#in a series that’s all about mythologizing heroes

[asquared-ohgodnotthehorrors]

It’s weird to me how Amanda Waller is always both one of the most body positive character in the DCU, being a plus sized black woman who is never treated as lesser for either, and one of the few really well written morally gray and government backed antagonists in the DCU.

Like if she was always the former? Fantastic, great representation!

If she was always the latter? Great, good writing for a character!

The thing that’s weird to me is how consistently she’s both. Both of those archetypes are rarely ever done consistently for characters in Superheroes with long legacies. Amanda Waller has a long legacy and is probably the most consistently written characters in the DCU. And the fact it’s *her* of all characters and those two archetypes of all characters is… just odd to me.

Probably because it’s something very positive I want to see more of mixed into an archetype that’s so realistically hatable. Like she’s only allowed to be good in this regard because she’s antagonistic or morally bad. It’s like Queer Coded Villainy in the Hayes Code era.

I know that’s not remotely what’s happening, but Waller is such a strange and consistent outlier that it just stands out to me, and I’m wondering how she manages to stay so consistent and “writer’s secret racism/sexism/fatphobia” is all that comes to mind. Even though I know that’s not what’s happening.

[wisebeth]

why does the pjo series have to unnecessarily villainize goddesses (hera & athena) or show them as silly ladies (aphrodite & demeter) BUT posiedon and apollo are somehow shown as the coolest/most likeable gods, even though arguably, they're right after zeus on terms of corruption?

ares shown as the worst god after zeus and hera amuses me. last time i checked, he was the patron god of amazons and literally killed a man for attempting to rape his daughter but guess who cursed women for rejection? apollo. guess who raped women when they said no (aside from zeus)? posiedon.

[audarcy]

The original percy jackson series is about cycles of abuse and neglect, right. Were introduced to percy as a kid who has clearly been left behind by a school system that has given up on him, restless and unengaged and self-defetist because hes been given nothing that works for him and no one even tries to meet him where he is. Then hes told no, listen, your neurodivergence is amazing and you just need to be given something that actually utilizes your unique palatte. And thats obviously the uplifting idea rick wanted for his kids, right. But once we get to know chb the same cycles are happening there too. There are kids "left behind" there too for one reason or another, because their parents dont want to claim them, because their parents werent important enough to get a cabin. Do you get it, all the kids who dont fit the most common neurotypes get shoved into the same closet. Kids are being left in a cruel world to fend for themselves without the tools they need. Theyre dying because no one bothered to accommodate them. Its such an obvious parallel that the first chapter introduces a teacher whos written to be especially hard on percys disability and she turns out to literally be one of these monsters trying to kill him. Meanwhile sally jackson tells him she named him after Perseus because she wanted a redemption for a hero whos story ended in tragedy. Meanwhile every book in the series replicates a greek myth step for step until the moment they break the cycle. Annabeth, playing Odysseus, is talked down from her hubris and grounded by her friends. Percy, playing Heracles, meets someone wronged by the original Heracles and rights his wrongs by refusing to go down the same selfish path as him. Monsters are reborn because they are--as the books explicitly call them--achetypes. These kids are stuck inside the cyclical nature of mythology because thats what happens to mythology, it gets retold over and over again. But these are the kids who have to live it. The series ends with percy being offered immortality and he rejects it because he wants to use his godly favor to force them to break their cycle of neglecting their kids. The series ends with a declaration that we cant keep letting this happen. The very first book offees the same choice. It ends with percy refusing to keep the head of medusa as a spoil of war, refusing his heroic reward. He lets his mother have the head and use it to kill gabe. Isnt that fucking crazy for a kids book? Gabe wasnt a Monster. He wasnt going to Turn to Dust and Disappear in a narratively convenient way. He was a living breathing mortal dude and percy and his mom killed him without remorse. Break the cycle of abuse!!!! Dont let this happen again!!! Anyway thats why the original percy jackson series is Hey where are you going with our breadsticks

[aroaceleovaldez]

yknow i was gonna make a post about how happy I was to see the show acknowledge adhd/dyslexia/learning disability stuff and the way they handled and showed Percy's experience with that system, and how it influenced his reactions to things. But i'm honestly glad I didn't because WOW the show completely ditched all of that immediately. There was set-up for a really interesting arc about the demigods = neurodivergence metaphor and "You are singular" (pun off of "half-blood"/"demigod" and a very direct rejection of the "puzzle" metaphor for things like autism) and a very quick acknowledgement in like episode 2 of an off-hand "oh yeah all demigods are like that (adhd/dyslexic)" and then. nothing. absolutely nothing.

heck, they even changed the design of the zoo van (in the books very explicitly a black van with white text, which Percy notes specifically because white-on-black text is more dyslexia-friendly) which is a personal affront to me because That's My Dyslexia-Friendly Van, How Dare You.

i know some people have argued that maybe Annabeth pausing in the store was supposed to be her having a dyslexia moment, but if it was then we would have gotten the Dyslexia Effect™ on the text (and dont tell me they didn't have the budget for it cause HAVE YOU SEEN THEIR BUDGET FOR THE SHOW? They clearly haven't been using all of that). It's almost definitely supposed to show that Annabeth hasn't been in mortal spaces in a very long time and is, yknow, a kid, being indecisive of which snacks to buy.

i have said it before and i'll say it again: the core of PJO is disability. You can never remove that, or else it is no longer PJO. The heart of the series will always be a story made for an ADHD/dyslexic kid to help them learn about and be interested in mythology, and if you stray from that it's going to be very noticeable very fast. Almost every character in PJO has a learning disability. The entire series is framed as a way to introduce kids to mythology in a fun way and emphasize those themes of mythology being important even in modern day with how it still affects our lives, to ask you to look at what lessons we can still learn from these myths and how they apply to modern lives, and that you can be a hero not despite your disability, but alongside it. That is the core of PJO, always and forever. And the show failed that.

[xan-izme]

Dubble life 11 (ATSV x Reader x Batfam)

Summary: You can't do this alone

Part 10, Part 12

You felt stressed. The anomalies were popping up in Gotham and in New York at the same time. Of course, Aaron and Miles are there to handle things. But you no longer want their help. You don't want them to have that responsibility anymore. None of the burden.

And with Bruce. He hasn't talked to you. You haven't seen him in a few days. You felt like you have messed up everything. That he now hated you because of what you said.

But in truth. Bruce was just sulking behind closed doors. He's raised 4 boys so far, and he likes to think he's done a great job. Well, not a great job but an okay job. But with you, he feels like he's failing with every move he makes. He knows what you said is true.

He has the papers to prove you are his daughter. But he's missed 16 years of your life. Your uncles were more like fathers to you than he will ever be. And it hurts him. More than he would expect. And what hurts the most is that was the true you. Not the act you have been putting on for a few months. What he saw was a child struggling to morn her mother.

