#imagine writing something that makes that many people feel so strongly.

[zstraps]

.

[shadowvalkyrie]

There are a lot of things about Taskmaster that feel very... culturally British. That mixture of extreme silliness with occasionally very dark humour for example.

Or the particular tone of affectionate bullying and the way it's (mostly) taken in good humour. (And expected to be taken in good humour, even when it hits a nerve. Something that caused quite a bit of bad blood between the Brits and the Germans in my former workplace, because we generally don't shrug off insults that easily.)

But I think one difference is sort of... simmering under the surface in ways that aren't immediately obvious to international audiences (and makes me wish I was still writing uni papers, because it would be a GOLDMINE), is how much of the humour is based on the British class system.

I mean, the basic premise of "tyrannical taskmaster makes people jump through arbitrary hoops for his favour and then belittles them for doing so" is already something only an audience with a slightly monarchical bend would accept unquestioningly. Add to that the way the Taskmaster/Assistant relationship is set up... Let's just say it fetishises a social dynamic that doesn't exist in quite the same way elsewhere.

Which I think may partially explain why so many people seem to be oblivious to the D/s undertones. -- Of course it's often kink-blindness on the part of non-kinky people, but I strongly suspect it's helped along by the cultural perception of what constitutes an acceptable power differential acting as a buffer to seeing anything off about it. The threshold for when it becomes weird is different.

Now, I think (and since I'm not British, do correct me if I have it wrong!) a key part of what makes the basic premise funny to British audiences (and differently from how it's funny to international ones) is the way cultural expectations of power vs submission are subverted.

Purely based on accent? Alex is the posh one. By miles. And Greg -- very pointedly! -- doesn't do the matching Fauxbridge that most viewers would probably expect from someone presented in a position of authority (or even just a "neutral" BBC accent). It seems bizarre from a foreign point of view, but I've found that this kind of discrepancy immediately and viscerally registers with Brits. (It's uncanny how little it takes, too -- ask your favourite non-TM-aware English person to just listen to the different ways they say "taskmaster" and they will extrapolate things you cannot even imagine.) Instead of just the regional connotation, there are always implications of class and social status to an accent that are absolutely baffling to the unaware.

Add the fact that Greg Davies is from Wales, and a lot of English people have a weird colonial superiority complex towards Welsh people to this day... It's enough to make all these obvious gestures of devoted subservience from Alex very unexpected and therefore funny.

(Also notice how it adds interesting layers to Katherine Ryan buying Greg a fake lordship title? And makes it funnier in a way she may not even have fully been aware of herself, being Canadian? It's delightfully irreverent and pokes fun at the whole system.)

My guess is that this is also why the studio audience's reaction to linguistics-based jokes is always so strong. Lets take the recurring bit about Alex correcting Greg's grammar. To an international audience, the main joke is that Alex is a nerd and cares too much about grammar, with maybe a side of him being a smartarse towards his boss in a potentially ill-advised way. But to a British audience, the level of audacious insubordination implied there? Much stronger. Wildly offensive thing to do. (And a level of arrogance that is extra hilarious coming from someone shown to be sleeping in a dog bed.)

The same mechanism also puts Alex's snide little asides towards contestants with regional or "urban" accents into perspective. Offensive dick move on his part? Oh yes, extremely. But the audience is very much not supposed to be on his side in this. He's being a bigoted little bully, and either the contestants get to humiliate him in retaliation (it's certainly not a coincidence that the Welsh and Irish contestants are generally the ones having the most fun putting him in his place) or Greg calls him out on it in the studio. In a society in which Alex's brand of micro-aggression is still incredibly commonplace and accent discrimination a widely accepted default, it's actually very cathartic to see it openly acknowledged and condemned.

I mean Tumblr obviously loves Alex, because he's cute and funny and we love the Greg/Alex D/s thing (I'm definitely guilty of this as well), but we have to remember that -- in the context of the show's premise -- his character is supposed to be pathetic and ridiculous, so when Greg does the "next to me a man who once told me while drunk that he thinks regional accents are inversely correlated to intelligence" intro thing, we're meant to see it as an asshole opinion that is actually unacceptable to hold and no one in their right mind would openly admit to. So Greg is humiliating Alex by (supposedly) exposing him as someone who would spout that kind of opinion. (Same as the jokes about Alex's misogyny. I see people criticise these jokes all the time, but I think that's because they refuse to understand how the underlying mechanism actually works and take them at face value as the real Alex's actual opinion, rather than something deliberately assigned to his in-show character to make a point about them being terrible.)

[ghoulfuckersincorporated]

I would love to know how Cooper would be with someone who is unintentionally 'sneaky.' Because apparently I can walk into a room, in a totally normal way, and startle someone because I'm too quiet? Or just be sitting in the living room and no one notices I'm there until I say something. I imagine the Ghoul would be pissed that someone could sneak up on him and then finding out they weren't even trying? But he'd also be like 'I could use someone like that' and whoops that's how you end up as the Ghoul's sidekick. Actually almost shoots you on occasion. Nicknames you Sand Cat and grows fond of you but won't admit it unless you're I'm danger or hurt or something

Cooper: I outta put a god damn bell on you *indistinct, pissed off grumbling* sneakin' around like a fuckin' cat!

Sand Cat: ¯⁠\⁠_⁠(⁠ツ⁠)⁠_⁠/⁠¯

I love your writing and get so excited when I see you in my notifs!

This is SO cute, Anon. I, too, am an "accidentally stealthy" person with naturally light footsteps, so I feel you strongly on this.

I can perfectly imagine this man's sheer embarrassment the first time you manage to sneak up on him. He'd probably dump you wherever you're setting up for the night and go to do a perimeter check, not anticipating that you'll seek him out for anything, figuring he'll be left alone with his thoughts. The two of you have only been traveling together for a while and he's quite distracted by you, so when you manage to somehow pop up behind him, he's instantly on guard, pulling his pistol from his hip and pivoting towards you. Whatever you were planning to ask him disappears from your mind in shock at his reaction, and you swear you weren't trying to sneak up on him. He's not too eager to believe you.

Chalking that first encounter up to him being distracted, he's extra grouchy when you manage to do the same thing several more times.

He does, in fact, quip that he should put a bell on you, but, like many of his one-liners, it goes right over your head. He doesn't bother to take the time to explain the whole "noisy pet collar" thing unless you ask him to clarify.

His little banter comes across like a joke, but it isn't, really. After that, he actually does start sneaking "loud junk" into your pockets and bag when you aren't looking in order to keep track of you. At first, he uses spent shotgun shells, but once he starts to like you, he slips caps into your pockets. They make a more distinct sound, anyway.

Once he grows to anticipate your silence, he starts to actually appreciate it. The two of you can explore and cross through more risky territory when you want or need to without him having to worry so much about being discovered. He teaches you how to watch for booby traps, tripwires and armed mines, and even helps you improve your ability to disarm them. He's not as good with explosives as he is with guns, but he's still adept enough with them to show you a few things. Eventually, the two of you fall in sync enough that he can use your stealth to sneak up on people when necessary.

Slowly, the more and more "adventures" you two get into, he begins to appreciate you for your intelligence, your kindness towards him, your strategic mind.

He also notices that your ass looks pretty nice when you're crouched down sneaking around...

