#in a way totally separate from the ships
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lunarharp · 7 months ago
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revamped looong mermaid orufrey au :')
#witch hat tag#orufrey#partial nudity /#about half of it is new the other half is redrawn from last year. Why would you rescribble some scribbles. Well it was bad.#i always underestimate how much i've improved in a year last may was questionable. also it's not even may any more so why mermaids now.#sorry if you remember this but at least half is new story. i'll just paste more explanation from twt....#first qifrey was cursed by EVIL WITCH eye taken and thrown into the sea#memory-less. then kind little witch boy oru found him on the beach & they became friends#they drifted apart after falling for each other bc qif knew he could never be with him.#oru walked on the beach every day for years hoping to see him again until so desperate he goes into the sea (on a ship?) & is dying#qifrey saved him with a kiss. they got closer &oru swore to find a way to save him that wasnt dangerous but qif knew hed need a dark witch.#(that witch was probably the one who cursed him..just toying with him...) in with the spell oru DOES forget him for real#even tho he needs to give Kiss Of True Love before qif turns totally blind for qif to stay human for good or become seafoam. but oru someho#the oldest magic is love..the ability to break through the curses of loneliness and despair. qif already did that for him#so oru was able to do it back later. he fell in love with him again..but also realised it was obviously him....well anyway......#originally the 'finding oru stranded like that guy in the little mermaid' was a separate au but it still makes sense to combine them#i dont want them to have not met in childhood...thats the orufrey thing....#im going to work on Proper drawings next instead of silly comics as usual....
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cabeswaterdrowned · 1 year ago
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re: that old cc post about Tessa and slut shaming i rbed earlier, on a related subject I love Jem he ranks high on the ~male chars S has a soft spot for~ scale/list, but honestly DEATH to anyone (straight women who read tid what I would call the “the wrong way”) who looks at Jem and gushes over how perfect and flawless he is and that makes him great and then complains about Tessa being a bad character because she “doesn’t have a personality outside of liking books” (skull emoji knife emoji etc.) while also criticizing her for having complex feelings for both Will and Jem and reacting to them differently than you want your ideal self insert to like… gurl do you Hear yourself the transparency
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asiancyborg · 1 month ago
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💥TAKING PREORDERS💥
hello friends! i designed these stickers and im now taking preorders for them!! there are two different designs and they will be available separately or together! if you want both, u can get them as a bundle at a discounted price. if you want to go in with friends and get a bunch of stickers (10 or more) I've made a bundle for that as well! to buy, please dm me! i'll be taking payments thru v*nm* or p*yp*l, and i will be sending ALL proceeds directly to Nizar, who i've been in contact with, and posting receipts. alternatively, you can send me a screenshot of your d*n*tion to Nizar's campaign (donation must have been made AFTER this post).
FREE shipping within the US. sticker #1: one day i will find my way back sticker - $2.50 sticker #2: RESIST sticker - $5.00 (Arabic text says "from the river to the sea, p*lestine will be free") bundle #1: sticker 1 + sticker 2 (1 of each, 2 stickers total) - $6.00 bundle #2: sticker 1 + sticker 2 (5 of each, 10 stickers total) - $25.00 if you would like to make your own bundle and let me know how many quantities of each sticker you would like, just dm me and i can calculate the discount :) 100% OF PROCEEDS WILL GO TO THE ABU RAIDA FAMILY to help them secure food, medication, clothes, shelter, etc. and help them save towards evacuation. You can also d*n*te to their campaign freely here: https://chuffed.org/project/112984-help-the-abu-raida-family-in-gaza
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nina-ya · 9 months ago
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Can I request Zoro, Kid, and Law (separately) where their respective crew are going to like (whether it be for a mission or just for fun), a fancy event where they need to dress up, and the dress is like dressed up, and is so pretty, that the boys can’t resist and doesn’t stop kissing them? Idk, I thought it’d be cute and I love needy men who are so in love with their partner lol
One Piece Men Being Needy (Zoro, Kid, and Law)
Pairings: Zoro x reader, Kid x reader, Law x reader (all separate) CW: Suggestive content. A lot of implied sex. Just,,,... i fear i wrote this with nothing but sinful thoughts in mind HAHADJK WC: ~1.9k total A/N: I AM SO SORRY IT TOOK ME THIS LONG TO GET TO THIS BUT I AM HERE HI!! This was on my mind for much longer than i would ever admit so anon i greatly thank you for letting me write about them in this context hugs and kisses to you <3
You never expected such a simple choice in attire to stir such a reaction from Zoro. His intense gaze did not leave you the moment you stepped foot off the ship, dressed to the nines for the banquet. 
Throughout the evening, Zoro could not keep his hands off of you. Whether it was a firm grasp on your waist, pulling you close to his side, or a sly touch under the table, he seemed off tonight. And the kisses, oh, the kisses were something else. More frequent than usual, each one leaving you wanting more.
What really caught you off guard was when he pulled you onto his lap, holding you close as if he never wanted to let go. 
“Zoro,” you whispered, a playful smile dancing on your lips as you felt his own lips planting kisses along your exposed neck and shoulder, “what’s gotten into you tonight?”
He smiled against your skin, his arms tightening around your waist as he murmured back, “Just couldn’t resist.”
You tilted your head to make eye contact with him, “Well, I’m not complaining,” you teased, reaching up to briefly run your hand through his hair. 
Zoro’s smile widened at your playful response, his gaze meeting yours with a warmth that made your heart flutter just as fast as the day you first met him. “Glad to hear it,” he said, leaning in to capture your lips in a tender kiss. The two of you were lost in your own little world, focusing on the feeling of your lips against each other as the banquet faded in the background. 
But moments like these can’t last forever, and your attention was pulled to a familiar voice calling your names. You glanced over to see Nami approaching, a sly smile on her face as she caught the sight of the two of you. “Well, well, well, what do we have here?” she teased, her voice dripping with amusement. "Sucking each other's faces off, are we?"
You and Zoro quickly pulled apart, though the warmth of his embrace lingered on your skin. "Nami!" you exclaimed, feeling a rush of embarrassment heat up your cheeks.
Zoro just grunted in response, avoiding eye contact with Nami. If you looked closely, you could point out the smallest hint of redness creeping up onto his cheeks.
Nami chuckled at your reaction, clearly enjoying the opportunity to tease you both. "It’s not like you’re really hiding it well," she said with a laugh before turning to head back to the dance floor. 
You couldn’t help but feel slightly embarrassed at Nami’s teasing, letting out a nervous laugh as she walked away. Zoro seemed amused by the whole situation, and went right back to planting kisses down your neck. His trail of kisses made their way up to your ear when he muttered into your ear, “She’s right. We are kind of making this obvious. Why don’t we cut this short and head back to the ship?” - - -
You were putting the finishing touches on your makeup when the door behind you swung open, pulling you out of your concentration. You shifted your attention in the mirror to see Kid standing in the doorway, dressed in a more formal attire for the night's events. 
He strolled into the room, walking up behind you snaking his arms around your waist as he admired you through the mirror. “You look gorgeous.” He commented, planting a kiss against your temple. He looked down and his eyes focused on the lipstick in your hand and a smirk played on his lips. “Is that mine?” he asked.
You hummed in response as you cleaned up one of the edges. “This looked like the perfect shade,” you pulled back from the mirror and tilted your head to admire your makeup, “and it seems like I was right.” 
Kid's smirk widened as he watched you, a playful glint in his eye. "Well, I suppose you have good taste," he teased, reaching out to take the lipstick from your hand. "But you know the rules, sweetheart. You gotta pay a price to borrow that."
Before you could protest, Kid leaned in, capturing your lips in a tender kiss. His lips were warm against yours, but just as quickly as it began, Kid pulled back, a smirk spreading across his face as you both took in the sight of your lipstick smeared at the edges.
You scolded Kid, lightly shoving his arm as you reached for your makeup remover. "You're going to make us late!" you exclaimed, though there was a hint of amusement in your voice as you dabbed at the smudged lipstick.
Kid chuckled, his arms still wrapped around your waist as he leaned in to press a kiss to your cheek, leaving another mark in the process. "Relax, sweetheart," he murmured, his breath warm against your skin. "We've got plenty of time."
As you worked to fix your makeup, Kid's hands roamed over your waist and shoulders, his touch light and affectionate as he trailed kisses along your neck, leaving more of a mess for you to clean up. "You know," he said, his voice low and husky, “you should dress like this more often. You look absolutely beautiful."
You couldn't help but enjoy the compliments he’s throwing your way along with the feeling of his large hands tracing your body, giving squeezes ever so often. "Are you trying to flatter me?" you teased, glancing at him through the mirror. 
You could feel Kid's lips curl into a playful smirk against your skin as he responded "Is it working?" he murmured, looking up to lock eyes with yours in the reflection of the mirror. "Because I have a proposition for you."
Your heart was already jumping out of your chest and yet it managed to beat just a bit faster as your curiosity heightened by his words. "Oh? And what might that be?" you asked, unable to hide the anticipation in your voice.
His hands trailed lower, fingers brushing over the curve of your hips as he leaned in to whisper in your ear. "You know, we don't have to go to the event," he suggested, his voice laced with desire. "We don’t have to go out. We could stay right here. "
Excitement bubbled in your stomach at his suggestion. You placed down the items in your hand and turned around, draping your arms over his shoulders, leaning in., "And what exactly did you have in mind that we do?" you teased, your own voice lust laden.
“I have a few ideas in mind,” he murmured. With a sly grin, Kid's hands moved under your thighs, hoisting you up to sit on the counter behind you. He closed the distance between you two, capturing your lips in a searing kiss. His lips moved hungrily against yours, leaving you absolutely breathless. He pulled your body against his and your hands threaded through his hair as you relished in the feelings. Yeah, you guys are not making it to that event. - - - Golden eyes fixated on you from across the room, the orbs drinking in every movement you made, every breath you took, every word you spoke as you effortlessly mingled with the other guests at the lavish gala that you had to attend for a mission. How was Law expected to focus when you looked utterly captivating? The moment you emerged from the cramped confines of the Polar Tangs’ bathroom, adorned in that breathtaking dress, he knew he was spellbound. The mission, albeit important, paled in comparison to the magnetic pull you seemed to have.
Gathering intelligence on the enemy crew’s whereabouts seemed a trivial task to Law compared to the challenge of tearing his gaze away from you. You charmed the guests around you, soft laughter spilling from your lips as you feign interest in their rather vacuous jokes. It all seemed so effortless to you. As if in a trance, Law found himself setting down his champagne glass on the nearest counter, his feet making unconscious strides drawing him in your direction. 
You stole a glance in his direction and noticed Law drawing nearer, seemingly with an urgent thought on his mind. The other guests, too, couldn’t help but notice his presence, their curiosity heightened by his sudden intrusion into your conversation.
“Excuse us for a moment,” Law simply said, his voice low, yet resolute as he grabbed your hand and led you away from the crowd. He offered a quick apology to the guests you were engaged in a conversation with, and you allowed yourself to be guided by him, confusion and anticipation filling you as you were whisked away.
He guided you with purpose, turning corner after corner until you reached a seemingly secluded area. You opened your mouth to speak, but before a single word could escape, his lips crashed against yours in an urgent kiss. His hands snaked around your waist, pulling you close as he deepened the kiss with such an intensity that you couldn’t even process what was going on. His lips were warm and insistent against yours, and you melted into his embrace.
Lost in the intoxicating feelings of the kiss, you forgot about the world around you, the mission being pushed in the depths of your mind as you are consumed by the sensation of Laws’s lips against yours. But just as quickly as it began, Law reluctantly pulled back, your ragged breaths mingling with each other as he gazed deeply into your eyes. “I just couldn’t resist,” he confessed, his voice filled with need, each word charged with an undeniable desire. “You look absolutely stunning tonight.” 
“Law,” you began, your words breathy as you recovered from the previous kiss, “the mission, we need to get back to- mph!” He silenced you with another kiss. The way his lips moved against yours threatened to consume you entirely before you lightly pushed on his chest to separate the two of you. 
“Don’t worry about the mission.” he muttered, placing a chaste kiss on your lips before continuing, “I’ve got the information we need.” His words were accompanied by the rapid thumping of his heart against your palm, mirroring the frantic beat of your own. “You look just so,” he started planting wet kisses down your neck as his hands danced down the sides of your body, pulling a small gasp from you as he gave your ass a firm squeeze. As his lips made their way back up to your ear, he finished his thought, “enchanting. You just look utterly enchanting, and I would like to  take advantage of this.” You could practically hear the smirk in his words while he guided you backwards until your back made contact with the wall behind you. Law was certainly going to make it clear that nothing else mattered in that moment except the two of you.
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trexiejan · 2 months ago
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Friendly reminder that DC and Dickbabs writers are gaslighting you into thinking Dickbabs are childhood sweethearts that are always in love with each other since day 1.
Dickbabs is the most superficial manufactured by retcons ship.
Babs was deaged for this crap to work.
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Here is Original Barbara Gordon working as a congresswoman in the Senate when Dick was just the little kid Robin.
She was much closer to Bruce and Clark's age than Dick's.
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Barbara refers to Dick as a "kid" and "little brother.
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Dick had a small puppy crush on her but it was seen as a precocious crush. It was controversial when they first kiss (to make Dick shut up) because it involved a grown ass woman kissing a teenager.
Dickbabs was hated the same way modern Brucebabs is hated today.
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Even the writer of that book admitted he never intended for them to become a couple.
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Babs was more into older guys.
- she was viewed as an equal love interest to Batman
- she went out on a date with Superman
- then got engaged to her coworker Jason Bard.
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Dickbabs shippers always try to deny that Babs was deaged and her history was altered for dickbabs in an effort to defend their ship.
They say it's not true because according to them Babs has been deaged long before dickbabs became a couple.
Here's the thing though:
Babs has been deaged twice.
Just because she wasn't deaged to be with Dick in her 1st deaging doesn't change the fact that she was deaged to be the same age as him in her 2nd deaging which happened in dickbabs content.
The 1st time she was deaged was in Crisis on Infinite Earths, it was so Jim could be younger but they only decreased her age slightly because she's still written as older than Dick, here is a panel from Secret Origins #20 that was published in 1986 exactly 1 year after she was first deaged in Crisis on infinite earths (1985) she said Dick is too young for her and that batman is always the one on her mind. So Dickbabs during this time still couldn't work because they still have that age gap and Babs was still into Bruce.
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The 2nd time she was deaged is in dickbabs comics and tv shows where she was finally made the same age as Dick so dickbabs can finally work as a romantic pairing.
Instead of being older, she's now written as a part of Dick's generation.
From a congresswoman to a young girl who went to highschool prom with Dick.
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Even Tom Taylor had the two first meet when they were young little kids so he can also portray them as childhood sweethearts in his run.
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Tom Taylor claims Barbara still has a law degree but isn't it sad how instead of using that degree to find an actual job, she wasted her time following Dick around like a dog in Bludhaven ?
