#Queer Media Monday
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Happy Queer Media Monday!
Today: Vampire in the Garden (2022)
Very beautiful anime, very underrated.
(Fine and Momo, playing music together.)
Vampire in the Garden is a five-episode Yuri anime on Netflix. It is set in a brutal world where humans and vampires fight a bitter war against one another. One of the anchor points in this fight is music, which humans have outlawed and vampires embrace. Having both lost their girlfriend in the fighting, fourteen year-old soldier-in-training Momo and vampire queen Fine get accidentally thrown together, and decide to run away, looking for an almost mythical place where, according to the promise, vampires and humans make music together.
Vampire in the Garden is a very beautiful, tragic story about hatred and trying to fight it in order to build something good together. While it is a show, it feels a lot like a movie cut into separate episodes for Reasons, so it can be watched as both. The relationship between Momo and Fine is a very beautiful and loving one, and can be read as either a romance or as an older lesbian mentoring a young one. Which is how I chose to see it, and I personally very much value this kind of queer relationship, as we don’t see it often in media.
The series is a closed story, and hasn’t been renewed, so it’s safe to assume that it was always meant to be a limited series. From what I gather in the Tumblr tag, it never gathered a very huge fandom, and the feelings on it are rather mixed. People who are interested in the very deep and serious themes seem to generally like it, while the more fanish group, who wanted to see a clear and explicit romance with a happy ending do not.
You can watch the trailer here, and stream the show on Netflix. I have also written a post about lesbian vampires as a subgenre before, if that’s something you’d like to read.
Queer Media Monday is an action I started to talk about some important and/or interesting parts of our queer heritage, that people, especially young people who are only just beginning to discover the wealth of stories out there, should be aware of. Please feel free to join in on the fun and make your own posts about things you personally find important!
#vampire in the garden#it is one of those stories that are more deep and complex and require media literacy skills#something that... certain people struggle with#to put it nicely#which tends to annoy me very much#so I'm kind of proud of keeping an objective tone in this post#anime#Yuri#yuri anime#lesbian#vampires#lesbian vampires#Queer Media Monday
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Happy Queer Media Monday!
Today: Bones of Green and Hearts of Gold by K.A. Cook
I must admit that I haven’t really read much aromantic fiction, but I will always remember this short story collection very fondly.
(Two covers for the same book, the first is the old one I remember and is on Goodreads, the second the new one I found on Patreon)
Bones of Green and Hearts of Gold is a short story collection by writer K.A. Cook, @aroworlds here on Tumblr. It contains twenty short stories centring aromantic but not asexual characters in both fantasy and contemporary fiction. Because it is a short story collection, it allows for a variety of protagonists and a variety of experiences with being on the aromantic spectrum. Often, two or three stories revolve around the same character, allowing for glimpses in their lives at various points.
I have reblogged the original post here, with my review at the time. The link to a PDF in the original browser doesn’t work any more, but the Patreon link still stands, and you can get this book for free from there even now. And as I said above, @aroworlds is One Of Us, with a blog focussing on aromantic activism.
Queer Media Monday is an action I started to talk about some important and/or interesting parts of our queer heritage, that people, especially young people who are only just beginning to discover the wealth of stories out there, should be aware of. Please feel free to join in on the fun and make your own posts about things you personally find important!
#aromantic awareness week#aromantic#books#short story collection#free books#book recommendations#Queer Media Monday#most beautiful title ever#I'm a bit sorry about the change of cover piture though#I just think that the first is prettier
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Other sign I found with myself, not necessarily for writing, but for "bigger" projects:
You want to ask someone for permission.
YOU DON'T NEED ANYONE'S PERMISSION, I PROMISE. IT'S PERFECTLY FEASIBLE ALONE, JUST DO IT.
