#in my version of events it would be pretty traumatizing for someone who died as painfully as danny did to kill someone
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cursedzucchini · 1 year ago
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Ok but imagine.
tucker gets adopted by oracle, sam by poison ivy, and Danny is simply chilling. This comes to a head when the batfam + their newest member have a big fight with poison ivy and her newest prodigy.
It's really bloody, and at some point it became all out brawl, especially the fight between the protege and tucker controlled robots, when Danny suddenly runs into the middle of this, knocks the robot out, holds Sam by her neck like a kitten, and simply goes "guys! I've just met this really cool guy, who's willing to help us with the literally project!!!"
Sam stops struggling, another tucker controlled drone comes flying both going like "really? Oh shit lead the way!" Before the trio disappears (like quickly run away. No illegal power using here, no sir)
As it turns out, this whole thing was because the trio had to do a presentation on some really long book for literature, but as none of them wanted to do it, they decided to bet on how will Gotham be after they leave it. Sam bet on poison ivy taking over at least ones, tucker on bats keeping everything in control the whole time and Danny kept his bet a secret (he wrote it down and left with jazz though).
They never said they can't interfere and while all of them know it, only tucker and Sam decided to all out join their favorites. Danny on the other hand decided to concentrate on doing normal guy stuff. Like going around sights, trying to watch the stars, accidentally killing the joker, tasting some Gotham only deserts, living through several PTSD induced break downs, tasting something from batburger, asking a random stranger for their number, realizing the stranger is actually a rogue known as red hood, sleeping 8 hours per night, discover said crime lord is very good at literature and stopping the almost all out war that your two friends started!
Overall he throught this was really good trip all around :)
Transfers
Jim Gordon decided to offer his home to the students transferring from Casper High to Gotham Prep for a few months. Barbara wasn't too happy about it but Jim preferred that to having those kids end up in a dangerous place or worse, with Bruce Wayne (he meant well but frankly Jim would rather not risk another young vigilante). Besides, one of the transfers practically demanded a restraining order against the millionaires, the poor kid.
Honestly Jim didn't understand why the transfer program existed. Casper didn't know how dangerous Gotham was? Or didn't they care?, all he hoped was that he could keep them safe and that they wouldn't come back to their home too traumatized.
Of course, he had no way of knowing that the Casper's trio was more than ready for Gotham, with weapons disguised in their suitcases and a ghost hero about to enjoy an extended vacation after negotiating a deal with the ghosts.
Gotham wouldn't know who hit it.
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h-didanart · 7 months ago
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Question: How many AU Bloodmoons do you have?
BOY AINT THAT A GOOD QUESTION
*slams three notebooks, an iPad, and the phone on the table*
LET US FIND OUT!
Bloodmoons that I have written or drawn about in public platforms where their existences can be confirmed:
Five pairs and a single, these are:
Everyone is alive, for some reason- My takes on Bloodmoon I and Bloodmoon II that appear on a one shot I wrote and a concept I shared here; Dagger and Rifle (placeholder name, I don’t know what else to call him :(), Rabies and Bleed
The Moon and Sun show- The ones from my swap au, which I am still counting because Fang has exactly one line which was meant as foreshadowing tho I don’t know if it worked cuz no one mentioned it; Scythe and Fang
The Bloodmoon One- The ones from… that au (which for some reason I made an alternate timeline for where they’re humans); Bloody and Harvest
Get in losers- The ones from my more silly au where everyone joins the family; Hunter and Harvest
The bffs- The one that got separated and became Jack’s friend, or has Jack as his emotional support bot, and the root world of the Virus!Jack event; Original
Those are the guys you guys can figure out I made rather easily.
Now, having looked through my notebooks and writing spaces, and counting the six Bloodmoons we already have:
Sixteen pairs, two singles, one trio, and one quartet
That’s eleven pairs, one single, one trio, and one quartet more than what you guys know.
Let’s get into their lore, shall we?:
The tree at face value- I was experimenting with family set ups for the Celestials and decided to take things literally, Bloodmoon here would be the child of Eclipse. They were never named.
Creator sucks, deluxe edition- okay, okay, this one is weird, and I’ll admit I wasn’t really thinking it through when I made the concept, ergo it will probably come off as insensitive and weird, which is understandable because I was not thinking through what I was thinking. So, human au, Sun and Moon and Lunar have DID, both Bloodmoons are Lunar’s alters. That’s it. This is one of the two aus in which the twins are younger than 20. Lunar, Hunter, and Harvest.
The RaTc (pronounced ‘rats’)- short for ‘Redhead and traumatized club’, basically a place where I drop all my favorites//ocs that have so many things in common that I can refer to them as being ‘the same guy’. Bloodmoon II was the latest addition. Original and Adaptation
Uno-less afterlife- my take on the ghost versions of the dead SAMS characters, I’m planning to write a one shot for this one when Sun dies (or if, I guess). There’s the first Bloodmoon who’s half melted and kinda disintegrating, and the newer addition of a mutilated Adaptation II. Original and Adaptation, Copy Adaptation
This is what you wanted- that concept I shared sometime last month (?), Bloodmoon wanting to get reprogrammed and getting Eclipse to help them, and then getting amnesia. Ruby and Scarlet
DND mini phase- a simple doodle of Bloodmoon as a vampiric rogue, thing which I don’t even know if it’s possible. They weren’t named
Death game- … I may have watched a Danganronpa let’s play. Look, the concept is neat, and the character designs are cool as hell! That said, I did plan a whole au revolving around the SAMS characters being put in a death game, I’m pretty sure I planned to have the twins kill someone and get away with it because of a loop hole. Bloody and Harvest
Fantasy au- not restricted but definitely inspired by DnD, a magical world where there’s all sorts of creatures and places. The Bloodmoons were vampires that Eclipse got to work for him, and then got out of control. Ruin revived them as a demon on account of being a necromancer. Neither the first or second versions were named
Pure and utter regret- I… I might’ve… I might’ve shipped the twins and Jack at some point— It was a crackship and I don’t even ship them anymore, I‘ve adopted the ‘Bloodmoon is aroace’ headcanon, and y’know, canon is being canon for Jack. They’re really just friends now. Yet, I still have about three digital pages worth of them being all kissy and shit. I feel like shit. Fuck, I even had a name for them. I hate myself. They go by every single name ever given to a Bloodmoon (because this was purely a fun crack ship)
April fools actor au- exactly as it says, Sun and Moon started thinking of ways to bring engagement up for the channel, and then Eclipse popped up, and so they all ran the channel together, bouncing ideas off of one another, and so began the lore episodes. Bloodmoon is a bot that was made by Eclipse from some scraps of code he did originally intend to use to mess with the Celestial twins, now repurposed into a theatre kid. They probably have names but they’re only referred to as Original and Adaptation
I got infected by Magic Girlitis- I was watching a bunch of videos about Madoka Magica, and then I watched the ‘Will you press the button’ video, so now I have magical girl designs for Moon, Sun, and Lunar. I never got to them, but the blood twins would’ve had a really cool introduction and would’ve been a genuinely scary antagonist to our heroes. They weren’t named
Fragment of the ocean- I asked a friend of mine what I should draw for Mermay, they said mermaids and oceanic creatures, I accidentally created an au. Bloodmoon is an apparent human (has never been seen as a mermaid), who after being controlled and used by several people was adopted into the Foxy family. They also have DID, because human. This is the second au where the twins are younger than 20. Bloody, Scythe, Hunter, and Rabies
AAaaaand that’s a wrap! Those are all the Bloodmoons I have come up with!
I think
I hope
🎶I pray that he— uh wrong character
I may have issues
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deusvervewrites · 1 year ago
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I was taking a look about how nobody noticed the Shimura house collapsing and how Tenko was able to get away, until I remembered the fact that I had a car accident literally occurred outside my house while I was taking a shower. My parents heard it loud and clear and thought I somehow broke the shower glass door but I didn't hear anything so here is my theory after checking with the anime version of the scene, since that one has a timestamp. This works independently of whether Tenko is a Quirkless who was given Decay or if Decay was a late blooming natural Quirk.
The entire house collapse took about minute and wasn't that loud. If taking a shower, which are often done in an enclosed space is capable of reducing noise, the neighbors probably wouldn't have heard it. There's also the fact that they could've been watching something loud on TV, like an action pack movie that has a lot of explosions or could've been hearing headphones.
This is Japan. The Shimura household and neighborhood could've been in an earthquake zone, which means that if the neighbors were to feel something like an earthquake, they would prioritized themselves and their families first, not go where the earthquake originated and get themselves hurt. It could also have been a villain attack nearby and with it being night, it would not be safe to go outside.
The neighbors could literally not be home at that time and let the lights on, which some have done.
The situation occurred at nighttime, where visibility is low, the activities are low and people aren't as likely to go outside for any reason. If they didn't noticed the accident, it could reasonably to assume that the light being out could mean that the Shimuras aren't there or they decided to to to sleep. Outside of certain people, who would look at their neighbor's house when the blinds could be down, thus letting out the indoor lights but people from seeing in or out?
Given that this a house in a suburban Japan, whether this occurs in the city or rural area, checking online, the average police response time in Japan is ~10 minutes, but this requires somebody to call the police, which someone obviously did in the morning. The Japanese police and heroes aren't going to be actively patrolling in a safe area that often.
Tenko is a 5 year old child who just killed his entire family, destroyed his house and gained traumatic memories from the event; the key part, he is a 5 years old child. Given his age, children that young, when they know that they did something wrong, is to either freeze up, deny/blame the situation, or leave the area. Children that age or younger and are capable of walking can easily go away from one's sight without anyone paying attention.
Tenko is the sole survivor. No one in the Shimura family other than Tenko survived, which means that there is nobody to report that he could still be around. It is reasonable to assume, judging by the state of the Shimura house and the sheer amount of dust to assume that the entire family died due to a villain attack.
Tenko post Quirk awakening does not look like Tenko Shimura pre-Quirk awakening. The stress of awakening Decay resulting in his hair turning white and making his skin a lot more drier and itchy, thus people aren't going to recognize such a kid. Unfortunately, Tenko looks like a homeless person so nobody is going to help such a kid in a dire situation and goes by the Bystander Effect of letting someone else do the job. Tenko could just been an orphan kid down on his luck, and Japan doesn't really treat orphans well.
Honestly it's pretty easy for Tenko to have simply slipped through the cracks
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tsukuyomii45 · 1 year ago
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Obito ask! Modern AU. We know what happened in canon. What kind of life would Modern Obito have? Would he have any family left? Who raised him? What about his job? I'm really interested. I have this image of him, and I'm curious if yours is similar!
I try my very best to not let things deviate from the canon characterization and certain events regardless of the AU, even if there are a LOT of differences in terms of what the character goes through. The nice thing about Modern AUs is that it's a very flexible type of alternate universe, everything in a way can make sense as long as nothing breaks that character and makes them OOC. xD
So my version of Obito is a bit complex, but it's like this:
Obito is orphaned - parents died when he was young; and ended up getting raised by Madara. He's this cute, sweet, warm, bubbly and excited boy that we all know but tries his very best to work hard in school and impress others and had to endure a lot of criticism from Madara who wants him to realize his potential. Obito has always been the type to pave his own path and wants to achieve his own ambitions, so his relationship with Madara was sometimes tense and rocky because of how much they quarreled as Obito grew up and became rebellious.
Or maybe he'd grow up with his grandmother and she'd raise him and he ends up taking care of her as she gets older. Filial piety is a prominent and traditional norm in Eastern culture, and I tend to incorporate the Japanese culture into this AU because I think it's beautiful and respectful.
i'd say he had a pretty humble life, he's very selfless and determined until the day where he gets into an accident which leads to him having facial scars, and because that was a traumatic event in his life, his personality shifts into someone more reserved and stern and somewhat of a sexy cunt. Sometimes I envision him as someone who smokes when he's stressed, or someone who copes by going to the gym (mostly going for the latter). He's the type that hits the classy, quiet bars; before the accident he was sort of a party guy but that's out the window later.
The type of job he'd have would either be something corporate in which he owns his own company, or he'd be a cop? I have trouble deciding because it just depends on the setting and the pairing, lol. Maybe he'd be a martial artist and own a dojo? xD Either way, I'd say Obito is a total workaholic, where he projects this need to prove himself through his job because he had to endure growing up with a lot of criticisms and feeling like he's never good enough.
I mentioned he's a gym junkie...well, yeah, he is. xD He can't be a smoker and a gym junkie, so if I had to choose, I'd choose the gym. xDD
That's all I have for now. xD
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hellsingmongrel · 10 months ago
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Welp. Had another Trigun AU Dream. And this one wasn't as sweet as the last one. q_q CW for death and suicidal themes of the zombie variety.
So this version of Gunsmoke had developed a zombie plague, but they were doing strangely well with it. Instead of devolving into an apocalypse, they put people who came down with the virus into hospice facilities where they would let them live out the reat of their lives as best they could before using euthenasia to keep them from...you know. Going full zombie. Or in less wealthy communitirs, they would have someone come out and take the patient out Old Yeller style, but still with the intention of being respectful and kind about the whole thing.
And Wolfwood's Priest persona included going out to those communities and doing the taking out.
I don't think Vash liked it, for obvious reasons, but he understood why it was a necessity. He just couldn't really bring himself to do the thing himself. Well, as he and Wolfwood were traveling, they met a wealthy family who were actually pretty nice, but the father came down with the disease, and even though he either was unable to recognize what was happening when his body started rotting away or just stubbornly refused to believe it, his family started the process of getting him admitted to a facility.
The dream was mostly them all touring the place, but the man's disease progressing so fast that he wasn't going to live long enough to need it, and juat before I woke up, the family asked Wolfwood if he would do the thing instead. So they all walked out, Vash and the family and Wolfwood, out to a cliff where he could shoot the guy, who at this point was basically mindless but not yet feral, in the head.
