#injured character self-sacrifice
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gurggggleburgle · 2 months ago
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I would like to make the joke that this winter you could sacriligously call Shen Yuan a Jesus figure who deserves a spot on your mantle and tree.
And why would we say that?
1) Father Son and Holy Spirit
Okay so we acknowledge the very real fact that Airplane is God of this world and what is the system if not an abstraction of the holy spirit? And I know what you're thinking how does this apply to Shen Yuan? What is his transmigration into Shen Qingqiu if not a Virgin Birth into a son of Airplane's writing who in PIDW is the narrative justification for all of Binghe's hate and also the eventual release of Binghe's trauma and corruption. Both a sacrificial lamb if you will.
2) resurrection
OK so while his deaths (for the sake of comedy accept big dick death) are all for binghe's sake in the end could one not argue strongly that these deaths carry the symbolic nature of self sacrifice, revival, and of course stigmata. The first death is of course the one that starts the novel where the humble Shen Yuan asks for absolution for the characters and the world of PIDW with his astute words of "dumbfuck novel dumbfuck author" in which he notes the fault of Lord Father Airplane and is born so he may die at the hands of his disciple who will ultimately betray them. His second death comes 3 years later and is the process once makes a statement of absolution towards his betrayer and to once again spare his fellow eleven other peak lords and and binghe who you can read as the 12 apostles. He then dies again in order to save both the world and in the process and absolve guilt and sin in the name of love and forgiveness.
3) stigmata
Much like our favorite anime protagonist from Saint Young Men our boy Shen Yuan experiences multiple cases of gaining stigmata. Stigmata in this instant referring to multiple injuries that Shen Yuan receives in one particular hand and visually in the animated adaptation appears to be the palm. Shen Yuan's hand which was used to read the sacred PIDW text and give head pats to his disciples was injured in saving Luo Binghe multiple times. In first gaining a deadly poison that seals his fate, then in being infected with a disease that ravaged the meek and innocent, third he gets plant spores that need to he repeatedly burned out of his flesh. These stigmata are symbols of his devotion and faith.
4) kindness to snakes and the less fortunate
In showing kindness to a snake Shen Yuan is able to restore Zhuzhi-Lang back to a more desired state much like the way Jesus cured disease. His efforts also resorted in saving the life of Liu Qingge who is restored much like Lazurus. These miracles act as proof of Shizun’s miracles. Proof of his acts as savior
5) god why have you forsaken me
Multiple times throughout the novel Shen Qingqiu can be seen raging against the system as well as Airplane which as we've discussed are both aspects of God. Jesus himself raged against God when forced to confront his own death and spoke of feeling betrayed and forsaken. The same can be said for the way Shen Yuan feels towards both his fate or and for the state of PIDW and Airplanes shitty writing.
6) throwing the money lenders from the temple
Honestly this is just an excuse to make a joke about Huan Hua palace and killing the old palace master.
7) knowing his own betrayal
A large element is that Judas's betrayal is not a surprise to Jesus. It is an inevitability he sees coming in much the same way that Shen Yuan sees Luo Binghe trying to kill him in revenge coming. There is an acceptance of an inevitable betrayal that both figures share
7) Gay
Much like Jesus our boy is gay and problematic
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bones4thecats · 1 year ago
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When Their S/O Is A Member Of Tenjiku
Type of Writing: #3 - Poll Result Characters: Izana Kurokawa, Kakucho, Shion Madarame, and Hanma Shuji Name: When Their S/O Is A Member Of Tenjiku Original Poll Link: Here
A/N: I have a massive headache rn, and my classes are kicking my ass... thankfully I can still write though! Ha! Fuck you math!
Spoilers for: Tenjiku Arc
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🎴 You and him were fairly similar when it came to your lives
🎴 Years ago, you both had met at his orphanage, since your parents were getting troubled with raising you, they had no choice but to leave you in their care
🎴 Due to this, you, him, and Kakucho, all grew up creating this kingdom you imagined, one that you guys named Tenjiku
🎴 The two boys and you trained for years together, growing similar styles of hitting and kicking, you guys all banded together after leaving that old place and grew to make your dreams real
🎴 Now, just because you are a founding member and are hailed as the '(Ruler) of Tenjiku', that doesn't stop your boyfriend from being protective
🎴 If Izana is as obsessed with you as he is with getting revenge on Mikey, you better believe you're going to be far from in danger
🎴 Whenever a fight emerges, Izana would pledge to put his own life in danger to protect you, and he did once
🎴 During the fight of Tenjiku vs Toman, hearing the sound of him ordered Kakucho dead made you leap into action, grabbing Kisaki's gun and pulling it away to order one of your personal followers to destroy it
🎴 While Kisaki was about to stab you, Izana kicked him away while ordering Tenjiku to flee, saying the fight was over, due to the alert of police arriving
🎴 You're a strong fighter, yes, but, much like with most of the Tokyo Revengers characters, he will still be protective over you
🎴 He also loves looking at you in the uniform, it was very close in appearance to his, though, yours was slightly longer with the coat and your pants were a hint tighter
🎴 Izana also enjoys to fight with you by his sides, the only time he'll ever not be protective over you is when he knows that you can whoop your enemy's ass, and most of the time, you do
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🍂 He is far looser when it comes to being protective over you
🍂 If you can handle most of the members of Tenjiku, you can definitely handle yourself against other gang members that try attacking you
🍂 Kakucho and you grew up best friends with Izana, from the moment you got out of the orphanage to the day you created Tenjiku, you were always beside your friends
🍂 Unlike Izana, Kakucho trusts you when you jump into a fight, you know your limitations better than anyone else ever could, it was your body after all
🍂 Now, more like Izana, he does like seeing you in the uniform, especially when you would slap on his jacket above your own to prove you could handle it when fighting
🍂 He obviously play-fights with you, and it makes every passerby's heart melt seeing two of the strongest members of Tenjiku mess around like a love-struck teenage couple, which you kinda are
🍂 If anyone gives you trouble, such as Ran or Rindou, he always jumps in, despite your protests
🍂 Whenever you guys get into fights, he tries keeping an eye on you no matter where he is
🍂 He may drift a hint farther away from you than intended, but, he always, always, has an eye on you, whether it be from one of his followers or from his own self
🍂 After he got injured at the Tenjiku vs Toman fight, you visit his hospital room to help him heal his emotional trauma, after all, watching your best friend sacrifice himself for you, nearly dying yourself, and seeing your S/O get injured from being stabbed and shot in the leg for escape isn't pleasurable
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🌪️ With Shion, everyone is scared how you're with this guy
🌪️ He's literally called 'Mad Dog' because of how bloodthirsty and mind-driven insane he is! Many wonder what the hell you found attractive about him
🌪️ Unlike Shion, you were an angel, you would help the injured members after a fight, since you rarely ever had to jump in to rescue any, and when you did, you would just throw a distraction in
🌪️ Perhaps that's why he first noticed you, you were so graceful with your attacks while he was more blunt and rough
🌪️ Shion is extremely possessive and protective of you, the only feeling this guy has ever had for years of being a delinquent was a thirst for blood and complete anger
🌪️ Whenever you end up fighting, he gets himself out of his own ordeal to get the guy attacking you down, you were his top priority to keep safe, he could care less about himself
🌪️ Speaking of which, because of that motto, he gets injured constantly
🌪️ For an example, when you guys were arrested after watching Izana die and Kakucho get wheeled off to the hospital, you guys would try sending letters to one another, or try talking while in juvie
🌪️ Even while you're in juvie, he gets into fights to make sure all the other members know you're his and nobody else's
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☠️ Crazy hot duo? Crazy hot duo.
☠️ Hanma is described as an adrenaline junkie, and whenever asked, you would describe him with these main terms; chaotic, flirty- yet caring, a definite adrenaline junkie, and a solid protector
☠️ You have been involved with Kisaki's plans ever since Hanma was, since you were just as good of an ally as your boyfriend was
☠️ Being involved with those plans put you in a ton of danger, and, despite Hanma giving you the option of leaving after each checkpoint, you denied him
☠️ You were there when Baji joined Valhalla, you were there watching from the nearby roof as Kisaki killed Emma, you were even there when the Tenjiku vs Toman assault began
☠️ As Hanma grabbed Kisaki and drove away, you followed, hidden away from Draken and Takemichi on their own bikes, making sure you weren't getting caught by the police like your old allies
☠️ Watching as the bike crashed, probably due to Kisaki's panicking, since, if Takemichi and Draken take him and Hanma down, they could be in jail for a while, oh who am I kidding? Probably for life, they did kill Mikey's sister and plan other things, after all
☠️ You noticed that Draken's bikie wasn't nearby so you stopped yours and began to sneak where Hanma and the braid-wearing blonde fought
" Hanma? Hun, you there? " " Either it's me or I've possessed some else's body. "
☠️ Chuckling as you turned the corner, you covered your mouth and kneeled to help him up, whipping the blood from his forehead with a cloth you carried, you giggled lightly as he cocked an eyebrow
" What's so funny, ya' like seeing your boyfriend injured or somethin'? " " Not really, but I cannot lie when I say this, you're hot with blood on you. " " I don't look hot without blood on me? " " Lord, here we go again... "
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deadpresidents · 7 months ago
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On the cliffs of Normandy, in a small holding area, the President of the United States was looking out at the English Channel. It was only six weeks ago, on the 80th anniversary of the D-Day landings, and President Biden had just finished his remarks at the American cemetery atop Omaha Beach. Guests had been congratulating him on the speech, but he didn't want to talk about himself. The moment was not about him; it was about the men who had fought and died there. "Today feels so large," he told me. "This may sound strange -- and I don't mean it to -- but when I was out there, I felt the honor of it, the sanctity of it. To speak for the American people, to speak over those graves, it's a profound thing." He turned from the view over the beaches and gestured back toward the war dead. "You want to do right by them, by the country."
Mr. Biden has spent a lifetime trying to do right by the nation, and he did so in the most epic of ways when he chose to end his campaign for re-election. His decision is one of the most remarkable acts of leadership in our history, an act of self-sacrifice that places him in the company of George Washington who also stepped away from the presidency. To put something ahead of one's immediate desires -- to give, rather than to try to take -- is perhaps the most difficult thing for any human being to do. And Mr. Biden has done just that.
To be clear: Mr. Biden is my friend, and it has been a privilege to help him when I can. Not because I am a Democrat -- I belong to neither party and have voted for both Democrats and Republicans -- but because I believe him to be a defender of the Constitution and a public servant of honor and of grace at a time when extreme forces threaten the nation. I do not agree with everything he has done or wanted to do in terms of policy. But I know him to be a good man, a patriot and a president who has met challenges all too similar to those Abraham Lincoln faced. Here is the story I believe history will tell of Joe Biden. With American democracy in an hour of maximum danger in Donald Trump's presidency, Mr. Biden stepped in the breach. He staved off an authoritarian threat at home, rallied the world against autocrats abroad, laid the foundations for decades of prosperity, managed the end of a once-in-a-century pandemic, successfully legislated on vital issues of climate and infrastructure and has conducted a presidency worthy of the greatest of his predecessors. History and fate brought him to the pinnacle in a late season in his life, and in the end, he respected fate -- and he respected the American people.
It is, of course, an incredibly difficult moment. Highs and lows, victories and defeats, joy and pain: It has been ever thus for Mr. Biden. In the distant autumn of 1972, he experienced the most exhilarating of hours -- election to the United States Senate at the age of 29. He was no scion; he earned it. The darkness fell: His wife and daughter were killed in an automobile accident that seriously injured his two sons, Beau and Hunter. But he endured, found purpose in the pain, became deeper, wiser, more empathetic. Through the decades, two presidential campaigns imploded, and in 2015 his son Beau, a lawyer and wonderfully promising young political figure, died of brain cancer after serving in Iraq.
Such tragedy would have broken many lesser men. Mr. Biden, however, never gave up, never gave in, never surrendered the hope that a fallen, frail and fallible world could be made better, stronger and more whole if people could summon just enough goodness and enough courage to build rather than tear down. Character, as the Greeks first taught us, is destiny, and Mr. Biden's character is both a mirror and a maker of his nation's. Like Franklin Roosevelt and Ronald Reagan, he is optimistic, resilient and kind, a steward of American greatness, a love of the great game of politics and, at heart, a hopeless romantic about the country that has given him so much.
Nothing bears out this point as well as his decision to let history happen in the 2024 election. Not matter how much people say that this was inevitable after the debate in Atlanta last month, there was nothing foreordained about an American President ending his political career for the sake of his country and his party. By surrendering the possibility of enduring in the seat of ultimate power, Mr. Biden has taught us a landmark lesson in patriotism, humility and wisdom.
Now the question comes to the rest of us. What will we the people do? We face the most significant of choices. Mr. Roosevelt framed the war whose dead Mr. Biden commemorated at Normandy in June as a battle between democracy and dictatorship. It is not too much to say that we, too, have what Mr. Roosevelt called a "rendezvous with destiny" at home and abroad. Mr. Biden has put country above self, the Constitution above personal ambition, the future of democracy above temporal gain. It is up to us to follow his lead.
-- "Joe Biden, My Friend and an American Hero" by Jon Meacham, New York Times, July 22, 2024.
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nilboxes · 8 months ago
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How Sunday is Perfectly Morally Gray
Original thread on Twitter
Sunday is a misguided savior—made to believe he is the sole salvation of all, who was willing to be the lonely scapegoat/sacrifice/host of a place where everyone else but him lives in a beautiful never-ending dream.
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Repeatedly during 2.2, Sunday alludes to a story about the Charmony Dove and how he believes an injured bird who can't fly should be caged, pampered and fed to live the rest of its days in comfort. It is alive, that is what matters the *most*
Sunday's thoughts to me probably go—Why can't we be all caged like the Charmony Dove? Where is the place that we can exist without predators and hardships? Everything should always be nice and unchallenging, we should just leave in perpetual peace and happiness and indulgence
This idea of a paradise free of suffering is reflected in the "sweet dream" of Penacony, but Penacony itself is fueled and fed by its dreamers who slowly lose themselves as the dream eats away at them.
So Penacony can't be the paradise, there needs to be a better, a newer dream that someone will bring forth so that everyone can be the Charmony Dove in the cage. No more hardships, no more sadness, no more disease, no more death, everyone lives their best lives.
Sunday was brainwashed into thinking HE would best suit as a sacrifice to these needs, he was ready to be the lonely host of this new and so much better dream where everything is all good. He designated himself as the cage, he is the sacrifice so that everyone else can have it good.
Everything about this heavily references an old short story by Ursula Le Guin called "Those who walk away from Omelas" which is basically a story about a wonderful utopia called Omelas where everything great and stuff, BUT it comes with the price of one single child suffering very badly
The story details how most people are horrified to learn about this child who lives in total abject misery, darkness and filth, but they see the utopia they live in and go "this is fine, this beautiful paradise is all worth the suffering of one person"
But SOME people can't deal, even just one person suffering and not being part of utopia is a no go, it's not worth it, so they "walk away from Omelas" and go somewhere not better objectively, but just away from that place and that price they had to pay for utopia
Sunday literally wants/offers himself up to be this child. He is willing to be the sacrifice so that everyone else can live happily. Because, selfish as it is, he feels like everyone should be put in a gilded cage so they can have it good and easy.
There's a very misguided savior complex here where he thinks everyone should be subject to this sort of "salvation" like there's a special mindset here of Sunday's, self-sacrificing and very Catholic that HE can choose what is good for others and be willing to pay the price for it
And like, it's terrible but also commendable at the same time. Sunday says if you are weak that is fine, he will give you a dream where you can just live your """best life""" and be ""happy"" but is it really happiness if it's "fake"/handed to you on a platter and decided for you
But the message of Penacony says dreams are just dreams and you should wake up and strive for it, not live in the dreams. Omelas says if even just one person has to pay for your paradise it will never be worth it.
