#in the industry i mean
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i'm feeling so depressed and out of options/motivation/will to do anything that I can't even enjoy the "love you to the core"!!! i hate this shit
#very possibly losing my career because the strikes seem to have changed it forever#the future ia very fucking bleak and I feel like my unemployment benefits will run out before i even have a chance to get a job again#in the industry i mean#and now this medical diagnosis that is my fault and my fault only#30 and no savings nothing in my name#i feel i'm just a waste of space tbh#shut up alie
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Taylors wift is just elon musk for horse girls and gays who are afraid of faggots
#punkblogging#if any of y'all call me a fucking misogynist for this#I literally almost exclusively listen to women fronted bands it's not because she's a woman#I even listen to pop sometimes!!! (I mean not radio pop but still)#she is just fucking lame as a human being and she's an awful songwriter and an industry plant in the exact same ways as musk#I could say this about most men in the music industry as well but no one is out here fucking worshipping... idek I literally#do not know enough men fronted bands to put together an example
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How did Treasure Planet manage to come up with the greatest aesthetic in all human history? Victorian elegance plus space-age flair, with just enough dirt and grime and wear and tear to make it feel real? A combination of traditional and computer animation that perfectly embodies the movie's blend of old and futuristic? How does it get any better than that?
#treasure planet#turned it on on a whim#because sylvia's lovers put me in the mood for sailing ship vibes#and it turns out it fits in really well with the north and south space opera i've been thinking about again#it's really hard for me not to give thornton a giant beautiful space sailing ship#(no you can't do it! the point is that they're industrial and purely functional!)#also i've got another post brewing about how treasure planet is an excellent boy's adventure coming-of-age story#and we need more of those because i feel like the genre doesn't exist in the same way these days#but i'm not sure i could say what i mean without getting folks up in arms#so i'm keeping it to the tags
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In the past, people in the Animal Crossing community would make fun of Tom Nook as a sleazy landlord. Since then, he's really rehabilitated his image as this 'heart of gold' businessman (he's the one who puts bells and furniture in trees for you to find! he adopted orphans! he donates to charity!), but New Horizons genuinely paints the most devious version of him.
He's successfully privatized settler colonialism: you pay HIM to move to a "deserted island" (which apparently the oceans in the AC world are just full of) and start a colony that he is directly invested in. At best he's running a weird vacation package scam (you arrive on the island with no money and in debt for "using his services"). At worst, he's using you to set up company towns. For god's sake, he literally has his own fake currency that he forces you to use to pay off your debt. But don't worry, he's repackaged it in a way that definitely doesn't sound like an MLM scam: the Nook Mileage Program!
You're no longer just his tenant or his temporary part-timer, you're his business lackey. The entire tutorial section of the game has you spending actual weeks running around completing tasks and doing hard labor to set up his colony. You're even tasked with preparing his properties and finding buyers for them. No, you aren't a tenant anymore. You work for the landlord. You are directly responsible for finding tenants for him. And he doesn't even fucking pay you. Not for setting up town hall and museum, or his nephew's shop –– which is the ONLY store on the entire island that sells necessities –– or bringing KK Slider to town, or helping populate his town. Not a single cent. No, actually, you have to pay HIM to BUY infrastructure like bridges and stairs and park benches. And all the while, he's telling you're the "resident representative"; you get to call the shots! That the reward is the community's progress. That what you're doing is in everyone's best interest (but most importantly, his).
Since NH's release, people have done a lot of legwork to say that Tom Nook isn't a capitalist while the game shows him at his very worst. He owns the only general store in town. You're forced to use a phone that he modified and branded as his own. Buy Nook-branded furniture and merchandise at the self-serve kiosk in the town hall, a governmental building! There's no conflict of interest here!
But hey, if you're tired of being the landlord/business mogul's goon, you can also find work as a deluxe resort home designer for a company that also pays you in their special company currency that can only be used to buy their products instead of a real salary! Because that's what the Animal Crossing franchise needs! More vacation homes!!!