He would know.

But it must have been harder on you. Because you only had her. And now she's gone. And now you're stuck with him.

It was another night of kicking anomalies through portals. Preventing some minor crimes and avoiding Batman.

You sighed as you sat on top of the Wayne Mannor roof. The sun should be setting soon. You used to watch the sun set back in New York before beginning your day as spider woman.

You sighed as you pull out your phone.

Jason was looking for you. He needed to speak to you about, well everything. If he was to keep your little secret. Then he needed to know what the hell was going on. What's with the portal he saw you kick that one villain in, what was in the suitcase. Why are you being so secretive. It's suspicious, and he can't trust you fully. And he needs to trust you a little bit for this to work.

Jason enters your room, but you were nowhere to be seen. He assumed you were out with Damian.

If your gone. . .

Jason smirked to himself as he got the idea to snoop around. He walked around. He was Immediately at your bookshelf. He sighed in disappointment when he only sees education books. Books about physics and geology. Technology.

"No one is this into school." He pauses for a moment before correcting himself. "Tim. Tim is."

He grumbles as he tries to see anything else he can find. He circles around to a different side of your bed. He gasped as he finds a secret stash of books.

All fantasy fiction and history books Manga too. Harry Potter, Hunger games, Art of war, Game of thrones, The Odyssey, The lightning theft- the whole damn Percey Jason series. Heros, Gods and monsters of Greek Mythology- Wow! you're really into Greek mythology.

He hums in amusement and put things back. He Looked up to your desk and picks up a little picture of you and your cousin. He takes note of how you reacted when he mentioned Miles knowing about you being Spider woman. Probably the angriest he's seen you.

Your protective.

He sets the picture down and walks into your bathroom. Nothing out of the ordinary. A lot of hair products. He opens the mirror cabinet. Painkillers. Tylenol, ibuprofen. First aid which was, empty.

He pauses for a moment. Something doesn't look right. He closes the mirror cabinet. Then opens it again. He repeats the process before finally taking a look at both sides of the mirror. He knows this manner inside and out. practically memorized the blueprints. Both old and new.

He decides to try and pry the mirror cabinet open from the wall. And there, a secret stash within the wall. He grabs the small duffle bag. He opens it up to see your suit. and a Polaroid picture of a woman. Your mother he assumes.

He lets out a small sigh and puts it back and closed the mirror cabinet tightly. He decided it was time he goes back to looking for you. Yours still in the manor he knows that much. He saw your shoes and window open. He searched the manor but could not find you. He stepped outside to see if you were at the barn.

But when he looks up. He sees a glimpse of a head. Someone was on the roof.

Jason hurries back into the manor and makes his way onto the roof.

You stare at the video playing on your phone. Sniffling a little.

"Mom, stop. I mean it!" You laughed as you try to back away to a wall

"Nope. not happening!" Your mother pointed the water gun at you and started shooting

"AH! Mama!" You tried to run but tripped and fell on your face.

"Pfft-" Your mothers laugh could be heard along with yours

You continued to solemnly watch the old video. Not noticing Jason a little far behind from you. Listening and watching you. You looked so sad it was unconfortable.

But he felt, a little guilty. Just a little bit. Because if he thinks about it you have been through a lot. Jason took a few steps closer and cleared his throat to signal his presence.

You jolt at the noise and glance back and see Jason. You quickly look away and wipe your tears.

"What do you want."

Jason stood there awkwardly before taking a seat next to you. You stare at him with your tired eyes. Jason sighed as he looked back at you. "Look, kid. I know I'm a jerk. I'll be lying if I said I didn't mean to. But can you blame me? You're not telling me anything."

You stay silent before looking away. Contemplating weather, you should tell Jason the truth.

"You can't do this alone kid. Trust me, it won't work if you do this alone."

You let Jason's words sink in. Slowly realizing. He was right. You were scared, and truly didn't want to go through this alone. And this was Jason, so it should be okay, right?

"Do you believe in the multiverse?" You finally spoke up. Your words made Jason look at you a little confused.

"The multiverse, like different universes. Timelines and stuff."

You nod. "Yeah, something like that. . . it's real. The multiverse is real. And, in every universe, there is a Spider Woman or Spider man to protect and keep balance. This universe is mine to protect. Those bad guys you see me throwing through portals. Those are anomalies."

Jason listened in closely. Half of him believes you, the other half not really. But he's all ears.

"Anomalies from different universes, brought by portals that were ripped due to mankind tempering with forces that were beyond our understanding."

You talked about everything. About the society. About Alchemex. And the whole cannon situation. A fate every spider hero had to succumb to.

It felt nice to let everything out now, like some wight was lifted off.

Jason believed you. Well, he kind of does. He only believes you because, well it's you. And he doesn't see the use of you lying about something as crazy as multiverses.

But the fact that you were hiding all of that and you were planning to carry the burden alone when still in the process of mourning the loss of your mother. It concerned him a bit.

He could tell Bruce. This could be a family effort. You're a vigilante, so are they. The whole bat family can help. But you have already expressed that you can't let anyone else know about the multiverse thing you have going on.

For safety reasons you claim.

---___---___---___---___---___---___---___---___---___---___---___---

A/n: sorry, this is a little short, but I do want to warn everyone that I will be a little late with the next few chapters because they will be longer and might be traumatizing. so, yeah. Thank you for reading

@huening-ly. @mariadvorak, @superherosdystopiafreak, @chelluv, @houseissofine, @esposadomd, @greyeyedmockingbird, @1-800-daisy, @c0c0-puffsxxx, @arthurswife, @h0rr0r-10ver-69, @josiepapen, @natashanice165, @amber-content, @mahbeanz, @azurewisteria, @seraph101, @skepvids, @lara20aral, @iwasveronica, @jackrabbitem

[ranticore]

every so often i do get people asking for books recommendations for getting into irish mythology (just answered an ask privately about it.. at length) and this one deserves to be in a public post but seriously read The Táin (translated by Thomas Kinsella). This is THE best book and best translation. it's a fascinating look into life under Brehon Law, especially where female characters are concerned - i'm not saying it's not sexist but it's not the sexism you expect from a prechristian story put to writing by monks in the middle ages. this is why you need the Kinsella translation, earlier Victorian translations heavily censored 'unseemly' topics, like expressions of womens' sexual desire (which is almost constant in this book i'm ngl the girls are getting it. cúchulainn's wife emer refuses to marry him until he kills 900 men for her and of course our hero kills 900 men for her what is he, a bad husband??)

but also it's just a good story and extremely funny. it's something a lot of recommendations never really express - it is a story with a sense of humour and you will laugh. it's designed to entertain people around a fire during black winter nights.