Sunday is terribly misguided, was brainwashed/conditioned to believe this, using his childhood grief to perpetuate a misguided ideology where he will basically Jesus himself for a thing that is objectively not really any good for anyone.
But like, he is rather straightforward as a character and yet his motivations and what thoughts he might have while believing in this is so so fascinating…
Anyway I stop yapping maybe don't hate Sunday, maybe read Omelas
PS: Does Sunday think he is unworthy of his own paradise because he failed to save his mom if so that's so Catholic of him dude needs therapy
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caledine · 15 days ago
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Types of whumpees in a team
( This is just a few, lmk if you can think of more c:<)
Youngest teammate Whumpee
You get your reckless and brash whumpees who’d who’d do anything to prove themselves
Unknowledgeable new to the field
“ I can do it, on my own.”
Angry and defiant till their hurt
Trying to act tough but just people pleasers
Being left behind for ‘safety’ and probably the easiest to break
“ it’s for your own good Whumpee. It’s not safe out there.” queue them getting captured from said place that’s deemed safe
Stupid plans?? Youngest learns just how bad not thinking things through results in
Doing things due to pure peer pressure
A go to hostage since team would fight tooth and nail to get them back (?)
Always doing busywork and never on the field
“ I have done everything from making coffee to doing your laundry— How is this hero work? “
Being deemed not strong enough
Medic/ Doctor whumpees
Either stoic or overly doting
Exhausted from caring to much
Just exhaustion whump in general !!
Always the caretaker and never taken care of
Full ER / too many patients
Natural disaster or a horrible fight leaving them swamped with injured teammates ( maybe they’re hurt too)
“ I know everyone’s hurt— hold on i need a second…”
Getting hurt and knowing just how doomed they are
Using all the good supplies on the team and leaving themselves with ‘alternatives’
Trying to talk other members through healing themself, knowing if they faint they are as good as dead
Does your Medic snap?
“ How many times have i told you to be more careful?! every single time your in my office you’ve brushed death again—“ ( Angry or worried?)
Stitching themself up because they think they have the knowledge to keep themselves healthy too ( knowledge ≠ strength to save themselves )
Second in command/ Right hand ( Could be a sidekick?) Whumpee
A glorified PA juggling all the ‘less important’ tasks or running errands
Never getting the authority / leadership they want over the team
Always picking up everyone else’s slack
Paperwork and all the busywork and never getting the full credit
Sometimes people are too tired to be nice
Snappy, defiant and never backing down
Always trying to one up other team members or get recognition or affirmation because they never seem to get credit
Stuck in Leader’s shadow
The moment Leader is out everyone expects them to know what to do
“ I don’t know— Leader never let me have any say-?”
Loyal beyond fault ( too much so) maybe they let people be dicks just because they’re teammates
Too forgiving
Maybe Leader sticks the blame on them for failed missions
the perfect stoic whumpee 🌟
Leader Whumpee
Exhaustion, overworking, passing out , thugging through sickness — Leaders normally the one who checks in on people, but who checks in on them?
Putting themselves last
Guilt of failed missions, maybe blame from other teammates
Trying to guide the team while injured ( concussions 😌)
Never really being part of the team just there to keep themselves healthy too in check
Breaking under pressure
Survivors guilt
Being replaced
Leader being held hostage because the team would be in shambles without them
Humiliation— make the team stop believing in them
Self sacrifice
“ I’m sorry i know it’s my responsibility…”
Struggling to ask for help because they’re scared the team won’t come to them
Their life revolves around keeping their team safe, too selfless
The team just expecting them to know what to do
Trying to juggle looking after the team with Hero work
Doing all the chores, being expected to do the most and be selfless
Their higher ups see their overworking as a good thing and feed into it
Everyone just always assumes they’re fine because pfftt they’re Leader of course they’re fine!!
Stoic but pathetic ejenkeosos
Sighhh i just adore team whump. I could always go on about this because the amount of possibilities are near endless. Give me complex relationships between characters!! Make your whumpees suffer while no one around them bats an eye, toxic team dynamics suck but the whump around them… Found family but make it hurt comfort!!
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lebbys-world · 6 months ago
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I was wondering if request based of the manga base on chapters 365 -406 like you know how bakugou is currently severely injured in manga /anime instead of bakugou almost dying it’s the reader who takes all the hits blow for him when fighting shigaraki crushing reader arm and taking major brutal blow to chest to protect bakugou and since reader she cares about him aslo maybe reader quirk could be like somewhat similar to scarlet witch mcu or raven from teen titans but whichever you prefer maybe when fighting Shigaraki since reader was using her quirk to full strength potential maybe her powers it started corrupted her due over usage making Shigaraki have the upper hand i hope this makes sense can the ending have fluff and angst type fic if this ok i hope this requests is ok makes sense if uncomfortable with i can definitely change it
To Be a Hero
Bakugo x gn!reader; mentions of injury, battle, self-sacrifice, self-deprecation/insecurities, end of the war arc, angst to comfort
notes: thank you sm for the request, and thanks sm for your patience !! everything has been crazy rn for me because of college. i love bakugos character sm, especially just his development, so i hope this does him a bit of justice.
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You’d never felt the world sting so harshly before.
The very air around you tore at your skin, debris scattered around, making quick lacerations. 
You’d come into this battle no more than an ambitious child, striving to save those you could.
But now?
You’d seen more blood than you’d ever thought you would.
The smell of death was burned into your very existence. 
It made you nauseous.
You just wanted this all to be over.
Yet, here you stood, center of the battlefield, watching as Shigaraki tore to pieces the life you once loved.
For the first time in years, you didn’t feel like a hero.
Your body stood frozen, watching as those around you fought with everything they had.
Why can’t I help them? You beg of yourself.
Those you love are risking their lives- losing their lives.
But your body has had enough.
Too much has poured out from every aching wound on your body.
Your head pounds, both reminding you of the physical pain and your mental inability to process the situation at hand.
Maybe you weren’t meant to be a hero, after all.
Above, an array of light drew your eyes.
You see Bakugo, battered, bloodied- the damn bastard barely even able to stand.
He’s flying through the air, putting himself straight in the middle of the action.
He was always that way.
You admired that about him- his sense of selflessness when it really mattered.
He wanted to be the best, and he sure had a chance at it.
Yet, you realize what’s happening before you even can properly see it.
He’s diving in, head-first, straight towards the same Shigaraki that killed so many of the Pro-Heros. 
He may want to be the best, but he isn't the best yet.
That same selflessness you loved was the selflessness that was going to get him killed.
He wasn’t going to land the shot. 
You lurched off the ground, your feet moving without you even telling them to.
You positioned yourself perfectly, feeling the impact hit you like a warm embrace.
You smile to yourself:
Now, they’ve got another chance.
The world spun for a moment, as your hearing dulled. 
That crash onto the ground must’ve really taken a toll on you.
Either that, or, maybe the gaping hole in your chest.
You gaze into the blurry sky, letting the gray clouds turn black in your vision.
From a distance, you think you can hear a familiar voice screaming your name.
The world goes away before you put a name to that familiarity.
. . .
You awake to the sound of patterned beeps, the scent of sterilizing products hitting your nose quickly after.
As you open your eyes, the bright, fluorescent light forces you to close them again, hesitantly getting yourself out of your slumber. 
The rustling of your sheets alerted the blonde sitting in the chair beside you, urging him to get up at once.
He looked at you gently, as though you were more fragile than glass.
The guilt he felt practically ran through him.
Why did you step in like that, Y/N.
They barely kept you alive on the battlefield.
And every surgery you’d had kept him on edge.
He’d lost so much, already.
He couldn’t lose you, too.
You opened your eyes enough to glance at the face in front of you, mumbling the familiar name:
“...Katsuki?”
“Oi, looks like someone’s finally awake.” 
His usual demeanor seemed softer, almost as if he didn’t want to overwhelm you.
“..where are we?”
“-hospital. You’ve been in here since you pulled that stupid stunt of yours.”
You looked at him silently, processing the fact that you even made it out of that alive.
Last you recall, the world had fallen dark.
You’d really accepted dying in that moment.
Yet, God had other plans it seems, since here you were, alive and, mostly, well.
You couldn’t quite believe it, but seeing the boy in front of you, you were grateful.
“Snap out of it” Bakugo hissed at you, rolling his eyes. 
He thought to himself for a moment, before putting his head in his hands.
“Damn it, Y/N, don’t do that ever again.”
“...do what?” You respond, still in a daze.
"..."
“Trying to get yourself killed like that.” 
You looked at him, as you took in his words,
“Don't step in the way for me, you idiot. It might get ya hurt, or worse, don’tcha see?”
“I didn’t try to.” You explained, slightly shifting in your hospital bed to fully face him.
His demeanor had changed from his usual self, and was instead filled with disdain. 
He’d be tearing himself apart over this - that much, you figured.
“My feet ‘moved on their own’” you smiled, repeating the words so often uttered around class.
He scoffed, shaking his head, before putting your hand in his. 
He smiled at you wholly, 
“I guess that makes you a real hero then, huh?”
"..."
“I guess so.”
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all fictional works are for entertainment purposes only. all rights to characters, media, references, and other third party materials belong to their respective owners. do not repurpose, modify, copy, or repost my work to other sites without permission. © @lebbys-world 2024.
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floueris · 4 months ago
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Types of disney princes / male leads *ੈ✩‧₊˚
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heeseung
nick wilde (from zootopia) okay not unexpected like have you seen heeseung, sooo foxy meow, jokes aside. I think they are alike because as we all know heeseung is a very flirty person, which resonates with nick in the earlier part of zootopia when he constantly teases Judy and “uses her words against her” and I think the method of teasing is also really similar, but ofc!! the growth, when both nick and judy planned the scheme to get bellweather caught was really smart. And you know that part that nick was there with judy while she cried ? exactly like heeseung, he would always be there for you when you need someone there and always there to make you feel better and gives you a very huge sense of comfort
jay
prince eric (from the little mermaid) c’mon guys… jay is our classic gentleman, like how eric was with ariel, he would always treat people, especially ladies with utmost respect ( guys I CANT SHUT UP BUT LIKE HAVE YOU GUYS SEEN THE VIDEO OF JAY SAYING “ ladies, one at a time, don’t push please” BYE I DIED I CANT SHNDNSNDNSNNANDNSNSB) anyways I digressed but like Jay is the most perfect gentleman bf everrrrr like yk that one scene that is where Eric js kissed Ariel sooo deeply, SOOO JAY CODED BYEEE AN ULTIMATE SWEETHEART
jake
flynn ryder … (from tangled) CMON YALL SAW THAT COMING OKAY…..Flynn Ryder is soooo flirty like jake like BYEEEE, also THAT NOSEEE !!! Both of them have fantastic noses, also another reason why they are similar is also because Flynn was protecting rapunzel even when he was severely injured which was very very jake core to me because jake always puts you first before anything even if he is “in pain “ also jake is a very charismatic person and like Flynn he is able to get out of trouble or get something through him sweet talking
Sunghoon
milo thatch (from the Atlantis the lost empire) milo is a very gentle and intelligent person, very sunghoon-esqe NO??? personally I think sunghoon is a very goofy person okay, similar to milo, he fights for what he thinks is right. Also my boy is a simp!! and both sunghoon and Milo are like sooo loser stuck in a hot body core, and ngl both of them look really good in glasses saur 😣
Sunoo
Hercules (from Hercules lol) anyways a lil “unexpected “ because sunoo looks more feminine but Hercules was a very gentle character which suits sunoo very well because I think that although sunoo is very gentle which makes the girlies more comfy w him, he also has a very manly streak in him, and personally I think he’s super brave and kind, just like Hercules. Maybe a lil himbo core? But also not really, sunoos just a really sweet guy
Jungwon
tadashi hamada (from big hero 6) GUYS YOU CANT TELL ME JUNGWON DOESNT LOOK LIKE HIM LIKE HELLOOOOO, anyways both of them are smart, innovative and have very kind souls (which imo is soooo attractive gbye) and also because tadashi made baymax just to take care of hiro if he’s not there anymore (GBYE MY HEART CANT TAKE THIS) also I think jungwon is a very self sacrificing person, always trying to sacrifice himself to help others yk, which can be good and bad. Lastly, jungwon is sooo reliable just like tadashi
riki
NAVEEEENNNNNNN (from princess and the frog) like the banter ?! the growth, everything!!! the reason why I think riki is like naveen is because personality wise they seem really similar like the banter and teasing first and foremost and just how carefree both of them are. secondly, it’s also about how naveen grew throughout the movie, from someone who didn’t care about anyone but himself to learning how to adapt and think of other people. obviously im not saying that riki doesn’t care about anyone but himself but in the way that we say riki grew up since i land days until now, and we can see like naveen, how much he has grown as a person!!!! also I will die on this hill that riki treats his gf like a kweeeennnnn like I’m not even joking, he wants nothing but the best for you hehehe and would treat you like a queen
—-
a/n: BYE GUYS I LOVE THIS SMMM IM LIKE SUCH A BIG DISNEY FAN BYE SNMSNDNSNS I LOVEEEE DISNEY SMSMSMSMS THIS WAS SOO CUTE HOPE YALL LIKE IT TEWWW SARANGHAEEEEE !!! LMK HOW I DIDDDD MEOWWWW
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nn-ee-zz · 10 months ago
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What are your other OC's like? I'm interested in hearing about the stories you came up with for them.
UH OH youre gonna get me talking!
My OCs are NPCs by origin. I was (still am) the DM of my friend group and to get their characters moving along I had to create my own.
Unexpectedly, my friends loved them.
ILYA - unwell henchman
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i know its a boys name,
An aiding hand to an ambiguous villain, Ilya was introduced as sneaky, smiling, and untrustworthy. The facade collapsed once she vomited inside a cup after accidentally touching the liquified remains of (unbeknown to her) her younger sibling. The villain is a wizard of great power and transported all the liquid from their body to put out a fire, mummifying and killing the person in the process in an attempt to save several.
She seeks her sibling amongst the city. The tingling awareness of their demise at the hands of the guild she encouraged them to join and growing panic and grief led her to start a fight with someone who is spiraling as well.
She ends up at the local clinic, heavily injured and minus one eye, and spirals further from her injuries, her guilt, and the knowledge her family was correct about her being too mentally fragile to be in the city. Until....
(For now. The overall arc for this character is of recovery and improvement instead of pain and self-destruction. Forgive your past and find value within you that goes beyond self-sacrifice. With the help of others, of course.)
Despite her questionable moral position, a lot of characters feel the need to protect her.
Art - Her wearing another characters shirt and her getting a widdle kiss from said character, because even I (the monster freak artist) have my lovely ships
ED - emo organ trafficker
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''Nez, I want my oc to be kidnapped and rescued by another oc'' ''Hm, I'll make up a guy to kidnap them then''
Originally meant to be a minor antagonist that would kidnap a character to harvest their organs and be easily defeated. Villain of the week type.
However, his snarky behavior, violent temperament, fancy victorian-boy-esque looks captured a lot of attention. He is a little freak but his direct words seem to bring out a lot of honesty in other characters.
Fun facts; His name is inspired by Edward Hyde. He is roomates and best friend/adopted sibling to Ilya. He makes an effort to be fancier than he is because he was born a bastard child and forced to be his fathers servant before he murdered his siblings and father and joined the army to escape (where he met ilya and ultimately got adopted into her family <333)
Art - Him, and him as a chibi fighting the guy who rescued the person he kidnapped. They also fall in love
REDD - funny bully
I recently made an oc just to mess around with the players while they were in jail! Well, now one of them drank his blood and is forever connected to him. The other one got her finger broken cuz she poked him. He also had the prision keys the entire time but pretended to be a prisioner as well. What a menace! I love making horrible pests. His name is red cuz thats how the others refered to him, because I described him as having red hair and red eyes.