Signs You Should Write The Story
1. You can't stop thinking about it
2. It would be exciting and fun to write
3. It's meaningful to you
WRITE THE STORY
#I've had this feeling for my Queer Media Monday project last year#and the thing I'm doing now that I don't just want to talk about as to not jinx it#the asexual Facebook page almost a decade ago#all some of the best and most meaningful projects I'd done#they all started with this urge to ask others to do it with me and just be there#not because I couldn't do them alone#but because they ARE big and important#and I guess it feels wrong to do something as big and important on your own without external permission?#creativity
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Love in the Big City: A Proposal to Extend the Discourse
youtube
Many of us have been anticipating this full length drama adaptation of the beloved novel by Sang Young Park for months, and when you watch the trailer above, you can see why: this is a queer story through and through, written semi-autobiographically by a queer man in South Korea about his own experiences, and then lovingly and determinedly made into a live action drama to bring his story to more people. It's a landmark show in the Korean media landscape; nothing of its kind has been made before. And that is exactly why the show is drawing harsh backlash before it even airs. It's too honest, too heartfelt, too steeped in empathy and understanding for the nuances of the queer experience in a suppressive society, and that scares people who want to continue shoving queer folks back in the closet.
As a result of this backlash, the story, which mirrors the novel by being structured in four parts with a different director and focus story in each set of two episodes, is being released in one giant episode dump to ensure that it all makes it onto air. Sang Young Park himself confirmed that conservative groups in South Korea are trying to prevent this show from being seen, and he is fighting to keep promoting it and will ensure its release on October 21st. It will air on TVING in South Korea and on Viki for the international audience.
The best thing we can do to fight back against this kind of censorship is to watch the show loudly, to write and make art about it and celebrate it, and to do that for more than just a couple days. Earlier this year, @bengiyo and I started the Love in the Big City book club to read the novel with friends in anticipation of this drama's release. For four weeks we coordinated weekly discussion posts to correspond to each part of the story, and we intend to do the same with the show. Given what's going on with attempts to suppress this story, I want to open up that invitation beyond those of us who are participating in the book club to include anyone who wants to watch and talk about this show, regardless of whether you've read the novel.
So here's the proposal:
Beginning Monday, October 21st when the show drops, we'll each watch the show on whatever cadence we like (personally, I will be watching two episodes at a time with breaks in between, because that is how it was made and intended to be seen)
Regardless of when we each actually watch it, we will post weekly starting on Mondays about each part of the story in turn. So the week of October 21st we will post art and meta and reactions to Part 1 (episodes 1 and 2), and each subsequent week we'll post about the next part (or each set of two episodes).
Ben and I will also write up and post book club discussion questions each Tuesday that will be more about the adaptation to live action and comparisons to the novel. Anyone who has read the book is very welcome to respond to those even if you haven't been in book club with us previously.
My hope with this proposed schedule is that we can keep discussion of the drama alive for a solid month and give it its full due. Tumblr is a crucial part of the fandom ecosystem and I want to do our part to ensure this show isn't buried. This is a complex story with so much nuance, and if we binge and forget about it in a few days, we cannot do it justice. I want to support Sang Young Park and so many others whose stories have been forced under wraps by this kind of oppression, and I would love it if you all would join me.
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tips for redditors joining tumblr
make sure you have a profile picture: otherwise people will think you're a bot. we currently have a bot infestation right now, so many people block on sight unless you look like a human
reblog stuff you like: reblogging is how this site operates. it's sorta like resharing the original post around, and it'll show up on your blog too so people who follow you will see it. sometimes you can add a comment or tags, but it's not necessary
make your experience better: if you're on desktop, download Firefox, ublock origin, shinmigami eyes, and xkit. these make the website usable, block ads, and let you know who you should murder on sight. if you're on moblie... uh, idk...
