#in a sense of the word

[softquietsteadylove]

Ahhhh second first date! Second first date! Of course i need to know how it goes!!

"And the server was definitely super jealous of me."

Thena laughed again. That was all she'd been doing since they left the house, she was quite sure. Since Gil 'picked her up', that was to say.

It was very sweet. He had showed up at her guest room door, dressed up and with a charming smile, even making an attempt to look nervous. He asked if she was ready, offered his arm; he was the perfect gentleman for their first date.

Her second chance.

Of course she had to know more about their first-first date. And Gil was happy to elucidate her once she insisted enough that telling her that much would not cause her brain to catch fire (as the doctor seemed to have implied in some way).

"But it was a nice dinner, then I walked you back to where you were staying at the end of the beach," he recounted, his eyes completely starry. "I had never gotten to actually have a romantic walk on the beach, before. Total bucket list stuff."

"It sounds lovely," she remarked mildly, without much choice with no memory of it for herself.

"The moon was out and everything, and it looked really pretty with your hair and your white dress, and the shawl thing-y you had on over it." Gil gestured vaguely to simulate the flowing garment she had worn over her bare shoulders. It certainly painted a picture, and she was quite sure she knew what he was referring to, having glimpsed a long white shawl in their closet.

She tried not to laugh too hard, mindful of the gentle atmosphere of the bakery. The tables were really just for people waiting for orders. They didn't have a fancy coffee machine, or an official barista. But Gil did bring out cups of real, boiled hot cocoa from the back--a secret only for their own, of course. They were waiting on their fresh baked pastries to come out and cool.

"I was so distracted by you that I didn't even realise when we were back at your doorstep," he sighed, but his comedic tone faded. He looked at her more softly, leaning his cheek against his hand. "I told you flat out that I was having such a good time I wished you were staying further away."

Thena attempted to laugh into her mug, this time.

"You laughed at it then, too." He sounded more wistful now. "But I told you I was serious and asked if I could see you again. I don't know why you were so surprised."

Probably because she had never been one to be asked out by someone like him. Men, sure, but not very sweet, very funny, very honest gentlemen like Gil. Just...men. She wasn't approachable enough for someone as sweet and charming as Gil.

She still thought that, to a degree.

"But you agreed, and I asked if I could kiss you too," he at least smiled at this part of the story, although his longing for the past remained. "You said I didn't have to ask, which wasn't a yes, but I guessed I was supposed to read between the lines."

Again, the Thena in the story and Thena herself in the present were different people. But she felt her stomach clench faintly at the idea.

"I did kiss you," Gil sighed, returning to his lighter, more jovial tone. "And it totally blew my mind. I mean if I wasn't in love with you already, that would'a done it."

"Gil," she admonished lightly, partly laughing and partly sheepish at the description of this passionate kiss she couldn't remember at all.

"What?" he chuckled before taking a sip of his own hot chocolate. "You wanted to know. And that date changed the rest of my life, sweetheart."

She liked it when he called her that. She nodded, looking down at her mug. "I suppose I did. It's a nice story."

"Yeah," Gil concluded, although his sigh felt a little heavier.

She still didn't have any memories of her own to contribute. But she attempted to jump over that wave of guilt, trying to put a smile back on his handsome face. "What was our second date like?"

He clearly knew what she was trying to do, but he kept quiet about it at least. He pulled himself up in his seat and started his next story. "Well, we were still on vacation. I asked a little more about you, and you at least told me you were an artist, and you were there on leave because you found teaching wasn't really your thing."

Thena winced faintly. She was sure that was an understatement. She did have memories of teaching before moving to their current residence, and none of them made her glad to have them instead of memories of Gil.

"I told you that I had been a boxer in college, and that I was just working some boring office job and also wanted," he paused to shrug and make a face, "a change of scenery."

They were both in the midst of becoming different people when they met. How fascinating, Thena mused. Although she was quite sure Gil had always been sweet and charming and funny. Just a feeling.

"It was actually you, on that date, who asked what I liked to do for fun," he admitted much more quietly. He looked down at the table, picking at a chip in the lacquer. "I told you I liked baking and you said I could try working part time in it, just to see if I liked it enough to make it my job."

"It sounds like something I would suggest," she agreed. It was hard to imagine the man she knew now doing anything else, really. Although it was almost funny to imagine him stuffing those muscles of his into a regular office suit.

"I said I'd give it a try," he chuckled, reaching for her hand. She gave it reflexively, sense memory knowing Gil much better than her own mind. He kissed her knuckle. "And now I have the best job in the world."