Isnt it funny how despite being a DM I never use my monster designs?! I find it a lot more interesting to make characters specifically meant to alter the course of the character development of my players. I love to change deeply and irrevocably! : D
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clover0101 · 10 months ago
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haruka and what each animal on his case represents, an analysis
before we begin, general CW for the issues haruka's story deals with (neglect, child abuse, animal death, etc).
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Throughout the MVs, animals play an important role in Haruka's story. I think each of these represents a part of Haruka, both how he perceives himself and how he wants to be perceived. Even if Haruka presumably has numerous animal victims, the ones most emphasized are dogs, fish, and rabbits.
1. RABBITS
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Haruka is seen on many occasions with his bunny plush. It’s so important that it appears not only in Weakness and Undercover but also in graffart’s collab, where each item is importan on the character's story in one way or another (like mahiru and the mantis). I see it as a toy from his childhood that he’s very attached to.
The fact that it’s specifically a rabbit is interesting to me, as the rabbit is a prey. If we go to the unique point of view of Japanese culture, rabbits are also quite related to the moon. The lunar cycles are also an important symbol in weakness, showing white, blue and finally red moons over a red sky. The origin of the relationship between rabbits and the moon is debated between admiration as they are perceived as objects of fertility and health because of their reproduction, or a legend that spread from India:
"a rabbit can't tolerate seeing people die and jumps into the fire to become food, then Indra rewards him for his sacrifice and takes him to the moon."
The theme of self sacrifice and the ultimate reward one receives for it is reinforced by Taoism, where the hare, like the moon, dies to be reborn and represents immortality. More popularly, rabbits are also associated with good fortune. It being white also points to innocence, and in turn to the pursuit of something that upon attainment brings discovery, an idea popularized by Alice in Wonderland. Even if it's more seen as a weak and tender animal, it has also been culturally represented as cruel and capable of aggression, closer to what Haruka is than the role of merely a prey. Haruka wants to be seen as weak prey that the strong hunt, to be pitied and loved for it. To be perceived as someone to be protected, as he cannot defend himself, but this is contradicted by his own actions both in weakness and throughout milgram. The prey becomes the predator and gives way to the next animal;
2. DOGS
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The dog is universally a symbol of loyalty and the effort it takes to form a training bond between a wild animal and a human. Dogs are seen accompanying men and being obedient to women.
Dogs are perceived as creatures that love unconditionally and are capable of giving everything to protect those they love.
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In terms of personality and behavior, they are the closest animals to Haruka, who accepts and actively seeks to be guided and to be faithful for someone, to be used to feel useful and not abandoned.
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Even if they are domestic, the dogs whose breeds are distinguishable are large dogs, considered to be hunting dogs. Haruka being represented as a dog also creates a parallel with kotoko, who is represented by a wolf.
Haruka being represented as a dog also creates a parallel with kotoko, who is represented by a wolf. Dogs are the friendlier, "clean" version of wolves, domesticated to be obedient, while wolves maintain a certain solitary air of independence and savagery.
However, whenever a dog is featured on screen it is accompanied by loud instrumentals and rather graphic visuals. In Weakness, child Haruka accepts and expresses affection towards the animal, who apparently is suddenly injured and runs away from him into a forest, where he is disoriented and confused. Haruka follows its footsteps and ends up seeing his hands in horror, realizing that he's the cause of its injury.
The perspective of present Haruka isn't so different, who now attacks it, destroying it until the only remains are the necklace it was wearing, ultramarine liquid and eyes, which I consider represent the opinions of others and looks that judge him.
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I think the fact that this dog bleeds the same color as Haruka's is a not-so-hidden hint at the fact that, in a way, Haruka is ending up with a part of himself (this time a bit smaller, not being human yet) to escape people's judgments.
There are also many sayings that by mistreating someone, "you are treating them like a dog", like an animal, something inferior, but that still sticks to what the human wants and believing all their words.
In AKAA, we see that instead of being a mix of at least two dogs, they're now separate entities and different breeds that dissolve as Haruka sings about being reborn. Again, dogs often appear in stories as spirit guides, helping humans enter and exit the realm of the dead safely, representing a middle ground between life and death. Dogs are followers of their owners, not leaders, and no matter how close a bond they form with humans, they are rarely recognized as equals to us.
3. FISH
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Most of the similarities between Haruka and fish are presented visually, with Haruka being a passive spectator of his own life, observing others from behind something akin to a glass wall that separates him from normal people. He's constantly surrounded by water drowning, and in one scene is even presented at a fish-eye angle, being watched by his mother.
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In AKAA we can see two specific species of fish.
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Yellow bobfish: they're very complicated fish to keep in aquariums because they release toxins when stressed and are naturally solitary once they reach adulthood, it's not recommended to have more than two in the same tank because they are territorial and aggressive among their own species, however it's friendly and sociable with fish of other species. It responds to stress with aggression and attacks its own kind (in this case other weaklings) just like Haruka.
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Clownfish: they usually inhabit anemones, forming a mutualism in which they find shelter and food. Toxins from anemones don't affect them as they develop immunity to them throughout their lives to eventually live in them. Anemones benefit from clownfishes cleaning its tentacles. Clownfish often eat parasites and are also known to steal more food from anemones than what they give in return. They are also capable of changing sex from male to female. Seeing this particular species depicted tells us a lot not only about haruka, but about his relationship with Muu, as for the first time it's not depicted as a mutual need, a codependency that endangers their lives if they become separated, but a mutually beneficial relationship where both can exist separately, but live much more comfortably by relating to each other in this way.
Extra: Insects (specifically butterflies) and parasites.
The symbolism of transformation and metamorphosis is so present that it even took the title of both voice dramas. Caterpillars can only wriggle and are no different from any worthless worm, but after a season, they manage to transform into a butterfly: beautiful, admirable, much more memorable and lovable. Having been forgiven and meeting Muu, Haruka manages to "fulfill" his metamorphosis and become someone he believes is better. Still, from what is shown in AKAA, it doesn't seem that Haruka is entirely happy with this change happening - the monarch butterflies represents ambition and perseverance, but it seems to be rejected by haruka, who crushes it in his hands
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Haruka longs for this transformation, but is unable to fully accept it happening. I think it's because no matter how much he changes and wants to be someone else, he can't get rid of the disastrous image he has of himself, or he has forced himself not to change so as not to be disliked even more by others.
Now, Kotoko is an important figure to Haruka despite not interacting much. It highlights both his codependency (or mutually beneficial relationship) with Muu as much as the fact that he assimilates a parasite.
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This is a point I've made several times before, but Haruka's way of socializing is based on taking parts of others and melding them on himself, especially women. It started by stealing his mother's necklace and taking it as his own, continues by killing Mirai and stealing what he lacks, and ends now in a much more obvious way with Muu, imitating her personality, accepting her accessories and the clothes she chooses for him and even copying her sprite pose a bit.
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If he had become closer to Yuno and Mahiru, I'm sure he would also start imitating their behaviors in one way or another. Haruka lives by taking parts of the women he surrounds herself with, and he seems to want to take something from kotoko as well, but it's still unclear what he wants.
What does all of this have in common?
Not only is the theme of change and rebirth prominent, but every animal that Haruka comes to hurt relates in one way or another to his desires, thoughts, or parts of himself. Figuratively, we can say that Haruka's case is about him eliminating and hiding every part of himself, until he murders his human victim, Mirai, who at the same time is the closest and most prominent part in him, with whom he wishes he could reconcile and exist together, accepting each other - for, unlike his other victims, Mirai is often presented as a friend and someone Haruka misses. I have yet to write Mirai's analysis on its own, so whether she is also a part of Haruka or not and whether all his kills are figurative is up to each one's choice, I tend to wander between both sides because I like both scenarios. In a less figurative way and taking the case more literally, these facts are simple trivia and interesting symbolism to consider when analyzing Haruka.
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musings-and-overanalyses · 1 year ago
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Nausicaä of the Valley of the Wind: Why This is My Favourite Ghibli Movie
CW: Major high-school English teacher vibes ahead. Proceed at your own risk.
Nausicaä of the valley of wind is a story of the titular character Nausicaä and her being a bridge between the world of humans and nature to bring peace, thus fulfilling an ancient prophecy.
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Nausicaa is the princess of the Valley of the Wind. The film begins with her walking and exploring the Sea of Decay, an area with toxic air, plants and fungal spores. She collects some spores and finds the hard molten shell of an Ohmu (gigantic blue-blooded trilobite-looking creatures), which her people use to make weapons and tools. As the name suggests, the Valley of the Wind is a civilisation that depends on and bases their culture around wind, which one can see through an abundance of windmills and gliders, including the one that Nausicaä rides. They are shown to be peaceful people who do not interfere with the politics of the warring human kingdoms or disturb nature. Nausicaä in particular is shown to have a special gift with animals—from calming Ohmus to having a pet fox-squirrel. As the existence of the kingdom depends on the sea wind that shields them from the effects of the sea of decay, there is a general reverence towards nature and its other members such as the Ohmus, that are often referred to with honorifics.
This was an element I liked: the symbolism goes deep in this film; for example, with the nature of wind—it being the very breath necessary for life is contrasted with its other face, through toxic spores in the sea of decay capable of killing anyone who inhales it.
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It is revealed that humans had built The Giant Men, weapons so dangerous—not unlike our atomic bombs as shown through the characteristic mushroom cloud—that the destruction caused by the war had unleashed the fury of the Ohmus, an otherwise gentle species. They wiped out entire civilisations and where they died, the Sea of Decay grew on their decomposing corpses, showing how all life is interconnected and that even in death the rage of the Ohmus, and through them the rage of nature, wouldn't subside. It is then that the viewers find out that this is not some far-off planet, but a post-apocalyptic future on earth.
New species of plants and fungi made the Sea of Decay their habitat—nature and life always find a way. It is implied that the humans lost the war referred to as the Seven days of Fire, but the truth is that it is not a war that can ever be won. Even if you win the war against nature you lose. As the story progresses, we see that the plants and fungi that Nausicaä collected from the Sea of Decay are actually trying to purify the soil and water—nature holds no grudges but only seeks balance.
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The seventh of the Giant Men, a sentient atomic bomb if you will, apparently hid underground for a thousand years until the kingdom of Pejite found it for use against their enemy, the Tolmekians. They both remain oblivious to the sheer destruction that can be caused by this Giant Man and they don't care either. Despite the balance between humans and nature being a delicate one, instead of trying to rebuild together, they justify to themselves that the war is necessary for self-preservation and to put humans back on top of the food chain.
In their hubris, the Tolmekians and their princess Kushana believe that with the help of their superweapon they can destroy the Sea of Decay despite knowing that it will trigger the wrath of the Ohmus. The Giant Man however is not complete and hence, though the devastation is great, the final giant man dies and all that remains to be done is to calm the wrath of the Ohmus.
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Nausicaä saves an Ohmu child who was injured by Tolmekian soldiers to lure the Ohmus into a war. She saves the baby Ohmu and sacrifices her own life to calm the sea of maddened Ohmus. The now-calm Ohmu then revive Nausicaä, symbolising the mystical healing power of nature and its ability to support and create life.
Nausicaä is an excellent protagonist, and how the trope of the chosen one is utilised is beautiful and full of symbolism. Right from the get-go, we see her being inquisitive and brave. She is willing to defend her people but not through violence. And it is made abundantly clear that her avoidance of violence is not due to any lack of strength; when she strikes down the soldiers who killed her father, rather than feeling any sense of pride (as one might expect from a character not used to strength), it sickens her. She shows understanding even towards Kushana, whose men took over her kingdom. She sincerely loves and respects animals and plants.
There was a prophecy among the people of the valley of wind that a person clad in blue over golden fields will save their kingdom and bring peace. And towards the end of the film, Nausicaä's clothes becoming blue with the blood of the baby Ohmu she saved and the golden fields being the tendrils of the Ohmus healing her is poetic to say the least.
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In addition to a good female protagonist, we also get a powerful female antagonist in Kushana, who starts out as a one-note expansionist ruler, but it is revealed that she lost her limbs and got severely maimed by the sea of decay, motivating her to destroy it once and for all. Proud and arrogant, sure, but she has a motive beyond just wanting power and possesses some form of a moral code. In another story she could be the protagonist bravely defending humanity against the evil, alien-esque trilobites and spores.
It was a unique and meaningful choice on Miyazaki's part to symbolise nature through the Ohmus—alien-looking giant insects—instead of something cute and fluffy. Oftentimes humans care more about the conservation of animals that they find cute (pandas over, say, Panamanian golden frogs), but an animal doesn't have to appeal to human aesthetics to be worth conserving.
Absolutely not to be missed is the breathtaking soundtrack by Hisaishi. There are symphonies, techno music, sitar-like instruments and a child's humming, all elevating every scene to give a moving experience.
Ultimately it is an ambitious story that aims to deal with themes of coexisting with nature, the futility and dangers of war, and of how innocent children who should live carefree lives are dragged into it and made heroes. This film is often categorised as falling into the genre of Solarpunk: a literary and artistic movement that centres around building a sustainable future interconnected with nature and community. Although this film does depict violence and wars, it ultimately shows a peaceful future is possible.
Truly a masterpiece. 9/10.
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arlana-likes-to-write · 1 year ago
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hello I loved your avengers letters so I’ve got an angsty request
avengers x dead!reader where it’s the morning after a mission where fem!reader died back at the compound and it’s just all of the avengers grieving maybe Yelena x reader too? But I’m fine with whatever
See You Again
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Warning: mention of death, mention of injury, lots of grief, angst, thoughts of suicide, lots of guilt, drinking, self-sacrifice, character death, questionable happy ending?
Note: Thank you for the request. I wrote this faster than I thought I was going to but I loved the idea. Hope you enjoyed it.
Relationships: Avengers x reader (platonic), Yelena x reader
'An easy mission.’
‘A quick in and out.’
‘The base has been abandoned for months, years maybe.’ That was said during the debriefing about this mission. So Yelena believed it because they were the Avengers and their intel was never wrong. But they were wrong. The HYDRA base was active and the small team that consisted of you, Bruce, Vision, and Steve were overpowered. You were injured and Bruce provided medical assistance that kept you alive until they got back to the compound. But it was too late, your body was weak and you lost too much blood. The medical team did all they could but it wasn’t enough.
So Yelena sat by your side, staring at your still form, and watched the gauze that covered your chest turn red from your blood. The heart monitors stopped beating long ago and the blonde heard footsteps walk in. It was her sister. “Lena,” Natasha whispered, gently placing a hand on her shoulder. “We should go so they can clean her up.”
“She’s just sleeping,” Yelena told herself. It was a horrible lie but maybe just maybe if she kept repeating it she’d believe it and it would be true. “Right, dorogoy (sweetheart)?” She whispered and stood up to cup your cheeks in her hands. Your skin was so cold. “She’s going to wake up,” your face began to blur as tears formed in her eyes. “Natasha, why isn’t she waking up?” It didn’t take much for Natasha to pull Yelena off your still form and into her arms, trying to shield her from the pain. Yelena sobbed into her sister’s shirt and let out a heartbreaking cry.
*
Wanda flinched when the sound of Yelena’s cries echoed inside her head. “What is it darling?” Vision asked, placing a hand on top of hers that was holding a mug. Another cry and Wanda dropped the mug in Vision’s hands.
“It’s nothing,” but she looked up into his eyes and saw sadness, it was rare that the android exhibited such raw emotion. “It’s Yelena,” she whispered but it was loud enough for the other Avengers to hear it. Steve got up suddenly and headed towards the gym. “She’s not doing well,” None of them were. The news of your death rocked the compound. You were a bright light that everyone gravitated towards. There wasn’t a time when your smile or laugh wouldn’t make them feel better. With you gone, the compound was mission some warmth. Maria sighed, grabbing a few bottles of liquor from the bar.
“Is Natasha with her?” Wanda nodded. The agent poured herself a drink. “Anyone wants some?” Tony and Rhodey raised their hands. “We’ll have to have a press conference tomorrow to announce it,” Maria said, bringing the full glasses to them. “The public loved her.”