it's a written version of the Ulster Cycle, a series of intertwined stories about our best boy Cúchulainn becoming the sole defender of Ulster after all the other men are cursed to experience debilitating period cramps by Macha. He has to defend Ulster because the queen of Connacht is coming to steal a bull belonging to them, and she's doing that because she got in a fight with her consort* over who's the richest and found that their wealth was exactly equal aside from him having a nicer bull. so she goes to war to get her own awesome bull.

best book ever. read it

[mistydeyes]

𝓲𝔃𝔃𝓲𝓮'𝓼 𝓯𝓲𝓬 𝓻𝓮𝓬𝓸𝓶𝓶𝓮𝓷𝓭𝓪𝓽𝓲𝓸𝓷𝓼

summary: an ongoing list of all my favorite fics (updated daily)! please check these amazing writers out and support their work <3

btw! if there’s any ones i forgot to add/haven’t read plz message me! i always love new content (especially for gaz :))

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general

platonic ☕🧸📋🧋🍪

5 times you took care of 141 and one time they took care of you by @keys-hellscape-1020 - platonic!141 x medic!reader this one is so cute! the 141 boys show their appreciation for the unit's medic by taking care of them :)

incorrect cod quotes by @skylarsblue - okay this one is HILARIOUS read to see the absolute insanity that goes on in the 141

unwind by @python333 - platonic!141 x gn!reader hehe i requested this! but in this absolutely beautiful fic, you help the 141 unwind by making their favorite coffee and tea

fluff 🎀🪞🩰🦢🕯️

civilian spouse by @undeadcannibal - 141 x civvie! reader one of my favorites! read how the boys meet their civilian significant other

saved civilian invites the 141 on a date by @benevolentwarfare - hero!141 x civvie! reader you ask to meet them again after they saved you!

141 reacting to the reader who likes to read smut by @gardeningtool4skullboy - 141 x soldier!reader the title says it all!

seeing the reader's face in public by @ghostssweetgirl - 141, könig, roach, and alex x soldier!reader you wear a mask while on duty and no one has seen you unmasked. they barely can recognize you in public (and try to flirt)!

where do they live by @yourvirtualgoddessforlife - 141, könig, graves, alejandro and rudy x reader amazing descriptions of where you would live with each one of them &lt;3

the 141 with a successful s/o by @l0velylecter - 141 x reader the descriptions in this one are absolutely beautiful! read about how you both show your appreciations for one another ;)

angst/sad💔😢😭❤️‍🩹🤧

how they react when you die by @buckysmith - 141, alejandro, and graves x reader okay this one broke my heart! if you want a good cry, read how they would react if you died

amnesia by @roosterr - 141 x reader - one of my requests that was beautifully answered! read how the 141 reacts to you getting injured then waking up from a coma without amnesia

gaz

fluff 🎀🪞🩰🦢🕯️

on the house by @yjhariani - gaz x civvie!reader ONE OF THE BEST MEET CUTES w my love <3 read about you and gaz getting set up on a date

you are in love by @euovennia - gaz x reader based on the taylor swift song, follow along as you and gaz fall in love :))

a lazy evening by @vesper-tinus- gaz x reader ABSOLUTE FLUFF as you spend an evening with gaz at home

meet cute - birdie by @ghouljams - cowboy!gaz x reader (name: birdie) cowboy gaz meets the local teacher and she helps him get some supplies for the ranch! they have an entire series for cowboy!141 I highly recommend reading!!

gossamer silk smiles by @halcyone-of-the-sea - gaz x florist!reader literally so adorable with the flowers and the nods to greek mythology! you run a florist shop and a young man comes in last minute, what how your relationship blooms as he keeps visiting

ghost

platonic ☕🧸📋🧋🍪

immunity to being tased by @rileyslibrary - ghost x soldier!reader this is hilarious, what's ghost's reaction when you have a surprising immunity to being tased?

fluff 🎀🪞🩰🦢🕯️

helen x simon series by @mvtthewmurdvck - ghost x fem!medic!reader ok, if you haven't read this then what are you doing? this series follows our two lovebirds on the battlefield and through life (this is so worth the read and there's so much content from the creator!)

be gentle, man! by @rileyslibrary - ghost x fem!soldier!reader this is a two part series that goes through the antics of going undercover with the team! read until the end of part ii for a funny little soap moment

leather sketchbook by @dyslexicbatxz - artist!ghost x medic!reader what happens when ghost loses his sketch book with drawings of you?

ghost's love language by @saint-johnny - simon x reader a fluffy little piece where simon checks out a book at the library about the five different love languages

the little things by @halfmoth-halfman - simon x medic!reader there's something going on between simon and the unit's medic, soap is determined to find out

dad!simon by @lundenloves - simon x reader (established relationship) YK I JUST HAD TO INCLUDE THIS ONE! some of the best descriptions of simon ever, read about how he interacts with you and the two daughters you have together

angst/sad💔😢😭❤️‍🩹🤧

anyone got a lighter? by @yjhariani - ghost x soldier!reader okay not spoiling this one but my heart broke from this short read

white bandages, the process of healing by @nsharks - ghost x soldier!reader part two of a three part series, read about your tumultuous relationship with the masked man

simon after a divorce by @l0velylecter - ghost x soldier!reader the title says it all, don't look for a happy ending here

price

fluff 🎀🪞🩰🦢🕯️

meeting civilian reader by @nrdmssgs - price x fem!civvie!reader you and price both find yourself on a vacation away from work

5 reasons you cried while pregnant by @gh0stlyfixation - price x afab!reader ONE OF THE BEST this is so funny and also has a series with ghost and soap's wives. see what price has to deal with when you're pregnant with your first child

karma by @stormiwaves - price x afab!reader you go undercover dressed to the nines and price gets jealous when he sees you flirting with the target

soap

angst/sad💔😢😭❤️‍🩹🤧

counting magpies, one for sorrow by @halfmoth-halfman - soap x reader i'm not going to spoil this one either but get some tissues ready BC THIS IS SO SAD

alejandro

fluff 🎀🪞🩰🦢🕯️

late for dinner by @ragingbookdragon - alejandro x fem!reader uh oh, alejandro is in trouble with the missus! this one is so cute

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[branwyn-the-half-witch]

Comparative Mythologies of the Long Night: Part Two – Azor Ahai and The Red Sword

In part one, we looked at the origin story of the Long Night, and the ways in which it is reflected in the main series. Now, we shall move on to discuss the heroes who seemingly saved the world.

The most notable of these heroes, with whom you are likely aware, is the one most commonly known as Azor Ahai; emerging from Asshai, this is the hand that wields the flaming sword Lightbringer. They are also known as Hyrkoon the Hero, Yin Tar, Neferion, and Eldric Shadowchaser.