[the-boy-meets-evil]

today of all days | vernon

(the lull of the new year never really comes for you, which is fine. it's better to be busy. this year, you're a little too busy planning something else to worry much about valentine's day. It's never been your favorite holiday anyway. but, could your boyfriend have forgotten in entirely?)

pairing: vernon x afab!reader genre: est. relationship, non-idol!au | smut, slight angst, fluff rating: explicit, minors DNI word count: ~4.6k warnings: mentions of food, there's a little angst, but it's mostly miscommunication, kissing, oral sex (m & f receiving), fingering, marking, unprotected sex (don't do this without talking about it), multiple orgasms, slight overstimulation, i think that's it

a/n: happy valentine's day to the always wonderful, absolutely amazing @wonwussy 💕 it's been so much fun to get to write this for you. i hope you enjoy it! this is part of @svthub's cupid for you valentine's exchange organized by my bby @wongyuseokie (who is very amazing and also made the banner & divider). happy valentine's (and carat day)!

There’s usually kind of a lull at the beginning of the new year. Like everyone decides that after the holidays, you’re due for a break. People try to work on their resolutions, businesses expect to see the drop off in their sales. Everything just feels more peaceful. It’s that calm before the storm when everything picks up again. 

Not for you, though. At least not this year. February brings Valentine’s Day and your boyfriend’s birthday. You don’t really care that much about the former. It’s nice to have someone to celebrate with, and you’re sure the two of you will do something, but it’s nothing crazy. As long as you have him and a quiet night in, you’re good. It’s the latter of the two things that’s keeping an otherwise peaceful time from being peaceful. 

Here’s the thing. Vernon isn’t one to make a big deal of his birthday, never has been. He feels similar to the way you feel about Valentine’s Day. He likes to do something to mark the passing of time, definitely enjoys the presents, but doesn’t feel the need for it to be some huge thing. It’s a little difficult, too, because he’s got another friend with the same birthday. For the years that they’ve been friends, they’ve always tried to work it around each other. Seokmin is a year older and feels a little more strongly about birthdays as something that should be celebrated. Somehow, that led to this year. A coordinated birthday for the two of them with all their friends there to celebrate the both of them. Two different cakes, two different contributions to the menu, and twice as many people to coordinate with. 

To say it’s been a bit of a headache is an understatement.

You love Vernon. He’s been your person for over two years and you wouldn’t trade him for the world. You also love to plan things for other people as a way to show them how much you care. This has just been a bigger undertaking than you imagined. Especially when you have to keep the party under wraps. Vernon knows you’re doing something with a group of friends. He thinks it’s only a small group. But, he’ll appreciate it all the same. Just like he seems to appreciate everything that you do. 

“Babe,” Vernon calls from the living room. He’s in the middle of gaming with Wonwoo, connected by their headsets.

“Yeah?” you answer.

“Wonwoo says that I’m gonna get in trouble for not planning some big thing for Valentine’s,” Vernon tells you.

You can hear the protests from Vernon even through the headset, which makes you chuckle. “As long as we get to cook something together and have a night in, I’m good.” 

“See?” Vernon says triumphantly. There’s a pause where Wonwoo must be asking something. “Oh, yeah, I’m definitely getting a gift.” 

“What?” you ask with clear surprise. Gifts were not part of the plan for this year.

“It’s nothing big, but I’ve got the perfect idea,” Vernon says with a familiar look of mischief. 

“Oh no, no you are not,” you counter. He bursts out in a cackle. “Vernon, you are not getting strawberry flavored condoms for Valentine’s Day. We don’t even use condoms.” 

The laugh through Vernon’s headset is just as loud. You would probably be embarrassed if it was anyone else, but Wonwoo has been in both of your lives long enough that most barriers have been erased. 

“No, don’t worry, that wasn’t actually it. I have a plan,” Vernon says and you watch him suspiciously. “Promise!”

You decide to let it lie for the time being. At least partly, because you don’t want to keep standing there while he’s playing video games. Partly because you knew it meant he would be distracted enough that you could sneak off to the bedroom to make a call about the party. 

Jeonghan had not been your first choice for a party planning committee because sometimes it’s hard to get an actual thought out of him. You’re not always sure what he’s thinking. But, he’s Seokmin’s best friend and one of the best schemers you know. Thankfully, these days he really only uses his talents for good. Well, it would be thankfully if you didn’t harbor a grudge over a prank he played when you first met. 

Miraculously, Jeonghan is also free and willing to do some final planning. It’s that stage where the final group of friends get clued in. Some friends, who shall remain nameless, had to find out much closer to the day. They just couldn’t be trusted to keep the secret. You’re actually impressed that you’ve managed to keep it from Vernon and Seokmin. You confirm that Vernon doesn’t know. He would have absolutely told you. Jeonghan also confirms that Seokmin doesn’t know because he can’t keep a secret either. 

When you wander back out into the living room, Vernon is still very engrossed in his game. You kiss the top of his head, watch the small smile with his eyes trained on the screen, and plop down at the other end of the couch. You prop your computer on your lap and reach for your headphones when Vernon turns to you between matches.

“Wanna order in for dinner?” he asks and you smile.

“Oh from that place around the corner?” you suggest. Vernon rolls his eyes without any real annoyance. It’s your favorite place.

“Whatever you want, babe,” he says and turns back to the game.

It’s easy, not only because you like it, but also since you know what he orders there. He’s kind of a creature of habit. Maybe you are too, since you always want to order from the same place. It’ll give you a chance to watch a few things while waiting as well as giving Vernon the chance to keep playing with Wonwoo. The gaming is always seamless for them after years of working together. 

When the food arrives, Vernon finishes his last game so that he can eat with you. It’s one of the things you love about him. He’s so thoughtful with things like that. When you first moved in with him, you were a little worried. You had never lived with a partner and weren’t sure how to navigate it. As it turns out, with the right person, it’s pretty easy. You leave each other to do your own things and then come together after.

“You’re sure you’re okay with a quiet Valentine’s Day?” he asks when you curl into him after dinner.

“It’s a little late if I’m not considering it’s in two days,” you say with a light laugh.

“I’m being serious,” he says. 

“I’m good, Vernon. I’ve got you and we’re going to make something together,” you say.

“I promise not to burn down the kitchen,” he assures you.

“You’ve been getting a lot better,” you say. “Plus, we also have dinner this weekend for your birthday.” 

“We don’t really have to do anything crazy for my birthday, you know. It’s so close to Valentine’s Day and…” Vernon trails off before you press a kiss to his lips.

“I love to celebrate your birthday. It’s another year of you and everyone should be thankful for that,” you say. 

Valentine’s morning comes bright and early. Sun streams through the cracks in your shades. Not quite enough to wake you up, but enough for you to know that it’s morning. You smile and stretch out, thinking it’s probably earlier than you need to be up. As you’re considering waking Vernon up to celebrate the day when you register an emptiness.

You’re the only one in the bed. 

You open your eyes and confirm what you already knew. Vernon isn’t in bed with you. The door to the bathroom is open and the light is off, so he’s not in there either. Although you prefer to lay in bed to wake up, curiosity gets the better of you and propels you out of bed to the living room. The entire apartment is quiet, still. Well, still apart from your cat that’s weaving between your legs. He doesn’t seem hungry, so you think he’s just wondering what you’re doing. It’s odd that he would have left the apartment so early in the morning. 

Padding back to the bedroom, you find your phone on the nightstand, plugged in like it always is. When you unlock it, you have a myriad of messages and notifications. Conspicuously absent, though, is a message from your boyfriend. There’s nothing to tell you where he is or went or could be. Which is odd, yes, but mostly it just makes you a little irritated. Sure, you don’t ever want to make a big deal out of Valentine’s Day. It’s plenty to spend the day with someone you love that loves you back. 

Vernon can be a little spacy at times. It’s not his best quality, but it’s also impossibly endearing. Maybe it’s because you know how much he’s thinking about when he’s got that look like he’s never had a thought in his life. It also makes him really chill, which matches you well. He doesn’t always have to be going or doing something. But, he’ll just as happily go out and be your shield because he’s much more of a people person than you are. 