She has no job of her own, no friends of her own, no hobbies of her own outside of Dick.
She's just Dick's clingy lovesick girlfriend who is a total standby for him in his solo books.
Dickbabs shippers who deny this and get mad at people who point this out are the people who don't care about Barbara Gordon as an individual.
They don't care that Barbara lost her PHD degree, lost her own career, lost her own agency, lost her history, lost her self identity for the sake of shipping.
Their only concern is defending dickbabs and making it look better.
Because if they truly like Barbara separately from Dick, all these valid anti-dickbabs criticisms wouldn't bother them.
What's even funnier is that they are the very same people who accuse Starfire of being reduced into Dick's love interest despite the fact that Starfire hasn't been in a relationship with Dick in the comics for 20+ years due to the fact that dickkory's history was ignored and erased in favor of dickbabs. NASTY HYPOCRITES.
At least Starfire wasn't deaged to fit Dick and you can never see Starfire following Dick around like a dog in his solo books 💀
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flowersdiceandlove · 1 month ago
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hi @allpiesforourown I just saw your Winx Club fandom Binghe post and it made me think of an au. So, modern au, both Shen Yuan and Binghe are involved in multiple fandoms and are both legendary posters in each of them. The thing is...they hate each other. Their online fights go down in fandom history. The Epic Battles of Peerless Cucumber and the Heavenly Pillar. There are fan accounts and Youtube videos dedicated to explaining their messy fights. There's a whole wiki page about it. Binghe has the most unhinged takes and Shen Yuan drives himself mad trying to reasonably dismantle those takes and why they are stupid and what is wrong with you?!?! But, Binghe comes back with somehow solid sounding arguments? That are somehow so crazy and make you lose all sense of right and wrong and turn everything on their head that you actually are like "wait, this guy might be onto something" until you actually remember the context and go "this guy is batshit insane! lock him up!"
So, they go head to head. A lot. Across many fandoms because they actually have the same taste in media to the point that they feel they can't escape each other. Every time they enter a new fandom, they see the comments and posts in the online communities and are like "you got to be effing kidding me!! That guy is HERE too?!?!?!!" Binghe also posts the same type of scathing reviews that Peerless Cucumber is infamous for, which are good, except for the unhinged takes sprinkled in with the logical. And that's what drives Shen Yuan so crazy. Because this "Heavenly Pillar" is actually a good critic and able to comprehend complex themes that so many others miss or misunderstand. He also completely misconstrues stuff with his unhinged takes.
And Binghe, he's just gonna fight to the death to defend his blorbos and ships.
The thing is, Shen Yuan is Binghe's tutor or something irl and Bingbing's got the biggest crush on him. Obviously. And, they talk about shows and books sometimes, and have good, deep discussions about them, finding they have a lot of the same tastes. Shen Yuan will lend Binghe a book or recommend a show and vice versa. They have fun. They do not share their online handles. Shen Yuan does not want this sweet little white sheep he's been tutoring since middle school knowing about some of the stuff he reads and messing up his image (he has an irl reputation to uphold!), and Binghe doesn't want his crush to know exactly how crazy he is and about all the teacher/tutor x student stuff he posts about, thinking it will dash his chances with his precious, sweet Yuan-gege. He's in college now, he might finally have his chance! So, they keep their online lives separate from their irl ones, not just with each other, but with everyone in their lives. Best not to mix them.
And so, things continue until one day, Peerless Cucumber suddenly becomes the Heavenly Pillar's number one supporter. He's going back and ripping apart everyone who's calling the heavenly pillar a lunatic and to lock him up saying "you don't know what's been through! there could be reasons he's like this! and are those takes really that bad!?!?" (yes. they are) People are reeling at the 180 seeming overnight that came out of nowhere after years of rivalry and hate thrown between them. He's also backing the Heavenly Pillar's takes and headcanons up by saying "yeah, I can see how it could be viewed that way. Totally valid." and then presenting a bunch of canon moments and bts and creator interviews to support it. (It's still all totally insane. But now there's two of them) It makes people actually start to question their sanity because Peerless Cucumber is normally the voice of reason, so if he's agreeing with the Heavenly Pillar, then are they the ones that are actually crazy??
Meanwhile, Shen Yuan is in his apartment, reading webnovels on his phone with his new boyfriend's head resting in his lap, idly petting his fluffy hair. Binghe's never been happier.
And, in case you were wondering, Binghe's Heavenly Pillar account has basically turned into a Peerless Cucumber Fan Account. He gushes in his replies to Peerless Cucumber, praising him, and saying how amazing his analysis' are. He'll also, in his own comments and posts, reference Peerless Cucumber posts constantly.
Yes, people are shipping them (they have for a long time, but now it's becoming a more widespread thing). Yes, they have wiki ship page. Yes, their ship name is PillarCum.
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ckret2 · 1 year ago
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A leaked list of some of the exciting upcoming content from The Book of Bill:
The pyramids of Giza ranked from most to least sexy.
Winning lottery numbers. He does not say which game they're for.
Three pages of Bill practicing blackletter calligraphy so that he can write the fancy-looking "The Book of Bill" on the cover. (Meant to tear those pages out before submitting book to publisher.)
A section where he implies that all your headcanons about him are stupid. Yes, your headcanons specifically. If you compare your copy of the book to a friend's, these sections will have different text. He insults all headcanons equally, even the ones that contradict each other.
A long, rambling story about a funny thing that he saw at a party in the Nightmare Realm, but he keeps getting distracted gossiping about the embarrassing love affairs and crimes against reality the partygoers have committed. Not a single one of these characters has ever been mentioned before or ever will be again. He gets so distracted he never finishes the original funny story. He was clearly drunk when he wrote this section.
A pet care sheet on how to keep a pet axolotl. All of the information is extremely wrong.
Some of the other dimensions he's tried and failed to conquer. He keeps insisting that all the failures were somebody else's fault. It's extremely obvious that they're his fault.
A photograph of a vivisected elephant, for some reason.
A phone number written on a cocktail napkin that Bill insists would be really funny for all the readers to prank call. It leads to the desk phone of the director of the CIA. 
Bill claims he definitely totally knew that Stan was disguised as Ford the whole time, he only played along to trick the Pines back, and then he quickly changes the topic.
A page of Bill's original poetry. It's all unintelligible symbols. It will take 27 years for somebody to crack the code. They're all gory but juvenile limericks.
A cocktail recipe. It will kill you.
Bill's original version of the portal blueprints that he copied to give Ford, with Bill's handwritten annotations. One part of the blueprints is labeled "component that will accidentally destroy the universe. REMEMBER NOT TO INCLUDE THIS COMPONENT IN SIXER'S COPY!!" He underlined this twice. If this page is compared to the portal blueprints in Journal 3, it's clear that Bill included that component in Ford's copy.
A personality quiz to help you meet your ideal sleep paralysis demon.
Bill's baby pictures. He looks exactly the same, except his bow tie and top hat are too big.
Bill reveals that he thought the llama symbol on the zodiac wheel referred to that farmer guy on the edge of town, and he was super confused to see Pacifica there.
Multiple pages scattered through the book about Bill's amazing powers, his brilliant and fun plans for our dimension, and all the cool favors he's willing and able to do for his friends and followers. All these pages end with a passive-aggressive aside about how somebody would have to be REALLY stupid to turn down an invitation to join Bill's crew, Stanford Pines—
A page labeled "My loyal servants and slaves!" filled with several hideous, oozing, nightmare-inducing Lovecraftian monsters, and one Mickey Mouse.
A self-portrait depicting Bill riding a rocket ship playing an electric guitar while rainbow lightning flashes all around him and money rains down from the sky.
A cynical, sneering tirade about how love is evolution's idiotic way of tricking primitive species into reproducing and how only simple-minded mortals who can't separate their true thoughts from their hormones fall for it. In the margins he's drawn a heart around the words "Bill Cipher +" a scribbled-out blot. The blot is completely unreadable. Despite this, the fandom will spend years debating the name underneath based on the size of the blot.
Extremely stupid "explanations" about various unsolved mysteries and crimes. In six years the world will discover one of them is accidentally correct and Alex Hirsch will get investigated by the FBI.
The book will be divided into four sections. Each section will begin with a big illuminated letter. In order, the four illuminated letters spell "F" "U" "C" "K".
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blakbonnet · 1 year ago
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also like Zheng represents such a balance between the two captaining styles we've seen in episode 1 - Ed with his total and utter delegation and not knowing what might be going on under his nose to now taking destructive control and having a poisonous atmosphere on the ship (it's okay bby I support you 100%) AND Stede with his handholding and sure people positive management style where he's stayed so much separated from his crew in many ways and hasn't really grasped the true tenets of piracy (it's okay love you're perfect to me)
And here comes Zheng with her people positive management style too except she's legitimately efficient and none of her people are scared of her, she's not mean or bitchy or violent - it's a family run with everyone contributing and she has such a stable head on her shoulders. And what we're gonna see is her rage at being ousted and it'll be glorious because she'd never be self destructive - she has people who love her and keep her grounded
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triflesandparsnips · 1 year ago
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So I understand that there are Good Omens show fans who have never read Good Omens the book, and that makes me deeply sad because--
Like, there's so much depth to the story being told about humans and humanity and the choice between good and evil -- and how that's actually a false dichotomy whoooops -- WHILE ALSO not really being about Aziraphale and Crowley at all (who are, imo, basically there as embodiments of "Impressive Failures" for the purposes of Theme and also Plot).
BUT IF you want to know why I've shipped them since the book-- here's the moment it happened for wee teenage me:
Wednesday (before the end of the world)
So it's Warlock's birthday party. And there are all these children and security guards and also an angel doing magic tricks while a demon is disguised as a caterer. This bit is basically the same as the show, so hooray.
But as wee me understood the characters up to this point, they were still basically enemies who had been in the field together for way too long and knew each other's moves well enough for the same tempting/thwarting of one another to become kind of boring and repetitive and generally pointless-- particularly once they realized that they could, for instance, just live their (separate!) lives watching humans being weird (Crowley) and seeking various sensory stuff (Aziraphale) while doing the least work necessary to keep their respective bosses off their backs.
The Arrangement was borne not out of hiding a friendship or anything, but instead the realization that sometimes covering for one another would just... cut down on their total overall workload. They were, at best, employees of two different, competitive companies-- though in same kind of department, doing the same kind of work-- who discovered they liked to have lunch at the same deli and that their jobs were sometimes distressingly more similar than either was comfortable with.
SO ANYWAY. BACK TO THAT WEDNESDAY. They're not covering for one another with this whole Antichrist thing-- they're now actively collaborating, and they've acknowledged (mostly) that it's not to cut down on their individual workloads, but rather to preserve their identical-- but not shared (not yet)-- goals of Getting To Continue The Lives On Earth They've Grown To Enjoy.
But like-- still not friends. Not really.
Until Aziraphale fucks up a bit, Warlock accidentally gets hold of a security guard's weapon and starts waving it around, and:
Then someone threw some jelly at Warlock. The boy squeaked, and pulled the trigger of the gun. It was a Magnum .32, CIA issue, gray, mean, heavy, capable of blowing a man away at thirty paces, and leaving nothing more than a red mist, a ghastly mess, and a certain amount of paperwork. Aziraphale blinked. A thin stream of water squirted from the nozzle and soaked Crowley, who had been looking out the window, trying to see if there was a huge black dog in the garden. Aziraphale looked embarrassed. Then a cream cake hit him in the face.
My teenage brain exploded at this moment.
BECAUSE: there is no reason for Aziraphale to do that.
Work-wise: If he got shot, Crowley would get discorporated, but not die-- and anyway, it would happen in such a way that both of them could explain it away easily to their respective sides (and possibly even be commended for it!).
Collaboration-wise: If Crowley had been watching Aziraphale, and if he'd seen Aziraphale have the chance to change the gun but not do it-- then yeah, probably that would've been annoying enough to have warranted some chilly conversations once he came back topside, and therefore, Aziraphale choosing to save Crowley could've been a reasonable, logical choice to keep their working relationship on an even keel until they'd sorted out this Doomsday thing.
But Crowley was looking the other way.
Work-wise, it doesn't make sense-- and secret-collaboration-wise, it doesn't make sense-- and so it is, overall, really weird that Aziraphale saved him.
But his automatic reaction-- in a blink-- is to stop Crowley from getting shot. And he knows it's weird-- he feels embarrassed that his sudden, unthinking reaction is to save his "enemy".
And the final bit is just a couple paragraphs later:
With a gesture, Aziraphale turned the rest of the guns into water pistols as well, and walked out.
SO LOOK: He changed only the pistol about to shoot Crowley. His automatic reaction had nothing to do with saving a party full of humans, many of them children-- nothing to do with Heaven or Hell-- nothing to do with preserving the coworker he needs to stop Armageddon--
It was all to do with saving Crowley. Who may be the enemy, but he's Aziraphale's enemy. And another part of his life on Earth that he's doing all of this just to preserve.
Which may also be, for the first time, the moment he lets himself realize how important Crowley in particular is to him.
...and so anyway, that's how I started shipping these two immortal idiots, and one of many reasons why everyone should read the book.
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morlock-holmes · 1 month ago
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Okay, guys, after reading a post by @centrally-unplanned I just took that ACX "AI Turing Test" that Scott Alexander did, and I am screaming, as the kids used to say.
You guys are way, way overthinking this.
I thought I would do better than average, and I guess I did; excluding three pictures I had seen before, I got 31/46 correct.
Not great if you're taking the SAT, but I feel like if I could call a roulette spin correctly 2 times out of 3 I could clean up in Vegas.
So, what is the secret of my amazing, D+ performance?
You have to look at the use of color and composition as tools to draw the eye to points of interest.
AI is really bad at this, when left to its own devices.
For example, here:
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Part of the reason to suspect that this is AI is the "AI house style" and the bad hands that I literally only noticed right this exact second as I was typing this sentence. Even if the hands were rendered correctly, I would still clock this as AI.
The focal point of this piece ought to be the face of the woman and the little dragon she is looking at (Just noticed the dragon's wings don't match up either), but take off your glasses or squint at this for a second:
Your eye is being drawn by the bright gold sparkles on the lower right side of the piece. That particular bright gold is only in that spot on the image, but there's no reason to look there, it's just an upper arm and an elbow. The bright light source highlighting the woman's horn separates it out as a point of interest.
Meanwhile, the weird aurora streaming out of the woman's face on the left side means that it is blending in with the background.
In other words, the way the image is composed, and the subject matter suggest that your eye should be drawn here:
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But the use of color suggests that you should look here:
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That's a senseless place to draw the eye towards! It would be a really weird mistake for a human to make! In fact, I think there's a strong argument that the really close cropped picture of the face of the character is a strong improvement. It's still not a particularly good composition, but at least the color contrast now draws the eye to the proper points.
In fact, I would say that a good reason for my performance not being even better was this alarming statement at the start of the test:
I've tried to crop some pictures of both types into unusual shapes, so it won't be as easy as "everything that's in DALL-E's default aspect ratio is AI".