#this is a really long winded way to say i really really really really hate new horizon's storyline and player role#i really hate that not only your house but the entire TOWN. the whole COMMUNITY you're a part of is owed to tom nook's business#i really hate the “vacation getaway package” angle because it shows just how commercialized the entire premise of nh is#and how lost the game is in its original core concept#animal crossing is about the experience of moving to a new town and becoming a part of that community#just to compare: all past ac games have a similar opening#you're on a bus or train or taxi to someplace new. a stranger strikes up a conversation and you get to know them before arriving#new horizons opens with you at customer service desk filling out an client application before a flight.#in prev games working for nook in the tutorial is meant to be demeaning. you want it to be over with so you can actually start living life#but in new horizons working for tom nook IS your life. and it's so rewarding! don't you feel rewarded?#you aren't a person. you aren't a new neighbor. you're tom nook's client. and then his unpaid employee. and the game insists it's fun to be#that's how void the game is#because it's bad enough that a rpg life sim got turned into a sandbox game where you have to build the town yourself#but the only reason why you're building it is because the landlord who you're in debt to TOLD you to build it.#everything is a rewards program! everything is a tour service! be sure to do your daily tasks to earn nook bucks to spend on nook merch!#that really sucks imo.#i mean. the entire game is based around the vacationing industry. of course it all feels fake and temporary. it's only a vacation.#long post#rant#not art#god the fact that your starter villagers can't even decide where to live you have to decide for them#i've never played a game that does the opposite of handholding#where instead it's the PLAYER who has to handhold the npcs through everything. and newsflash!! it's really exhausting and boring
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one 100 word email written with ai costs roughly one bottle of water to produce. the discussion of whether or not using ai for work is lazy becomes a non issue when you understand there is no ethical way to use it regardless of your intentions or your personal capabilities for the task at hand
with all due respect, this isnt true. *training* generative ai takes a ton of power, but actually using it takes about as much energy as a google search (with image generation being slightly more expensive). we can talk about resource costs when averaged over the amount of work that any model does, but its unhelpful to put a smokescreen over that fact. when you approach it like an issue of scale (i.e. "training ai is bad for the environment, we should think better about where we deploy it/boycott it/otherwise organize abt this) it has power as a movement. but otherwise it becomes a personal choice, moralizing "you personally are harming the environment by using chatgpt" which is not really effective messaging. and that in turn drives the sort of "you are stupid/evil for using ai" rhetoric that i hate. my point is not whether or not using ai is immoral (i mean, i dont think it is, but beyond that). its that the most common arguments against it from ostensible progressives end up just being reactionary
i like this quote a little more- its perfectly fine to have reservations about the current state of gen ai, but its not just going to go away.
#i also generally agree with the genie in the bottle metaphor. like ai is here#ai HAS been here but now it is a llm gen ai and more accessible to the average user#we should respond to that rather than trying to. what. stop development of generative ai? forever?#im also not sure that the ai industry is particularly worse for the environment than other resource intense industries#like the paper industry makes up about 2% of the industrial sectors power consumption#which is about 40% of global totals (making it about 1% of world total energy consumption)#current ai energy consumption estimates itll be at .5% of total energy consumption by 2027#every data center in the world meaning also everything that the internet runs on accounts for about 2% of total energy consumption#again you can say ai is a unnecessary use of resources but you cannot say it is uniquely more destructive
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no ai generated content will ever compare to the absolutely cartoonishly evil plot to cut down trees to prevent workers from striking to get livable wage.
#tree law#sag strike#wga strike#also also it can be hard to admit but the US does set some industry standards so although im on the other side of the world its concerning!!#if bigwigs at US companies are screwing out their own workers what would this mean for those producing content in other countries?#what about our own local production companies that model american production houses?#oh we cant pay you a living wage cause thats industry standard. dont believe me? here is what a writer at X USA company at X TV show earns#also if you “cant afford” to pay your creatives a living wage then maybe you shouldnt be in charge#so yeah#i think this whole strike thing will affect more than just the US#just fucking pay your creatives
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something I don’t see people bring up a lot when talking about worldbuilding, especially when you’re creating cities, is wind. prevailing winds in many places in the northern hemisphere blow from west -> east, and because industrial production tended to take place in the centre of cities, workers would live downwind of factories while the wealthier classes would live on the other side, away from air pollutants, which is why a lot of cities have a poor east-end and a rich west-end, a spatial configuration that persists in many places that are now post-industrial