As a brief aside, it is interesting to note that all of these names can be related to specific places in Essos; the Patrimony of Hyrkoon is an ancient nation, Yin is a city in Yi Ti that has often been its capital, ‘Nefer’ is the last city in the distant kingdom of N’ghai, ‘the Shadow’, or the ‘Shadow Lands’ are a region in the furthest east, with AssHAI in the southwest, serving as something of a gateway to them – and it is the Shadow, as we will later learn, from whence the dragons may have first originated; tamed by an ancient, unnamed people.

Whether this solid anchoring of these heroic aliases in various places means anything more than a suggestion that the hero – or heroes – may have come from there, or were perhaps claimed by those peoples, I will leave you to ponder. For now, we shall turn to Azor Ahai’s legend.

Of Azor Ahai (AA), we have the most available information of all of the legends we shall discuss. He is also the only one explicitly prophesied to return again, and the manner in which AA shall return and be heralded is very clearly laid out for us from multiple sources.

AA is described as a leader, wielding a burning sword that radiates heat and light. He gave ‘courage to […] men and [led] the virtuous into battle’, returning ‘light and love’ to the world. So we should account for these aspects, as well as the finer points of the prophecy.

Much has been said about who AA reborn might be, with many candidates proposed. I will not be spilling that ink here; it’s Daenerys. Born on Dragonstone, a smoking isle in the great salt sea, she arose when darkness gathered and, beneath a bleeding star, awoke dragons from stone.

I would also point out that even Jon Snow, upon hearing of the Prophecy in the context of Mel’s candidate Stannis, zeroes on the importance of Stannis not being born on Dragonstone. One can almost hear the author himself tapping his fingers impatiently, no?

If you favour another candidate, a more abstract interpretation of the prophecy, feel free to do your own research and present it elsewhere; I am interested primarily in exploring the myths, not arguing. However, I do hope you will let me expand on my case and consider it fairly.

Dany becomes a leader, bringing hope and courage to mankind and returning light and love to those lost in the darkness. Moreover, she inspires them to fight for themselves, for their lives and loves; leading them into battle, but not doing their fighting for them.

I would also briefly highlight this echo of command from Quaithe, in light of one of AA’s names being ‘Shadowchaser’ – and that Quaithe wishes Dany to go to Asshai, from whence the myths of AA were born and the prophecy was written.

Going back here may mean in a temporal sense, revisiting the origins of AA and learning who he was, what he did, and most notably for Daenerys, why it was needed. She is, as present, unaware of the encroaching darkness that threatens the world, on any level except subconsciously through her dreams. A revelation is needed.

To add to this, we have the ‘Prince that was Promised’ title; these are used interchangeably with AA by Mel and by Maester Aemon and seem to often refer to the same person; in light of GRRM’s addition of Aegon’s dream to the canon, my interpretation is that they do refer to the same person, but by accident. Though we do not yet have it in GRRM’s words, Aegon saw the return of the Long Night and a Targaryen fighting against it. This is tPtwP, Aegon’s name for this leader who happens to also be the one who woke the dragons from stone to fight the cold.

And it is Aegon’s dream that dream-driven Targaryens have stumbled across in their scrolls – what Rhaegar to become a warrior and thence to confer the promise he initially saw in himself upon his newborn son. The Red Priests who herald Dany speak only of AA; Mel may have discovered tPtwP on Dragonstone itself. All other sources for the Promised Prince title seem to be either Targaryen or Targaryen adjacent – such as Barristan, who himself speaks of Jenny of Oldstones’ witch friend, presumably close to certain Targaryens.

But what of Lightbringer? Daenerys is not trained in arms, so how can she wield a sword? Recall that AA reborn is marked by waking dragons from stone and wielding Lightbringer. There is no separate mention of forging/reforging a sword. Perhaps there is more to the tale than that?

So let us examine Lightbringer and its forging; AA makes three attempts to forge the blade, quenching it in water, lion’s blood and, in his successful forging, the living heart of his wife, Nissa Nissa. The blade is described, by the Jade Compendium, as making its own fiery heat.

The blade never being cold, but being warm as Nissa Nissa was warm, is very alike to the description of dragons being ‘fire made flesh’; and the description of Lightbringer in action resembles nothing so much as the affect of Drogon’s flames. Lightbringer, Red Sword of Heroes, is not a blade; it is the dragons awoken from stone. But what of the three forgings? The exact arrangement of the forgings is sometimes debated, but the one I favour is this arrangement: the first forging in ‘water’.

The second in the ‘heart of a lion’; note that this moment is so important it appears again in the dreams that guide Dany’s steps to her eventual success.

And the third, successful forging – in the ‘sacred flames’ of a funeral pyre, fed by the blood of heart’s beloved. Note the proximity of the water/lion/heart imagery on each occasion, and that the conversations following the first scenes are about dragons, and then about war.

In the chapter prior to the pyre, Dany has dreams haunted by a pursuing cold, and by ghosts urging her on, with very familiar gemstone eyes; this links Dany and the dragons explicitly to the Great Empire of the Dawn and thus to the Long Night that followed the Blood Betrayal.

These dreams also link the dragons to sacrifice, just as Lightbringer is linked to Nissa Nissa’s sacrifice. Dany’s dreams show us the lives lost in her journey to that point (though Drogo is not yet entirely lost to her); those she has lost will lend their names to the dragons.

Blood sacrifice is a deeply potent power, both within ASOIAF and without. Many characters tell us of the potency of shed blood; of kin, king, and of holy men. Within many cultures in our own world, blood sacrifice was a holy act, to ward off catastrophe, as payment – and penance.

In Aztec mythology, for instance, it is now generally understood that blood sacrifice, both of slain captives but also one’s own blood on a daily basis, was both a fuel offered up to the gods for their daily labours, and as repayment for the debt owed by the living to the gods for their sacrifices made when creating the fifth sun, and so all human life. The dreams emphasise Dany’s own shed blood from the beginning; in her bloody footsteps, the burning in her womb, and the burning blood from her torn open back, which ultimately grants her wings.

When the time comes, she offers up her own blood by walking unafraid into the sacred flames of the funeral pyre, to bleed with her fallen beloved. Dany alone, among all Targaryens who have attempted to bring back dragons, took the last and most important step of self-sacrifice.

But if we understand blood sacrificed to be offered up, not just for power but for payment of debt, what debt is Dany paying here? Moreover, have we strayed from AA in this talk of blood magic and penance? I would argue not; for just as Dany’s Lightbringer is living dragons, so too do I believe that AA’s red sword was no literal blade, but dragons also.

I would here posit that Azor Ahai, in the coldest, darkest night, sought to bind fire made flesh to humankind. I propose that he tried and failed twice, before binding dragons to the fate of men.

I implore you to consider that Nissa Nissa was a dragon.

This concludes Part Two. Part Three shall answer the question, ‘what in the world did she mean by that last comment?’, by examining sacrifice, necessity, and the long, sad history of House Targaryen’s ritual offerings of innocence as payment.

[cynthiav06]

I am obsessed with Epic, the musical as all people are and should be.