turn off tumblr live: literally no one uses it, and it probably steals your data. go to blog settings, dashboard preferences, snooze tumblr live. you'll have to do this every week, and we celebrate that on Snooze Tumblr Live Tuesday
we have lots of holidays: we have Out Of Touch Wednesday, Feliz Jueves, Kill A Cop With A Baseball Bat Monday, Get Lost In The Evil Forest Saturday, and Summon The Dark Lord To Bring About The Destruction Of The Earth Wednesday. some of these are real
don't go in the cave: don't go in the cave don't go in the cave don't go in the cave don't go in the cave don't go in the cave don't go in the cave don't go in the cave don't go in the cave
take lots of breaks: mental health is important. discourse is really stupid and dumb, and you can absolutely block whoever you want for any reason. be sure to log off if you feel tired or stressed
you have to be queer and a freak: this is the LGBT sjw website. to be accepted here, you need to act like a homosexual pervert. furries are really popular here. find a group of furries to be horny with. do it now!
most importantly, have fun: I never really used reddit much, but I know that it was like tumblr in that it was one of the social media sites that was most similar to the forums and message boards of yesteryear. as the internet is slowing being killed off by corporations and capitalism, it's important that we make the most of the small space we have left.
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Monday, July 3.
Nimona! *spoilers*
*WARNING! Major spoilers for Nimona follow.*
It's colorful, queer, and finally here. Trials and tribulations can make the victories all the sweeter, or so we are told. Only it seems there is some proverbial proof in the pudding: #nimona has finally made its way to Netflix after something of a bumpy ride, to put it lightly—and we are here for it. It's been a long time coming, too, with years and years spent in development hell.
Since its inception in June 2015, the film has survived a mega media merger between The Walt Disney Corporation and 20th Century Fox Animation (and delayed twice); in February 2021, one year before its projected release, Disney announced it was shutting down Blue Sky Studios, and production of the film was canceled entirely; it was then revived by Annapurna and Netflix; experienced several changes in creative leadership and a global pandemic (you may have heard of it) and a studio shutdown just as the film was finally coming together.
Now, the story that started life in ND Stevenson's beloved webcomic finally has made its way into silver screen heaven with its arrival on Netflix these past days. And it seems the dashboard's faultlessly loyal, long-time fandom can't get enough of this wild, wonderful, and life-affirming adaption.
#today on tumblr#nimona#nimona netflix#nimona film#ambrosius goldenloin#nimona comic#nimona spoilers#spoilers nimona#nimona spoiler#nimona movie#nd stevenson
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🗓️ this week
happy met gala monday! it's a huge week for rwrb, here's the dates & times to remember:
- times listed are local to the city the event is at - the links lead to the tag for the event on our blog
May 6, Monday - Met Gala, NYC
Arrivals begin at 5:30pm
Confirmed attendees: Nick, Uma (expected)
May 8, Wednesday - Prime Experience, LA
Screening - 7pm, Panel - 9pm
Attendees: Taylor, Nick, Uma, Ellie, Matthew, Casey, Greg Berlanti, Sarah Schechter
May 9, Thursday - LA Screening, 6:30pm
Special guests, Taylor teased attendance
May 11, Saturday - Glaad Media Awards, NYC
Nominated for 2 awards (Outstanding Film - Streaming or TV, Queer Fan Favorite)
Confirmed attendees: Taylor, Uma, Aneesh
❗️we regularly update the calendar and sidebar of our blog with key dates!
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four days ago on monday my (radical queer black) therapist told me they were an adult when 9/11 happened, and not only is the current zionist propaganda being pushed by the united states the exact same playbook, but they said it was "hundreds of times more intense" due to social media. they said it was surreal to experience it again. i said being overwhelmed with feeling makes me feel like i'm making it about me, someone with no ties to the middle east. they said it's the most natural, human thing to experience horror and grief when being made to witnesses a holocaust of innocent people.
three months from turning 30 i thought i knew everything there is to know about the evils of the world, and yet i find myself surprised to realize there was still a last sliver of innocence within me left to lose. history will remember the short-lived american empire as the single most sadistic, brutal, barbaric, monstruous and bloodthirsty sovereign state to ever plague our species, and i can only hope to live long enough to see it burn to the ground. هي فلسطين من النهر إلى البح��
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A Republican state lawmaker in Michigan said gay marriage should be “illegal again,” an inflammatory remark that prompted swift rebuke from Democrats.
