#in the way im “supposed

[djenxuelmxue]

Watched But I'm a Cheerleeder this morning...

Theyre talking about attraction and. Idk. If I've felt that for girls or boys. I think think I but the way they describe it... like people actually want want have sex... want someone to kiss them... it grosses me out. /most of the time I don't care. Why fo people obsess over sex all.the.time. I wish they'd shut up about it ans stop shoving it in my face.

Haha

It's interesting to look at from the outside... I liked the movie. But. Do i feel attraction if I don't want someone to touch me like that... I don't daydream about people... maybe I just haven't found the right person idk. Never dated anyone really.

Maybe im just repressed. I don't care enough about sex to want to label myself in any way. Maybe I would want it eventually. I'm also tired of society pressuring me to have sex. Like if I don't I'm some kind of loser. Like what. Maybe that's rape culture. No one should ever feel pressured to have sex by anyone or anything.

No one should feel pressured to adopt any labels or be anything other than who they are.

[stemmmm]

the scene people keep screaming about from chapter 5 of theseus' guide

[catmask]

does anyone have like an anti aesthetic. like something you look at and can recognize as a complete fashion/interior design/artistic movement and understand it but it makes you shudder seeing it. i am not talking like “its morally bad” “its poorly structured” like just sheerly devoid of joy for you actually invites a repulse response.

[umblrspectrum]

part 4 of a lot funnier in my head than on paper

[hofstadt3r]

planning for world domination !! 🔥

[azfellschild]

he is half of my soul, as the poets say ♡

[bookalicent]

yeah so this was insane

[newttxt]

the best way to luffy’s stomach is through his heart (or something like that)

a four page one piece fancomic in which luffy and law talk about luffy’s stomach

page 1

panel 1: a top view of luffy and law sitting in grass. luffy is leaning back on his hands with his legs outstretched. law sits crosslegged between them. they are both looking down at the hole in luffy’s abdomen, where law has used his devil fruit power to remove his stomach. “whoa! cool!” says luffy, while law hums, “hmm… interesting.”

panel 2: a close-up of law’s hand holding luffy’s stomach in its cube-like container. “it looks surprisingly average,” law says, “for a bottomless pit.”

panel 3: “isn’t it weird?” luffy asks. he is sitting with his back to the viewer, but his smile is still visible as he leans into law’s space. law is still crosslegged, holding the stomach, and he looks vaguely uncomfortable as luffy keeps talking. luffy says, “that thing can make food stop looking like food and start looking like poop! huh. wonder how it does that…”

page 2

panel 1: law looks off to the side, sweating and kinda grouchy. knowing he’ll regret this, he mutters, “i… know how… at least for NORMAL humans.”

panel 2: the back of luffy’s head takes up most of the panel as he demands, “what?! i wanna know too!” law grits his teeth and shouts back, “you’re just gonna fall asleep!” and luffy yells, “nuh-uh!”

panel 3: luffy grins widely, throws his arms out to the side, and flops onto his back in the grass. he’s loudly yelling, “tell me! tell me, traffy!”

page 3

panel 1: law is visible from a low-angle, as if from luffy’s pov on the ground. he sighs, “fine. here’s how it works.”

panel 2: this panel looks similar to the previous, but its slightly darker, with gray bars at the top and bottom, narrowing visibility to show luffy’s eyes are closing. law continues, “the stomach has two main functions.”

panel 3: law is now barely visible through the gap. luffy is almost asleep. law says, “the first, as YOU know, is the storage of food.”

panel 4: the background is completely dark, and law’s words trail off, “the second is—“

page 4

panel 1: a large, top view of luffy lying on his back in the grass. his arms are thrown wide still and his eyes are open. he has just jolted awake, saying, “hmm?” off-screen, law complains, “i don’t know WHY i bothered.”

panel 2: law accuses, “you didn’t listen to a word i said.” luffy sits up, his lips pursed and eyes narrowed because he’s a terrible liar. he says, “sure i did,” dragging out the “sure.”

panel 3: luffy breaks into a grin and proudly declares, “it’s a mystery!” law cuts him off with a “NO,” his speech bubble literally dripping with disdain.

panel 4: the silhouette of luffy and law sitting side by side. law is whapping luffy on the head with a light fist. law says, “idiot…” before bonking him. luffy yells, “hey!” but he is laughing, and a small “heh” shows law is too.

[divineandmajesticinone]

4 MINUTES (2024) I 1.04

The first time.

[reds-skull]

Needed to see this man beaten and bruised, but in pink this time

(Also hey I actually have free time again)

[lucabyte]

Yeah, that about sums it up.