“Shouldn’t we give it some time so we can grieve her?” Wanda asked. “It hasn’t even been 24 hours.” Maria closed her eyes and Wanda watched her clench her jaw.
“I’m not asking you all to be there, I’ll do it but I rather the news breaks with us instead of someone else.” Tony scuffed. “Do you have a problem, Stark?”
“You’re making her death sound artificial like you’re using her to gain public attention,” the billionaire said.
“So are you saying you rather have HYDRA or one of the many politicians that want to dismantle the Avengers to talk about her death?” Maria asked. “So they can list every crime she’s committed and make her look like the villain.” Wanda sighed, pressing her fingers to her temples as the two went back and forth, bringing Sam and Rhodey into the argument. This was not helping. This was not what you would want.
“Enough!” Wanda yelled, her eyes glowed red. “We are all grieving and upset but she wouldn’t want us to be at each other’s throats. So everyone go calm down.” The other Avengers left and it was just her and Vision. She pinched the bridge of her nose.
“Are you alright?” Vision asked. “I know you were close with her.” Wanda saw you as a younger sister even though you were the same age. Through all the darkness the world subjected you to, you remained a bright star. You found joy in the simplest things - a thunderstorm, finding a penny on the ground, and even when Tony and Steve bickered with one another. You helped her overcome her grief.
“Just sad,” she desperately wanted to curl into a ball and cry but she was holding it together. “How are you? It must have been hard to be there.” He frowned.
“I don’t know how to feel,” he admitted. “But I wish I could have done more to save her. Part of me wishes it was me and not her.” Wanda sighed, placing her hand on top of his.
“It wasn’t your fault,” she squeezed his hand. “You did everything you could.” He nodded.
“Does it ever go away? This feeling?” Wanda gave him a gentle smile.
“Grief,” she said. “It comes and goes in waves. Some days are better than others.”
“I’ve never experienced loss because I’ve never had a loved one to lose,” he explained. “But what is grief if not love preserving?”
*
“You can’t keep doing this to yourself, man,” Sam said to the super soldier. He gave Steve time when he left the common floor and headed off towards the gym but he was gone for far too long, the pile of sandbags against the wall was a clear sign of the man’s growing guilt.
“She was just a kid,” Steve grunted and another sandbag flew off the hook.
“She knew the risk.”
“So that makes it okay?” Steve questioned, turning to face him. Sam was the fire in his eyes and he held up his hands.
“Of course it doesn’t,” he said. “But we all know the risk when we go out there and she knew it better than anyone.” The team saved you from HYDRA, similar to the Maximoff twins they experimented on you to give you powers and use them to further their agenda. They gave you the ability to manipulate Earth, you were given the nickname the Avatar. But even with all the power you were granted, you were gone. “Talk to me man,” the blonde sighed and fell to the floor.
“I don’t understand how this happened,” he whispered. “Our intel is always good. How did we miss this?” Sam sighed and sat down next to him.
“Sometimes we get it wrong. We aren’t perfect and she knew that.”
“She trusted me to bring her home.”
“And she is home,” Sam whispered, placing a hand on Steve’s shoulder. “You brought her back to her family where she was loved and safe,” Sam was trying so hard to mask how much this was affecting him. Part of him was thankful he wasn’t assigned to this mission because Helen hadn’t cleared him. Seeing you would have broken him. But what if he was there? Could he have helped save you? “We can’t save everyone even when they are on our side.” Steve bit onto his hand to keep the sound of his tears at bay but his body shook.
“She was just a kid,” Steve repeated. Sam closed his eyes, feeling the burn of tears as the normal put-together captain was crumbling.
“Yeah,” he said. “She was but she was so loved.”
*
“Hey Big Green,” Tony said walking into the lab. Bruce was sitting on the small couch, still wearing the clothes from the mission. It was odd seeing the couch so empty. The billionaire would walk into his lap late at night, ready to spend the night alone but you would be there. A book in one hand and twirling some rocks in the air in the other. Sometimes Bruce would be sitting with you, your legs over his lap. You told him you found the lab calming. He almost laughed at you, no one found this place calming.
Tony frowned when Bruce didn’t respond, to loss in his thoughts as he stared at his hands. They were still tainted red with your blood. “Come on,” Tony said, sitting down next to him. “Let’s go get you cleaned up.”
“There was so much blood,” he mumbled. Tony wasn’t sure if Bruce registered that he was there. “I tried to save her but she lost too much blood. I-” he finally looked at Tony, his eyes glossy with tears. “I’m so sorry but I tried to save her. You believe me, right?” His confession broke the walls Tony was desperately trying to hold up. The billionaire put his hand behind Bruce’s neck and squeezed it.
“I believe you,” Tony whispered. “I do.” It wasn’t enough to pull the doctor out of whatever thoughts his mind was creating. He kept mumbling, words Tony couldn’t understand and his breathing became erratic. “Bruce, I need you to breathe for me.” The last thing they needed was for him to Hulk out but he wasn’t listening. So he pulled his friend against his chest. “Copy me, okay? I need you to think of nothing except slowing down your breathing.”
It wasn’t the first time he’s had to help someone off the edge of a panic attack. You were prone to them and he got them as well. God, how the hell was the team going to recover from this? Every bruise and injury he endured never hurt this much. “Sorry,” Bruce finally said. He sounded more like himself. He used his forearm to wipe his forehead. “That was-”
“It’s okay,” Tony said. “These things happen. Today has been a lot.” The doctor nodded and the lab was quiet. Tony hated it when it was quiet, it made him uneasy. So you always found a way to fill it. Sighing, Bruce stood up and made his way to the sink to wash his hands. Tony followed him. “You know it’s not your fault. None of us blame you,” the water turned a slight pink. “You did exactly what you were supposed to do and kept her alive until you got back here.” Bruce sighed, drying off his hands.
“All I do is destroy and hurt,” he said, throwing the paper towel away. “What is the point of me being on the team if I can’t do one positive thing?”
“Bruce-”
“Just drop it, Tony. There are projects we should be focusing on,” he watched his friend walk over the to workbench. The billionaire sighed, glancing at the empty couch. He wished you were here. You were so much better at comforting others than him but you were gone.
*
“How much have you had of that?” Rhodey asked as he opened the door to the porch Maria was sitting on. An empty bottle of whiskey next to the intel they received about this mission.
“It was half empty when I started it,” she said going over the files again. What the hell did she miss? It was her job to make sure they had all the information the team needed to ensure a safe return.
“Hill,” Rhodey said, sitting in the empty chair next to her. “This wasn’t your fault. These things happen.” Maria shook her head.
“Not to me it doesn’t,” she said. “The team counts on me to keep all of you safe and I fucked up. I messed up and because of that we have to plan a funeral,” Maria clenched her jaw, forcing the tears away. She had no time to cry, to mourn, to feel anything when the people that were responsible for your death were still out there.
Maria found you so annoying when you first joined the team. It was like you didn’t come with an off switch. You had so much energy but soon Maria grew to enjoy it. She had to thank you for getting her and Natasha together. “It’s not all of you,” Rhodey said. She forgot he was there, she was so lost in her thoughts. “We all looked at the same information and saw nothing,” he was right but Maria couldn’t listen to reason. With a sigh, he stood up. “Come get me if you need anything.” It wasn’t long till Maria heard a new set of footsteps come up behind her and the arms of her girlfriend wrapped around her neck.
“Hi baby,” Maria whispered, putting her hand on Natasha’s arm. “Where’s Yelena?” The redhead sighed, placing her head in the crock of Maria’s neck.
“In her room,” she learned early on when the Black Widow’s emotions were out of control her Russian accent came out. It laced every word. “Need you.”
“You have me,” she carefully pushed her chair back to make room for Natasha. Without hesitation, the redhead climbed onto her lap and curled into her lap like a cat. She now noticed that she was wearing your long sleeve. She felt tears falling onto her shirt but she didn’t draw attention to it. Gently, she rubbed circles on her back. “I got you, sweetheart, I got you.” Maria squeezed her tight, fearing she could disappear right in front of her.
“It hurts,” Natasha mumbled. “So much.”
“I know it does. Just let it out. Don’t hold it in.” The Black Widow let out a heartbreaking sob that caused Maria to close her eyes and tears began to fall.
*
Yelena changed into one of your sweatshirts and sprayed some of your body spray onto it. It tricked her mind into thinking that you were still here, that your arms were wrapped around her. Your relationship with her was very one-sided, you were persistent in being her friend and breaking down every wall she learned to keep up. But there was a presence about you that was bright and healing. She was too weak to fight it so she let you in and you changed her life. The Red Room engraved in her head that she was incapable of love, that it was a weakness, for children. But you changed her view on it. Now she was lost.
She curled underneath the blanket in her room. She spent the majority of her time in yours, it was warmer. The walls were decorated with posters and artwork. Your bed was covered with stuffed animals. So Yelena was in her room so she wasn’t surrounded by you. Opening her laptop, she wanted to watch a movie as that was all the energy she had.
Before she pressed play an email popped up on her screen. Any other email she would have pushed it to the side or deleted it but the email was from you with a video attachment. It had to be a joke, right? Someone hacked into her email to send her this. But the press conference was tomorrow and no one on the team would do this. “Friday, what is this?” She asked the AI.
“In case of her passing, Miss. Y/n created something for you and the team. She instructed me to send it to you,” the AI explained. “I am sorry for your loss, Miss. Belova.” Of course, you would think this far in advance and make sure everyone was okay.
“Uh, can you have everyone meet me at the TV?” She asked the AI as she got out of bed. She made her way to the common area, unplugged the XBOX’s HDMI, and connected it to her laptop.
“What’s going on, Lena?” Natasha asked. Yelena looked at her sister, who was wearing one of your long sleeves. It belonged to the redhead but you claimed it as yours. Her eyes were bloodshot and she was leaning against Maria when they took their spot on the couch. The rest of the team trickled in. In Yelena’s professional opinion, they all looked like shit. She was wondering if any of them had smiled since the news broke you weren’t going to make it.
“Friday sent me something and I thought we could watch it,” it was rare that her voice was so soft. “Please,” she added on quickly. Wanda smiled.
“Yeah, of course we can,” Yelena thanked the Sokovian and made the video full screen. She grabbed the remote and sat next to her sister. Letting out a shaky breath, she pressed play.
The video began to count down similar to the way old Hollywood movies did. The screen was static and when it stopped, soft music began to play and the videos you took of them were edited together. It was one of the things Yelena found so annoying when she first met you, you recorded everything. At every press event, party, and downtime, your phone was out. In due time, Yelena learned to love it like she loved you. She never told you. You told her all the time, and the words easily fell from your lips. Every time, Yelena went to say it back, she froze. You assured her that you knew and would hold her tight. But she wanted you to hear it, now it was too late.
The video you created got the others to laugh and smile as you highlighted your favorite moments. You humanized them- showed them in a way the press never would or the public didn’t believe they could be. They were silly, goofy, and imperfect humans who made mistakes but you found a way to make them laugh. It was becoming too much for Yelena. Your voice, your laugh, your smile - it tugged at her heart. She almost turned it off but the video faded to black and then cut to you sitting on your bed. Legs crossed and a stuffed animal in your lap, it was one Thor got for you at a carnival. Yelena wasn’t sure how they were going to tell the God. But you smiled and moved the little bear’s paw to wave at the camera.
“I love you guys,” you said. “Thank you for an incredible life. We’ll see each other soon but not too soon.” You blew the camera a kiss and the video ended. Yelena wasn’t sure when she started crying but Natasha pulled her into a hug.
“I miss her so much,” the blonde whispered. How was she going to be okay when it hadn’t been a full day?
“I know you do,” Natasha said, kissing the top of her head. “It’s okay. It’s going to be okay.”
*
Vormir 2023
Yelena listened to her sister and Clint bicker behind her as she stared down the cliff. The soul stone was down there and if they wanted to bring everyone back they couldn’t leave without it. For 5 years, that was all she and Natasha wanted, to rewrite the past. All it would take was a soul for a soul. “You seem lost in thought,” the guardian appeared next to her. “Perhaps, I can provide some guidance.”
“Where will it take you?” She asked not looking away from the ground below. “Will he be stuck here or will we move on?”
“Who did you lose?” He asked instead. Yelena looked at the man, his head was tilted as he waited for her answer.
“Someone I never stopped loving and I’m ready to see again,” the man smiled with a nod.
“Then I think you know your answer,” she nodded and glanced at her sister but she hesitated. Was she ready to say goodbye? Yelena hated the Red Room for many reasons - they robbed her of her childhood, turned her into a weapon, and took every choice away from her but she got a sister. A sister that loved and protected her but she had a wife that would be waiting for her when their plan worked. And Clint, a brother she never expected to have. He had a family, 3 kids, a beautiful house, and a wife. What did Yelena have that was holding her to this world when the possibility of seeing you again outweighed everything? She let out a shaky breath and let out a whistle. Both of them stopped and looked at her.
“Don’t,” Natasha warned running after her but Yelena fell backward. What she wasn’t expecting was something to be attached to her that stopped her fall. The sudden stop made her stomach flip as she dangled on the side of the cliff. “Where the hell are you going?” She looked up at her sister.
“I’m ready,” she admitted. “You have Maria, Clint has Laura and the kids, and I want to see her again.” The sudden realization washed over Natasha, her eyes widened slightly. For 7 years, your name was rarely spoken as it hurt too much to remember you.
“Please don’t,” the redhead pleaded. “I can’t lose you too.” But Yelena saw the grip her sister had on the wire, she was slipping.
“It’s okay,” Yelena smiled, reaching into her pocket for a knife. “It’s okay. Let me go. I love you,” she looked at Clint. “Take care of her for me.” She cut the line and began to fall.
Death was something Yelena thought about a lot. She thought death was the only way she was going to escape the Red Room. Then she joined SHIELD, became an Avenger, and met the love of her life. But death took you from her. So if she needed to welcome death to see you again then so be it.
*
She wasn’t on Vormir anymore that much she knew. Instead, she stood in a space she dared to never go in for 7 years. Your room. Maria, Natasha, and Wanda took care of packing everything up and donated most of it. However, Yelena stood in your living space the same way you left it. The same decorations, the same throw blankets, and even your sneakers were by the door. What was going on? “What are you doing here?” Yelena spun around to the sound of your voice. You were dressed as you rolled out of bed, hair messy and your sleep shirt falling off one of your shoulders. But Yelena still found you breathtaking. “I thought I told all of you I didn’t want to see you for a long time.”
“I did wait. It’s been 7 years, I couldn’t wait anymore,” there were so many times Yelena had to fight the dark thoughts that invaded her mind. She knew that’s not what you would have wanted. You smirked, leaning against the fridge.
“Is that so?” You teased, holding out your hand. Yelena didn’t hesitate to grab onto it and you pulled her close. Oh, how she missed the feeling of your hand in hers. You were so close. Yelena cupped your cheeks, moving her thumb against your skin.
“I missed you so much, dorogoy (sweetheart),” she whispered.
“I missed you,” you grabbed onto her hands. “Kiss me, please.” Who was Yelena to deny you such a request? Yelena kissed you softly, savoring the way her lips felt against yours. A sigh left your mouth and you melted into her. It was all it took for the dame to break. The kiss tasted of you and salt from her tears.
“I love you,” she said against your lips. “I love you so much and I’m sorry I never said it.” You smiled, whipping away her tears.
“You didn’t have to say it, baby, I always knew,” you kissed her forehead, nose, and lips one more time. “Loving you has been the greatest gift I’ve ever received. I treasured it every single day,” Yelena kissed you again. “I’ll make breakfast and you can watch them.”
“Them?” Yelena questioned. You untangled yourself from Yelena and grabbed the remote that rested on your counter. You turned on the TV. The blonde’s jaw dropped as she watched the team gather in Tony’s lab as Bruce persuaded the team to let him be the one to bring everyone back. “Is this real?” You hummed, starting to make French toast.