State Rep. Josh Schriver (R) made the controversial statement on X on Monday, just weeks after the GOP’s strong showing in Michigan during the November election, where they wrested back control of the statehouse.
“Make gay marriage illegal again. This is not remotely controversial, nor extreme,” Schriver wrote. “America only ‘accepted’ gay marriage after it was thrusted into her by a perverted Supreme Court ruling.”
He pointed to old remarks from then-Sen. Barack Obama, saying the former president was once “more conservative on marriage than many Republicans today.” Obama first endorsed marriage equality in 2012 — the first U.S. president to do so — and later said he believed the Constitution guaranteed the right to marriage for all same-sex couples.
The Supreme Court agreed in a 5-4 ruling in 2015, a historic victory for queer Americans.
Republicans have embraced culture wars targeting queer Americans in recent years, particularly trans people. The party has pushed through laws blocking young trans kids from gender-affirming health care, barring them from school sports teams and cheered efforts to limit access to public bathrooms.
Michigan Democrats quickly excoriated Schriver.
“Please explain how dissolving my marriage, or that of the hundreds of thousands of other same-sex couples living in America, provides a benefit to your constituents or anyone else,” Michigan Attorney General Dana Nessel (D), who is married to a woman, wrote on X. “You’re not interested in helping Michiganders. You want only to hurt those you hate. Shame on you.”
Fellow state Rep. Jason Morgan (D), who is gay, said his colleague’s remarks were both “controversial and extreme, along with anti-family.”
Schriver has courted controversy in the past. In February, he was stripped of his office staff and committee assignments in the Michigan statehouse after sharing conspiracy theories linked to the “great replacement.” The false notion relies on racist tropes and claims white Christians are being intentionally replaced by immigrants.
At the time he said he was opposed to racism, but defended his social media posts and said he found it “strange” that there was an “agenda to demoralize and reduce the white portion of our population,” according to The Detroit News.
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Reading your posts, and I see you talk about, you know, creating mutual aid networks, or affinity groups. It interested me especially when you talked about relationship anarchy and building such a queer community in resistance to capitalism and exploring open love. How... how does one create such a group/community? Everything sounds great, but what are the practical steps? Especially for someone living in a rather middle big Sweden city.
If you live in a middle-big city, there's a good chance that an anarchist community and/or a radical queer community already exists and that there's a good deal of overlap between the two. Especially anarchist trans people seem like soooo abundant in the trans community. (Because they state screws us over so much.)
Anyway, communities tend to form around a space, like an anarchist cafe or a queer club house or a non-permanent space like a recurring event. When looking for an existing community I tend to frequent those spaces. When I see queer anarchists at protests I try to make friends, invite them to the spaces I know and ask what spaces they're recommend.
This takes one skill you'll need to practice: walking up to strangers and having that awkward first conversation with someone you don't know. This is an essential skill in any form of community building and the only way to learn it is to throw yourself in and to experience that being very awkward for a bit is not the end of the world. Where spaces are lacking, I try to create them. Creating a space sounds hard and if you want a permanent autonomous space then yes, it is hard. But creating a non-permanent space doesn't take a huge amount of work.
It's basically a matter of finding a venue that's okay with you hosting an event and then spreading the message "There's a queer/trans/anarchist/whatever hang out here every first monday of the month." and then just consistently show up there so there's always at least one person to warmly greet new people. (which again takes the 'talking to strangers' skill). The start of building a community can be as simple as that.
In a while, the people in that community will start to care about it and at that point you might want to talk about sharing the monday greeter shifts so you no longer have to always show up for the space to exist. Another step you might want to take is to build communication channels to announce events, like a website and social media channels. Discord is quite useful as an in-group channel to allow people to chat after the events, plan new events, etc.
