#in depth dreams

[sapphicslut777]

stranger things rehearsal dream

i had a dream that it was a Lovely summer afternoon in someone’s grassy, fenced-in back yard.. and i was on the set of stranger things 5!! i was an assistant to one of the duffers. he had me taking notes on a yellow legal pad and i was watching some of the scenes being rehearsed.

at first it was just finn wofhard and i. and ross (or matt??) was describing to us that this first scene was a scene between mike and will, in some kind of pentagram/ritualistic circle. he explained to finn that mike would be speaking chinese and will, japanese. he said that both of them would be using old styles of wicca/magic against one another. and that they would both be powerful in their own ways.. finn was excited about the idea of the script and delivered his lines nicely :3

then there was a pause in rehearsals and finn came over to me to get some notes. we were talking through a glass/school door of some kind?? but he had his long curly mullet, and he was asking me if i thought his delivery of the lines was okay, and where we had left off in the script. i told him that i thought he was doing great and we had just left off with a memory of younger mike playing with some kind of dog???

then more of the stranger things cast started coming into the back yard, as the sun started to set. everyone was there! and i continued to take notes as the scenes went on.. it was almost like no one noticed me there, but they were aware why i was there (to take notes/give suggestions).

in the group scenes, it was understood that the actors were in a school/college club of someone kind, where only certain students were allowed in..

one of the duffers explained to the cast that this next scene was when a new character (guillermo from what we do in the shadows??) discovered some snake carcasses in a secret place, hidden from the club room. he explained that each character was to get attached to one of these snakes before they died and they would be devastated once they found out that the snakes were dead.

he also had (guillermo) make a fire in the backyard, where he was going to find the snakes were roasting and see what they had eaten. i had to make the fire bc i’m cool and everyone was impressed. and it was super windy and dark at that point. but the duffer (idk why it was just one brother?) told us that the only way we’d “solve the mystery” of how the snakes had died was that they had each eaten something that was only available from the club room of the college.

at first we saw them in these big tanks of water, and i never saw the snakes actually dead which was chill. but i remember taking lots of notes on my single page of yellow legal pad paper. one was an address and one was a quote… i can’t remember what the quote was that i wrote down. i think it was during finn’s reading of the first scene. but i underlined part of it bc i thought it was so important??

also noah schnapp was one of the only cast who wasn’t there? even in the scene where finn was practicing a mike/will scene.. it was only finn, me, and a duffer.

(i havent been able to remember this much of a dream in a Long Time. and im extremely interested to see if i somehow managed to predict any aspect of season 5, when it comes out?!?)

[egophiliac]

I know we're not on the Hearts chapter but, I have a feeling the SSR will be Cater? But also him having the tear animation, since I have a feeling his dream will be a bit like Ruggie's q-q

I'm leaning towards either Cater or Ace, personally! Trey and Deuce have kinda already had their character arcs -- though someone else did mention to me that they thought it might be Trey, because so far all the vices have gotten one. though that might just be coincidence. we'll find out I guess!

my red-string-on-corkboard theory is that Ace is gonna get his arc + UM during whatever goes down with Grim, so while I could be completely wrong, I think it'd be nice if it were Cater's time to shine! ...also I am VERY curious as to what his dream is gonna be. 👀 like, I don't think he's gonna be all angsty or anything, he's a pretty cheery guy even though he pretends to be more vapid than he is, but...what would he be like if he were less. y'know.

(also I kind of want him to get the focus just because I think it'd be a shame if all he got was a super-quick 'oh his dream is to have a billion followers or whatever, now let's go on to the next person'. c'mon Twst. give him some love.)

[kitamars]

im not immune to mermay it seems

[alteredstatesstuff]

spring in the mountain

[miyoriia]

@cyberpunkcatgirl ♡

[fluffylord]

TWELFTH DOCTOR | HELL BENT

[pharawee]

JJ Rathasat Butwong as JULADIS & Fong Bovorn Kongnawdee as CHAN

—SUNSET X VIBES · Episode 12 (fin)

[gingermintpepper]

Tbh, I'm kind of obsessed with the almost tragedy of Eiland and Caldarus in Fields of Mistria. Eiland's dedicated his life to uncovering the secrets and stories hidden in Mistria's archeology - he's single-mindedly devoted to it, so much so that even his side hobbies are influenced by his love of history and desire to know more about Mistria's but it's that devotion that makes him so blind to the magic right in front of him.

