#important as authors intent here. especially when there are so MANY writers and hands in this

[allgremlinart]

I kind of sort atla episodes into "liberal fuckery" "neutral" and "decisively NOT liberal" and I feel like its kinda slept on how the Wan Shi Tong episode fits into that last category....

[enigmaticexplorer]

Writing Advice: Third Person Point of View - The Problem with Head-Hopping

A personal pet peeve in fanfic—and even some published books, unfortunately—is an author head-hopping.

I understand that not everyone learned about writing point of view in primary school, and many fanfic writers are new to writing and might not even realize they're writing head-hopping.

So, this post is an educational means for those who are interested in learning how to improve their writing.

I'm going to give a quick overview of point of view, a breakdown of third person point of view, and how to spot head-hopping in your writing.

What Is Point of View?

Point of view (POV) is the perspective (voice) from which a story is narrated.

There are three POVs.

First person

Second person

Third person

Third Person: Limited vs. Omniscient

In third person POV, the author is narrating the story through third-person pronouns (she, he, they).

Third person POV is subdivided into two categories: third person limited and third person omniscient.

Third Person Limited

In third person limited, the narrator is an external observer who knows the thoughts and feelings of ONE character at a time.

Here's an example from R.F. Kuang's, The Poppy War, page 341:

The Cike were stretched to their limit, especially Rin. Each moment not spent on an operation was spent on patrol. And when she was off duty, she trained with Altan.

Note that this paragraph—the entire book, actually—is from Rin's POV. We have access to Rin's feelings, thoughts, and observations throughout the book, while also seeing how other characters are acting.

But we are only in Rin's head. We do not have access to the thoughts and feelings of other characters. This is third person limited POV.

Third Person Omniscient

In third person omniscient, the narrator is an all-knowing observer who has access to the thoughts, feelings, and experiences of ALL characters in the story.

Here's an example from Jane Austen's, Pride and Prejudice, page 104:

As they drove to Mr. Gardiner’s door, Jane was at a drawing-room window watching their arrival; when they entered the passage she was there to welcome them, and Elizabeth, looking earnestly in her face, was pleased to see it healthful and lovely as ever.

Notice how we have access to both Jane and Elizabeth's 1) physical locations, and 2) thoughts. Even though Elizabeth is in a carriage and Jane is inside a house, the narrator is all-knowing and can narrate both of them at the same time.

The problem I see from many fanfic writers: they attempt to write in third person omniscient when they're actually writing shoddy third person limited, constantly switching between the POVs of multiple characters.

This is called head-hopping.

Head-Hopping vs. Omniscient

Head-hopping is when an author shifts between the POVs of multiple characters without a scene break. Meaning, the author is inside Character A's head but abruptly—and randomly—shares the thoughts, feelings, and/or observations of Character B.

Here's an example:

Kathy arrived at the cafe in hopes of showing Brittany her completed sweater. It was the first time she had knitted and she was eager to share her hard work with her best friend. Brittany took one look at the sweater and cringed. She hated it, but she didn't want to hurt Kathy's feelings. She didn't know what to say.

In this example, we are inside both Kathy and Brittany's heads. Both characters have distinctive voices, and because of this, the narration of the story is inconsistent.

It's jarring to read, and pulls you out of the story.

Here's the same example written through omniscient POV:

Kathy arrived at the cafe with the intent to show Brittany her completed sweater. After hours of hard work, the opinion of her best friend was important. At Kathy's approach, Brittany observed the sweater in her friend's hand and wrinkled her nose. The sweater was hideous.

In this example, we are inside the head of the narrator. The narrator is telling the story through its voice, rather than the individual voices of Kathy and Brittany.

Remember: Omniscient means the reader is inside the NARRATOR's head, not the characters'.

The Scene Break to Denote POV Switch

Back to my definition of head-hopping: Head-hopping occurs when a writer suddenly switches POV without a scene break.

Like the first example of Kathy and Brittany—there is no scene break between their thoughts. If the author wanted to write from both Kathy and Brittany's perspective, the author would have to include a physical break to alert the reader to a switch in POV. See below:

Kathy arrived at the cafe in hopes of showing Brittany her completed sweater. It was the first time she had knitted and she was eager to share her hard work with her best friend. ~~~~~~~~~~ Brittany took one look at the sweater and cringed. She hated it, but she didn't want to hurt Kathy's feelings. She didn't know what to say.

The squiggly lines demonstrate a switch in POV, and the scene would then continue in Brittany's POV. [Please note that a single paragraph space (as seen in the first example of Kathy and Brittany) is not a scene break. It is a paragraph break, and therefore cannot be used to demonstrate a switch in POV.]

You can write multiple POVS throughout a story. These will all be in third person limited POVs.

For example, each chapter in Rick Riordan's Heroes of Olympus series is dedicated to ONE character. Throughout that chapter, the reader is inside the head—reading the thoughts, feelings, and observations—of that singular character.

Individual chapters can also have multiple POVs (again, these are third person limited POVs). These are denoted by a divider or additional paragraph space.

For example, Timothy Zahn's Thrawn switches between the POVs of multiple characters in each chapter. The switch between his characters' POV is shown by an additional paragraph space.

Why Should You Care about Head-Hopping?

If writing head-hopping makes you happy, then keep at it. It's fanfic, and most readers are so desperate for content they don't care.

But, if you're interested in improving your writing, here are a few reasons why head-hopping is problematic:

It's jarring to the reader, and takes them out of the story. Frequent head-hopping can confuse readers as they struggle to keep track of whose perspective they are currently experiencing. It disrupts the flow of the narrative and can make it challenging for readers to form a strong connection with any one character.

It makes it harder for readers to truly immerse themselves in your story. Consistent use of a single POV allows readers to immerse themselves in the story's world through the eyes of a specific character. Head-hopping disrupts this immersion by constantly pulling readers out of one character's perspective and into another's.

It hinders character development. When the narrative constantly shifts between characters, there may not be enough time or focus on any one character's growth and development.

It takes away the emotional impact of the scene. Head-hopping can prevent readers from fully empathizing with or understanding any particular character's emotions, motivations, and inner conflicts.

Even well-established authors struggle to write omniscient without head-hopping. It's a nuanced subject that can be confusing to understand and difficult to overcome.

Again, this post is simply to inform writers about third person point of view and the subtle differences between its subdivisions. It’s not an attack on fanfic writers.

[graytodd]

Hi, hello (,, ･∀･)ﾉ゛!! Just wanted to write and tell you what a joy your art is; it's absolutely gorgeous and always so lovely to see! ♡♡♡ Also, I was wondering if you have any favorite dickjay tropes or headcanons? Your dynamic of them in your art is always so appealing so I'm very 👀 !! about any thoughts you have (୨୧ ❛ᴗ❛)✧

Hi !! thanks for this message, you're my favorite writer and let's face it, the only dickjay juicy source here ~ thank you for inspiring me daily ! and thanks for appreciate my art, it really means a lot to me 🙏 I do love drawing dickjay, especially soft/cuddling tropes, trying to catch an hidden romantic/sexual tension between the lines. I try my best lol I'd say that my favorite tropes/headcanons are mainly based on the introspection into their dynamics and the misunderstanding! hate to lovers fits them so well ❤ come on, they do not 'hate' each other: Dick was an only son who finds himself to be the older brother and mentor of a little punk lol when his attraction to jaybin grows to such an extent that Dick feels like a deviant, a creep, he pushes Jay away and loses him definitely (at least he thinks that). A good one is also Dick losing it over Jay from your #monstrous!dick grayson agenda // Self-control is a characteristic of Dick's character, getting his hands dirty for Jay, beating the shit out of Joker and challenging B's authority, must mean a lot. Dick being a jealous, possessive shit! the urge to remind people he is the only one who can take care of Jay, the only one allowed to cuddle, kiss, fuck his little wing and Jay inexperienced (a virgin? maybe??) in dating, too focused on anger and revenge after returning as Red Hood to worry about sex, which was never his priority until he met Dick again, and memories and desires have resurfaced; from his huge crush on a young!Dick when baby!Jay saw him at the circus, to Dick as mentor to become Robin ❤❤❤ I refuse to think of bottom!dick, because Richard Grayson is the most experienced, cocky, sensual man Jason has ever dealt with. Jason just acts like it, flirting back with sarcasm without pushing himself too far: many are his insecurities, his desire to be loved presses as much as his fear to open up, which is why I can't imagine Jay randomly hooking up with strangers, especially women !! I like to think hookers as those who Jay occasionally chat with, to feel some 'motherly affection' he never had as a child. Yes, I am dramatic af. I've many other tropes I love about dickjay, like age gap !! Jay is a baby ;w: and must be protected and pampered by proud daddy!Dick hu-hu and there's also something about Dick's perfectionism and the pressure to achieve those too-high-standards he set for himself to become 'the hero' that fascinates me! maybe his failed relationships are also due to his fear of being judged, seen as who he is, as a man who considers sexual chemistry too important in a relationship. But Jay is free from these imposed constraints, free to be and Dick admires him for this (and wants to be free, like with him huhu) I went on a bit too long, maybe lol I'm not a good writer but I hope I was able to explain my intentions whenever I draw dickjay ❤

[bitethedevil]

What are you thoughts on fanfiction vs real literature?

My dear Anon, you are going to make me yap for forever with this question. I find that such an interesting question as someone who is both an English major and a fanfiction writer.

What is literature?

Literature is often defined as “written works”, often with the addition of “especially those considered of superior or lasting artistic merit” or something to that effect, though the keyword here is “considered”. The idea that there is ‘good’ literature and ‘bad’ literature is utter bullshit.

We are force-fed the idea that there is such a thing from we start in the school system, and it is true that some old hat somewhere has decided that Shakespeare is the epitome of what is considered ‘good literature’ (I love Shakespeare by the way, but this is just a classic example).

It’s the same with any kind of art:

If I draw a stick figure and go hand it in to a museum, they might be like “what the fuck?”. However, maybe more people look at my stick figure. Maybe they have deemed that I am actually pretty good at drawing stick figures, and that it seems like I’ve had some kind of intent behind them. They might decide that my stick figure is actually a great metaphor for whatever current world problem there is, or that it resonates with them in some way. Boom. It’s modern art. It’s ‘good’ art because a lot of people have pointed at it and said “oh that’s awesome. I like it and I get it”.

A lot of people have pointed at Shakespeare’s works and said “I like that. He seems good at that. That’s the best”.  So, we can conclude that what is considered ‘good’ literature has more to do with the reader-response than it actually does with the writer. That’s not to say that’s the writer is not important though, because the skill of the writer obviously plays a role as well.

Humans are social animals above all, so we are also easily influenced by what others deem good and bad. You personally might have read a lot of literature that your former teachers have said was the greatest pieces of literature of our time, and personally thought that it was a bit shit. Though you might still bring up the author’s name if someone asked you to name some of the greatest authors of all time.

What is fanfiction?

There’s a couple of different definitions:

“stories written about TV, film, or book characters by their fans” (Cambridge Dictionary)

or even simpler:

“a story written by a fan” (Merriam-Webster)

Some also claim that it has to be published by an amateur author, or that it has to be published on the internet, but we’ll keep it simple here and just use the two definitions above.

So many people have pointed at fanfiction and went “lol cringe” so it is considered ‘bad’ literature. If it is even considered literature at all. Though we know they are written works, so they are, by definition, ‘literature’.

It is quite unfair to think this way about fanfiction. YA and children’s lit has gotten the same treatment in the past, and it’s only pretty recently that academics have started treating those with the respect and regard they deserve.

YA and children’s literature are obviously written for a particular audience: young adults and children. For that reason, it means that they can’t have the same timeless and universal messages as those classics that your old English teacher loved to harp on about (which is complete BS) and for that reason they are seen as unimportant and uninteresting.

Let’s be honest here as well: when a lot of people think about the concept of fanfiction, they think about media such as Twilight, Harry Potter, One Direction, and so on. What do these have in common? They are usually targeted towards a younger audience, and it is the same weird discrimination against YA and children’s lit that causes the hate for fanfiction, I am completely sure of it.

However, we know that fanfiction does not have to be based on YA or children’s lit. There’s a whole variety of adult media that has fanfiction too. Though there still is that weird narrowminded idea of what it actually is, because we have all heard about the ‘My Immortal’ Harry Potter fic and the ones where all the One Direction boys have one big sexy orgy with each other (or whatever, I was never a Directioner).

Literally all the art ever made has been based off something else. We make what we consume. Ever read or seen media that is heavily influenced by the Bible? Fanfiction. It’s media that uses the same characters and plots from another popular work. Even Shakespeare yoinked most of his stories from ones that already existed. Even the classic ‘Romeo and Juliet’ was taken from a story called ‘The Tragical History of Romeus and Juliet’ by Arthur Brooke. Our boy barely even bothered to change their names. That’s Fanfiction™ babey.

“But, but, but, those stories were real stories. They weren’t just smut.” Come here, my fictive question-asker. Take my hand and listen: the presence of sexual themes and smut should not make you devalue any piece of media, you weird little puritan.

If that was the case, is Shakespeare’s works of less value because the guy loved his dirty jokes? Is Bram Stoker’s Dracula then shit? Because my god…any piece of vampire and werewolf media, is inherently horny as fuck. That stuff was the AO3 smut tag for Victorian housewives. Lots of classics are horny as hell, we just sort of ignore it because “oh well, they’re classics”.

In conclusion of this long-ass rant

Fanfiction is real literature in my opinion. It gets discredited because it is often written for a very specific audience, just like some other unfortunate genres, and it really isn’t fair. It also gets discredited because most people have a very narrow idea of what it actually is.

I’ll even go as far and to say that fanfiction in some ways is a more beautiful concept than what is widely considered as “real literature”. Fanfiction is often not written for a monetary gain. It is not made to be publishable. There are probably thousands of beautiful, genre-breaking, amazing books that will never see the light of day because some publishers have looked at it and thought “this won’t sell”.  

That’s not the case with fanfiction. It’s a genre that is written because people really felt like they wanted to share something, and I honestly think that is an incredibly beautiful concept in this hopeless world where literally everything is about money. Thank you, as always, for coming to my TedTalk.

(Thank you so much for this simple and yet insanely interesting question <3)

[oldtvandcomics]

Happy Queer Media Monday!

Today: Supernatural (2005 - 2020)

Oh dear. Here we go. Happy (belated) November 5th everyone!

(The infamous love confession that has become a meme used to talk about important news by having Dean reply with what happened. Put on a white background to avoid jumpscaring people.)

Supernatural is an US American TV show that aired on the network CW from 2005 to 2020. The story, originally spanning five seasons, tells the story of two brothers, Sam and Dean Winchester, whose single father specialized in hunting supernatural beings after their mother was killed in a mysterious incident. After the disappearance of their father, Sam and Dean take over the “family business”, and get quickly dragged into the beginnings of the Apocalypse.

Things… Got somewhat out of hand after this.

The first thing worth mentioning: Supernatural has always been rather meta. During those early seasons, there were episodes between the ones very important to the plot where the show just would poke fun of different aspects of the horror genre. In season 4, they revealed that the story of the show exists in-universe as a book series, with its own fandom. In the last few seasons, they leaned even more into the meta, by having the characters fight the author of said books, who turned out to be also God, for their right of self-determination.