The big, difficult, but super valuable step that will make your space a permanent space. I wouldn't recommend trying that alone and I don't have a lot of experience with that, so I'm going to leave that step to someone else.
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welcome to total drama wlw week! (introduction/pinned)
the purpose of this event week and blog is to celebrate and shine some light on an overlooked part of this fandom, and give some love to wlw creators who are often unappreciated for their work. as well as promoting wlw ships that aren’t always given a lot of love!
EVENT DETAILS & RULES:
drawings, fanfics, animations, edits, posts of headcanons, pinterest boards, socmed AUs, etc. are all allowed!
you can make as many posts as you want!!
you don't have to post every day!
tag #tdWLWweek24 on any social media posts
this is a tumblr based event, so post your works on tumblr, but feel free to participate/spread the word on twitter, tiktok or whichever social media you prefer to promote your work as well.
the prompts are guidelines more than rules, but do try to follow them (especially for art & fanfic)
you can choose one of the prompts given on each day, or if you’re feeling creative, try to combine them both!
it doesn’t need to be ship content! you can write an analysis of your favourite girl character through a queer lens, you can draw her wearing the colours of the bisexual flag, you can write a oneshot of two lesbians being best friends, etc.
for ship content, please make WLW/sapphic ships the MAIN FOCUS, not sidelined or briefly mentioned alongside straight or mlm pairings. fics/art that centre non-sapphic pairings will not be reposted.
celebrating other queer identities in this event is of course fine (trans, non binary, aspec, etc) but the centre of the event is wlw/sapphic identities so be sure to make that the highlight.
you do not have to be wlw yourself to participate, but of course always listen and make room for wlw creators & do your best to represent wlw stories with guidance from your wlw mutuals & friends <3
if you follow all these rules, you will be reposted/reblogged by us!
the rules listed are not to limit people in their creativity but just to ensure this remains a wlw/sapphic centred event, in order to highlight & celebrate wlw specifically.
PROMPTS & DATES:
DAY 1: thursday, 24th october - campfire / historical au
DAY 2: friday, 25th october - sunlight / butch character
DAY 3: saturday, 26th october - put a spin on a myth, ‘canon’ literary story, or fairytale that includes your pairing of choice (the tale be from any culture or country of origin!)
DAY 4: sunday, 27th october - rollercoaster / superhero au
DAY 5: monday, 28th october - robbery / proposal
DAY 6: tuesday, 29th october - double date / horror au
DAY 7: wednesday, 30th october - free prompt / rarepair
BONUS: thursday, 31st October - write something for HALLOWEEN!
EXTRA INFORMATION:
this is a blog I started as a response to a lack of appreciation + overall content being made for wlw/sapphic fans of the show! many wlw creators have been making content for ages and not getting a lot of appreciation, and (like many other fandoms) it seems that our pairings and stories aren't given as much of a spotlight or appreciation as heterosexual or gay ones.
I also thought it would be fun! There's no pressure to make lengthy 20 chapter fics or portfolio-ready fanart for this event (though you are perfectly at liberty to do so), you can also make pinterest boards, share headcanons, create socmed AUs, or whatever creative outlet you choose, to celebrate the wlw characters and pairings YOU love.
once this event week is over this blog will remain active, reblogging any posts that are late or just sharing more wlw headcanons, content and rarepairs.
#total drama wlw#total drama#total drama fanart#total drama fanfiction#total drama fanweek#wlw ships#tdwlwweek24#gwourtney#heathney#heatherra#jasammy#gwoey#jomaria#mkulia#nichaxel#prillie#izva
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Happy Queer Media Monday!
Today: I Dream In Another Language (2017)
I watched this movie a few weeks ago, and it STUCK.
(Don Evaristo and Don Isauro just before their first interview to record Zikril together.)
I Dream in Another Language is a Mexican magic realism movie about the death of a culture. It documents the efforts of a linguist trying to save the (fictional) language Zikril, spoken only by three old indigenous people. When one of them dies, the studies come to a halt, as the other two, Don Evaristo and Don Isauro, have not spoken to each other in over fifty years and categorically refuse to have anything to do with each other. As he looks further into this, the linguist discovers that the real reason for this feud is their past relationship and an awful lot of internalized homophobia.