One of my absolute favorite parts (I love everything about it, the lyrical genius, the phenomenal melodies, the best cast) about the Saga itself is Athena and Odysseus's relation.

There are lots of opinions on how Athena doesn't treat Odysseus as a person but as a property, which I think is slightly misinterpreted. Odysseus is the only one in the whole Greek mythology to be so favored by Athena. She sees her very self reflected in him and hence sees him as an extension of herself given that she takes time and effort to teach Odysseus everything she can.

Yes, Odysseus gets ahead of himself and gets sentimental of sorts, but in the end, the mistake that causes his initial falling out with her is also something that mirrors Athena. Hubris is Athena's fatal flaw, and it's the same for Odysseus.

Athena's greatest ability is critical thinking in the heat of the moment, something Odysseus himself lives by and represents.

Gods are not flawless. No, they are every bit flawed, and deep deep down, they know it.

To Athena Odysseus giving into his flaws is a slap to the face because despite knowing her own and knowing how Odysseus reflects hers, she fails to make him overcome it.

He is also perhaps the only person to have insulted Athena to her face and lived to tell the tale without any repercussions because she knows he tells the truth but most of all because she accepts that if anyone has the right to reprimand her its Odysseus someone who has lived by her principles.

Even after their falling out, Athena defends him against the Olympians, and despite everything, Odysseus does his best to stick to Athena's teachings and doesn't hate her.

Athena does her best to advice Telemacus and even calls him her friend.

Throughout the Greeks myths, it is cemented that Athena and Odysseus had a strong relationship and were equals more so than a hero and his patron

The most ironically beautiful thing was that I was rereading Percy Jackson and Heroes of Olympus books to find Odysseus references through Mark of Athena and the part where Annabeth finds Athena at the subway, lost and frazzled,turned into Minerva due to the Roman and Greek demigods being together.

Minerva is nothing like Athena, she is Athena who is bitter and enraged and consumed with vengeance against the Romans who attacked her city and turned her into a just a Goddess of Wisdom and Crafts taking from her the domain of war and strategy. And in this emotionally heightened, unstable state that goes against her very nature, Annabeth hears her mumbling, "If Odysseus were here, he would know the way, he would know how best to help.."

And that to me is so raw and beautiful that in this terrible state that's basically a mental breakdown, The Goddes of Wisdom and Strategy thinks that Odysseus would be able to help. A mortal, yes, a great hero but still a mortal, and help in what? In guiding Athena herself as she tries to find her way back to her place of power, in guiding the lost goddess of wisdom.

Through the whole Percy Jackson series, it is repeatedly iterated how Odysseus is Athena's most and all-time favorite.

I also like how those books portray Odysseus as he was, a great hero and the most loyal husband.

I just had to rant on this. It's kept me awake for so long.

[legless-fish-on-rollerskates]

So with the disney series on the way and one of my friends currently in a production of the lightning theif musical I've been getting back into pjo, and I've been listening to the newest olympian podcast (guy named mike who's never read pjo reads pjo and talks about it chapter by chapter with longtime fans), and in episode 8 he talks about how the cosmic threat (gods) is really different from the malicious threat in other books (eg voldemort) and it makes the stakes have a really different energy because it's not someone evil intentionally hurting people for personal reasons, it's larger powers at play who don't really care if they hurt people because to them it's just collateral damage.

Now of course mike is still early enough in book one that the cosmic threat is the only threat and we all know that changes as the series goes on, but it made me think about the difference between the godly antagonists and the human antagonists in pjo and how they're portrayed, and I sort of realized for the first time that, in the case of the fate of humanity, pjo doesn't have "bad guys".

There are two types of antagonist in pjo. The first are the gods/titans/other mythological beings who don't care about humans beyond what they can do for them and are mostly just fighting amongst themselves. Yeah, big bad villain Kronos isn't really a fan of humanity, but destroying humans isn't his main objective in the war. His objective is destroying the gods and taking back control. Destroying humans is a happy bonus for him, but even if he knew he wouldn't be capable of that he would still be fighting the gods.

The second type are the half blood traitors, and this is what I really care about, because Luke is an antagonist but he is NOT a villain. He's a victim. And that distinction is the entire point.

Throughout the entire series Percy shows he understands this concept. Our first minor human antagonist is Clarisse. Percy doesn't like Clarisse, but he understands she's a product of her situation and he treats her with genuine compassion even when he's not being very nice to her. He knows how important her quest is to her, that her anger stems from insecurity, and he makes sure she gets to take the fleece back even though he won't get any credit.

As the books go on we see more significant demigod antagonists who don't just bully Percy but actually betray him. It would be easy for Percy to hate them, to write them off. But he doesn't.

Nico turns on Percy several times throughout the series, always for the same reason (seeking information on his family/bianca). Someone else might see that repeated betrayal and be furious, and yes Percy is a little pissed, but his first conscious reaction is guilt that he wasn't there for Nico and his first instinct is to try and help him. He continues to trust Nico despite everything. And Nico fights alongside Percy in the very end when it counts.

Silena doesn't just betray Percy, but all of camp and by proxy all of humanity. And instead of seeing a traitor Percy sees that, just like Clarisse, just like Nico, Silena is a victim of this life they've all been forced into by their godly parents. Percy understands that the human threat has been created by the cosmic threat, and Percy turns around and says "no." He has Clarisse's back. He forgives Nico. He makes sure Silena is honored as a hero. He gives the knife to Luke.

And this is what sets pjo apart. This is why the story is so important. Luke is the ultimate traitor. He was Percy's first friend at camp after Grover, and at the end of book one he tries to kill Percy and nearly succeeds. He turns his back on the gods, offers himself to Kronos, and forsakes all of humanity. And instead of building up that animosity throughout the series and culminating with Percy killing Luke, Percy spends years trying to help him. He learns Luke's backstory. He meets his parents, the godly and the mortal. He sees Luke's experiences as what they are: trauma. He finds him and asks him to come back. He offers him his trust. Luke declines, multiple times. But Percy doesn't stop trying. And at the very end, when killing Luke is the only way to stop Kronos and Percy has the opportunity to do so, he doesn't. He is not the hero, and he knows it. Instead, he forgives Luke. He gives him the knife. He offers his trust. And Luke finally accepts.

So Luke dies, Kronos is defeated, and Percy is not victorious. He sees it as a failure that they all let it get far enough that saving Luke wasn't an option. The gods offer to grant Percy one wish as a reward for his heroism, with immortality as the implied correct choice. And Percy shocks them all and says "no. This isn't about me. It was never about me. I don't want to be a god. I want you to make sure that what happened to Luke never happens to anyone ever again."