Fandoms being fandoms, and Supernatural, due to its focus being on two brothers traveling from place to place lacking female characters, the main ship for the first few seasons was the one where people were shipping Sam and Dean together, a thing the show itself comments on with the in-universe book fandom. This changed when season 4 introduced a new character, the angel Castiel (nicknamed “Cas”), who quickly became an ally of the brothers and formed an especially deep connection with Dean. The Dean/Castiel ship, or “Destiel” quickly became very popular with the fans.

In the late 2000’s and the early 2010’s, queer representation was still rather rare, and much of it was happening in subtext. Many people latched on to Supernatural, as the shipping aspect was compelling and it actually did feature some queer side characters in more or less important roles. The Supernatural fandom became very prominent on, among other early social media platforms, Tumblr, where people for a while enjoyed themselves imagining a crossover AU between Supernatural, Doctor Who and BBC’s Sherlock - the infamous SuperWhoLock that said people remember with a very vivid mix of emotions.

Due to its popularity, Supernatural kept getting renewed. The writers therefore had to keep coming up with new plots, and so they expanded the Heaven and Hell aspect of their world with, among others, Purgatory, power struggles within both Heaven and Hell, a special place where angels go after their death named “The Empty”, and finally having everyone fight God. While the core of the story remained the same - two brothers travelling through the US and fighting demons - other side characters were added from time to time, and usually killed off eventually. Many of them were, in one way or another, queer. But what really kept the fans engaged was the dynamic between Dean and Cas. It didn’t really go anywhere, making Supernatural in the eyes of many a posterchild of queerbaiting (pretending to include queer content for the sake of attracting audiences, with no intention of following through).

The show ended in 2020 after 15 seasons. The third-to-last episode ends with Castiel confessing his love for Dean and being taken to the Empty as a direct consequence. He is not seen and barely mentioned after that, and Dean is so shocked that he doesn’t get to properly react.

This resulted in mass hysteria among fans, former fans, and people who had been exposed to Supernatural and Destiel by proxy. Tumblr crashed. The episode got mixed together with the other trending topic of the ongoing US elections. Supernatural trended higher than the elections. People were making memes about it, and started to call the Empty “gay super hell”. The emotion of it is difficult to describe to those who haven’t witnessed it with the context of many years of Dean and Cas being firmly kept subtext. This event in fandom history has become known simply as “Nov 5th”. We still celebrate its anniversary on Tumblr. Destiel became firmly linked to current events, and people started to edit the love confession in a way that Cas says “I love you” and Dean replies with the current news. 

An imperfect rendition, but YouTuber ColeyDoesThings’ video might give you an idea what the emotional turmoil was like after the love confession. If you want more about the mess around the finale and the things that came after, please go ask somebody else. It is a VERY long and complex story, and I’m neither able nor willing to try and sum it up coherently. If you want to know about the various spin-off series of Supernatural, this article will give you a place to start. I would also like to recommend Tumblr user @whyissupernaturaltrending who, every time that Supernatural trends, explains what TF happened this time.

Queer Media Monday is an action I started to talk about some important and/or interesting parts of our queer heritage, that people, especially young people who are only just beginning to discover the wealth of stories out there, should be aware of. Please feel free to join in on the fun and make your own posts about things you personally find important!

[yumiyumeuniverse]

I agree with a lot of these points in regards to leaving concrit comments VS comments made in good faith/done as a means to show you liked something in a story, but one thing I'd also like to bring up that I've seen a rise of in recent years is that there are some people who don't know the difference between leaving concrit comments and hate/flame comments.

In other words, when it comes to leaving concrit comments, there HAS to be some sort of structure to the comment otherwise it's not constructive in the sense you're trying to help the author improve their writing, it just comes across as mean or petty (even if that wasn't the commenter's original intention).

For example, using the 1st person shown replying to OP on this post, lets say I wrote a fic about characters going to a concert - in said fic, I took the time to describe characters' outfits, what they ate at the concert, how they got there, etc. and received 2 comments: "I really like how you portray the characters XYZ, and my favorite part was ###, keep up the good work!" VS "Although I didn't like how you dragged the ending out towards the end, this was still a good story."

With the first comment, it's made clear that not only did the reader like the story, but they also took the time to describe certain aspects of it they either enjoyed or found interesting, things which are typically included in possible comments one can leave that come across as positive feedback: I as the author see this comment, and understand I was able to keep the reader engaged/entertained, as well as that the reader enjoyed certain points or parts of the story, leading me to come to the conclusion that they overall like my work.

On the other hand, when it comes to the second comment, while many people may not make a big deal out of it given in the end the reader states they still thought the story was good, leaving comments like this can be interpreted as passive aggressive at best, and can be disappointing to see as a writer (especially when you're just starting out) because there's no structure here to give anything to improve. In other words, these types of comments are often claiming to be concrit, but because they offer no actual advice/suggestions to help the author construct a better story, they then are left as simply 'critcism,' and in regards to writing fanfic, it's not surprising many people don't want to just be criticized in their inbox when they didn't ask for it and are writing for free.

As such, when seeing these kinds of comments, I try to get back into the mindset I had when proofreading papers for myself and others in college and, giving the commenter the chance to change (provided they aren't being overly rude, mind you) would personally suggest amending their statement so it's not so - well - critical: in this case, "Although I didn't like how you dragged the ending out towards the end, this was still a good story." could be reworded to "While I think this story is good, I think towards the end a few paragraphs sounded a bit repetitive and this messed up the flow of the story for me as a reader. Your writing style is great, but in the future, perhaps you could maybe go over your draft a few times to cut out unnecessary details or even cut a few paragraphs for the sake of the story's pace."

Doing simple things like changing your wording and how you speak can mean a world of difference - now this comment, again which could come off as passive aggressive or as just plain critical has now actually been given structure to offer advice for the author to actually improve while still being polite in letting them know the reader enjoyed the story.

As such, with all of this in mind, it's important to remember that NOT ALL writers want nor ask for concrit to begin with as previously mentioned on this post, so please keep this in mind before commenting on your favorite works regardless of what website you read your fics on! Additionally, there's a fine line, as demonstrated above, between what constituents being critical and opinionated VS offering advice while showing what mistake was made or suggesting how something could've been improved in a future story, and if an author doesn't ask for feedback, try to keep it to yourself and try to be a positive influence instead via letting them know how special their work is to you!

Fandom should be fun, and fic writers, much like fan artists, are not automatically content creators - they are real people, and most write or draw for free/as a hobby, so if you understand the concept that we shouldn't be attacking fan artists regardless of how you feel about what they draw or how their art looks, applying this to fic writers should be easy

Is it just me, or are there less comments being written on fics nowadays? I get to a fic on AO3 that was posted weeks ago, and it has like 30 kudos but no comments yet. It happens more and more now. Why is that?

I don't like it.

[gar-trek]

I review killing time (or whatever)

Okay, yes this review has taken me forever and that’s because there’s so much I want to say, and most of it has very little to do with the plot of the book. I cut down a lot of this so you guys could just get to the main point of what I’m trying to say, so I apologize if this is a little brief or incomprehensible to those who haven’t read the book. 

And also, before I get into it, I would like to say rest in peace to the author Della Van Hise, who passed away in march of this year. She contributed a lot to the fandom, especially in regards to K/S fiction, as well as publishing a lot of non-trek related work during her life. 

First of all, if you have heard of Killing Time, there is probably one specific reason for that. It’s the same reason I picked up the book in the first place and why it’s really even a topic of discussion on this site. To put the story quite briefly, Killing Time was recalled during its initial release on account of the book having too many slash elements (aka, the relationship between Kirk and Spock could be read as sexual/romantic). I first heard about the book here in this post where the history of it is worded to sound like one very dramatic mystery. One user (no shade intended here) even goes as far as to say the book was recalled by old Gene himself! Now I’m always one for drama and such, but after reading the book I looked into it a little more, and I don’t think that’s exactly how it went down. 

Here you can find multiple statements from the author herself, in which she tells the whole story. According to her, the book publisher accidentally released an unedited manuscript that was never supposed to make it to the public. So technically the publisher did not recall the book because it was “too gay”, they recalled it because they printed a version that was never meant for the public to see anyway. These were the edits that were specifically requested by Paramount, who the publishers were supposed to go through to get the final okay on all material. And like, yeah, all of Paramounts edits were pretty much to delete any sentence where Spock and Kirk are tender to each other, they were trying to make is less homoerotic, obviously. I understand why this slight distinction may not make much of a difference to you guys, but for me it’s important to note that the book wasn’t recalled because it was too gay, it was just never supposed to be gay in the first place. It doesn’t make that fact any better, but it does make it less dramatic, in my opinion. I encourage you to read the statements from the author on this topic though, because she gives the whole story a lot better then I just did. 

Now to address the main question at hand, does Killing Time depict a romantic relationship between Kirk and Spock, or is it all just hype? (in layman's terms, is the book gay or not?) and to answer quite plainly, yes it’s gay. of course it is. but then to answer less plainly, no. What the fuck do i mean by this? well let me try and explain. 

I read the second edition of the book, aka the censored version, but I also followed along with the first edition (using this great article). The changes made to the book did not effect the plot at all, and were really only minor things. Notably, in the second edition they just kind of left out any part where Spock and Kirk touch each other (and I don’t mean in a sexual way). For example, there is a scene where Spock and Kirk are having a serious conversation in the ships garden. In the first edition, at the end of the conversation Spock places a hand on Kirks shoulder, which Kirk covers with his own hand. In the second addition, all mentions of this simple contact are deleted. The differences between the two are mostly little things like this. There is no secret sex scene or love confession hidden in the first addition. You see, in my opinion, the changes made to the second edition of the book do very little to censor the romantic undertones between Kirk and Spock. That’s because they are ingrained in the plot line itself. 

One very important aspect to this book is that Kirk and Spock share a mental bond. This is something that can only happen between a Vulcan and another when they are extremely close. The mental bond that Kirk and Spock share is so strong in this book, it’s even present when they enter an alternate dimension where they are strangers to one another. There is a romance in this book between two original characters, and their relationship is constantly being paralleled by that of Kirk and Spock. And, maybe most telling, Spock refuses a female Romulan who is very interested in him over and over again simply because Kirk exists. And no, that’s not an exaggeration, here is a line from when the Romulan woman was begging Spock to be in a relationship with her: 

“I need you. The Empire needs you, what more can there be?”

“James Kirk” the Vulcan murmured without hesitation.

That line is in both versions of the book. What I’m trying to say is yes, there are K/S elements in Killing Time. There are many tender moments and lots of talk about Kirk and Spock’s devotion to each other. 

So now you’re asking yourself, Gar, why did you just say earlier that “no, the book is not gay”? Well, that’s because it’s not. This isn’t a K/S book. This isn’t a piece of Spirk fanfiction. Because for as much as this book is about Kirk and Spock’s relationship, it’s even more about Romulans (and more specifically, that one girlboss Romulan Commander from the Enterprise Incident.... bet ya didn't see that coming!) That’s right, the most controversial Star Trek book ever published is at it’s core quite plainly just a Star Trek book. There is weird alternate dimensions, time travel, espionage and lots and lots of Romulans! 

Alright, alright, what I’m really trying to get at here is that yes, if you read into Killing Time there is K/S elements. I mean for god sake the author was a known K/S fanfic writer, that wasn’t a secret by any means. If she wrote their relationship a little more tenderly than most authors would have, can we really be surprised? But writing a K/S story was not her intention here, and that’s not what this is. I think the author put it best herself, so I’m just going to put that here: 

“If people chose to see overtones of K/S in it, maybe it’s because there were overtones of K/S throughout Star Trek itself.”

People will hype up killing time as some secret confirmation that K/S is real and canon, and I really get that. Like, it would be really nice to have some canon acknowledgment of K/S, and I really don’t blame people for acting like that’s what this is. But that really isn’t what this is. And even if there was some kind of love confession, I really hate to break it to you, but the Star Trek novels are just fancy fanfiction and are not considered canon by any stretch (excluding the one Gene wrote himself, which let’s face it, perhaps has the most K/S elements of all). 

If you are looking for a nice story about Kirk and Spock being in love, then I very much urge you to look at Ao3 or similar sites. Skip this, if you want a K/S story, because that’s not what this is. Now, if you’re a huge fan of the Romulan commander from the Enterprise Incident, then my GOD you have to read this. I think this was a pretty solid Trek book. It was no piece of literary genius, but it got the job done. There was a lot of it that I think could have been left out, because it the later half it started to drag horribly, and we got a few plot threads that went absolutely nowhere. I’m not sure I’m much of a fan of alternate universes, as I really really enjoy the established dynamic of the characters, but it didn’t bother me too much. But I mean hey man, there was defiantly parts where I was so invested I couldn’t put the book down. Give this one a read if you’re looking for a pretty interesting Trek book with a little bit of cheeky K/S sprinkled here and there. 

If you have given the book a read, or just have thoughts in general, I’d love to hear them! 

[aerialflight]

Fic Rec (it's been too long and I read a whole lot of fics)

I've read so many fics these past couple of months and my need to share them to the world has seized me by the throat. Please enjoy and support these fanfic writers! They are the best. XD

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[Naruto]

Nine-Tailed Foxes are Dead by RowlettLesbian

Ship: Shikamaru/Naruto

For Konoha, it's been one month since the preliminary Chunin exams. For Naruto, it's been six. And he wasn't in Konoha.

At the end of his ordeal, Naruto walks into the Chunin Exam finals without his left arm.

Shikamaru is very concerned. And, eventually, very precious to Naruto as they work together to solve the mysteries of Konoha and bring kindness to the Shinobi world, one adventure at a time.

(I would die for this fic. I know the summary sounds doom and gloom but IT'S NOT. This fic made me fucking cry, I don't think I've ever read a fic that characterized Naruto so right. He's so full of hope and love and develops into the best version of himself and I'm so HERE FOR IT. And it's not just Naruto, Shikamaru is absolutely amazing here along with Kakashi and surprise surprise Ino, I can't BELIEVE it took me this long to stumble across this fic. Also THE WORLDBUILDING IS TO DIE FOR!!! And the plot! Is! So! Interesting! Just, everything about this fic is just amazing so please PLEASE read this!!!)

The End of the Uchiha by RowlettLesbian

Ship: Naruto/Sasuke

“I promise, little electric spirit of this shrine,” he whispered into the soft dirt and fallen leaves, “I will never gain the eyes. I will never pass them on. And I will make sure the eyes end in my brother, so that they can’t hurt anybody anymore. I will be the last Uchiha, and see to the end of the Copy-Wheel Clan. Then all of the hatred here can stop, and my family can rest peacefully. I promise, little shrine.”

Sasuke is more than his brother thinks he is. He's more than any Uchiha has ever been. He will kill his brother, but it will not be vengeance.

It will be mercy.

(Same author as the one above, they are the gift that keeps on giving. Seriously, HOW did I NEVER FIND THESE FICS before now??? One of life's greatest mysteries. The author's sense of humor is so on point here along with the atmospheric writing that's so vivid in the mind. Their writing style is so recognizable to me now and makes me fall into the world they're creating, it's stunning. Sasuke here makes me want to hug him and the idea of him living like a feral ghibli character has me LIVING. Check the tags of the fic, all of it is true, hand to god. Please give all of the author's fics a shot, it's a rabbit hole I'm thankful I fell into!)

mil fantasmas (gritan en calma) by LegaciesandMemories

Post-Tsukuyomi, something in Uchiha Sasuke's mind shatters. The same night, Yamanaka Ino falls asleep and doesn't wake up for 15 days.