and in general the built environment has a durability to it that persists far past the historical moments that produce those configurations. this means that the stated aims of a city via a vis city planning are frequently at odds with the physical layout of the city itself. so if you want to create a city that feels like it has a long history to it, working through its earlier stages of production can help with decisions you make about its layout, and also allow for weird spatial contradictions in a city that has to constantly fight against its own physical history
#geography#note hell#this works for non industrial cities also you just need to modify it#like a lack of industrial standardisation probably also means roads are not standardised#etc#I don’t know very much about city layouts in pre-industrial history#so on my part it would be more speculative
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more like industrial revolutionary girl
#get it#because she turns into a car#i mean it was the second industrial revolution but- STOP THROWING TOMATOES#a comically large hook is pulling me off the stage#dazndoodraws#utenanthy#utena#anthy#revolutionary girl utena#rgu#utena tenjou#anthy himemiya
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Thinking about how in date he makes himself look like Mark and so the implication is that he can just make himself look human when he needs to
#atlas.art#artists on tumblr#markiplier egos#darkiplier#not tagging this a bunch cause it's kind of silly#it felt so cursed to make him not monochrome lmao#i mean look if he's running Markiplier TV with Wilford he probably has to like interact with normal ass film/tv industry people sometimes s#another little practice drawing that totally definitely has no nefarious purposes :]#do not worry about the reason why exactly i needed to work out this headcanon right at this moment :]
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JUST GUYS BEIN' DOODS
redraw of the meme under the cut
original by @knightmarebug
#knight rider#kr#michael knight#kitt#knight industries two thousand#bonnie barstow#mk2000#art#shitpost#doodles#having gasoline in a glass one foot away from a flame is a really good idea michael. your brain damage is showing#those bars were just so if i posted it to insta it wouldnt crop but then i thought it looked hilariously cinematic and left them for here#im very charmed by all kitt's alternate scanner patterns. i wish they were used a little more in the show but iirc the one car they rigged#to do that broke in like season 2 or 3 and they couldn't fix it. so they had to go without u _ u#but big emotions means big lights. to me. so he's happy about the date :) the whole bar lights up#he did that Once when he was scared for his life and i did not stop thinking about it. big feels is big lights#anyway i dont know what michael expected to happen; he's in the foundation's public garage. idiot dumbass#bonnie should get chessboard earrings she deserves them#''i hate drawing cars'' - keeps entering car fandoms. keeps drawing cars.
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Publishing has always been a fucking nightmare, but now it’s a layer of hell. It’s not enough that writers be good at what they do. Writers have to maintain an active social media presence and cultivate a following. Be available.
They have to be conventionally attractive enough to look good enough to see on a screen, aesthetically pleasing, kind, funny, up-to-date on trends, socially aware but not so controversial that they turn off a brand from California from slapping their discount code on a video promoting a book.
They have to do all of this with no media training, with little help from the companies that are supposed to be doing this for them.
Of course, a lot of this isn't possible for say, the 40-something mother of two who teaches English at a school and writes on the side. She’s boxed out of an already complex industry that already has enough walls.
On some level, I think authors have always marketed themselves a little, but we’ve reached such a crazy point where we’re demanding the author become the influencer. Accessibility in publishing has narrowed from an inch to a sliver. And that inch was hard enough to get in as is.
#This is about traditional publishing but there’s pretty privilege and ageism in self publishing too#I can’t think of the last time I saw an up and coming author recording videos who was over thirty#And frankly that’s a shame#It could be that I’m not looking hard enough#but it’s more likely that algorithms are trained the way they are#truly I don’t think they should have to do any of that at all#And forgive me but (and I know it’s rich because I’m an artist on a platform) but art shouldn’t be at the mercy of an algorithm#Now there’s also something to be said about self publishing becoming easier and easier to achieve success in#And doors opening because of influencer status is real and makes publishing wider in a way#But that doesn’t mean it’s accessible#I’m not gonna plaster my health issues over the wall but that life is certainly not accessible to me!#are you healthy enough to write and make sure people on social media still want to like your stuff#are you mentally well enough to be your own pr#I’m sure people who have studied this have more to say and have said it better but this is what I’ve observed#writing#publishing#publishing industry
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okay since I've gained a some dbz followers
can someone please tell me what the fuck is going on in these games
#WHY is he carrying an entire industrial bread factory#My bloodborne frenzy meter increases when I look at these images#Everyone is so mean 2 me lookin ass
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I'm not explaining why re-imagining characters as POC is not the same as white-washing, here of all places should fucking understand.
