#in a both good and bad way

[gensnix]

Hey zelda fandom 

do any of you have headcanons that only you seem to have? I’d love to here them 

One of my favorite headcanons that i have is that Skull kid was born a gerudo male along side Ganondorf unfortunately for Skull kid the gerudo chose Ganondork instead of him since they were afraid of the strange anomaly that was 2 gerudo men being born at the same time and thought it would bring tragedy to them 

[bluerosefox]

Once again. A new DPxDC idea/prompt.

(Deaged! Danny, Dan, Ellie, and Jazz!)

Enjoy my random ideas.

Look.

Selina....

Selina wasn't expecting this when she decided to have some fun and do what she does best.

She just meant to sweet talk her way into Master's gala/party. Flirt and get info, maybe some blackmail. Steal away the rare cat themed artifact he had recently gotten (and also steal away his actual cat, such a lovely little diva it is too). then she was going to disappear into the night like always.

So...

Selina casted her eyes into the mirror of her car and could see the tiny children she had rescued from Master's hidden basement lab. All but one was asleep, the oldest out of them, although she seemed to be losing that fight from the way her head was falling forward, eyes closing but would jerk herself back awake when she realized she was falling asleep.

Curled up as hard and as much as they could towards the little redhead was three dark haired children, Selina mused that they'd fit right in with Bruce and his little bats/birds.

Two were near identical boys, though one seemed to be much paler than the other and if she remembered right one had red eyes and the other had blue, and the last one of the sleeping kids was a tiny toddler, a girl she heard was named 'Ellie' from the others.

Selina took note that the red head, Jazz, had finally fallen asleep a few minutes later. With a deep breath as she drove further and further away from that... that insane Fruitloop (she overheard the two boys call him that as they ran to her car) Master's place, she blindly reached for her phone and pressed a single digit on the screen, knowing it will connect to her car and call up the only person she can trust to help her with this.

"Selina." came the gravely voice after a single ring, sounds like she caught him on patrol but he seemed to be in a spot where he was okay to say her actual name over coms or she caught him before his night shift started.

"Hello Darling, I need your help with some kittens I found and to help me... Put away their terrible old owner."

[etrevil]

these motherfuckers are just one-upping each other every chance they get, even striking the same pose 😭

[starry-bi-sky]

Out of Context Stuff for a Danyal Al Ghul au i haven't posted - Pit Beast Danyal

Damian, 13: Look, Danyal, -- I am so sorry for everything that happened between us in the League, I hope you can forgive me.

Danny, 10 (allegedly): (has been secretly plotting to murder Damian this whole time, is still gonna do it obvs, but is going to make it significantly less painful now)

Danny: I-- of course, older brother. :]

--------

Bruce: what do you have there, Damian?

Damian:

Danny: (a hulking 10ft pit beast standing beside him, growling idly with ram horns gouging out his eyes and a second set of horns jutting into the air, spines down his back, and a long, spiked tail with an animalistic, skull-like face)

Damian, who smuggled him in (they've made amends): a smoothie, father

----------

Damian: this is my little brother Danyal, i murdered him when he was five. He festered in rage for the last half-a decade, took over a League mountain base in Switzerland, murdered everyone inside and then tried to murder me when I went to investigate with Drake.

Danny: hello!

Damian: we're cool now

----------

Damian: thoughts on resurrection

Danny, (a full ghost): i will succeed in murdering you if you try it

Damian: we'll put a pin in it then

----------

Danny (still instilled with League values): why don't we just murder him??

Damian, on patrol (Danny followed him): we don't murder people, Danyal

Danyal:,,,,are you sick, Dami?? Have you been possessed? Why not!?

(There is raucous laughing through the comms)

----------

Danny, five, pre-death: Dami! :D

Danny, dead, vengeful: Older brother (:

Danny, post-forgiveness: Dami! :]

-------

For some actual context: Danny is fully dead in this au, its a result of the classic DPxDC Demon Twins "death duel" trope but instead of Danny getting revived, he stays fully dead. Danny was five, Damian was seven. His ghost lingered though, and due to the proximity of the pits his ghost steadily absorbed the ambient energy it was letting off. The pits are not corrupted ectoplasm in this au, it's just liquid ecto.

Which means Danny's corruption from an angry and hurt little ghost boy to an unrecognizable monster is from his own doing. It's a result of him stewing in his hurt and anger for years, it physically warped him. He's very powerful. Danny can travel between League Bases but chose a small, out-of-the-way base in the Swiss mountains to fester in and then just. Never Left.

His influence steeped into the very foundations of the building, allowing him to transform and warp the rooms and hallways for his own bidding, Meaning he could turn it into a seemingly unending labyrinth if he so wished to, and block the entrance.