And then my dream brain was like "Oh. Wolfwood just caught the virus but hasn't realized it, yet. He's going to die in this universe by shooting himself in the head. That's sure a fucked up way for the "Wolfwood dies in every universe" tradition to play out in this au... :["
Like I got the impression that this universe was a gentler universe than the canon one, but equally as fucked up in its own way. I got the impression that the Plants were immune to the disease, so maybe this was how Knives decided to take the humans out? But they didn't go into a bloody, horrible extinction event and instead managed to handle it pretty well, all things considering. And Vash was sad to see all the suffering, but the humans' way of dealing with the thing and being a lot less chaotic than canon made it vaguely less traumatic for him. The planet and the people weren't SUFFERING, but they also weren't having a great time of it, either. And he was going to HATE watching Wolfwood die, but it was a lot less of a shock than what happened in canon, so juat as I was waking up, I got the image of the couch scene involving them sitting together so Vash could be with him when he took himself out. Still mourning and distraught, but it was a kinder, gentler end than they got in the manga.
idk, it was just another wild instance of my brain cooking up this whole-ass au while I was dreaming. Nothing new, though I definitely don't want to write THIS ONE out in fic at all, myself. I know you gremlins love zombies, though, so hey, if anyone wants to do anything with the concept, have at it.
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multiplicity-positivity · 2 years ago
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Hey, I think I sent an ask a few days ago about headmates you're afraid of, not sure if it got eaten or you just didn't have enough time / info to respond, but I'm feeling a little more stable now so I'd like to elaborate if that's okay?
So. I'm a fictive of a character from an anime/manga, and the host of my system. This past weekend, we had a very traumatic incident happen. I don't want to put too many details that might trigger people, but the short version is that an event we were attending got swatted. It was all a false alarm, no one was hurt, and we were back to usual activities within an hour or so.
We knew.. Pretty much immediately that we were splitting over it. The symptoms we have for traumatic splits usually line up to a pretty consistent order for us so we were just braced for it. What I wasn't expecting was that we would split.. My grandmother.
We never met properly, in source. She died before I was born, and I grew up being told by my father and then my.. caretaker, for lack of a better word, that she had abandoned us, didn't care about her family, didn't care that we were hurting, and put the lives of strangers above her family. I only ever saw her.. Spirit? I suppose? In a few instances, and it obviously wasn't a happy reunion because I was so full of hate that I didn't care what she said.
I know from an objective sense that she was doing what she thought was best. I read our source and the longer it's gone on, the more I've realized just how much of my life was lies and fabrications from the people around me who wanted me to be hateful. I can see as an outside viewer that she wasn't pure evil like I thought. But that doesn't change the immediate gut feeling that I'm dealing with now that she's right in front of me again.
I panicked really badly when she first showed up in headspace. I'm usually a frontstuck host, but I fully switched out and hid in a corner of headspace for a few hours until our gatekeepers were able to pull her back into a different corner of the world that I don't have access too. She.. Looks a lot like I did when I was a kid. I wasn't expecting that.
I'm still not entirely sure how to react to all this or how to get comfortable with her being here. I don't want to panic and run every time she needs to front, but I also have no idea how to even approach her without all the heaviness from source crushing me completely. Sorry if this is really heavy. I'm just hoping you guys or someone else has some advice on coping with this.
Hi! We genuinely think your first ask got eaten, we’ve never seen an ask like this in our inbox… I’m so sorry!
It sounds like you’re dealing with a really tough situation. I guess we’d like to remind you that what you’ve heard from others may not align to what’s actually happened in your source’s past. Sometimes emotions can get the best of people, and situations can be misinterpreted, especially when tensions are high and family is involved.
Have you spoken to your grandmother in the system directly to hear from her what happened before you were born in your source? Maybe she had a good reason to leave, or thought she was acting in your family’s best interests at the time.
Additionally, she may not come with source memories, and not feel attached to her source at all. We firmly believe that introjects are their own people and cannot and should not be held accountable for events that happened in their source, even if they feel extremely connected to their source.
If it’s difficult to interact with her directly, perhaps try writing her a letter, or asking another headmate to pass a message along. Beginning to communicate, even if it’s hard, is the first step towards building trust. I know it won’t be easy, but unfortunately, it’s probably necessary in order for the two of you to come to an understanding and exist happily in the same mind.
We’re so sorry you’re going through something like this. If it’s easier for you, please remember that the grandmother in your headspace is an introject, just like you. She can’t help being formed and did not choose this - sometimes the brain makes internal choices that can’t be helped. We hope y’all can grow together and learn to coexist, and we’re wishing you the very best!
🌸 Margo and 💫 Parker
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currently-haunted · 3 years ago
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Kinda working on an au cuz i keep procrastinating on animatic and my life...
Tap for better quality, and some details of au are under the cut (just me rumbling my ideas)
Hunter is not a grimwalker here (still no magic)
He comes from family of wild witches, who were disposed of by belos's orders. But he as a kid got saved by the previous golden guard
Stuff happened, belos had another episode of cain's syndrome, no gg again
I haven't decided yet how hunter was taken in by emperor or even if hunter is his real name, but he still becomes gg later and there's no new grimwalker, for now... (let's say belos couldn't find some ingredients)
Darius here is on full dad mode already from time he knew his mentor rescued some kind against orders
However Hunter is so reckless and not so loyal, when he finally finds out bits of truth about his family, belos and gg (from darius... maybe lilith? I haven't really thought about her role) well, the boy is ready to oppose belos
Oh yea belos did make hunter do dirty job like getting rid of... rebelious witches. Yep, not only palismen suffer here by getting their souls eaten (but no belos doesn't eat witches... that would be too much...)
Good thing later (after several mental breakdowns) it comes in handy, like emperor himself points out great additions to the opposition you just need to fake some deaths
Also good news is that belos doesn't see hunter here as "a tryout for better version of his brother who inevitably will betray him or smth", right? Belos is still horrible to him tho. Difference is that Hunter isn't so isolated and has experience with normal human witch interactions, but no worries he is still traumatized cuz that was in no way a healthy environment for child or teen, or anybody really
Oh btw for this job hunter uses mask (grim) made by abomination magic (taught to him by coven head himself with the help of his stuff at first, later flapjack).
I want to give him a dog. Or at least something close to a dog. Wait how did you guess i'm a dog person? Anyway, he calls himself Grim, because y'know demon which appears as ghosty black hound and pordends death
It's 4 am for me when i'm writing this btw
Collector prob knows that hunter is against belos here but they think it's too entertaining so they don't tell him (i mean i love watching my friends trying to figure stuff out it's probably the same). Idk about this
No ships planned except canon ones, actually most events happen like in canon but hunter meets flapjack earlier, and resistance is pretty huge already but they're laying low, okay all episodes with hunter diverge, like hunting palismen, eclipse lake, any sport in the storm and hollow mind
Yep, sibling dynamic with luz, frienemies with amity (but less angst cuz eclipse lake went different) , friends with willow, gus, skara and viney, prank buddies with twins. Grim! Hunter actually trusts owl house residents except hooty, and knows them better, but he just can't leave the emperor's coven yet because plans
Of course he fucks up somewhere and now belos suspects him. Then hollow mind happens. And if there's nothing to lose it's a great opportunity to mess with emperor's mind from inside. Hunter almost dies in the process because of course he does. That's actually the main point of this au. How much you can hurt someone in their mindspace. (The second point is wordplay on grim/grimm/grimwalker)
I really like how characters use their stuff to just attack physically like guys you can cast a fireball but you punch them with a stick? So hunter's artifical stuff also can become sharp, he deserves a knife
Fyi i came up with this au while listening to all eyes on you by smash into pieces
Basically i wanted sassy hunter with support system going against belos while giving him smth new.
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k-s-morgan · 3 years ago
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I've got to say, while Hannigram is very much unhealthy, I actually can't stand Molly and Will ( in the show at least ) for not being good for each other much more. With Hannigram, besides it being obvious what you're gonna get - no relationship between a serial killer and an FBI agent in denial about enjoying murdee will be sunshine and rainbows - the characters themselves are aware of who the other is and what they are cabable of. With Molly and Will one party is definitely left in the dark about the other. I'm of the firm belief that their relationships would have never started had Will not hidden an entire shade of his being. He has stated he prefers lies of omission. And when said omission is a caged monster, you can see how unfair it'd be to someone like Molly. While badass, she's ultimately a regular person, a woman who was most likely searching for happiness and stability after her first husband. Will was simply not it. He used her and Wally as a means to hide from himself and his feelings for Hannibal. If he really wanted to, he could have prepared a plan that allowed him to stay with them. Will is neither stupid, nor lacking in determination. But the fact is, he was not invested enough. He'd rather die WITH Hannibal than return home, which says a lot.
There's also the fact that Hannigram is better developed and tied to the story's themes, so I'm more invested in seeing where they could end up together, destructive aspects and all, rather than Will and Molly. Still, I can't buy into the concept of a happy marriage between them that some viewers talk about when it appears to be so surface level. That peace hinges on Will never discussing with Molly a ton of stuff that would have changed the entire trajectory of their relationship. The whole situation reminds me too much of a couple in real life, in which one person doesn't actually love the other and has somebody else on the mind. Their marriage is this essentially.
I'm pretty sure this view on their marriage and how Will-centric in tends to be ( in the sense that Molly being screwed over isn't really comsidered ) ties into the static perception people have regarding Will as a character from Season 1 onward. They want to see him happy and cheer that the bad guy is put away, far from him. But don't seem to realise how much of a menace and perpetrator Will has become in other characters' lives since then ( Hobbs, Randall, Chiyoh and her prisoner, Chilton, even Bedelia ). What do you think?
Oh, I agree completely, the relationship between Will and Molly feels very dishonest from Will’s side — and I think that’s the point. As Bryan said, we had to see the second half of S3 and Will with Molly in order to understand why he should go back to Hannibal. This life is simply not for him, not for the real version of him. Hannibal is right when he accuses Will of deliberately picking a “ready-made family.” Will showed his person suit to Molly and shared only official version of events of his life with her. She never knew the real him, and if she had, their marriage would have died before even starting because what woman would let a killer and a cannibal who wanted to run away with a monster near her and her child, who’s already been traumatized? Especially after a year or two of knowing this person?
I’ve had a huge number of conversations on this topic, and from my experience, viewers who claim that Will was perfectly happy with Molly cite one specific moment: them laughing together from Molly’s joke about “balls”. Bryan actually mentioned it too once to illustrate how great Molly is for Will, but the thing is, it’s just not what was shown. Because this pretty shallow and short moment of laughter instantly turns into a situation where Molly mentions Will’s “criminal mind” and Will shuts her off. He lies and he hangs up without returning her “I love you.” This says it all — he can enjoy himself on a superficial level in this marriage, but the moment something a bit more serious comes up, the illusion shatters. Perhaps Will told Molly some half-truths, like about being friends with Hannibal before the betrayal, but ultimately, we can see that she has no idea about Will’s life, his darkness and his struggles with it. She innocently encouraged him to go back, incorrectly thinking that Will is haunted by failing to save lives, and then she joked about his criminal mind, taking it lightly and not realizing how grave and sensitive this topic is for Will. She knows he can think like a killer because he’s gifted, but she doesn’t realize he himself is a killer.
I love how the show presents their relationship because it demonstrates how temporary and insufficient a dream-like normal life is for Will. All we know about him and Molly is that they are married. We don’t know how they met, what made them marry each other so quickly. They then have four short conversations throughout the show, none of which is entirely honest from Will’s side. Molly appeared from nowhere and disappeared into nowhere - she and Will were living a lie, which is why their relationship was presented this way.
Even from the beginning: from what was shown, Jack didn’t enter a sanctuary, he broke into a marriage as lifeless as the winter emptiness around Will when we see him again. As a contrast, in another Red Dragon adaptation, Jack comes when Will is genuinely happy with Molly and Walter. They are spending time together on the beach, they are laughing, they are having fun as a family, they are holding hands. This unity and happiness are absent in the show. Jack comes when Molly and Walter are away fishing, with Will choosing to stay behind even though fishing is his passion. It’s a deliberate choice and it says a lot. Will and Molly share a bed: they are married, so it would be strange not to - but they are fully clothed and sleep strictly on the opposite sides. Will is shown sneaking out to read a letter from Hannibal. They could have shown Molly sleeping on his chest, for example, something to make their bond warmer. Will isn’t a touchy-feely person, but he’s not resistant to touch either, and he could have made an effort for a woman he’s supposed to love.
He could have bothered to hug her or at least *touch* her at least once. Instead, when she hugs him from behind, he doesn’t even move to touch her back. When she nuzzles into him, he turns his head away, even though nuzzling back or kissing her cheek would have felt so much more natural. Even at the hospital, Will just looks at her and then sits in his chair. It’s deliberate - he never reached for her at all, even in this situation. When Molly wakes up, he risks touching one strand of her hair with the very tip of his finger (which is implied and still not shown!), and then he quickly takes his hand away. It’s a vivid contrast to him reaching out and almost groping Hannibal in TWOTL. He could definitely show more emotions to Walter - after losing Abigail, he had to be terrified of losing another child in his life. But instead, he just acts uncomfortable, not at all like a father would.
I think Will could never be truly happy or peaceful when he’s hiding who he is. Darkness is a large part of him, subduing it takes efforts. I’d say he was semi-content with this limbo state, but with how quickly he ran to Hannibal, I think he was getting bored, too. Hannibal also senses it, hence his question, “Don’t you crave change, Will?”
I also love Hugh’s and Mads’ commentary on this.
Hugh: You could say that during the second half [of season three] - I mean, obviously we’re jumping ahead here, but Will comes back to Hannibal. He’s now got this family, and Will, independently and pretty quickly, starts coming to the conclusion that it’s not sustainable for him to have that family. Like, he’s not the guy. He’s not the right person to be able to look after them, to live with them. It’s not compatible with who he really is. And you could argue that Hannibal is just driving him more quickly to come to that realization. So in that sense, it is kind of brutal, tough love. His love is saying, “Know thyself.”
Mads: As Hugh is saying, it’s unavoidable. It’s going to happen sooner or later. Might as well happen sooner, before he’s stuck.
And that’s not even mentioning the Dragon’s attack, the way Will stayed angry for three seconds before acting jealous of Hannibal giving attention to Francis, and how he set up a situation that put Molly and Walter at risk just to get a chance to stage Hannibal’s escape. His priorities are very clear. I do think he cared about them to an extent — he is responsive to people who show warmth to him, but this feeling was superficial. In the end, the only two things Will truly, genuinely cares about are Hannibal and his dogs. I’m not including Abigail here because he loved a dream, not the girl herself.