All this to say, there’s part of you that wonders if the holiday just slipped his mind. It’s not like it’s a big deal, you said as much to him. But, you still expect something. Even if it’s just to know where he is so early in the morning. You hate that you wonder if he forgot because you trust Vernon with your life. He can get distracted sometimes. One time, he got so caught up in a project that he entirely forgot dinner plans with his friends. 

The mature thing to do would be to send him a text and ask where he is or even to wish him a happy Valentine’s Day. You’re not feeling especially mature, though. And you feel very justified in that annoyance because he’s the one that left early. He should be the one to let you know where he is. It should not be on you.

Trying to push the thoughts of Vernon out of your mind, you get ready for the day. Opt to leave earlier so you can buy yourself something to eat and some coffee on the way. By the time you reach work, you’re even more irritated rather than calmer. Every radio station was playing love songs that fit the genre. Every host seems to want to know what people’s plans are for the day. The coffee shop by your office was decorated in red, white, and pink hearts with all sorts of specials for the day. When you head into the office, it only gets worse. People have flowers on their desks, are exchanging happy wishes, talking about how they can’t wait to get out of work for their plans. Some people are spending it with partners, others are spending it with friends. Either way, everyone seems to have plans that are better than whatever will be waiting when you get home. Why did Vernon have to pick today of all days to be forgetful? 

Your work best friend stops by your desk with the typical cup of coffee mid morning and stops in his tracks when he senses your mood.

“What’s wrong with your face?” Minho asks. 

“Wow, hello to you too,” you respond when you take the coffee from him.

“You seem like you’re in a bad mood,” he says. 

“Maybe I am,” you answer. 

“But, it’s Valentine’s Day and you have, like, the most perfect boyfriend. What’s there to be mad about?” he asks. 

“Can’t be the most perfect boyfriend if he was gone before I woke up and didn’t even text me to say anything,” you say with all the irritation you feel.

That catches Minho’s attention. “I’m sorry, what?” 

“I woke up and the bed was empty. No note. No text. Just empty,” you say. 

“And you haven’t heard from him?” Minho presses.

“No,” you say, only to be distracted by your phone lighting up.

“Looks like a message from him,” he observes.

You quickly glance at your phone, hating how eager you feel just to hear something from him. It’s disappointing, though.

Vernon: sorry that i wasn’t there when you woke up, i had a last minute errand Vernon: when do you think you’ll be home from work? 

Instead of telling Minho what happened, you just hand your phone over to him. His grimace says all you need to know. It’s not an overreaction. 

“That’s…all he’s said to you today?” he asks.

“You can scroll to see,” you say because he still has your phone.

“No thanks,” Minho says with a laugh. “I don’t wanna accidentally see something.”

“It was one time,” you say, snatching your phone back with an eye roll. 

“And I’m still scarred,” he says. “What are you going to say back?”

“Nothing,” you say.

“But…” he starts.

“No, I’m not saying anything. I know I’m chill about this holiday, but to not even say anything? And what errand does he have to do at 7 in the morning?” you ask, more irritated that you had been.

“If you want to hold onto a grudge, who am I to stop you?” he asks when he stands. “Let me know if he manages to get out of the dog house.” 

With that comment, he’s off to his own desk. It usually goes something like this every day anyway. Minho shows up with coffee for you, looking to see what you have to say. Even though he’s the one that has the best gossip. Sometimes, he just wants someone to share it with. It’s a nice reprieve from your irritation. One that he repeats in the afternoon, which is a break from the norm. Unfortunately, the irritation that settles in his wake is worse than before he stops by. 

You consider staying at work late when the end of the day comes. It’s not like you’re in a rush to head home. There’s also a part of you that wants to punish Vernon for forgetting a holiday that you don’t even care that much about. (Okay, maybe you care, but that’s the whole point of having someone you love that also loves you to spend it with.) Staying late by yourself feels even worse when nobody else from the office is. Everyone seems to be out the door as soon as the day ends. And, despite not answering any of Vernon’s messages, you know he’s home. At least it’ll give you the chance to figure out how to approach this.

The drive home gives you a chance to run through all sorts of conversations in your head. You’re still stewing, a bit, because you’re upset at how the day went. But, you’re also preparing yourself to have a potentially difficult conversation with Vernon. Of course, he’ll be receptive to your feelings. He always is. It’s more that you’re frustrated it happened in the first place and don’t want your feelings to seem invalid. 

All of that goes out the window the second you step into your apartment. The lights are low, so it takes your eyes a second to adjust. When they do, however, you see that Vernon has transformed your living room into a scene from your favorite video game. It’s like stepping into another world. Every little detail is so carefully thought out that you can’t even appreciate it all in one look. Your feet carry you forward to examine the small things. The ones that very obviously took extra effort. You’re so busy appreciating it all that you don’t even notice Vernon coming in from the kitchen.

“I know we said no presents, but I wanted to do this anyway. Happy Valentine’s Day,” he says, pulling you out of your head.

“How did you…” you ask, unable to even finish the question.

“I found someone who had this whole set for their ex and wanted to get rid of it. He was practically giving it away, but I had to go pick it up like 2 hours away,” he says.

You look around and can tell the level of care that went into creating this. “That’s why you were gone when I woke up?” 

“Yeah, I left you notes on breakfast in the fridge and coffee in the microwave, but I guess you didn’t see those,” he says. 

“I’m so sorry,” you say and don’t even realize that tears started to fall until Vernon’s pulling you into his arms.

“It’s fine, what are you sorry for?” he asks, holding you tightly.

“I spent the whole day thinking you forgot Valentine’s Day and being mad. That’s why I didn’t answer your texts,” you say.

“I just figured it was a busy day and you were excited to get home,” Vernon says.

“I’m so sorry,” you repeat.

He pulls back so that he can look down at you. Wipes the tears gently away from under your eyes. “It’s fine, babe. I’m not upset at you when I can be forgetful.” 

Nobody has ever done something like this for you. You can’t imagine how long it took to transform the living room this way. There aren’t any words you can think of to express how much it all means to you, so you just press your lips against his. Throw your hands around his neck to keep him close to you. He’s surprised, at least for a second, before he pulls you in tighter against him and kisses you back. It’s not the time to talk, at least not right now. How could you have thought this man would ever forget? 

“Can I show you what I was thinking about before I realized you were already gone this morning?” you ask when you break the kiss.

“Should I be concerned?” he asks.

“Just trust me,” you say and pull him into the bedroom with you. 

Any hesitations that he may have had disappear when you resume kissing him. Your fingers nimbly undo his pants so that you can slide them down his legs. The clothes come flying off in a flurry from there, far quicker than usual for the two of you. There’s just an urgency given the way the day went. Neither of you seems to want to let your lips leave the other. As Vernon kisses down your neck, you take the opportunity to push him back onto the bed.

It’s the first time you take a second and you appreciate how beautiful he is laying on the bed. The lean lines of his muscle, his eyes hungry as they drink your body in, the way his cock rests heavily on his stomach. You need to do something, though. You nudge his legs apart as you settle yourself onto the bed between them. 

“You don’t have to…” he starts and you’re quick to cut him off.

“I want to,” you insist. 

And you do. You take his cock into your hand and lick a stripe up it. It’s not enough, though, so you spit into your hand so you can run it along his length. He shudders under your touch. Once you wrap your lips around his tip, you pull a groan out of him. For just a second, his eyes close and his head lolls back on the pillow. It’s so pretty to watch him from this angle. To know that this man, usually so relaxed and chill, is so wound up under your power. It’s not long before he’s watching you, though. Letting out a stream of praise for how good you look with his cock in your mouth. How it turns him on, how you know just how to use your tongue. You hollow out your cheeks and it’s more than he can take.