---

In which Ino and Sasuke both wake from the aftermath of the Uchiha Massacre with the ability to see ghosts, and no one is prepared for the fallout.

(This fic has arrested my curiosity and eagerness to know what will happen next. These poor kids need so many hugs and Ino is getting the spotlight she deserves. I am so excited for this fic and what it has in store! Please read! XD)

Lichtenberg Figures by Asteroid_Duck (JustThatOneGirl1815)

Name: Kakashi Hatake Rank: Jounin Status: Missing Nin Missing Since: June 15th, 271 AD Note: Flee on Sight . . . Haburashi looked his team in the eyes— three, fresh out of the Academy genin— and resolved to teach them as best as he could. And right now, his lesson was simple: “Stay. Away. From. Kakashi. Hatake.”

(Dimension travel fic with a slice of Kakashi being an absolute troll and dealing with the shitty hand he's been dealt with. Seriously, the man has the worst luck in all of Konoha. Also, the mystery of the other Kakashi's history has me leaning by the edge of my seat, I need to know.)

The Governess by Ysmirel

Ship: Kakashi/OFC

"“What,” he finally asked, “is so funny?”

Ibara bit her lower lip to keep the chuckles in, still smiling and making absolutely no effort to get more space between them, seemingly perfectly at ease within reach of a trained shinobi. Her self-control wasn't all that good, as she ended up snorting and was overcame once again by another fit of laughter. “I just- It's just-” She struggled to speak, trying to catch her breath and wiping away tears of mirth with the hand that wasn't still holding onto his vest. Finally, she looked him in the eye and said, with a smile that was all teeth and without a hint of her previous drunken stupor, “and who's going to believe you?”

As he stood there, stunned by her words and change in demeanor, he realized with dawning horror that she was right."

In which Kakashi finds himself at the other end of the troll shtick, and he doesn't appreciate it all that much.

(It's so hard to find self-insert fics with a fresh concept these days, especially in the naruto fandom. Not that I don't enjoy and devour a lot of self insert fics like it's going out of style, but it's just so nice to find something new and shiny and really damn good. I'm so pumped for this fic and how it's going to develop so please join me in rooting for this fic!)

half a league (until the valley of death) by SpectersShadow117

Kakashi can think of no reason for Sasuke's inexplicable and drastic change in behavior. He doesn't like the desperate, haunted gleam in his student's eyes, and he also doesn't like the nagging feeling that he's missing something very important. Aka: Future Sasuke goes to Past Sasuke and gives him a reality check with Specific Intentions, but as with most Uchiha, his methods leave much to be desired. (Featuring: Childhood trauma FTW, Konoha's shitty care of orphans, and absolutely no one having a fun time.)

(Sasuke wanting to change the future out of complete and utter spite has me LIVING. Sasuke is such a Mess here and the twist on the time travel premise is so good and the kid is so Traumatized and Desperate and Not Having A Good Time. Naruto and Sakura developing as better ninjas and Kakashi trying his best makes me want to scream. Also, how Sasuke thinks about Itachi makes me want to cackle. I am 100% down for this. I am rooting for this kid, go get them! XD)

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[Harry Potter]

fruit loops in time (circle around me) by justprompts

Ships: Harry/Draco, Remus/Sirius

"This is Crabbe, and Goyle," the blonde boy says, pointing at the two boys next to him. "And I'm Malfoy, Draco Ma - "

Ron laughs, and Malfoy immediately bristles.

"Think my name's funny, do you?" Malfoy says, angrily. "No need to ask yours - "

"You're honestly so cute," Ron interrupts, yet again, shaking his head. "So tiny. And so angry, all the time. It's adorable."

Alternatively Ron Weasley, Time Traveller Extraordinaire, is stuck in the same seven year Hogwarts Loop, repeating the same thing over and over again. Naturally, he's so done with everything.

(This is the greatest hp fic I've ever read. I LOVE RON WEASLEY and by the time you read this fic SO WILL YOU!! This is the fic I WISH I have the ability to write. I read this entire fic aloud to my brother and we spent literal hours howling and talking about how utterly insane and incredible this fic is, it's amazing. This is hands down my favorite Ron Weasley. You Can Pry This Fic From My Cold Dead Fingers.)

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[Boku no Hero Academia]

Kacchan's Cult by Ourliazo

Pro Hero Ground Zero is attacked, originally meant to be de-aged out of existence by a desperate villain but is instead launched into his 14-year-old self.

But Katsuki is a fucking pro so whatever, time to fuck up someone's day. And sure, maybe he's only one man, but that's why he conscripts the entirety of the UA student body into tearing down some criminal empires.

(It's time travel, crack, and Bakugou being his usual explody, competent self. What more in life do you want? Seriously though, please read. I'm obsessed with this fic and having a Good Time!)

Cleaning Crew; Teaching Kids to Value their Safety, for Fun and Profit by Reavv

Takenaka Hideo is a thirty-two year old, in mild desperation for money, who has just been hired as a new janitor for UA's support staff. He has a quirk that lets him find lost objects, a liaison with the police because of it, and desperate desire for competent co-workers.

Oh, and he's already lived a previous life, in a world where quirks and heroes didn't even exist.

Not a big deal, though. It's not like you ever see the janitor playing a big part in action movies. He's here to get paid, and that's it.

On the opposite side of the equation, class 1-A has to wonder at the new UA cryptid that always seems to show up when things are on fire, and who keeps trying to convince them to let the adults handle the fire extinguisher.

(A great deal of fun packed into one fic. That is how I title this fic and nothing will change my mind! Hideo just wants to quietly do his job and not get in the way. I Relate. Please read!)

Poltergeist by WriterGreenReads

Class 1-A is haunted.

Well, not really.

I AM dead, though.

World's friendliest poltergeist, at your service.

(I don't know how I got so sucked into OC fics, but I found some fantastic fics along the way so I have no regrets. The author really tries to push the premise and I just love all the interactions and dynamics that form as the fic gets further in. And the OC character and all the hijinks they get up to cracks me up! At the same time, it's pretty heartwarming and it's practically a friendships galore fic! Definitely recommend it!)

invincible by supercrunch for Engrin

Ship: Bakugou/Midoriya

This is the way the world works: the sun rises in the east. The strong come out on top. Bakugou Katsuki rockets through life like a comet and Midoriya Izuku stumbles after. If he believed in such things Katsuki would say it was written in the stars. That some god of war had looked at him and said this one. That he’d been passed along a line to get his blessings – genius, willpower, fearless ambition – and dropped off on earth.

Then, of course, there is the question of Deku. The spitfire runt. Deku, no matter what the world does to him, never stops hoping.

Until, of course, he eventually does.

(Katsuki broke him. Snapped him in half like a twig and now has to scramble to put Deku back together. “We can do this, Deku," he says slowly. "There are so many mysteries that never got put to bed. Criminals roaming around looking to hurt people and you and me, we can fix that.”

There’s a long pause. The comforter slips a little off Deku’s skinny shoulders and drowns him. “You mean like a team?”

In that split second, Katsuki makes a decision he’s never even considered. He swallows his pride. “Yeah, Deku. We’d be a team.”)

(If there was any other way canon could've gone, this is the story I would've wanted. It's perfect.)

Inadvertent Wilderness Therapy by Cacid

Following an unfortunate encounter with a teleporter on the last day of internships, Bakugou Katsuki and Hakamata Tsunagu spend some quality time in northern Canada.

In no particular order they will: build ugly survival shelters, stalk rabbits, run from polar bears, reflect on the chemical composition of trees, insult each other, and complain about krumholtz.

(THESE TWO. TOGETHER. IN THE WILDERNESS. IN FUCKING CANADA OF ALL PLACES. I still can't believe this fic actually exists and just how INVESTED I became in their relationship. Blue Jeanist instantly became my favorite ranked hero with this fic alone. HIS SENSE OF HUMOR IS TERRIBLE, I LOVE HIM SO MUCH FNIEWOPAF. BAKUGOU DOES TOO. IT'S FUCKING INCREDIBLE. *incoherent screeching into the wild*)

-

[Stranger Things]

Baci D'aria by RabbitDarling

“Love is worth the sum of itself, and nothing more.” ― Alice Hoffman, Practical Magic

Steve learned a lot at his Aunt's side before she passed but his favourite thing she taught him was baci d'aria; special little spells that you created from the heart and put into the food you shared.

In opening his heart and gifts to those around him Steve slowly finds himself a family in a way he never thought he'd get to experience. One by One he collects pre-teens to trail in his wake like ducklings and Steve can't even refute it by the time he realizes what has happened.

(This fic is so soft and Steve is just collecting people and winning them over with his magical food (literally). I am always a sucker for heartwarming, good for the soul fics so if you want to make yourself hungry and feel all warm and gooey inside, read this!)

(Don't Fear) The Reaper by TeaFourTwo

Ship: Steve/Billy

He looks down at the blood on his hands and on the floor and wonders why the memory hasn’t broken yet, why he isn’t back in Starcourt mall with control of his body again, wonders if he's even still alive at all. Is this hell then? Or perhaps purgatory? It certainly isn’t heaven, that’s for sure. None of this makes any sense…but then what's new—nothing in Billy’s life makes sense anymore.

Billy laughs then, loud and long and unhinged. It's the only sound in the whole house, and it bounces off the walls like a fucked up echo, like the world is laughing with him.

“Jesus christ you’re insane…” It’s Max’s voice and it’s shaking. It only makes Billy laugh harder, because Max has it all wrong. Billy isn’t crazy, it’s the rest of the world that’s insane.

--

Billy dies a hero of sorts. He wakes up back in his bed on Saturday morning, the third of November, 1984...nearly nine months earlier.

(Billy is stuck in a time loop and it's slowly driving him crazy. And the fic shows just how much influence Billy did have in the plot and how doomed the world is without him in it. Great character exploration with Billy's character and all the ways he's so messy and human. Definitely recommend it!)

-

[Knives Out]

The Road Less Traveled By by UisceOneLove

Ship: Marta/Ransom

If Harlan wants to leave Ransom to be on his own, fine. He'll show him just what Ransom Drysdale is capable of.

or, where Ransom chooses to prove his abilities through means of the non-homicidal variety and finds himself becoming exactly what Harlan was hoping he would.

(I found this fic out of sheer chance and god, Ransom is just, so fascinating to me as a character. Marta of course is the Best here and I will forever stan her. Seriously, this is such a good fic! Please read!)

-

[Haikyuu!!]

Sky Full of Stars by grilledsquids

The Hinatas are twins. They're practically identical.

But while Shouyou seeks out Karasuno's volleyball team to become the next Little Giant, Natsu is scouted to to play soccer for Shiratorizawa. While Shouyou sets his eyes on playing volleyball at the highest level possible, his sister wonders how much longer she can play soccer... and if it's worth it to keep going.

A Natsu-centric story featuring: Shiratorizawa VBC shenanigans, too many soccer OCs, mild teenage drama, a little bit of plot, and Semi Eita not knowing what a period is.

(It's just!! So cute and wholesome!!! The Shiratorizawa volleyball team is so fleshed out along with the OC characters for the girl's soccer team and I swear, it's been a long while since I've laughed this much at the sheer shenanigans that happen in a fic. It's surprisingly hard to find good gen fics in this fandom so finding this gem made me so happy! If you want a fic that brings a smile to your face, read this!!)

like water by speakingincode

Ship: Oikawa/Kageyama

“Oikawa,” Iwaizumi says, and when Tooru looks at him, he can read My best friend’s an idiot off the crease of his eyebrows. “Are you telling me you spent the last three years weirdly obsessed with Kageyama – I still remember the time you made us play him on a dumb whim, you know – and now you’re at his beck and call? Are you okay? What the hell is wrong with you?”

“I’m— I’m not at his beck and call! I said no last week. It’s… It’s like you said. I get bored easily. I saw him at the park a couple weeks after they played Nationals and called him a perfect little tyrant, and he pestered me into spending time with him after,” Tooru says. “I’m not a monster, Iwa-chan. If he wants the company of his cool, handsome ex-upperclassman that badly, who am I to begrudge him?”

Or: Oikawa doesn't know why Kageyama keeps asking to meet him on Saturdays. He also doesn't know why he keeps saying yes.

(The fact this fic is canon-compliant and covers post-canon too makes me want to shout to the heavens. Fucking incredible! One of the best Oikakage fics ever and it's a crime how it's not at the top of the ship tag. Please please read!!)

twist into your shape by kakkoweeb

Ship: Oikawa/Kageyama

The only thing better than sweets were sweets containing paper that told you whether your future would be good or bad--or in Kageyama and Oikawa's case, paper that somehow caused you to live inside each other's bodies.

(Everyone probably already read this fic but it needs to be said, you need to read this fic. How these two try and manage each other's lives and slowly start to care about one another is so beautiful and sincere and I am ready to wrestle anyone to the floor and comply them into reading this fic. Doesn't matter if you like the ship, you will become a fan if you read it, I promise. Please please read!!)

Take the Long Road Home by pepperfield

Ship: Kuroo/Sawamura

When Azumane Asahi goes missing before his engagement meeting with Kozume Kenma, what other option is there but for Daichi to impersonate his brother and fake his way through a first date with Asahi's fiance?

Okay, let's be realistic - there were probably at least four other options.

Unfortunately, Tetsurou couldn't come up with any of them either, so now he's here flirting with Kenma's future husband while trying to keep his web of deceit from collapsing.

It's going to be an eventful day.

(I got obsessed with this ship alongside Oikakage and SO WILL YOU. THE POTENTIAL. THE BANTER. THE FACT THEY'RE BOTH DORKS AND THE FIC HAS IDENTITY SHENANIGANS DANCING ALL OVER IT!! I had so much fun reading this and these two are MEANT TO BE FENIWPAF. If you don't see the potential of this ship, you will now.)

a misunderstanding a day keeps the boyfriend away by bartallen for betuls

Ship: Kuroo/Sawamura

Kuroo doesn’t fall in love hard and fast like many others do – he falls slowly, and very very softly. Most of the times he doesn’t even realise he’s in love with someone until it’s too late.

(Kuroo is the dumbest man alive and I've never related to someone so hard in my life. God help me.)

You like me. by roseknight

Ship: Daishou/Kuroo

Kuroo nearly lived a Daishou-free life, and sometimes he looked back and wondered how much better and how much worse that would've been.

(I didn't even know who Daishou was until I read this fic and now I can't unsee the potential this ship has. I'm a ruined woman and I regret NOTHING.)

Kings of the Road, Kings of the Universe by EzzyDean

Eight magical captains, one bus, an entire summer (and country) waiting for them.

What could possibly go wrong?

(The magic of friendship meets the magic of a summer road trip meets pure magic.)

(CAPTAIN SQUAD IS THE BEST SQUAD SOMEBODY PLEASE FOR THE LOVE OF GOD SEND ME SOME CAPTAIN SQUAD FICS I AM SO IN LOVE WITH THIS SQUAD IT'S A PROBLEM AAAAHHHHHH!)

宿縁 : See You Soon by MissKiraBlue

Ship: Oikawa/Kageyama

Upon arriving at the train station of death, an impure soul is granted a second chance at life against his will. Reincarnating into the body of Kageyama Tobio, a 15-year-old boy who recently committed suicide. Tobio's soul will depart at death and the soul needs to slip in to replace it. If the soul's reformation succeeds, he’ll reenter the cycle of rebirth and regain the right to be reborn. He will have three months to accomplish this task.