Will is a deeply selfish character, and I love him for it because I find him fascinating.
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makeste · 4 years ago
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BnHA Chapter 315: I Didn’t Expect This to Blow Up
Previously on BnHA: Horikoshi was all “guess which plot that you thought was dead is actually not dead and is making a comeback!” and we were all “EVIL HPSC??” and he was all “girl you know it,” and that’s the story of how we got a sexy Lady Nagant flashback with lots of guns and murder. Flashback!Lady was all “gotta murder peeps to preserve the people’s trust,” but then a little while later she was like “actually wait that makes no sense,” and so she shot her evil boss and they sent her to jail. Back in the present, Deku was all “okay fair, the hero system might in fact be a little fucked up, but hear me out... have you considered not helping AFO take over the world so he can murder like a bazillion more innocent people??” The chapter ended with the not-all-there Overhaul finally revealing himself to Deku, and I honestly have no idea where this is gonna go.
Today on BnHA: In what is unfortunately the single worst plan ever concocted by anyone in BnHA, Nagant is all “I’m going to try and get this Deku kid to panic and freeze up by putting someone in mortal danger.” Deku is all, “[doesn’t panic and freeze up at the sight of someone in mortal danger].” Nagant is all “omg no way.” Deku, who is now all of a sudden being so OP that even I have to acknowledge that it’s OP lol, is all “[smashes Nagant’s gun arm to bits]”, which sucks but is also really cool, and which also apparently makes Nagant decide that she actually likes this kid after all. Deku is all “NAGANT I REALLY LIKE YOU AND THINK YOU’RE GREAT SO PLEASE JOIN UP WITH ME AND STOP BEING EVIL.” Nagant is all “aw shucks (✿ •͈ᴗ•͈) well okay then” and everyone is all “( ・◡・) ✰ ( ˆᴗˆ ) ( ᵘ ᵕ ᵘ ⁎)” and then Nagant FUCKING EXPLODES LIKE AN EGG IN THE MICROWAVE AND FALLS TO HER DEATH!!!! except not really because Hawks saves her??? In conclusion, (a) THE FUCK, and (b) AFO TURN ON YOUR LOCATION I JUST WANT TO TALK.
so I have to tell you guys something, which is that barely ten minutes after I made that “please don’t send me spoilers” post the other day, someone replied to the comments in a stunning fit of “tell me that you’re twelve without actually telling me you’re twelve” energy and posted what seemed to be the copy-pasted spoiler summary from reddit or twitter or whatever lol. so here is my good news/bad news rundown of all that
good news: I have very well-conditioned ABORT!! reflexes and have trained myself to immediately look away from the screen (usually in dramatic fashion) as soon as I realize that whatever I’m reading is a spoiler
bad news: unfortunately as I was subsequently deleting said comments, I accidentally read the very last one
good news??: said spoiler was so unbelievably, absurdly over-the-top that I’m almost positive this person was just trolling. like, there’s just no way lmao
bad news: but in the unlikely event that it is true I will absolutely lose my shit I swear to god
(ETA: “NAGANT DIES.” that was the spoiler I read lol. like, literally all I read from the person’s comments was “My Hero Academia Chapter 315 Title: “Beautiful Words.” Chapter starts with...” and then I noped out of there, and then of all the comments to read as I was deleting, it had to be that one lol. I seriously was just like “SURE, JAN.” all “just how gullible do you think I am” sob. but I was wrong. a troll, but an honest troll they remain.
but anyways like I’m pretty sure Nagant isn’t even actually dead lol, so in the end this whole little adventure doesn’t even have a point to it, but for me it was a journey!)
anyway, so there are apparently two versions of the chapter today?? no idea what the difference is, but I’m going to go with the Bean version, because it’s the one at the top and I don’t feel like making decisions today
huh, so Overhaul is actually more coherent than Horikoshi was letting on
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look at him having a whole back and forth conversation with her. side note, how is he still this jacked when he’s been sitting in a cell doing absolutely nothing for the past six months
anyway so he says he’ll go with her on one condition. I wonder what that condition could possibly be. do you think it could be the thing he literally hasn’t shut up about ever since he reappeared lol
yep! and damn -- maybe this guy will surprise me after all
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still would be nice if you also felt a bit sorry for the little girl you tortured and traumatized, but this is something at least. maybe Deku will yell at him for that other stuff lol
(ETA: also can’t help but wonder if he wants to make amends because he put him in a coma, or because his plan was a failure and ended up destroying the family. just hoping you’ve finally had that “hurting other people is bad” epiphany dude.)
anyways so now Nagant’s arm is transforming again, and this particular transformation happens to be the only truly unsexy thing that Nagant has done thus far so I’m just gonna skip right on ahead lol
aaaaand we’re back to the delirious ranting
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buddy. just. read the fucking room, guy
wow she really is aiming at Overhaul, then. those theories were spot-on
damn she’s really out here all “it really fucks with kids’ heads when you kill people right in front of them and make them blame themselves” like yo
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I’m picturing her saying all this in a very loud stage-whispery tone while making very significant eye contact with Deku lol
uh oh but wait
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um. okay. who’s gonna tell her. Nagant I might have some bad news for you about the kid you’re trying to capture here. specifically about the way he tends to do the opposite of what you’re thinking that he’s about to do
holy shit
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so it’s basically just “tap x repeatedly to charge up your attack” lol
and okay, so that’s cool and all, but is anyone else wincing at the thought of what that must be like on his knees. oh to be young
anyway, but so to the surprise of basically no one, Deku did not, in fact, freeze. I am very sorry, Nagant. he’s just like this
LMAO
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someone wanna tell me how getting yoloed in the fucking ribs by this fucking slingshot kid moving at literal sniper bullet speed is in any way even remotely better than getting hit by the bullet itself lol
(ETA: this is 10x funnier now that we know the bullet wasn’t even gonna hit him lmao.)
anyway so now Nagant is having an extended “!?!?!?” reaction about how Deku just moved with no hesitation, and I’m starting to get an inkling of fear that the rest of this fight isn’t going to go very well for her and maybe that’s what all the “hoo boy” is about
oh my god Deku are you about to Gomu Gomu no Rocket yourself at her you insane little man
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now Three is popping up again and he’s all “I see you’ve learned your lesson and are now only using three quirks at once instead of five” like with all this effusive praise about how great and badass Deku is and sob, okay, yeah. this chapter is basically one of those machines that shoots tennis balls at people, except instead of tennis balls it shoots hot piping discourse
OH MY GOD
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YOOOOOOOOOO but also, NOOOOOOOOOOO
lol oh my god it’s literally two opposing reactions at once wtf. do I love this or hate this. like just for once can Horikoshi actually let a badass lady character win their fucking fight without getting their arm ripped off, BUT ALSO fucking look at that absurdly cool “SMASH” onomatopoeia though. it looks like it’s about to float right off the page holy shit that’s some seriously good art
anyway so is this really the end?? do I need to break out my ಠ_ಠ faces
lmao okay yeah I can definitely see how this would piss a lot of people off
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he basically one-shotted her and she’s all “damn this kid is so amazing that I’m about to do a complete 180 turn on all of my previous angst” lmao. Horikoshi is really shounening it up today
on the plus side though, maybe this means there’s still a chance for her to join up with him after all? unless that spoiler was true lmao, then all hell is gonna break loose
YESSSSSSS
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OH MY GOD AND HE SAYS THE BULLET WOULDN’T HAVE DONE MORE THAN GRAZE OVERHAUL ANYWAY, wow, I’m actually more relieved by that than I would have expected. I mean I would have forgiven her either way, but it means that there was still more hero in her than she was letting on
YES!!! FUCKING YES, THANK YOU
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lol but I mean, it’s also like, “oh so today they get to have brain cells”, thank you so much lol. sometimes it’s really hard to tell which times we’re supposed to question these character decisions that seem dumb, and which times we’re just supposed to full on embrace them and switch off our critical thinking
but okay, so in this case it really was Nagant going easy on him on purpose, and not just her fucking up for no good reason even though she used to do this for a living and was the best in the game. and I know in this case it’s probably just Horikoshi giving us some consolation headpats to soften the blow of her losing so abruptly, but you know what, shit. I’ll take it
also you guys the light is coming back into Deku’s eyes again for just a moment here and I’m having feels about it?? the way it still comes back when he’s reaching out to save someone, and following his own hero path instead of the much darker and lonelier Christopher Nolan path that’s been laid out for him instead that he never wanted?? it’s both reassuring and also very sad
YESSSSSSSSSSS
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DO IT LADY OMG PLEASE?? PLEASE COME BE HIS NEW IRRESPONSIBLE ADULT SUPERVISION YOU KNOW YOU WANT TO
AHHHHHHH SHE’S GONNA DO IT AHHHH
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p.s. I am now absolutely scared shitless that that spoiler was actually true sob. swear to god, I will throw this manga into a fucking volcano. but we’re almost at the end of the chapter and this seems just WAY TOO GOOD to be true fuck fuck fuck fuck fuck fuck f
UCK
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NOPE NAH SEND IT BACK, NOPE, NUH UH, DIDN’T ORDER THIS. “GULLIBLE” OKAY FUCK YOU?? “COUNTERMEASURES” NOPE, DON’T NEED ‘EM, WE’RE ALL FINE HERE. WE’RE ACTUALLY GOOD SO YOU CAN JUST GO, OKAY. PLEASE
fuck, lol, I don’t wanna do it. I don’t wanna scroll down what have I ever done to deserve this oh my god
WHAT THE HONEY-ROASTED FUCK
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WHERE THE FUCK IS THAT FUCKING VOLCANO IN ICELAND THAT I KEEP SEEING ALL THESE PICTURES OF. WHERE THE FUCK IS THAT SHIT. LET’S GO
ARE YOU SERIOUS RIGHT NOW
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can someone please give AFO a really good, sharpish kick in the balls. just really let him have it. I’m so tired, what the fuck
-- ARE YOU KIDDING ME LOL WHAT
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bro. I was literally going through my Excel folders to find the spreadsheet about female characters in BnHA that I made back when Midnight died. was gearing myself up for a wholeass rant. and honestly I might just let all of that continue simmering on low to keep it warm just in case lol, because to tell you the truth I have absolutely no idea what’s happening right now
my girl straight up does not have a face. she used to have a face. people usually need those, idk. like, even if she’s alive, her gorgeous eyebrows are definitely not making it out of this and I’m gonna throw a funeral just for them
how the fuck did AFO just blow her up?? how did he know what was going on?? and if he had a quirk that could explode people at will, why is this the first we’re hearing of it?? you’d think that might have come in handy at Kamino or Jakku, like what
(ETA: present!me, who’s had more than three hours of sleep and can now actually remember facts about the series, would like to remind past!me that AFO gave Nagant a quirk, and so this is probably just more Vestige shenanigans now on his part. that’s also probably why Air Walk suddenly stopped working out of nowhere. still doesn’t explain why he doesn’t go around blowing people up more often though but maybe he thinks it’s gauche.)
Hawks just straight up out of nowhere. just Mirioed his way straight into the chapter just in time to be too late sob. here I was looking forward to seeing your face when Deku showed up with his new best friend. can’t believe Horikoshi deprived us of that moment
on the plus side, WELCOME BACK, HAWKS’S FEATHERS. I have no doubt that in this chapter of Deku being an almighty threequirk-mastering god, and Nagant losing anticlimactically only to be immediately blown up because girl characters in BnHA can only be cool for one fight and one fight only, there are still some people who are focusing solely on the “how dare Hawks get his wings back when he is a MURDERER this is an outrage what about CONSEQUENCES” discourse, and to hell with all the other discourses lmao
anyway, so yeah. wow. and now it’s just occurring to me that maybe the real reason why Overhaul is there is so he can get a head start on that amend-making by actually doing a good thing for once in his life, and using his quirk to heal Nagant. assuming he can still do that
and so now Horikoshi has got me out here actually rooting for Overhaul. you know what, on that note I think I’m just gonna go ahead and call it a day sob
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akvtsuki-ari · 5 years ago
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Around Your Neck
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Warning: smut, unprotected sex/creampie, post!prison reid, fingering, oral both recieving, throatfucking, slapping, bruises idk??
Length: 4.8k 
Authors note: you know that tiktok audio that goes “whats wrong with you?,” over and over again. thats how writing this fic made me feel. based loosely after a conversation me and my wife @pastanest​ had sdkjhjkef and that gifset of spencer with that gold chain on that has me so tight. so disrespectful...
Edit: heres the gifset!!! 
Plot Summary: Prison changed Spencer. That damn chain around his neck made sure you remembered. 
Spencer Reid was… different after prison. It was something about him when he left, like a part of him was always far away somewhere when you spoke to him. He was fractured it seemed like - even though he was saving lives everyday there always seemed to be something on his mind. He was still Spencer of course, still sweet-talking and soothing when he needed to be. He never lost that odd charm about him and after those first few months he grew back to be more comfortable in his own skin but there was just something there. Something on the back of his mind that he seemed to be handling alone. 
You’d been with Spencer for a while before he went to jail, a few years and other traumatic events later - you had an idea of how Spencer dealt with pain and difficulty. He liked to let things sit and stir inside of him for a long time before he lets it show - then he gets snappy and mean for a bit after that till he sorta just breaks. In many ways, when something bad happened to Spencer you sorta just knew what things would be like for a bit, but no matter how many times he slipped you caught him. When he got shot and nearly died twice, you were there right next to him - making sure that he was going to be okay. That's just what you did, to say you were Spencers ride-or-die would be an understatement. You gave him whatever he needed, whether that be some tough love or being pampered for a few days straight. 
Spencer knew that about you, and even before prison he had this affinity for you that always made sure you knew how much he adored you. He wanted you to know that he only ever had eyes for you and that he was beyond grateful for how patient you seemed and how loving you were to him. Spencer made sure he never stopped chasing you before he went to prsion. He bought you flowers, supported you when you switched careers, and generally made sure he returned the favor in loving you but he was always chasing you still. Part of it was out of disbelief that someone could love him like that, but the other part was out of insecurity. You always told him you were always his, but he never seemed to believe you. 