Eventually, blinded (both metaphorically and physically) by his own rage, Danny grew powerful enough to appear physically in the living realm and attacked everyone in the base, slaughtering them all and leaving the base abandoned. He attacks anyone who dares enter -- whether that be other league members, or the unfortunate hiker who stumbled across the base. His conscious is steeped into every nook and cranny of the building, there is nowhere you can hide where he can't find. Nobody leaves without his explicit say so. Nobody ever does.

Him appearing as ten years old before Damian in the skits above is his own physical doing. First it was to prevent Damian from being suspicious of him. Damian initially thought Danny was revived with the pits, he was too busy with his own training afterwards to notice that Danny never showed up again, and when he did notice, he assumed it was because Danny was too ashamed of his loss to face him. He'd always forget to ask about him.

Then it becomes a personal choice to appear as ten. It's how old he would've been had he been alive.

danny forgiving Damian is kinda for an offshoot branch of the main au. Whereas the main au takes the form of a ps4 first person horror game where Damian and Tim are investigating the Base for Plot Reasons. There's no sign of the rumored "monster" living inside until the end, where Danny, who was found inside the Base and has been happily "helping" them look around, manages to persuade Damian into splitting off from Tim in order to "show him something."

This something turns out to be Danny revealing that he never really forgave Damian for that fight, and he reveals through a horrifying transformation, that he was the monster the whole time. Which the game subtly hints at throughout as Danny's strange behavior becomes harder to ignore.

First from his insistence to only refer to Damian as "older brother" (when before the duel he always called him Damian or Dami), to him right off the bat denying the existence of a monster when questioned. ("There's no monster here, older brother. It's just me.") To other various things, like his knowledge of the outside world not matching up to modern times or things going on with the league outside of the base, or what happened to the other league members.

This whole idea was inspired by the song "Scylla" from Epic the Musical, with Danyal being the voice of Scylla as well as Odysseus, while Damian stands as Eurylochus. The instrumentals after Scylla says "hello" is him turning into the pit beast, and Scylla's "drown in your sorrow and fears" part is danny, as the pit beast, snarling at Damian while he attacks him.

There's a Good Ending, a Bad Ending, and a True Ending. The Bad Ending results in Damian being killed by Danny, it happens when Damian decides not to question or suspect Danny and treats him kindly. The Bad Ending is a cutscene, where Danny kills Damian quick and painlessly.

Meanwhile the Good Ending is Damian killing Danny. This is a boss fight, and it happens when Damian treats Danny coldly and suspiciously the whole time. Danny as a result, decides to make Damian's death painful as he had planned to, which is why it's a boss fight because it only causes him to double down on his anger.

The True Ending is Damian escapes with Tim. It happens when you treat Danny warmly up until the last minute, where when Danny proposes to Damian that he wants to show him something, Damian goes to talk to Tim and finally, reluctantly agrees that something is off with Danny, and that he'll be careful going in. It starts off with the boss fight until a third through, where it then changes to a cutscene where Tim manages to get the door open and Damian escapes out. It's then a chase scene down a never-ending hallway as the building actively works to keep you trapped inside. But you eventually make it to the exit so long as you avoid all the projectiles and doors.

Remember when I mentioned that Danny only lets people leave when he wants them to? That's where the treating Danny kindly throughout the game comes into play. It causes him to second guess himself and, eventually, reawaken and strengthen the love and admiration he had for Damian prior to his murder. It's why in the Bad Ending he kills Damian quickly -- because by then, he loves him enough that he doesn't want him to suffer, but is still so consumed by his rage and need for vengeance that he kills him anyways. That quiet part is what allows Damian (and Tim) to find the exit, because some part of Danny still loves Damian enough that he wants him to live.

The True Ending ends with a cutscene of Damian and Tim tumbling out into the snow/grass outside of the base. Damian looks up back to the entrance to see Danny standing there. But rather than a ten year old boy, there's a little five year old Danyal Al Ghul instead. He stares at Damian emotionlessly, blood seeping from his chest, staining his clothes, and little, bloody sword in his hands and tearstains on his cheeks, before he turns away and disappears back into the building.

[clouvu]

Save me french yuri... Save me

[turtleblogatlast]

I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.