Uh...
So how about this one:
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This is a lot better anatomically and in terms of the use of color and light to draw the eye towards sensible parts of the painting. The lighting makes pretty good sense in terms of coming from a particular direction and it also draws the eye to effectively to the face and the outstretched hand of the figure.
It's also a really flat and meaningless composition and subject matter that no renaissance artist would have chosen. What is this angel doing, exactly? Our eye is drawn to the face and hand, and the figure is looking off towards the left side, at, uh, what exactly?
But then I thought, "Well, maybe Scott chopped out a giant chunk of the picture, and this is just a detail from, like, the lower right eighth of some giant painting with three other figures that makes total sense"
This makes sense as a piece of a larger human made artwork, but if you tell me, "Nope, that's the whole thing and this is the original, un-cropped picture" I'd go, "Oh, AI, obviously.
All of the ones I had trouble with were AI art with good composition and use of color, and human ones with bad composition and use of color. For example, this one:
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This has three solid points of interest arranged in an interesting relationship with different colors to block them out. I'd say the biggest tells are that the astronauts' feet are out of frame, which is a weird choice, and looking closely now, the landscape and smoke immediately to the right of the ship don't really make sense.
But again; I had to think, "Maybe Scott just cropped it weird and they had feet in the original picture."
Here's another problem:
StableDiffusion being bad at composition is such a known problem that there are a variety of tools which a person can use to manually block out the composition. In fact, let me try something.
I popped open Krita (Which now has a StableDiffusion plugin) and after literally dozens of generations and a couple of different models I landed on ZavyChromaXL with the following prompt:
concept art of two astronauts walking towards a spaceship on an alien planet, with a giant moon in th background, artstation, classic scifi, book cover
And this was the best I could do:
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Not great, but Krita has a tool that lets you break an image into regions which each have different prompts, so I quickly blocked something out:
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Each of those color blobs has a different part of the prompt, so the green region has "futuristic astronauts" the blue is the spaceship, the orange is the moon, grey is the ground and pink is the sky, which gives us:
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Still way too much, so we can use Krita's adaptive patch tool and AI object removal to get:
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I'm not saying it's high art, or even any good, but it's better than the stuff I was getting from a pure prompt, because a human did the composition.
But it's still so dominated by AI processes that it's fair to call it "AI Art".
Which makes me wonder how many of the AI pictures I called out as human made because one of the traits I was looking for, good composition, was in fact, actually made by a human.
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quasi-normalcy · 6 months ago
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Every "Nu Trek" (2017- ) Series Ranked from Worst to Best:
Very Short Treks (2023): There's really no words for just how terrible this series is. I mean, I know that it only barely counts because it's explicitly not canon and has a total combined run time of about 15 minutes, but *my god* is it bad! Only one of its episodes is remotely funny, and even that manages to feel like it's driven its main joke into the ground by the end of its 2-minute runtime. The only thing that I can say for it is that is that it gives me an easy, uncontroversial choice for worst Star Trek series, not only of the last 7 years, but of all time.
Picard (2020-2023): Listen; I know that this series is unpopular with the Tumblr Trek fandom, but it actually breaks my heart to have to put it so low on the list. It has, in my own opinion, the best dramatic acting of any Trek series and among the best directing, and almost every individual scene, in isolation, is compellingly watchable. More than that, it has fascinating worldbuilding choices, you can really *see* the passion of the writers for what they're creating (at least in the first and third seasons), and Agnes in particular is among my favourite characters in anything ever. It's got a lot of great moments, too! Picard and Seven bonding over shared Borg trauma; Soji uncovering the truth of her identity; Jurati hacking the Borg Queen's brain; Picard's final farewell to Q; Shaw's Wolf 359 monologue; Geordi's reunion with Data...I could go on. And yet, it just feels like so much *less* than the sum of its parts! Incredible ideas are introduced and then just shrugged off to pursue much more boring ones. Story arcs feel pointless if not actively offensive. Absolutely baffling writing choices are made throughout, with no indication as to why. And the nostalgia baiting , particularly in the final season, becomes so intense that it just chokes the plot to death. One comes away haunted by the feeling that this series should be so much better than it is.
Discovery (2017-2024): Really, this is two separate series: a twisty, grimdark, sci-fi war drama and a gentle queer coffeeshop AU about scientists who talk about their feelings. Both of them have their moments, but they each fall down in the same way: a focus on epic, high-stakes mystery box storytelling that undermines one's ability to really get invested in the characters, or even know who they are when they aren't off saving the universe. Without that, while I liked many of the characters and loved seeing them science the shit out of things using teamwork and the power of math, it's kind of difficult to get invested in this series one way or another. In spite of its absolutely gorgeous visuals, it comes off feeling weirdly...flat.
Short Treks (2018-2020): Not a lot to talk about here; just kind of an anthology series of short films adjacent to Discovery, Picard, and Strange New Worlds. Mostly they're varying shades of mediocre, but a few of them are as brilliant as any episode of Star Trek ever made, so the series gets to be relatively high on the list.
Strange New Worlds (2022- ): This is the first entry on this list that, in my opinion, belongs on the top shelf with some of the best of the older series. And it achieves it basically by adopting the same formula as the original series or the next generation--socially conscious planet-of-the-week adventures with enough wit, cleverness and joie-de-vivre to keep it interesting. I remember in 2017, there was plenty of discussion of how it's possible to update Star Trek's formula for prestige television; how funny that the solution turned out to be "don't change it at all, just give it modern special effects and actual character arcs." That said, the series is a bit *too* beholden to the original, with focus primarily on a bunch of characters who aren't allowed to grow or change too much because we already know how they'll turn out. It would be even better if it were about a new ship and a new crew full of nobodies who we can come to love. Which brings us to...
Lower Decks (2020-2024): Above, I said that Picard felt like it should have been so much better than it was. Lower Decks, frankly, should have been so much worse. How is an adult animated sitcom with Rick and Morty style animation and constant memberberries this freaking good!?! Every episode is a master class in efficient storytelling, with 22 minute runtimes often feeling like they contain as much story and character work as episodes twice as long. And the characters are incredible--like TOS and TNG, they feel almost archetypal, and even though you've never seen them before, they slide so seamlessly into the Star Trek universe that it's hard to believe that they weren't just *always* there; that there was ever a time when you could imagine the Star Trek universe without just intrinsically knowing that Tendi and Shaxs and Mariner were off somewhere in the background. It's greatest success though, the reason why it's comedy works when it really shouldn't, is that it's only *slightly* sillier than the serious series. What we end up with a fantastic series with an ethos that is pure Star Trek, and in fact, if I had written this list a month ago, it would certainly be in the #1 spot. However...
Prodigy (2021-2024?): The first season of Prodigy is...charming. It's got some fun characters, some spectacular visuals, some interesting premises. And if the plots tend to be a little too simplistic to be engaging to an adult, hey, it's a kids' show. It's good. Solid. Above average. And if I had only the first season to go on, it would probably be in third position on this list. But then, a few weeks ago, it went ahead and dropped the best season of Star Trek in a quarter-century, and I really...I just cannot recommend this series highly enough. The sheer, ambitious scope of the narrative; the arcs it puts its character through; the cleverness of the writing; the fricking GORGEOUSNESS of it! And it does all this while redeeming deeply unpopular characters and plot points from other series, in a way that never feels forced or pandering. Not only is it the best Star Trek series of the 21st century, it's one of the best children's animated series since AtLA. Go. Go! Watch it! Watch it now!
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nightmaremonarch · 5 months ago
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jojo’s bizarre fantasy au BECAUSE I LOVE PART 5 AUGHHHHHHHHH
i rewatched the entirety of part five in the span it took to make this. Details about the lore and characters below the cut ^_^
Ok. I will be separating this based on character… in an attempt to be more organized. Included will also be my friend’s description that she gave for each character upon seeing the drawing.
Giorno Giovanna — Race, half vampire. Stand name, Gaia. Unfortunately lost his silly victory rolls, which have been replaced with donut shaped curls. Has a dream of usurping the Crimson King and ending his oppressive reign.
Friend’s Description: “‘pink is still manly for this era guys trust’”
Trish Una — Race, human(?). Stand name, Spice. I like to think she tries to maintain an air of elegance and superiority, but she’s just a kid who doesn’t particularly want to be in the situation she’s in. The princess of an underground kingdom? No way. She just wants to be Trish.
Friend’s Description: “Noblelady”
Guido Mista — Race, human. Stand name, Coitus Cluster (good god the creative juices are NOT flowing). Best archer, like, ever. Probably enjoys animal furs but is too broke to get any. Stinky loser.
Friend’s Description: “Robin hood.”
Pannacotta Fugo — Race, elf. Stand name, Purple Death. Former nobleman and still dresses like it. Had to limit the holes in his clothes because he is, unfortunately, not immune to being sunburn.
Friend’s Description: “totally not a vampire”
Bruno Bucciarati — Race, human. Stand name, Strings of Fate. I love him. He’s the love of my life. I may or may not have put the most effort into his outfit. He’s so beautiful. No notes. Also, since zippers weren’t invented till like… mid 1800’s, rather than zippers, he uses strings!!! Tugs on ‘em the way you would a loose hem…
Friend’s Description: “Italian nobleman”
Leone Abbacchio — Race, drow. Stand name, Rewind. It takes the form of a snake!! Because Moody Blues had them.. neck thangs. I don’t know. Anyways. Abbacchio coulda been drippier, but at the time of drawing I was running low on brain power.
Friend’s Description: “TOTALLY NOT A VAMPIRE”
Narancia Ghirga — Race, human. Stand name, Pheonix. Due to the fact that airplanes did NOT exist prior to some point in the 1900’s, Narancia’s stand is a bird. Probably breathes fire and can detect carbon dioxide… cannot come back from the dead though. Sorry buddy. Also, his left eye is blind from his eye infection. Sorry again buddy.
Friend’s Description: “peasant working on a merchant ship”
AND FINALLY:
Diavolo — Race, Demon. The Crimson King. He took FOREVER to draw. Especially those tattoos. I tried to make his color scheme salvageable, but seeing as I was working with Diavolo’s actual color scheme… it is not the best. Diavolo used to have wings as well, but after an incident that prompted him to go underground, they’re gone. He hides in the body of a halfling named Vinegar Doppio… though they are two completely separate entities.
Friend’s Description: “Dante’s homosexual Inferno”
idk if ill elaborate more on this au. depends on the reception of this…!! this is all just for fun… goofs and gaffs… love u sorry for only posting wips for months before this
also in this au i think stands would be called spirits/be spirits ok that’s all fr now bye love u
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cheesycatz · 5 months ago
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The Making of: Life-Size Malworm Plush
(Wormton AU)
STATS
16 ft 3 in (495 cm) long
Total time: 150 hours
Material Cost: $124
Theoretical minimum cost (based on seamstress wage): $2,524
(Progress photos and commentary below)
I'll be referring to my life-size wormton plush as "malworm" for convenience sake.
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Unlike my Spamton NEO, Caine, and Fake Peppino plushies, I didn't spend a lot of time on concept art. Since I planned to make the malworm plush as close as possible to its 2D design, I didn't have to add much stylization, other than simplifying some details (no way in hell was I going to make 104 separate embroidered stitches for the segments of his toes, sorry). I mainly used the planning stage to calculate how wide the body pieces needed to be, plotting it out in 1/4 in : 3 in scale and using circumference formula to find the values I needed. I planned to make it around 10 feet long, the length of a young adult malworm. A lot of this project was improv, but, I mean, it wasn't my first or second or third time making a spamton centipede.
The head was quite a complicated shape, so I carved a tiny model out of craft foam, covered one half of it in masking tape, then cut the masking tape mask (hah) into flat pieces. I then traced the pieces onto graph paper and manually scaled them up by using the fact that I wanted the nose to be 1 ft long as reference. The rest of the pattern pieces were very simple, as wormton's teeth, body, legs, etc were very easy to translate into 2D shapes. I used old school notes as paper for the body, as I needed a lot of it. It was entertaining cutting exerpts of Moby Dick and English Renaissance biographies into body parts. I ended up making the body significantly longer; I had to spend $100 dollars on fur anyways, so why not make a maximum size one?
Making the pattern pieces took around 8 hours. While waiting for the fur to ship, I started cutting out the teeth, legs, and eyes. By the time the fur arrived, I had already sewn 36 worm teeth. I did an 11hr all-nighter to cut all the fur in one sitting the day it arrived. After a long vacuuming session and an uptake in the amount of polyester fiber in my lungs, I finished cutting the pieces, taking about 18 hours and 40 minutes.
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As usual, the head was the first thing I worked on. It was...kind of wonky once I flipped it inside out. I trimmed some of the fur so that I could actually see what was happening. The main issues were the lack of any forehead, the nose being way too wide, and the cheeks being too flat. I did some ladder stitching as well as modifying the thing from the inside, and eventually made the head look much better. The cheeks still don't stick out that much still, but I'm happy with how the head looks now. I think it conquered the sopping wet owl resemblance. I inserted wire into the nose and jaws to help them keep their shape.
When I started this project, I wasn't sure whether to make it based off of Wormton or just a copyright-free malworm; I decided to do both. I went with red for the non-Spamton version, as I think it really fits the cartoony fly/mothman-style cryptid look malworms are supposed to have.
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I sewed a square pouch into the throat and put in all those teeth. I used hot glue to wrap blue squares around a wire for the proboscis, because I think I would've gone bonkers cuckoo bananas if I had to hand sew that entire thing. The throat pouch holds the proboscis when it's not extended, as well as anything else I wanted to shove in there. I never measured it, but it's around 4-5 ft long. I finally made the Spamton... eye patches(?) and a pair of eyelids, though I didn't end up using them in the photo shoot. I also made a new pair of nostrils, as the old ones kind of got swallowed up from all the plastic surgery I was giving him
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Now that the head was finished, I got to work on the body. I sewed the white belly and segments of the body together. I left most of the tail open, as the fur was too thick for me to flip it out at a certain point. I worked on the legs, next. After living out my cosplay dreams by putting the claws on my fingers like bugles chips, I grouped the claws together and sewed most of each leg and foot together, leaving me with many pairs of charred drumsticks (did not taste good)
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I attached an extra long wire structure into each set of claws, then threaded the wire through each respective leg and stuffed them. I ladder stitched the claws to each foot, then stuffed each with some plastic beans in order to give the feet weight. I then finished sewing each foot shut. I now had a pile of disembodied limbs and one very long scarf.
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I wound many long pieces of wire together to create an armature for the body. While the plush's body is way too heavy to be properly posable, the wire does still give some structure. I wrapped the extra long ends of the legs' wires to the metal spine, using the body's leg holes for reference. I then pulled the body up the metal armature like a sock.
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I pulled the legs through their respective holes and stuffed the body. It was the first time the malworm was huggable! It's sort of like an oversized body pillow, in a way. I had to ladder-stich all the limbs, the head, and the rest of the tail, as it would've been completely impossible to flip inside out. It was quite difficult to do on furry fabric, and my thread frequently broke from the force I had to pull with to keep the stitches tight. Eventually, I got everything attached to some degree.