“Even though you had enough of life,” the soul whispered into the void of the room, “you were still afraid to hurt your hands, Tobio.”

Afraid of giving himself a scar, if he survived.

He touched his pulse and grasped life and couldn’t help but pity Kageyama Tobio.

"You wanted to die and now I’m here making you live again," he whispered into the night.

(I'm not even exaggerating when I say out of all the fics in this entire goddamn, too long list, this is the fic I'm anticipating and heart eyeing the most. It's only starting, but I already cried on chapter fucking 2, the power of this fic, holy shit. The author also wrote the hq time loop Every Tomorrows series, which I have an undying love for and am full on praying for the day it updates, so you KNOW this fic will be just as good. (Anybody who hasn't read this series, where the hell have you been?? Read it!!) Just, everything about this fic hurts me and something in my chest just aches when I read this fic. Go into it blind with an open heart and I swear to you, it's going to change your life. I'm already calling it. Seriously though, please please read!)

-

[Crossover]

Learning to Fly by Asteroid_Duck (JustThatOneGirl1815)

Fandoms: Boku no Hero Academia, Naruto

The number three hero is a walking (well, flying) contradiction in every sense of the word. This includes his teaching skills. Why had Tokoyami agreed to this internship again? Oh right. He’d thought he was actually going to learn something. …….remind him to never be so optimistic again. . . . OR, Kakashi Hatake is reincarnated as the pro hero, Hawks. Tokoyami Fumikage suffers as a result.

(The reincarnation fic I never thought I needed and it's so good!! I've never really paid attention to Tokoyami and this fic sent me headfirst into loving him. Their dynamic is so interesting and I just love how their relationship develops. Also, Kakashi trolling the poor kid made me cackle, it's great! Definitely recommend it!)

Si Vis Pacem by athenoot

Fandoms: Boku no Hero Academia, John Wick

Everything has a price. That's what John has always known and will forever remember, even in death.

Which is pretty ironic considering his current circumstance.

Instead of a grown, scarred, weary body belonging to a man as cruel and broken as him, he's inhabiting a younger, smaller, unblemished one belonging to a child with strangely colored hair, and is living in what seems to be a superhuman society.

Well. May it never be said that John isn't a strategist. He can live with this. Maybe.

(Somewhere out there in the universe, he's certain he could hear the laughter of his enemies from beyond the grave.)

-

Or: John Wick is reincarnated as Midoriya Izuku. The world should probably watch its back.

(This should be one of the crackiest fics I've read in a while, but it's taken so seriously and I'm so HERE FOR THIS. John Wick being John Wick in a world of quirks and heroes is the GREATEST, honestly, he's so badass. Bakugou, I feel for you, you must be so fucking confused lol. Bakugou trying his best to be a good friend is one of the best things about this fic. Trust me, this fic will make your day, promise!)

A Girl's Mind is a Dangerous Place by clenastia

Fandoms: Naruto, Fairy Tail

Natsu wakes up in Sakura's body. It only gets worse from there. Also known as: In Which Natsu has No Idea what to do with Boobs.

(I binged this in two fucking days, I couldn't put it down. This fic reminded me why I liked fairy tail when I was younger and why Natsu is honestly such a great protagonist, god. And the fic does that thing, you know, the Thing where when two worlds collide, the characters struggle to acclimate and adapt to a completely another world with different rules and mindsets against their own. This fic is seriously one of the best when it comes to that aspect, it's incredible. I am going absolutely feral over here for this fic to update, I'm waiting in the wings, ready to pounce like a tiger, all the metaphors man. For the love of god, read this fic.)

Give me a landscape made of obstacles by Melise

Fandoms: Naruto, Natsume's Book of Friends

Kakashi Hatake isn’t who he says he is.

Because the truth is that he’s actually a youkai in disguise, a wolf spirit named Madara who stumbled across the Hatake clan during the Warring States Period. Intrigued by the shinobi he saw, he’d proposed a temporary alliance in which he would offer the clan protection in exchange for their teachings.

Decades later, Madara is surprised to find himself inadvertently summoned to Konoha by the last living member of the Hatake clan. Sakumo Hatake, who is mourning the recent deaths of his wife and stillborn child, doesn’t want to be alone anymore. So with his permission, Madara takes the place of Sakumo’s deceased son in order to watch over the last Hatake.

(Fusion in which the youkai of Natsume’s Book of Friends all exist in the Naruto world. No knowledge of Natsume’s Book of Friends required).

(Before this fic, I only had a very vague idea of what Natsume's Book of Friends was, and honestly, I still don't know much about it. But I didn't really need to know to get into this fic. I love the worldbuilding and the relationships Kakashi forms, both supernatural and mortal. I love how Kakashi's inhumane ways affect others around him, whether to stress them out or become used to the strange. You can go straight into this fic without knowing anything and absolutely still have a fantastic time. I definitely recommend this so please read!)

[itsclydebitches]

Here's a quandary I've suddenly found myself in: where do you stand on writers deleting their own works, fanfiction or otherwise? I've had this happen to me on more than one occasion - I go to look for an old favorite and find it's since been deleted from whatever site I read it on.

On the one hand, I'm inclined to think that, "Sure. The author wrote it, it's their call. I don't own the work - I certainly didn't pay for it. It's their decision, even if it's disappointing."

But at the same time I can't help but consider the alternative - if I believe in death of the author (and I do), that an author's work fundamentally isn't solely theirs once it's been published, posted, etc., then it also seems wrong to have a work deleted. Stories aren't the sole property of their creator, after all.

But then I circle back. D'you think there are different obligations between authors and readers and the works being made in fandom space? I know if I had bought a book and the author decided they wanted it back, I would feel pretty comfortable telling them no, given I'd paid for it and whatnot. But that's a different world from fanfic and fandom space generally.

So. You're insightful Clyde, I'm curious as to what you'll have to say here (and to all y'all thinking about it, don't flame me. I haven't decided where I stand here yet - haven't heard a good nail-in-the-coffin argument for or against yet).

Val are you a mind reader now? I’ve been thinking about this exact conundrum the last few days!

(And yeah, as a general disclaimer: no flaming. Not allowed. Any asks of the sort will be deleted on sight and with great satisfaction.)

Honestly, I’m not sure there is a “nail-in-the-coffin argument” for this, just because—as you lay out—there are really good points for keeping works around and really good points for allowing authors to have control over their work, especially when fanworks have no payment/legal obligations attached. In mainstream entertainment, your stories reflect a collaborative effort (publisher, editor, cover artists, etc.) so even if it were possible to delete the physical books out of everyone’s home and library (and we're ignoring the censorship angle for the moment), that’s no longer solely the author’s call, even if they have done the lion’s share of the creative work. Though fanworks can also, obviously, be collaborative, they’re usually not collaborative in the same way (more “This fic idea came about from discord conversations, a couple tumblr posts, and that one headcanon on reddit”) and they certainly don’t have the same monetary, legal, and professional strings attached. I wrote this fic as a hobby in my free time. Don’t I have the right to delete it like I also have the right to tear apart the blankets I knit?

Well yes… but also no? I personally view fanworks as akin to gifts—the academic term for our communities is literally “gift economy”—so if we view it like that, suddenly that discomfort with getting rid of works is more pronounced. If I not only knit a blanket, but then gift it to a friend, it would indeed feel outside of my rights to randomly knock on their door one day and go, “I actually decided I hate that? Please give it back so I can tear it to shreds, thanks :)” That’s so rude! And any real friend would try to talk me out of it, explaining both why they love the blanket and, even if it’s not technically the best in terms of craftsmanship, it holds significant emotional value to them. Save it for that reason alone, at least. Fanworks carry that same meaning—“I don’t care if it’s full of typos, super cliché, and using some outdated, uncomfortable tropes. This story meant so much to me as a teenager and I’ll always love it”—but the difference in medium and relationships means it’s easier to ignore all that. I’m not going up to someone’s house and asking face-to-face to destroy something I gave them (which is awkward as hell. That alone deters us), I’m just pressing a button on my computer. I’m not asking this of a personal friend that is involved in my IRL experiences, I’m (mostly) doing this to online peers I know little, if anything, about. It’s easy to distance ourselves from both the impact of our creative work and the act of getting rid of it while online. On the flip-side though, it’s also easier to demean that work and forget that the author is a real person who put a lot of effort into this creation. If someone didn’t like my knitted blanket I gave them as a gift, they’re unlikely to tell me that. They recognize that it’s impolite and that the act of creating something for them is more important than the construction’s craftsmanship. For fanworks though, with everyone spread around the world and using made up identities, people have fewer filters, happily tearing authors to shreds in the comments, sending anon hate, and the like. The fact that we’re both prefacing this conversation with, “Please don’t flame” emphasizes that. So if I wrote a fic with some iffy tropes, “cringy” dialogue, numerous typos, whatever and enough people decided to drag me for it… I don’t know whether I’d resist the urge to just delete the fic, hopefully ending those interactions. There’s a reason why we’re constantly reminding others to express when they enjoy someone else’s work: the ratio of praise to criticism in fandom (or simply praise to seeming indifference because there was no public reaction at all), is horribly skewed.

So I personally can’t blame anyone for deleting. I’d like to hope that more people realize the importance of keeping fanworks around, that everything you put out there is loved by someone… but I’m well aware that the reality is far more complicated. It’s hard to keep that in mind. It’s hard to keep something around that you personally no longer like. Harder still to keep up a work you might be harassed over, that someone IRL discovered, that you’re disgusted with because you didn’t know better back then… there are lots of reasons why people delete and I ultimately can’t fault them for that. I think the reasons why people delete stem more from problems in fandom culture at large—trolling, legal issues, lack of positive feedback, cancel culture, etc.—than anything the author has or has not personally done, and since such work is meant to be a part of an enjoyable hobby… I can’t rightly tell anyone to shoulder those problems, problems they can’t solve themselves, just for the sake of mine or others’ enjoyment. The reason I’ve been thinking about this lately is because I was discussing Attack on Titan and how much I dislike the source material now, resulting in a very uncomfortable relationship with the fics I wrote a few years back. I’ve personally decided to keep them up and that’s largely because some have received fantastic feedback and I’m aware of how it will hurt those still in the fandom if I take them down. So if a positive experience is the cornerstone of me keeping fics up, I can only assume that negative experiences would likewise been the cornerstone of taking them down. And if getting rid of that fic helps your mental health, or solves a bullying problem, or just makes you happier… that, to me, is always more important than the fic itself.

But, of course, it’s still devastating for everyone who loses the work, which is why my compromise-y answer is to embrace options like AO3’s phenomenal orphaning policy. That’s a fantastic middle ground between saving fanworks and allowing authors to distances themselves from them. I’ve also gotten a lot more proactive about saving the works I want to have around in the future. Regardless of whether we agree with deleting works or not, the reality is we do live in a world where it happens, so best to take action on our own to save what we want to keep around. Though I respect an author’s right to delete, I also respect the reader’s right to maintain access to the work, once published, in whatever way they can. That's probably my real answer here: authors have their rights, but readers have their rights too, so if you decide to publish in the first place, be aware that these rights might, at some point, clash. I download all my favorite fics to Calibre and, when I’m earning more money (lol) I hope to print and bind many for my personal library. I’m also willing to re-share fic if others are looking for them, in order to celebrate the author’s work even if they no longer want anything to do with it. Not fanfiction in this case, but one of my fondest memories was being really into Phantom of the Opera as a kid and wanting, oh so desperately, to read Susan Kay’s Phantom. Problem was, it was out of print at the time, not available at my library, and this was before the age of popping online and finding a used copy. For all intents and purposes, based on my personal situation, this was a case of a book just disappearing from the world. So when an old fandom mom on the message boards I frequented offered to type her copy up chapter by chapter and share it with me, you can only imagine how overjoyed I was. Idk what her own situation was that something like scanning wouldn’t work, but the point is she spent months helping a fandom kid she barely knew simply because a story had resonated with her and she wanted to share it. That shit is powerful!

So if someone wants to delete—if that’s something they need right now—I believe that is, ultimately, their decision… but please try your hardest to remember that the art you put out into the world is having an impact and people will absolutely miss it when it’s gone. Often to the point of doing everything they can to put it back out into the world even if you decide to take it out. Hold onto that feeling. The love you have for your favorite fic, fanart, meta, whatever it is? Someone else has that for your work too. I guarantee it.

So take things down as needed, but for the love of everything keep copies for yourself. You may very well want to give it back to the world someday.

[mnemo-li]

Calebros: A Rant About My Favorite VTM NPC

I do love the newer Vampire: the Masquerade content, but sometimes the writing leaves a lot to be desired. A prominent example is - what in my opinion is - the butchery of Calebros’ character in Beckett's Jyhad Diary.

While I do love seeing the more brusque side of Calebros’ personality, I don’t think I’ve ever recalled him being this vulgar in the original Clan Novels. He was definitely not dropping the f-bombs left and right, and even his gruff manner had more to do with dry humor, sarcasm, and keeping up the dignified image fit for a clan leader. I do realize that this series of chat is set much after his whole ordeal as Prince of New York is over, so maybe the experience really changed him. However, the in-universe explanation of his drastic shift in personality is lacking– it is most likely the result of a change in writers which led to inconsistent writing and characterization.

Here are some examples of scenes that presents his characterization in a more nuanced light.

Scene 1: The Nictuku Accusation

“They would have eaten me, I tell you!” “I believe you, Jeremiah,” Calebros said in a forced, calm tone. He was tired of nodding politely, of reassuring his clanmate. Jeremiah could be a difficult person to like at times. This was rapidly becoming one of those times. “Don’t you humor me!” Jeremiah snapped. “I’ve been coming to you about this for weeks now.” Seems more like years, Calebros thought. “And still you’ve done nothing. Nothing!” Jeremiah paced around, gesticulating wildly. There was no second chair by Calebros’s desk, and for this very reason. He mostly didn’t like guests, didn’t want guests, didn’t want to encourage them to sit down, to take a load off and stay for a while. Most anyone who had reason or inclination to visit Calebros was irate, complaining, or tiresome. Jeremiah happened to be all three presently. “That is not true,” Calebros assured him. Jeremiah snorted in disgusted. “What, then? Tell me. What have you done?” “I have considered quite carefully your report.” “Ha! Like I said, nothing. ‘Considered my report…’” Jeremiah repeated contemptuously. “This is what I think of you and your reports—” he said, grabbing a handful of papers from the nearest stack on Calebros’s desk. Jeremiah made to fling them into the air— Instantly, Calebros’s hand shot out and latched around his visitor’s wrist. Talons pricked undead flesh ever so slightly. “Believe me,” said Calebros evenly. “You do not want to do that.” They faced each other for a moment, one monstrous creature restraining the hand of another. Jeremiah’s fingers, biting into the papers, were long and grotesquely thin, little more than needles of bone. His entire body was thin and hard and covered with knots, bulging masses of hardened tissue, like an old, gnarled swamp tree. Finally he stopped resisting Calebros and returned the reports to the desk. “I’m sorry,” Jeremiah said and resumed his pacing, just as intently if less frenetically.

This is from the Nosferatu clan novel. Here, Jeremiah is trying to get Calebros to believe that there truly are Nictukus dwelling in the sewers. Calebros is, frankly, tired of hearing the folk tale especially when he has other pressing matters to deal with. Yet, even with his patience paper thin, he does not lash out at his broodmate. He is shown to be deeply introverted, anti-social perhaps, but he does not let his own nature affect his duties. As the Nosferatu primogen - as the leader of the clan - he has to listen to the concerns of his family, no matter how absurd. He knows when to express his authority, and he never abuses it. Again, no f-bombs dropped.