She smiled down at their adjoined hands as well, feeling as if the weight of the world were on top of them. "The date, Gil?"

"Right, right," he chuckled, allowing her to move the story away from the more emotional of the topics. "Well, you suggested that, and I asked about your art some more. And since the restaurant looked kind of full, and I didn't think that was your scene, I asked if you wanted to walk along the boardwalk a little first."

"We walked by a bakery there, and you asked me what everything was, since I was 'the expert' and all."

That also sounded like something she would say; Thena attempted not to roll her eyes at herself.

"I pointed out the regular stuff," he shrugged and even looked at the pastry cases in front of them in the moment. "Croissants, cupcakes, they had some tarts. You asked about one in particular."

Thena tilted her head as he paused, but she leaned back as he did, having been so sucked into the story that she didn't even notice Ajak coming over with two small plates.

"Thanks," Gil smiled at the petite woman, obviously familiar with her.

"Thank you," Thena added, keeping her eyes on the woman who only smiled and waved in response. Ajak knew her, Thena was aware, but Gil had been determined that they could meet formally when Thena felt more ready to reintroduce those parts of their life to herself.

"This is called a petit four, just a small cake," he chuckled, turning his own plate so she could admire the little dessert from all sides. "It's pretty old school, but you asked me about it when I pointed it out to you. I bought one so you could sample it, even though you told me not to."

Thena eyed the little dessert. It seemed to be vanilla, small and glazed completely white. There was something on the top of it.

"I add just a little sea salt to mine. Call it a secret ingredient."

It was just a hint of salt, but it sank into the sweetness immediately. Just like on that day five years ago, she had tasted the saltiness of the ocean air around them as she took a bite. She could remember the wind on her skin, and how warm Gil's hand was in contrast. The smell of the little shop and the breeze around them, and Gil's cologne wafting gently over to her.

Thena whipped her head up at him. He blinked at her sudden movement but didn't say anything. He was trying to read the expression on her face.

She didn't have any other memories of it. Just that one moment had jumped out at her as she had tasted that same taste--perhaps an improvement upon it. She could remember Gil's smile as she had told him that she liked it.

"You promised."

"Hm?"

She blinked, trying not to cry over a silly little cake. "You promised you would make me one sometime. I told you I expected it to be better, since you were indeed, 'the expert'."

Gil teared up immediately. Of course he did, the gentle hearted giant. "Y-You-"

She looked down at her cake again, the pressure immediately mounting. "It's just that one moment. I can't remember past that. But-"

Thena startled as he launched from his seat across the tiny cafe table from her. He caught her lips at a funny angle, but they both tasted like chocolate and vanilla and sea salt. Her eyes fluttered.

"Sorry," he chuckled, offering a sheepish grin as he seated himself, ignoring the worried glances of other bakery patrons. "Couldn't help myself."

"Hm," she pursed her lips faintly, and he returned to his cake, unable to keep himself from staring at her. She dabbed at her lips, resisting the urge to fan herself. She still had her coat on, but it felt far too hot now in their little corner by the window. "Whatever happened to asking?"

"You told me I didn't have to ask."

[august-slips-away]

“I’m a pretty happy-go-lucky guy,” Mike says, staring at Will’s apartment ceiling. Will tactfully doesn’t say anything, but— “Why are you laughing? I literally swear it.”

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[heliomanteia]

I actually like how Epic did Calypso.

It did not shy away from her dangerous/forceful nature in the previous saga and in this one she's just deeply non-sympathetic while compelling. Her vocals are overpowering Odysseus, she's overtaking the narrative. She shouldn't be but she is, and it fits her mythical character.

Not Sorry for Loving You is such a backwards "apology" and I love it because it fits Calypso perfectly. It's weird to say but I'm actually glad they didn't shy away from correctly portraying a character that never "learned to be better" in the original source.

Like, this is a Goddess, not a human. She does not have human morality, she is wrong for what she did to Odysseus. Her emotions are selfish, she's incapable of understanding that she hurt this mortal. She's convinced she's the one hurt and the world is unfair, and that's unreliable narration but it's so good.

Calypso I hate you and I love you.

[oobbbear]

I want to post this here too because I’ve seen it happen a few times

Please understand that there are cultural differences and language differences, if you see this happening let the person clarify what they meant, that person might just not be familiar with words the western side of the internet use

[silentsockfeet]

the fact that the vi vs jinx fight was foretold from the beginning. the fact that the opening credits ends with their fight immortalized in stone, so that every episode you watch is a reminder of the immutable truth of it. the fact that every moment is building to this, that the show will culminate in this. this was always going to happen, they told us this from the beginning, and nothing anyone could do will ever change that.