[rewrittenwrongs]

I wonder if comic book heroes ever release comic books about themselves as a publicity stunt. I can totally see Clark ‘teaming up with Superman’ to write a picture book or something about Kryptonian mythology. Releasing a comic series about Kon is totally something Rex would do. I could see Captain America writing a picture book about how different things are in the modern day and all the new things he likes. Peter or Billy (once he’s old enough) could do it to make a quick buck. Bruce’s kids would totally make/buy Batman and Robin comics specifically to mess with him. Damian would pretend to find is frivolous but would have so much fun drawing him and Bruce.

[jedimandalorian]

The Path to Peridea.

Baylan Skoll says that Peridea is from a fairy tale known to Jedi younglings, a children’s story, but in reality Baylan says this to remind us that Star Wars is exactly just that, a fairy tale, a children’s story.

What does “Peridea” mean?

peri: (in Persian mythology) a mythical superhuman being, originally represented as evil but subsequently as a good or graceful genie or fairy.

ASTRONOMY

peri: denoting the point nearest to a specified celestial body.

from Greek peri ‘about, around’.

dea: Latin for “goddess”

The descent into the underworld is one stage of the hero’s and the heroine’s journey.

As @better-call-mau1 pointed out, the Path to Peridea sounds a lot like the “path to perdition.”

perdition: (in Christian theology) a state of eternal punishment and damnation into which a sinful and unpenitent person passes after death.

Perhaps this is where Thrawn is, in a kind of hell.

But as in the myth of Orpheus and Eurydice, a brave lover is willing to descend into Hades to rescue the beloved. This is Sabine Wren’s mission to find Ezra Bridger.

There’s another meaning to “Peridea” though.

It is a genus of moths from the family Notodontidae.

The moth in The Lord of the Rings films brought Gandalf the Grey hope when he was imprisoned in the Tower of Orthanc. When the moth appeared, it was a sign that Gandalf would soon be rescued by the giant eagles, which are used as symbols of divine intervention in Tolkien’s fiction.

Please note that the letters on the star-map to Peridea resemble the Viking runes Tolkien used in The Hobbit. Both The Hobbit and The Lord of the Rings are stories of a hero’s journey filled with danger and wonder. The brave protagonists have to go “there and back again” just as Sabine will in the Ahsoka series.

I think that Baylan Skoll reminding us that Star Wars is a children’s story is significant. Consider this quote from Harry Potter and the Deathly Hallows by J. K. Rowling.

“Of house-elves and children’s tales, of love, loyalty, and innocence, Voldemort knows and understands nothing. Nothing. That they all have a power beyond his own, a power beyond the reach of any magic, is a truth he has never grasped.”

In all the great fairy tales, the love and loyalty of the protagonist is the key to the triumph of good over evil.

Although she isn’t strong in the Force, Sabine Wren’s love for and loyalty to Ezra Bridger will strengthen her resolve on her road of trials along the Path to Peridea. With Ahsoka the Grey by her side, Sabine is ready to leave the comfort of Lothal (her Shire) and go to Peridea to save the man she loves.

Update, post Ahsoka Episode 6:

Here’s Huyang reminding us that this is indeed a fairy tale, a children’s story.

And here’s Thrawn, showing us how the villain “knows and understands nothing.”

“You wouldn't understand,” says Sabine.

“Perhaps not,” Thrawn responds.

What he doesn’t understand is love. The love and devotion that Sabine and Ezra have for each other is the power the dark lord knows not, and it will be his undoing.

I have spoken.

[xztloux]

I have literally just gotten into the Percy Jackson series a few hours ago after pulling an all nighter for a project, I had it playing while I work bro the second I saw Hades I was frothing at the mouth..I am very sleep deprived rn Lmao

If it’s good with you, can we get some Yan/Dark Hades stalking his lovely mortal who works at a museum (or is a college student there on a trip), they are quite the quiet person (perhaps they get picked on for that quietness) but gets a bit bold as they defend Hades after hearing some people talk badly of him? Hades falls hard for the mortal and follows them around, being a bit dulu?

I did read over your rules and If I had somehow missed one and wrote it into my request I’m incredibly sorry!

Take your time and thank you very much! Have fun and change anything if you want :>

-💀🍝

We twinin’ with the dyslexia wooo

︵‿︵‿୨♡୧‿︵‿︵︵‿︵‿୨♡୧‿︵‿︵︵‿︵‿୨♡୧‿

↳˗ˏˋ Dark Hades ˊˎ˗ ↴

▸ content warnings: none? I don’t think

▸ summary: Your trip at the museum turns into something much more life changing

▸ A/N: my Greek mythology is really rusty so I’m sorry if I got stuff wrong. also added my own opinion on a certain god. (Zeus hate club right here). Sorry if it’s really bad and short it’s literally 5am for me 😭❣️ I LOVED WRITING THIS SM SO THANK YOU. literally love this person

︵‿︵‿୨♡୧‿︵‿︵︵‿︵‿୨♡୧‿︵‿︵︵‿︵‿୨♡୧‿

Your Professor had booked a day out, to help you class with the upcoming test. Your major was Greek mythology, you loved it, ever part of it. The hero’s, the gods (most of them anyway). Of course you didn’t know the gods actually existed. There were a couple of people in the class who loved it as much as you, sadly most were there cause they thought it would be an easy pass. You had this stern looking tour guide that was to accompany your class throughout the day.

Eventually everyone stopped in front of one of the statues, Hades. One of your personal favourites. The stern looking tour guide eventually asked the question. :

“Does anyone know who the most ‘hated’ God was?”

He of course asked this to see if anybody would go with the obvious answer. He pointed his pen at one of the blonde haired girls.

“Um Hades right? He’s like..the god of the underworld and stuff..” She replied shrugging slightly. Hades himself was actually there, from time to time he’d slip into his mortal form and visit the museums to see how blissfully unaware humans were. Of course he heard what the blonde bimbo had said and honestly? He was use to it. You then watched as your professor leaned in and whispered something to the tour guide.

The stern looking tour guide nodded quickly before pointing his pen at you. “You. Tell me what you think.” His expression seemed to never damn change. See your professor was the ‘tough love’ type. He knew you knew the material but he wanted you to be proud about it and not afraid to show off that you know the answer.

“Um…most think hades but..um he was actually one of the best. He hardly cheated on his wife, he doesn’t really care for Olympus. He’s happy with his wife and the underworld. In my personal opinion.. I’d say the most hated would be Zeus..” As you spoke about your own opinion, you caught the attention of hades. Now..he hadn’t expected to hear that answer. He’d be a liar if he said your voice wasn’t the prettiest he’d ever heard.

Hell, he even found himself following your group around just so he could hear your voice more, and your opinions more. This god fell for you, and he fell hard.

It’s been a couple weeks since the museum visit and he’d been stalking you to put it bluntly. Of course he couldn’t always be in his mortal form so, from time to time, he’d check up on you from the underworld. Gods he was obsessed with you.