Vernon pulls you up so that he can kiss you, so hard that you lose your breath. You’re a little off balance, which makes it easier for him to flip your positions. Now he’s the one between your legs. That same fervor is back when he spreads your lips so he can lick up your entrance. He’s always been insanely good with his mouth. It’s actually unfair. When his thumb circles your clit, you see stars for a second and arch your back into his mouth. All you can do is watch as he works his tongue in and out of your cunt. The thumb on your clit is bordering on too much sensation. Makes it hard for you to watch him even though you love the sight of him between your legs. 

“Fuck, Vernon, I need more,” you whine. 

“I should make you draw it out,” he says, still so close to your pussy that you can feel his breath.

“Please, Vernon, please,” you beg. You know it’ll make him cave.

“Since you asked so nicely,” he answers.

He runs his fingers through your folds before sliding one into your pussy. The moment his mouth finds your clit, he inserts a second finger and pumps into you at a punishing pace. It’s everything you can do not to squirm under his efforts. As it is, the words coming out of your mouth are entirely incoherent. What you want to say is that he’s a god with both his mouth and his fingers. That he knows just how to fit you where you need him most. That nobody has ever felt as good as him.

What you manage to yell out: “Oh my fucking god, I’m gonna come.” 

Vernon hums against your clit and it’s all too much. Your release is nearly instant. You don’t even notice how he guides you through your high or that he doesn’t remove his fingers until your body stops shaking. Miss the way he wipes his mouth with the back of his hand before kissing you. Not that you would mind. His lips wander down your neck to your chest, kissing all the way. He loves your breasts, loves the soft skin there. Loves to nip and watch the way you react. Most of all, he loves to leave marks there. Even if you won’t let him mark you where other people can see (at least, not often), you’ll always let him mark up your chest. He roughly sucks a mark into your sensitive skin and you squirm. 

Any other time, you would let him enjoy it. Let him take his time. Not today. You need to feel him. Need to have that connection with him. He seems to realize it too.

“Roll over on your side,” he directs. 

You hasten to do exactly what he asks. He slides right in behind you and you bring your leg forward a little so that it’ll be easier on him. One of his arms slides under your neck. The other lines his cock up at your entrance. He presses lightly, at least at first, giving you time before he’s fully inside you. No matter how many times you and Vernon fuck, you’ll never be fully prepared for the way he feels. It’s the most perfect type of full. Just enough of a stretch without it being overwhelming. 

It’s only a second before he starts moving, with his hand on your stomach. Not too fast. Just enough to give you the relief that you need. Not enough that it’s going to push you over the edge again. You’re still sensitive, though. The connectedness of your bodies is exactly what you need. It’s intimate in all the ways that you couldn’t tell him that you needed. But, he knows. Of course, he knows. This man knows you better than anyone else, a fact clear in how he thrusts into you.

Vernon’s free hand moves from your stomach up to your breast. He rolls your nipple between his fingers and you groan out. That’s the other best part about your relationship with Vernon. There isn’t a need for constant communication during sex. He knows what you like and you know what he likes. He knows how to interrupt your moans and your pleas. Knows when to pick up the pace. 

It’s entirely too soon when you feel your second orgasm coming on. “I’m close, oh my god.” 

“I know, baby, just come for me,” Vernon urges as he continues to thrust hard into you.

Despite that, you try to hold out because you know that he’s not there yet, can feel it in the way he fucks into you. It’s a losing battle, though, and you end up coming even harder than the first time. Vernon fucks through your high before slowing down to give you a minute to breath. Always so considerate of what you need.

“It’s okay, keep going,” you urge.

He doesn’t have to ask if you’re sure, he can feel it in the way you clench around him. Makes him groan as he moves again. You’re still a little out of it from the two orgasms, so it doesn’t register just how sensitive you are. You tilt your head so that you can kiss him. Catch all his groans with your lips. Partly since you know how much the intimacy of it all means to him. Know that it’ll send him over the edge. 

A minute later it does just that. Even though you feel spent, he manages to pull a third orgasm out of you with his own. There’s a moment when you’re both catching your breath that neither of you move or even say anything. It gives you a moment to remember just how much you love him. Vernon slides out of you carefully and you roll over so that you can face him.

“I love you,” he says with a soft smile, fingers gently moving a few strands of hair away from your face.

“I love you, too,” you say. 

“Do we have to get up right now?” he asks.

You shake your head and let him pull you into his body. His arms feel strong and safe around you. Like home, which is what he’s always been for you. From entirely too early into the relationship. A feeling that’s only grown in the time you’ve been together.

“I’m sorry,” you say again. 

“You don’t need to be, “ Vernon assures you. “I’m forgetful sometimes and you’ve been busy lately. I figured this was a good way to say thank you for everything you do.”

“What? The sex?” you joke. 

He huffs into your hair. “I take it all back.”

You pull back to look at him. “It was perfect. Almost as perfect as you.” 

A light blush creeps up. “I don’t know about that.” 

“I do,” you whisper into his skin when you cuddle back against his chest.

“We still have to cook dinner,” he says.

“Let’s just order something. I don’t want to move from this spot right now,” you say.

“We can stay as long as you want,” he says.

Forever, you think. That’s how long you want to stay with him. It’s never felt more real than it does right now. You think, by the way he holds you, that maybe he wants to be with you forever too. It may have gotten out to a rocky start, but it ends up being the most perfect Valentine’s Day of your life. 

[miraculouslbcnreactions]

Watching Miraculous, I feel that the show is written that no matter what Marinette decides to do, she would be in the wrong - she is in the wrong for not telling Chat about Chat Blanc (ignoring her own trauma in the matter), but if she told him, the show would make it the wrong choice...

The head writer has publicly stated that one of the show's guiding rules is that Marinette has to do something wrong in every episode, so I'd say that you don't just have a feeling. You've actually picked up on one of the show's not-so-subtle core tenets. It's also a core tenet that I strongly disagree with because - as I said in the linked post - when it comes to shows like Miraculous, the only characters who are always in the wrong are the villains.

If Miraculous was a different type show and Marinette's blunders were more comedic, low-stakes, sitcom-type stuff, then it could work. Two examples that come to mind are:

That's So Raven - this is an old Disney Channel show where the main character was a psychic who randomly got visions of the future. A lot of the episodes focused on her having a vision, interpreting that vision wrong, and then doing something foolish as a result. So Raven was usually in the wrong, but she was wrong in a way that rarely hurt others. If memory serves, she most just caused herself unnecessary stress.

Phineas and Ferb - another Disney Channel show about two imaginative and inventive young boys who have fun doing crazy things like building a roller coaster in their backyard. They do these things without parental permission so their older sister - Candace - is always trying to get them in trouble. In spite of this, the general viewer feeling towards Candace seems to be one of amusement, not hatred. This is probably because she never causes pain for anyone but herself, making it hard to look at her as a negative force. If Candace was written more like Marinette, then people would probably hate her, too.

While we're on the topic, it's worth pointing out that, while Candace isn't a villain, she is the antagonist. Her presence causes much needed tension. Since she's always out to ruin her brothers' fun, every episode has the low-key stakes of, "Will the boys get caught this time?" Without Candace, you lose those stakes and Phineas and Ferb becomes a lesser show because even sitcoms need stakes.

Semi-serious magical girl shows don't need characters like Candace to add stakes to the story. This is because semi-serious magical girl shows have built in stakes from the presence of villains and evil magic. It is the height of absurdity to make a rule like "Marinette is always wrong" in a show with an evil villain who is out to steal Marinette's magical earrings and use them to rewrite the universe.