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The last details I worked on were the mane, tail tufts, and scopula pads. The mane and tail tufts were ladder stitched onto the body, but I decided to use glue to attach the pads to the feet. I think the extra blue details make his proboscis fit much better, and who doesn't love spider paw pads? I also glued some velcro to the eye patches so that they stay attached better. They slide under the black eye rings.
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My malworm was finally finished! I tried to put a lot of effort into the photo shoot so that people who don't know about the AU can enjoy it. I wanted to make it seem like some weird entity whose only goal is obtaining more Spamton brainrot. Hence it making Spamton on Mario Kart DS under the bed, obsessing over the Spamton Plush, inspecting the Spamton Shrine, and just generally harassing the photographer (me, I guess?). I wanted to capture the silliness, creepiness, and lack of respect for personal space that Spamton is known for. I thought about giving him a bag of doritos under the bed like that one image of the isopods eating them, but went with the DS instead. I thought it would be funny to see this thing playing Super Mario 64 DS (or Super Spamton 64) and here the "buh bye!" sound effect when it closes the DSi XL.
That's all from me, for now. I have other Wormton related matter to attend to.
Don't let the parasitic Spamton larvae bite
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osterby · 2 days ago
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So the flavour of the day is Bad Fandom Stats, and it turns out that not only is centreoftheselights using a wildly inaccurate method of counting ship popularity during a given year for the Year In Review fandom stats, but also that nearly every column on the chart is a lie. @5ummit exploded the whole methodology issue last year, so I'll just link their post and dive into other stuff.
One would think, looking at a list of popular ships with their fandoms listed next to them, that the named fandom is simply the one within which the ship exists.
The ship at the top of that list is "Evan "Buck" Buckley/Eddie Diaz (9-1-1 TV)" and the fandom is listed as "9-1-1 (TV)"; that's pretty straightforward, there's only the one TV show and those characters are from that show.
But then we get down to ships with characters that exist in multiple versions or subsections of a canon which have their own fandom tags on AO3, and things start getting janky
One of the first things I noticed was weird about this year's chart (aside from the numbers themselves being just straight up wrong) was that the fandom for Kirk/Spock was listed as "Star Trek: Alternate Original Series (Movies)", the AO3 tag for the reboot movies. That felt wrong, because while I know the reboot movies are big on AO3, most of the K/S stuff I've seen recently has either been expressly original cast or not specific to any one cast or iteration of canon.
I thought that the list might have been saying that Reboot Kirk/Spock alone was big enough to make the list while Generic and Original Kirk/Spock were separate fandoms that hadn't gotten onto the list. That would be absurd for new fic count, but there are stranger things on this list and the methodology favours newer ships, so I went digging.
A search for Kirk/Spock fic posted in 2024 and a glance at the sidebar gives us this, out of 2,255 total fics
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Searching for Kirk/Spock fics updated, rather than newly posted, in 2024 also puts the All Media Types and Original Series tags above the Reboot Movies.
But searching the entire unfiltered ship tag gets us this, out of 22,426 fics
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This means two things.
1.) Despite the listed fandom on the year end chart, Kirk/Spock (and by extension, all the other ships from fandoms with more than one iteration of canon [and some Batman ships are on there, so we've got far more complex things than simply reboot movies and TV/anime adaptions of novels/manga]) is a generic ship tag.
2.) the fandom listed was taken from the unfiltered tag, not from this year's data.
And centreoftheselights confirms that this is indeed her methodology.
The fandoms are, quite simply, wrong.
--
Since we do not have access to her data and her methods are not replicable, we can't check how many of the ships might have been struck with a mismatch between which version of their canon is most popular overall vs this year.
I can't even be certain that there is a mismatch for Kirk/Spock. It's possible that the fics that actually make up her numbers have more reboot movie fic than otherwise. No one will ever know.
--
It is interesting to dig into the differences. I find it utterly fascinating that Kirk/Spock had a period that pushed the reboot movies to the top of the list overall and has since settled into Original Cast being more popular, all while the ships remained consistently popular enough to regularily end up on Top Ship Lists.
Centreoftheselights' data does not allow us to dig into those differences, or even to meaningfully speculate about them.
--
And yet more! As I explained in this reblog, the "type" column is not harvested from the data itself, but is a subjective interpretation of what centreoftheselights believes the characters' genders is or could or might be. So not only are all the columns wrong, they aren't even wrong in the same ways.
Over the whole sheet, the columns are: ⚠️Rank: Well, it accurately lists the order of the inaccurate counts, so I guess the column technically isn't inaccurate ⚠️Change: This is indeed the change in rank from last year's chart. It accurately lists the difference between two different inaccurate ranks ✔️ Relationship: accurate! This is the ship tag on AO3 ❌ Fandom: Inaccurate. Actually a top tag within the ship tag, not the fandom the ship is from ❌Works Gained: Inaccurate. see @5ummit's debunk ✔️Total Works: accurate! this is indeed the size of the tag on AO3 ❌Type: Inaccurate. OP's best guess, subjective interpretation, or headcanon ❌Race: Inaccurate. Same as above.
--
Tagging @olderthannetfic and @5ummit since you two have kind of been doing the heavy lifting on this one :)
Also plugging the more accurate chart by Randomist1031, which, in addition to having accurate fic counts, also lists fandoms by generic names rather than top tag, which increaes both accuracy and readability. https://archiveofourown.org/chapters/158271001
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halcyone-of-the-sea · 1 year ago
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hello !! if it’s not too much of a bother can you write another piece featuring Lion 🫶 maybe another angsty piece, maybe a lil lion + farah combo or something else like lion and gaz getting separated from the 141 during a mission and having to fight their way back to the extraction point (?). totally up to you !!! also thank u for keeping us well fed 🙇‍♀️
Lions and Ibexes
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PAIRING: John Price x Wife!Reader 'Codename Lion'
SYNOPSIS: Impulsive was what John always called you - affectionately, of course. But he sure does worry when you disappear without him.
WORDCOUNT: 4.0k
WARNINGS: Blood, death, canon typical violence, a tiny bit of angst, fluff, banter, no connection to 'I'll Take the Night Shift' except codenames, protective!Price, suggestive jokes, etc.
A/N: I wanna give Farah a big smooch on her forehead.
*I do not give others permission to translate and/or re-publish my works on this or any other platform*
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“So this is the woman that the Captain won’t keep quiet about,” you smirk and place your hand into Farah Karim’s, eyes shimmering as you both share a tight grip. 
“Commander,” greeting the black-haired woman, your light gear hangs off of you easily and efficiently; clean and well-taken care of. 
“Lion,” she nods, smirking back. “A pleasure.”
“Please,” you huff a laugh, “I wish it could be.” Expressions dim as you instantly get to work, the hot sun and dry air sticking to your flesh like a second skin of humidity. Releasing Farah’s hand you sigh and look around the old town, skimming over the forms of other Urzikstan Liberation Force soldiers. 
Farah does the same, breathing lowly. 
“On that, I believe you’d be right.” Brown eyes flick to yours, looking you over before the woman nods. “Come, we have much to discuss.”
“Lead the way,” your feet push you onward, following behind the Commander as your wedding band clinks against your chest. Held on that long chain, a hand comes up to brush it carefully, letting the man who wears the mirrored piece bring you comfort even from so far away. 
John was set to ship out in two days—there were some other important operations that had taken precedence. While you could have stayed behind with him, as you had wanted to do, a plea from one of the far-distant operators of One-Four-One had caught your ear. The name Farah Karim was known. 
If you didn’t offer assistance, you’d never feel right with yourself. One call to Laswell and it was all set up. 
“I’ll be there in two days,” John had muttered into your scalp as you both lay in bed, tight to one another; lashes fluttering. “Wait for me, yeah? No running off.” 
Your smirk had made him sigh a chuckle. “No stunts of heroics, my Love? Please, do you know who you’re speaking to?”
“You’ll be the fuckin’ death of me, y’know?”
“Well,” the words are uttered into his neck and John pulls you tighter into him. “I think that’s just about the most romantic thing to happen to someone.” 
Smiling to yourself, you bring the ring to your lips and kiss it lightly before letting it drop. In your head, John is still in your shared flat in London, and you’ll be back by the hour. If only. 
“You contacted Laswell and said you had encountered more of Barkov's remaining cells?” Your voice carries easy authority; ingrained confidence. 
Farah looks back and nods firmly. 
“They’ve taken over a town in the mountains, my forces can’t break the line.” She sighs aggressively and you stare with a sliding frown. “Even dead, Barkov cannot leave my people alone.”
In the back of your throat, you hum, “Well, parasites tend to be resilient.” Farah leads you into a home with maps on the tables and low talking of strategies from others. They pause when you enter and you nod politely. Many here knew your husband as the Commander did—all those years back when he was still only a Lieutenant and had broken Farah and her brother Hadir out from the Russian’s jail; labeled as prisoners of war. 
John had told you about it during one of the many late nights in your joint offices. Eyes tired and his hands playing with your hair.
“What do you need me to do?” You ask genially, standing near the table and placing your hands down on it—standard M4A1 resting over your chest and your secondary weapon strapped to your thigh. Unlike most, you’d opted for lighter gear to allow you to move faster. 
Fewer packs sit on your vest, and the gleam of the knife on your shoulder was a testament to your preference to close, silent, encounters. Though you liked to use your silver tongue to get out of situations, unfortunately, that wouldn’t work in this instance. 
“Captain Price told me you’re one of the best undercover agents he’s seen.” You perk at this, looking over with raised brows.
“Hell,” your chuckle echoes, “when you said he couldn’t keep quiet I thought you were exaggerating.” 
Farah smiles cheekily at you before pointing to the map of a mountain town surrounded by red Xs.
“My soldiers have marked off choke points all around the area. They’re the only pathways to the town, but heavily guarded.” She glances around the room and you hear her sigh heavily. “I wouldn’t have asked for assistance unless I knew I needed it. I’d prefer to leave foreign fighters out of this conflict, unlike my enemy.” 
“I understand,” your head shakes. “It’s your home—I’ll go where you need me to. John should be here in two days to assist.”
Farah’s face flashes with surprise, her full brows rising on her head. “Price is coming?”
You shrug and laugh, “he’s stubborn.” 
The woman chuffs before moving to fold her arms over her chest. “I think perhaps he’s more of a smitten husband, hm?” At the sheepish expression on your face and dipping eyes, Farah barks a laugh.
The band around your neck clinks into the stock of your gun as you stand to your full height. 
“Is it that obvious,” you tease, tilting your head to her. You knew it was.
“I believe the simple action of asking is proof enough, Lion.” The commander looks at her work on the table, smiling easily but focusing still on her plan of attack. “But, regardless, I give my thanks for flying out on such short notice.”
“We help our own.” Resting your hands on the body of your weapon, you smile fondly. “Now, who do I need to kill?” 
As it turns out, killing was the very baseline of what you needed to do. 
Shuffling into the dark armor of the dead Russian soldier at your feet, you grunt at the slick spread of blood on the ground as you strap arm braces to your limbs. 
“Heavy as all hell,” you grumble under your breath, picking up the large helmet and shoving it over your head with a puff of air. 
Farah was going to lead a distraction on the far side of the western choke point while you slipped into the ranks, placing packs of C4 in some of the large-stocked weapons buildings. Easy enough for you, you admitted. You’d done things like this a million times over. 
When all was said and done, slipping your knife into the new belt at your waist, you gaze down at the dead man with a huff of air; seeing the blood still pooling from the very obvious signs of a slit up the left armpit. You blink and stuff your wedding band down your shirt. 
“Bad day, buddy,” grabbing his legs, you bare your heels and drag the body behind a large outcropping of rocks—long streaks of crimson left behind. “I’d hate to be you right now.” 
Grunting, you drop the limp flesh with a thump like a paper-towel roll meeting the counter. 
Shuffling back into the open, your feet make tracks to get you closer toward your targets. You hike the small pouch Farah gave you farther up your back without a word more. 
John had always said you were quick-witted, but when he got here he’d lose that hat of his in disbelief. The truth was that you had forgotten what little of the Russian language you’d initially known, and the situation you found yourself in now was frankly not ideal.
C’mon Lion, you think to yourself, just pick up social cues and you’ll be good. 
Oh, your husband was going to lose his shit.
“Come again?” The Captain barks. “What do you fuckin’ mean she’s in the base?!”
“I just explained it,” Farah levels, raising a brow. Blue eyes narrow with a growl until the Commander's lips flicker in a smirk. “We just had word three minutes ago. She’s fine, Captain.” Fingers find John’s nose bridge, digging deep into the flesh in large exasperation and worry.
He had caught a C17 and came here a day early after he’d gotten a bad feeling—internal wife radar going off as it usually did when you placed yourself in danger without him. Which was more often than not.  
I told her not to be impulsive. 
John sighs long and low, shaking his head. “Farah…you sent her in alone?” 
“She is quite capable, Price.”
“I fucking…” He stops himself and puts his hands on the table in the center of the building. Men and women were snickering from the corners, sending amused glances. “I know.”
Farah sends a glance to her soldiers and they turn away to cover their smiling mouths. Enjoyment was in her tone as she grabs the walkie-talkie from the table top and clips it to her vest. 
“There were more men than we anticipated—she had to be more careful when placing the charges. Captain,” John glares up at her when his eyes leave the maps. The Commander teases, “She is fine.”
As if on cue, the radio fizzles with your voice. Farah looks down with surprise and the Brit's eyes snap to it immediately; body tense. 
There’s a moment of garbled static where the Captain feels his heart beating out of his chest. The panic that had snapped through him when you hadn’t come out to greet him when he’d landed was primal; genuine fear stuck in his bones like spiky grass. The bond the two of you had was closer than anything on this plane of existence. It was rare to not see one without the other.
Your voice cuts through and John’s shoulders sag under a non-existent weight.
“You should tell your men to move unless they want to be scorched, Farah!” The woman in the room smiles ferally and raises a smug brow as she looks at John. 
“Copy, Lion. You have my thanks.” 
“I didn’t know you could improvise Russian—it’s like the Slavic blood just entered my body!” The Brit covers his eyes with his hand and groans at the base of his throat. 
“Tell her to get her arse back here before she gets bloody shot.” John takes off his bucket hat and tosses it to the table with a gloved hand, punching his hair back from his forehead. “Giving me gray hairs,” he grunts. 
Farah laughs and says eagerly into the walkie, “Someone’s here to say hello.”
“...Oh, fuck.” Your panting breath clears and after a long glare at the device, John hears you say in a slow and awkward tone, “Hello, my Love!”
Farah tilts the radio closer to him and looks highly pleased. 
“Get back here. Now.” John grunts out, fingers digging into his arms as he crosses them. “I told you to wait for me.”
You laugh nervously, deflecting, “...did you, Dear? I guess I misheard you.” The Brit’s jaw clenches but Farah can speak before he can.