[mythicalcoolkid]

You don't wish your disability was worse or more visible, you wish your disability was taken seriously. Please stop confusing the two, I guarantee you would not get the support you need JUST by being more severe or more visible. Please listen to visibly disabled people when we tell you it isn't better on our side

[flowerytale]

Jane Austen, from Sense and Sensibility

[inkskinned]

i love when words fit right. seize was always supposed to be that word, and so was jester. tuesday isn't quite right but thursday should be thursday, that's a good word for it. daisy has the perfect shape to it, almost like you're laughing when you say it; and tulip is correct most of the time. while keynote is fun to say, it's super wrong - i think they have to change the label for that one. but fox is spot-on.

most words are just, like, good enough, even if what they are describing is lovely. the night sky is a fine term for it but it isn't perfect the way november is the correct term for that month.

it's not just in english because in spanish the phrase eso si que es is correct, it should be that. sometimes other languages are also better than the english words, like how blue is sloped too far downwards but azul is perfect and hangs in the air like glitter. while butterfly is sweet, i think probably papillion is more correct, although for some butterflies féileacán is much better. year is fine but bliain is better. sometimes multiple languages got it right though, like how jueves and Πέμπτη are also the right names for thursday. maybe we as a species are just really good at naming thursdays.

and if we were really bored and had a moment and a picnic to split we could all sit down for a moment and sort out all the words that exist and find all the perfect words in every language. i would show you that while i like the word tree (it makes you smile to say it), i think arbor is correct. you could teach me from your language what words fit the right way, and that would be very exciting (exciting is not correct, it's just fine).

i think probably this is what was happening at the tower of babel, before the languages all got shifted across the world and smudged by the hand of god. by the way, hand isn't quite right, but i do like that the word god is only 3 letters, and that it is shaped like it is reflecting into itself, and that it kind of makes your mouth move into an echoing chapel when you cluck it. but the word god could also fit really well with a coathanger, and i can't explain that. i think donut has (weirdly) the same shape as a toothbrush, but we really got bagel right and i am really grateful for that.

grateful is close, but not like thunder. hopefully one day i am going to figure out how to shape the way i love my friends into a little ceramic (ceramic is very good, almost perfect) pot and when they hold it they can feel the weight of my care for them. they can put a plant in there. maybe a daisy.

[awzominator]

Day 13 Scars

the amount of effort I had to put into these and they still don’t look how I want is frustrating but alas time is not on my side

ramblings under the cut

Mikey: Gave Mikey Lichen Burns from that one time he got disintegrated and then reanimated via electricity. He died n got better and honestly it is one of the most violent injuries that I recall for him. Like he plays it off so easily cuz he has super powers and all that jazz but that’s so messed up. Also Raph yelling for him OOOFFFFF will never forget how filled w rage and hurt that dude was. He was ready to kill ❤️ Such a wild episode and I love how Mikey was so depended on in order for the plan to succeed. It was Mikey’s turn for the Self sacrificing bit and he crushed it

Leo: Get Shreddered idiot!!! The fucked up knee and throat from when he got beat up and thrown thru the window. This is def my fav event to happen which is a wild thing to say. It’s the most obvious thing to go for but I personally loved the farmhouse arc and Leo’s need for recovery. That dude is still not well and is repressing stuff but they don’t have time to heal. Their lives are too chaotic, too much is on the line, and Leo can’t afford to take the time to heal 100% none of them can tbh. I know a lot of ppl hate how 12 handled his knee injury but I loved it Bc it’s obviously not better but he’s a stubborn idiot who chooses to push everything down and out. He is the healthiest turtle for sure. I’m pretty sure in later episodes his knee gives out a few times don’t quote me tho it’s been a few years aha

Raph: His broken shell! After watching Lone Rat and Cubs and seeing where it came from, I always wondered if Splinter looks at it with loads of regret. A physical sign of his short comings that one time they almost got caught by the Kraang. A warning and a constant reminder they’ll never be safe, that splinter wont always be able to protect his babies no matter how hard he fights. I also like to HC he becomes the most hovering and overprotective of Raph while he’s still recovering Bc that shell broke so easy. Honestly seeing screen shots of close ups of Raphs shell is awesome to see both shell and plastron are broken.