Scene 2: The Salt Lake

“Geez, what am I, your mother?” Emmett asked. “No,” Calebros said. “You are my brother, my broodmate.” “Brood, litter, whatever. We were both chosen to suck the old blood tit, so who am I to ask questions?” Calebros sighed. Blood tit, indeed. “That’s not how you remember it.” Now it was Emmett’s turn to sigh. “Don’t do this. Don’t get all… You always do this, get all touchy-feely we’re-all-brothers-in-the-blood, when you soak your head, blah, blah, blah…” “Make light of it if you will—” “I will. Thank you very much. Got enough salt here?” Emmett flicked some at Calebros.

This is from the Nosferatu clan novel. Here, Calebros has just came up from his meditation within the mud hole / salt lake. He is shown to be introspective and even sentimental. In terms of character voice, his more poised speaking style and inner monologue is contrasted against Emmett’s rough, colloquial style.

Other Sources

In the Calebros graphic novel, a similar scene is shown where Calebros is depicted to be trying and failing to remember his past before he became a vampire, losing his mind as he mixes up imagination with false memories. His inner dialogue in the graphic novel shows him saying:

“Do I tell him that his prince, his... compatriot?, is losing his mind? Never.”

This very much reflects his true nature. In Vampire: the Masquerade, there is a system of nature vs demeanor. According to his character sheet, his demeanor is that of a “director” while his nature is a “martyr (penitent)”.

Director: To the Director, nothing is worse than chaos and disorder. The Director seeks to be in charge, adopting a "my way or the highway" attitude on matters of decision-making. The Director is more concerned with bringing order out of strife, however, and need not be truly "in control" of a group to guide it. Coaches, teachers, and many political figures exemplify the Director Archetype.

Martyr: The Martyr suffers for his cause, enduring his trials out of the belief that his discomfort will ultimately improve others' lot. Some Martyr simply want the attention or sympathy their ordeals engender, while others are sincere in their cause, greeting their opposition with unfaltering faith in their own beliefs. Many Inquisitors, staunch idealists, and outcasts are Martyr Archetypes.

Penitent: The Penitent exists to atone for the grave sin she commits simply by being who she is. Penitents have either low self-esteem or legitimate, traumatic past experiences, and feel compelled to "make up" for inflicting themselves upon the world. Penitent Archetypes aren't always religious in outlook; some truly want to scourge the world of the grief they bring to it. Repentant sinners, persons with low self-esteem, and remorseful criminals are examples of the Penitent Archetype.

All of these quotes, if feel, matches very much with the Calebros I knew from the clan novel saga. Below are also a set quotes detailing Calebros’ inner dialogue in his graphic novel.

“As prince, only I can save them, only I can keep them from looking where they shouldn’t. A force exists underneath this city, sleeping, and it must remain so, lest we all perish.

“Augustin, my sire, left us to investigate the Nictuku, and came back to me with this information. Could this be Gehenna? The Final Nights? When the Ancients awake to devour their errant children? Can it be stopped? Should it be stopped? Everything that is done is a hope of staving off the inevitable. Why?”

“My embrace into this world was a foregone conclusion, made for me by Augustin. It is no different for anyone else. Why then do we not welcome the coming Armageddon? Exchange one world for another. It sounds almost painless, except I would never accept such a course, neither would my fellow Nosferatu. Neither would my fellow Kindred, for that matter.”

He is incredibly contemplative, and determined too, willing to fight against the inevitable apocalypse of the vampires. As long as his clan and the Kindred as a whole does not give up, does not give in the the despair of Gehenna, he too will be willing to fight for the survival of others.

Scene 3: Against a Master Manipulator

The character of Hesha is... complex. I see him as sort of a sweet-talking, cunning, charismatic cult leader. Here is a dialogue between him and Calebros.

“No harm was done,” Hesha said softly, his voice still the slightest bit scratchy from the ordeal he’d undergone. “As you say,” said Calebros, not looking up and continuing to write furiously. “You concede without agreeing.” Hesha laughed quietly. Calebros’s head whipped up. Angry words were ready on his lips, but the Egyptian’s smile was not mocking. The Setite obviously realized the weakness of his position, physically and strategically, as well as the fragility of their alliance. “Candor is important between friends,” Hesha said. “Otherwise, perceived insults take hold and fester.” “I am quite accustomed to festering,” Calebros said curtly. “I fear that I’m growing so as well,” Hesha said, squeezing one of the boils that stood raised about one of his many open wounds until the canker popped, and frothy pus ran down his arm. He laughed quietly again. Calebros punctuated a written sentence with a particularly violent period. “Your woman willfully disobeyed her instructions.” “She exercised discretion,” Hesha countered. “She blatantly disregarded the safety of my people.” “If anything had gone wrong,” Hesha said, “it would be Pauline lying torn on the ground. Your people would have faded into the night, none the worse for wear.” Calebros fumed. Probably Hesha was correct—but the Nosferatu was not about to admit as much. “I will speak with her,” Hesha said reasonably. “She has not encountered those of your clan before. She’s not aware of how strongly your predilection for…” “Cowardice?” Calebros suggested accusingly. “Prudence, I was going to say. She’s not aware of how strongly your predilection for prudence runs.” Good choice of words, Calebros thought. But, then, Hesha always chose his words carefully, always seemed to know just the right thing to say. It was discomforting in a way, how easily the Setite could alleviate tension with just a few words. Go ahead, Eve. Take a bite of the apple. Adam might like some too. But it seemed that they needed one another—and that outweighed their natural and mutual tendencies to distrust one another. Just barely.

Hesha’s actions managed to get under Calebros’ nerves, as seen in his curt speech, his furious writing, his accusatory reply to Hesha. He is angry for the safety of his clan (which, as seen from all the other sources, is something very dear to him). He is even shown to be stubborn, refusing to admit that Hesha was correct. Even still, he keeps his head rather than loose his cool completely. He also realises Hesha’s smooth words for what they are- manipulation. He is willing to compromise and form a sort of alliance with Hesha too, despite of his distrust and personal feelings.

Calebros and Ramona

I found the strange friendship Calebros had with the Gangrel Ramona to be incredibly touching, and tragic due to the turns it took towards the end (which I won’t spoil). Below are some excerpts from the Nosferatu clan novel showing Ramona’s initial meeting with Calebros and his later assessments of her character.

Neither Pauline nor the other girl, Ramona, had been subjected to the full brunt of facing a Nosferatu. Not until now, that is, when they were brought into Calebros’s presence. He did not hide his true appearance from them. And he could read the dismay, the fear and disgust, on their faces. Of the two, Pauline made the worthier attempt, attempt, to maintain her demeanor of professional detachment—perhaps Ruhadze had taught her well. The Gangrel, unsurprisingly, was not so couth. She gawked, both at Calebros and at Hesha in his current condition, and she hid her revulsion quite poorly, if she tried at all. […] Ramona looked at Calebros again, a more measured look this time, trying to see through the deformities. Good girl, Calebros thought. Young and brash, but not stupid.

Ramona reached for a calendar on Calebros’s desk, but tossed it back when she realized it was from 1972. “That’s still a whole month, and nobody knows where Leopold was that whole time. He could have gone back to the cave.” Smart girl, Calebros thought. He was leading her along the same path of reconstructing events that he had followed.

He compliments her intelligence again and again, and seems genuinely fond of her. Which I believe is why, after he became Prince of New York, he allows her a private audience with him to which he offered her a safe passage out of town which she rejects, viewing his actions as a betrayal. Below is an excerpt from what I think is the Clan Brujah novel.

The hunched form stepped forward, leaning heavily against the seatbacks as he came. Ramona kept straining to pick out the sound of broken gasps that must accompany such labored progress, but the air did not stir. "You had requested an audience, my dear. A private audience. I have gone to some pains to secure a place where we might be alone. Privacy is such an indulgence here. All too often, I find myself unable to justify the expense of importing it. And there is always someone else jealous of such decadence. But you have not come to hear of my distractions. Sit here, next to me, and tell me why you have come.”

[…]

“Calebros chuckled low, a sound like an engine turning. "No, I don't imagine you would. I will miss your straightforward style, Ramona. I find it refreshing. But already you know that there is no longer any place for you here. In the midst of battle—against the Sabbat and later, against Leopold and the Eye—we could afford certain marriages of convenience. But these partnerships will not survive the challenges of peacetime. Your associates, Mr. Ruhadze and Mr. Ravana, they found themselves in much the same position. Each has already left New York.”

[…]

“Calebros was silent for a time, letting her wind down. "I'm sorry I couldn't help you with the Eye, Ramona. And I'm sorry you will have to leave us. Believe me, I would like nothing better than to find a place for you here. I will have sore need of people who can be relied upon in the nights ahead. But you know what you would be up against if you remained here— the posturing, the none-too-subtle snubbing, the outright backstabbing. You are a rarity among our kind, Ramona. But because you are different, you will be hated and eventually destroyed if you stay among the society of the damned. Know that I will remember our time together fondly. If I can be of any assistance to you in relocating..." "No, I understand. It's 'thanks for your help; here's your bus ticket.' Well, I don't need any of your favors. I don't like the strings attached to them. And I resent the fact that you think I'm so stupid that I'll let you screw me over and then thank you for it." "Ramona...”

Again, even during his tenure as Prince of New York he is so damn eloquent, I definitely can’t fathom the word fuck ever slipping out of his mouth. He is compassionate, helping Ramona perhaps for future gains too, but mainly I believe he genuinely wants to do something right, give her the happy ending she deserves for once.

Moreover, I have a soft spot for this quote of Calebros pondering about Ramona’s nature, why she’s always so angry at the world, why every word out of her mouth sounds like an accusation. It showcases well his world-weariness, a cynical attitude that hides his concerns for others.

What have you seen that makes you so angry, so bitter, little one? Calebros wondered. Family killed? Have you been betrayed? How many times, I wonder. You’d best get over it, if you hope to survive.

So... yeah. I’d pay money to see an accurate portrayal of Calebros in a newer media otherwise I might have to write my own fanfic pairing my OC with him

[buildingrelationshipsinanarchy]

A New Intimacy Model

So what spurred this project is a culmination of a few things. Namely, frustration with the imprecise and incomprehensible words, Platonic, Romantic, and Sexual. The English language hasn’t been great at adapting the words for personal relationships as our times and values change.

I fell into Anarchism only very recently, stumbling into the language of ‘relationship anarchy’ through the internet in discussion with forms of polyamory years ago when I started this blog. Over the last year, I’ve been getting into radical politics and finding how my un-politicized opinions were validated, and then stretched the more I learned and studied up. While I’m still learning more about Radical politics, Anarchism, Marxism, Queer and Feminist theory specifically, the more I wanted to link some of my perspectives on intimate relationships with these political and theoretical texts.

“The Personal is Political.” - Carol Hanisch, Feminist Author.

@mythr1der​ wrote a post detailing a bit of the frustration I also share in regards to how the Dichotomy between Platonic and Sexual (which almost all definitions of Romance boil back into), leave much to be desired when discussing attraction, desire, intimacy and relationships in general. I believe that this very simple dichotomy reflects, oddly enough, capitalism and the history of the role of state power in culture. I rant a little bit about it as a response to @mythr1der​‘s post here. 

It’s long, and incomplete, but I proposed an idea of just building entirely new words, so we can build an entirely new map for talking about love, desire, attraction, and relationships that actually discuss what its like to be next to someone you like to be next to! 

What is intimacy? It’s closeness right? To be near some ‘intimate’ part of another person, or them near something meaningful about why you’re you. I wanted to start this series by talking about what it means to be close to someone. If you remember my birthday without Facebook, that might make me feel a bit special. But if you remember how badly I was abused by an old friend, its because I trusted you enough to share some of the sadness that I’m not as loud about.

Intimacy isn’t always trauma, sometimes its tears of joy hearing that your cousin is out of prison, or the laughter of your friends. Being close to each other in a hyper-digitized age is a bit tricky, but phone calls, facetime, snapchat are only some of the tools we use to keep each other updating on what we’re feeling. Whether its about our love life, sex life, work life, or home life, just sharing that information can be real special, and bonding.

When we say that we have friends or that we are [Queer] Platonic Partners, does that mean we’ve decided how often we’re gonna talk or what we’re gonna talk about? What if we just send each other memes or rant about politics? Am I supposed to devalue those interactions because they aren’t the person I’m crying on the phone with?

Intimacy can be as deep as childhood scars and as simple as surprising me with my favorite snack. It all just means you know who I am, what I like, and what I care about. I want to intentionally forge those connections. And this why I set these definitions first. 

Other Words:

A Daekkon (n.) would be person/partner whom you’ve developed intentionally this kind of relationship with. 

If you desired this kind of relationship with a certain person, you’d be feeling Daekeen (adj.) for/about that person.

People who are desiring or actively doing these activities together are Daekkoning (v.). 

This would be understood as Daekkonic (adj.) behavior; as in, “My roomate isn’t super talkative with me, but is deakkonic (adj.) with Sandra from the Mosque.” 

“Tom is going through it, he’s felt deakkonically (adv.) deprived since the move.”

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In our sex-negative, ironically repressed culture, we seem to think that if you’re touching your bodies together at all, it means *something*.  I want to remove that idea. I want to reclaim physical affection. I want to be touch and be touched by others. I don’t want my afab friends who have experienced some sort of sexual violence in their lives, to ever feel weary about the fact that I’m physically affectionate. It’s been my #1 Love Language for the last 10 years. 

Fighting r*pe culture is a full-time fight, but I think adding a word, and therefore an idea[l], can be useful in reclaiming safety, and boundaries regarding bodily autonomy, for all of us. Clear communication and respected boundaries and asking consent for everything are the bedrock we need to continually practice. And as trust builds, I believe this could be very useful theoretically tool for improving the quality of our relationships and help create clearer discussion about our individual boundaries, needs, and desires. I feel like this leads me to a relevant question. What activities are inherently platonic, romantic or sexual? Is holding hands inherently romantic when almost all of us have done it with a friend? What about those of us who are religious or spiritual and have held hands with members of church, mosque or synagogue; do you think we’re out here non-stop blushing at the Pastor? Or when we held hands with family members? Doesn’t sound like it holds up, huh? 

What about snuggling a roommate? Holding a teammate while celebrating a victory? The kiss my bestfriend gave me on our shared birthday dinner? Are we left to through our Aro and Ace friends’ out of the discussion, just because our culture has bad takes on sex and romance as the only forms possible of significant physical touch? Physical touch is such an important way to communicate love and affection, as well as care, concern, and comfort. They don’t get to cast their shadow on this space anymore!

Other Words:

If you had this desire for someone, or wanted to approach cultivating these forms of affection in a relationship, you could say you’re feeling Phaddish (adj.) for that person.

.Participating or initiating acts of a non-sexual physical intimacy Phadronic (adj.) quality are said to be phade-ing/phading (v.).

A Phadrone (n.) could be the name of a person/partner you share this kind of relationship with. 

Phadroning (v.) would the act of cultivating this kind of intimacy with another person. 

Phadronically (adv.) could describe a certain level of intimacy implicit in a physical touch between to particular people.