“Lion, are all the charges set, then?” You seem thankful for the distraction, sighing over the line.
“All good over here! I just need the O.K from your men and then it’s about to get a whole lot brighter.” 
“I’ll relay the news—get away, as far as you can.”
“Already on it,” your breathy chuckle exits and you pause before saying. “See you soon, Love!” 
Tiny blue eyes bug, “Wait–!” The line clicks off and Farah is already tapping into the frequency for her soldiers, turning slightly away to converse in quick Arabic. 
Evening rolls around and you jog back into the Liberation Force’s base, greeting the guards stationed with a breathless sigh; utterly sweaty but happy you’d gotten half a ride back from some locals. You’re back in your original gear, sear marks on your cheeks and hair slightly burned, but nonetheless unharmed. 
Everyone welcomes you back with handshakes and pats on your shoulders—brushes to your arm as people pass. You guide yourself back to the main building with chuckles and deep smiles of achievement. 
“Someone’s happy.” John’s voice freezes you halfway into the home and you cringe like a leaf. After a moment your eyebrows slide up with a cheeky smile.
“John,” you draw out his name and turn, seeing him leaning against the house with his arms crossed and legs stiff. He looks unimpressed in all of his handsome glory. “Well, don’t you look nice—did you trim your beard before coming out?” 
Walking slowly towards him, you loop your hands around his waist and press kisses into his neck sweetly. The man sighs long and you feel his large palms rest on your hips heavily. You blink innocently into his orbs. 
“Your silver tongue won’t work on me, Love.” The glint in his expression eggs you on as his nose tints down to touch yours. You smile brightly, seeing the wrinkles on his forehead dim as he melts into you easily. 
Whispering, you utter to the air, “I’d say you like my tongue, you brute. Tell me often enough.” Not a beat is missed, but you feel his cheeks go slightly red.
“Keep it on a leash and maybe I’d like it more, yeah?” You snort loudly, head dipping only to feel his lips press into your scalp; his smile is teasing as his beard drags against you. 
John breathes you in along with the scent of sand. One of his hands travels up to lock into the back of your neck, playing with the chain of your necklace. The one that mirrors his own down to the very dents and scratches. 
“You alright?” The words are a murmur into your flesh. You let him play with your wedding band as your smile softens to the same sensation of warm pelts on a wooden floor. 
There was no use telling you to stop your crusades, the Brit knew that. You did what you wanted and damn the consequences; John was stuck with damage control but knew you had the skills and know-how to break all odds. You still held that same fire that the woman he married wore like a crown of fangs without fail.  
“Always,” you reassure him, hugging his waist tighter and staring into his eyes.
The both of you lapse into a delicate hold. John’s arms cage you in and you’d have it no other way as fingers drag over warm flesh, never mind the brutal dig of gear or the stain of blood. Neither could keep you away from the other. 
“When will you stop making my heart rip out of my chest, Sweetheart?” John asks, smirking down at you. “Trying to give me a heart attack before forty, eh?”
“Oh, please,” you whisper against his lips, eyes alight with mischief as he watches you closely—pulse pounding against yours. He could never be angry at you. “We both know that if you have one, I’ll be having one too. We’ll end up being brain-dead at the same damn time, no doubt.” 
He laughs against you lowly, having to pull back to shake his head at your bland confession. “You’re fuckin’ mental, Love.” He breathes in soft puffs of breath. You gaze up at him, laced with affection and care, as he rests his forehead on yours. “Ah, but that’s alright, isn’t it? We’re all a bit crazy.” 
“You might be a little bit higher on the metaphorical scale,” you tease, face serious but eyes betraying you. They always would when it came to John; the only person to break through that ‘cunning nuisance’ that everyone always mentioned in your file. 
“Really, now?” He blinks, smirking and rubbing at your hip absentmindedly and leaning closer—pushing your neck to the side. 
“Just a bit,” you huff, not even realizing. 
Before you can utter another word, firm lips capture you like a beast in iron bars, bulky forearms stuck at the curve of your spine. You chirp into John’s mouth in surprise but melt into him as his large purr resonates into your bloodstream. Singing, you bring your hands to his cheeks, digging through those bristles to feel the burn on your hands. 
Humming, your husband nuzzles his nose into your cheek like a dog would, letting him take in your scent as you feel your legs go weak. You enjoy the worship he gives you; always would. Your body is tightly held against his own and you gladly would have shown him how much you enjoyed him being here if only for the small fact you needed to talk to Farah. 
With one last pass of his reddened lips, you slip back and kiss his bristly cheek with a chuckle. 
“Later.” 
He groans into you. “Tease.” 
“I didn’t even do anything!” You laugh loudly, moving out of his hold to walk into the house as he follows at your heels. John’s hands go to the top of his vest collar to rest. 
He leans down and whispers, “Don’t need to, Love.” 
Your face burns for him and only him as he grumbles out chuckles at your blown pupils. Huffing, you turn and roll your eyes, trying to dispel your flaming blood. Farah waits for you and with a happy glance up she comes from around the table and claps you on both shoulders. You grunt in surprise but grip her elbows with a laugh. 
“Barkov’s remaining cell was wiped out—my soldiers are hunting down the remnants as we speak.” She squeezes your gear and you sigh in relief. “Thank you, Lion, for coming out when you did. The Captain was not wrong in his assessment.” 
You turn your head to the side and glance back at John. “Hear that my Love, I’ve heard you talk about me. That’s so precious.” 
His face goes red under his beard, and his feet shuffle as you and Farah share a joking glance. John releases under-the-breath grumbles before the Commander addresses him. The woman releases you but speaks past your person.
“Some of my younger soldiers wanted you to mentor them with the use of their weapons, do you plan on staying the night?” You and John share a look, a seeming telepathic communication going on. 
He nods at you and you smile. “Only tonight, we ship out at first light. I’ll do what I’m able.”
“Then you also have my thanks. They’ll learn much, I’m sure. Lion,” John comes and gives you a kiss on the cheek before leaving. You watch him go for a moment before rubbing at your dirty neck while you listen to Farah. “Come with me, there’s fresh water on the roof.” 
“Oh,” you perk, suddenly realizing the fatigue in your bones and the dryness of your throat. “Thank you, that’d be great.”
As you both ascend the stairs to the roof, there’s a still silence that falls, a calm nothingness. When you finally stand on the flat roof, you look over the vast land as Farah hands you a chilled water bottle from a mini-fridge. You take it with a small nod in thanks. 
“Nice view,” you motion with the bottle before taking a long sip—downing half of it in one go. 
Farah smiles and hums. “Urzikatan is a beautiful place,” you listen and wipe at your mouth; seeing people walk the streets below as the red sun grows even lower. In the wind, your nose twitches to sand and dust, with some hint of floral notes and arid cleanliness. Farah’s face seeps with a low sadness when she looks out to the land and you pause your drinking. Brows pulling in, you watch her. 
“Farah?” You ask, carefully. It’s a moment before she responds.
“I…” She crosses her arms and sets her feet. “I wonder if this place will ever see its freedom. We’ve been fighting for so long already. My family has known war more than anything else.” Brown eyes drift to you from the side of her eye. 
There’s a tightness in your chest. You can’t imagine what Farah feels right now, what she has felt. Years of this…and still her home is under foreign subjugation. A frown grows on your face and you put the half-full bottle to the small wooden table near the roof’s corner. 
“You’ll get your sovereignty, Farah.” You try your best to speak your mind to the woman but remain truthful to your belief. Farah stares out as you sigh lowly. “Maybe not now—maybe not in this generation—but someday the sun is going to set on a free Urzikatan. You’re plenty strong enough to assure that and you’ve done a proper job so far. The frames are already set.” 
The Commander hums and gazes at her soldiers below as they mull about, laughing with each other and enjoying the company of their fellow countrymen.
“Do you ever wonder what it would be like?” Farah asks you, and you study her genuine interest in her own thoughts. “Who we would be if nothing ever happened to us.” 
You stare for a moment, skull tilting down to gaze at the top of the roof. It’s not an easy question to answer. 
“Sometimes,” your lips admit. Farch eagerly pivots to your form like you hold the greatest answer imaginable. She’s been through so much—losing her family, and her home. Humming, your eyes shift to the setting sun; blinking at it. Against all of this, your lips flinch up into a smile. “But not often.” 
Farah’s eager gaze turns confused, her brows furrowing deeply with a scrunched face. 
“Because right here, right now,” John walks down the street below, and your eyes fall to him as easily as a leaf dances to the ground. The expression on your face eases. “It couldn’t have happened if there were never bad days.” Your husband looks up, and you see him pause among the ranks of other fighters. You chuckle softly, head tilting to the side. 
John stares at you as if you’re the only person to exist, moving one hand from his vest to jerk two fingers in a subtle greeting. Farsh watches the interaction closely, tension loosening from her body. Your head nods slowly to your husband and you say to the woman, absent-minded, “I’m right where I need to be…And the sun has never looked brighter.”
Farah huffs a laugh, eyes running back and forth between the two of you. 
“He loves you,” she says, “deeply.” 
“God,” your laugh echoes, “I sure hope so.” The both of you laugh. 
It felt easy to speak to the Commander, truthfully. Being surrounded by four men all of the time can get catty even with such a strong bond as you had with One-Four-One. 
You dare to share more.
"In my mind, John and I are still in Hertfordshire for our wedding,” The words come out of you slowly, unwrapping emotions one layer at a time as if swaddled in a dark veil of internal nostalgia. You watch John as he walks along, oddly sad but filled with something that makes you want to take him up into your arms with a wet laugh. “Sitting back on the grassy hills outside of town in my gown and him in his tux. The wind is cold…but neither of us can find it in ourselves to shiver. The sun's setting on our heads and making everything glow gold. His fingers are running through my hair…” You pause and hear Farah’s soft breath in the air, but you don’t look at her. Your eyes stay stuck on one person only. “When I die,” your words continue, “I can't ask for anything more than just a glimpse of that again. Just a flicker of that hill. Of those blue eyes looking into mine. I don't think it would be all that bad if I could live in that moment for senseless eternity. If I could live in it for only one second." 
John looks back at you from over his shoulder, your form shrouded in the setting sun as he slowly walks away from you. You gaze with melted eyes, the ring around your neck shining all the brighter. 
“I’m right where I need to be,” finishing, you turn your glossy eyes to Farah, who stares with a wide pull to her lids. “And you need to believe that even if you never get to see that freedom—that hill—you’ll make sure someone else can climb it just an inch farther.” 
It’s a long moment before Farah answers.
“The both of you will do this until one of you dies, hm?” You blink before you shrug. 
“Not one.” Your tone is easy, and John’s shadow turns a corner; out of sight. “I’d never let him go without me.”
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cauliflowercounty · 9 months ago
Text
Knives Dance (Part III)
Feyd-Rautha Harkonnen x fem!Reader
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Summary: It was hard to have a prose summary so here are some bullets of what’s happening in part 3
Baron Feyd missing you + heartfelt reunion 
Feyd being totally infatuated with you
SCIENCE!!! and POLITICS!!!
Rabban being pitiful
Reader being a badass
Feyd vs Paul on Arrakis (what will happen? You’ll never knowww… [unless you read this chapter **wink, wink, wink**]
Warnings: Violence, blood, death (woohoo)
Word Count: 10.3k (whoops… I went typey-type)
A/N: I wanted to say a sincere thanks to everyone who's read Knives Dance up to this point. This series is some of the most fun I've had writing in a long, long time. Sending lots of love your way :)
Part I | Part II | Part III
--
Stirring gently in his bed, Feyd recoils slightly as the light from Giedi Prime’s black sun hits his eye line through the wall of windows that separate his bedroom from the private balcony that overlooks the cityscape.  He extends his arm to your side of the bed and runs his hand languidly across the surface, feeling the cool, silky sheets under his fingertips. His heart feels heavy in his chest, and he lets out a low growl of frustration into his pillow. It has been a long three weeks without you.  
You’ve been off-world on a visit to Youra to see your father and bring back equipment for the laboratory you’re constructing on Giedi Prime. He knows that he doesn’t have to worry about your safety because he insisted on a full Harkonnen security detail accompanying you, which should have put his mind at ease, but he’s laid awake each night since your departure, staring at the ceiling and trying not to think of disasters befalling you during your travels. One night it’s asteroids colliding with your ship, tearing gaping holes in the walls, and sucking you into the vacuum of space. Another, it’s an ambush by an undiscovered society, hellbent on killing alien peoples for sport. Perhaps a novel virus wiping out the entire population of Youra and you with it in a matter of days?  No farfetched scenarios were off limits when Feyd allowed his mind to wander.
The foreign feeling of loss due to your absence has not only plagued him with anxiety, but allowed Feyd to slip into a state of abject melancholia. None of his old vices have come close to fulfilling him, let alone make him feel much of anything.  Watching his servants cower in fear or making foreign ambassadors quake in their seats wasn’t giving him the same gratification as it once had.  Even hearing the roar of the crowds in the arena didn't given him any satisfaction. Everything had felt unbearably pedestrian. The only thing that brought a smile to his face was the thought of having the other half of his bed full again and listening to your tranquil voice. With every passing moment, he’s yearned for the life you had built together on Giedi Prime to resume.
Your mornings together were simple and easy. They were a time when he could always experience a drop of serenity within the political quagmire he’d gotten himself into since assuming the title of Baron. He’d wake up with you already in his embrace, your head laid delicately on his chest. He'd listen to your soft breathing and savor the way your limbs would entangle with his. The image of you blinking your eyes open to look at him with the special glimmer of affection reserved just for him never failed to make his heart flutter. 
Overtime, Feyd noticed you had been taking very well to Harkonnen dresses, which you now wore more often than not. He had the best seamstresses on Giedi Prime make and tailor custom outfits for you, though he didn’t expect you to always wear them, knowing how important your heritage was for you.  Nevertheless, you continued to grab one of the black gowns from your shared closet for your daily tasks and tell him with a smile “I’m Baroness Harkonnen now.  Shouldn’t I dress the part?”
Before leaving your quarters each day, Feyd always took the opportunity to take your hand in his and bring you in front of the floor length mirror in your shared closet. With his hands around your waist, he would pepper gentle kisses from your cheeks down your neck, whispering in your ear “you are a vision today, my Baroness.” You'd always smile and blush bashfully in return, returning his kisses in kind. Moments like those when it was just the two of you had become one of his favorite parts of the day.
You made the meetings, filled with diplomats groveling to win his favor, bearable. How he loved to watch you as you sat on the grand Harkonnen throne beside him. You never failed to command the room with your head held high. Power and dignity seemed to drip off of your being and fill every room you entered. You were truly worthy of the title of Baroness, and with every passing day and every interaction, there was more and more for Feyd to admire about you.