Prison changed a lot of things for Spencer, but that thing about him chasing you was what changed most. Spencer was always possessive in his own right, but he wasn’t jealous necessarily. He just wanted to make sure you were okay and that no one was fucking with you or bothering you. It didn’t bother him before if you talked and flirted with Luke, or if some guy was hitting on you because you were normally so adamantly rejecting it. He wasn’t someone who was particularly upset about not having claimed you as his - before he didn’t really care. 
For the longest time you didn’t really notice just how much Spencer had actually changed how he acted towards you - mostly because he was still really sweet to you. It wasn’t like he was treating you any worse, or necessarily any better. It was honest to God, just different, more.. something. You don’t wanna use the word aggressive because Spencer isn’t the aggressive type. Spencer was calculated, and he could be angry sometimes but not often. He didn’t have a shorter fuse - hell, you could argue that prison made him more patient since he was often just lying in wait. 
The best way to describe it is probably just more confident, really. He was assertive about you being his and his tolerance for crude jokes that came your way was a lot lower. Most of the time, at least before, he’d let shit slide if it was too small. Nowadays though, if he even catches something bothering you he steps in - always finding the small of your back and pulling you closer to him like he was keeping you close to protect you. He doesn’t curse them out or get angry, just stares at them with a blank expression that's arguably more intimidating. 
You were a flirt by nature, too. You were never trying to flirt with people, but you’re one for flattery and compliments so it sure can be read that way. You loved receiving the same energy so when you did your jokes and compliments would increase ten-fold. It doesn’t bother Spencer because he knows you’re just being silly but before, he didn’t mind if the other person was serious because he knew that you’d never continue like that. Now though, when someones dropping any lines your way he’ll tell them to leave you alone no question, unconcerned about any consequence or even if that person could beat Spencer's ass. Spencer wasn’t concerned about strength like he used to be - and when you asked him about why that was he simply shrugs. 
“I’ll play dirty if it gets there,” 
Those were all small details but there were so many of them that it was starting to pile up and draw you to interesting conclusions. Sex was also a clear example of change. The first time the two of you had sex when he came back from prison was relatively the same, but you could tell he was holding something back. For the longest time, you didn’t really know what until it was the heat of the moment and Spencer wrapped his hands around your throat and ask if he could choke you - something that you’d ask for previously that he was rather unsure about doing. It was the way Spencer's eyes looked into your eyes when he did it, the way his fingers curled almost carelessly around your delicate neck - so instinctively as if the whole endeavor was so natural. When he lets you go and kisses you - you’re more than into it but you can’t help but wonder where his desire came from. You didn’t really mind how Spencer got when he was like that but damn, you couldn’t say you saw it coming. 
The more you thought about it, the more it became clear to you that Spencer has changed a whole lot more than you understood initially, but maybe the last straw was when you made a sorta silly joke about the necklace worn around his neck after prison. It was a thin gold chain, for the most part tucked underneath his clothes when he went to work. He said in many cultures gold is a symbol for blessing and spirituality and he wanted to keep that with him, and that a lot of other people in prison wore gold chains. You made some stupid joke that if he were gonna wear it all the time - he should at least have your name around his neck. You knew stuff like that wasn’t really Spencer thing so when you’d said it, even though it was pretty hot, you were mostly just joking. 
It’d been a few weeks since then. Spencer had a case that needed his attention and you were at the bullpen with Penelope waiting for everyone's arrival. You were nearly bursting from anticipation, a busy case that made you particularly clingy and had you missing Spencer more than you can explain. There everyone was, walking through the doors when Spencer walks through and wraps you up in his arms. Spencer picks you up and spins you around for a few seconds before giving you a small smile. You just hug him again, noticing the cool metal on your skin when you do. You pull back before Spencer speaks and look down - his chains never had a pendant before 
There it was. Your name, hangin around his neck like it was nothing. Spencer was sporting it with a more casual version of what he normally wears, which was basically just no tie. A white shirt and blazer, and your name around his neck. You try your very best to ignore the heartbeat in your jeans while your fingers went up carefully to touch it. Spencer gives a coy smile, watching the way your eyes look at it so hazy. Just like he wanted. He places his hand on top of yours, seeing your pretty eyes flick up to meet his. You can barely contain yourself - the chain around his neck always brought you to some interesting places but to see your name - your fucking name, around his neck so casually brought you somewhere rather interesting. 
“Um - nice necklace,” you squeak out. Spencer laughs brightly, his arms circling around your waist as you bury your face in his chest instinctively . You can feel the way his laugh reverberates and you just whine in annoyance. 
“I’m glad you liked it, might be a little awkward otherwise,” Spencer jokes. It was your turn to giggle, Spencer left terribly endeared by the sound. 
“You ready to head home, doctor?,” you say softly. Spencer nods, taking your hand as you lead the way and feeling his heart burst out of his chest, grateful to have you on him always. 
__
You guess that Spencer buying your name as a pendant on his chain was really what set you off in realizing just how possessive he was. He didn’t take it off around the house, walking around your shared apartment shirtless with it on at all times. He’d play with it constantly, fingers brushing the smooth metal while he was doing something a little mindless or that required his focused attention. It was driving you nuts, the image of Spencers chain hanging in your face was already one you returned to a lot but - now that your name was there it made the stakes of such a situation so much higher. 
Spencers just sitting and reading the paper when you finally are fed up. He always liked reading the actual newspaper, claims there's nothing quite as good but you’re tired of… well, you’re not sure what you were tired of but you knew you needed his attention asap before you lost your marbles for good. You walk over to him, moving the newspaper carefully out of his hands and folding it before sitting across his lap and crossing your arms. Spencer laughs loudly, especially as you take his arms and wrap them around your waist. Spencer just gives you a quirked eyebrow, a questioning look. You shake your head, because you’re honestly kind of unsure for what you’re asking for - you just wanted something. Dick, maybe. 
You give Spencer a look as you take his chain around your fingers again and play with it’s pendant. He already knows why you’re here, but he decides to let you figure it out. He knew before that you were the submissive type, but his response to that changed in prison. He carried that picture of you with him everyday, looked at it for hours sometimes so he could sleep - and it pissed him off when people would see it and talk about you. Spencer missed a lot of things outside of jail but you were number one - your love and affection of course, but there were other things too. Prison made Spencer particular about his possessions, that picture of you was one of the few things that was his and his alone. He didn’t let anyone go as far as touch that picture, so when he saw you again that possession just carried over. He didn’t really care, especially since it didn’t seem to bother you. Prison made Spencer realize how much he really cared for his possessions, books, chess boards, you - all things he already cared about but became a lot more particular after the fact. 
Spencer just knows. When you sit on his lap, all he can picture is him out in the yard but instead of isolated and paranoid, he’s with you by his side giving him all the restraint in the world. He’d be damned if he let anyone take that from him. You give Spencer a look he can’t explain, there's a certain innocence written on your face that makes Spencer's chest hot. His hand sits between your bare thigh as you sit on his lap, and the second you look down on it, you seem to get the clue. Spencer grips your thigh, eyes following the way yours move to try and make sense of what's happening. Your eyes are fluttery, as your head twists to meet Spencers, the two of you nose to nose. Spencer just gives you a smile, before looking down at your lips then right back up to you. You blush. 
“You’re close,” you say, not knowing what else to do. Spencer chuckles. 
“Would you like me to move?,” Spencer asks politely. You shake your head. 
“No,” you say stubbornly. Spencer licks his lips for a second before smiling again. 
“Okay. Then, what would you like me to do?,” Spencer says, holding back a laugh. Your eyes fixate on his lips when he talks, and you scrunch your face up. 
“Kiss me,” you mumble. Spencer grins ear to ear. 
“Say please,” Spencer replies, leaning in as his lips brush onto yours. He pulls away before you can kiss and you sigh. 
“Please,” you manage out meekly. 
Spencer pushes air out of his nose before he does just that. His lips are smooth, stubble touching your smooth skin as your hand moves to one side of his face. Spencer smiles into the kiss, feeling the way you melt into him. The moments before things get heated is fast, Spencer's hands underneath your shirt as his tongue slides between your lips. He kisses you slowly, patiently but that’s not quite what you want. You give him a whine, but he shows the same attitude. You keep kissing like that for a while, moving yourself to straddling Spencer's lap before using your teeth to lightly tug on Spencer's bottom lip. He gives you a small groan and you return it with a noise of approval. Spencer pulls back to look at you, his eyes telling you to be careful but his body language betraying him. You can feel the tent in Spencer pants as you weigh yourself down on his lap. 
“Don’t hold back,” you ask, hoping it’s the right thing. Spencer gives you a weary look. 
“Are you sure?'' Spencer asks. You nod, eyes looking into his. 
“Red for stop, yellow for slow down, and green for go,” you say repeating your safewords to him. Spencer gives you a kiss on the forehead, both for remembering your safeword but as an assurance. He’d never really been rough with you - he was a soft dom at heart and wouldn’t go as far as hurting you. You just give him a pleading look - you wanted him to be rough with you, bruise and mark you, just for a little while. The idea made your skin flush, but who was Spencer to deny you of such a request. Spencer nods softly, leading you to the bedroom. 
Spencers the first to close the door, pushing you up against as he lifts one of your legs up and kisses you slowly - fingers pressing into your thighs as Spencers tongue toys with yours. He always kisses you like that, slowly but surely introducing as much of himself to you as possible - his erections pressed against you when he does. The sound that leaves your mouth is a cross between a whimper and a moan - a broken sound that makes Spencer a little more eager. He smiles when you make, giving you a look of surprise but you don’t have anything to say. Spencer smiles down at you. 
“Go lay down for me,” Spencer requests. You just nod as you get comfortable on the bed - watching Spencer take off his grey sweatpants and boxers, the chain still around his neck. Your eyes follow his figure, landing on his erection before widening. Spencer just chuckles at you - signalling for you to take your shirt off which you do with no question. You watch his eyes as the rack themselves over your figure, panties forbidding the rest of you from being on display. Spencer walks towards the bed, pulling your legs over the edge as he kneels between them. You yelp at the sudden move, but quickly settle up again. 
One thing is for certain, Spencer always wants to make you feel good first. It didn’t really matter what headspace he was in - whether or not he was super dominant like he was today or if he was super submissive like he was when he was stressed. His touch is careful, your legs over his shoulders pull him closer instinctively but he doesn’t seem to mind. He merely pushes your panties to the side before he eats you out, kissing your clit to be gentlemanly. His tongue is careful at first, experimental lickes before he lays his tongue flat - with a soft rhythm, slowly increasing his pace to your pleasure. He gets you close like that, pausing for a few seconds on moving before sucking softly on you, making you twitch your legs. Spencers careful about this part, his speed only testament to how much he can push you, the knot in your stomach carefully being undone as Spencer continues. 
“Can I cum, please?,” your voice scrapes the surface as you ask. Spencer is busied with his mouth but he hums - feeling you unravel as your orgasm hits you with astonishing impact. Spencer feels the way you pulsate on his tongue, humming again so you feel that little vibration that sends your hands in Spencer's hair to pull you off. You’re trying to catch your breath as you finish, Spencer still adamantly eating you - making your body shiver with pleasure. He holds your hips down for a few minutes like that. You don’t really want to argue with him but you’re unsure how much you can handle as he makes you cum for the second time, a small wave of pleasure brushing against your spine as cum for the second time. When Spencer pulls away from you, orgasm covers his lips and manages to get onto his stubble. He gives you a light smile as he leans up to kiss you, hands holding your thighs as he does. You can taste yourself on his tongue. 
“Do you think you can handle letting me fuck your throat?,Spencer asks. You give him a look of surprise, trying to remember if you still had any cough drops before nodding - more than eager to let him do that if that's what he wanted to do. You just nod, ready to get on your knees before Spencer stops you in your tracks. 
“I wanted to do it while you were laying down, you know,” Spencer says, voice unsure. You’re surprised but you just shrug, laying down, your head back on the edge of the bed.  It weird to see everything upside down like this, so you just shut your eyes and open your mouth up. Spencers cock twitches at the site of you laid back for him like this, pushing past your lips a lips a bit, feeling your tongue along his tip. You pat Spencers leg, letting him know you were comfortable to let him go further, feeling his length push past your throat. You let your throat relax, gripping your thumb as Spencer buries himself nearly fully in you. His fingers find the column of your neck, brushing the bulge in your throat which makes it hard for him to contain himself. Spencers fucks your throat slowly, carefully not to push you too hard even though you were more than ready for it. You steadied yourself, the other hand in your underwear rubbing your clit to the feeling Spencer fucking you like this. 
“You’re so pretty with me down your throat like this,” Spencer comments. You moan around his length, letting him know he’s free to continue. 
“Prison made me think of all the things I could be doing to you, fucking you like you were the only thing I thought about all day. Maybe because you were,” Spencer laughs when he speaks, his hands reaching down to toy with your nipples, his fingers carefully twisting them, relishing the way you writhe under his touch. You tighten your throat around Spencers length causing him to jerk into your throat - sorta how you planned for this to go anyway. Spencers expression changes as he watches you take all of him in, his hand lightly around your neck, maybe too turned on by how the air leaves your lungs. When you pull out, spit covers your face and chin - but you just give Spencer a thumbs up and a smile, not phased at all. Spencer didn’t think he could be anymore in love with a person, yet here he was. 
Spencer helps you sit back up, sitting for a few moments to readjust to the world around you. Spencer cups your jaw, pulling your face to look at him - giving you the most adoring eyes like you didn’t just take his dick all the way down your throat, well that may be the reason why. Spencer  leans down to kiss your forehead, hands around the base of your neck as he does. 
“Good girl,” Spencers use of that phrase is spare, only using it when he really meant it. It fills you with a certain intensity you weren’t expecting, your throat already a little sore from the endeavor. You give Spencer a small hum of approval. 
“Thank you, Sir,” The honorific makes Spencer's heart ache. Spencer was a soft dom, which mostly meant that in bed you called him by his name. Sir was a sometimes thing, like when he got rough on the occasion. Sir was earned, just liked good girl was. 