Donnie: UGHHH THIS DUDEEEE !!!!! Literally had the hardest time Bc he goes thru a lot also but it’s more emotional and mental dude is fuked up in the head fr. I asked several ppl for help Bc I didn’t want to do another lichen burn thing from Karai’s trap. In the end I played around w the suggestions to see what would look most appealing to me. The scars on arm are from Slash (such a good episode thank you for the suggestion 🙌) as his arm was injured and in a sling at the end of the episode. The head scar def a big creative liberty Bc he does get injured there a lot ahah. I was thinking of Fourtrap again which lead to thinking about the time that Leo blew him up accidentally during is emo phase XD

[egophiliac]

:) hello! :D hope you have a nice day and absolutely do not think of the possibility of one of the last story cards being of silver! and that his groovy will very probably be crying!!! THERE'S SO MANY CRYING PEOPLE IN STORY CARDS LATELY!!! SPECIALLY LIGHT USERS!! I AM!!! SCARED!!!! bc so far we got Lilia and Sebek in the beginning book 7.... so at the end.... so we're missing story Silver... and Malleus is the one with less cards, so they might add one for him... but... the tears... ego.... THE TEARS!!!! EGOOOO!! (LOVE YOUR ART BTW EVERYTIME I GET A NOTIF FROM YOUR BLOG I RUN HERE TO SEE!)

(thank you! 💚💜💚)

YES I am ALSO like...90-95% convinced that we're going to be getting a story card for Silver once we wrap around back to diasomnia. 👀 especially because the way things are going, Silver will be the only character whose dream we haven't seen -- yet???? -- and that just. y'know. makes me wonder!

although I do think it would be VERY funny if he got a story card and the groovy was just "regular Silver except with one beautiful single crystal tear". this is actually a lot coming from him.

(he used up all his emotion yelling at a baby that one time, there's none left for a proper groovy-level cry.)

[gossippool]

hi welcome back to leanne rewatches deadpool & wolverine and goes insane about every single detail in this movie. in this edition: how logan's clothes reflect the trajectory of his character

1. the suit—inside

so we start off with the scene in the bar where logan appears to be wearing what we're used to seeing him wear. flannels, leather jackets. his outfit and even the setting is not at all unfamiliar for him. but, as we later find out, he was wearing the suit underneath all those layers the whole time.

during his talk with laura, he reveals that he wears the suit to remember those he'd lost, and as a reminder of what he'd done. he's had the suit on permanently for god knows how long, hidden under his clothes. at this point he bears the suit like a cross, suffering in silence under the guise of normalcy, yet sacrificing what's left of his identity by reducing himself to what the suit represents; by taking all the jabs and nasty looks people throw at him that he thinks he's too deserving of to combat.

2. the suit—outside

after wade pulls him out, he has the suit on display for quite a while. on one hand, it shows the fight that's in him now as a contrast to his passivity in his own world. on the other hand, it's also a sort of vulnerability: what that suit stands for and by extension what he himself is is now laid bare to the world. out in the open for people to question. maybe that fight that's in him now stems precisely from this vulnerability.

this vulnerability is both good and bad for him: it causes him to lash out at the questions from wade that he's not ready to answer. it also leads him to open up to laura and finally speak about what happened—who knows if he's ever said any of it out loud before. fun! even with just the suit, we're already seeing some development.

and THIS is where it gets interesting.

3. the white shirt—his mind

the first time we truly see him without the suit is when cassandra nova looks into his mind. i've been going back and forth on whether this is logan's own manifestation of himself or if it's cassandra's, and i still don't know. i think the distinction does matter, but in the end what it conveys is the same.

firstly, another layer of vulnerability again. he's already on his knees for cassandra, submissive—now in his mind he's also stripped as bare as he can be (i think we all know white shirts can sometimes leave little to the imagination). cassandra looks at him and says "you're hiding ... from all the ones you let down." how interesting is that?? if we go all the way back to the first scene, he hides his suit under normal clothes. and he hides this version of him in his mind even further underneath all of that.

secondly and as an extension of that point, white symbolises purity. cleanliness. even a promise of new beginnings. let's tackle this from the two possible perspectives.

if this is logan's manifestation of himself, it would be so intriguing that this is how he appears. maybe it means that despite it all, there's some good in him. maybe it means that deep, deep down, past all the shame and the guilt and the grief, there's still a part of his mind where he can just be.

on the other hand, the white could also symbolise a second chance—like i said, a promise of new beginnings. i made a post about this scene here, but the basic point is that cassandra is offering him something that no one else may ever be able to offer him. a chance to fully be himself, to silence the voices. the white is such a stunning visual representation of what she is saying logan could be if he stays with her. which makes it even more poignant that he doesn't.