In private, you took to training together, where he would bask in your shared might. With every blow he endured from you, all he could think about was that he, Feyd-Rautha Harkonnen, was the only person alive to witness you so animated with ferocity and passion from battle, as all others who have seen you this way have been slain and buried. Sparring sessions between the two of you almost always ended with you both on the floor, limbs entwined and chests heaving after one of you would get the best of the other and take the opportunity to pin the other to the floor. 
At the end of the day, you'd always assume your position on the balcony in a flowy, white nightgown. With a gentle gesture, you’d beckon him to accompany you while you observe your shared domain, watching the shuttles flying through the gaps in the dark architecture and the stark white floodlights passing over the cityscape.  He’d hold you close by your waist and whisper sweet nothings into your ear until you start to shiver from the evening chill, at which point he’d tug at your waist to take you back to the bedroom to retire for the night. Every day, Feyd was falling deeper and deeper into you, and he’s loved every moment. 
Bringing himself upright, Feyd stretches his arms and stands up, walking over to the closet. Across from his sets of Harkonnen formalwear and battle gear, your gowns are neatly hung. Half of them are the sleek, black Harkonnen designs he had made for you. The other half are gorgeously vibrant Youran gowns. He sighs, imagining sharing one of your moments again in front of the mirror like always, but alas, you are not beside him. Once he’s dressed, he emerges from his quarters and is met with a nameless servant.
“Good morning, Baron,” the servant says, bowing deeply and trying not to give Feyd an excuse to kill him. “I am here to inform you that we have received a signal from the Baroness’s craft.  Her arrival is imminent.”
Hearing those words, Feyd turns on his heel toward the landing docks, dismissing the servant who heaves a sigh of relief because his head is thankfully still connected to the rest of his body. As Feyd walks the halls, his pace quickens, feeling the anticipation rise in his chest. People bow and salute him in the hallways, but he doesn’t pay them any attention. He’s too preoccupied with his thoughts of you; he can already smell the aroma of rainforest flowers you carry around with you. The thought that he’s so close to having you near again nearly drives him mad. 
When he arrives at the landing docks, the fleet of Harkonnen vessels is already touching down. As he hears the machinery’s loud whirring die, the ramps of all the crafts to meet the floor. Lines of Harkonnen soldiers file out first, each soldier with weapons in arms. The steady pulse of their synchronized footsteps echoes through the space with perfect adherence to Harkonnen military standards is satisfactory for Feyd. The commander in front barks orders, and the guards immediately step into formation, making an aisle that extends between Feyd and the craft closest to him. 
He is at a loss for words when he sees you walk down the ramp. You are undeniably gorgeous in Harkonnen clothes, but you look positively ethereal in the Youran gown and golden headdress that adorn your body today. Instead of shrouding yourself in the cloak you’ve worn in the past to hide your weaponry, you’re wearing a traditional dress reserved only for Youra’s utmost nobility. Layers of sheer, olive and cerulean fabric flare behind you to create your dress’s skirt out from under a ribbed bronze and mahogany corset.  Seeing how it’s cinched your waist and accented your silhouette, all Feyd wants to do is hold you and drag his fingers up and down the length of your figure.
Through the abundance of delicate golden chains that are symmetrically draped over your exposed shoulders and chest, Feyd can see how the corset and the off the shoulder neckline cradles your breasts in a way that makes him feel lightheaded. The entire skirt of the dress is decorated in dazzling embellishments and the characteristic Youran golden thread that Feyd has come to love on you. The fabric of the train seems to flow like water behind you as you walk.  
The high front hemline of the gown that ends at your upper thighs gives Feyd a good look at your legs, the lengths of which are delicately wrapped in the thin, tan ribbons from your sandals. The crosshatched pattern of the ribbons allows him to see just how beautifully your legs are sculpted from years of training and exploration. The sight makes his mouth water. He is truly breathless gazing upon you, his Baroness.
You return his affectionate gaze and call his name excitedly, reaching down and bunching up your skirt in your grasp before breaking into a run between the lines of Harkonnen guards. Your footsteps are the only noise reverberating throughout the area. Before he even realizes it, Feyd’s running for you, too. As you approach each other, he extends his arms out to you, and you leap into them, wrapping your legs around his waist. As he lifts you up into his arms, he spins you both around as you nuzzle yourself deeper into his hold.
Your grips on each other are desperate. Without a moment to waste, he cups your cheek with one hand as the other holds you tightly by the small of your back. A tear threatens to fall from his eyes as he considers saying that he hopes that you’ve missed him, but the look in your eyes already tells him the answer. This is truly happiness like he’s never experienced before. It washes over him when you finally bring your lips to meet his. His breath is warm against yours as he exhales into the kiss in satisfaction. He feels your hands come up to clutch the back of his head to deepen your kiss and growls hungrily, quickly losing himself in your embrace while attempting to resist the urge to devour you on the spot. His brow furrows when you finally break for air.
“Hello, my love,” you whisper softly, pressing your forehead against his, as if what you’re saying is a secret meant for only his ears. He grins at the pet name you’ve picked for him.  “How have things been at home?” Your words make Feyd pause. Were you calling Giedi Prime “home?” 
“Everything has been adequate,” Feyd says, kissing you again. “But I do prefer it when my Baroness is beside me.”
“I guess you’re in luck then,” you smile at his words. You rest your hands on his chest, feeling his prominent pectoral muscles underneath his shirt which makes him sigh in satisfaction. You swiftly squash the temptation to kiss him again as you meet his gaze because if you do, you’d never want to stop. Feyd sets you down, even though he’d gladly carry you all day wherever you want. 
“My father sends his regards. He’s very pleased with House Harkonnen. He also sends his condolences at your uncle’s passing,” you say, which makes Feyd scoff silently to himself. “I’ve also gathered all I need for the laboratory.  I hope I didn’t bring too much back with me. I hope it’s not a burden…” you trail off.
“You could never be a burden. We have plenty of servants. They can handle the labor,” Feyd assures as he turns to one of the closest guards. “Start unloading the Baroness’s things. You know where to take them. Don’t you dare damage any of it. There will be repercussions if anything is found broken.”
“Yes, My Lord,” the guard responds before beginning to bark orders to the others. One by one, the guards disappear into the vessel, and emerge moments later, carrying large wooden crates by the bronze colored handles attached to the sides of each. They all file out and disappear into the fortress, headed for your lab. 
“So,” Feyd says, turning back to you. “Home is Giedi Prime now? I wouldn’t have expected you to call anywhere but Youra home. It’s not that I’m unsatisfied that you’ve found comfort on Giedi Prime, but I was surprised to hear you say those words.”
You smile and glance down at the ground before looking back to him, responding. “Younger me would have agreed with you. Youra is my first home and will forever be such. However, my feelings have changed. Home is wherever you are,” you explain, intertwining your fingers with his. At your words, Feyd pulls you in again by the waist for another quick kiss, and he wonders what he did to deserve a wife like you as you both turn to follow your belongings. 
Weeks ago, you and Feyd had set aside the largest of Baron Vladimir’s personal recreation spaces to be converted to a laboratory for you on Giedi Prime. You both had celebrated the initiation of the transformation by gathering all the Baron’s belongings and smashing them to smithereens, which was quite cathartic for the both of you. In particular, you loved bashing Vladimir’s pipe and ripping his bathtubs apart piece by piece. The day of eradicating every trace of Vladimir, except for his portrait in the hallway, culminated in you both basking in the warmth of a glorious bonfire, fed by what remained of the Baron’s belongings. 
You both arrive at your laboratory. The Harkonnen workers have been very efficient installing the necessary infrastructure in the time you have been away. The room that was stripped to the bones the day you left for Youra is now a proper lab, outfitted with fireproof surfaces, chemical hoods, gas lines, and plenty of storage cabinets.  
“Wow, Feyd,” you say. “This is amazing. I can’t believe this got done in the time I was gone.”
“Only the best for you, my love,” he replies as more servants arrive, and you begin to instruct them how to unpack your belongings. Feyd stands back on the sidelines and watches you, seeing the sparkle in your eyes now that you’re able to bring part of your life from Youra to Giedi Prime. Many of the instruments and objects he sees being unpacked are unfamiliar to him, but you seem unphased, perhaps even comforted, by the diversity of items. He marvels at your proficiency with handling all of them. With the help of the servants, you quickly have all the crates unloaded and the items put away and organized. You dismiss all the workers promptly, so you and Feyd can be alone. Once the doors are closed, you let out a sigh of relief.
“Is the space to your liking?” Feyd asks, coming to your side and slipping his arm firmly around your waist.
“It’s perfect,” you reply, looking around with elation in your eyes. You reach into a drawer in front of you and take out a jar. Inside, he sees it’s full of the iridescent indigo scales of the fish you had shown him the night you were attacked on Youra. “I wanted to wait until I got back to Giedi Prime to do the extraction on the scales for your batch of the elixir. …Would you like to stay while it happens?” 
Feyd nods without hesitation. He knows that watching you work is something only the people closest to you ever get to see. “Of course, my love.  It would be my pleasure,” he says. You smile at him, delighted at his interest. You point to a little door in the corner and tell him to wait for you before disappearing into it. A few minutes later, you emerge having shed your gown and jewels for a tan lab coat. When you smooth your hands over the new coat, Feyd thinks to himself how put together you look. You seem even more at ease now that you’ve changed. In your arms, he sees another coat and two pairs of safety glasses. 
“To protect your clothes and eyes,” you say, walking over and handing him the other coat and one of the pairs of glasses.  Inside the coat, he sees “Baron Feyd-Rautha Harkonnen” delicately stitched in with golden lettering.  As he puts it on, he realizes it’s been tailored to his measurements perfectly at your behest. His heart swells once again. Your foresight is obvious to him. Beside him, you take out a mortar and pestle and pour a few of the scales into the mortar. He hears the scales clatter like pebbles against one another as they fall. 
Over your shoulder, Feyd can finally get a closer look at the scales from the fish you had shown him. The scales are shaped like rounded trapezoids and glimmer even in the artificial indoor lighting. Through the striking coloration, he can see delicate silver ribs that flare out from the narrower end of the scales, making each scale look like a pocket of moonlight rays shining through an inky night sky.  Feyd thinks how it’s truly a wonder how nature produced such a creature that bears such beauty.
You grasp the pestle in your hand and start striking the scales with firm, downward motions. Upon impact, the scales fracture at the ribs. Little by little, the scales become smaller, and you change your technique, beginning to roll the pestle around the bottom and up the sides of the mortar. You reverse the direction of the circle every few times. Because of your expert hand, the scales are soon reduced to a fine powder in the bottom of the mortar.  The dust glistens beautifully as you pick up the mortar and tip it around in a rolling motion, observing the results of your grinding.
“It’s time to perform the extraction and then the purification. Hopefully the crystals will be well formed,” you say to him, taking the mortar over to the fume hood behind the two of you and flipping the on switch to the hood.  “Have you ever watched any of your scientists work before?”
Feyd shakes his head as he follows you, memories of his childhood passing through his mind. “My uncle always instructed me to remain in the arena and the training grounds growing up. The laboratories on Giedi Prime were never our places to be. Our scientists would always come and report to us rather than us going to them. It has always been that way. Everyone in House Harkonnen works for the Baron. Everything they do is in service to him. It is inappropriate by our standards for him to go to them.”
You nod at his words, reaching for the glass sash that separates you and Feyd from the compartment of the fume hood. “Unsurprisingly, it’s the opposite on Youra,” you say, putting the mortar with the powdered scales inside before lowering the sash again until it’s almost closed, leaving gap a couple inches tall for continued access. “Yes, all workers serve my father and me, but we are all colleagues, in a way. They are the workers and my father is the hub for all of the departments on Youra. Much of my father’s success is tied to them, so he would often visit our workers to acknowledge their efforts and dedication. He always wanted to see their work for himself, too. He’s always been the curious type. My father had me follow him to the laboratories as soon as I was old enough to understand safety protocol. I’m sure if it wasn’t for regulations, he’d have brought me into the labs in a baby sling.”
The image of young you in a laboratory, holding your father’s hand as Youran chemists show you both what they’re working on comes into Feyd’s mind.  Even though he didn’t know of you when you were children, he can imagine you then, much shorter with a rounder face but with the same bright eyes brimming with curiosity.  The idea makes his heart warm and a smile tugs at his lips.
“I’m sure those laboratory visits were most influential for you,” Feyd says. You nod in return as you put on a pair of gloves and reach under the sash to grab an amber bottle containing a clear liquid from the side of the hood.  
“Absolutely,” you reply as you transfer all the powdered scales into a glass Erlenmeyer flask and add enough of the liquid to cover the solids. You move the flask onto a raised plate in the hood and press a few buttons to begin the heating process.  “I loved watching them do their work. They knew so much about our world, but were still determined to know more.  The way they moved in the lab was like a dance. I desperately wanted to be a part of that, so I began working with them when I was fourteen…”
As Feyd listens to you talk about your past as you work, his admiration of you grows. Your determination and tenacity through failed experiments and stalled projects are astounding to him, and the fact you’ve been able to become a swordswoman on the side this is truly a marvel. Your skill and years of training are evident today, as your body seems to know this process by memory. This in front of him is the product of all those years of effort.
The liquid in the vessel begins to bubble gently. As the moments go by, the liquid takes on the iridescent nature of the scales and becomes a vibrant blue. Removing it from the heat, you strain the liquid through fine mesh into another container, removing all the powdered scales from the mixture.  Looking at the collected solids, Feyd can see the scales have lost their original coloration and turned a chalky off-white. You smile to yourself, knowing that the extraction was effective while you prepare a large volume of a different liquid, also clear and colorless, in a large beaker. 
“Are you ready for the recrystallization?” you ask him, grabbing a syringe and drawing up some of the extract into the barrel. You return to the beaker of liquid and gently tip it sideways with one hand while pointing the tip of the needle at the side of the beaker. Carefully, you begin to squeeze the syringe and the indigo liquid begins to drip out the needle’s tip and trickle down the side of the beaker. As the extract hits the surface of the clear liquid, deep purple crystals seem to flutter out from the point of impact into the liquid instantaneously. Feyds lips part in amazement, unable to tear his gaze away from the process
“How does it work?” he asks, watching as a batch of thin, needle-like crystals start to gather at the bottom of the beaker while the bulk liquid remains colorless. It’s as if all the color of the extract has been contained within the crystals. 
“I use the first liquid to remove the compound from the scales and make a concentrated extract. I then add the extract to a bulk solvent which our compound of interest is insoluble in. The compound forms crystals when the liquids meet because the second liquid is in great excess compared to the first,” you explain, drawing up more extract and adding it to the beaker in the same way. Once you’re out of extract, you squat down to bring your eye level to that of the beaker. “It’s perfect. I don’t think the crystallization has ever gone that well.” 
You’re absolutely beaming as you swirl the crystals suspended in the liquid, admiring how they twinkle in the light. He can’t deny that your excitement is contagious. You collect the crystals by filtering the mix through another filter and spread out the crystals on a metal sheet to allow them to dry before removing your safety glasses, and Feyd follows suit.