[blorbocedes]

live britney react from Abu Dhabi 2021 pre-race interview

[gomzdrawfr]

bro what was I on holy shit

[oc rambles - call of the ring au]

Thoughts are all over the place but this idea sprung to me from the concept in Tolkien lore where elf are immortals, but can die from several aspects (oh yeah angst ahead but with a sweet ending I promise)

One is violent physical harm, the other is grief, and the third one (which is not technically death) is fading where their body becomes less connected to the world

[I have done zero research and the following are made up other than the canon lotr lore + not proof read grammar and english are terrible + I am live writing this]

But you know how Gandalf died in lotr?? Im thinking about that and how Raven felt it

— her body shook uncontrollably as she staggers and falls to the floor, it was as if the very axis of her balance were off and her world was spinning, heavy and tight was her chest—

“Mithrandir”, she whispered out harshly, clutching her chest, it twisted and turned, a sickening feeling bubbling up from within— it claws against her rib cage, like a beast wallowing in pain and sorrow, escaping her lips as she lets out a shriek, tears streaming down her skin

“No, it can’t…i-it cannot be—he promised!“

Something something Raven gets hits with such immense grief and mourn for Price, and slowly starting fading

[making this up once again]

Raven who spent her days and night in her chambers, stood as still as a statue under the moonlight, closing her eyes as she wondered to the stars above

Those who dwindles and seek solace in a far away place often leave pieces of their souls there

Lingers in the night sky, around stars and clouds, doesn’t want to go back— to the empty room, to face the silence, the heartbreak

The fair elf lost its once witty remarks, moving along the scrolls and the great halls with no aim, fair skin as white and bright as the snow darkened to a pale, dull complexion

“Loss is so loud,” she weeps quietly, holding a shiny jewel in her palm, “I had so much I’ve yet to tell you” the Froststar glimmer between her fingers, yet it only seemed to mock her misery “should’ve given it to you, maybe it would’ve helped, but you’re ever the stubborn wizard…” The pendant shines brighter, damp and slippery, “now I tell my secrets to the stars, in hopes it may reach you”

((Froststar is just Evenstar but in ref to her name, Eira which meant snow))

Just as the days only grew impeccably longer, something changed for once. It’s the ache again, around her chest, but it wasn’t suffocating, nor was it crushing—

It’s faint, like a flutter of a moth

She gasped out, holding the pendant tightly, “Price”

Stumbles out her bed, rushed straight to Lady Laswell (Elrond), begged and asked about anything and everything, and got a confirmation that the Grey Wizard, might have returned after all

((Rejoice! She’s not going to insane after all!!!))

The exhaustion finally catching up on her as she falls into a deep slumber that night, and she doesn’t thread through the night clouds in search for stars no…

He came to her, and suddenly, she was reminded of the words from Laswell

“We do not know if he truly is back…he may return a different being, thread carefully, Raven”

Froze on the dark chasm of her dream, she stayed rooted at where she stood, and she sees it

He does look different— white, his robes and staff are white, his beard is white (and oddly rather soft looking)

Has he ascended? Or is this merely a figment of what her exhausted bird brain has conjured up as a cruel joke? He looks the same actually beside the whole white look— what’s with the get up? Isn’t Saruman the White Wizard? Wait— did he took his place—

“Eirwen”

That pulls her out of her mind, and she released a breath she didn’t know she was holding, and trembled slightly

“Mǐrathra…”

She whispers back, tearing up immediately, watching as the familiar figure strides forward, those blue eyes who she has longed to see— yet felt so different—

“Gwael nǐn…you’ve gotten thinner…”

She sniffles, sobbing a bit

“Y-you’re not real”

“But I am, I’ve come to see you…”

“Y-you— I felt it—“

“Yes…yes I was”

Price reaches forward, brushing his knuckles on her cheeks, it felt ghostly, like a wind, but it always felt warm

He was always warm

“Im sorry, meleth nǐn, you’ve suffered a lot from me…”

“N-no…i-it’s fine— I…are you back…i-is your—“ she gestured his white robes and all “what…?” Myriad of questions, yet words failed her

Price laughs quietly, gruff yet fondly, staring at her with those crinkles around the corner of his eyes

“You need not think about those…” leans forward and presses his ghostly palm over her chest, and for a moment she felt it, the warmth seeping into her cold, frail body

“I will see you soon, so please…” his palm wafts through her chest, as if he was reaching out for her and held it dearly

“Keep that heart beating for me”

—she wakes up with her face wet once more, but not with an empty, void in her chest, as her heart beats once more

((Eirwen is her Sindarin name, literally it means white snow, Mǐrathra meant jewel, theres no direct translation for Price so this will do))

((Gwaleth nǐn: my bird, meleth nǐn: my love))

Anyhoo that’s basically the gist of it HDJFJSHS sorry if its messy as hell and the format’s weird, but yeah Raven nearly dying and fading from grief but Price returns and yippiieeee

[poorly-drawn-mdzs]

Bare skin, bare feelings.