“Get on your hands and knees for me, pretty girl,” Spencer asks. You do as you're told, arching your back completely for Spencer without questions. Spencer admires you, running your hands over the curves of your body, admiring the little wet spot that forms on your slit for him, cum running down your legs. Spencer wanted to fuck the shit out of you, wanted to see his cum spill out of you - as filthy as the thought was. You’d always talked about letting him go raw but Spencer was normally too cautious. You getting pregnant was much less of a consequence these days, like if anyone were to carry his baby into the world it’d be you and no one else. 
If anyone got to fuck you like that, it needed to be him and no one else. That was one thing Spencer knew was so different. Spencer needed to fuck you like that, raw and shameless just like only he could. Spencers fingers are too curious for his own good, one hand around your waist to play with your clit, and the other posing two fingers inside of you - brushing up against your gspot with ease. You shudder under Spencers touch, getting fingered from the back like this wasn’t what you were expecting but you weren’t upset about it. Spencers voice is warm in your ear. 
“You’re gonna have to cum one more time before I even think about fucking you,” Spencer warns. You just nod, chewing your lip as Spencer pads his fingers along you, curling them up for you to feel. He stretches you out comfortably like that, and you’re unable to really think clearly. His mouth works on your neck, biting hickies onto your throat as he does. The bruises are red and pulsating, the dark marks only bound to get darker and more visible as the days pass. Not that Spencer minded, though you did. It was a worry for later though, of course. You cum around Spencer's fingers again, unable to comprehend the level of exhaustion that seemed to come over. Still, you’d be damned if Spencer didn’t fuck you senseless. You tighten around Spencers fingers. 
“Spencer, fuck - please, please,” the begging has no particulars. It’s never for anything, instead a mindless response to Spencer and his ability to turn you on this much, to the point it was all you thought about. You were exhausted but all you wanted was for him to cum inside you and make you feel so pliable. You always were, for him anyways. 
“Sir - fuck me raw, please,” that last plea was a demand. Spencer groaned into your neck, nodding lightly, no response to your request. His fingers burned bruises into your waist, gripping on to you like he was gonna lose you if he didn’t. That feeling comes at you so quickly you can barely make sense of it, Spencers hands rhythmic in their ability as you convulse, cumming around Spencers calloused fingers and feeling every inch of them in you. You whine in disappointment when he pulls out. He just chuckles, taking his fingers and slipping them between your lips and down the back of your throat. You don’t choke, unsurprising to Spencer really. Saliva coats his fingers which he smears across your lips, just degrading enough for you to giggle. 
“Lay on your back from me, I wanna see you,” Spencer doesn’t need to finish his sentence to say that he wants to see how his cum fills you up, such a pretty sight it doesn’t need any words for description. 
You lay down, waiting for Spencer who doesn’t wait to get on top of you. That’s when you catch it again - his fucking chain. His name around your neck, hickies from you around his neck just like your name was. Spencer gets on top of you, chain hanging from around neck and all you can think is how fucking badly you needed this man inside of you. The way he had you, feeling this possessive over him made you fucking insane. You knew he’d always keep that chain on, like you were always hanging around his neck anyways but you needed to do more. You wanted to scratch his back up, steal his soul when you gave him head - everything, you wanted to do everything for that man. When he fucks you and you feel all 7inches, stretching you out - cumming inside you like he owned you because he did. So carelessly fucking you, making you cry out his name and now he had your name hanging around his neck. You’d be damned if another person even got near him. 
“Say my name when you fuck me,” you request. Spencer groans, slowly doing just as he promised, hitting your cervix before bringing his hips up - ready to fuck the daylights out of you with no question. Your eyes fixated on the jewelry that adorned him as he pounded into you, your voice totally lost to you as you feel his cock pulsate inside of you. He was relentless, the sound of his hips making contact with your backside filling the room with such a filthy sound. It was filthy the way Spencer fucked you. He leans down to you, his chain resting on your chest as he hands move to the side of your face. He wants to hit you, call you his pretty slut before he fills you with his cum. You just flutter your lashes and before he can ask. 
“Green,” 
Spencer's hands hit the side of your face roughly, the stinging sensation rather pleasing in all reality. Spencer's voice is low, an octave lower and hoarse as he pounds you out like it was nothing. 
“You’re such a good slut for me, aren’t you baby? Taking all of me in, like it’s easy. What were you doing while I was gone? Bet you were getting ready for me do this to you, weren’t you. Did any of those toys you used feel as good as me,” Spencers words are callous, and degrading but you loved every second of it. You shake your head. 
“Nothing was as good as you,” your response was forced out. Spencer laughs, voice tinged with something dark. 
“Nothing,” Spencer pushes his hips as far as he can, making you cry out as he reached the edge “Nothing ever will be,” Spencer finished
You tighten yourself around Spencer, looping your legs around his waist to make sure all of him shoots inside you. He finishes with a loud groan, fucking the cum into you a last few times before pulling out. You’re more turned on than you know what to do with so you loop your fingers in Spencer's chain and kiss him, wet and sloppy as he finishes. He presses his forehead to yours as he kisses you, eyes locking with yours as the both you stare at eachother in euphoric post sex glow. Spencer breaks out into a giggle as he comes down, falling into you when he pulls out and you do the same. 
“All this because of a chain?,Spencer asks. You just nod, placing a kiss in Spencers messy hair before sighing. 
“If you ever date anyone else, I’ll be the person in prison,” you say stubbornly. Spencer just laughs a little bit more, the two of you lying comfortably as Spencer places kisses over some of the hickies he left. 
“I wouldn���t dream of it, love,”
----
taglist:  @cynbx​ @zephyr-studiesjp​ @skrrrrrrrrrrt​ @reid-187​ @louistwinslover​ @pastanest​ @nomajdetective​ @iamburdened 
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maleyanderecafe · 3 years ago
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Ordinary Yanderes
Yanderes come in all shapes and sizes, but what exactly causes someone to become a yandere? Often it's a tragic backstory, such as abusive parents or in other cases, they are supernatural beings that were born with obsession or born to be obsessed. But what exactly can cause an average person to become a yandere? Today we'll be talking about ordinary yanderes, those with perfectly average lives that become obsessed with a particular person. This analysis idea came from my friend who I played the Mazm: Phantom of the Opera, and also someone who is going to make a yandere vn, so thank you, Cherry for the analysis recommendation!
One of the most common ways that a regular person can turn into a yandere is after they have some sort of trauma. This is actually something that can cause a lot of different changes to anyone since the trauma is something that is hard to process and go through. I actually had a conversation with my friend Coyoda about this topic while helping Cherry with her vn idea, but the idea is that trauma can often cause a lot of different ways of coping, and the example given was that many survivors of the 9/11 events often become flat earthers sort of as a way to cope. This is actually how a lot of stalkers in real life come to be as well, with someone showing some sort of kindness after they have experienced a traumatic event. This is also a pretty common way that yanderes in media are created, even if before the event they had a pretty regular life, trauma can really cause someone to change completely. This can often be a death of a family member or even a pet or could be something like being forced to be homeless or losing a job. In general, though, a yandere with this sort of origin experiences trauma and then directly is helped by someone (they usually perceive this as kindness, even if it's just a basic gesture), which they then become infatuated and obsessed with.
This is often the origin story of a lot of protective yanderes as well, especially if it involves the MC being in danger. A good example of this is the series Kimi ni koisuru satsujinki (or Killer in Love in English), where the main character, Suzuki, must constantly protect Kokona from the stalkers that are trying to kill her. In this case, Suzuki is a more or less normal person, if not a bit depressed about his life, and it completely gets turned upside-down when he meets Kokona. The general idea for these kinds of protective yanderes is that they are placed in a situation where they have to protect their s/o, but often have to do immoral actions to do so. This usually means that they have good intentions but the wrong way of handling things, however, often they are placed in a situation where they have little to no choice in the manner. A lot of times, these will be life and death situations, but it can also be situations that might cause their life to be worse (for instance, something that can cause their reputation to be ruined or for them to be suddenly bankrupt), though in all of these cases they do something that can be traumatizing or at the least something that leaves an impact on them. The intention/reason has to be related to the s/o, whether it be directly or indirectly, though there can also be other stakes as well. Another example is Ramaru from Your Turn to Die, specifically in the route where Kanna dies instead of Sou. In this version, Ramaru becomes afraid of dying, even as a doll, and while paired up with Sarah, suggests killing off the others to save both of their skins. Sarah basically accepts this idea, manipulating Ranmaru into killing the others, specifically either Alice or Reiko before getting caught. In this scenario because of the dangerous game, they're in, Ramaru becomes so scared that he's willing to kill off the other players just to get him and Sarah to victory, and it's very likely that if he weren't caught, he would have tried to kill off the others. While Ramaru was never necessarily a "normal" person, the change he had was very drastic due to his fear of death within the game, and his condition for winning essentially forced him to protect Sarah for his own safety, even if it meant killing off others. In essence, for this kind of yandere to go from normal to overly protective, they must have some motive to protect the MC from danger, whether fatal or not.
Similarly, instead of the MC being in danger, the MC could become the yandere's "savior". There are a couple ways of doing this. One of the more common ways is to have something bad happen to the yandere that the MC is able to fix or alleviate for them. It can be something simple as again, showing kindness, or something much more like giving the yandere a place to stay. In this stage, the yandere is usually not in the best state of mind as they've often gone through something that is difficult or traumatizing. When the MC "saves" them, the yandere will become endured towards them and will often end up worshipping them as a result. Pulling someone out of a difficult situation might make the yandere become obsessive or view them as someone who is always in the right, even when they're not. They may attempt to drive others away or hurt anyone that might hurt their savior. Another way to do this is through a sort of addiction process. Say for instance, a person has an extreme urge that they can't satisfy, someone who loves to be violent, or someone who is really masochistic, but because of society and the fact that its considered "strange" or "creepy" they don't have a very good outlet for it. This can be something that they've always had but were able to repress or something that can be developed suddenly. If someone, such as the MC were able to provide a proper outlet for it, they would have the power to take it away, forcing the yandere to be come addicted to it, especially if the MC were to give and then suddenly take it away from them. So in the example with the violent yandere, the MC might have a way for them to fight as much as they want, but takes it away from them to control them and forces them back into their original life. However, if the addiction is strong enough, its likely that the yandere will come back for more. While this doesn't necessarily mean that they will become a yandere (especially if someone else is able to help them through their problems more), I think that it is a way to make a more reluctant yandere, one that can't hold back from something that they've been holding onto for their lives. Another variant would be an MC who is able to coax out the bad parts of a yandere (again, something like violence or obsession) and make it seem "okay" for them to do these actions, only for when the world to turn on them, the MC to comfort them and isolate them, making the yandere believe that they're the only one who can save them. This can be done intentionally or unintentionally by the MC in question, since there are ways of making the MC unintentionally bring out specific sides of the yandere.
Another way is to have the yandere learn about love in the "wrong" way. This is probably actually something common in the real world, as often media has romanticized the idea of love and many people often have the wrong conception of what love is. This is something that might be useful for an "ordinary" yandere, as it means that they can have a more or less normal life, but their definition of love is skewed due to other influences. For instance, this yandere might believe that the definition of love is their "soulmate" someone who can never part from them and can never be torn apart. Assuming that this is something that they believe in strongly, its very likely that if this yandere were to ever experience a breakup, they would not react to it well, probably desperately trying to fix what they might have done wrong, or even outright refusing to break up with the person, believing that they are mistaken. This can also be the start of a delusional yandere, especially if their lover is someone that is less than perfect, and the yandere can't fathom why the two soulmates would be able to separate. Another example might be the idea that the yandere believes that lovers must care for each other above everything else. When in a relationship, the yandere is very likely to be the kind of person who will literally do everything to place their lovers relationship first and expect the MC to do the same. It's likely that even if the MC tries their hardest to love the yandere, it may never end up reaching up to the yandere's level of "love", and may even get angry when they feel as if they are putting in more than their lover. This can branch off into a lot of things, such as the MC attempting to work harder for their MC's love to the point of hurting themselves, or even getting angry and threatening the love out of the MC. Generally these kinds of things are something that the yandere builds up because of a specific belief, and they have to be the kind of character who refuses to let go of what their idea of love is and never really learns what love is really about.
The final idea I have is that the yandere was able to learn specific actions from someone close to them. This sort of overlaps with the Parent Yandere and the Generational Yandere, but the idea is that the yandere actions are learned from someone. The more common ones are how the parents act that eventually is transferred down to the children or in the case of generational yanderes, something that is actually within the bloodline. In terms of family, this can also be attached to uncles or aunties who have more of an obsessive streak, especially if they are close to the yandere and teach them about love (for instance, a yandere uncle might tell the yandere that lovers need to be possessive over each other, something that might carry over in the yandere's love life). It can also be someone that isn't directly related to the yandere, such as a friend. If the friend for instance exhibits some sort of yandere traits (for instance, taking pictures of their loved one when they're not looking) the yandere might believe that its a normal action and might end up taking it to the extreme when they have a lover or crush. This might be used to more comedic effect as the yandere takes something that's normally sweet and pulls it out of proportion, or similarly scary depending on reactions and what they do exactly. For this, its often their misconception on how love works and how they viewed it that might end up causing the yandere to become a yandere.
Anyways, there are some ideas on how to make a normal person into a yandere, or at least have someone with a relatively normal life eventually fall into yandereness.
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dontbipanicjonsa · 3 years ago
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The Unkiss
TW: discussion of sexual assault
The purpose of this post is to explore how and why the Unkiss came to be, and speculate (poorly) on what purpose it may serve in the future. Read under the cut  (thanks @esther-dot )
So, I’m going to tell everyone right away that I’m not a very big fan of the pre-existing theories surrounding the Unkiss. Specifically, I tend to disagree with the “how”. This is partly because I think all the explanations offered are too Freudian (*shudder*) and partly because I’ve had a similar instance myself so I tend to project (sue me). 
THE HOW
First, let’s look at the pre-existing theories: 
The Unkiss is actually a sexual fantasy that Sansa has confused with the real events that happened (exactly what Freud would say. Creepy fuck.)
Sansa invented the Unkiss to romanticize an otherwise traumatic event so she could cope with it better. 