“This is the compound I was referring to that night at the Pools of Ashora,” you say to Feyd.  “If we dissolve the crystals in water and drink it, it allows people to retain their body’s water content and reduced the frequency at which people needed to drink water.”
“Fascinating…,” Feyd trails off, staring at the delicate crystals scattered across the surface inside the fume hood. 
“When I was on Youra, I tested the elixir myself,” you say. Hearing you say that you’ve done that, a bolt of fear goes to his heart at the thought of you just drinking a novel chemical. Feyd’s eyes quickly lock onto you, and his neck stiffens. His mind swirls with distress at the possibility of you getting hurt. You may look okay now, but was the elixir difficult for you to stomach? Did it hurt you in the moment?
Looking at him, you’re immediately in tune with his reaction, and you lift your hand up to rest on his arm to calm his nerves. At your touch, he immediately relaxes. “Don’t worry, Feyd. I am alright. There’s nothing to be worried about. We’ve done plenty of trials since I first introduced this fish to you. I assure you it’s safe. I’ve had all of my best scientists on this project, and I had the best doctors in Youra monitor my vitals for two days after the fact.” Feyd nods, knowing if anyone is competent enough to keep you safe, it's yourself and the Youran doctors and researchers. “We still don’t know the exact mechanism of the compound in the body, but we do know there aren’t significant negative side effects on people. Do you trust me?”
“Of course,” Feyd replies, taking the opportunity to bring his hand to your waist and pull you close enough that your lips are almost touching and you’re both staring into each other’s eyes.  “I will always put my faith in you and your work.”
“I’m glad to hear,” you reply, your breath fanning out across his face, which sends shivers down his spine.  “That means a lot, Feyd, we’ve been working hard the last few weeks for this.” Grinning at you, he takes your chin between his thumb and forefinger and tips your head up toward his, catching your lips in his.  You quickly take off your gloves and hold his cheeks in your palms, savoring the intimate moment. 
A knock at the door sounds through the room. Feyd grumbles in annoyance as the tension between you releases. You and Feyd look at each other before ending your embrace. You call out “Enter!” in the direction of the doors. A military advisor enters the lab in full uniform with his head low. He immediately drops to his knees in front of both of you to show his respect.
“Baron, Baroness,” he says. “I am deeply sorry for interrupting you both, but I bring critical news from Arrakis.”
“Very well,” Feyd says, straightening up and peering down at the man kneeling before him. “Out with it.”
“There has been an attack by the Fremen. They destroyed eighty percent of the most recent spice crop.” You can tell by the way the man shivers that he is afraid. Nobody ever wanted to be the one to break bad news to Feyd-Rautha. “Count Rabban attempted a counterattack.”
“‘Attempted?’ What happened?” Feyd growls, his eyes flashing in dissatisfaction. You catch Feyd’s hand in your palm as it flies in the direction of the knife he keeps on his person. You shake your head. You tell him there is no use in killing this man because it would be a waste with just a look.  
“Y-Yes, my Lord,” the man says, a bead of sweat dripping down his temple. You can hear him beginning to hyperventilate despite his best attempts to steady his breath. “Rabban went after the Fremen, but the dust and debris from Rabban’s initial artillery attack made the visibility so poor on the battlefield that only Count Rabban and a few others survived. They were ambushed in the haze; it was a massacre with a casualty rate of seventy two percent and climbing.”
“Over half?!” you gasp, your own fists beginning to clench at Rabban’s blunder.
“Rabban says he saw the Fremen prophet, Muad'dib, on the battlefield before he fled. The Fremen… they are dedicated to him. They kill for him, Baron. Our spice operation is in jeopardy. We await your command.” 
Feyd stiffens, a vein threatening to pop on his temple. He sucks in air through his teeth, infuriated at Rabban’s continued incompetency. The advisor recoils at the noise, shuffling backward toward the door.
“You are dismissed,” you call to him with a huff.  A wave of relief washes over the man as he bows and thanks you before slipping out the door.
“Rabban is a damned fool!” Feyd shouts once you’re alone. “He has had every chance to rectify his mistakes on Arrakis, but he seems to leave his brain behind when he makes decisions and lets this Muad'dib win every time! And now I hear news of abandoning the battlefield at the sight of this prophet? He is a coward! An absolute imbecile! If something doesn’t change soon, the Emperor will take Arrakis from us!” 
You reach your arm out and rest it on his shoulder. In moments, you’ve quelled Feyd’s initial outburst until he’s only seething with fury instead of being on the verge of trashing the entire lab. “I think it’s time to relieve my brother of his duties,” Feyd says after he takes a deep breath. “We shall go to Arrakis to do it. I want to see the look on his face and the hope drain from his eyes when he knows he’s failed. I will take over the operation on Arrakis.  We will do what my brother was incapable of.”
“In that case…,” you say, preparing two glasses of water, adding a pinch of the crystals to each.  The water immediately turns a luminous indigo, and you hand Feyd one of the glasses, which he gladly takes.  You raise your glass in the air. “To victory and to House Harkonnen.”
“To victory and House Harkonnen,” he replies, connecting the rims of your glasses and drinking the entire glass in one go.  The elixir is salty and rich on his tongue as if he’s drinking the essence of the tropical ocean. As the elixir flows into him, he feels a warmth pulsate throughout his body.  He isn’t sure if this is truly the effects of the elixir or just a placebo, but Feyd feels powerful, like he could slaughter a thousand men and still have a hunger for more.  As he meets your gaze, you give him a knowing look. You feel the energy, too. You both shed your laboratory coats and leave the room to prepare for your journey to Arrakis. 
--
The preparations before and journey to Arrakis went without a hitch. You had opted to choose Harkonnen battle gear over your own, but you and Feyd still agreed on concealing your knives under a black Harkonnen dress cloak, still not eager to let anyone know of your true nature. Arriving in Arrakeen, you notice the striking architecture, made up of geometric slabs of tan stone layered to create a fortress to protect its inhabitants.  This time on Arrakis, Feyd doesn’t feel the heat like he used to. It’s as if his body is fighting back against the harsh environment on the desert planet. You feel it, too. You were initially concerned because you had only tested the elixir during the dry months on Youra, which paled in hostility in comparison to Arrakis, but seems the elixir’s protection is more than sufficient.
You and Feyd walk the halls of the fortress side by side, heading to the room where all of the Harkonnen strategists and military officials are. You see them gathered around a digital map projected by a computer in the middle of the room, which shows the locations of all the Harkonnen forces in the north of Arrakis.  Upon seeing their Baron and Baroness side by side, they all freeze and bow.
“Welcome to Arrakis, Baron, Baroness” one of them says. He opens his mouth to continue but Fed cuts him off. 
“Enough,” Feyd hisses at him. “I have orders for you. You are no longer to follow the word of Count Rabban. As of today, he is relieved of his duty as Planetary Governor of Arrakis. You will report directly to and receive orders only from me and your Baroness.”
The room of men immediately shout “Yes, My Lord!” in response. A smirk forms on Feyd's lips at their responsiveness, and he instructs them to hit the Fremen with old-fashioned artillery. As the orders are executed by the Harkonnen military, you watch the map intently as the targets on the map turn green, indicating the Fremen bases are hit successfully. All of the military advisors’ eyes widen in surprise at the genius of Feyd’s strategy as the reports of complete annihilation from the ground forces roll in. 
They all begin to applaud Feyd and as their chants fill the room, your heart fills with pride.  Feyd has finally proved beyond a shadow of a doubt that he was always meant to be the leader of House Harkonnen.  As the applause continues, you see Rabban appear in the doorway, a look of surprise disgust on his face. You notice he’s still wearing his nightclothes, and your eyes flash between him and Feyd as Rabban approaches Feyd, Rabban’s legs still stiff from sleep. 
“Leave us,” Feyd instructs the others in the room, who promptly file out. They keep their eyes on the floor, not daring to look at Rabban. They know people who end up alone in a room with Feyd after repeated blunders usually don’t exit the room outside of a body bag. 
“What are you doing here?” Rabban growls at Feyd.
“It’s early morning.  What are you doing here?” Feyd quips back.  Rabban lets out a frustrated huff.
“You can’t just waltz in here,” Rabban says through gritted teeth.  “And how can you bring that woman into the inner sanctum?”  
“How dare you refer to your Baroness like that!” Feyd roars, grabbing Rabban by his collar.  “If you have forgotten, dear Brother, I am Baron now.  I will do as I please and take my wife wherever I wish!” 
Feyd throws Rabban back and he falls on his back hard. In desperation, Rabban tries to scramble to his feet again, but as soon as he’s almost upright, he feels his knees buckle from under him as you kick the backside of his knees in. Rabban’s forehead collides with the stone floor with a visceral crack, and he feels his arm caught in your grip behind him. He groans as you push his arm to the verge of overextension. On his neck, Rabban feels the cool tip of a blade threatening to pierce his skin, which sends a chill down his spine, his head still spinning from impact.
“You should learn to respect your superiors,” you whisper to him as Feyd’s gaze is fixated on you.  The picture before him has a fire rising within him. His breath turns thick and heavy, seeing you over Rabban, your blade on his neck and your foot on his back with a fiendish smile on your lips.  “I would have expected more from my brother-in-law… You are a disgrace to House Harkonen,” you drawl, pressing your dagger’s tip into Rabban’s neck enough to draw blood. Dark crimson blood trickles down Rabban’s neck and he squirms. You remove your foot from his back and step forward to place your shoe by his face. You take the opportunity to kick his cheek in a little with the toe of your shoe before the heel of your combat boot hits the floor by Rabban’s face with a firm thunk. “Kiss my feet, and I may spare your life.”
Rabban quivers under your hold, his palms spread over the stone floor. He considers trying to escape. He could try to press his body up and avoid the blade on his neck and try to sweep your legs out from under you, but he quickly realizes that you are in control. Any movement like that would end with your knife in his chest, back, or neck. Despite his position being compromised, he hesitates to kiss your foot  How could he, Glossu Rabban, kiss a woman’s shoe in submission?
“You heard her, Brother,” Feyd hisses, stepping toward you both as he basks in his brother’s terror.  Feyd stops in front of his brother and squats down to look at him. “Kiss her feet.  Now.” 
After a moment, Rabban quivers and presses his lips against the leather of your shoes. As he does, you see how miserable and pathetic this man below you is. It's truly a shock that this oaf is the brother of your Feyd, who is confident, domineering, and skillful in every way.  
“You made a good decision obeying, Rabban,” you say, releasing the blade on his neck. “I would have wasted a perfectly sharpened knife slitting your throat if you hadn’t cooperated.” You step back from him as he clambers into an upright position. His hand flies to his neck, feeling the blood trickle down his neck and seep into his nightshirt. 
“You are hereby relieved of your duties as Planetary Governor of Arrakis,” Feyd grins at the pitiful sight before him. “You will return to your quarters in the meantime and wait for future instruction.”
Rabban leaves in defeat. Once the doors shut behind him, you and Feyd smirk at each other, and Feyd rushes to you giving you a tender kiss.  “I love you, Baroness,” he murmurs, completely infatuated with you.  
--
A few days later, you stare up into the atmosphere of Arrakis. The Emperor’s craft has just entered the atmosphere. You and Feyd share incredulous looks and you immediately make your way to where the emperor will be docking.  
“What could the emperor want?” you ask Feyd as you walk..  “We restored spice production. It’s never been more efficient.”
Feyd shakes his head, deep in thought.  “I do not know, my love.”  
“I don’t like this, Feyd.” you whisper to him, trying not to let anyone else hear and Feyd nods in return.  “What could have summoned the emperor to Arrakis?”
“We shall see,” he replies. Rabban arrives and bows to you both, which makes you frown. Rabban hasn’t been involved in House Harkonnen’s operations since he was removed. Nevertheless, he still proceeds into the throne room before Feyd or you can dismiss him.   
Inside the throne room, the emperor is perched on a large throne up a large flight of stairs with his daughter and a Bene Gesserit standing by him.  Your eyes narrow seeing the witch’s presence, knowing they have tricks they are not afraid of using to manipulate the great houses. You, Feyd, and Rabban kneel in front of them, bowing your heads.  Before any of you speak, the emperor’s voice rings out. 
“I am sure you are curious as to why I have come to Arrakis,” he begins.  “What do you know of the prophet Muad'dib?”  Rabban speaks up first, saying that Muad'dib is a madman.
“Mad?!” the emperor says.
“All Fremen are mad!” Rabban counters, and the Emperor’s fist clenches around the arm of his throne. You and Feyd shoot daggers at Rabban, and he closes his mouth immediately, putting his head down again which casts his face in shadow.
“We apologize for my brother speaking out of turn,” Feyd says to the Emperor. “Rabban has had no part in the latest work of House Harkonnen. He is not a reliable source of information.  We know Muad'dib is a figure of the Fremen, and they follow his command.”
“Yes,” you say. “He organizes their forces, and they have been effective in battle against many of our forces by hiding in the sands and staging ambushes.  They’ve been effective at destroying our spice harvesters in the past, but we’ve been able to successfully retaliate.” The Bene Gesserit flashes some hand signs at the emperor. She must be able to tell if people are lying or not. 
“What of the prophet’s whereabouts?” the Emperor asks, his voice darkening with frustration at your lack of knowledge.  The emperor’s suggested scorn directed at House Harkonnen is sour on your tongue, and you grit your teeth.  
“We control the north of Arrakis and spice production, Emperor,” you reply, keeping yourself collected.  “We believe Muad'dib has fled to the south to hide in the storms after my husband’s last military tactic was successful in neutralizing their northern bases.” 
As you utter those words, you feel a tremendous boom propagate through the air, causing the building to shudder. Everyone in the room looks up. Some of the diplomats that have accompanied the emperor swallow thickly. You and Feyd exchange knowing glances. Something isn’t right. The Sardaukar forces, who have come to protect the emperor, raise their weapons and get into formation with one line in front of the emperor, who has abandoned the throne in favor of shelter. 
The other line of Sardaukar forms a line opposite the entrance way, as more explosions can be heard beyond the walls. Out of the corner of your eye, you see Rabban slip away, ever the coward. You feel Feyd’s touch on your arm as he beckons you to position yourself behind the defenses with the other diplomats. From your shared position, you both wait and listen intently. The others in the room are paralyzed in a cold sweat, but you and Feyd are silently watching, waiting, and listening, already gathering information on the situation to calculate your next move.
Dust fills the room as another bang resonates throughout the room and the barrier breaks down. The frontline of the Sardaukar advance, weapons at the ready. As they disappear into the dust, you know they aren’t coming back. The room is almost entirely quiet, but through the haze you hear the barely audible but familiar sound of daggers piercing armor, slitting throats, and tearing flesh. The remaining Sardaukar dig their heels in as a figure emerges through the orange debris, wrapped in tan fabrics caked in others’ blood. His face is concealed by a scarf, and the only flesh of his you see are his eyes, blue from spice. He is accompanied by an army. Judging by the amount of noise they made on their arrival, you and Feyd know there are probably hundreds of them. Fighting your way out is not an option. This must be the prophet Muad'dib.