________________________________________________________________

Now lets talk about Sex. That’s the thing the everyone’s mind always gravitates to when discuss words like, intimacy, attraction, desire. It’s the thing we want to stay away from when you use the Platonic or Friendly. But, lets be real. Haven’t many of us had sex with people didn’t even consider friends? Or people who became our “Strictly Platonic” friends after we may have had sex, once or several times, with them?

People who gravitate toward polyamory or non-monogamy tend have had a “hoe-phase.” The boundary between friend and lover, or partner and fuckbuddy have been blurred in a good chunk of people’s lives. Non-monogamous or not, I think it’s useful to talk directly about our sexual experiences, desires, fantasies, and how different it can be with different people, or in different stages of our lives. But what makes an experience sexual? Maybe that sounds redundant or obvious; I mean, it’s got the word SEX in it, maybe that’s got something to do with it? But maybe not... 

Lets ask an odd question. Is sex inherently sexual? Who wouldn’t assume the answer is automatically yes? Well, my first thought is to talk to those in the Adult Entertainment industry or friends of ours who are sex-workers, in whatever capacity. Is every client sexy or shoot erotic? Those of us who have sex, have we never been doing it and been bored through most of at least one experience? 

If sex is inherently sexual, why do we have so many Sexual Health Educators, Marriage Counselors, Pornstars, Yoga Teachers, Personal trainers and Writers telling us how to have sexy sex? Dating Coaches and Websites, telling us how we are getting something that’s supposed to sound so easy wrong.

I’ve come to the opinion that sex isn’t about body parts, genitalia, certain body motions, or even clothing [or lack thereof]. I believe that sex, or eroticism, is all about the context and the people involved. There’s nothing inherently sexy about fruit, or food in general, but if woman eats a banana in public, there are at least several men in area thinking of something than her healthy food choices. 

This is why talking about sex directly is good. And understanding it as an energy that you imbue to any activity or circumstance, could help have better sex; and and on the flip-side, show us how we may need to more aware of how we may take up space with our body language. I do also feel, that in part, some of our Ace friends (those who aren’t sex repulsed), may be able to find some resonance with this model; sex doesn’t have to feel passionate or any particular way at all (other than good?), because sex isn’t about sexiness, but about human connection and pleasure.

Other Words:

Serotic (adj.) activities include any activity that is engaged due to, or is infused with, sexual desire and/or erotic intention. It also describes the type of desire you’re feeling for another person. 

A Serato (n.) is any person you engage in serotic activities or feelings with. 

An activity that was originally un-serotic (adj.), but became sexually or erotically charged, we could described as having become Serotically (adv.) charged. 

When you are cultivating or charging an act with serotic energy, you are Seroticizing (v.) that activity

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Lately, especially since diving into Radical Politics, I find less and less desire in defining Who I Am as a part of a relationship unit. It’s an overlay from monogamy, The Couple being the only social unit that is recognized, as it’s necessary to the Nuclear Family; a super important thing for Capitalism to sustain itself. The relationships I cultivate with others, with whatever forms of intimacy or interactions therein, cant be understood by that model. I am more than my interactions with a handful of people; I am a human person, and my engagement with the world isn’t actually reducible to whether or not I’m having sex with someone or not. 

We’ve talked about multiple forms of intimacy, and some of the desires or interests associated with them. Have you noticed that in the desire, or need, to discuss relationships on a basis of, ‘sex: yes or no?’, that we haven’t talked about the webs that form because we are all reliant on each other to survive? Not everyone in your community or workplace or online spaces, you’ll get to know or talk to. Do they, as people, matter less because they aren’t in your contacts list or your DM’s?  

This is a space where not a lot of us to tend think or engage as much. An easy word to discuss this space is community. But is a community the people or the place you spend your time, whether online or off? Is the community the place you live and your neighbors? Is it the people who may share some of your identifiers or face similar forms of oppression, despite living in a different city, state, country?

We are multi-dimensional beings, and with the use of technology, there are so many ways to form relationships, and share resources. I think the ‘community’ is any space you find yourself in, which means that mutual aid is something you are always able to engage in. Whether it’s feeding the homeless guys who hang out by the intersection, or dropping a few bucks in a trans kid’s venmo, mutual aid is so much easier.

But what if that feels so inconsequential? It’s not! But it does, from time to time, feel like the problems of the world are so big, and that you and so many you know are suffering in ways you wish you could help. Well, community organizing is always happening somewhere, online and off. It becomes important to join up with others in order feel like we can actually make a positive impact on the lives of others. We don’t have to wait on a government who’s interest isn’t ours, don’t have to wait for some politician to fail on a promise to Make Things Better.

We have each other, and we are all we really have. At the end of the day, all of our concepts are man-made. COVID-19 showed us how drastically things could be different if the people in power made decisions that actually benefited us. A lot of us understand the need to do something. Capitalism says that competition is what drove human kind into evolution, the fight for survival in a meaningless, terrifying world. Anarchism, as I’m learning, throws the whole idea in the trash where it belongs.

Peter Kropotkin, whose been called both the Godfather and Santa Claus of Anarchism, penned in Mutual Aid: A Factor of Evolution (1902), “under any circumstances sociability is the greatest advantage in the struggle for life.”

We are better off together. Capitalism and the property relationships in our compulsively monogamous society try to tell us other wise. We don’t have to follow that model.

Other Words:

To Mudshop (v.) is to build a mudship with a particular person, organinzation, or community; Mud-shopping (v.). 

A Mudshipper (n.) is an individual in a mudship of any scale. 

I’ve said a lot. I hope this reads as accessible to as many people as it can be. I built this because I want to tell the people in my life why I love them as dearly as I do. And that I’d love to build relationships with as many awesome, lovely people as I can.

If you try to use the words Romantic and Platonic while you look at this post, and find it almost impossible, I’ve done my job.

I hope those words die along with oppressive ideas they uphold.

[foxymoxynoona]

I’m curious how much responsibility you think jk has in Mishka’s assault. I know everyone has a different answer. For me him not taking any action (even him staking out in a tree to keep watch of the hut would suffice) puts a lot of responsibility on him, so much so that I realistically don’t think Mishka could ever forgive him for the trauma. But I know everyone has their own opinions

I’ll use this second version of your ask even though this is a ballsy question to ask the writer before the story is even over, lol, especially as you tell me you consider this a very black and white moral issue. So I’m going to whip out my undergraduate philosophy degree and make you suffer a long answer. But my short answer is that I do not see indirect culpability as a simple moral issue :)

For starters, I of course always have my own opinions about how I think characters are behaving, and I strike a balance of being aware of these things while also setting them aside when I write. If I judge my characters with every word, I don’t do the human experience of being flawed and growing as people any justice. 

But if you want my real judgment on my own story it’s this: the entire thing has been morally bankrupt from the beginning. Marguerite is JK's prisoner. She has no actual security or agency. She does not have the power to consent to anything they have done together, not really. So if you're asking me to pass moral judgment on my own story, that's it, and I said that pretty much in my opening author's note This captor/captive trope is fundamentally flawed and this story is my attempt to recognize and subvert that power dynamic, but that power dynamic exists here and I can’t pretend like it doesn’t. There is no way for M to know if she actually loves JK or not and vice versa because they are not in an equally-balanced situation where she can honestly assess that without her powerlessness being a component. 

Now, for JK's culpability in Marguerite's assault, there are many things true at once that I feel prevent it from actually being a simple answer: -JK had more power than Mishka and I believe people in power are morally obligated to protect those without power (even at their own expense) but this is a moral judgment of my own -By not being honest and upfront and allowing M to understand everything he was doing and why, he denied her agency in assessing the risks SHE was willing to take/be part of -M did not deserve this to happen to her but it also does not ruin her or destroy her  -Anything JK chose had the risk of grave consequences -JK does not have equal power to the Thane -JK does not understand the weight of what he risked with M because he comes from a place of privilege where sexual assault is not a thing he experiences or fully understands, as ingrained in him by his culture (not a moral excuse, but still a truth); he feels like he has convinced her not to consider suicide

Do I think JK did/didn't do things that directly contributed to the position she's in? Of course! Tons! Does that mean I think he's responsible for those things happening to her? You're asking one of the BIGGEST QUESTIONS IN PHILOSOPHY lol. Which matters more when debating whether an act was ethical: the person's intent or the consequences? Most people believe the “truth” falls somewhere in the middle of that...

So here are some things to think about because I'm the writer and can play God and tell you other things that could have happened: -JK immediately challenged the Thane in the very beginning of this story. Based on the rules of that challenge, JK was killed because he is half the age and strength of the Thane and when you challenge a Thane, it is NOT an even fight. JK would have been killed and M immediately becomes the Thane’s. The Thane is immediately bored with this victory and just kills her. -JK secretly kills the Thane. When it’s uncovered what happened, the Hold is torn apart in a bloody battle and ultimately JK is put to death for murdering his Thane. M becomes a slave of the new Thane or of the Hold. That doesn’t go great for her. -JK takes her back to her family early on. While he’s gone, the Thane kills his family as punishment for JK breaking their deal and breaking the “spoils of war” rules by freeing a slave against his Thane’s command -JK challenged the Thane as soon as the Augurs said M wasn’t pregnant, and dies in combat. M becomes the Thane’s. -JK murders the Thane towards the end of the month. He’s put on trial for murdering the Thane. Maybe he wins but is murdered by people who believe he acted without the blessing of the gods. Maybe he is put to death and M is sold back to the Stone Cleavers. -JK and the Augurs keep M locked away in a hut for three weeks and it’s proven in that time she actually is with child and rightfully “belongs” to JK. He is then free to choose whether he keeps her or allows her to return to her family. -JK and the Augurs lock M up for safe keeping and it’s not proven she’s with child within three weeks, but in the meantime JK has had more time to evaluate options and may have a “second chance” at what to do, especially now that he knows Augur Thekla and the ghosties may actually not be impartial, and may be on his side -JK does nothing and the exiles attack in the meantime so it’s moot because the Thane is killed or JK is killed or M is killed -JK lives in a tree outside the hut to make sure nothing is going on. The Augur who covered for the Thane says JK was trying to get in, or plants evidence, and JK is killed along with his whole family, M becomes the Thane’s.

And the list goes on. JK made a choice based on thinking of all of these things and his intention was certainly not for M to be hurt by the Thane. We can be sure of that; it’s in everything he thinks and does. But the consequences of his decision still led to that. Should he have been able to predict it? Maybe! Because it was definitely an option, along with all those other options above. I suspect we would be having this same question arise if any of those other things had happened to. “Why didn’t JK just have faith and be patient?” 

We know that he and M both think philosophically sometimes. They’ve had pretty profound discussions together. You can be sure they are both thinking all of these things. But I won’t say more about the future because... the story isn’t over yet. :) 

I will say again though, this story does have a happy ending, one that I feel is justified. Some readers may not! Especially if you see this as a very black and white guilt. I will gently suggest though that in pretty much every story of mine, there comes a point where I get a handful of readers saying “I CAN NEVER FORGIVE THESE CHARACTERS” and then within two chapters they do. That doesn’t mean you will! I just say that to remind that the story isn’t over. We have not heard from M yet about her own assault, which is what I think is the most important voice in all of this. At the end of the day, I’m the writer so I can cheat here, but I ultimately think that M’s judgment is the one that matters most in this situation, and as the writer my only promise to the reader was that M will have a happy ending --which to me means SHE feels like her story ends happily.

[ginmo]

How do you think the Bran and Jaime’s meeting will go in the books? I’ve read theories guessing he might end up as King Bran’s Hand, meta where the writers want him to become a mentor or father figure to the Starks in a full circle of his redemption arc, while others don’t want or think he should be involved with the Starks long-term either because of his and his family’s sins against the Starks or because they view his arc as reclamation rather than redemption or atonement. 1/2

This is what GRRM said about Bran and exploring time. 

“It's an obscenity to go into somebody's mind. So Bran may be responsible for Hodor's simplicity, due to going into his mind so powerfully that it rippled back through time. The explanation of Bran's powers, the whole questions of time and causality - can we affect the past? Is time a river you can only sail one way or an ocean that can be affected wherever you drop into it? These are issues I want to explore in the book, but it's harder to explain in a show.” - Fire Cannot Kill a Dragon

Hodor’s name reveal is neat and all, but Bran’s power to manipulate the past doesn't exist just so we can randomly learn Hodor’s pointless name origin. That would be ridiculous unless the scene was used to introduce that ability. Hodor’s name reveal is important to the narrative, and I believe its purpose is to set up a much bigger event/reveal involved around Bran interfering with the past, not just observing it. I’m pretty sure GRRM was hint-hinting to D&D about this, which is why he told them about the random ass Hodor scene that was already written, thinking it would be obvious what that means for the overall plot and letting them run with it but………………..

Because of this, I think it’s possible Bran brought himself to where he is. 

IF Bran isn’t involved in The Push, then he could have been involved with Jaime killing the Mad King. I kinda like the idea of Bran playing into Aerys’ madness, causing him to stock up on wildfire around the city, because then the wildfire would be an essential future plot element for a bigger purpose towards the end of the series and it would be a question of time, “a river you can only sail one way, or an ocean that can be affected wherever you drop it,” but for the entire series. (And, as someone with a passion in astrophysics, I’m a sucker for discussions around time. BUTTHAT’SJUSTME) 

Do I totally subscribe to this theory? Eh. I’m still not convinced Bran is King of All of Westeros for reasons, but I’m open-minded. I DO think Jaime is surviving the series, for reasonsssss, so I’m putting that disclaimer out there right now. I will never claim with absolute confidence that he is surviving though because, I mean, nobody fucking knows, and there’s an argument for death. I’m just going off of narrative clues that I perceive to be clues, and taking other character arcs into consideration. After literally drawing up a table because I’m weird, the column for Survive has more evidence and justification than the column for Dies, so that’s why I lean the way I lean. SO with that being said, I think it’s possible he has more of a political future.

IF this is what GRRM is writing, Jaime would still be responsible for pushing him, of course, but future Bran would want to be pushed. He'd be setting everything in motion to create the butterfly effect that makes it happen. 

Even if that isn’t what GRRM had intended with exploring time, it’s highly likely Bran’s character development is taking him down a path of apathy over it, meaning he wouldn’t be needing Jaime to do something for the purpose of redemption for him. 

Speaking of Redemption…

-deep breath-

I’m going to go off on this a bit because it IS relevant, I swear. 

“Limits of redemption” is probably the biggest wtf interpretation fandom has when it comes to what GRRM actually said. I’ll try not to go off on it too much here but -

Interviewer: Both Jaime and Cersei are clearly despicable in those moments. Later, though, we see a more humane side of Jaime when he rescues a woman, who had been an enemy, from rape. All of a sudden we don’t know what to feel about Jaime.

GRRM: One of the things I wanted to explore with Jaime, and with so many of the characters, is the whole issue of redemption. When can we be redeemed? Is redemption even possible? I don’t have an answer. But when do we forgive people? [...]  I want there to be a possibility of redemption for us, because we all do terrible things. We should be able to be forgiven. Because if there is no possibility of redemption, what’s the answer then?  [x]

I bolded “we” from the interviewer, because it gives context to GRRM’s answer with “we” being the readers, not the characters or Jaime himself. (I think there’s another interview where he says “limits of redemption” but it’s in the same context. I could be wrong but I SWEAR I heard it. Anyway…) 

“I kind of tried to ask, ‘do you think he’s changed?’ to get him to talk about Jaime’s redemption arc, so he said something like he wanted to explore the concept of forgiveness and whether it’s possible to be forgiven for doing such horrible things, and that his goal was to ask the question, not give an answer.” [x]

Fandom thinks this is the characters giving Jaime forgiveness, and maybe there will be a small element of that in the books, but the question is for the readers. No, Jaime is not actively seeking redemption from people. His redemption is for himself, through living his best life, by rediscovering the person he used to be. Yes He Will Be Redeemed and No He Will Fail assume redemption is some arbitrary checklist determined by One Big Act, and they’re answers to a question GRRM doesn’t want to give an answer to. 