Is there any other theory I’m missing? These are the ones I know. 
I’m going to jump straight to the second theory. The issue (for me) in this theory is that it sort of assumes that Sansa herself would consider that kiss “romantic” or that it would somehow help her cope the BoB night.
He yanked her closer, and for a moment she thought he meant to kiss her. He was too strong to fight. She closed her eyes, wanting it to be over, but nothing happened. - Sansa VII ACOK
This is the moment. She is expecting a kiss, but wanting it to be over. It’s very clear that the kiss would have been non-con. More importantly, it looks like Sansa herself would consider the kiss non-con. 
Why on earth would Sansa invent a kiss she didn’t want in the first place to make coping with an already traumatic event easier? 
He kissed me and threatened to kill me, and made me sing him a song. - Sansa II ASOS
This is the first time we are introduced to the Unkiss, and it shows that Sansa’s memory of that night is perfectly intact. The Unkiss is an addition. It isn’t replacing any other, more traumatic memory (like the threat to her life). 
Now this is what I think happened:
Her emotions were running high that night, and her mind muddled up real events with the memory of that mounting (practically tangible) terror. 
Yeah, it’s that simple. You know how you get really angry in a fight and then later you can’t recall the exact the words? Memory is unreliable. There are plenty of studies to show the varied effects trauma has on memory. There are plenty of studies to show how easily memory can distort. There doesn’t need to be a great, complex reason for Sansa to misremember a traumatic event. Also remember that Sansa may not be entirely sober for this encounter, since Cersei did make her chug that wine before. 
Being stuck in a situation where you’re terrified and anticipating some sort of assault any second? Having a single moment where the emotions peak, where you’re sure the assault is going to happen right that moment? Misremembering if the assault did or didn’t happen later? Yup. Been there, done that. I still don’t remember what happened, and it’s been years. I sure as fuck wasn’t romanticizing shit, so it never occurred to me to think that Sansa might be. So when I heard the theories I went back to her chapters and honestly, I don’t think she is either. Not yet.  
Then this happened:
She could still remember how it felt, when his cruel mouth pressed down on her own. He had come to Sansa in the darkness as green fire filled the sky. He took a song and a kiss, and left me nothing but a bloody cloak. - Alayne II AFFC
Now this is Sansa romanticizing the Unkiss. She romanticizes the kiss she remembers. That does not mean she invented the kiss to romanticize the BoB, it only means she remembers a non-con kiss from a traumatic night and chose to romanticize it to cope. See the difference? 
The kiss isn’t a way for her to romanticize her trauma to cope, she romanticizes the kiss that was a result of her trauma- to cope. 
I won’t be so sure of this theory though, because (no offense) but GRRM does seem like the kind of guy who would read Freud and incorporate his ideas in his story. There’s already a shit load of incest and let’s admit it, Sansa canonically has daddy issues. How far or in-depth did GRRM think about the “how” of the Unkiss? We don’t know. 
THE WHY
Well, this one has been explained by GRRM himself:
You will see, in A STORM OF SWORDS and later volumes, that Sansa remembers the Hound kissing her the night he came to her bedroom... but if you look at the scene, he never does. That will eventually mean something, but just now it's a subtle touch, something most of the readers may not even pick up on. - GRRM 
He also said:
File this one under "unreliable narrator" and feel free to ponder its meaning...- GRRM 
So, it’s safe to say that the Unkiss is basically being used to establish that Sansa has an unreliable memory. Of course, other characters probably have unreliable memory too (for example: Arya misremembering the name of Joffrey’s sword) but this is still most likely about Sansa. 
Sansa has always been considered an unreliable narrator by the GA anyway, since so much of her narration in the first book was at odds with the narration of Ned and Arya, who were both fan favourites at the time. This should probably indicate to the readers that the other characters are unreliable narrators as well, but it doesn’t. People carry on reading simply assuming that only Sansa’s POV is unreliable, or at least the most unreliable. So using Sansa’s POV to lay the groundwork for memory issues in someone else’s POV is...not gonna work. 
This doesn’t necessarily prove that the pay-off of the Unkiss is going to come from Sansa’s POV only, but it makes it seem likely. So I’m going to restrict myself to looking at the possibilities of misremembering stuff from Sansa’s POV. 
One more thing we need to look at before we start looking at future possibilities:
"It's not the same," Sansa said. "The Hound is Joffrey's sworn shield. Your butcher's boy attacked the prince." - Sansa III AGOT
On the surface, this looks like another memory edit. The situation is remarkably similar; it was a traumatic event for Sansa, she was not entirely sober when it happened, and now she is misremembering what happened. We know that Mycah did not attack Joffrey, Joffrey attacked Mycah. However, it’s not quite the same. For one, we don’t actually know if Sansa believes that, or if she’s just trying to be contrary to Arya. 
Also- 
"Sansa, come here." Ned had heard her version of the story the night Arya had vanished. He knew the truth. "Tell us what happened." - Eddard III AGOT
Sansa had told Ned what happened. But then she said-
She blinked at her sister, then at the young prince. "I don't know," she said tearfully, looking as though she wanted to bolt. "I don't remember. Everything happened so fast, I didn't see …"- Eddard III AGOT 
So.......is she lying or did her memory actually get fuzzy afterwards? What exactly did she tell Ned? Considering that he’s the one who asks her to “testify”, I’d assume she told things as they really happened (as in Joffrey attacked Mycah). Did her memory of the events slowly fade...and then reverse (as in Mycah attacked Joffrey)? Or is she just taking the neutral stance here, and later the opposing stance (Joffrey’s side) in her fight with Arya? We don’t know. 
PURPOSE IT MAY SERVE GOING FORWARD
First, let’s assume that the Trident accident really does count as a memory edit. This would mean that Sansa has edited her memory twice now, which makes it very likely that a third memory edit is coming. There are two directions this can go-
The third memory edit has already happened pre-canon (so technically it would be the first edit)
The third memory edit is going to happen sometime in the next two books.
Warning: this is where I get back on my Jonsa bullshit. Turn back now if you don’t wanna watch me make everything about Jonsa.
Pre-canon Jonsa crush 
If the first option is true, and Sansa has already edited her memory once that we don’t yet know about, then a pre-canon crush/moment between her and Jon is...a pretty strong possibility. 
I’ll admit, I’m very very skeptical of the pre-canon crush, simply because I think there isn’t enough evidence or foreshadowing for it. On the other hand, the groundwork has already been laid, if GRRM were to go in this direction..it would be believable. Shocking, but believable. 
We have numerous mentions of kissing games in the godswoods. We have a pre-canon conversation between Sansa and Jon about How To Hit On Ladies. And much more. The possibility is there. 
Sansa having a crush on Jon and being so traumatized she replaced Jon with Waymar Royce?? Sansa getting tipsy on watered down wine and giving Jon a blue rose-
There are other possibilities though, for example, a fight between Sansa and her father and/or Arya that she’s not remembering correctly. It would explain her daddy issues (even more) and work to create conflict between her and Arya (why though). But I don’t THINK there’s any evidence for that..? I don’t know I’m just throwing out ideas.
Moving on to the second option- a third memory edit to come
These memory edits are not likely to be nearly as innocent. 
One possibility I’ve heard about is Sansa forgetting her identity and sinking into Alayne. No. Very Unlikely. Sansa’s Stark identity appears to be going strong even in the TWOW preview chapter.
Second possibility- Sansa memory edits Lysa’s death. 
She was mad and dangerous. She murdered her own lord husband, and would have murdered me if Petyr had not come along to save me.- Alayne I AFFC 
It’s...possible? But it looks like she does remember what Lysa said and how she died. She’s just suppressing/dismissing the parts that implicate Littlefinger, which is not the same as a memory edit, where the memory is changed somehow. 
More possibilities- Littlefinger will do something and that will lead to a memory edit. She’ll flee from the Vale and run into Ramsay (I dearly hope not) and bam trauma -> memory edit. The possibilities are pretty much endless. 
Now let’s assume that the incident on the Trident was not a memory edit. This means she’s only had one memory edit yet....in which case the pay-off is probably something kiss-related, or it is something she remembers, but which didn’t really happen. A pre-canon kiss, or some serious Freudian shit that I’ve been trying desperately to avoid, a Sansa-Sandor faceoff....yea I’m not actually good at speculation.
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pain-in-the-butler · 4 years ago
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it’s late, I’m bored, time for Hunger Games Simulator Kuroshit Edition Episode 2
Day 1 Cornucopia highlights
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Sebastian’s just like “aight time to clean”
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it’s gonna take more than that to help you now, bud
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they might be too pure for this
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rip grandpa
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Will also said “fuck it, cleaning time”
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Agni brings out the right hand of god for bread, Randall gets the broken nose he’s deserved for a while now (he did win the last Hunger Games, to everyone’s disappointment)
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O!Ciel hoping to hibernate it out
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TERRIBLE NEWS EVERYONE, OUR GIRL IS DEAD ALREADY
Phipps, Macmillan, Finny, Lizzie, Soma, Abberline, Undertaker, Edward, Bard, Ronald, Othello, Mey-Rin, and Grey all got away from the cornucopia safely. Some of them got weapons, but the game doesn’t record what weapons people have and what they don’t, so whatever people picked up doesn’t really matter
Day 1 highlights
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HARCOURT CAME TO FUCKIN PLAY YA’LL
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gdi Randall, we just lost three of four girls in one fell swoop, I hope you bleed out from your broken nose and die
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Ronald says we aren’t allowed to have nice things
Other highlights:
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Day 1 Arena Event: Borders Close In
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Edward punishes Agni for his bread crimes
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Hunger Games simulator is actually just a rare pairs simulator
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pretty upset that Harcourt died so soon, it’s always kind of funny when he gets the chance to become a cold-blooded killer
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and there goes our last lady (though now that I think about it, I should probably sub in Lao and Ran-Mao)
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Day 1 and we’ve already lost Lizzie, Mey-Rin, Bard, Tanaka, Soma, Agni, Sieglinde, Grell, Othello, Phipps, Abberline, Randall, and Harcourt
This leaves us with only eleven survivors: O!Ciel, R!Ciel, Sebastian, Edward, Finny, Undertaker, Wolfram, William, Ronald, Grey, and Macmillan
Night 1 highlights
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the boys are like “better make the best of a bad situation by creating the next Kuromyu”
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Macmillan had the same idea, but he’s alone, and no one’s favorite character is Macmillan
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alternate title: R!Ciel and Undertaker traumatize Edward and Finny so badly that they can’t sleep
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O!Ciel’s sitting on his food cache like a fat dragon guarding its hoard of treasure
Wolfram is unable to sleep, but Grey builds himself an entire camp and presumably gets plenty of beauty rest
Day 2 highlights
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Macmillan refuses to kill the shorter, two-eyed version of his friend. Meanwhile, R!Ciel is already dead
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Ciel’s almost too in character as he waits for the enemies to come to him while he does whatever the hell he wants
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they’re just blond boys doin what blond boys do
other highlights:
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Wow, no deaths today, so it looks like it’s camping o’clock
Night 2 highlights
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black ops Macmillan says never trust anyone, not even the side character who exists to set up exposition
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why do I feel like Wolfram will regret this
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well, at least we know he didn’t burn down the manor
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R!Ciel: I’ve reclaimed the manor, my title, and my girlfriend. What are you gonna do about it? O!Ciel:
other highlights:
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Alas, poor Will
Day 3 highlights
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R!Ciel is really out here like “I’m incapable of dying, just try to kill me and you’ll see” but no one believes him
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the food king discovers he cannot be sustained on food alone
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Grey does the gentlemanly thing
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Wolfram says “my death scythe now”
Other highlights:
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and so day 3 comes to an end with this final roster
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we’re fortunate enough this time to have things wrapping up with both twins and Sebastian still alive, which keeps things interesting. However, Macmillan is also here, and the randomizer could turn him into an absolutely feral killing machine. Nothing is sacred in Hunger Games Simulator
Night 3 highlights
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looks like someone couldn’t find that water source
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another man cleared of arson
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fast, hungry boy and strong, hungry boy bond over being hungry
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still not entirely certain Macmillan knows he’s helping the wrong twin
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the only wounds he's gotten are from the thorns while picking berries.......
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fair enough my man
The Feast highlights
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Somehow the frail, decrepit perpetual ten-year-old managed to defeat the powerful demon and grim reaper armed with a lawn mower. Did I mention nothing is sacred
Day 4 highlights
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Macmillan and Finny both spared R!Ciel, but as soon as Macmillan asks for death, Finny’s like “you got it champ”
meanwhile the brothers are squabbling but what else is new
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imagine if we got to a point in the manga where the roster actually looked like this 3wijaor;jiwa
Night 4 highlights
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so I guess somehow Grey has cemented himself as Enemy #1 and the boys put aside their differences so they could have a slumber party with the remaining blond boys
Day 5 highlights
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Older blond boy kills younger blond boy in a truly devastating example of blond boy crime. Meanwhile, O!Ciel add medical supplies to his growing collection of goodies, and Grey says “ooga booga” at a child
Night 5 highlights
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it’s like the start of the Blue Cult arc all over again
Day 6 highlights
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Did R!Ciel just die really anticlimactically?? Also, O!Ciel becomes a perfect combination of McGruff the crime dog and Smokey the Bear and says no to fires
Night 6 highlights
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Hunger Games simulator returns to being a rare pairs simulator. Somehow O!Ciel has acquired an infection, and R!Ciel is definitely dead
Day 7 highlights
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O!Ciel, Grey, and Wolfram take a page from the Public School Arc’s notes and don’t do anything interesting for a while
Night 7 highlights
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Wolfram gets medical supplies but refuses to use them on his new boyfriend. O!Ciel's canon energy is stifling
Day 8 highlights
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O!Ciel receives a weapon he won’t use. Grey tries to make something happen. Wolfram goes spelunking
Night 8 highlights
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O!Ciel’s canon energy continues to rise to dangerous levels, but Seb’s too dead to hear him make orders. Wolfram dies, and if this were the manga, you know our boy wouldn’t stand a chance in hell against Grey
Day 9 highlights
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IT’S THE HUNGER GAMES SIMULATOR AND NOTHING IS SACRED
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god look at that shit-eating grin. Ciel managed to make it through the whole thing without killing anybody and he knows his ass would be grass if Grey hadn’t gone kablooey. unbelievable. our grand champion, everyone
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mable-stitchpunk · 3 years ago
Note
Please rant abt fnaf interpretations I am, all ears
.I didn't expect such a positive response! 8D I got a few asks for them, and I'll see if maybe I can reply to a few of them with different interpretations...