4. the time ripper

after this scene, he's in the suit again, necessarily. but then! BUT THEN!!!!! the time ripper!!! y'all need to understand the significance of this scene in all its nuances FR! here you can look at his abs again:

but the thing is we know by now what the suit represents. all his failures, all his guilt, his inability to let go of his past. it represents him. isn't it just so fitting that it's at this point where he saves the fucking world that the suit breaks away. it breaks away from him. he's free. this not the same as him just taking it off, because with it breaking into pieces he literally cannot wear it anymore. this is not just a hugh jackman body appreciation, this is logan finally moving on. this is him realising that he is not a failure, that he is not his failures, that he has something else to live for.

5. him

and oh my god, we finally make it to the extremely satisfying ending. after all of that, we finally come full circle. he's in his normal clothes again, the wife beater and the flannel, except this time without anything underneath. he's no longer defined by that one incident, defined by his mistakes and the people he let down. he is just him.

[bunnnali]

maybe the term “antisemitism” seems “overused” because theres so much of it

[mmelolabelle]

Armand is someone who has been has been trained (in brothels, by Marius, and by 500+ years worth of life experience) to adapt himself to what the people around him want. Throughout seasons 1-2, different people get very different versions of Armand, depending on who they are and who’s retelling the story at the time.

It’s the primary way Armand protects himself, whether he’s a teenage sex slave or the oldest, strongest person in the room. It’s how he controls people. Fundamentally, it’s the only way Armand knows to make people love him (an approximation of love at least). Worse, it’s the only way Armand knows how to love — by twisting and contorting himself into whatever form he thinks his current obsession wants or needs him to be. He even does it to his victims for crying out loud.

And then here’s Daniel, who is constantly seeking authenticity and truth. Who’s bullshit detector is never “off”. Who cannot tolerate any kind of masquerade, manipulation or lie – no matter how kind or well intentioned. Not out of any moral or ethical objection, but because Daniel simply cannot leave things well enough alone once something attracts his attention. He has to know. He has to see where it goes and how it ends.

“It’s my job, I’m built this way”

“It’s in your nature, Mr Molloy. Couldn’t get out the door without lobbing one more bomb.”

Daniel knew something was off about “Rashid” from the beginning, so he began to pick the situation in Dubai apart until Armand revealed himself. And then he kept going until he completely destroyed the narrative Armand had spent 77 years constructing.

Daniel deliberately and systematically pulled “Armand, Amadeo, Arun” apart and laid him bare with nothing but but a laptop, some free time, a near-suicidal disregard for his own personal safety and a mouth that just wouldn’t quit.

There’s power in being seen, in being known, ugly parts and all. What would it feel like, to be completely exposed like that for the first time in centuries?

So yeah it makes sense to me that Armand, who puts on all these acts and artifices to draw people in, but which only serve to ensure they’re kept at a distance, would turn his big sad orange eyes on the person who blew them all to smithereens and be all “…I wanna do this forever, actually.”

[gayeddieagenda]

eddie diaz is such a special kind of tragedy for real... picture this. you're fourteen. if you were gay, it would ruin your life. but you're not gay. you meet a girl you like. you make it thru high school. you're seventeen and the girl you like goes to prom with you. things are going great. you're 19 (20? older?) and she's pregnant. okay, that's fine. you can figure it out. you're getting married. you're leaving the country in a uniform. it's fine. if you'd been gay when you were fourteen, it would've ruined your life. that's still true. if your life isn't going so hot right now either, well, that's fine. it's no big deal. so you go to war. you have a kid. you call your wife, sometimes. you come up with plans to deal with it all. you go back to the army. you get shot; you go home. your wife leaves. the plans are not going how you expected. that's okay too; you can make new plans. your life isn't ruined, not yet. you go to los angeles; you find a family bigger than just you and your kid. you start over, not once but again and again. the old traumas play again: shannon leaves. you get shot. your son is here; your son is gone. when you were fourteen, it would've ruined your life. you like your life. it's come close to being ruined a few times now, but you've made it through. you're happy. right? you have everything you need.

picture this: you're fourteen. your life would be ruined if you were gay. you've never been so sure of anything in your life. how much of your life has been built because of the things you were sure of when you were fourteen? you're not fourteen anymore. the things you were scared of back then, you keep looking for them and you aren't finding them. what are you still scared of? you're not fourteen, eddie. what are you scared of?