“I’ve been watching you guys all this time. You did good, Lena. I think your ledger is clear.”
“Do you think so?” She asked. You nodded.
“I do. Now go watch over them and I’ll bring over the food when it’s done.” Yelena followed your instructions without any hesitation. She sat on the couch with her legs crossed, and eyes glued to the TV. She was mostly watching her sister, her green eyes were bloodshot. She hoped she understood why it had to be her. You placed two plates on the coffee table and grabbed Yelena’s hand.
“So,” the Black Widow took a bite. It was good, just how she remembered when you would make them on a Saturday morning. “How does this all work?” She waved the fork around the room. You shrugged.
“Not sure. I haven’t thought about it that hard,” you took a bite of the food. “I’ve just been going with the flow.”
“For 7 years?” Yelena questioned. You didn’t answer and she had to squeeze your hand to pull you out of wherever you went.
“It hasn’t felt like that long,” you said. “Like I know time has been passing because of what I was seeing,” you pointed at the TV. “But I never aged and everything I needed just appeared.”
“Did it hurt? Were you scared?” You sighed, dropping her hand to grab a blanket. It was the same blanket Wanda gifted to you. She saw her using it on movie nights.
“I don’t remember much of that day. But I wasn’t scared, I think I was ready. My soul knew it was my time,” you covered yourself and her with the blanket. “What about you? Were you scared?”
“A little,” she admitted. “I was worried I wouldn’t see you.” You smiled and leaned into her side.
“Well, you’re here now and you aren’t allowed to go anywhere.” Yelena chuckled, kissing your head and putting her arm around you.
“Yeah,” she sighed. “I’m not going anywhere.”
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letters-from-dekarios · 10 months ago
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midnight tears
summary: stricken with grief, anxiety, and the shadow of his former, prouder, self, gale takes to seeking comfort in the swift end he dreamt up many moons ago. tav finds him before it’s too late.
or: gale considers exploding and tav stops him
word count: 2.1k
tags: PLEASE READ BEFORE CONTINUING: this story contains themes of self-harm/suicide. it is not my intention to trigger or harm anyone who comes across this story, but, rather, to share a side of a fictional character I’ve taken a liking to. please do NOT read if these themes, discussed in a reasonable concept of detail, could potentially harm your mental state.
other tags include; gn!tav, act 1 storyline, major gale angst, im still a part of the mystra hate club
He had it all planned out. Written down. He had a failsafe in case things went wrong. Timed it down to the letter, against all the knowledge he had on the orb within him. If worse came to worst, Gods he hoped it wouldn’t, he knew precisely how he wanted to go.
When he first gathered the understanding of the Netherese orb within him, its desperate need to consume the Weave, he was confused. Which was a rare occurrence for him. He was always so knowledgeable that confusion rarely ever happened. He’d question things and soon find an answer, but with this.. no, this was different.
In his quest to prove his love, he only proved his egotism. Something he had tried to stay away from and here he was, indulging in it. How proud was he that he could be able to love the Goddess and Mother of all magic and still be unhappy? Still try to attain more power, more love? How dare he, a mortal man, try and capture the Weave for himself?
Was it really out of love, or was the idea of power and the concept of Godhood too tempting to be toyed with? How did he get this far? How did he manage to do it in the first place, if not by his handling of the Weave itself? He had all the power he could hold and still wanted more.
He was the epitome of a power-hungry, egotistical, jackass.
He deserved the consequences he now had to suffer. He could blame no one other than himself for Mystra’s decision to make him live with it. She could have, very well, killed him right there. But she, by her merciful graces (or what the larger part of Gale perceived as merciful), allowed him to live. He would sacrifice himself to right the wrongs he had created.
As he lay in his tent, one uneventful night, staring at the stars, he pondered the plan he had in his back pocket. He had it figured out for years now, so it wasn’t a question, but he questioned the actual statistics of it. He pulled out a little vial from his bag and turned it over in his hands, reading the neat handwriting over and over again. Midnight tears. A poison whose consequences would only take effect at midnight exactly. If he consumed it in the early morning, traveled far into the Underdark and waited, he would avoid injuring any innocents in the process.
It was a desirable end to his misery, he concluded. If he woke before Tav and the rest of the group, he could be gone before they arose. He doubted they would notice he was missing.
He knew Tav had accepted him for his faults, his lies, and everything else with him. They had encouraged him to stay traveling with them, but he didn’t feel as though he deserved to.
He wondered what the poison would feel like, how it would taste. The seller who gave it to him was vague on the details, and Gale didn’t know if he preferred that or the horrid truth of receiving every component.
He set the poison to the side and conjured a dagger in his hands. He twisted it between his palms, considering the other option to poison. It wasn’t the preferred way to go, but it was his failsafe in case the poison went bad. All he had to do was plunge the magic knife into his chest, and off he would go.
It wouldn’t be the prettiest, he knew that, but it would be better than nothing. His blood pooling out onto the ground, pained cries filling the air- he’d apologize again and again to Mystra, his goddess, his first love, telling her how sorry he was for the stupid mistakes he’d made.
His mouth would taste like copper, eventually, and by then he’d begin slipping away. His body would go numb, he figured, and then his hands would drop. He would fall onto his back, staring up into the vast sky of Faerún, before everything disappeared.
He had a letter written already for his soul to pass on to Tav and the others. He’d apologize to them, too, for letting them down. For not becoming the man they hoped and wished he was. For everything. There wasn’t enough time in all the realms where he could be forgiven for his mistakes.
The longer he sat there, with his thoughts, the more he twisted the knife between his hands. The more he sunk into himself, the harder he pushed it in his palms.
He didn’t even realize he was bleeding until he felt his hands become oddly slippery. He sat up and looked down, his eyes going wide as he saw the blood trickling down his fingers. His heart began to race, his chest becoming tight. He couldn’t live with himself if he died now and took out all his companions with him. Though, maybe he was just being dramatic.
The knife in his hands disappeared and he looked clearer at the cuts on his hands, cursing himself under his breath. He grabbed a nearby carafe of water and poured it over his hands, hissing in pain while they stung.
“Goddess forgive me..” he sighed under his breath, looking around for some cloth he could use to cover his wounds. Then, during one of their battles, he could play it off as an injury received. Why did he do this?
Why was he like this?
He could never know the answer to those questions. The questions that pulled at his heart and broke down in his mind- they had no real answers, they never were able to be answered to begin with. In all his years living as some high, extraordinary Chosen of Mystra, he never found the courage to become insightful of himself. He never understood why he was never enough, or why he couldn’t do things right. Why did he feel the need to lie to cover his imperfections? Why was he so scared that if he messed up, he would never be exonerated?
Mystra had planted the seed in his head that he was not worthy of forgiveness, that death would be the only thing to balance his scale. It got to him. Terribly so, Gale began to believe that she was right. After all, how could one commit such a sin against a God and not be considered unworthy of their forgiveness? He had tried to usurp her authority, whether for love or pride, and had to deal with her wrath. She had every right to not pardon him. She had every right to make him feel how he did.
Though he was rather calm in these situations, no matter what was happening around him, right now he was panicking. His breath picked up, his chest rising and falling faster by the second. Why couldn’t he find a damn cloth?
“Gale?” Tav’s sweet voice broke him from his thoughts. Was he crying, too? He couldn’t tell anymore. He was a whole mess and a half.
“Tav-“
“What happened?” The way they spoke, so much concern in their voice, he couldn’t help but be ashamed of what he had become. How could he sit here, hurting, and hurt others around him? The look Tav gave him was enough to break a thousand realms over again, and he felt awful for making them deal with him.
“I- I don’t know…” he replied, the panic in his eyes as evident as ever.
Tav disappeared for a moment but quickly returned with more water and some towels. They sat down beside him, sighing softly as they took his hands in their own.
He winced, pulling back for a moment before Tav eased him, gently cleaning the wounds.
“Gale..” they started again, and he looked away, ignoring the wounds on his hands. Gods, he was so stupid.
“I’m sorry, I don’t know what happened,” he replied, taking a breath as Tav made sure his hands were okay.
“Gale,” they repeated, glancing down suspiciously at the poison beside him.
He looked to his side, sighed, and then opened his mouth to speak. How could he even begin?
“You promised me,” Tav sighed, waving their hands and muttering a small healing spell. Soon enough, the wounds closed, and his hands were clean again.
“I wasn’t going to-“
“Gale-“ they sighed again, running a hand over their face. “Why do you even have it? We discussed this. It won’t come down to that.”
“We don’t know that.”
Tav looked at him with those sad, puppy-dog eyes. Hurt laced their words, how could Gale be so cruel to himself?
“It’s for safety.”
“Safety of who, Gale? What happens if you accidentally drink it instead of a healing potion? What happens if it ends up in your food?” They asked, eyebrows furrowed together.
“I wouldn’t do that-“
“Oh, come on. We’ve all done it. These damn bottles look so alike! I hardly know the difference between a feather fall and an angelic sleep spell, Gale. It could happen to any of us.” Tav replied, their words rather sharp. Gale flinched, looking down at his fully restored hands.
“I cannot live on if I do not have a clear source of escape should things turn the wrong way,” Gale replied, honest-hearted words clashing with the things he was actually thinking. Yes, he felt that way, but did he think that way? Hardly.
Truth be told, Gale was angry with Mystra. At least, a small part of him was. He had done everything to love her, to prove his love, going so far as bestowing this upon himself, and instead of helping, she cast him aside. If she truly loved him as she claimed to, would he even be here? Why had she left him like this- surely death would have been much kinder. This was just plain cruel.
“I don’t want you to think like that, Gale. I want you with me, with our party, for as long as you can be. You’re supposed to stay by our side, not have a plan to leave us,” Tav took his hands in their own again, looking him in the eye. “Please, Gale. I want you to live. I need you to live. Planning your demise does no one any good, especially not yourself.”
“Mystra-“
“Enough about Mystra!” Tav dropped his hands, frustrated now. “We know. I know. Why are you so devoted to her when all she’s done is bring you pain? It makes no sense to me that you would continue to suffer in her name. You need to be free, Gale. Netherese orb or not, and whether you like it or not, you’re in this tadpole journey with us. I don’t give two damns what Mystra thinks or feels. This is about you, not her.”
Those words struck him. Yes, that tiny part of him agreed, Mystra was harsh for leaving him like this. She was rather harsh to toss him aside after doting on him and his abilities for so many years. But the larger part of him outweighed that piece, and he could only help but feel guilty for thinking such things about her.
“But-“
“No buts, Gale. You’re going to stop this stupid ‘I’m going to blow myself up for Mystra’ nonsense. I know it’s a part of who you are, we all have things we have to deal with, but please. For me, for all of us, you can’t go on with this weight on your back.” Tav sighed, taking his face gently in their hands and wiping away his tears.
“I’ll try to do better, I promise,” Gale replied, letting his face rest in their soothing hands. Why did he always hurt those that he loved? He couldn’t answer that. He never could.
“The next time you start contemplating your death, please, Gale, talk to me. Talk to any of us! We all want to be here for you, and I know I would be so incredibly miserable if we lost you,” They looked into his eyes and pulled his head against their own. Their foreheads touched, Gale’s eyes shut, and for a brief moment, he felt at peace. No matter what happened he knew he had friends to rely on. And for that, he was thankful.
Tav made sure he was alright before returning to the campfire to rest. He tucked the poison into the furthest part of his bag, laid himself to rest, and let his mind slip away into the night.
He would keep the poison and the letter handy, just in case, and it would take quite some time for him to be fully able to talk to the others when he was feeling like exploding, but it would happen. Eventually, he would be okay. Eventually, he would find peace.
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imbxdateverything · 11 months ago
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Whump List: Gintama
Character: Sakata Gintoki (+ few bonus ones)
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(Image credit: E264)
DISCLAIMER: Gintama is predominately a gag anime. Therefore, most of the earlier episodes (1~100) and a few later ones are mostly comedic in nature, but the whump is still there. Also, I've excluded some hits and bleeds that are purely used in a comedic fashion (such as Gintoki being thrown off a high story building to dispose of a bomb in ep. 5, or getting stuck in an elevator in ep. 174) unless they are part of an arc, otherwise we'd be here for a while. This also means that the episodes rarely have any aftermath, especially outside of arcs. I've added whatever aftermath I saw, but don't expect injuries to stick for longer than a couple of episodes at best.
This post will be extremely long.
Additional notes: i) I've added each arc name for easier viewing, ii) I haven't added the season numbers since Gintama is counted as an overall series, despite having multiple separate seasons (although, I have added the name of the season in which the episodes appear, e.g. "Gintama°" to refer to S4), iii) some episodes with no whump have been added as to not break up arcs, iv) some timestamps have been added between square parenthesis, v) the format used is for easier browsing, hopefully it holds true for there are many things to scroll through, vi) episodes with a red colouring are to indicate some whump moments I highly recommend watching, vii) I've added some extra characters (like Hijikata Toshiro) here and there because it's good whump and I'm definitely not making another list.