...Also-
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Let's begin with the rants. You might've seen some of these points before, but I'll bring them back up because I desire to.
1. The ghosts of the Missing Children are evil.
I don't read a lot of fanworks anymore, but I used to loathe when I would find those fics where the murdered children would be portrayed as vindictive little monsters who were going out of their way to ruin everyone's lives. Possessing main characters and forcing animatronics to go against their wishes to attack innocents for little reason.
I find this is the reason I also don't like the "animatronics are sentient and possessed by second consciousness" headcanon. Not all of them are bad, mind, you, but many of them eventually go the earlier route.
Why I hate this is because it's never a situation where we're being led to see the children as sympathetic, or corrupted by time, but a way to make the Missing Children less sympathetic to the audience. Or to raise drama by having a slew of ghosts who feel no sympathy and cannot be stopped.
Other versions show them as being especially bratty or excessively mischievous, which I just find a little annoying.
Funny enough, I don't think a child's soul going rogue is a bad idea. Such as in the case of Andrew, who I feel was massively underutilized. You can just tell when it is a pull to make the reader see in a specific direction. You can tell when there's a subconscious desire to make the murders seem 'not that bad'.
Also, the idea that the ghosts of dead children are evil because they're looking for justice for their deaths is kind of frustrating when so many headcanons try to excuse William's actions by suggesting that something traumatic triggered them.
Of course, in these cases the children are seldom actually looking for their murderer and instead are just circling around someone else.
...Oh yeah, and since we're on it-
2. William killed those children for revenge. (As a defense)
Specifically, when this is NOT used as a plotpoint, but instead used as a blame shield for William Afton. You can usually tell the difference by how the effect is cast on William.
If the tone is: William lost someone and then went on a kamikaze mission to ruin everyone's lives. Then typically it's fine.
If the tone is: William killed a lot of people- but he only did it because he lost his x! Then it gets frustrating.
It's the same boat as that Henry depression excuse, though it's worse in this case because William didn't just murder children, it's suggested that he hunted and tortured them, and then brought them back to continue making them suffer as animatronics.
3. William was a scientist.
Don't give him that much credit. This man didn't start doing science experiments until the plot got so elaborate that they needed to one-up him with himself.
4. Henry was a good father.
I absolutely loathe this one, because it hinges off of the novel's version of Henry, who actively abandoned one of his children to obsess on the other one. To the point of forcibly bringing them back without caring if the other existed- and then ditching that one too.
Sammy Emily does not exist to the FNAF fanbase. He's not a sympathetic character or an important character, he's just a plotpoint that's written out when it comes time for the big Shyamalan twist. He's pretty much totally ignored.
And by his father too. Henry never acknowledges Sammy, never cares about Sammy. He only cares about what happened to Charlie.
...But not enough to do anything about it.
Which is why I think a little acknowledgement that Henry wasn't great just because he died would go a long way. I won't even go into his more egregious actions.
5. Circus Baby's sexualization.
This is one actually backed by canon, but that doesn't make it any better. I hate the constant sexualization of Circus Baby... and especially the hypocrisy that surrounds it.
Let me give you one example of an event I had once.
When I was first writing CGHA and Mike and Mari got together, there were a lot of people who apparently missed the numerous references to the fact that Mari had aged in his many years as a puppet. This meant that Mari was now an adult, but they said since he died as a child that he is still a child. The word pedophilia was dropped a few times.
These are the SAME people who are all gung-ho about Baby dolled up in a sexy human body with skimpy skirts and long boots, dolled up by her daddy. But isn't SHE still a child?
Well, no... Because she's a bad girl, so she doesn't count.
Get off with that.
6: Vanny is in love with William Afton.
Unless we're talking Stockholm Syndrome, I don't think you're going to love a demonic entity possessing you and threatening to break your fingers if you do the wrong thing. I guess you can say that's abusive love, but like Joker and Harley Quinn, people somehow manage to forget that aspect.
I've gone into this before, so I'm not going to rant on it again. Largely because I don't know how FNAF will portray Vanny, and it's not above them to take inspiration from other sources.
Now, unlike some of these other headcanons, I THINK someone could actually write a story and make this work if they acknowledged that it was beyond "toxic". Vanny would have to be emotionally and mentally crippled to respond positively to such treatment, but it is possible if it was backed up with behavioral issues and a backstory.
You'd have to get on Silent Hill 2 levels of backstory, but it is possible if you want to go that dark.
---
I think I'll end it there for now. I know some of these might be hot takes, but I'm just voicing my thoughts here. Again, not saying anyone's wrong for holding these interpretations, but I think they should consider why they hold them.
Because it looks to me like these are used-
1: To make this Missing Children Incident less severe. 2: To make William Afton more sympathetic. 3: To make William Afton look cool. 4: To make Henry a martyr in contrast with William. 5: To have a forced femme fatal. 6: To underplay how gross the possession aspect- especially when it is a middle-aged man in complete control of a young woman's body and actions.
...But hey! That's just me. Rant over, for now. XD
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jessicajonesrp · 4 years ago
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He’s backkkk
 It took some careful planning, but eventually, Rikarah had what she needed to be able to bring Kilgrave back to life.
 She already had a safe and secure location where she would be uninterrupted during times of needed concentration- her open rented home, just outside of Manhattan. She had never bothered to inform Phillip that she had a rental house; it seemed a better bet to keep the information of her multiple living quarters, unused for most of the year, to herself, just in case. Phillip had been far from discreet, and there was a reason Rikarah had chosen a secondary lodging outside of the business of cities such as NYC, Hell’s Kitchen, Harlem, or Manhattan itself. She was a loner at heart, but her interest and her focus tended to be on others, and it was necessary to spend most of her time among them in order to know them and their lives. This distant secondary home was to be used only when necessary, to recharge, or for specific situations such as this.
 It hadn’t been difficult to obtain a picture of Kilgrave. After the incident on the dock, he and Jessica and Patricia Walker had been all over the covers of newspapers everywhere, so it was a simple matter of a few clicks on a smart phone to find and save a picture of the  man in question. It had taken more time to obtain something with Kilgrave’s DNA. Rikarah had attempted to trace the location of his body- somehow she suspected he had been neither traditionally buried nor cremated, and it was her guess that he was likely being used for scientific experimentation or study, legally or otherwise,  within the government or whoever else had been the highest bidder of access.
 With some creative thought, she had been able to trace back several of Kilgrave’s last known addresses, including the childhood home of Jessica Jones, which was unfortunately no longer standing after its bombing. Nevertheless, Rikarah had discovered that the “Kilgrave survivors” group Jessica had formed over a year ago, with the intention of drawing out Kilgrave and gaining information on him, was still active and meeting regularly.
 It hadn’t been difficult to insinuate herself into the group for a few weeks as a new member, pretending to be one of the traumatized survivors of the incident of Kilgrave-directed violence on the dock the evening he himself had died. Rikarah had enough research information to be able to nod along and briefly and tearfully provide her own version of events. Meanwhile she took note of the people who had spent prolonged time with Kilgrave- being his driver for a week, forced to let him live in their home for longer, or forced to wait on him as a cook, bartender, or masseuse.  
 Those were the ones that may possess something that would carry Kilgrave’s DNA, even now. Those were the ones that she made the effort to befriend, to offer a shoulder and a listening ear. And a few episodes of feigned attraction and friendship had been enough for one clearly still traumatized older man to allow her into his home and his bed, and with minimal encouragement from Rikarah, to lead her in a tour of the house Kilgrave had made his lodging for a time- the house the man still lived in.
 “It was terrible,” the man told her, actually tearful as he shook his head, eyes cloudy as though reliving what he spoke of. “I couldn’t leave the house, I couldn’t speak or even move without him giving me the okay to. He used my house as though it were his, and then one day he just left and didn’t come back. I was terrified that he might return, any moment, and I couldn’t predict when or do anything to stop him. He didn’t even take all of his things with him, and I was afraid to do anything to get rid of them, or even move them, in case it made him angry if he did come back. I know he’s dead now, but even now I’m afraid to touch his things. That’s pathetic, I know, but it’s the truth.”
 It was pathetic, in Rikarah’s view, but it was also fortunate for her. Because among Kilgrave’s “left behind things” were a comb, toothbrush, and some clothing including socks and underwear. All certain to contain Kilgrave’s DNA.
 She had charmed the man with sympathetic words and touches, assuring him of his bravery, lying without a flicker of remorse about her own supposed fear. It hadn’t taken more than twenty minutes for him to be convinced that he was now strong and brave enough to let some of those items go, “just a few to start with, the ones most associated with him personally”- and that she, Rikarah, in spite of her own fear, cared enough about his healing to be the one to take them away to make sure they were disposed of.
 She still couldn’t believe the man was gullible enough to fall for such nonsense. But he had actually leaked tears and hugged her, thanking her for her empathy and giving him the chance to start a new life.
 Ironic, and amusing, really, that in all actuality, she was bringing back what he feared the very most, all in the name of helping him put it behind him.
  So armed in her remote rented home with the personal objects of Kilgrave’s and a clear picture of his face, Rikarah sat cross legged on her bed and emptied her mind of all thoughts but those of her intention. She stared at Kilgrave’s picture, her hands stroking over each object containing his DNA, and pictured him awake, alive, and whole before her. She imagined the beating of his heart, the rhythm of his breathing, every synapse and nerve once more sharp with activity and use. She envisioned the blood running through his veins, and as her own small body grew taut and gave off fevered heat with the effort of her actions, she reached out for the knife beside her knee. Grasping it in her left hand, she slashed a shallow x over each of her palms, and then at the surface of each of her feet. Hands shaking slightly, she smeared the blood over the comb, the toothbrush, and the clothing, combining their DNA.
 With a final shudder of effortful focus, Rikarah spoke aloud Kilgrave’s name. She could feel the air grow thick and strained, as though holding something moving and living and shifting in shape, and she slumped back, exhausted, against the bed, watching with satisfaction as a human form began to slowly knit itself into view in front of her.
 It wasn’t a pretty sight. The revived bodies started first with skeletons, then filled up with internal organs and muscles and sinew, before finally being knit over with skin and hair and the other details normally seen on the outside. It was no different with Kilgrave, and eventually, there he stood, naked, panting, and wide-eyed at her bedside.
 Rikarah smiled, more in self-satisfaction at the accomplished task than at the sight of the man’s naked body. She didn’t consider him overly impressive in his physique, but he would do. It was the man and his mind, not his body, that mattered. She more than anyone knew it was a mistake to overlook people for their physicality.
 “Where the bloody hell am I?” Kilgrave sputtered, disoriented, seeming to struggle to draw in breaths. His lungs, being new again, were likely still adjusting to breathing. “What’s the matter with me? And who the fuck are you?”
 When Rikarah didn’t immediately answer, too tired to bother, Kilgrave straightened, pointing a finger at her, and took a menacing step forward, raising his voice. “I asked you a question, are you deaf? Answer me!”
  “I’m sorry, Kevin, but I don’t take orders from anyone if it doesn’t suit me, and certainly not from you,” Rikarah said coolly, lifting an eyebrow from her supine position on the bed. “As you quite literally owe your life to me, I would expect a little more respect and gratitude, but I’m a patient woman. I’ll assume you’re rather in shock at the moment, given you’ve just gone from bones and brain mush to a living body again, and let the rudeness slide.”
 Kilgrave’s eyes bulged, and he recoiled, alarmed as much by the nonchalant response he had just received as the strange situation he had found himself in. To speak an order and have it not obeyed immediately was beyond his comprehension.
 “But I told you to do it!” he almost whined, staring down at the small and clearly unintimidated woman resting on her side in the bed. “I told you to, and you just- the only person who could ignore me was Jessica, and-“
 He stiffened, his face paling, as he pointed an accusing finger at Rikarah again.
 “Jessica did this, Jessica used that sedative thing on me, didn’t she?! You’re with her, you’re one of her people!”
 “Certainly not,” Rikarah corrected him, exhaling with a weary and somewhat impatient sigh. “Jessica knows nothing of this- yet. As far as she believes, you are long dead, and she is glad of it. After all, she was the cause.”
 She sat up, watching wryly as the realization and the memory of his own last few moments of life, just before Jessica snapped his neck, came back into the forefront of his thoughts. Rikarah gave him a few more moments to process this against the obvious reality of his current status of being alive before addressing him again.
 “Yes, Kevin, you were dead, and for over a year now, too. You would have stayed that way, if not for myself and my own unique abilities. Some gratitude and a certain level of loyalty is not unwarranted.”
 “I was dead,” Kilgrave repeated, the words stunned, almost disbelieving. “And you’re saying- what, that you resurrected me? You?” He snorted, looking Rikarah up and down dismissively. “No  offense, love, but you hardly look the type to have that sort of power.”
 “And Jessica does?” Rikarah countered. “I’ll grant you that she has the advantage in height, but she’s of a smaller frame even than myself, and what she may have over me in physical strength, I can outdo in the sheer enormity of my ability. She may be able to kill someone with a punch, but I’m the one who can bring them back from the dead. If you ask me, I have the greater power, and therefore, the greater true strength.”
 Kilgrave looked her over again, more carefully this time, assessing rather than dismissing her. He took a step closer, still seeming not to care for his nakedness as he narrowed his eyes at Rikarah, anger losing out to eagerness in his eyes.
 “You know Jessica,” he asserted. “Where is she?”
 Rikarah wagged a finger at him playfully, a small smile curving her lips.
 “Am I really so uninteresting, that I bring you out of death, and you would forgo all details to chase after another woman? Perhaps I was wrong in my interest in you. Perhaps someone else is more deserving, and you can simply go back to where you were before.”