Zkril is an artificial language, created specially for this movie out of respect for the people who still speak the endangered and disappearing languages today. The fact that it has seemingly magic powers, and that its speakers appear to be living on after their death, clearly puts the story into the magic realism genre.
This is NOT a happy movie. The internalized homophobia part is no joke, and the main theme of course is the loss of a language, and the culture that comes with it.
But it damn sure is leaving an emotional impact.
I strongly suggest that everyone who is even vaguely interested in this subject read up about languages and language conservation. The Wikipedia page of this movie is as a good place to start as any, since there are related articles linked in the references list. I also would like to thank @celluloidrainbow for bringing this film to my attention.
Queer Media Monday is an action I started to talk about some important and/or interesting parts of our queer heritage, that people, especially young people who are only just beginning to discover the wealth of stories out there, should be aware of. Please feel free to join in on the fun and make your own posts about things you personally find important!
#I cannot stress how good this movie is#and how much THE INTERNALIZED HOMOPHOBIA IS NOT A JOKE#but yeah the theme does personally resonate with me#I love languages I love culture and I live in a very multilingual place#also I'm a child of immigrants who is lucky enough to have parents who made sure that we actually stick with our mother language#but I do still feel this certain disconnect to my country of origin#nothing ANYWHERE near as bad as people in colonial countries experience mind you#nut the themes are there somewhere#anyway people take your languages seriously and cherish them and pass them on to future generations#languages are SO IMPORTANT!!#i love languages#I Dream in Another Language#post-colonial cinema#queer movies#queer cinema#movie recommendation#Mexican cinema#international queer cinema#Queer Media Monday
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Happy Queer Media Monday!
Today: Zorro the Gay Blade (1981)
Guys, this movie is A Lot. Still needs to be talked about at some point….
(Ramón de Vega in one of his colourful Zorro costumes)
Zorro the Gay Blade is a 1981 comedy movie made with the intention of poking fun at the swashbuckling genre. The story starts like most Zorro sequels, with Don Diego’s son (also called Diego) returning home after his father’s death, only to find injustice running rampant. Discovering that his late father was once the legendary outlaw Zorro, he takes up his mantle and his fight for justice…
… only that in this version, he immediately hurts his ankle and is no longer able to continue being Zorro. Luckily his estranged brother, Ramón arrives at that very moment, and it is he who continues being Zorro, with a gay twist on the character.
This movie is a lot. I’m not sure of. I could actually recommend it.
Firstly, I must say that it is genuinely well-made. The world they’re creating is believable, and a lot of the jokes stick the landing. Also, introducing the idea of queerness into such a traditionally masculine universe really allows them to question the fundaments of the genre. That having been said…
Good gay representation it is not.
Ramón is a joke character, with close to no personality beyond “being gay”, a thing this movie associates with being effeminate. Despite being the titular character, it is his straight brother who is the protagonist and who gets to ride into the sunset with a love interest. The gay jokes are all based on (now) outdated stereotypes, and the movie is very clearly aimed at a straight main audience, instead of being by and for queer people.
I don’t know if I can recommend actually watching this movie, but still it is an important glimpse in the past and the way queer men were depicted forty years ago. It is also interesting to compare it with queer action movies today.
Queer Media Monday is an action I started to talk about some important and/or interesting parts of our queer heritage, that people, especially young people who are only just beginning to discover the wealth of stories out there, should be aware of. Please feel free to join in on the fun and make your own posts about things you personally find important!