The purpose of Jaime’s POVs is to ask the readers, and the most obvious moment of this was the bath scene. GRRM smacks us over the head with the Aerys confession, and then as we’re introduced to more and more of his POV chapters, he slowly chips away at the Jaime illusion that was intentionally established the moment he pushed one of the perceived child protagonists out of a window. It’s brilliant, and I’m sorry GRRM that a large chunk of your fandom is too dense to get it. How frustrating lol. I’ll be insulted for him. (I’m legit wondering if his recent angsty tweets about grey and redemption about real life stem from a concern that his fandom won’t understand the point of the series.) 

To give you an idea of where these people are coming from, at least one BNF idiot on Twitter believes redemption hasn’t been explored with Jaime yet. 

But uh… 

GRRM mentioned his intent is to “explore redemption” after delivering Jaime POVs, because... it’s... not a spoiler… he’s already exploring redemption, because the question is being asked TO US. We were supposed to have an “oh shit” moment, realizing this is more complex than the surface level, biased perspective we were delivered at the beginning of the story. “Maybe Westeros and my protagonist have it wrong.” -cough- the people in the village in BatB -cough- 

No matter how much fandom likes to pretend they love GRRM for pushing the boundaries of fantasy, they secretly fucking hate it. They love to be comfortable, dude. That’s why they read this series as if it’s a clear cut Good vs. Evil, because a) ego and b) that’s easy. If GRRM was writing Jaime as doing everything with ill intent then…. his… question isn’t being asked. They think everything he does right now is selfish and Bad, so they’re waiting. They want it spoon fed to them. They want classic fantasy. They want Starks = Good, Lannisters = Bad. 

But… if the author sees Jaime’s actions as grey and complex, enough to ask the question to the readers if he’s redeemed in their eyes or not, then he’s not going to write an endgame that punishes the character for narrative payoff, because he doesn’t see his actions as “sins” or “crimes” in the same way that these people are. Once upon a time, a person on tumblr reblogged one of my posts and said that Jaime will rape Cersei before he kills himself and that will be his endgame. But GRRM doesn’t view Jaime as a rapist, so he’s not going to write Jaime as a rapist. I’m bringing that up, because it’s the same phenomenon. People can ignore authorial intent all they want, but NOT when it comes to predicting narrative trajectory. The general fandom is terrible at that lol. 

The exploration of redemption for Jaime comes in the form of confronting his disillusioned self and everything attached to it. Before someone thinks, “lolllll he isn’t disillusioned” 

 “he actually was a very idealistic young man who was disillusioned by life” [x]

Jaime’s redemption is the path of returning to that idealistic man for himself. It’s by feeling ashamed of the things he’s done to hide his love for Cersei. It’s by gaining independence and detaching from the toxic relationship that caused a mess outside of them. It’s by wanting to be like the knights he admired in his youth, and like the woman warrior that inspired him. 

So when I think about narrative payoff for Jaime, I don’t see it framed as him being “punished” for actions viewed as “crimes,” when GRRM clearly established those “crimes” as complicated and grey with a character already going through some positive development, and especially when the characters judging are written to be flawed as well.

On the other side, having him be “punished” by succumbing to hatred and anger is for sure giving an answer (this just… -sits on hands- don’t even get me started on THIS fucking hot take). That answer would be a clear, solid, “No, no matter how hard he tries to turn his life around, he can’t be redeemed, because he’s a hateful, angry, fucked up person.” I’ve legit seen people think “limits of redemption” is a boundary of redemption drawn in the sand that Jaime is walking towards but he won’t be able to cross it. I-......................... 

And what’s even the point of his handchop if scenario number 2 happens?  

“And Jaime, losing a hand, losing the very thing he defined himself on is crucial to where I think I want to go with the character. And he questions what do you make of yourself if you’ve lost that.” - GRRM [x]

(I’m going to put this quote in every post sorry not sorry) 

So he’s going to take Jaime on this big identity journey just for him to be like “lol nah he isn’t that” …?? That makes the loss of his hand meaningless, not “crucial.” Is it really crucial for him to lose his hand if he’s bringing him back to the beginning? Is it really crucial for him to lose his hand to make himself realize he’s hateful and a failure and murder Cersei and then himself? No. He could have still met Brienne and been inspired by her knightly ways, attempted to live a better life, found out about Cersei’s affairs, etc. He doesn’t need to lose his hand to reach a point of fucking murder/suicide lmao fuck (not saying he’ll do that but I KNOW people are thinking it). 

The loss of his hand is “crucial,” because GRRM has bigger endgame plans for him in the form of politics, and the journey to believably get there requires the forced loss of his warrior identity and everything that the hand symbolized. 

AS FOR THE ACTUAL HAND THEORY...

Even though I’m undecided on it, I CAN see it IF Bran is King. I get it. Jaime’s missing his right Hand, he becomes the Hand to the kid he pushed out the window. Hardy har har. I understand how that would be pleasing.

And we all know GRRM said something about how the best ones for power are the ones who don’t want it…  

And… this suspicious scene at the very beginning of the series… 

“You should be the Hand.” 

“Gods forbid,” a man’s voice replied lazily. “It’s not an honor I’d want. There’s far too much work involved.” 

Bran hung, listening, suddenly afraid to go on. -AGOT

BUT IF that happens, it wouldn’t be there as some sort of #atonement #forredemption. It would be there because of Jaime’s growth as a character after developing into a political player, after asking himself, “what do you make of yourself if you��ve lost [the swordhand]?” He’s no longer the warrior he once was. He dislikes any sort of political position, because he feels most alive with a sword in his hand. But that was Warrior Jaime, and the point of “what do you make of yourself after you’ve lost that” is Jaime going down a different path after discovering that Warrior Jaime has died. I mean, he’d never be actively seeking power and thinking it’s the best career ever, like he’d probably be all -sighhhhhhh- about it, but he’d be doing the responsible thing and what’s necessary. He’d make himself useful in a new way. 

“The Warrior had been Jaime’s god since he was old enough to hold a sword. Other men might be fathers, sons, husbands, but never Jaime Lannister, whose sword was as golden as his hair. He was a warrior, and that was all he would ever be.” - AFFC (Do I really need to make a post about how GRRM foreshadows? Mr. Bran: “I never fall”...?)

Jaime losing his hand was the narrative consequence for The Push, making all of his development post handchop -ALL OF HIS POVS- the redemption theme. It was the hand that pushed Bran, fucked his twin, killed his king, swung the sword against fandom’s Precious Protagonists… 

“You ought to be pleased. I’ve lost the hand I killed the king with. The hand that flung the Stark boy from that tower. The hand I’d slide between my sister’s thighs to make her wet.” - AFFC

So if Jaime becomes his Hand, it would be the two characters meeting in the middle, not Jaime groveling at his feet, begging for forgiveness, framed as a punishment for sins - “sins” that fandom views as “sins” that need narrative payoff, because they don’t understand intent. 

[lorei-writes]

How To: Comments

A brief guide to commenting under the fics by Lorei.

As some of you may know, I am a court overthinker. I know that human interactions can be scary - and honestly, sometimes so is commenting. However... I wish that anxiety did not stand in way of interactions between readers and the author. So, to cut this introduction short: from me, an anxious writer-overthinker, to you, any person who may need it.

Contents:

Few general truths.

Do’s.

Don’ts. 

All things I will talk about stem from my personal experience and observations. It may vary to some extent between writers, although I did my best to stick to the general trends and to mark where something is more of my personal opinion.

EDIT: As per usual, this is just the general “this will be most likely okay”. If you are doing things differently and it works out for you - great! No need to change that. This was written with people who may be anxious and/or overthinking the matter in particular. I also tried to remove myself from this as much as possible.

Few general truths.

Does my comment even matter?

Yes, it does, especially for longer series. It may be one of the few things pulling the writer through a crisis. 

Your comment notifies the writer that they are indeed seen, that their words reached somebody. If the story resonated with you in any way, letting the writer know that it did may boost their self-confidence, and perhaps even motivate them to keep on writing. 

The writer didn’t reply to my comment. Did I do something wrong?

No! In plenty cases, the writer may not know how to reply, simply as that. They may not have enough time, they may be too tired - just the ordinary, mundane life stuff can cause such a thing too. 

An important thing to remember here is that they still appreciate it, even if they don’t have enough resources to reply to every single person - or even any of them.

How do I know the writer even welcomes comments?

Unless it is specified they do not want comments (or a certain type of comments), assume those are always welcome. 

Do’s

Good will and courage is one thing, but... What could a comment even include?What things are appropriate? Ahhh, no, this is too hard...!

*catches your hand and pulls you back* No, no, no, don’t run, I’ve got you covered! 

First, remember that it is way more likely that what you want to say is okay than for it to be inappropriate. Worst case scenario, the writer will tell you that well, you missed the mark - but! Then you will have the knowledge on what to avoid doing. Your potential to cause plenty good is still way greater than that to cause harm. Not only that! You can apologize! We are humans. We all make errors. Never doing a thing in fear of messing up never leads anywhere. 

So, what things are generally okay*?

If the story made you feel something, say so! For example:  “This made me feel happy!” “I smiled too much because of this story!” “I’m crying, nooo.” “This is so sad!” “My heart has melted.” “This made my day!” “I love it!”

If you can’t find words for your state, emojis work too!  For example:   😭 ❤️ ❤️ 😳 💖 🥺 🥺 🥺 😍 💯✨

Of course, mixing up emojis with text is a great idea! The only thing you may want to be mindful of is that screen-readers do interpret emojis too - so you perhaps want to avoid emoji-[word]-emoji combinations (which overall, applies to the internet in general, btw). 

The story made you think about something? Elaborate! The tricky part here is that yes, you are sharing your thoughts, but you should also tell the writer something nice about their work. The rule of thumb seems to be that it is the story that is in the spotlight, not your experience - or, in other words, you are speaking of the experience in relation to the work, not the work in relation to the experience. For example: “I love your OC, they are so relatable! I don’t think I have ever seen a character which spoke to me so much. I struggle with XYZ too, so I’m feeling for them, I know it’s hard :(” “AAAAAA. The theme of red string reminds me a little of a certain superstition. Some people here think red bows are a good-luck charms. This is wonderful, I love it. 😭💖”

Now, this may seem a little self-centered. Allow me to explain why I insist the story is kept in the spotlight.  Imagine that you’ve spent your time on writing a story, however much of it. Let’s assume it’s about missing a long-deceased pet. Then, you get this comment:

“Nooo, this is so sad, I used to have a dog like that too 😭 His name was Teddy and we were best friends. We’d oftentimes sit together and sometimes I’d throw him a stick. Whenever I would cry, he’d come snuggle up with me, and he wouldn’t leave me until HOURS after I’ve calmed down. I miss him so much, I wish dogs could live forever 😭 “

Now, this makes the situation uncomfortable. You must remember that well, sometimes you may still be almost complete strangers to one another, and this much information puts a great emotional load on the writer. Is it still the writer’s space after such comment, or...? Yeah. It is a bit of a lapse in regards to well, knowing a person.

You are simply thankful and don’t know what to say? Express gratitude!  For example: “Thanks for writing <3 “ “I really needed to read this story.” “Thank you!”

Other things which generally are okay to include:

key smashes (as part of the comment, so that the author knows what you mean) For example:  “I’m wheezing ghesgeskgess” “ghoeigjeshes THANK YOU”

quoting the part of the work you especially liked + adding emoji at the end/commenting something under it

listing the things you enjoyed about the work

Of course, you can do some of those, you can do all of those, you can do just one - whichever suits you!

Don’ts

Okay, we know what is going to be fine. Now, what things to avoid? 

Do not give critique unless the writer clearly asked for it.

Critique must be consensual. Unsolicited advice is not. Sure, your intention may be good, but it leads to backhanded compliments and nobody likes those.

Example of what not to do:

“I enjoyed it, tho it was rater boring at first and it took me several tries to even get to the half of it.  Like, some things were confusing? [Explanation].  Overall, yeah, hard to understand and boring at first, but I liked it.”

Now you may ask - is the writer exempt from feedback?! And the answer is... Yes, honestly, yes. Unless they ask for it, yes. As long as they don’t hurt anybody - yes. Although then I suggest blocking instead of going on a crusade. 

FanFiction isn’t the same as published books. We don’t get paid for it. It is simply an act of sharing what you enjoy with the world, like a sort of perpetuum-mobile. FanFiction propels the reader, the reader comments and thus puts the writer in motion.

Now, you can say that something made you sad. You can say that something made you angry, or that it wasn’t what you were expecting. BUT. Make sure you aren’t demanding the writer changes those things. 

This stretches also to typos, grammar errors, etc. - unless you are absolutely sure the writer asks for this sort of feedback, assume it is unwelcome.

Also, from my personal experience: it happened to me once. I did not know what to reply and went on with my standard apologetic... Ekhem. I regret it. The person who commented knew less about the issue than I did.

EDIT: There is also another reason for this - most often, if a person wants to get feedback, they look for a beta-reader. Beta-reader is a person who reads the work before it is posted. Generally, they point out errors and inaccuracies. However, for it to work well, you need a certain sort of fit, both in how the message is delivered (some people do well with harsher criticism, some need to be more gentle with them), in the writing style, and so on. Another thing when looking for a beta-reader is that, well, you generally look for a person that knows more than you do, or is at a similar level. This isn’t to say that we know more than every single person out there - only that it’s hard to ascertain it at first glance and it’s generally better to talk about it before any critique is delivered. Communication is the key.

Do not ask when the next part will be posted/when your request will be completed unless you are sure the writer is okay with such questions. 

When this happens, many writers feel as if they were being pressured into working harder.

Do not write fleshed out paragraphs of what you think should have happened.

If you have an idea for a story - write it. Again, we write in our free time and do it for fun. This feels like being pressured or told what to do.

What may be more grey in regards to whether it is okay or not is theorising about what happens next. To me, personally, that would be okay, but you may want to ask your writer whether they are okay with this sort of things - for example, by writing a comment with a short theory and then asking whether it’s okay to do so? However, be mindful not to tap into suggesting or putting too much pressure on what must happen.

Do not write “Imagine that... [fleshed out scenario]” type comments.

Those are basically requests hidden as comments.

Do not compare writers to other writers (You are so much better than XYZ/ You wrote trope X so much better than XYZ).

This is pretty self-explanatory. We want to lift each other up, not feel better about ourselves because of putting others down.

Another slippery situation here: some people may mind being compared to published authors. Some may not. It is hard to tell, there is no strict rule here.

Hmm... I think it’s about it? ^^” I hope it was helpful ^^” Overall, if you avoid those major Don’ts, you should be good ^^”

[skybird13]

*sigh* Okay...

I’ve been debating on whether or not to make this post. Not because it doesn’t need to be made, but because I’m not sure I’m emotionally up for it. But at the end of the day, staying quiet is exactly what got us into this mess, and curling into a sad little ball isn’t going to change what happened, and this particular shit needs to be called out and acknowledged. 