 “Wait, no, that isn’t it, love,” Kilgrave backpedaled, his smile at Rikarah forced at first as he raked a hand through his hair, then more genuine. “Of course I want to know how you managed this, and of course I’m glad for it. And I certainly want to know how it is you don’t listen to a thing I tell you to do,” he muttered, more to himself than to Rikarah, before addressing her again. “But if you know Jessica, then you must know something of our history, and why I would want to know where she is. She’s the one who killed me, you know. She’s the one-“
   “That,” Rikarah interrupted, to Kilgrave’s barely contained outrage, “is in the past. The present is right here, with me, in this moment. Choose wisely, Kevin Kilgrave, and choose now, while you still have the choice before you. You can realize that I am no ordinary woman you’re dealing with here, that you owe me your life and your loyalty, and I owe you nothing and cannot be ordered into anything you may want from me. Believe me, I hold no liking for Jessica Jones, and as long as I am the woman who comes first and foremost in your world, I care little for how you choose to play with her. And I am certainly not opposed to letting you know every detail of what you have missed knowing of her life over the past year that you’ve been dust and bones.”
 She paused, tilting her head, and gave him a moment to consider, before concluding, “Or you can choose to be foolish, ungrateful, and quite frankly, a bumbling, pathetic corpse, stumbling off on your own in a world that has moved on without you. You would have none of my help or my connections, none of my knowledge, and you would displease me greatly. When and if Jessica Jones kills you again- and she would, you know, if you just pop up on her in her new life without my assistance- then you can be certain I would not lift a finger to bring you back. So, then. What shall it be? I would think the decision obvious, but perhaps you’re not as intelligent as I believed.”
 For a moment Kilgrave stood there, motionless, perhaps still in shock, or perhaps genuinely weighing out his obsession with Jessica and his desire for revenge against the logical reasoning of Rikarah’s words. But then he nodded slowly, reaching forward to take hold of Rikarah’s hand in his.
 “Well, it would indeed be a fool’s errand to let a woman like you slip out of my grasp. Why don’t we start over with introductions, and perhaps something in the way of an explanation.”
 And as Rikarah began to speak, giving Kilgrave some if not all of the answers he craved, she noticed his body relax further, his expression growing more and more fascinated as he came to understand more of the extent of her actions and her power. It wasn’t quite the way, she was sure, that he had looked at Jessica, but for now, it was enough.
 It was enough, in fact, that after he had dressed in some of his old clothing and taken time to familiarize himself with Rikarah and her home, that Rikarah was willing to give him the phone number, if not the address, of Jessica’s new workplace, Heroes for Hire. And she sat back, interested and indulgent, as he placed a call, from a cheap prepaid phone she had bought in anticipation of his need for one.
 It was Trish who answered, her voice bright and cheerful as the company’s head. “Heroes for Hire, we provide help, heroism, and honorable services for those in need in a time where true heroism is more needed than ever. How can we help you today?”
 “Ah, Patsy,” Kilgrave purred, snickering to himself when he heard Trish suck in a sharp breath, immediately recognizing his British accent and self-satisfied tone. “So good to hear a familiar voice, but unfortunately, yours has never been the one I wanted to hear, and you prattle on enough as it is on that bloody talk show of yours. Give the phone to Jessica. Tell her she has a message from an old friend, would you?”
 “This isn’t funny,” Trish said tightly, her voice controlled but barely keeping back anger. “Whoever you are, pretending to be that man is not a joke, it’s cruel, and-“
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 “Ah, but this is no joke, Patsy, can’t you recognize your own  would be lover?” Kilgrave asked rhetorically. “Have you had so many men now you can’t remember the voice of all the ones whose throat you stuck your tongue inside of? Let me help you out, then. I’m the one who told you to put a bullet in your head. Fortunately enough for you, that doesn’t appear to have worked out, I never did find out why. Care to explain it to me, Patsy?”
 He and Rikarah both heard Trish suck in her breath on the other side of the line. He doubted that this incident in the bunker was something anyone but she, Kilgrave, Simpson, and Jessica were aware of- and out of the four of them, both men were dead. Or supposed to be.
 “Who are you?” she asked, her voice softer than before. “What do you want?”
 “Unfortunately, Patsy, for me to really make you do what I’d like to make you do, you’d have to be a good bit closer to me than a phone call, something about pheromones,” Kilgrave said casually. “But I do have other ways of making you do as I’d like you to. Put Jessica on the phone, or I will have six people show up at her doorstep and  cut your name into their own foreheads. If she tries to stop them, they will cut her as well. Is that something you want to have on your conscience, Patsy? For a simple conversation?”
 The line went silent for a few moments. When Jessica came onto the line, her voice was hard and cold as steel.
 “Who the fuck are you, and just what the fuck do you think you’re doing, playing this kind of sick joke?”
 “And hello to you too, Jessie,” Kilgrave exclaimed, putting an exaggerated bounce to his voice. “No joke, you never did have much of a sense of humor to waste any on. I won’t say it’s good to hear from you, since I had to get murdered,  raised from the dead, and then still call your sister first and threaten her for you to speak to me, and I must say that hurts a man’s feelings.”
 “You’re not him. You can’t be, you’re just some sick asshole who needs to fucking go put his dick in a-“
 “Oh, Jessie, I can see your language is as filthy as ever, every bit as appalling as your fashion sense. Let’s cut off all the protests of my supposed death and just check your office email, shall we?”
 Five minutes before the phone call, Rikarah had shot a quick video of him smiling and waving into the camera, with the date and time of the video clearly time stamped at its bottom. With a few clicks, he sent the video to the public Heroes for Hire email address, cutting off the call.
 “But don’t worry, sweetheart, you’ll hear from me again soon. If you miss me before we meet again, you have the video for comfort’s sake.”
 As Kilgrave hung up, glowing with renewed feelings of power over the fear, rage, and helplessness he had stirred anew in the two women he had just spoken to, he sent a genuine smile in Rikarah’s direction, who returned it in kind.
 “You know what, I like you, Rikarah Pallaton. I think we’ll get along just fine after all.”
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114 notes · View notes
writing-with-olive · 5 years ago
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A few tropes to avoid: LGBT addition
Note that this is not a complete list, but rather some tropes that I tend to see a lot that are tiring if not downright offensive and hurtful. This turned out to be a very long post, so most of it ended up below the cut. Press J to skip.
Gay/Lesbian
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[id: two flags. The one on the top is the lesbian pride flag. The one on the bottom is the gay pride flag /end id]
Anything hypersexualizing
It’s just... not good representation. No one likes to be hypersexualized. Ever. 
The one gay/lesbian in the heterosexual friend group
This tends to come across as tokenism. Not real representation. Also, people tend to be friends with people they connect with. This is why a lot of LGBT people form groups. It’s actually far more likely in the real world for there to be a gay friend group with one straight person.
The homosexual dies first
Yay there’s a gay/lesbian person! Representation! oh... they died five minutes in? That sucks. 
Look, if there’s a lot of death happening in your story, it’s fine if a gay person dies, but please stop making the first death a gay person. And if you decide to kill of a gay person, make sure it’s not the only one.
The gay that refuses to admit he’s gay but he’s super feminine so he has to be
Femininity does not equal being gay. I’m not entirely sure where this trope (and general misconception) came from, but it’s tiring to see it getting beaten into the ground
Femininity is fine as a trait, but it should not be the tell that a character’s gay. Finding other dudes attractive or being attracted to other dudes should be the main tell.
(Bi/pan, Trans, Nonbinary, Genderflux/genderfluid, Ace/aro all below the cut)
Bi/Pan
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[id: two pride flags. The one on the top is the pansexual pride flag. The one on the bottom is the bisexual pride flag /end id]
Anything hypersexualizing
See above. I’m tired of it. It’s not good representation.
The bi/pan character is a cheater
Bi/pan people aren’t any more likely to cheat than anyone else. The fact that the general pool of people bi/pan people are attracted to is larger doesn’t really change that. Please don’t make your bi/pan character a cheater.
The “no this character is with a [guy/girl] now so that means they’re [straight/gay] not bi”
This is bi erasure. Bi/pan people are still bi/pan when they’re dating a dude. Bi/pan people are still bi/pan when they’re dating a girl. Bi/pan people are still bi/pan when they��re dating a nonbinary person. Period.
The “this character can’t be bi/pan - they’ve only slept with one gender/they’re a virgin”
Being bi/pan is about being attracted to people of two or more genders/being attracted to people regardless of gender. It doesn’t matter who they’ve slept with. If they’re bi/pan, they find more than one gender attractive.
Trans
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[id: the trans pride flag /end id]
“Hi I’m John, but I used to be Jane.”
In no world is this realistic. Trans people are not going to introduce themselves to anyone by using their deadname (their name given at birth that no longer applies to them). There are lots of other ways to show a character is trans.
Trans dudes have to be hypermasculine, and trans girls have to be hyperfeminine
This is just untrue... being a more affeminate trans dude doesn’t make him any less of a man. Being a more masculine trans woman doesn’t mean she’s any less of a woman. Not conforming to the most stereotyped version of their gender does not mean they’re not a valid person
“He - she - did the thing” when referring to a trans woman and vice versa for a trans man in prose.
I specify in prose because if someone has just come out, and characters are tripping up over pronouns but trying to learn and correct themselves, then that’s usually fine (though make sure to research what’s acceptable around this and what isn’t).
The whole calling attention to someone’s pronouns by misgendering someone and then flamboyantly correcting yourself when they’re trans thing can actually be kind of transphobic. When you’re writing prose, you don’t have any excuse so don’t do this.
The trans guy finding a bunch of ace bandages (or something similar) and using them to bind his chest
Yes, this is realistic. Yes, a lot of people do this, but it is an extremely unsafe way to bind. If your character binds, do your research. If they bind unsafely then SHOW THE NEGATIVE RESULTS of binding unsafely (difficulty breathing, cracked ribs, spinal problems, etc) they can be pretty severe. A lot of people don’t know how to bind and take cues from what they see in the media. Don’t perpetuate false information.
Nonbinary
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[id: the nonbinary pride flag. /end id]
The nonbinary character has to be flatchested and vaguely masculine in order to be nonbinary
Nonbinary people are still nonbinary when they’re feminine. Nonbinary people are still nonbinary when they’re masculine. Please reflect this in your stories, as people take cues for how society works based off of the cumulation of the media they recieve.
Misgendering during an argument
This is actually really damaging to nonbinary people. What happens is that people see that it’s okay to misgender someone if they’re mad, when in reality, pronouns are a right, not a privilage to be stripped away whenever you get mad. If you were really mad at your country’s leader, you wouldn’t misgender them when you rant. You can hate them with all of your being and you probably still wouldn’t misgender them. Why is it any different with nonbinary people?
All the nonbinary people were AFAB (assigned female at birth)
It’s not inherantly wrong to have AFAB nonbinary folk in your story, but it is nice to see AMAB (assigned male at birth) nonbinary characters as well. There’s a lot less representation for them, so the more representation the better.
Being nonbinary is a phase - you’re actually binary trans or cisgender
Some people identify as nonbinary and do later find out that they identify more with a binary gender, but there’s also a lot of people who are just... nonbinary. It’s hugely dissapointing when a character that’s meant to be representation turns out to actually not be. Especially if they were the only nonbinary character.
Genderfluid/Genderflux
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[id: two flags. the one on the top the genderfluid pride flag, and the one on the bottom is the genderflux pride flag /end id]
The one character in the background who’s genderfluid/genderflux in chapter three and then never seen ever again
Just include a genderfluid/genderflux character that’s actually relevant. It’s not that hard, and it’s really not that confusing. Their gender changes sometimes. They might switch their pronouns accordingly. 
The genderfluid character who’s short, vaguely masculine and has brightly died hair.
This one isn’t exactly offensive, per se, but it does feel like this is the only representation of a genderfluid character that I ever see, and that my friends ever see. Diversity is more than just having people who use different labels. It’s also about showing the different walks of life within those groups. There are a lot of genderfluid/flux people who don’t look like the stereotypical genderfluid/flux person, and they deserve representation just as much as everyone else.
The genderfluid character is the alien
This is a cop-out. It’s fine if you’ve got a race of genderfluid/flux aliens. Awesome, actually! Just add a genderfluid/genderflux human character too.
The genderfluid person who wakes up in the morning and “decides” if they’re going to be a boy or a girl today.
There are a couple things wrong with this. The first is that genderfluid people don’t just “decide” which gender they are. Their gender is more of it’s own entity. There’s not much of a choice with it. It just is.
From my own experience I can assure you that genderfluid people don’t just wake up in the morning with a random gender and then that’s their gender for the day. For me personally, my gender will change somewhere between once every three hours and once every three days, but it’s surprisingly rare that it’s overnight. It can even happen in the middle of conversations and stuff like that.
Genderfluid people don’t just switch between being a boy and being a girl. There’s a lot of space in between: nonbinary, maverique, agender, just to name a few.
Ace/Aro
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[id: two pride flags. The one on top is an aromatic pride flag, and the bottom is an asexual pride flag. /end id]
The character’s horrible backstory turned them ace/aro
This is not to negate the fact that some people do identify as ace/aro after a traumatic event. That being said, most ace/aro people are just...ace or aro. There wasn’t any backstory. That’s just the way they are. Seeing that a lot more represented would be awesome.
The character’s got a mental illness because they’re ace/aro
Being ace/aro does not mean you have a mental illness. The idea that it does being spread through the media people consume is very harmful and it increases the stigma around being ace/aro, in a place where there really shouldn’t be. Yes you can have a mental illness and be ace/aro, but they’re not usually correlated.
The ace character can’t be ace because look they’ve got a partner!
Ace is short for asexual meaning you don’t feel any sexual attraction. That does not mean you can’t feel any romantic attraction. Therefore, your character can be hella ace and still have a partner that they’re romantically attracted to
If your character was aroace (a term that’s short for aromantic asexual), then they probably wouldn’t be interested in having a partner.
The character who’s aro/ace but then “finds the right person” right at the end
If they’re demisexual/demiromantic, then that’s different, but it does make it feel like the “flaw they were overcoming” was being ace/aro, and that’s both damaging to the community, and it’s also just dissapointing. There are a whole host of other flaws that your character could have that are much more worth the reader’s time.
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