#I hope this kind of manages to convey my Feelings#it's not a bad movie is the problem#I genuinely had a good time watching it!#.... buuuuut yeah#it still relies too heavily on gay stereotypes#movies#action movies#Zorro the Gay Blade 1981#Zorro#superheroes#yes I know Zorro is technically a#pulp heroes#but I started lumping him in with superheroes and now nothing can stop me#queer media#queer cinema#Queer Media Monday
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nvm just looked at my grade im fine actually. extra credit assignments here we go !!!!!!!!
hmmm. i have something due in abt an hour. but the brain is Not working enough to make any sort of analysis
#im at a high B rn 15 points off shouldnt do much#especially like. what 20 points of extra credit. all i have to do is read the textbook n send feedback on it bc its a wip#our class is being guinea pigged .. tho thats been the case since last year dkshdkhsn#i DO need to start working on part of my final tho . step 2 due monday morning.....#its all citations n stuff but man. it is so hard to start on those#i barely even know what im doing this time .. i should have a meeting w the prof or something#but i feel bad bc shes already talked w me about it a few times :')#and for my final i need to watch that one show.... the jp drama with the ace couple?? been meaning to do that anyway tbh#i should also have a list of other queer shows n stuff tho since i think thats what im doing ????? not that itd take that long#being on tumblr means i already know a bunch of shows w queer people 👍 even if i have yet to ever watch anything myself#i wonder if im supposed to cite the tv shows themselves. hm.#i also wonder if i should focus on aro n ace characters n representation in media.. not that theres a Lot still but#ive heard of a few nitable examples nowadays including the drama from earlier#isnt there an aro/ace/both character in the owl house actually. i swear i saw confirmation abt them somewhere#other than that ......... i need to do research .#jfc how am i gonna present this with a straight face. i know damn well theres at least 1 other queer person whos Very Online in my class#and the thought of having to do this in front of them. good god this is gonna be worse than my first one bc theyll Know#eh whatever. step by step
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It seemed only a matter of time before Julien Baker would combust. Monday at the first of a sold-out three-night residency at Thalia Hall, the singer-songwriter performed with the kind of extreme intensity that can be difficult to watch and feels both thrilling and draining to witness. She made it impossible for anyone to look away, and matched the fervor of her lyrics with spontaneous body language and unfiltered banter that underlined her tightly wound passion.
Raw and unscripted, the 90-minute concert marked a memorable way to start a tour, Baker’s first headline outing in two years. Aside from sticking to an apparent setlist, the 28-year-old approached the show by refusing to trade in predictability or artifice. Backed by a five-piece band amid a spartan stage setup, and venturing deep into her catalog, she stood as the antithesis of most peers and predecessors with her degree of success.
Nervous, excited, jittery, sincere and occasionally unable to keep her focus, Baker operated on a wavelength that brought her to an eye-to-eye level with fans and established her as a relatable person rather than an untouchable, unknowable celebrity. That didn’t mean she didn’t take her craft seriously. Indeed, Baker’s recurrent concerns about getting everything right, her admitted apprehension over remembering words and playing tunes alone, demonstrated a heightened conscientiousness and unguarded honesty few entertainers openly share.
Yes, Baker and company erred at several points, though her worries about the hoarseness of her voice — she said she overtaxed it in rehearsals — largely proved unfounded when she opened her mouth to sing. The various missteps and imperfections felt as if they belonged and, oddly enough, enhanced the fearlessness and courage with which Baker addressed harrowing topics ranging from mental illness and violent abuse to debilitating doubt and loneliness.
For all the pain and anguish in her songs, Baker continues to enjoy an ascent that a majority of burgeoning musicians would envy. Her still-developing career is evidence that listeners can still suss out singular talent even in a pop-culture landscape overstuffed with countless options and here-today-gone-tomorrow hypes vying for attention.
A decade ago, using studio time given to her by a friend, Baker recorded what became her debut in just three days while studying to be a teacher at Middle Tennessee State University. Though she didn’t expect many people outside her immediate orbit to hear them, the songs became a word-of-mouth sensation. After an indie imprint signed her and formally released the material as the “Sprained Ankle” LP, Baker landed on record-label radars and major media outlets’ best-of-year lists.