I was asked to address something posted by Eddy Rivas, one of the writers of RWBY, on Reddit yesterday. It was a shortlived post because apparently he or someone who read it realized what a monumentally bad idea it was, but sadly for him, my fellow cockroach gays are pissed as hell and we have screenshot capabilities. I don’t care that he removed/edited the post. This was still his instinctive response to the absolute pain caused by him and the rest of CRWBY as a result of volume 7 episode 12:

I am so damn tired and so hurt. But I am going to do my best to address this in a civil and reasonable way. 

The Problem With Judgment Calls

First of all, to an extent, I understand the predicament Eddy describes. I really do. I get that being on the creative end of a popular web series is very different from being on the fandom end, and conventional wisdom dictates that creators should do their best to make sure the two don’t mix past a certain point. That necessary separation probably does make these kinds of judgment calls difficult. 

The problem is that several members of CRWBY (including writers, animators both former and current, social media managers, and the marketing team specifically) violated that boundary more than once long before episode 12 aired. There were so many things that factored into Fair Game gaining traction as quickly as it did, and many of those things came from the deliberate way that many members of CRWBY interacted with the fandom outside of the show itself. From the official RWBY Twitter account to the suggestive tweets made by a former animator, to the Twitter and Tumblr posts made by a current animator, this ship was heavily and unambiguously encouraged and leaned on multiple times over the course of this volume. 

Sure, you can make the claim that you can’t control the animators (especially if they no longer work for you), or that the creators and the marketing team are two separate entities and that the actions of one do not necessarily reflect the intentions of the other (both things also stated by Eddy Rivas in a series of Tweets). And perhaps some of that is accurate. It points towards a fundamental lack of oversight and cohesiveness in the organization that is Rooster Teeth, and that should absolutely be addressed moving forward, but quite frankly, in this case, it doesn’t even matter.

The fact of the matter, Mr. Rivas, is that the boundary was violated. Multiple times. On your end. These types of judgment calls are not a one size fits all, and the moment active members of CRWBY took action to encourage something you knew was going to cause pain, it should have been addressed. I’m not putting that on you personally, because as a writer I realize you probably don’t have that type of authority, but someone there should have put a stop to it. There is the matter of the personal responsibility shirked by the two animators who contributed to this mess, and frankly, they should have known better, but this does not excuse CRWBY’s collective silence.

The fact of the matter is that due to the actions taken by CRWBY both in and outside of the show (including the things you could and could not control) you absolutely reached a point where that boundary should have been purposefully crossed in order to mitigate damage. It doesn’t matter what got you or us there. It doesn’t matter whether or not it was intentionally done (it was, let’s not kid ourselves). Things built up, hopes were raised as a direct result of your actions, and you all reached a point where you were morally obligated to say something. Do I suggest a single individual should have taken this on? No. I understand the legal ramifications of that. But CRWBY as a whole and RT as the production studio absolutely should have stepped forward. Would that have fully removed the pain and the disappointment? No. But you wouldn’t be facing the backlash you are right now if you had. 

The Problem with One-Size-Fits-All

Closely related to the previous point is the fact that you, Mr. Rivas, seem to be under the impression that a single judgment call policy should and can apply to all situations equally. That’s not the case. We’re not talking about other ships here, hypothetical, canonical, realistic, unrealistic, or otherwise. We’re talking about this ship. 

The Fair Game ship was the first and only indication we had in seven volumes of RWBY that a prominent mlm relationship might be coming in to play. You have no other relationships of this nature in the show. You don’t even have other male characters who might be able to qualify as gay or bisexual who play major roles. Add on to that the fact that you planned to have one of these characters die in the most brutal and graphic death scene we have gotten to date in RWBY, and no. I’m sorry. That flimsy defense doesn’t stand. This ship was unique, it appealed to a very underserved segment of your fandom, and it should have been treated with the levity it deserved. 

You make the argument that saying something about this ship but not others wasn’t plausible. The issue with that, sir, is one of trust. Up to this point, I and a lot of people I know trusted you, which means you can get away with building up relationships without ever coming out to confirm or deny them offscreen. As long as you understand the narrative promises you’re making as a storyteller to your audience, and understand the importance of fulfilling them through narrative payoff at some point in the story, we’re usually pretty willing to follow you and watch it unfold. This is how writing works. You have to be aware of the promises you’re making and you have to be able to follow through on them in satisfying ways. This goes double if you plan to fulfill them in unexpected ways (note the word fulfilled still applies). If you don’t do that, trust is broken and you have a problem. 

Fair Game is unique in that you knew from the beginning that trust was going to not only be violated but brutally so. CRWBY made promises with Clover and Qrow that they never intended to keep, and that is one of the core issues here. If you want to cling to the excuse that it was all unintentional (again, one I do not buy), that only means you absolutely should have said something to that effect long before we ever got to this point. It would have given nothing about the plot away to let us know that wasn’t the intended direction and it would have calmed down the excitement that built up so quickly around the ship. It certainly would have prevented a lot of people from being emotionally and psychologically damaged as a result of having that trust destroyed. 

Not saying something about relationships that may or may not happen is VERY different from not saying something about a ship that you know is not going to happen because you plan to brutalize and murder one of the characters on screen in spite of the narrative promises made. Particularly when the ship in question would have offered rep to people who thus far in the show ( when we’re over halfway through the series) still have none. 

No rep to be found here...

I’m not sure I should even have to address this but apparently, it needs to be said. It will be short because it’s a pretty damn simple answer.

You want to know “how well [saying no rep to be found here would] have gone over?”  A hell of a lot better than the queerbaiting fest you have victimized us all to for the last three months.  Would you still have had disappointed fans on your hands? Absolutely. But the psychological and emotional damage you all caused in episode 12 could have been so easily avoided, and that should have taken precedence over whatever tension you wanted to maintain between these characters in the show. 

This should not have been a difficult decision, and quite frankly, the fact that you don’t understand this is a little alarming. 

We Are Not a Shopping Montage

Alright. Here is where my civility is going to deteriorate noticeably, so fair warning.

You had the audacity to compare the emotional trauma of hundreds of LGBTQ fans to the disappointment of not getting a fucking shopping montage??? You even acknowledge that on an emotional level these two things are nowhere near being the same thing, and you still tried to justify your actions and the actions of CRWBY with it? That emotional fallout is the thing that matters here. 

But there’s even more to it than that.

The hopes for a shopping montage came from a single Tweet from the official RWBY Twitter (if I remember right) about a montage scene being in volume 7. That was it. That was all fans had to go off of. This absolutely was a case of imaginations running wild and people hoping for a scene that, quite frankly, in light of the show’s trajectory since volume 3, wasn’t a reasonable expectation to begin with. CRWBY was in no way complicit in or responsible for this expectation that I know of, and even if you were.... It. Was. A. Shopping. Montage.

And you dare to compare that with the intentional queer coding of Qrow and Clover’s relationship in the writing, the animation choices, the character design for Clover, and the behavior of CRWBY on social media, only for Clover to die horrifically and for Qrow to be absolutely destroyed emotionally and mentally on-screen??? You dare to relate the disappointment of people who didn’t get a pointless shopping scene with the trauma of watching a loved character’s murder and another loved character’s emotional/mental destruction??? Really? That seemed like an appropriate thing to say?

I don’t even know what else to say to this except absolute world-shattering shame on you, sir. How dare you?

And then to top all of this off, instead of apologizing, instead of showing some contrition, you tried to delete this post and pretend you never said it. Did you hope we wouldn’t notice? That we wouldn’t react if you tried to take it down? Were you even the one who realized what you said or did you need it pointed out to you?

You should not be a writer, sir. You sure as hell should not be a creator of content that engages with people on an emotional level because you clearly have no respect for it and no understanding of the responsibility you bear because of it. 

What is wrong with you?

Tagging @fairgame-is-endgame​ who asked me to say something on this absolute bullshit. 

[rachelthompsonauthor]

What is social proof? It’s a marketing concept that we are all inadvertently, unknowingly contributing to every time we click on, retweet, like, reply or comment, and share any kind of social media, article, or blog post on the net. Technically, social proof, as defined by Sprout Social is:

The concept that people will follow the actions of the masses. The idea is that since so many other people behave in a certain way, it must be the correct behavior.

Social Proof and Me

As an author, social media is a hugely important part of my author platform, as it is for any writer or blogger. This is how we connect with readers now, even before the pandemic. Virtual, online events are now the norm. Instagram, Facebook, and YouTube Live video discussions are the new book signings. Twitter chats are weekly on any number of topics; I have two of my own, in fact, #SexAbuseChat every Tuesday at 6 pm pst/9 pm est and #BookMarketingChat every Wednesday at 6 pm pst/9 pm est.

All important for visibility, branding, and most importantly, connection.

However…there’s a limit. I reached my limit over the course of this past year. It didn’t come all at once. It came, little by little, reaching a peak this past month or so.

Why? How? Me, the so-called social media expert?

Access. Like many people, I have issues with the incredible level of access Facebook gives people once we friend them without our consent. PMs (private messages) are automatic, now with the ability for people to call, voice, and video message us, with no option to shut these options to OFF unless we unfriend the person (we can, however, mute a specific conversation). Technically, we do give them consent in the legal mumbo jumbo we all agreed to when we joined back in the 2010s.

I am not okay with this. And Facebook doesn’t care. Nobody cares. You’re probably thinking, “Geez, Karen. Shut up, already. Stop your whining, white lady.” I get it. I do. First-world problems.

I counter with: I hear you. It’s also part of my business. A huge part. Here’s why:

As someone who manages over 70+ various social media accounts as part of my BadRedhead Media business, plus my own accounts as well, Facebook requires I have a personal account in order to manage all those other Pages. I do understand why, particularly with all the ridiculousness of the past four years with the abundance of fake accounts, fake news, and such.

As a survivor of sexual abuse and stalking, this is ultra-concerning to me. So, what happened this past month or so? Suffice it to say, one person repeatedly tried calling me. I never pick up Facebook calls, especially if I don’t know you. Another left me a few voice messages saying they were offended by something.

Yet another left me another message in ALL SHOUTY CAPS that she didn’t find what I posted inspirational enough and she expected better from someone who is “supposedly on the side of authors.”

Oh, and there is the one lady who started replying on ALL my posts to the kind people who did comment that she didn’t think I replied often enough or to her satisfaction.

Well. I’ve been criticized before. You should read some of my 1-star reviews. There’s plenty!

But, for whatever reason, this struck a chord. I got up in my feels. I cried. I talked with one of them and we worked it out because we like and respect each other’s work in the mental health space. The others I blocked. It’s darn frustrating to donate hours of my time each week to helping writers solely because I want to, only to be told it’s not enough. Like, seriously? Fuck off.

My blood raged. My heart sank. Understandable, right?

But what really made me angry is that I put myself in that position by being available. I accepted that ‘it is what it is.’ This is what the social media platforms have given us, so that’s what I have to work within.

I’m too available. It’s too easy to leave me shitty messages. This is why people hire people like me – to handle this crap for them! So they don’t have to read these ridiculous criticisms from judgy people who apparently have nothing better to do or are having a bad day.

And I get bad days. It’s a damn pandemic. We’re all struggling. Where’s the damn compassion for one another?

I have a dislike/hate relationship with Facebook anyway, since about ten or so years ago when I discovered that a past love had died by suicide by going to his personal profile and seeing, “RIP dude,” messages there. We had spoken early that day. It still haunts me.

So…what to do? I’m claiming my time. I’m not posting to my personal Facebook profile right now. I’m ignoring it. I am checking my Pages and of course, my client Pages. When I feel like I can face it again, I will cull my ‘friends’ down from *checks real quick* 4385 people to maybe, I don’t know, the few hundred in my groups, many of whom I do know and treasure.

Social Proof and You

If you’re a writer, social proof matters. This is the world we live in. Publishing is not only writing.

You need to be ‘findable,’ not only on Google, but also on each individual social platform, so your readers can learn more about you and hopefully, buy your books. If you go the traditional route, publishers and agents want to know how many followers you have (easily upped by buying fake followers or likes from Fiverr or wherever). I suggest not doing that, because:

1) fake followers don’t buy books 

2) it’s usually pretty obvious when you have fake followers because they’re all foreign names, have questionable bios, and no tweets

3) do you really want to start your publishing career with a lie? 

They also want to know what you post, how often, and what your branding is. If you’re an indie author, honestly, the same applies. Social proof is about connection, building relationships, and authenticity. I’ve believed that since I started my business and writing career way back in 2011, and I stand by it now. Start slow, grow slow. It’s not a race.

I’m the furthest thing you’ll even find from a conspiracy theorist – I don’t believe in chemtrails, pizza parlor cabals, or that the earth is flat. However, I am a realist. Watch The Social Dilemma sometime. These huge tech companies share our data without our knowledge or consent (Cambridge Analytics, anyone?). Younger generations are so used to this, they don’t really care – ask them.

(My kids think having a chip implanted in their hands with all their data is a fabulous idea. “So much easier than having to talk and repeat everything over and over. Just scan me and be done with it,” says my daughter Anya (21). “Agree,” grunts my son, Lukas (15). Buy stuff, go to the doctor, whatever. Scan and go. Talk with any GenZ kid, you’ll likely get a similar answer. They’ve been tracked since birth everywhere. They don’t know life without a computer, tablet, or phone in their hands.)

Know that whatever we do, it’s all part of each platforms’ AI, and they share data, which is why that darling pair of shoes you just saw on Amazon is now showing up on Google, Facebook, Twitter, and every website you visit going forward. It’s all about the money, and they all get a piece of that affiliate link.

Every bit of every click is recorded, even when you’re watching videos on YouTube, or a subscription service like Netflix, or perusing goods on Amazon. It’s all connected. I’m not shocked or surprised by any of this, are you?

It’s Not Personal

What people say to us and about us is ultimately incredibly revealing about them. We know this, at an intellectual, psychological, and emotional level. Still, when people say mean things, it hurts. We’re human.

Does it matter in the overall scope of our lives? Who can say. It matters at that moment. It can matter when it comes to overall visibility when you’re marketing your book(s) or trying to get that book contract or interview. Only you can say if it matters to you.

Already a longtime fan of THE FOUR AGREEMENTS by Don Miguel Ruiz, I took a moment to reorient myself with this one agreement: Don’t take anything personally. I also stumbled across an excellent short and entertaining TEDTalk by Frederick Imbo. His main message to stop taking things personally is two-fold;

It’s not about me. Look at the other person’s intention and

It IS about me. Give yourself some empathy. Speak up. Ask questions. Pay attention to how you feel and be vulnerable with your needs.

I’m glad I was able to, inadvertently, employ point #2 and work out some issues with one of the people by telling him what he said made me cry. He apologized. I apologized. We talked it through and we’re still friends.

Ultimately, social media is what we contribute to it. What we make it. How much we allow of it into our lives. Social proof is going along with the tide. I’ve been in this space since 2008. Being connected to others is a big part of the work I do to help and support not only other writers, but also other childhood sexual abuse survivors. However, I’ve reached that point. I knew it was coming.

I’m not shutting my doors. I’m just adding a screen. With a strong lock.

***

Read more about Rachel’s experiences in the award-winning book, Broken Pieces.

She goes into more detail about living with PTSD and realizing the effects of how being a survivor affected her life in

Broken Places, available in print everywhere!

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