The presence of the "Marinette is always wrong" rule shows a fundamental misunderstanding of the type of show they're writing. You only make rules like that in low-stakes shows like the ones I listed above. And even those shows understood that, if you have this rule, then you also make sure that the only person who usually suffers is the one making the mistakes. The writers of Miraculous really haven't done that because of course they haven't! This isn't a low-stakes teen drama. Marinette has too much for responsibility and the narrative stakes are far to high for her mistakes to come across as minor.

This is especially true because they keep picking mistakes that should lead to character growth and then not actually writing any character growth. Once again, that style of writing can work in sitcoms*, but Miraculous has way too many serious elements to be written like a pure sitcom. That doesn't change the fact that the writers are writing it like one, but it does explain why the writing leads to so much frustration for fans.

*I wanted to note that even sitcoms often make the audience hate the leads because it's hard to write anything where the leads keep making endless mistakes without making the leads look awful and sitcoms run off of every episode containing a mistake. This is why long running sitcoms tend to have a good number fans who hate at least one member of the core cast. Ted and Lily from How I Met Your Mother are great examples of this and it happens because the mistakes they make usually effect others. If the show had only been two seasons long like originally planned, then they would have been fine.

[theweirdwideweb]

I'm on my second career path choice after disliking my first choice (both fields required schooling), and I'm finding that I also strongly dislike my second choice. I'll be 27 soon and I'm feeling like a failure. All I want is to make decent money and not be miserable. I really thought the fields I chose would be right for me when I chose them and had to learn the hard way that they weren't. I'm tired, tired of being a perpetual beginner and of spending so much time and energy on schooling and "figuring it out". I just want to be doing the thing and move forwards so I can focus on the things that really matter to me. Any advice for someone in this position?

It sounds really frustrating. I wish we lived in a world where a person was free to explore careers without attaching a university size price tag to it. Here's the deal though: 27 is not old. I know it feels old, but I promise you it's not. I'm 37 myself and exploring my options and I don't feel too old at all. Many people do it. Since you're asking for my advice, I think for now you can work the highest paying job you can stand and pay off debt. Personal fulfillment in one's career is something to be envied, but obviously not the reality for most people. Show up, cash your check, pay down debt, and invest time and energy into your relationships and hobbies. I imagine your disillusionment with the first two careers might have been caused by any number of factors: 1) A misunderstanding of what working the career looks like day to day. 2) A youthful ignorance to the realities of capitalism. 3) The personal transformation that occurs between the ages of 18-27 changed you into a person that's no longer interested in the things you once were. The good news is that your personality begins to settle as you approach 30. You know much better what you need and want, your limitations, and the limitations of the world around you. I think you'll find the career path you're looking for. Just buckle down, make some money, make a secure place for yourself financially and socially, then revisit the subject when your sense of self solidifies.

Now I never talk about this because it's plain rude and makes me look like a jackass. When I went to college at 18 I had a small fortune from my dead father's life insurance. $250,000 or right about there. I spent all that money in 4 years and landed flat on my ass at 22 with nothing. I worked assembly line, food court, drug dealing, writing for scam websites, retail, online sex work, and even sold buttons at sports games. It took me until I was 28 to go back to school and I had to take out student loans to do it. But by that time I knew what I wanted. That initial failure of losing all that money, in the end, gave me the life experience to make wise choices. It was soul crushing the entire time but even the poor can make due with friends and a sense of humor. Don't beat yourself up. The past is the past. You will be fine.

[justalia]

The Self

i haven’t been here in a while and i’ve been exploring the law more and more, gaining even more insight.

i know i haven’t been active as much as i was before but as i said i will come on here to write about what i feel needs to be shared instead of just yapping and sharing things i don’t feel strongly about or just repeat myself.

this is a concept that has been discussed and talked about by many, me included. i personally have always wondered a lot about this, i have understood the concept in theory and applied it too but never managed to live by it, until now.

“The Inner Man”

this is how most of us know the concept i’m talking about, this is the name we’ve all collectively given it. i bet you’ve read the phrase “you are the inner man” several times, hell i have preached it several times.

i think thinking of it in this way sometimes tends to create separation between “you” (the human you) and the you in imagination. at least that’s how i felt when i first read about it last year when i was first approaching the law, even if that’s not what the people who write about it are trying to say.

the idea we’ve all seen repeated over and over by bloggers is that the real you is in imagination and you should identify with the inner man and satisfy your desire with the feeling of having said desire because “that’s what you actually want”.

and that’s partially true.

the inner man’s concept in the way that it is worded inevitably creates separation and makes you believe there’s two entities, the physical you and the one in imagination and that you have to put effort into identifying with the one inside or just “have faith” that it is true.

i don’t know about you but both effort and blind belief have given me problems in the long run because the truth is that you need to study this and understand it for yourself to truly know what this means. knowing something requires no effort and no belief, you just KNOW it is like that and nothing can move you from that. same as knowing the sky is blue, you don’t just “believe” it, nor it requires effort for you to identify the sky as blue, you just know it.

Q. but i can see the sky is blue! i know it is blue because i have proof.

knowing doesn’t always necessarily require physical proof, it can just require understanding and realization and that is what i want you to achieve at the end of this post.

you need to get to a point of knowing you are the one inside and not just “trusting” it or believing it because that is what everyone tells you to do, if you don’t sit on the concept and realize it for yourself blind belief will only take you so far. i suggest you’d do your own research and study everything that inspires you in this law, there’s several places where you can find the source and believe me when i tell you no blogger can be as helpful as your own realizations.

as all feelings of separation, even this separation between the imaginal you and the human body will inevitably bring you troubles in the long run. believing that they are both you will bring confusion and fears inevitably arise. you feel anxiety, you have fearful thoughts and you freak out because as long as you believe it is you, you will inevitably assign it a meaning and that will lead you to think it has some impact on you and you don’t have any control over what happens.

you will start to think that since you had this thought it means you are “out of the state” so it will affect your “manifestation”, you’ll start to think that anything you imagine takes life and expresses without you having any real control over it. you will start to think you are the thoughts, the feelings, the states and you will start to desperately try to control them and/or yourself or better what you believe to be yourself.

you will feel you are your mind and have no control over it, you will lose the safety you once felt inside of imagination and you will not feel alone inside of it.

Self

the Self i’m talking about is the real you and the only one.

sit back in a comfortable position and relax for a few moments, try to quiet the mind, observe the thoughts, drop the judgements.

who am i?

ask yourself this question.

let thoughts come and observe them.

who is observing? your Self.

are you the thoughts or are you the one observing them?

are you the fears or are you observing them?

are you the anxiety or are you observing it?

are you the body or are you observing it?

are you the mind or are you observing it?

are you the thing perceived or the perceiver?

who is that?

The Self.

the one and only self.

there is no imaginal you and physical you. you are the perceiver of all things, you are the dreamer. there is no “i must look for the feeling because that’s how things get expressed” there is no feeling to look for, no effort put into fulfilling one Self whatsoever because once you’ve realized who you are that’s only natural to experience what you want inside, there is no craving for outside validation because the body is not who you are.

the Self inside has experienced it and that’s the only thing you will crave because You have experienced it.

i’m not gonna tell you it won’t take a tiiiiny bit of “effort” AT FIRST to identify with your real Self whenever you’re involved with the ego, because we have habits and habits such as identifying with the ego are not immediately let go of. but i don’t even wanna call it effort because once you hit the realization of who you really are you will WANT to go back to that, it will inevitably feel wrong to identify with the ego because even if comfortable you’ve realized that is not you, it will feel temporary whenever you go back to being the ego.

you don’t need to intentionally identify with the “inner self” aka the only identity you have, you are unlimited consciousness CHOOSING to identify with the ego and the body.