It's Eiland's sharp eye that sees Caldarus' statue behind that tree on the farm. It's Eiland who whacks away at the bark with the axe fruitlessly until he's assisted. It's Eiland who coaxes the player to help repair Caldarus' statue and subtly ropes them into joining his History Society. It's Eiland who is devoted to the steles, who gets so excited at the prospect at uncovering a new piece of old Mistria's puzzle that he cuts his outing short to rush to the museum. It's Eiland who realises that all of the different eras of artefacts dug up in Mistria's soil must mean that Mistria itself was once the cradle of civilisation for Aldaria.

And yet, with all of that knowledge, he's still so, so blind to what's right in front of him. He doesn't realise that Juniper is a witch, he merely knows that she is familiar with all manner of the arcane and assumes it's a scholarly pursuit like his instead of what it actually is - Juniper's lifestyle, Juniper's culture. And ultimately, I think that's why he's blind to Caldarus and the magic right in front of him.

Eiland isn't taking the time to stop and really think about what all these artefacts and armaments mean. He isn't considering that remnants of old Mistria still live, he isn't even able to grapple with the question of whether or not it's right for him to dig up the armour at the stele when it's clearly hidden there for a reason. Eiland is completely detached from the history he's searching for and that's why, even with magic and the truth about Mistria right in front of him, he'll remain blind to it.

[somegrumpynerd]

Nightmare in Dream's body: OH GOD IM GONNA BE SICK

Dream in Nightmare's body: *Visible confusion*

They're both having a very interesting time getting used to their new situations

[sunnydazeee]

Jack manifold tries so hard to get someone to notice him, whether that be in a negative light or a positive one, he doesn't care. during Tommy's exile, he steals "hotter girl" (a fake girlfriend that Tommy built out of a jack o lantern and logs) from him, and rubs it in his face, desperately wanting a reaction from him.

he gets no reaction, Tommy simply does not care. Tommy is apathetic towards Jack before saying he can pretend to care, that he can lie and say that he does care. Jack says this will only make him sad.

Tommy and Jack are so tragically similar in the way that they just want to be recognized. they want to be seen, and they don't care if it's in a bad way.

they both try to get revenge on people for wronging them, but when Jack does it, no one seems to care.

if Jack manifold were the one to burn George's house down, he would not have gotten exiled. dream didn't exile Tommy because he cares about George - dream exiled Tommy because it was Tommy.

jack repeatedly tries to get revenge on people by putting clay in their houses and saying it's from dream, but no one ever cares about it. it's just a minor inconvenience for them.

Tommy is the scapegoat of the SMP - and Jack is the one that is always ignored.

they both try to get any type of attention, they're so desperate for someone to care. Tommy gets that attention, and he only realizes he doesn't like it after the fact.

jack never gets that attention.

jack sees Tommy getting all this attention, he sees him doing the exact same things as him but getting the result he never gets, and he gets upset.

during the season one finale, he specifically aims the nukes to Tommy's house. it's a desperate last attempt, maybe if he gets rid of the person getting more attention, he'll get the recognition he so very craves.

tl;dr: jack manifold and tommyinnit are so similar in a very tragic way and i have brain rot over it

[little-pup-pip]

I know you have a lot of requests rn but do you think you’d be able to do a fem? vampire squid moodboard?? (With or without paci, eithers fine!! They’re my favorite animal but there’s not much media of them so if it’s too hard I totally understand!! I hope you have a good day!!

Sure!!

[hopalongfairywren]

society if inniters acknowledged how fucked up c!Samskids would actually be

[dollypopup]

I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.

So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.

But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.

No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.

Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.

Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.

Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.

You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.

After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.

Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.

And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.

The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.

And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.

When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.

God this couple is so fucking good.

[chernabogs]

Malleus' immediate response to learning of Lilia giving a portion of his life for Malleus'—arguably one of the most sincere acts of love someone can do for another—being that of violence and a blind want to enforce into reality his own perception of what he believes Lilia's happiness to be is one of the most tragic things yet

[marionsinspirations]

[dreamsicle262]

roadkill.

my art entry for @megaroniandcheez's dtiys. see tags for notes and explanations on the art. also tumblr may have absolutely nuked the quality so click the picture for a better look