Muad'dib looks around with his blade drawn, seemingly searching for someone as he enters the room.  You see him and Feyd make eye contact. Feyd’s eyes narrow at him in curiosity. When Muad'dib does not find who he is looking for, he turns the crowd of people behind the Sardaukar guards. Most of the diplomats instinctively take a step back. He makes eye contact with the emperor before turning to his own forces and hissing something in a foreign tongue which you presume to be Chakobsa, Fremen language. He exits the room back into the crowd of Fremen who chant for him, waving their war banners.  You see they bear the hawk insignias of House Atreides. The son of Duke Leto Atreides is alive. 
The Fremen advance, easily slaying the last remaining Sardaukar. Many of the diplomats shudder and jump in surprise as the Fremen plunge their daggers into the Sardaukar warriors, who are powerless to stop them. Once they are all dead and their blood is spread across the floor in crimson red pools, the Fremen start grabbing the rest of you by your arms, and you are all dragged away one by one. You are being taken prisoner. You look to Feyd, who gives you a subtle nod as if to say “go along with it,” and you do.
--
You’ve laid low all in the confinement the Fremen have kept you in all night, not eager to give any of them a reason to kill you. Silently, you’ve been analyzing your situation, trying to figure out a way to achieve an optimal outcome, which you feel is slipping through your fingers. Since you have been taken prisoner, you can only presume that the rest of the Sardaukar and the Harkonnen army have been slaughtered and their bodies burned before daybreak. You and Feyd are likely the last living Harkonnens on Arrakis.  
After sunrise, you are called upon by a faceless Fremen, who orders all of the prisoners to follow. You are reunited with Feyd, who takes your hand, careful not to let the Fremen see this gesture of affection as to not allow them any leverage. His touch automatically makes you as at ease you can be, given that you are both captives without allies. 
Arriving in a room with the other prisoners, you see the surviving Fremen mingling and congratulating one another. The man from before stands in the clearing of the room without his face covering, his black wavy hair framing his face. Feyd turns to you and mouths “Atreides.” You nod in understanding, and watch as Paul Atreides addresses the Emperor, challenging him for the throne. Looking out the window, you see warships in the distant sky.  The other great houses have arrived and Paul Atreides threatens to destroy all the spice fields if the houses intervene. 
“Stand yourself or choose your champion,” he orders the Emperor, who turns to Feyd.  
“I select Feyd-Rautha Harkonnen,” the emperor declares. “Get him a blade.” You inhale sharply, knowing this means Feyd must fight to the death against a man who has already slain many in battle and emerged victorious from the bloodbath of the previous night. You trust Feyd’s skill, but you know not to underestimate Paul Atreides. Feyd’s eyes flicker toward you. He knows what you’re thinking and gives you a slight nod as if to promise he will fight his hardest, not for the emperor, but for you. He is presented with a blade by one of the members of the emperor’s council. To your surprise, Feyd pushes it away and turns to you. Coming to stand in front of you, he gestures downward toward your legs, where your daggers are still strapped to your thighs out of sight.
“Feyd, are you sure?” you say to him, your voice small. 
“I want to use your blade. Please let me fight for you,” Feyd whispers. You nod and reach down to fulfill his request, drawing one of your Youran weapons from your garters. When you hand it to him, Feyd feels the familiar heft of your dagger in his hand, which makes him grin. Just as he remembers, it’s expertly balanced and perfectly crafted, its pointed tip shining in the low orange light of the room. He smiles, recalling the night you handed him the same blade, the first time he saw your true nature. He twirls the knife in his grip with a flourish of his wrist as he stands opposite Paul Atreides. 
“It’s nice to finally meet you, cousin,” Paul says.
“Cousin…” Feyd says, continuing to evaluate Paul for his weaknesses. “You wouldn’t be the first family member I’ve killed.”
His words don’t phase you. You’re well aware of Feyd’s family history. You clasp your hands in each other in front of your chest, willing Feyd to be the victor. Paul Atreides straightens himself and salutes Feyd. “May thy knife chip and shatter,” Paul says with a gruff tone, lowering himself into a battle stance and pointing his knife at Feyd. Feyd smirks, raising your weapon. The sight of it in his hand is gratifying for Feyd. Despite standing alone against Paul, it’s as if you are both in this fight together with him wielding your weapon. 
“May thy knife chip and shatter,” Feyd returns and within moments, they're after each other, having an all out brawl in the middle of the room. They each swipe at each other with reaction times like lightning.  The sounds of blades crashing against one another, the low smacks of their bodies colliding, and their grunts of exertion fill the room. You have to admit, Paul Atreides is an impressive fighter. He’s quick on his feet and swiftly dodges and counters many of Feyd’s attacks, but it is obvious that Feyd is the one with strength on his side. The only way for Atreides to win is if he is able to find a way to use that strength against Feyd.
You’re barely breathing at this point. Your facade of stoicism threatens to crumble when you see Paul Atreides’ forehead connect firmly with your husband’s nose. To your surprise, you don’t see any blood on Feyd’s face. Paul Atreides’ head is thrown back after almost bouncing off of Feyd’s nose. Paul’s head seems to be spinning as he stumbles backward on uneven footing.  Feyd recognizes Paul’s debilitated state is fleeting, and takes advantage of the moment, striking Paul again. The tangle of limbs is intense, but in the blink of an eye, you see Feyd disarm Paul, taking Paul’s knife for his own.  
As they break away from one another, Paul Atreides is heaving, struggling to breathe as the leather bound hilt of your dagger protrudes from his abdomen. He’s wheezing as his own blood seeps into his battle gear. His allies gaze upon the sight in shock, some wincing in second-hand pain.
Feyd approaches him promptly, and grabs Paul by the scruff of his neck, raising Paul’s own knife at him. Paul Atreides uses his own gloved hand to grab the blade, trying to push it away, but Feyd leans in, forcing the blade to slip further into Paul’s grip, cutting the flesh of Paul’s hand open with a sickening noise, the tip of the knife getting closer to piercing Paul’s neck.
The next moment, you feel like screaming. The dagger, once poised to slice open Paul Atreides’ neck, is no longer in the air visible to you. Paul Atreides has used his grip on Feyd’s blade to redirect the tip toward the stomach of your husband. Your hands fly to your mouth, tears threatening to spill.  The force Feyd puts behind his blade at that proximity is fatal. 
The memories of meeting Feyd on Youra, fighting by his side against Ozran, plotting into the early hours to kill his despicable uncle, your wedding ceremony in front of House Harkonnen, and the moments of tenderness and affection he’s given you in private flash through your mind. Your stomach writhes, and your heart shrivels into itself, and your mind begins to confront the idea that you now must mourn the life you and Feyd had assembled. Another thought flashes through your mind. You’ll likely be killed after this with the rest of the prisoners in this room, and die alone without your husband, lightyears away from your people on Youra and Giedi Prime. You’ve failed.
Through your tears, you stare at the scene as the air and the people surrounding you are completely still.  However, something gives you pause. You hear something hit the floor look down to the area under Feyd and Paul’s feet. You spy fragments of metal, broken into uneven shards, scattered across the floor. However, there is no blood to be seen.  Your eyes shoot to Feyd, who is also looking down to where they both hold the hilt of the broken knife. 
Without a second to spare, Feyd’s hand flies to your knife in Paul’s side, ripping it out of him. Paul cries out in agony, the removal of the knife causing a blood curdling squelch of skin and muscle ripping. The next moment, Feyd slits Paul Atreides’ throat with a grand swing of his arm, sending blood splatter fanning across the floor. The pregnant woman seated in the wooden throne bearing the Atreides crest lets out a high pitched shriek, and she begins to wail, seeing the light from her son’s eyes fade as his body crumples to the floor. A Fremen woman across from you lets out a shaky breath, her lip quivering and tears pool near her bright blue eyes as Paul Atreides’ fresh blood collects in a puddle on the stone floor under the gaping hole in his neck.
Feyd turns back to you, bloody blade in hand and lets out a deep exhale, allowing the tension in his own chest to dissipate. He had thought he was dead, too, but no. He is alive. He is victorious, and he gets to look into your eyes again, knowing that he has done his job for you.
Kneeling, Feyd presents the emperor with the soiled blade. The emperor smiles and pronounces Paul Atreides, the prophet Muad'dib, to be dead and Feyd-Rautha Harkonnen as the victor. In defeat, the ally of Paul, identified as Gurney Halleck, relays a message to the great houses of the outcome of the fight.  The emperor’s reign shall continue, and your husband is alive. You push your way past the others in the crowd and throw yourself at Feyd, who cradles you in his arms, running his fingers through your hair, whispering to you “Please don’t shed any more tears, my love. I am still here… I wouldn’t leave you that easily.”
“I thought I lost you,” you choke out and Feyd shakes his head, using his thumb to wipe away the tear stains on your cheeks. 
“You haven’t and you won’t,” he replies, his hands holding your body steady. “Let’s go home.”
Holding your knees to your chest, you sit in a private chamber on the Emperor’s vessel as it leaves the atmosphere of Arrakis to take you and Feyd back to Giedi Prime, which was the least the emperor could do given that Feyd nearly died for him. One of Feyd’s hands rests on your waist, holding you firmly in his grip while the other rubs gentle circles on your shoulder with his thumb.  Feyd watches as your eyes dart side to side, which happens when you’re deep in though. 
“What is on your mind, my love?” he asks, his voice barely a whisper.  
“I’m thinking about your battle with Paul Atreides,” you reply. “The knife broke when he tried to turn the tables on you, didn’t it?” Feyd nods, bringing his hand down to the spot on his abdomen where the knife was. “May I see where it was?” you ask and Feyd obliges, creating a small bit of distance between the two of you so that you can get a good look at his torso.  
You bring your hand to where Feyd’s armor has been sliced open by the blade. Bringing the other hand to his body, you gently spread the layers of fabric and leather apart to look through the hole. Underneath, you see Feyd’s familiar pale skin and his chiseled abdominal muscles that you’ve always loved to drag your fingers across. His skin appears to be absolutely pristine without a single nick or bruise in sight. You bring your head closer to get a better look before saying, “There isn’t evidence of any damage to your skin, Feyd. Your body is like the battle never happened. There isn’t a trace of impact.” As soon as you utter the last word in the sentence, you freeze and your lips part ever so lightly as your mind races to connect the dots. He knows that look on you, and he sees the gears turning in your mind. 
“Impact…,” you mumble to yourself. Your eyes shoot up to Feyd’s  “During the battle there was a moment when Paul Atreides’ head collided with your nose.” Your hand flies to his cheek to steady his head. You examine his nose, using your hand to tilt his head side to side. Everything about his face is unchanged, which shouldn’t be the case, especially after a fight like that and the headbutt he endured from Paul. You tip his head back. Again, there is no blood or breakage. 
Your mind begins to race as you return your hands to your husband’s torso. Your hands fumble as you attempt to remove the layers of armor in between you and Feyd’s skin. Feyd realizes what you’re doing and soon enough he’s shirtless in front of you. You extend your hand out and drag your hand over his stomach. You press your fingers firmly down onto his abdominal region and upper body repeatedly, changing the area you’re putting pressure on each time. He feels solid under your touch and not in the way you’re used to. Feyd has always been bulky and muscular, hardened from years of training, but something about this is different. It’s like his body has the durability of an alloy the researchers on Youra could only dream of engineering, but he’s still flesh and blood. Bring your fingers to your own stomach, pressing your fingers against your own front, and you gasp. “That’s it!” you exclaim.
“What is it?” he asks, knowing you are on the edge of an epiphany. 
“It’s the elixir!” you gasp, standing up and holding your head in disbelief  “It saved your life!”
 “I thought it was only to help the body retain water,” Feyd says as you get up and begin circling the room.
“Don’t you remember? That’s the end result of the elixir, but we were still unsure of the mechanism by which that happens!” you exclaim. “Remember the night I showed you the fish? I said that the fish sheds its scales at the beginning of the wet season. What I didn’t tell you is that the wet season is the only time of year we can get the scales off the fish because they fall off naturally. Our scientists have tried to get the scales before the transition of the seasons, but they've always been unable to pry the scales off or kill them because it was impossible to slice open the fish. No matter how much we sharpened the knives, we couldn’t cut them open!”
“That’s how the fish retain water in the dry season. The fish develop these scales with this compound that transforms their own bodies into a shield from the elements, so that water can’t escape. I’ve always wondered how a fish would be able to survive the whole dry season on a dried up lake bed.  This compound is why the fish species hasn’t gone extinct! When they’re sitting in their dried up ponds, no predators can eat them because their bodies are too tough to pierce,” you surmise, delight filling your complexion. “By drinking that compound, the same thing has happened to our bodies! You were able to survive the battle because your skin became this impenetrable barrier that lets you keep your water that just so happens to be impervious to outside attacks as well! That’s also why your nose didn’t break and why Paul Atreides was so disoriented after he struck you with his head. It was as if he rammed his head into a steel wall.  Researchers on Youra didn't catch this effect in the clinical trials because we don’t just go stabbing all of our test subjects with knives or subjecting them to blunt force trauma, especially not for a study about water retention!”
Feyd hardly believes what he’s hearing, but he knows it's true. Everything you’re saying makes perfect sense.  Memories from the battle flash in his mind.  He remembers his arm is suddenly bending toward himself, feeling the rough surface of the broken blade scrape against his abdomen, but the pain he had been trained to resist since childhood never hitting his senses. He brings himself to his feet and pulls you into his arms, squeezing you as tight as he can muster. “You are phenomenal, my dear,  I can’t believe you figured that out,” he murmurs to you. “Thank you.  I owe you my life.”
He lowers his lips to yours, kissing you like he’s never done before. You both cling to one another, relieved you are both alive and safe. Feyd holds the back of your head and runs his fingers through your locks tenderly, thinking about how far you both have come in this short amount of time. Mere months ago, you were a stranger he had the obligation to meet and marry. He knew he would have to enter a loveless relationship with you in the name of alliances. He tried to convince himself you were a woman he wanted to make a plaything out of.  Before, he was intent on manipulating, breaking, and exploiting you for his own amusement. Those ideas feel so foreign to Feyd now as he revels in your affections and caresses your cheek. 
Looking down at you, he sees you for what you are. You are the most beautiful being to ever exist.  Nothing past or present will ever compare to you, and it brings tears to his eyes, knowing you are his wife and he is your husband. You are the culmination of all House Ronen and House Harkonnen have worked for, a true representation of the union of your two houses, and the pinnacle of all Feyd has come to hold dear. You are where brain meets brawn, where tradition meets modernity, and the pride and joy of Feyd’s life. You are simply everything. 
-- 
Thanks for reading!  I can’t believe the series is over (but I'm also considering writing an epilogue, but I have some requests coming down the pipeline, so we'll see about that. lmk if that's something you might be interested in...). Anyway, I really hope you enjoyed Knives Dance! :)
Also is it obvious I study chemistry yet?
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