#personal#delete later#no patrick. “black washing” is not as harmful as white washing.#come on guys get it together#seeing people in my reblogs talk about “reverse racism” and double standards is genuinely hypocrisy#say it with me: white washing is intrinsically tied to a historical and systematic erasure of poc figures literature and history.#it is an inherently destructive act that deplatforms underrepresented faces and voices#in favor of a light-skinned aesthetic hegemony#redesigning characters as poc is an act of dismantling symbols of whiteness in fiction in favor of diversification and reclamation#(note that i am talking about individual acts by individual artists as was the topic of this discourse. not on an industry-scale)#redesigning characters as poc is not tied to hundreds of years of systemic racism and abuse and power dynamics. that is a fact.#you are not replacing an underrepresented person with an oft-represented person. it is the opposite#if you feel threatened or upset or uncomfortable about this then sorry but you are not aware of how much more worse it is for poc#if representation is unequal then these acts cannot be equivalent. you can't point to an imbalanced scale and say they weigh the same#if you recognize that bipoc people are minorities then you should recognize that these two things are not the same#while i agree that “black washing” can lead to color-blind casting and writing the behavior here is on an individual level#a black artist drawing their favorite anime character as black because they feel a shared solidarity is not a threat to you#i mean. most anime characters are east asian and i as an east asian person certainly don't feel threatened or erased. neither should you.#there's much to be said about the politics of blackwashing (i don't even know if that's the right word for it)#but point standing. whitewashing is an inherently more destructive act. both through its history of maintaining power dynamics#and the simple fact that it's taking away from groups of people who have less to begin with#if you feel upset or uncomfortable about a fictional white character being redesigned as poc by an artist on twitter#i sincerely hope you're able to explore these feelings and find avenues to empathizing with poc who have had their figures#(both real and fictional) erased; buried; and replaced by white figures for hundreds of years#i sincerely hope you can understand the difference in motivations and connotations behind whitewashing and blackwashing#classic bixels “i'm not talking about this chat. i'm not” (puts my media studies major to use in the tags and talks the fuck outta it)
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Leafed through what I think is one of the best Spanish translations of North and South, 30 dead, 79 injured.
#we rag so much about the status of the editorial industry and whatnot#but certain standards like “updating” a text to make it “more readable” for a contemporary audience#are a severe mistake#Your Victorian writer should sound Victorian!#Spanish authors in the 19th century were using ran on sentences and a wider vocabulary too!#btw forever tickled by the back cover of Alba's edition of Mr Harrison's Confessions#(the only Gaskell book at the uni library for unfathomable reasons)#quoting Dickens' Scheherezade comment to Gaskell#because it immediately reminds me of “if I was Mr. G I'd beat her”#That would make a great back cover quote too :P#In a less jokey note I think back covers of Cranford should include Rushkin's comments#both the “I don't know why you stopped going on would have allowed you to kill more characters”#and the “I threw the book across the room when Captain Brown died and my mom had to insist several times that I read on”#North and South should have as back cover quote Dickens saying he wished Gaskell's characters stood more firm upon their feet#(meaning that they died less and less often)
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one of the things that i think we should pay attention to, socially, about the disney v. desantis thing is that it is really highlighting the importance of remembering nuance.
in a purely neutral sense, if you engage in something problematic, that does not mean you are necessarily agreeing with what makes it problematic. and i am worried that we have become... so afraid of any form of nuance.
disney isn't my friend, they're a corporate monopoly that bastardized copyright laws for their own benefit, ruin the environment, and abuse their workers (... and many other things). this isn't a hypothetical for me - i grew up in florida. i also worked for the actual Walt Disney World; like, in the parks. i am keenly aware of the ways they hurt people, because they hurt me. i fully believe that part of the reason florida is so conservative is because it's been an "open secret" for years now that disney lobbies the government to keep minimum wage down, and i know they worked hard to keep the parks unmasked and open during the worst parts of Covid. they purposefully keep their employees in poverty. they are in part responsible for the way the floridian government works.
desantis is still, by a margin that is frankly daunting, way worse. the alternative here isn't just "republicans win", it's actual fascism.
in a case like this, where the alternative is to allow actual fascism into united states legislation - where, if desantis wins, there are huge and legal ramifications - it's tempting to minimize the harm disney is also doing, because... well, it's not fascism. but disney isn't the good guy, either, which means republicans are having a field day asking activists oh, so you think their treatment of their employees is okay?
we have been trained there is a right answer. you're right! you're in the good group, and you're winning at having an opinion.
except i have the Internet Prophecy that in 2-3 months, even left-wing people will be ripping apart activists for having "taken disney's side". aren't i an anti-capitalist? aren't i pro-union? aren't i one of the good ones? removed from context and nuance (that in this particular situation i am forced to side with disney, until an other option reveals itself), my act of being like "i hope they have goofy rip his throat out onstage, shaking his lifeless body like a dog toy" - how quickly does that seem like i actually do support disney?
and what about you! at home, reading this. are you experiencing the Thought Crime of... actually liking some of the things disney has made? your memories of days at the parks, or of good movies, or of your favorite show growing up. maybe you are also evil, if you ever enjoyed anything, ever, at all.