IT’S NOT THE OTHER WAY AROUND.

that’s why you struggle with this. because you think you have to do something to identify with the self when you simply already are, you just let go of the ego identity you’re so desperate for right now.

[sweetismyaddiction]

Part 1 | Part 2 | Part 3 | Part 4 | Fic masterlist | Masterlist

SUCROSE

Paring: Spencer Reid x Fem!Reader

Summary: Spencer gets courage to tell what he truly feels (They live in the same building, in the same corridor, just in front of one another… which helps the friendship but couldn't stop Dr. Reid from falling in love)

Word account: 1271

Warnings: Fluff, friends to lovers, anxiety, 

A/N: English is not my first language. Reblog, like, and comment. I am accepting suggestions for the next parts. Please be nice. The Gif is not mine. Credits to the oner

Chapter 4: Declaration

Spencer’s Point of View

As soon as we are back to the job, it seems that the only thing people know to talk about is her.

I am glad they liked her. It is a good thing. But I can't help that little jealousy lingering in my stomach.

One of the things that makes everything worse is the fact that right now, I am in the jet with the team, going for a case away from her, away from my most sweet Sugar, that I daydream about actually tasting.

“So, that girl… she is marriage material.”

“Rossi is the one to know. He has ben married so many times”

Morgan chuckles at his own joke.

“Which makes me an expert, I recognize marriage material when I see it. And that girl…”

“Rossi is right, she is the type to commit.”

Why is Hotch interfering? He usually separates personal involvement and work place.

“Can we stop talking about it?”

“Reid, if you don’t step on, make a move… you may lose the chance. A woman does not wait forever.”

“Why is everybody getting so involved in my personal life?”

“Because you don’t have much of a personal life.”

“I have so much not one of you knew about her until I introduced her and she has been my friend for years.”

“Do you want to be her friend, or do you wish to be more?”

“If you feel insecure, just let me remind this genius brain that she proudly said you are friends and affirmed that she does love you, and that she felt no shame admitting it.”

“It amuse us that you ain’t a couple yet.”

—-----------------------------------

The conversation keeps repeating in my head, and I should take the risk, she deserves to know about my feelings… I don’t want to ruin our friendship… we could be more, I wish to be more… be breve Spencer, she never will be mean to you, there is no reason to be afraid. I will write a letter and hope for the answer.

—-----------------------------------

Dear Sugar

"In vain have I struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you." - Jane Austen, from "Pride and Prejudice"

As much information as my mind can contain, nothing seems enough to describe my feelings for you. I am aware of your taste for Austin, I even consider receding her books to you but I fear my mouth will betray me, that my feelings will take over and my nerves will stop me from doing what I so much want to.

I will not be able to tell you all the thoughts that run in my imagination when I think of you. You. My Sugar. Not truly mine, but I strongly wish for that to become true.

Sugar, I am yours, I am all yours, body, soul, mind, beliefs… I pray that, if there is a haven for me to be blessed with your presence, because you are my paradise. You are my love. My muse. And so much more

"Love is the poetry of the senses." - Honoré de Balzac

You awakened me, I didn’t know the world could be so cozy, that being alive could be so wonderful, until we met. A rainy day, that a stranger just took under my umbrella. Change all, that simple act, that smile, the bad jokes… the more I know you, the more I want.

You are something I never thought to get in my life, cause I didn’t even know it existed, they don’t talk about it, they don’t write about it, they don’t paint it. They try, as I am doing right now. And we all fail, cause it is impossible to describe. I didn’t believe in the impossible until I met you.

"Love is an irresistible desire to be irresistibly desired." - Robert Frost

I wish for you to want me too, for my Sugar to love her Sugarpout. 

I may not have much to offer you, but I offer all I have, I give you all I have. I donate all my being for you.

"Love is that condition in which the happiness of another person is essential to your own." - Robert A. Heinlein

I wish for you to be happy, even if I am not your happiness.

I would never interfere with your well being, all I wish is the best for you.

I love you.

Love you so much.

If you ask, I am out of your life, even if that is not what I want.

As much as I want for you to be mine as I am yours.

What I truly, dearly and onest want and wish for is for your safety and happiness.

"Love is not just a feeling; it is a calling, a force that can transform and redeem even the most broken of souls. It is the fire that burns within us, the light that guides us through the darkest of nights. Love is the eternal thread that weaves together the tapestry of our existence." - Fyodor Dostoevsky, from "The Brothers Karamazov"

Infinity yours, Sugarpout.

"Love is the joy of the good, the wonder of the wise, the amazement of the gods." - Plato

—------------------------------

I sent the letter to her, and my heart sinks in my chest, anxiety runs to all my cells. The air seems not to get to my lungs, I can only imagine her.

Hope for a positive answer.

Hope she understands my feelings.

Hope she won't leave me.

—------------------------------------

Y/N’s Point of view

My eyes couldn’t believe it.

My heart skipped beats,and then it has never beaten faster.

It is a love letter.

Sugarpout wrote me a lover letter.

I am excited, happy… there are so many emotion.

I am knocking at his door. And I can not restrain myself, just using my key and open it, searching for my love.

As soon as my eyes land on him, is like if the sun is kissing me. I hold his letter in one hand, and my letter in the other.

He is looking at me, expectant, anxious.

I rise my piece of paper, that contain just a phrase, well… two phrases.

—------------------------------

I LOVE YOU

Ps: Yes, I want to be your girlfriend.

—------------------------------

He is also smiling, looking my letter that practically covers my face, with a gentle touch he takes the paper from my hands.

“I know I could have written something better, but after… I was just so anxious. I love you Spencer Walter Reid. I love you Sugarpout. My Sugarpout”

“I love you. Deep. Infinity. Just as gravity binds celestial bodies together, love intertwines souls in an invisible cosmic dance. And I hope to dance with you in the infinity and beyond that"

“May I touch you?”

“Yes.” Hands on my back, as I hug him back, letting my hand touch his soft hair. “May I kiss you?”

“Yes.”

His lips find mine.

It is as if life itself had touched me for the first time. Like the gentle brush of a bee against a flower, a love kiss, the delicate touch of life awakening. The electric current surges through our veins, igniting our souls with a spark of divine connection. In that fleeting moment, lips meet, and the universe holds its breath, as if time itself bows to the sacredness of this intimate union. It is the whisper of eternity, the language of the heart, speaking volumes in a single embrace. A love kiss, like the touch of life, breathes vitality into our existence, reminding us that in the realm of love, we are truly alive.

--------------------------

A/N: This is the end of my first fic. Hope you enjoyed reading it. Maybe I will do more fics... let's see what happens.

---------------------------------------------------------

Part 1 | Part 2 | Part 3 | Part 4 Fic masterlist | Masterlist

Tag List: @mikitsuki

[yizhou-time]

A RANT ON MINORS AND NSFW POSTS

This is a quick one but I feel like it needs to be said because it’s getting out of hand for not just writers but also minors. As much as we don’t want minors reading NSFW content it’s basically impossible for a number of reasons:

1) The ATEEZ writing community is full of it. Whether people write it because it performs well or they enjoy it, it’s everywhere. It’s becoming rare to see SFW posts in the main two tags (ateez x reader, ateez imagines) and when people are trying to look for something to read and that’s all there is they’re going to read it. It’s basically become downright porn plastered everywhere, what else are they going to read?

2) It’s not being tagged as NSFW or MINORS DONT INTERACT. For whatever reason people aren’t tagging it and it’s just really weird. Even as an adult I don’t want to read NSFW stuff and yet when it’s untagged I come across it (the whole reason I decided to write this is because I was reading a fic this morning that jumps into smut without warning). You can say people choose what they read and if they ignore the tags it's on them but when it's not being tagged as such it's not like people have a choice. I’m an adult and I know when to stop, some minors will just keep reading.

