create "home".

Random other interesting thing, the first time Sonic really mentions Nine when he arrives back in New Yoke after seeing the Grim, he says that he knew he would come back. This contrasts how we see Sonic (onscreen) talk about how Dread has given up and left, before he later tells Dread that he knew Dread wouldn't leave his crew. Interesting that we can see proof that Sonic didn't fully believe that Dread would come back, but there's nothing to prove that he didn't actually believe that Nine would come back, isn't it?

ㅤ

Now, let us shift our sights back to Nine. During the second aside of S1 E8 where we see Nine with the Chaos Council, Nine discusses Sonic with the council.

I'd like to note that as of right now, Nine should have two goals: keeping the shards and his technology out of the council's hands and making an escape plan. As I said earlier, Nine clearly believed that two shards were more than enough for molding The Grim to his dreams. He only cares about being alive and being allowed to exist in his new home, so of course the Chaos Council gathering shards and endeavoring to take over encroaches on this. It makes sense that he'd endeavor to gather all the shards from this point forward, if not so he can keep the Chaos Council or anyone else from intruding in his new shatterspace or having the power to turn him into a victim again.

"Tch. Eliminating the hedgehog is a bad idea."

"Arguing for the life of your friend? What a shock."

"He left me at your mercy when I needed him most. Hardly what you'd call 'friendly' behavior. But you'd be fools to get rid of him before the shatterdrive technology is perfected."

Sure, Nine's not really wrong. He's making a decent point as to why the Council should keep Sonic alive. Perfecting the shatterdrive technology and learning more about the shards can only aid in the Council's conquest.

But Mr. Dr. Eggman has a point here. Even if Nine is bitter at Sonic for being left at the Council's mercy, there is nothing in it for Nine if he goes out of his way (essentially beyond the scope of his position) to help the council in their goals. Making them keep Sonic alive so they can use them to perfect the shatterdrive technology does nothing to keep the Council from getting more shards, it does nothing to keep the Council from taking the Grim, it does nothing to keep the Council from having power over him, and it does nothing to get him closer to escaping. After all, when we get to season 2, Nine will make Sonic give up his plan of saving him (Nine) in favor of working the council from the inside, confident that he'll be able to aid Sonic and escape with the shards from there. He doesn't even seem to necessarily need Sonic to help him escape.

So, why would Nine argue for Sonic's life in the same breath he tries to make clear how bitter he is at Sonic for leaving him to be captured? The answer is clear to me. This is because even if Nine is bitter and angry, he still cares about Sonic. Even if he doesn't need Sonic, he wants him alive. He's still holding onto that dream of building a new home with Sonic.

"Tch. It is perfected. We traveled to another shatterspace."

"You sent your robots to another shatterspace. Big difference.

And right after this, something shifts. There's a notable change in the expression Nine has on his face during most of the interaction so far (image 1) when he begins talking about Sonic again (image 2).

"You've only barely accomplished what he's done without any technology. He's a living shatter battery."

...

"Til we know why he gives off this power, we need him alive."

And it should be worth mentioning here that after Nine praises Sonic to put the council down, he quite literally raises himself up to Dr. Deep's level and speaks seriously to emphasize how vital Sonic theoretically is to the council's mission.

He puts on an act, he risks getting shocked for insubordination, he tries to convince the council that Sonic is vital to their mission, all to keep Sonic alive.

But if the viewer doubts that Nine is trying to save Sonic because he cares, or believes he must have ulterior motives for wishing to keep Sonic alive, the creators added in body language and face shots of Nine to show us how he feels about the Council using Sonic.

"The rat's right. Too many questions for us to start playing exterminator. At least, not until we wring every ounce of shatterjuice out of that blue varmint."

Oh yeah. I'd say "unhappy" with the idea is an understatement.

The way he droops down, like he feels terrible that he even gave them the idea. The way he grits his teeth and averts his eyes, like he's frustrated. The way he takes hold of his expression, stares forward, and glares.

ㅤ

And with that, season 1 of Sonic Prime finally comes to a close, as does Part 7 of Sonine Prime😂

While there are doubtless scenes from episode 8 I'll be referring to in later parts, there's nothing more of immediate importance to talk about. And even though I haven't yet hit the photo limit, I'm going to give this part a clean cut to end the first season.

This part accidentally became a lot of Dread character study, buuuuuuut hey I felt like I was able to point out some parallels I'd really wanted to talk about, so it’s a win for me! And this won't be the end of the Dread parallels either.

Thank you all for reading! I'll see you all in part 8, where we'll finally begin tackling season 2🥰

[crisp-sweet-pink-lady]

General Thoughts on the rest of Berry in the Big City season 3

Now that my other viewing obligations are done, and because I got a snow day, here are my thoughts on the episodes from season three that went up on Paramont+ last week.

First off, either Paramont+ put the episodes up in a weird order, or the youtube uploads have been way off, because the unaired eps are all over the place. I know that the youtube uploads move eps around in order to air them in seasonally appropriate places, but when the past seasons went up on Netflix, the majority of the unaired eps were towards the end, give or take.

Anyway, on to the actual episodes themselves:

Relaxing by the Pool - Kind of surprised this one didn't go up on youtube back when the other pool ep did, since they're usually so good about keeping seasonal eps in the proper season. But season three did have a lot more summer episodes than usual, so maybe that's the reason why. I can also understand why this would be the one they'd skip, since it is *super* lackluster. It feels like a lesson they should have already learned. I did like Lemon lampshading the whole thing, though.

Donuts and Drawbridges - This was pretty fun. Feels a smidge stereotypical for only the guy characters to be the DnDers, but I can also buy all three having an interest in it for various reasons. Also, I think this is the first time Strawberry Beefcake has actually gotten a speaking role. At any rate, he's in the credits as Body Building Berry.

Night of the Sweet Tooth Fairy - A Lime/Blueberry clashing ep that's actually kind of sweet? Who would have thought? But it is definitely appreciated. This does raise the question of how old these girls are supposed to be, if Lime still had a baby tooth to lose...

The Berryville Trail - Just an okay ep, but more fun than the usual just okay eps, if that makes sense. I think having it be Raspberry-centric elevates it a bit. Now that the sleepover arc is over, it's been interesting to see which berries invite her and which don't, even if I know that the decision has more to do with what's needed for the plot of the ep than the actual friendships between characters.

Confectionary Decree Number 33 - Now this was a good ep. Pitting Raspberry against Cherry and Cheese, perfection. No notes.

The Berry Best Baker Competition - This ep just illustrates Crabapple Jam's ineffectiveness as an antagonist. She tries again and again to plant seeds of doubt in Strawberry, but in the end, her friendships are just too strong, as I'm sure we'll see in the season finale.

Bake the World a Better Place, parts 1 & 2 - Was that Crabapple Jam's endgame all along? Manipulating Strawberry so she could have an excuse to fire everyone just like that? Maybe so. But as I predicted way back when, her downfall was underestimating the many, many connections Strawberry has made over the past two seasons. And I do not buy her exit for a minute. Unlike the Pieman, she runs a food empire; she probably knows how to handle a PR snafu like that. But if it means we won't have to deal with her next season (assuming there is a fourth season), then I'll forgive it. Hopefully she takes Cherry and Cheese with her.