Gintama (2006-2010):
E009 - challenged to a fight, cut shoulder, bleeding, in pain
Harusame Arc:
E013 - hangover, attacked, outnumbered, manhandled, stabbed, fall from great height, nightmare, bandaged, collapse, in pain, fights while injured to rescue loved ones
E017 - threatened with a sword to his back, cut hand
E027 - [20:00-21:00] ring fight, blow to the side, blood from mouth
Memory Loss Arc: (overall comedic)
E031 - vehicle accident, bleeding, amnesia, bandaged, hospital, worried loved ones
E032 - amnesia (cont.), tied up, taken hostage, protected by loved ones/friends, memories returned
Umibozu Arc:
E040-041 - no whump
E042 - fight, bleeding, hurt arm, self-sacrifice to save loved one, punched
Infant Strike Arc:
E051 - no whump
E052 - cut shoulder, death (imagined)
Benizakura Arc:
E058 - [hit with hammer, black eye, punched (comedic)], sword fight, slammed into wall, slashed chest, stabbed, blood from mouth, collapse, fainting
E059 - bandaged, [slapped, threatened (comedic)], goes to fight despite injuries
E060 - thrown off vehicle (comedic), [22:00] fight against arc villain begins
E061 - sword fight, in pain, wound reopened, heavy breathing, cut, blood on face, unconscious, captured, rescued, thrown, tired & shaking, supported to walk, fight against multiple opponents
E062 - (aftermath of Benizakura Arc:) bandaged, fussed over by loved ones, (otherwise comedic)
Fuyo Arc:
E069 - [scared, fainting (comedic)], pursued
E070 - fight against multiple opponents (no whump)
E071 - punched, blood from mouth, stabbed, bleeding, in pain
Yagyu Arc:
E076-077 - no whump
E078-079 - (whump for Hijikata Toshiro)
E080 - sword fight, slammed onto ground thrice, panting, hit, bleeding, bruised
E081 - [1st half] attacked, hard fall onto structure. rest is comedic/has no whump
Okita Mitsuba Arc: (Hijikata Toshiro whump)
E086 - angst
E087 - angst, goes to fight against mob on his own, shot in the leg, bleeding, covered in blood, dragging his injured leg behind him, using a wall as support, heavy breathing, surrounded, rescued by friends in time, trouble walking, keeps fighting despite injuries, bandaged & using crutches, crying (off-screen)
Shinsengumi Crisis Arc:
E101-103 - (whump for Hijikata Toshiro)
E104 - bleeding, sword fight, held in place by strings which he fights against, cuts around limbs from strings
E105 - sword fight (cont.), cut shoulder
Guardian Dog Arc:
E107 - [17:30+] attacked, grunting, shot in the arm, bleeding, dizzy, poisoned, falls to his knees, outnumbered, pursued, panting, vomiting, slashed, blood on clothes, shot in the stomach, fall into river
E108 - no whump/aftermath apart from visible bandages around his arm
Ghost Ryokan Arc:
E131 - (overall comedic:) scared, attempt to knock himself out by banging his head on a rock, loved ones get possessed by ghosts & leave him on his own
E132 - (overall comedic:) scared, threatened with loved ones' safety & forced to work, crying, treated badly
E133 - locked in a prison cell, referred to as a dog, breaks out of cell, cornered, thrown, blood from mouth, slammed into wall, punched, bleeding, belittled, beaten up
E134 - knuckles bleeding, punched
Yoshiwara in Flames Arc:
E139 - no whump
E140 - stabbed with kunai (comedic), attacked, hit, blood from mouth, thrown onto ground, worried over loved one
E141 - [17:10] stabbed with kunai (comedic)
E142 - no whump
E143 - [16:00+] fight with arc villain begins, severely outmatched, hurt in front of friends, straining, thrown, bleeding, head grabbed & pinned against the wall, groaning, in pain, collapse, kicked, unconscious
E144 - covered in blood, [13:00] wakes up, fights despite injuries, tired, kicked, spitting blood, slammed into wall, hit on his side
E145 - fight (cont.), panting, takes hit meant for friend; stabbed by 3 kunai, bleeding, groaning, on his knees
E146 - [in the beginning] covered in blood
E150 - [05:30 - 07:05] bloodied (special episode, no follow-up)
Tama Quest Arc:
E167 - (overall comedic:) exploded, punched, smashed with a hammer & shrunk
E168 - face grabbed & head slammed by lookalike, headbutted, bloody nose
E169 - butting heads with his lookalike resulting in general harm (for both), lookalike electrocuted
E170 - more infighting with his lookalike, flown into wall, light angst, lookalike loses limbs (& gets them back shortly after)
Red Spider Arc:
E177 - [2nd half:] surrounded
E178 - attacked by arc villain, stabbed with kunai multiple times, bleeding, slammed against wall & strangled, slashed shoulder & back, fall into water, presumed dead, rescued by friend, bandaged, worried over by loved ones
E179 - bandaged (cont.), angst
E180 - bandaged (cont.), fight with arc villain, stabbed through the hand, bleeding, heavy breathing & tired
E181 - no whump
Gintama' :
E209 - [06:30-10:45] backstory, time in war, fighting, bloodied (special episode, no follow-up)
Kabukicho Four Devas Arc:
E210 - (overall comedic:) pretends to have broken bones, spits blood, stuck in trash bin filled with concrete
E211 - jumps into water to save someone, worried over mother figure, running for an extended period of time, panting, holding himself, heavy angst, flies into rage & attacks strong opponent, fight, thrown, stabbed through forearm with sword & pinned, bleeding, grabs blade with his bare hand, punched, collapse, crawls under heavy rain while injured
E212 - bandaged, slammed against wall & yelled at by friend, angst, punched & comforted by loved ones, surrounded by mob
E213 - bandaged (cont.), fight against mob (no whump)
E214 - bandaged (cont.), fight against multiple opponents while hurt, covered in (so much) blood & bleeding, stabbed twice, heavy breathing, slashed, collapse twice & tired, final 'fight' with 'enemy', (even more bandages as aftermath)
Jail Arc:
E225 - (overall comedic:) arrested & jailed, threatened by warden multiple times, hit on the head & bleeding (comedic), threatened by prisoners & lifted by his shirt, 'stolen' item planted on him so that the warden can harass him further
E226 - prison break (comedic), blood on face (not his)
Baragaki/Thorny Arc:
E244 - [~11:00] hit by car & arrested (comedic)
E245 - chain & ball shackled around his wrist that he briefly uses as a weapon (comedic)
E246 - (whump for Hijikata Toshiro), [near the end] Gintoki reveals his own secret identity
E247 - [~11:30] identity revealed and arrested (comedic)
Gintama': Enchousen:
Kintama Arc:
E253 - forgotten by everyone, angst, mindfuckery, [stripped to his underwear, tied up & whipped (comedic)]
E254 - suicidal & jumps off tall building (an act to save someone), rescued by loved ones
E255 - accused of murder, seen as an enemy, pursued & attacked by friends and loved ones, slashed, bleeding, in pain, protects friends even though they're trying to capture/kill him, fall from great height, heavy breathing, stumbling & grunting, holding his middle
E256 - bleeding, fight w/ arc villain, thrown around, sacrifices self to save everyone, comforted
Courtesan of the Nation Arc:
E257 - (overall comedic:) stabbed with kunai on the head, kicked & nosebleed
E258 - surrounded, imprisoned, freed
E259 - fight against multiple opponents, angry, fight with strong opponent, blood on face, falls down stairs, pierced by poisoned darts, bleeding, paralysed, thrown, protected, fights against strong opponent again, (flashback: war time, bleeding, restrained, loved one gets taken away), straining, punched, spits blood, face grab, pierced & paralysed again, so much blood, unable to move
E260 - covered in blood (cont.), shot with antidote, worried over by friend, goes against strong opponent yet again, hurt & bleeding, slammed, pierced multiple times, fall from great height, (flashback: restrained, bleeding, promise with loved one), stabbed through the arm, hit, spits up blood, impact after fall
E261 - covered in blood (cont.), helped to stand & supported by loved ones, [7:10-7:15] bandaged & surrounded by loved ones, [11:51-12:20] bandaged & walking with crutches
Laser Beam Arc:
E262 - no whump
E263 - pretends to be an asshole & goes to fight the arc villain by himself, overpowered, blood on face, stabbed & pinned to the wall by sword, coughing up blood, almost killed, rescued by loved ones
E264 - covered in blood (cont.), removes blade from his side, collapse, grunting & in pain, spits blood, tries to fight despite injuries, trembling/unsteady & using his sword for support, panting, comforted by loved ones, collapses again, worried over by loved ones
Gintama° :
Joi Patriot Reunion Arc: (overall comedic)
E271 - strangled, (flashback: backstory, time in war, covered in blood, bandaged), at gunpoint/swordpoint
E272 - more backstory & infighting with friends, very scared & jumpy, targeted along with friends, surrounded by 'ghosts', gassed, (more blood in flashback)
Shinigami Arc:
E279 - [near the end] blackmailed
E280 - (flashback: imprisonment, flogged, bleeding), fight
E281 - fight (cont.), shot, bloody clothes, collapse, on his knees, (flashback: reason for imprisonment), accepts death, cut neck & bleeding, in pain from being shot, (flashback: imprisonment, prison escape (post torture), bruised, trouble walking, in pain, using wall to keep from falling & holding himself)
Soul Switch Arc: (very comedic) (entries for both Sakata Gintoki and Hijikata Toshiro)
E287 - [Gintoki:] kicked, chased, [both] hit by truck, soul switched between them (& cat's behind), bickering & punched multiple times. [Gintoki in Hijikata's body:] exploded by grenade & bleeding, at umbrella-point, plunged in water, briefly unconscious. [Hijikata in Gintoki's body:] dangled upside down from great height, head hit & bleeding, dragged, kneed & thrown, at swordpoint, plunged in water, unconscious
E288 - [both] surrounded by loved ones who see each as an enemy, stepped on. [Gintoki in Hijikata's body:] at swordpoint, hit & blood on his head. [Hijikata in Gintoki's body:] rope around neck & dragged by vehicle through the street, blood on his head
E289 - [Gintoki in Hijikata's body:] kicked, head slammed & bleeding. [Hijikata in Gintoki's body:] head slammed & bleeding. [both] thrown
Kaientai Arc: (Tatsuma Sakamoto whump)
E290-291 - some backstory but main focus is on Sakamoto, whump for Sakamoto
Shogun Assassination Arc:
E300 - no whump
E301 - pursued, surrounded, (+ whump for Okita Sougo)
E302 - attacked & pursued by multiple strong opponents
E303 - surrounded by strong opponents, face grabbed & head slammed, thrown onto floor & held in place, hit & blood on his head
E304 - covered in blood (cont.), fight w/ childhood friend begins, (flashback: war, bloodied), cut shoulder, hit multiple times, (many flashbacks to childhoood), thrown, stabbed through the wrist, cut multiple times, collapse
E305 - fight (cont.), (more childhood flashbacks), covered in blood, big slash on chest, heavy breathing, punched & spits blood, kicked & thrown back, tired, (flashback: loved ones in peril, forced to choose), hit & punched multiple times, angst, continues to fight despite everything, (flashback: forced to kill, crying, heavy angst), stabbed in the abdomen & shoulder, spits more blood, strong opponent appears
E306 - covered in blood (cont.), heavy breathing, exhausted, trouble standing & picking up his sword, attacked by many, fights again, helped by previous enemy
E307 - covered in blood (cont.), supported to walk, loved ones worried for him, collapse, in pain, in the hospital & bandaged
Farewell Shinsengumi Arc: (picks up right after the SA arc)
E308 - angst, bandaged (for the duration of this arc), using crutches to walk & limping, bruised, angst, surrounded & at swordpoint
E309 - takes punch meant for someone else, bleeding, at swordpoint, handcuffed, rescued by friend & running away
E310 - (flashback: angst, hand shaking)
E311 - no whump
E312 - cut cheek, (+ whump for Katsura Kotaro)
E313 - (whump for Kondo Isao & Hijikata Toshiro)
E314 - cut shoulder, ambushed, stabbed through the wrist, bleeding, hit by blast & pressumed dead, fight with strong opponent, angst, hurt arm, sword on neck & blood drawn, rescued by loved one, heavy breathing, (+ whump for Okita Sougo)
E315 - (whump for Katsura Kotaro & Kondo Isao)
E316 - everyone's in bandages, angst, saying goodbye
Gintama.:
Rakuyou Decisive Battle Arc: (picks up right after the SA & FS arcs)
E317 - nightmare, in hiding, shot at & at gunpoint
E318 - flashbacks to childhood & angst
E319 - shot at, almost falls from great height & rescued
E320 - (whump for Katsura Kotaro)
E321 - (whump for Sakamoto Tatsuma)
E322 - (comedic) fight, illusions of himself killed
E323 - flung back & cannon pointed at him, rescued
E324 - no whump
E325 - picks fight w/ strong opponent, punched & bleeding
E326 - fight (cont.), covered in blood, punched & kicked multiple times, spits blood, face grabbed & held in place, worried loved ones, broken finger, trouble picking up his sword & strapping it to his injured hand, angst, stumbling & collapse, heavy breathing, loved one attempts to protect him & protects loved one instead, slammed against wall & unconscious, wakes up & keeps fighting
E327 - covered in blood (cont.), supported, bandaged & using crutches
E328 - bandaged & crutches (cont.), some angst
Movies:
Gintama: The Movie 1 (2010) (Benizakura Arc) - sword fight, stabbed, bleeding, collapse, nightmare, bandaged, hair pulled, fights despite injuries, knocked out, captured, rescued
Gintama: Be Forever Yorozuya (2013) - (flashback: war, cut, cursed), presumed dead, angst, attacked, fight with future self, hit multiple times, spits blood, hair grabbed & face slammed into a wall, kicked down a flight of stairs, more angst, goes back in time to kill his younger self (unsuccessful), fight against multiple opponents, cut multiple times, comforted by loved ones
The ones below will be added as a reblog to this post as soon as I finish the anime.
Gintama: Silver Soul Arc: TBA
Gintama The Final (2021) - TBA
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psychology-department · 2 months ago
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trans protagonist theory and ayin lobcorp- a small character analysis
(lobcorp spoilers + slight ruina/leviathan spoilers under the cut)
A couple nights ago, I saw this tumblr post by @/somekindofsentience which coined a term called trans [protagonist] theory, regarding the changing of narrative roles of main characters. It comes in two flavors, PtA, and its inverse, AtP.
PtA (protag to antag) can happen in several ways, one of which is to discover something about yourself that likens you to evil, or starting with a goal and just getting more and more unreasonable with it. knowing that what they are doing can be considered "evil" or morally reprehensible in their universe.
PtA is a trope often not done well because they're usually just protags painted to be sympathetic and/or naive antiheroes/antags. Occasionally, following them on their goals, and feeling what they feel downplays villainous traits, can't say i'm not guilty of writing that, bc i am an author, and authors are imperfect.
AtP (antag to protag) also usually involves a change in mindset and understanding of self to railroad them into different perspectives, and sometimes go hand in hand in replacing each other's role they 'transitioned from' (or not depending on narrative).
Ayin and PtA
In Greek tales, the hero is tragic, with a flaw that ends up costing everything, driving them to become an antagonist in their stories. It usually serves as a moral lesson in how one trait considered “villainous” can end up causing destruction and death on a large scale. The morally gray nature of humanity can cause debate on what's “good” or “evil,” or whether or not one leads to another, blurs, or overlaps.
The story of A’s ideals goes from being shown as just wanting to continue a shared ideal to day 48, where it is revealed that for this entire time, he was only doing it for the sake of making it up to Carmen, and Carmen only.
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Ayin can be said to be an example of a greek tragic hero. He is too stubborn and dedicated to his goal, he didn’t stop to look back on all the death and destruction caused by him following Carmen’s dream in his way, and though he (briefly) considered these consequences, he still continued to trudge on in spite of these traits made to be flaws. He knew, even by a little, that what he was about to do was going to make him seem bad, but went on.
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His viewpoint of the world and himself did not change after everything, but stayed the same (sacrifices are necessary), and it’s not because it stayed the same that was most of the problem. it was his actions.
His actions, which at first seem like just accidental neglect, add up to a list of infractions of letting those he cared about the most along with many innocent lives die, injured, or neglected. It is the journey that he takes which makes his reasoning more and more unreasonable to the viewer, the more you go into the game.
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The reason why Ayin is such a good PtA (assuming you played the games in order) is not only because you get to sympathize with what he did, Project Moon also made sure that his morally reprehensible traits aren't downplayed, with Angela's narrative in LoR. It avoids the naive protagonist trope, while also being somewhat sympathetic.
Ayin and AtP
One thing I did not mention about AtP earlier is that characters could also be their own antagonist to protagonist, seeking to atone for their previous actions. Ayin feels extremely guilty over the things that he did, and wants to free himself from the guilt after all is done.
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…and so, as The Manager, he does. He manages the Sefirot and helps them calm down from their suppressions, making both parties learn lessons from each other and slowly but steadily changing his role in the story to be more aligned with the protagonist.
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I believe that throughout the loops, he slowly changes from just wanting to make it up to carmen, to making it up to others, even if those attempts were not successful. (such as with Angela, which he had forgotten about. I believe there’s no do-over for things like that.)
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Even in the light, he continues to try and help the people realize and (indiscriminately) continue their goals without giving into despair with EGO, still trying to make things up to others. He apologizes to Angela up there, too.
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His goals are still the same (SoL), but his understanding of everything changes, which leads him down the AtP pipeline of trying to learn his lessons through the Sefirot learning theirs, and to do better. If given enough time for character development, who knows what else he would have done to further this path of redemption.
Ayin, the antagonist, perpetuates a cycle of suffering of death, neglect and suffering. By playing Lobcorp, Ayin tries to that very cycle that he put everyone and himself through with his own hands. He is the start of the conflict, but also the end of the conflict. He is a PtA, but also an AtP, even if his attempts at redemption are only partially successful. This complexity is, in my opinion, what makes him such a well-written character.