3) a) People are tagging it wrong. Calling smut suggestive when they’re having actual sex is crazy. Some people have been tagging it as a SMAU which means social media au, kids will read that thinking they’re going to see some fake twitter or fake messages and they’re met with smut instead.

3) b) People are using other tags (ateez angst, ateez fluff) for smut. Regardless of if there’s plot keep smut out of those tags so they can be used correctly.

4) Some authors don’t block faceless/blank/ageless blogs (even when they say they have a rule for it). On any site (including YouTube when it comes to age restricted content) age can be verified with a press of a button before the viewer can start watching or you can simply change the year you were born in, but it then argues that they can read what they want here regardless of how it makes an author feel because they can do it online. They can talk to an author in DM and through their Inbox, they can’t talk to a pornstar so they’ll never know or have that lurking feeling. Block people that you aren’t sure of, even if they’re a big account or your post is doing well, it’s not worth it when there’s kids reading it.

5) Some authors don’t display their own age. This is a short one but I know so many NSFW authors who aren’t displaying their age and yet other writers still interact with them, going against their own ageless/faceless blog rule, for what I don’t know. That could be a 14 year old or a 40 year old and we don’t even know who’s in their Inbox.

6) There’s no one controlling what content the minor is reading. Although we can’t do anything about that that doesn’t mean we can’t do what we can, they may read it anyway, but if you look at the contributing factors there is something we as a community can do.

I'm well aware this post is giving them the benefit of the doubt but can you blame a kid for acting like one? As much as we get mad at them for reading NSFW posts for whatever reasons at the end of the day we have to be doing something about it too. Both parties should take responsibility and try to combat it.

This is in no way a targeted post so if you choose to ignore it and feel that you’re not part of the problem or you’re just not interested, that’s fine I won't be offended but I strongly urge to think about if you relate to even just one of the point and then do something about it.

I'm well aware that this is a sensitive topic that doesn't get spoken about because it just isn't or when it is spoken about it gets shut down by people who accidently read it the wrong way. This post isn't to hurt or upset people or accuse anyone of anything bad, just pointing out some things we could all collectively do better. If you do believe this post has hurt you or I’ve said anything that has come across offensive to you please message me about it so I can know what I did wrong!

[anistarrose]

A while ago I saw a post that started out wishing Lilith's aroace identity got addressed onscreen, and I was like "yeah I totally agree, a voice acted stream reveal is many steps above 'some writer tweeting it after the show ends' but it would've still been far more exuberant and impactful to see it in the show." But then OP continued by saying there's nothing in Lilith's arc that reflects aromantic experiences, and look, I'm biased as the Lilith icon person, but like. Your experiences are not universal.

And... that's okay! My experiences aren't universal either. But as an aroace, I do have to say: Lilith does reflects one type of aroace experience, and that's the chronically ill aroace experience in particular.

It's the way that she's an adult who needs care from others, but first moves back in with her sister, and then moves back in with her parents, instead of moving in with or seeking out a romantic partner.

It's the way she grapples with independence and individualism, struggling to unravel "what she wants" from "what she needs in terms of support" and from "what society revolving around the Emperor's Coven has tricked her into conflating with self-worth".

It's the way she looks at her reflection and asks: "Am I broken?"

Not all aroaces are disabled and chronically ill. Not all aroaces have (or want) intense platonic friendships or close sibling relationships, and not are able to heal from trauma by living with their family. These are all arguments for more variety in aroace representation, to say nothing of a-spec representation as a whole — that just doesn't mean aroace characters with these traits don't represent anyone.

And this is also a chance to touch on a distinction that I feel isn't drawn often enough when talking about queer subtext of any form: I don't think Lilith, if you're only looking at the show itself, is a strongly or undeniably aroace-coded character. But she's absolutely a character whose arc is enhanced upon learning that she's aroace.

So don't get me wrong: I would like more than this. Lilith is like a baby step in terms of a-spec representation in animation — a meaningful step, but a small one. But for a series where each season except the first was heavily impacted (read: compressed) by the cancellation, and the unaffected first season was also the only one Lilith spent as an extremely polarizing villain, you can see how the crew could've gone in with extremely conscientious intentions and wound up having to make a tough call, right?

I don't even necessarily think they made the right call, I'm just willing to give them the benefit of the doubt that they tried. It feels like they put more than just some performative 30 seconds of thought into imagining how a disabled aroace with serious self-worth issues would interact with the world and improve herself — or, at least realized after some experience writing Lilith that being aroace fit her, and let that inform much of her Season 2 arc.

Like, maybe I'm personally extra desperate for disabled a-specs in media, but honestly? Lilith is a well-written one in all aspects but the lack of an onscreen "I've never felt attraction to someone" — and you don't have to agree with me, but I'll die on the hill that that all counts for something.

No hate to OP — if you know what post I'm vagueing about, be chill and normal about it, please. It's fine for some people not to feel represented, and put their thoughts out there — but it also seems that I, as a person who feels very represented, should put out some of my own thoughts for balance.

[lauraryuguji]

"Just dance with me." You murmured as the sun tried to warm cold skins, as hopes were lost after fifty days in freezing hell.

Numa looked up, only to find her hand reaching for him. There was a sad smile on her face, one of those that are usually followed by a line that resonated sadly through the cold.

"You know I can't dance." He held up his hand, but didn't get up. Just enjoying how warm his hand was.

"Please, just dance with me." She repeated, more insistent than ever.

Numa didn't understand how, just after learning that the quests had stopped dancing, it would help. He knew, however, that this action wasn't just a dance, it could be the distraction he craved.

The boy shook his head before standing up and grabbing her back, they were both close, for the first time he was actually dancing with the girl. But this time, there was something less romantic than he had imagined. His eyes met hers, and vice versa. A deep look that now meant so much more.

"Take me back to the night we met." She says as a tear insists on sliding down her cheek."That's what I want most." Numa wipes her tear away, he secures her face and kisses her forehead.

She closes her eyes, swaying slightly, her body exhausted, and as much as she knew her end was near, she still had that hopeful look in her eyes. The snow falls on them, but the music resonates through her mind without question.

"Numa..." she smiles slightly. "I've been in love with you ever since I saw you."Numa knew, he was too. You were the main reason his friends convinced him to go on this trip, your name was mentioned at that bar table.

"Thanks for speaking first." He laughs. He laughs. "I love you."

When people are close to death, they often have the thought they should have every day. You knew that your body was shutting down for good, you knew that malnutrition, dehydration and the bruises from the fall were already at their limit. And it was only now that you had the stupid courage you'd been lacking all along.

Numa hugged you when the wind blew strongly, and you clung to him as if your life depended on it. A thought ran through your mind, a plea, you knew you wouldn't survive, but please, let him survive.

"Can I ask you something?" She murmured against his body. "Do you promise to stay alive until the end?"

He lifted her face and planted a longed-for kiss on her lips, it was the best thing that had happened here, it was like being in heaven.

"We will." His eyes showed the conviction he had.

It was with such certainty that if you didn't feel death ahead, you would have believed it. You wanted to believe, you swear you wanted to... you were young, you hadn't graduated yet, you hadn't said goodbye to life, you hadn't done so many things.

A smile crossed your face when you shook your head affirmatively at him, it was what he needed to see, not what was true.

That same night, before retiring for the night, you sought out the person responsible for cutting, and in a weak voice gave your release. You knew deep down that he wouldn't want your body, it would be too crazy for everyone. Death was too crazy, we've already lost so many.When you went to sleep, you wrote letters, you made sure to write one for everyone and you also wrote the names of everyone who had left, just to make sure they hadn't been forgotten. And then you lay down next to Numa's sleeping body, held his hand and cried weakly.After fifty days of surviving, his body shut down. 