[drconstellation]

Michael the Watchful

Updated 11 Nov 2023

I'm going to be upfront - I don't like Michael. But I am intrigued by some of their actions in GO.

The above screen shot highlighting their angel ring came across my dash last week, and there was a comment that the ring looked like "Ophanim rings with pearls for eyes." I have to admit that for all that I am fairly widely read in mythology I hadn't heard of these before, and had to go look them up. I realize its probably because I'm not up to speed with all the religious references yet. Don't get me wrong - I'm not a complete newbie in that dept, its just a muscle I haven't flexed in a while and its a kind of "use it or lose it" kind of thing, you know? Happens when you've been around for a bit.

Ophanim: "The many-eyed ones." Oh. Right. That's tv series Archangel Michael to a T, actually.

(There are probably some parallels to the greek monster Argus here, but not sure if I should digress. The hero Perseus, winged sandals, Medusa's snek-locks, the 1000 eyes that never sleep, rescuing a maiden, the goddess queen's grief over the slain monster...)

Michael was the one that presented the incriminating photos of Aziraphale and Crowley meeting over time to Gabriel in S1, then followed it up with a phone call to Hell on the back-stairwell to Heaven.

And Michael is the Duty Officer during S2, they are "on watch" so to speak.

Michael is also the one that maintains the back channel connection to Hell, "the grapevine that obviously doesn't exist" that Beelzebub mentions to Crowley in S2E1, and that Gabriel also officially denies exists in S1E4.

The fact that in S1 they were seen talking to Ligur originally, who was destroyed by the holy water Crowley obtained from Aziraphale, and then in S2 they are talking to somebody else again (Beelzebub) in S2 via their angel phone again, says that they have to have established a new connection in between seasons. I commented elsewhere it seems to be implied the contact is Dagon, due to the little flirtation the tried to send to the angel that Michael quickly shuts down in S2E6,

but the fact the back channel is still working is still something to be concerned about. I mean, weren't you just a little suspicious when it was Michael who turned up with the holy water for the bath during the body-swap punishment scenes, when Hell only bothered to send a disposable Eric clone with the hellfire to Heaven?

Wondering how this angle is going to play out in S3.

Edit:

Found some information about the golden collars in the Job minisode in S2E2 and the detail on Michael's costume adds to this meta.

Around their neck they have row upon row of eyes, and around their sleeves they have wheels.

[aroaceleovaldez]

I HAVE BEEN REMINDED OF SOMETHING i think i've made a post about it before but maybe it's just sitting in my drafts. idk, whatever, I will ramble again. Said thing that reminded me was a tiktok by madison_murrah about how the PJO TV show doesn't get the balance between mundanity and magical correct for pjo and I want to expand on that cause while a.) it totally is a problem in the show and i take issue with it, b.) it is also a problem in later books and i ALSO take issue with that too and i would like to elaborate on it

this got long so ramble of the day below the cut:

so the thing is that PJO is actually pretty unique in it's approach to hidden world modern fantasy. like, hidden world modern fantasy is a decently established genre with a ton of examples, but there's a reason why PJO stands out so much, and that's because technically it's NOT "hidden world." There is very intentionally no distinction between the mundane world and the mythological, at least in first series. They 100% overlap. And you do not necessarily need to be "special" to see the "mythological world-" some mortals are totally naturally clear-sighted, a lot of kids are clear-sighted, and it's like 50/50 for if mortals can become clear-sighted. In fact, most demigods aren't immune to the effects of the Mist, all that really matters is if you're actually thinking about being able to see through it. And there's a reason for that!

In general, this format of the "hidden world" modern fantasy serves two purposes: One, as the series is meant to introduce people to Greek mythology and explain why it is relevant and how it can be relatable in modern contexts, it intentionally juxtaposes myths against modern concepts: Medusa runs an apparently average garden statue store. Procrustes runs a mattress store. The entrance to the Underworld is in LA at a record store. Circe lives on an island paradise that's secretly dangerous. Hydras are like chain donut stores that seem to pop up on every corner. Perseus and his mother struggle in Perseus' childhood but get a happy ending. Calypso has an island paradise where the challenge for the hero of our story is being tempted to leave behind his goals. The plot of Sea of Monsters is blatantly the Odyssey, and it's about Percy trying to get to his best friend (who he shares a literal psychic link to) who is in danger of getting married to someone awful (a literal monster) to help you understand Odysseus trying to get back to Penelope and how important to each other and in sync they are. Battle of the Labyrinth is Theseus and the Labyrinth and it's Percy/Theseus trying to protect his home and his people and fellow kids (like Nico) from the dangers in the maze. These are all supposed to help us understand what is actually going on in those stories.

We also still see how Greek mythology influence shapes and influences western culture in general in their world (which is supposed to be our own and so uses real-world examples) - in government, in architecture, in pop culture - Mythomagic is clearly supposed to be your standard TCG like Magic The Gathering. And in general there is no distinction between where the mythological ends and mundane begins - Camp Half-Blood is both a magical training space for demigods and your run of the mill underfunded summer camp, complete with cheesy camp songs and t-shirts and crafts. Olympus is located on top of the Empire State Building which is operating completely as normal except for when a demigod asks to go to a non-existent floor. Your best friend with a muscular disease in his legs is secretly a satyr. Your brother with down syndrome is a cyclops. Your teacher in a wheelchair is secretly an immortal centaur. Your crappy algebra substitute is a literal fury. But also they're still your teachers. The satyr is still your best friend, the cyclops is still your brother. And that brings me to the second aspect of all of this (which i have talked about before [here] and [here]) - the other purpose it serves is that it is an extension of the overarching disability themes that form the core of the series.

The entire reason that meshing of mundanity and magical is so intertwined is entirely because it's part of the disability metaphor, specifically inspired by early 2000s parenting/teaching concepts for children with disabilities, particularly learning disabilities, as trying to reframe disabilities as "superpowers" to empower kids (and still exists in some more modern forms - like referring to disabilities as "being differently-abled") (I talk about it in my previous post on the subject but this generally fell out of favor due to many kids/students finding it belittling of their struggles) - this is why we get the description of ADHD and Dyslexia being framed as "demigod superpowers." In the series this structure is intentionally made to encourage kids to reframe how they view disabilities in general as not something negative but something interesting and fantastical that they may be more open to engage with - and PJO does this in a really nice way where a lot of the disability struggles are still acknowledged and treated sympathetically. Kids still get bullied, Percy and Annabeth struggle in school or with reading/spelling, they grapple with both internal and external ableism. The entire reason for the titan war in the first series, at least from the demigod perspective, is criticizing flawed systems meant to support disabled people that don't do their job effectively or let too many people fall through the cracks. The Mist "hiding" the "mythological world" from mortals (and even some demigods) is about how most abled people (and some undiagnosed people) don't recognize disability struggles until it affects them personally. None of these things are glossed over! It's handled with nuance and care! The series says "you can be disabled and you can be like these fantastical heroes - not in spite of your disability, but alongside it. Neither negates the other." The series was explicitly made so Rick's disabled son could see himself in a hero and learn about mythology for school. Those are the two pillars of the entire franchise: Disability and learning about mythology.