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serickswrites · 7 months ago
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Whump One Shots VII
Whumpee injuring Whumper request--TW: captivity, torture, gag, restraints, non con, sexual assault, knife, stabbing, blood, failed escape attempt
You Deserved It--TW: captivity, torture, restraints, forced to watch, drowning, cpr, mcd, escape
Vacation ask--TW: captivity, torture, blood, wounds, injury, bruises, blood from the mouth, cruel whumper
Fill Someone Else's prompt--TW: captivity, restraints, torture, blood from the mouth, beating, forced to watch, broken bones, escape attempt
All They Could Do--TW: captivity, torture, injury, infection, delirium
Caretaker takes Whumpee's place request--TW: captivity, restraint, torture, electrocution, forced to watch, self sacrifice
In the Wings--TW: poisoning, collapse, unconsciousness
Get in the Water--TW: pursuit, captivity, escape, gun, gunshot, left for dead
Or Else--TW: restraints, captivity, torture, slap, physical violence, threat of violence, defiant whumpee
It's Over--TW: captivity, torture, blood, knife, stabbing, med whump, restraints, mcd, bleeding out, rescue, hurt/aftermath, hurt/recovery, hospital
Reprieve--TW: captivity, torture, restraints, physical violence, blood, bruises, cruel whumper
Whumpee forced to hurt others request--TW: referenced captivity, conditioning, trauma, shame
Tea--TW: captivity, torture, restraints, scalding, defiant whumpee
Victorian Vampire request--TW: blood, physical violence, withholding of basic needs, cruel whumper
I'm Here--TW: captivity, torture, stab wound, bleeding out, rescue, unclear character status
You're Not Going to Fight--TW: kidnapping, restraint, physical violence, defiant whumpee
I'll Have You Begging--TW: captivity, torture, restraints, physical violence, bruising, defiant whumpee, whipping, blood
Whumperless whump request--TW: car accident, fever, unconsciousness/fainting, hospital, sedation, illness
I Won't Let You--TW: captivity, restraints, torture, whipping, blood, yandere whumper (but not for whumpee)
Crunch--TW: attempted kidnapping, torture, restraints, broken bones, blood, rescue, hospital, hurt/aftermath, hurt/recovery, hurt/comfort, caretaker and whumpee
Lie Still--TW: captivity, torture, restraints, blood, wounds, rescue, unconsciousness, bed side vigil, hospital, hurt/aftermath, hurt/recovery, hurt/comfort, caretaker and whumpee
Female Whumper request--TW: captivity, restraints, torture, muzzle, collar, strangulation, non con drugging, two whumpers, unconsciousness
Tentacle Whump request--TW: captivity, restraints, physical violence, bruises, inhuman whumper
Fragile Whumpee request--TW: captivity, dehumanization, drugging, cage, gilded cage
Saint Bernard--TW: captivity, restraints, torture, bruises, broken bones, loss of faith, lamentation, unseen caretaker
Gilded Cage request--TW: gilded cage, captivity, hopelessness, loneliness
Whumper drugs Whumpee and lets them go request--TW: captivity, restraints, torture, non con drugging, failed escape, cruel whumper
When In Rome--TW: capture, public humiliation, torture, restraints, whipping, blood, unconsciousness, bedside vigil, defiant whumpee
With a Price--TW: magical exhaustion, collapse, shaking, unconsciousness
Kneel--TW: capture, restraints, humiliation, future torture implied, cruel, sadistic whumper, physical violence, blood, broken bones, bloody nose, blood from the mouth
Do Better--TW: self sacrifice, burns, hurt/comfort, hurt/aftermath, hurt/recovery, caretaker and whumpee
Ever Since You Shot--TW: betrayal, restraints, harpoon, blood, wounds, potential drowning, fade to black
In My Head--TW: captivity, torture, restraints, blood, bleeding out, mcd, survivor's guilt, self destructive behavior, caretaker and whumpee, hurt/no comfort, grief
I Warned You--TW: lies, betrayal, manipulation, captivity, restraints
Crime--TW: betrayal, stabbing, blood, wounds, trust issues, fade to black, guns, mention of murder, knife
Crocodile--TW: threats, betrayal, video recording, implications of noncon, black mail
Death Will Do Us Part--TW: captivity, torture, restraints, blood, wounds, electrocution, escape, unclear character status, unconsciousness
Faster--TW: captivity, torture, restraints, knife, forced to choose, forced to watch, self sacrifice
Just a Little Bit--TW: restraints, captivity, torture, physical violence, public humiliation, cruel whumper
No Trace--TW: captivity, restraints, torture, unconsciousness, rescue, blood, blood from the mouth, mcd, hurt/no comfort
Slurred--TW: concussion, head injury, migraine, hurt/aftermath, hurt/recovery, hurt/comfort, caretaker and whumpee
Answer Me--TW: captivity, restraints, torture, rescue, bruises, caretaker and whumpee
Video Killed the Radio Star--TW: captivity, gag, restraints, implied future torture, video recording, cruel whumper
Wake Me Up--TW: captivity, restraints, non con drugging, creepy/intimate whumper
Deflect--TW: implied captivity, implied torture, implied restraints, rescue, hospital, referenced temporary character death, hurt/aftermath, hurt/comfort, hurt/recovery
Why--TW: blood, explosions, wounds, conditioning, living weapon whumpee, blood loss, caretaker and whumpee
This is for Us--TW: captivity, torture, restraints, gag, blood, wounds, mcd, failed rescue, revenge
Ruined--TW: abandonment, heat stroke, lost
Watching--TW: stalking, illness
I See What's Mine--TW: black mail, trickery, bribery, cruel whumper
Give Me the Truth--TW: captivity, torture, restraints, truth serum, forced to watch, blood, wounds, stabbing, impalement, unconsciousness, unclear character status
Falling Stars--TW: captivity, torture, restraints, forced to watch, blood, wounds, infection, mcd
It Ends Here--TW: self sacrifice, exhaustion, magical exhaustion, unconsciousness
Voiceless--TW: captivity, torture, restraints, conditioning, brainwashing, creepy/intimate whumper
I'm Just Not Well--TW: rescue, captivity, torture, broken bones, blood, bruises, hurt/aftermath, hurt/recovery, hospital
Only Around You--TW: referenced captivity, referenced torture, referenced conditioning, relapse, hurt/aftermath, hurt/recovery, caretaker and whumpee
First for Everything--TW: captivity, restraints, muzzle, torture, defiant whumpee, sensory deprivation
Spare--TW: captivity, torture, restraints, self sacrifice, forced to watch, drowning, mcd
For Good--TW: referenced captivity, referenced torture, medication, unconsciousness, passing out, hurt/aftermath, hurt/recovery
Whumpee drugged by Whumper request--TW: captivity, restraints, gag, non con drugging, creepy/intimate whumper
Whumpee refuses to move--TW: captivity, torture, restraints, physical violence, broken bones, bruises, blood, defiant whumpee
The Wheel Turns--TW: referenced death, referenced torture, referenced being burned alive, reincarnation, torture, restraints, drowning, revenge, hospital, unclear character status
Living Weapon in training--TW: conditioning, torture, threatening behavior, gun, gunshot, living weapon whumpee
Pretty Young Things--TW: referenced captivity, referenced torture, implied noncon, hurt/aftermath, hurt/recovery, hurt/comfort, caretaker and whumpee
Drugged Whumpee--TW: captivity, chemical restraint, noncon drugging, semi-conscious state
Whumpee asking Caretaker to leave them--TW: escape attempt, captivity, torture, broken bones, blood, wounds, blood from the mouth
Broken Things--TW: referenced captivity, referenced torture, caretaker and whumpee, hurt/aftermath, hurt/comfort, hurt/recovery
Deck the Halls--TW: gore, body modification, blood, corpse desecration, character death, mcd, captivity, restraints, gag
This Is Your Fault--TW: explosion, blood, unconsciousness, whipping, cruel whumper
Tell Me How--TW: captivity, torture, restraints, blood, broken bones, rescue, hurt/aftermath
Black--TW: bruises, black eye, implied domestic violence
This Will Hurt--TW: broken bones, captivity, torture, field med, escape
You're Allowed to Fall Apart--TW: referenced captivity, referenced restraints, referenced torture, referenced failed rescue, gun, gunshot, wounds, blood, bleeding out, choking, mcd, grief, hurt/no comfort
Whip It--TW: restraints, blood, whipping, exposure, hypothermia, unconsciousness
Can't Help--TW: falling from a great height, fade to black, unclear character status
Crooked--TW: referenced captivity, referenced torture, hurt/aftermath, hurt/recovery, broken bones
I Get Overwhelmed--TW: deserted, left for dead, head injury, bruises, sprain, hallucinations, dehydration
Panicked--TW: referenced captivity, referenced torture, PTSD, panic attack, hurt/aftermath
Greenery--TW: nausea, vomiting, poison
Cold whump request--TW: captivity, restraints, torture, forced to watch, hypothermia
Fear Itself--TW: captivity, implied torture, unclear character status, yandere
Forget Your Name--TW: captivity, torture, rescue, amnesia
Thrown--TW: physical violence, cuts, blood, wounds, hurt/aftermath
Comfort & Joy--TW: grief, death, mcd, referenced mcd
Frosty the Snowman--TW: explosion, head injury, blood, wounds, impalement, unconsciousness
Used to It--TW: emotional abuse, threat of violence, captivity of sorts
Advent Calendar--TW: kidnapping, restraints, drugging, manipulation, implied torture, cruel whumper
Under the Mistletoe--TW: threats, blackmail, referenced noncon, referenced videotaping
Let Me--TW: hurt/comfort, hurt/aftermath, hurt/recovery, injury, broken bones
Sugar Plums Dancing in Their Heads--TW: captivity, torture, restraints, blood, temporary character death, nightmares, flashbacks, hurt/aftermath, hurt/recovery
Frightens--TW: manhandling, threats, kidnapping
Chestnuts Roasting on an Open Fire--TW: captivity, restraints, gag, implied non con, creepy/intimate whumper
Everything Has a Price--TW: blood, impalement, stabbing, character death, self sacrifice, mcd
Out--TW: captivity, torture, restraints, blood, blood loss, unconsciousness, rescue
No One is Coming--TW: captivity, torture, restraints, cuts, blood, hopelessness, cruel whumper
Inhuman Heart--TW: captivity, torture, restraints, gun, gunshot, gunshot wound, blood, cruel whumper
Don't Leave Me--TW: referenced captivity, referenced torture, broken bones, nightmares, PTSD, hurt/aftermath, hurt/comfort, hurt/recovery
Twisted--TW: stabbing, blood, kidnapping, implied future torture, unconcsciousness
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rosakuma · 4 months ago
Text
Predictions on What Might Happen in Drdt ch.3 Part 2
Continuing from part 1:
Hu: So going with Hu, I think with Levi being injured, David being revealed to be a scumbag and distrustful, and Eden probably not being able to be the best condition to help everyone, Hu will probably try taking this role as leader. To which…will immediately backfired I feel like. Mostly because Hu is as flawed and a hypocrite as everyone is. Hu has always trying to be the mother role model for the group and we seen how her efforts to be fails. Along with the fact she did let herself get too attached to Nico for whatever reason(maybe she sees her self in them thus why she projects in protecting them so much) which lead to her defending an almost murder and worsening Ace’s state to commit to his plan. She says at the end of ep16 she doesn't believe they need to blame themselves for Ace killing Arei. Which while yes, it is Ace’s fault for killing Arei and making others dislike him. But that does not mean that they’re all innocent in this either. Her, David, Veronika, Teruko a little bit at the beginning, Nico, and Arturo with the part with Eden are responsible factors for the entire mess happening too. I think Hu will try to deflect blame off of her and focus on trying to gaining Nico’s trust again, to which I think they’ll probably blow up on her. Why? Oh well mostly because of her constantly talking over them and trying to defend them resulting them looking worse. This I think will also leave Hu in a vulnerable state to where she might struggle in this chapter as well.
Nico: Nico will definitely struggle thanks to the consequences of their actions last chapter. With almost committing murder on Ace, this will lead to them probably being isolated by the group or the group being suspicious on their actions towards them. I mean Nico really is screwed as if another murder happens, they will immediately be a suspect. Rose will have hard time forgiving them or even to hang out with them since they made her felt used+ even themselves admitted to not trusting anyone. Hu trying to hang out with them will make them both look bad since it will be hard for anyone to trust them not being suspicious of the next murder. I think Nico will go through a rough patch next chapter due to this and have a hard time taking responsibility since they think no one will ever forgive them for it. I hope maybe Nico can be able to still apologize in the end and make up with Rose or anyone for them to have potential friends again.
Levi: Okay so Levi’s fate is undetermined right now due to whether or not Arturo can save him. Personally I believe Levi will live and go through a character arc of learning how to empathize with others and even grieve over deaths since I think Ace’s death/sacrifice will help with this. Mostly to show Levi that despite how hard it is to understand people, there are people who care about him and want him alive despite him being revealed as a murder. To which I hope Levi ends up as a survivor as I am very interested in this potential character arc for him. Although the question remains will Levi be able to participate in the class trial for ch.3 or be out of commission until ch.4 like how Nekomaru was in DR2 when he got fatally injured?
David: Alright..lets get to David. So with David definitely taking the antagonist role and knowing his goal towards the killing game. I assume he will take advantage of causing murders to happen just like in ch.2. Which while it will be harder for him to easily manipulate others since he reveal his true colors, I think with how this group is going, they’re going to make his job easy. Also begs the question about Teruko’s secret since we know that David actually has Teruko’s secret and not Xander’s(evidence in the second bonus episode ). Will David reveal Teruko’s actual secret, keep quiet about it until later in the story, or use it to blackmail Teruko into something since we know that secret will destroy any trust others will have towards her.
Rose: Finishing off with Rose, just like Charles, she is traumatized by Levi almost dying and Ace dying. My girl cannot catch a break huh? I think Rose’s mental state is getting worse with her memory affecting her in both forgetting and remembering the deaths clearly. Not to mention being tired all the time and Nico’s betrayal towards her. This can lead to bad things for Rose if she cannot get good support from others like Teruko or Eden. I mostly think Rose will be involve with the possible storyline with Nico next chapter while maybe developing a stronger relationship with Teruko since she defended her in the trial.
With that out of the way of establishing where each our characters are at, lets start discussing how I think the chapter will go.
I’ve seen people in the fandom point out how Drdt seemingly follows some similarities to DR1 specifically in each chapter along with the motives. To which if true, then that would mean ch.3’s motive would be about money. Now if the trend of the motives not actually being the reason why a murder occurs continues, then it makes sense no one in the group will murder for money. The only two characters I think could actually used and need the money is Teruko and Rose. We know clearly Teruko isn’t going to do that as even though it technically would help her not be homeless anymore, she already decided on living in the killing game since it provides her nesscities free of charge. Plus I think she would believe her luck would just destroy the money or anything she bought with it anyways. Now Rose on the other hand could actually use the money as a way to maybe get out of her debt to Richard Spurling since he is the only reason to get her family out of poverty. But I don't think she will murder anyways as she doesn't seem like the kind of person to plus her mental state of seeing dead bodies is so bad, I don't think she’s capable of committing murder without it scarring her permanently.
So what will actually cause the murder? Simply put, discord in the group. No not the app or the chaotic draconequus, the huge disagreement on the group’s part. What I mean exactly is how I think everyone will be at each other throats for having another murder committed. There definitely some in the group who either is to blame to some part of Ace killing Arei, think they are to blame for what happened when they’re not, or are innocent in the matter. The people who caused part of the problems last chapter I think will try to deflect blame off of them and create discourse in the group about not accepting consequences of your actions. This will cause others who want them to take accountability for it to be frustrated and might cause people to isolate each other out of distrust(basically pull a Teruko). Now not everyone I believe will be like this as I think Teruko, Charles, Whit, Rose, Levi, and Eden will be out of the equation in terms of the blame game. J I think definitely with being the most outspoken on murder and morals will be the leading one in wanting others to take accountability even if she doesn't forgive the murder for killing. Hu I think will try to not take any blame for Ace’s murder, Veronika will either deny it or accept it without guilt, David dgaf he’ll either admit it or say f*ck off, Nico while taking accountability for doing wrong in committing the murder, won’t apologize for it as they don't expect forgiveness towards them plus not thinking its their fault for others’ actions(hence that secret quote) and Arturo we know definitely will try not taking accountability for his actions since he already doesn't want to acknowledge he has a part in his sister’s death.
With that being said, there is two ways I think the daily life will go in terms of how it will lead up to the murder.