to some degree, the binary idealization/vilification of individual motive and meaning already exists in the desantis case. i have seen people saying not to go to the disney pride events because they're cash grabs (they are). i've seen people saying you have to go because they're a way to protest. there isn't a lot of internet understanding of nuance. instead it's just "good show of support" or "evil bootlicking."
this binary understanding is how you can become radicalized. when we fear nuance and disorder, we're allowing ourselves the safety of assuming that the world must exist in binary - good or bad, problematic or "not" problematic. and unfortunately, bigots want you to see the world in this binary ideal. they want you to get mad at me because "disney is taking a risk for our community but you won't sing their praises" and they want me to get mad at you for not respecting the legit personal trauma that disney forced me through.
in a grander scheme outside of disney: what happens is a horrific splintering within activist groups. we bicker with each other about minimal-harm minimal-impact ideologies, like which depiction of bisexuality is the most-true. we gratuitously analyze the personal lives of activists for any sign they might be "problematic". we get spooked because someone was in a dog collar at pride. we wring our hands about setting an empty shopping mall on fire. we tell each other what words we may identify ourselves by. we get fuckin steven universe disk horse when in reality it is a waste of our collective time.
the bigots want you to spend all your time focusing on how pristine and pretty you and your interests are. they want us at each other's throats instead of hand in hand. they want to say see? nothing is ever fucking good enough for these people.
and they want their followers to think in binary as well - a binary that's much easier to follow. see, in our spaces, we attack each other over "proper" behavior. but in bigoted groups? they attack outwards. they have someone they hate, and it is us. they hate you, specifically, and you are why they have problems - not the other people in their group. and that's a part of how they fucking keep winning.
some of the things that are beloved to you have a backbone in something terrible. the music industry is a wasteland. the publishing industry is a bastion of white supremacy. video games run off of unpaid labor and abuse.
the point of activism was always to bring to light that abuse and try to stop it from happening, not to condemn those who engage in the content that comes from those industries. "there is no ethical consumption under late capitalism" also applies to media. your childhood (and maybe current!) love of the little mermaid isn't something you should now flinch from, worried you'll be a "disney adult". wanting the music industry to change for the better does not require that you reject all popular music until that change occurs. you can acknowledge the harm something might cause - and celebrate the love that it has brought into your life.
we must detach an acknowledgment of nuance from a sense of shame and disgust. we must. punishing individual people for their harmless passions is not doing good work. encouraging more thoughtful, empathetic consumption does not mean people should feel ashamed of their basic human capacities and desires. it should never have even been about the individual when the corporation is so obviously the actual evil. this sense that we must live in shame and dread of our personal nuances - it just makes people bitter and hopeless. do you have any idea how scared i am to post this? to just acknowledge the idea of nuance? that i might like something nuanced, and engage in it joyfully? and, at the same time, that i'm brutally aware of the harm that they're doing?
"so what do i do?" ... well, often there isn't a right answer. i mean in this case, i hope mickey chops off ron's head and then does a little giggle. but truth be told, often our opinions on nuanced subjects will differ. you might be able to engage in things that i can't because the nuance doesn't sit right with me. i might think taylor swift is a great performer and a lot of fun, and you might be like "raquel, the jet fuel emissions". we are both correct; neither of us have any actual sway in this. and i think it's important to remember that - the actual scope of individual responsibility. like, i also love going to the parks. Thunder Mountain is so fun. you (just a person) are not responsible for the harm that Disney (the billion dollar corporation) caused me. i don't know. i think it's possible to both enjoy your memories and interrogate the current state of their employment policies.
there is no right way to interrogate or engage with nuance - i just hope you embrace it readily.
#does this make sense#to do be deleted probably yikes#(takes a swing at a wasp's nest)#like i think ppl have started to just be really quiet when they like something 'problematic'#and im like... u can be like -#girl tswift NEEDS to just TAKE A BUS . LIKE?????????????????????#while also being like.#''she's a lot of fun''#if ur personal policy is that u don't support her for that reason that's great#but it's like. eating meat???#like yeah some people won't bc the environment. but the fact i eat meat doesn't mean i hate the earth#like i can say that i think the meat industry is HORRIFIC and also downright cruel to its employees#but like. still enjoy a chicken nugget....#there are people who choose otherwise. it's okay . we are people. i make like no money. u probably don't either#us fighting about whether or not it's Right To Eat The Chicken Tender just distracts from like.#actually turning your ire on the corporation#i hope it's clear what i'm saying here is like. when we fight each other for Purity Reasons#we are just doing the work of corporations . for free. like they WANT us to be doing this lol#it's the fucking DREAM of the upperclass that now ALL forms of responsibility fall on the individual
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