Virtually overnight, the Tennessee native went from pursuing a college education to headlining a national tour. She shared a compelling backstory that included candid details about her evangelical upbringing, battles with addictions and decision as a teenager to come out as queer to her parents. Baker’s critically acclaimed sophomore album (“Turn Out the Lights,” 2017) further expanded her profile and, the following year, she formed Boygenius with Lucy Dacus and Phoebe Bridgers.
Despite releasing just two EPs and one full-length to date, Boygenius has won three Grammy Awards and cultivated enough interest that it finished touring last fall with a capacity show at the Hollywood Bowl.
Who knows, Baker’s own material might work in such settings, but its personal intimacy and intricate architecture — moody violins, atmospheric keyboards, spare guitars, chamber-inspired orchestrations — are better-suited for halls and theaters. Her three solo turns on Monday, which included the disarming “Guthrie” and a searing rendition of “Something” during which every utterance of the titular word registered as a self-inflicted gutpunch, benefited from the coziness of the mid-sized venue.
Wearing a white button-down shirt and jeans, with her hair pulled into a ponytail bun, Baker, too, appeared comfortable in an environment in which she could forge a close bond with the audience. Having previously dealt with stage fright, she revealed she no longer enjoys playing without a support band and encouraged anyone who knew the words to sing along. With rare exception, the latter request went unheeded. The hushed crowd treated Baker’s emotional outpourings with reverence of scripture.
During the faintest moments, the faint hum of amplifiers framed Baker’s delicate vocals. Expressed as whispers, asides, exhales and shudders, her gentle singing confirmed quiet moments can have as much volume as full-throated cries. Well-placed screams and howls also figured in Baker’s repertoire. She frequently delivered loud passages when standing feet away from the microphone stand or shifting her stance.
The movements altered her words’ pitch, and instilled the sensation that she was either trying to flee a bad situation, engaged in a heated confrontation or yelling into an abyss. Even with a guitar or keyboard shielding her rail-thin physique, Baker couldn’t disguise the physical impact the songs registered on her body or the anxiety they triggered in her mind.
Pointing at her temple, running her hands through her hair, covering her mouth with her forearm, shaking her head, squeezing her eyes shut, unconsciously transferring the weight from one leg to another: Baker looked as if she’d pull the bones out from beneath her skin as she chronicled traumas, faults and hurts with unsparing conviction. Far more dynamic live than on the studio recordings, the taut rhythmic structures of the songs accentuated the struggles with faith, forgiveness and optimism the singer explored via bruised, bloodied narratives.
Baker’s music is not generally fun or always easy to digest, particularly given the explicit references to suicidal thoughts, toxic relapses, self-destructive behaviors and all manner of failures. Yet it often sounded momentous and freeing — the balladic frameworks of fare such as “Crying Wolf” and “Funeral Pyre” beautiful and melodic, the crashing urgency of “Tokyo” and “Hardline” effervescent and cathartic — and spoke to vital issues without coming across as self-serving.
“I’m so (expletive) happy, you just can’t (expletive) tell,” Baker announced, typically subdued and aware of the irony, as she explained how much playing matters to her. She later gave a few clearer signs of her temperament. Baker climbed atop the drum riser to bash out punk-style chords on her electric guitar; stomped around and double-over her instrument during another explosive sequence and, ultimately, let her hair fall over her shoulders.
That, and led the band through two live premieres (the obscure seven-inch B-side “Conversation Piece,” the brand-new and unreleased “Middle Children”) and waged a conflicted war for snatching some semblance of goodness out of the jaws of despair. In the fractured episodes of “Ziptie,” “Appointments” and “Ringside,” Baker didn’t identify fixed solutions or guaranteed redemption. Still, the songs hit on the potential of mercy and hope, and of trying against all odds to conquer sensations of dread, sadness and emptiness.
For Baker, and everyone now struggling to reconcile the notions of kindness and decency against the evils that humans continue to do to one another and the planet, it’s a start to a long-overdue conversation.
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