[First] Prev <–-> Next

[fernhelm]

jegulus is more fun for me when james is at least a little bit of the cocky asshole he is in canon. i think him being a tad mean-spirited would make him much more relatable to regulus. he’s a prankster! he’s puck! i think he trusts his own interpretations of how others feel more than their own words. he’s a hopeless romantic and he’s writing a script for the love confession before the convo even happens. so good thing regulus is a grade-A bullshit detector and can knock james off balance in an instant. he’s goofy and charming but he will also push and push until he gets what he wants from you. and this would of course work on regulus (attention starved), but i truly believe it would piss lily off soooo bad. there is an element of performance to his behavior. he is always doing it for the studio audience. he’s throwing out cliché lines like he’s a romcom lead. he knows he’s hot. he does that thing where he lifts his shirt up to wipe his forehead and show off his abs. it’s the guy you want to hate but also begrudgingly respect in high school, and then could actually become friends with once you’re out. he’s a jock, yknow? that’s Sir Robin of Loxley. he’s never thinking about the power differential between him and severus, he sees himself as the knight in shining armor saving lily. insane levels of self-righteousness. this is why jegulus is the type of couple to have a big blowout fight and “go on a break” every couple of months, but ultimately be together forever. it’s what james wants— a relationship where they can break up and make up a thousand times and never doubt their love for each other. he lives for the dramaaa

[inkskinned]

for a second, you did the bad thing and bargained about it.

if it meant that you would never be numb like this again, what would you give up?

maybe it's the childhood stuff or the religious trauma or how your dad doesn't believe in medication, but this is how you are, right. you need to have a counterbalance. suffering has to have its own reward. there needs to be a point to it. and if you're happy - if you could just be happy, and the world could actually fill in enough space that the edges of your spirit actually meet the horizon of your body - you would need to pay for it.

your passions? that one seems fair, but how could you actually be happy without them. well, you'd never be numb again, so maybe you'd be able to find joy in the small things like you used to. gleeful, you'd make coffee and breakfast into an artform. you'd find a way to make it make sense, somehow. you'd move on. it'd be different, but it would be doable.

your lover? your friends? this would be hard. you owe so much to your community. still, you could maybe make yourself a small home in the woods. you could live a quiet life, one devoid of friendship - but also without this horrible grey mist. a life like bigfoot, then. you'd figure out how to make the most of it.

your hair. your teeth. all of it.

sometimes you are jealous of mental illness as it appears in media: a big stroke of a meltdown, a firestorm that resolves prettily in therapy. it is flashing lights and thin teenagers. you've absolutely had breakdowns that stole the show - but life after resolved into a pixel art of things you managed to piece together afterwards, not a tapestry of a heart made suddenly-beautiful. that people could pick up blades as if they weigh nothing, that the way it all appears is as a cry for help, not a slow backsliding.

you have to stop the thought: i'd give up everything.

but also - be real. you'd never give up your dog. nor your best friend. nor the way you feel walking while through deep fog. you'd never give up the last bonfire of summer, the reckless laughter of halloween. so you do still love things.

maybe that's the problem: you know it should be easier. you have everything you could possibly want. so how come you are still trapped? still yearning?

[necromycologist]

still thinkang about elrond half elven btw. like. your brother is mortal but you are not. your brother is a great king but he dwells far away in the middle of the ocean. your brother dies and you are still here. your brother’s line decays and sinks. they do not love you and perhaps do not even know you and still you are here. his people sink into the sea and the last queen of numenor dies gasping on seawater and the islan, wholly changed by hundreds of years, where once his feet might have touched ground, drowns forever and fully and still! you are here! fuck!

[a2zillustration]

Does croissant and gale get married in your story?

It's certainly something they plan to do!

But not just yet.

🥐 Croissant Adventures Masterpost 🥐

[thebrainrotsreal]

EVIL MARK, EVIL MARK, EVIL MARK!!! I want to be coherent about this season but please picture me foaming at the mouth and running on the walls. S2 being what if Mark's just like his Dad? Insanity. I love this show. Anyways, AU where an Evil!Mark tries to make Our!Mark worse, and Our!Mark tries to make the other better. Something something confronting your idea of the worst version of oneself. Plus, tweaked black and yellow costume because I saw it and immediately went murder hornet lookin' ass and knew I had to draw it. Evil ass Mark. Horrible. I think he should be dragged kicking and screaming into redemption.

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[liverralonee]

LMAO i love how stu is literally bleeding out and crying about the cops being killed and his parents who are gonna be mad at him but the moment he realizes sidney most likely killed his boyfriend best friend he’s like 😡😡😡

he wasn’t calm in any way but dude was crying and bleeding out and shit and he realizes billy’s probably dead and dude gets up just to kill sidney for that

he’s not even the type of person to be angry for most of act 3 he’s just excited and i guess kinda angry when he lowkey gets mad at billy but i don’t know?!?!?!??