[mochasucculent]

Was looking at refs and since Viktor has two different leg braces I was wondering, do we think he wears them simultaneously?? The refs don't perfectly line up perspective-wise so it's hard to tell but parts of the one he wears during the Hexcore scenes look like they could maybe line up with the brace that he wears over his clothes, but also some parts really don't and look like they'd be super uncomfy. Also HOW does he take these on and off. Experts weigh in

[dkettchen]

she would've told them unlike her canon! version who decided not to be an ally smh

[shouyuus]

making hickeys. on vi’s abs. thats all.

send me vi thirsts and i'll give u my hand in marriage

kissing down her abs till she's gasping, and she'd make the prettiest noises, wouldn't she? little pitched whines and bitten-off keens at the back of her throat, her fingers spearing through your hair, her hands uncertain of what to do -- whether to press you closer or to pull you away; there's a gasp stuck in her throat, heat coiling in her stomach, a disparate, untamed hunger licking up the length of her spine, tingling down her arms as she does her damned-well best not to flip you both and pin you beneath her.

but a part of her wants this too, yearns for the softness with which you treat her, the back-arching sweetness that collects beneath your tongue as you press kiss after kiss along the defined lines of her abs.

at first, to tease her, to watch them flex and relax, the lines carving into her skin like footprints on a tide-strewn beach. but then, after a while, you'd fallen into the well of her hitching breaths, the darling little moans she tries to tuck into the sides of her cheeks, no matter how often you tell her that you love her noises.

"p-princess -- please --"

her voice is ragged, though you've not moved an inch below her belly button, she already sounds debauched.

"but i'm not doing anything," you tease, grinning as you pillow your cheek against her now hickey-marked abs. she puffs out a breath, carding her fingers through your hair to stroke at your neck.

"if people knew how mean you really were --"

you lean down to nip at the line just above the waistband of her pants, making her hips jump up, her head tipping back as she gasps.

"i'm not mean." though you can't help the smirk that twists your lips as you catch her looking back down at you with those dark, blown-out pupils, her lashes fluttering, gaze half-lidded with want.

"such a pretty little liar," she says, with no malice at all, rubbing a thumb along your cheek. you crinkle your nose at her words, sighing as you finally relent and sit back up, letting her pull you across the length of her body for a long, heart-settling kiss.

"its your fault, you know," you murmur, after she lets you pull away, her hand still at the back of your neck, holding you close. she chuckles, her voice low.

"my fault?"

"yeah. for having such kiss-able abs."

she laughs then, the sound bright as windchimes, and just as sweet.

"right, right," she says, tucking you more comfortably into her side, "it's all my fault, and you're just a sad slave of consequence to my extremely kiss-able abs, right?"

you grin, nuzzling deeper into her embrace, "right. as long as you know it."

vi laughs again, dropping a kiss into the seam of your hair.

"yeah. trust me, pretty girl. i do."

[xiaeom]

two people who were discarded by their childhood friends

[persona-brainrot-real]

Sae Niijima is such a good character it drives me insane a little. She's not a mother nor a maternal or doting older sister but instead a twenty four year old who was thrown into a position of responsibility that she never asked for. She loves Makoto just as much as she resents her and its so apparent every time they talk up until November. "Are you studying?" (I want you to do well) (I need you to get a job and stop making my life harder) "I'll use any method necessary to get this promotion" (Life will be easier for us) (So stop distracting me with your problems) "Focus on your future" (I know that you're capable) (I can't afford to waste my time on you, so stop wasting time on others)

Makoto is not only the sole reason she pushes as hard as she does for a promotion, for success, and the reason that she loses herself in her animosity over her fathers death, but also someone she can't stand for so long. Makoto was 14-15 when their father died. Sae was 21. As soon as she got the career she wanted and things started to look up, her stability was robbed from her and she was disillusioned with the system that her father had taught her to rely on and completely adhere to. How do you manage, the daughter of a cop, following his footsteps towards law enforcement, when you're suddenly reminded of how unfair it is? You can't quit, your little sister relies on you and she's so young and struggling just as badly with this grief. So you pick yourself up and you get moving again. You push harder, press further. You abandon your morals and your ethics because punishing criminals (guilty or not) is almost like punishing the man who killed your father.

And the whole time she's fighting for promotions, going for drinks with the SIU Director to make herself more favourable for promotions, trying to navigate being a woman in a competitive, suffocating, male-dominated field, falling behind despite doing so much where others are promoted for doing so little - all the while your little sister comes back from school and her biggest issues are so small compared to yours.

Persona 5 revolves so heavily around grief and loss and change and Sae embodies all of that so well, all of the sharp and unpleasant and jagged parts of grief.