Way 1# Matchmaking~❣️
That's right! Whit is going to match make everyone! Truly if everyone joins together and form the ultimate polycule, everyone shall be saved!/j Okay okay for real though, I do believe Whit will actually use his match making talent, but not for shipping wise and instead to try to get everyone to be on friendly terms again. Mostly like the stress of the group might have Teruko or Charles suggest to Whit to try using his talent to help everyone. This can lead to some interesting combos and a potential pair that might end up causing the murder.
Why you may ask? Well going onto how DR1 ch.3 went. Celeste manipulated Hifumi into killing Kiyotaka before then killing him to be able to escape with the million dollars promised by Monokuma. Meaning victim B work with the killer to kill victim A and then the killer killed victim B would they were working for. Thus allowing the two victim count to happen.
Way 2# Despairful Entertainment 😈
With the group in shambles and barely hanging with everyone blaming another for what has happen, this cause others to be more distant to each other. With high tensions, you think there would’ve been more drama right? Well perhaps, but I assume everyone would think it be better to rather interact less with each other while still seeing each other. Thus less conflict and paranoia of someone trying to murk them. While leaving in the air of who is to blame for this misfortune upon them. I’ll cut to the chase here and say this route is mostly the idea for a Veronika culprit or at least victim B route. Mostly because this fits her of taking matters in her own hands just to be able to entertain herself again or in a twisted way, try getting the group back working together for one goal? Because with no one interacting with each other or willing to hang with each other, this will cause Veronika to probably panic and worry since her excitement over horror or murder is the only thing preventing her from committed that on herself.
Okay going through the two scenarios, who would be our main culprit and who would be our victims? Since we established that the culprit this chapter would have to be a girl or one of the guys to balance the gender ratio, lets go over our options.
Culprit option 1: Veronika Yep, kinda obvious she was a pick with route 2 tailoring to her. Not to mention a lot of people(including me) are thinking she’ll die in ch.3 as she does fit the vibes of a ch.3 killer. Now yes, there has been conversations before that disprove she would try to commit murder as that would prevent her from continuing the killing game to see all the thrills and kills+she might not want to die since her secret is her trying to take up her talent to prevent SH. But in this scenario, she’s desperate and push to her limit to act. Even if scenario 2 doesn't happen, I can see this happening in scenario 1 IF Veronika gets paired with David. Why you ask? Well since David’s would still try to continue his goal of ending the killing game via getting everyone kill, I can see him trying to manipulate any of the others in a way they don't suspect it to get them to kill. Not to say that David gonna immediately tell Veronika to “Go kill someone”, but rather put the idea in her head via paranoia of what will happen if no murders happen. Which kinda would be karma in a way towards her because she used scare tactics to scare Ace into good behavior when it just increase his paranoia and desire to kill to save himself. David using a scare tactic or something to increase Veronika’s paranoia of what will happen to her if she doesn't act sounds perfect to me. Plus even though this isn’t really a thing to have to be required to fit the parallels to DR1’s ch.3, the ch.3 culprit of that game was very obivious and since we all think she’s gonna be the culprit, yeah it fits the bill. But unlike Celeste, I think Veronika would be able to create a way more complicated murder that makes it hard to pin it on her since she has a lot of knowledge on murders thanks to her horror talent.
Culprit option 2: Hu Sorry Hu nation for accusing your girl again, but to be fair….she would make sense to be a culprit this chapter. NOW HEAR ME OUT! Hear me out, this is in no way saying Hu will be the killer because of Hu hate. Despite me being mad and disliking Hu at the moment, I do like her character in being a flawed individual who’s trying to change from the past. Though we know despite Hu trying to change from the “hopeless” girl she was in the past, she’ll been struggling with that in trying to be the mother/supportive figure role. Knowing how Hu is going to face consequences of keep trying to defend Nico from last chapter will cause others to either not trust her word anymore or be upset at her trying to know what to do to help the group without letting them decide since she is known for kinda talking over others(mostly Nico). Not to mention our poor girl will probably be struggling trying to take the leader role that David had now that he’s no longer fulfilling that and the support role since I think Eden will be in a bad state of mind to be unable to fulfill that role too. With all that pressure and this group looking down hill, I can see her survival instincts kicking in and telling her “You must escape”. Now that would kinda be too similar to Ace’s motive of “I don't want to die”, which is why back then I thought she was the ch.2 killer as before I figured she would kill Arei to be able to live and change. But perhaps this time the motive while also being to live, Hu probably would commit murder to avoid having to pay for what she has done. Specifically her secret quote is what makes me feel like she could be a culprit whether this chapter or the next. Hu: I want to pay for what I’ve done. But even then, I still want to live. Hu feeling responsible for what happened last chapter whether its either to cause Ace to commit murder, defending Nico despite them being in the wrong, or to talk over others like Nico and projecting what she think they’re feeling(when its actually her), I can think it would be some something hard for her to accept. Hu needs to feel important as while we don't know much of her backstory yet, Hu seems to need to be this role as perhaps it's what only keeping her going to prevent her from going back to her old self. This could definitely work in scenario 2 even if I tailored that route to be more of Veronika route as with the group in shambles, Hu can’t be the role figure to help them. To save them, to save herself.
Culprit option 3: Arturo Arturo is as of right now actually kinda hard for me to see as a ch.3 killer as much he might fit the vibes, I feel like the end of ch.2 is actually setting up some character development and spotlight for him that doesn't seem like its leading to him committing murder? But let's go over the hypothetical anyways in both scenarios. So if scenario 1 happens, whether he gets paired with David who manipulate him or someone else, I can see the activity just not working regardless and tensions are still high. We know that Arturo will definitely get some blame into Arei and Ace’s deaths as while he may didn't increase Ace’s paranoia to kill, he did threaten Eden. To which if he never did that, then Arei wouldn’t have died from Ace over hearing their conversation. Now yes while it can be argued since they brought it up that Ace might’ve was just trying to kill Eden regardless since she is the easiest to kill, Arturo just gave Ace an a opportunity to get him possibly Scot free with killing either of them and blaming the other. We know that Arturo struggles and feels like he can’t save any lives not just because he’s specifically a plastic surgeon, but because he feels responsible for not being there for his sister when she killed herself because of him leaving. So I can see the killer route for him in a way to not feel responsible for indirectly
causing Arei and Ace to die. Along with if the scenario of Levi not making it, that would increase his mental state to be worse in blaming himself or others in failing to save people.
With the main options out of the way, I’ll go ahead and give a mini explaination why I don't think anyone else could be the culprit for this chapter before I get onto the victim options.
Teruko and J: Obviously not going to commit murder(unless self defense probably) because against murder. Plus no ill will strong enough against anyone to push them to kill. Eden: In mourning rn and has no grudges against anyone to kill them. Also probably similar reasons to Teruko and J. Charles: Literally cannot commit murder unless the method allows him to be far away when he does it thanks to his phobia. Also no reason to commit murder anyways. Whit: No reason I can think of why he would commit murder. Maybe if Charles is the victim? But kinda a stretch that would happen. Rose: Similar to Charles, her memory and mind feeling like it's breaking down would prevent her from being able to commit murder. The trauma it alone would not be able to let her live peacefully if she succeed. Nico: I don't think they’ll commit murder again after almost committing one and regretting it. Not to mention currently dealing with guilt and blame of murder allegations stuck to them.
Levi: He is literally dying, how would this man commit murder? Not to mention that 1. Levi if he survive would be set up for character arc of learning to care for others as Ace’s death started the set up for it, so it's strange to throw that away and have him kill. 2. While yes Levi doesn't feel remorse for if he kill a person, that doesn't mean he would actively go out to kill anyone in this game. We don't know why he killed his dad, but it's apparently not a big deal enough where the police didn't even bother with his case. One guy he killed was in self defense while the other two he did chase after them to kill them. But it could be argued that Levi only did that maybe because he thought they come back for him and kill him for killing their leader.
David: While David does want a murder to happen to be able to end the killing game, I don't think he would commit it as it would be too obivious he did it and then they would get it right. Plus he seems important enough as the antagonist to at least survive until ch.4 or 5(it fits him better to die in ch.5 to me).
Now lets get to the fun tragic part of who shall be our victims? To get out of the way, we’re going to exclude Teruko, Nico, and David from this as Teruko is our protagonist and Nico I don't think will be killed as they have a potential character arc for them to go through + gender ratio is only trying to balance out the girls and guys(not to say that Nico is invincible in terms of being killed). As for David, I'm just assuming plot armor of being the antagonist will allow him to live, at least until ch.5 since other antagonist like Nagito and Kokichi lived until that chapter. Also picks for the killers will be feature as victims whether they were a victim from the start or manipulated into killing before being betrayed or killed by someone else who caught them in the act.
Victim option 1: J So J I cannot see as a killer in the game with her strong sense of morals against murder and the fact she seems put together enough to not let any grudges to make her kill someone. But I can see in the scenario if she is at the wrong place, wrong time she could end up as a victim. Maybe Arturo killing her could be him snapping at her for her blaming him for the deaths of his sister and the others, but I think less likely to happen.
Victim option 2: Eden Eden being a very vulnerable state of grieving over Arei and what has happened can allow her to be off her guard to be pick for a target. But I will say that Eden will probably surround herself with others to keep her safe and to have as company to comfort her in losing her dear friend. Not to mention Eden will maybe still try at least helping with dinner with Hu so she might not be an easy pick if there’s at least someone near her.
Victim option 3: Charles So a couple of people in the fandom thinks that Charles will actually die in chapter 3 due to Whit’s joke line in chapter 2 about Charles dying at 3. Honestly it's a bit of a stretch for me. Like yeah I am a Charles survivor truther, but also if Charles was going to die, it would only be if Whit or Teruko wasn’t with him. Even if conflict arise between him and Whit, I don't think that will prevent him from having someone he trust be around nor Whit from not worrying about him. So I actually think Charles is safe here+ there is still more to explore with him that I don't think death would help be able to expand his connection to the main plot if he died.
Victim option 4: Levi
Okay this option I really don't like because I do want Levi to live til the end or at least long enough to complete his character arc. But here’s the thing. Potentially depending on Levi’s state on whether he’ll be bedbound in the infirimy or be active in being able to move, if the former is true, then that leaves Levi very vulnerable. I can see him being guarded/check on by a caregiver, but that doesn't eliminate the possibilities of either A. His caregiver kills him, B. The killer sneaks in when the caregiver left their post and kills him(allowing them to frame the caregiver), or C. The killer kills both Levi and his caregiver. Like I said, I don't really like this option as it feels disappointing if Levi wasn't allow to live as that makes Ace’s sacrifice worthless in the end. But I wanted to at least share the possibility.
Victim option 5: Whit
To be honest, Whit has a lot potential right now to continue living since he’s a mystery in terms of his mom, his true feelings, and whether or not this guy is the mastermind or traitor. So it feel weird if he just…died right here. Plus only way I can see someone targeting Whit is if its to get back at him for his match making idea I had for scenario 1 failing for them. Which is most likely not to happen. Also I just realized how funny that sounds, it make it sound like the killer killed Whit because he couldn't get them a gf, bf, or partner in the process. Whit be like “Sorry man, not my fault you have negative rizz”. Immediately gets stabbed. Not to mention he’ll be hanging out with Charles and Teruko a lot, so I don't think anyone could jump him easily.
Victim option 5: Rose
Alrighty now we’re getting to someone I can believe to be a victim for ch.3 even though I hate it because she is my top fifth favorite character. Rose is definitely not doing good with her mind failing her in her memory on other things except for observing objects or scenes in detail. To which now with Levi being shot and Ace dying from cardiac arrest, that makes the amount of people she witness dying or getting hurt 5(if she was looking at Ace’s execution). That number alone is probably destroying her and is worse as now if Levi survives, she won’t be able to stand looking at him as well like how its hard for her to look at Teruko due to just seeing her all bloody. This along with her possible narcolepsy leaves Rose very vulnerable to become a victim. Or worse, maybe she’ll actually let the culprit kill her to put her out of her misery. Rose already feels like her life is ruined with being in debt to Richard Spurling and not being able to create anything of her own. Add not being able to focus on things anymore with only seeing bodies, I can sadly see Rose taking the killer killing her as a mercy to end her suffering….if this happens I will cry hard and only hope she could at least make up with Nico before she dies(or alternatively have a scene like Hifumi to Aoi but with Rose to Nico).
Victim option 6: Arturo
Arturo to me if not the killer this chapter can either go as a victim or surviving until another chapter(I will say it would be interesting if he ended up as a survivor). I can see him possible becoming a victims more out of the other options of the guys specifically if Veronika is the killer. This is mostly due to her being around him the most besides J(well actually it's more of him being around J more). Perhaps if Arturo in a bad mental state if he fails to save Levi or is getting blamed for his sister’s death again, I can see Veronika perhaps taking advantage of this to bring him further in despair before then striking when he’s not suspecting it. Or alternatively trick him into a trap to maybe go to the movie theater room to think she just wants him to watch another horror movie, to then BAM! Here lies Arturo Giles. I kinda hope this doesn't happen cuz I am a big Venturo shipper(idk guys maybe he can fix her he cannot).
Victim option 7: Hu
Hu to me feels like she could fit more as a killer or the second victim than the first victim to be honest. I say this as Hu will most likely until being pushed away by most of the group’s conflict will remain close to others like Nico or Eden, which prevents the killer from immediately getting to her unless they plan to get Nico and Eden too. Now if Hu were to be the second victim and work maybe with the killer, I could see this happening in the hypothetical Veronika as the culprit scenario. We already know the two made a pact to keep each other's secrets a secret until the time to reveal them. So who’s to say that they wouldn’t make another pact to work together? There’s noting in the rules indicate that one cannot kill more than one victim nor that possibly two blackneneds can escape.
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I can see where Veronika strikes a deal with Hu to both of them committing a murder and then escaping together. Which leads to two possible scenarios of A. Veronika betrays Hu(or alternatively in Hu!culprit route she kills her and betray her) thus paralleling Celeset killing Hifumi after Hifumi killed Kiyotaka for her. Or B. Both Veronika and Hu kill two people and then the trial only one of them can be voted for. I doubt the latter option will happen, so I feel like the former the way to go. Plus we could still have Hu’s secret quote come into play of maybe her talking to Veronika about having regrets over killing someone and wanted to pay for it, but she still wants to live. Where Veronika takes this as her possibly backing out of their plan and thus, kills her before she spills.
Victim option 8: Veronika
Getting to our last option for a victim being Veronika! So I can see Veronika being a victim this chapter in three ways. Like stated before, if Veronika planned a murder with Hu as a partner and then was betrayed by her, then she would be the second victim. Another way I can see Veronika being the victim is if she actually planning for her own murder. What I mean is what if Veronika(whether its Hu or maybe even Arturo) wants to end up as a victim to create a complex murder mystery to both fullfill herself of an entertaining murder, to sucumb to despair from not being able to keep herself entertain, or in a mess up way, get the group back working together by figuring out whodunnit for her murder. As bonus, the killer gets a free chance to escape the game if the group fails. The last option as she would say is boring as Veronika ends up as a victim via suicide. This option is really only if Veronika fails to be able to entertain herself in the killing game and instead succumbs to despair. Personally, I believe Veronika would try to fight against this and plan a murder before doing that. She’s all for the excitement of thrills, chills, and kills! Why would she waste the opportunity to enact on a murder mystery to just plainly end it all?
Now that we covered all our potential killer and victim combos, which out of all of them do I feel most likely to happen next chapter?
For the killers, I am tied between Veronika and Hu, but leaning towards Veronika a bit more.
As for the victims, I feel like for the female victim it might be Rose. As for the male victim, it's tied between Arturo or Levi as both scenarios I can see.
It will be awhile before we can see if anything I brought up might lead to something or be disproven and end up as a fun what if scenario. But I like to while participating in the community share some fun thoughts and ideas of what could happen. We have all the time in the world to speculate, so let's give it everything we got!
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