So, when you mess with that "hidden world" structure, the entire thing falls apart and it immediately doesn't feel right, because it's no longer serving either of those two purposes when it needs to be fulfilling both. Late-series Riordanverse has a tendency to compartmentalize the mythological and keep it entirely sectioned off from the mundane. Think about first series and even TKC versus later series - how many mortal characters are there? what do they do? are they just in the background or do they interact with the main cast frequently? are they more than just family or an extension to the main cast? First series we see Percy's classmates frequently, Percy talks about his mundane experiences at school, multiple mortal parent characters (and other mortal characters like Rachel) are active participants in and vital to the plot. We even see a lot of background mortal characters. In TKC, not only are all the magicians technically mortal, but also Sadie's completely mundane best friends help her out. Now think about HoO, or ToA, or even MCGA. Think about the mortal characters in those series. How important are they? Out of the important ones, how much are they in mundane situations versus being almost entirely involved in something mythological? How many aren't related to any of the main cast? How many aren't actively working for a god? The answer is basically zero! Why is that? Because Rick stopped letting the mundane exist. The entire draw of the main series is that Percy does continue to live this mundane life and that adds to his mythological life and makes the balance and meshing between them interesting, but basically all mundanity ceases to exist by HoO. Camp Jupiter is an isolated entirely magic town. Percy and Jason's schools are full of mythological beings as basically the only people they interact with. The Tri's headquarters is an entire giant building in New York City that they completely control that just so happens to ALSO be directly across the street from the local Oracle's house, because even where Rachel lives isn't allowed to be mundane anymore. Why is Olympus just at the top of the Empire State Building versus the Tri having an ENTIRE building? That feels weird and unbalanced, particularly given the difference in importance between those two! Because one is playing into that balance of the meshing of mundane and magical and the other isn't! The show continues this trend. It doesn't allow any of the mythological to exist within mundanity like it functions in the books, which creates a completely different atmosphere and doesn't allow those spaces or scenes or characters to serve their actual narrative purposes, either making it easier to understand mythology contextually or what disability metaphor or representation is occurring there.

It's part of the problem with show!Percy being too mythologically-savvy - Percy is supposed to be the mundane lens unfamiliar with mythology that the audience is learning by proxy through. That's the entire point of the series! If you have Percy already know everything because he's already too ingrained into this mythological environment from the start, and he just exists in this entirely magical world where he understands everything immediately then the literal target audience of the entire franchise (students being introduced to mythology) is left behind! That's part of why the pacing of the show feels so bad! It's rushing through every scene that's more or less the same as the books, particularly anything mythological, because the show is assuming you've already read the books and already know enough mythology to know what it is and what happens and that you don't want to see it again, so it rushes through. The show doesn't explain things that it presumes you already know - worldbuilding, character decisions, basically any mythology, etc, so it doesn't even bother with it.

Later books in the franchise do this too - as long as it's tangentially Greco-Roman mythology, or if it's anything to do with the main series like a reference in TKC or MCGA or etc, it's not going to elaborate much if at all. HoO speeds through Jason's introduction to CHB, and the only reason we get much introduction to Camp Jupiter is because it's actually new. We're no longer trying to contextualize or learn about mythology, it just all becomes set-dressing and references thrown at you rapid-fire as filler. By late HoO and into TOA and TSATS and such, we're not longer even within the realm of pretending like we're adhering to mythology at all. Why is Iris a vegan? Why is Rhea a hippie? Dunno, don't care! Literally doesn't matter! Why are the pandai panda/elephant-monsters and the troglodytes frog-monsters when that's not part of their actual history at all? Well a.) literally just word associations and b.) possibly a little bit of racism (they're supposed to be humans from India and northern Africa, and you made them monsters. cool. okay. and their plotlines totally aren't horrible within those contexts. awesome. please try thinking literally at all next time, thanks). We're not even bothering to look at mythological instances anymore for a basis, a lot of it's written like we're just going based on the first results on google (hi Menoetes and the cacodaemons - the latter of which is not even spelt correctly once in the entire book - which is weird because they do say "daemon" so they know the word. Not that the cacodaemons are mythologically accurate at all because then they would be humanoid. Instead they seem to just be inspired by the things from Doom). None of it serves the purpose of the narrative at all; we're literally just making random choices, some of them quite distasteful! In large part due to refusing to acknowledge the actual contexts of the myths and how that might translate into something similar or equivalent a modern setting to help conceptualize it - something the first series did inherently by design. And we need this! A.) So that you're less likely to make bad decisions because you are inherently thinking about the historical and cultural contexts of these things and how to compare/explain it, and b.) because the audience for later books/the other series and the show is going to be the same as the first series! Those nonsensical references may be at best cameos to people who are already familiar with them, but if your intended audience is new to mythology then making references like that is just going to leave people out of the loop! You don't shift your target audience in the middle of a franchise!

Later books in the series and the show are failing to understand what the first series was actually doing narratively and how it was approaching these subjects and its audience. When you fail to do that, it completely messes up the general worldbuilding and the core themes and intentions of the franchise as a whole. Once you lose touch with that you might as well just be writing a completely different franchise. You need to approach it from the same lens or else it will feel completely off, because otherwise you've lost all base touchstones that make the series what it is.

[punkeropercyjackson]

Percy's canonically a punk but not because he skateboards occasionally and he actually gave up skateboarding in favor of swimming.Percy's canonically a punk because he's a millenial who grew up in El Barrio,New York(afrolatino),got bullied nonstop for being poor and weird as fuck(adhd,dyslexia and undiagnosed autism),was a bully beater and never stopped standing up for other kids no matter how many times he was expelled,respects women and disrespects authority,hates rich people and has a whole ass god for a dad but never asks him for jackshit from him on principal,does activism in both his worlds(helping out less privileged mythologicals/implied to participate in Rachel's protests and charity events with her),has direct action as his whole drive as a hero,takes in younger minorities who don't have positive adult figures in their lives as youger siblings and pseudo-kids,listens to alt music,dosen't care about following trends and has gender fuckery going on(transfem bigender and if you want evidence,his dynamic with The Hunters was proving himself as nothing like stereotypical men and more like the female characters he interacts with in addition to all the countless other points).AND the series came out through 2005-2014 with zero Avril references except that Piper line that was actually about her saying Percy looks girlish in the context like c'mon you're all focusing on the wrong thing and he's not even grunge or Hot Topic-coded either,Percy dresses like Sans Undertale in-canon and screams Claire's if we're talking stores PLEASE