He died during the night, sleeping with a smile on his face and clutching Numa's master, it seemed like a dream.

[artist-issues]

this my sound silly, but do you have any advice on how you come up with something to say for a story?

I think you're right that good art has something to say and communicates it well. That's certainly true of every story I've ever loved.

But while I love inventing fantasy worlds, you've made me realize I've never actually planned to say anything with them.

I've got lots of opinions, lots of beliefs, lots of stuff to say, but now that I realize I need to, it's been hard to pick one of those to be the core point of a story.

the trouble is, the dominant writing advice I saw online was the opposite. that stories made for the purpose of communicating a message or promoting something just turn into preachy propaganda, so the best way to make a good story (that, dare I invoke the curse, appealed to a wider audience) was to muddy it so you could take away as many interpretations from it as possible. thus most of the material I've given myself to work with has been slightly poisoned.

I really like how you said all of that! I agree with your assessment of the advice most people give.

Here's how I do it:

A loose concept, like a disgraced knight falling in love with the King's head of staff who's come to live in the village he's hiding in, will pop into my brain. I'll like the concept. I'll imagine one or two interactions between them that I just like.

But when it comes time to write anything down, even just for my own notes—then it's time to find a message. And usually that's not hard, or at least, that's not disingenuous, because:

what I believe, my worldview, was already subliminally shaping the things that I liked.

So then as I go to write down the names, the histories, the plot points, of my fun little knight love story idea, I find that something kind of...readily fits them.

But now here's the catch; it really helps to know what you believe, and to feel strongly about it, for all of that to come as naturally as possible.

About Propaganda "versus" Stories:

It's a lie to say that something which is created to say something is always propaganda, and something which is created with no careful point thought out is always art. Silly thing to believe. It's like saying "all words are propaganda." No, all words are communication. It's not our fault they don't like that we know what we want to say, and we want them to understand it clearly.

I mean. All art is propaganda, if by "propaganda" or "preachy" you mean, "I tried to take what was going on in my head & heart and put it in your head & heart." All art, all storytelling, is that. Otherwise you'd just keep what you think and feel bouncing around in your own brain, instead of doing anything outward (writing, drawing, painting, singing, speaking, reacting with your body language) with it.

I think what people are getting at when they say "avoid being preachy" or "that's not art, it's propaganda" is "you weren't being genuine." And that can be true. Sometimes people can tack a meaning onto a movie or a story where it doesn't fit because they either a) don't believe that strongly in the thing themselves, but everyone around them was clamoring for it or b) they were lazy and didn't do the work to make the story fit, genuinely, with the message, in a way that enhances and makes the message winsome.

But as bad as those two mistakes are, neither of them prove that intending to say something with your story, very carefully and genuinely, that you don't want misinterpreted, is somehow a bad thing.

Look at the fairy tales that the Brothers' Grimm collected. Look at any stories from the time before commercialism: Our oldest stories combined genuine enjoyment with the virtues and meanings that made enjoyment possible/worthwhile.

Anyway. I have a feeling you agree with me already about this so I'll hop down off that soap box.

What Comes First: Having Fun Making What You Like, or Choosing Something to Say?

I don't think it is wrong to tell a story that...you didn't have an intended thesis written down for. I think people like J.R.R. Tolkien and Walter Elias Disney prove that. But the thing is, what they believed got infused into their storytelling, because of course it did. It can't help it. When you want the audience to like your lead character, you make her likeable—but the traits you think are likeable are informed by something.

Snow White is innocent and pure because Walt Disney naturally considered those things beautiful and good and worth liking. He probably didn't even think to write it down and revolve everything around it: it just came out that way.

Frodo is a little scholar, and willing to soldier on with what little he can do, despite his lack of experience, because those are character traits Tolkien felt were good and likeable. Why? Because deep down, in his worldview, he believes being book-smart and doing what you can with what you have is valuable. And that just...comes out, much like his valuing of history, in the thing he creates.

Now, if they didn't know what they believed--or if they were insecure people "blown about by every wind of false doctrine" that comes their way--or if they were focused more on satisfying what the largest number of people liked--they wouldn't have been able to infuse the story with any genuine meaning, planned-out or natural.

That's what I think.

I think it's all a matter of loving what's good and true. Training your affections, so that you care most about things that are worth caring about—the things you feel most strongly about in characters will be the things you feel most strongly about in life. I love Stitch because I love redemption. Not primarily because I love sci-fi characters, the color blue, or the blend of ugly-and-cute—even though I do like those things on a more minor scale. See?

But if you've trained your affections for junk food—you feel most strongly appreciative of characters that are hot, or spout off funny one-liners, or come onscreen to cool music—then that's what will naturally come up in your own storytelling.

There's also nothing wrong with doing it the other way; saying you want to teach a certain lesson, and then coming up with characters and settings to fit that lesson. Coming at it from that direction is just as valid—as long as you put in the work, and care more about that lesson you genuinely believe in than you do what other people think.

Anyway,

To Write Your Own Main Point/Thesis/Armature/Theme

When it’s time to start writing anything down, it’s time to figure out the main point, and that’s when I...typically think about what I'd want to teach the kids I'm around, to be honest.

With my disgraced-knight love story, I go "what is it he loves about the girl, in all those vague vibe-y scenes I’ve been picturing?" And I make the connection between her virtuous character traits to what I want him, the main character, to learn.

So for example, she used to live in the palace, working for the King, but she was humble enough to give all that up and live in a no-name town to take care of her stepfather. He's disgraced and doesn't want anyone to know who he is—well, that's a pride issue, totally the opposite of how humble his love interest is. And why’s she humble? Because she’s not focused on herself. She doesn’t care about her own reputation or status. So then I just reverse engineer that: the point of the story is "Live in the King's name, not your own." Now one of the two main characters embodies that—the other has to learn it, and the story is the obstacle course he’s pushed through to get there.

I wasn't consciously thinking about making her the king's former head of staff, or him disgraced, when I first came up with the vague concept of the story, see? I just liked the "vibe" of a hopeless dude suddenly seeing a ray of light in the "vibe" of a girl from poor circumstances who seems happy regardless of them. I liked that "vibe." Then I traced what I liked about the vibe back to something that is true and worth teaching or appreciating in real life.

I’m in a job I don’t love right now, and it could make me miserable, but if I just remember “in everything you do, whether in word or in deed, do for the glory of the Lord,” then my focus isn’t on myself and I have joy and hope. And that hope can be used to point others, around me, to hope, too. So I’m not “preaching” something disingenuous; I’m living it, because this is what I believe, so no wonder it’s also leaking it’s way into my story. I just happen to be creating a pipe so that the leak flows more smoothly, which can only help, in the long run.

But I’ve done it other ways, too. Once I watched kind of from afar as a friend’s family fell apart. I felt like, from the outside, I could see where one of my friends was hurting and what they needed to accept (from the Bible) to move forward, but I wasn’t in a position to say it to my friend directly. Then I figured, “if my one friend is going through this situation, others probably are too, and this lesson from the Bible is universal anyway” so I…made up an analogy for the way their family fell apart, then came up with an ending that taught the “family” in the analogy the lesson I got from the Bible. So for that, you can see how I first came up with the main point, then built up characters and a world and a story to fit around it.

Both ways work, the chicken or the egg first. But they only work if you are committed to working hard and serving others with your story, not committed to being popular or “only making what YOU like.”

Make sense? I hope so! Thank you for the question!

[desultory-novice]

personally i've been totally obsessed with man on the internet's morpho knight! the femme-leaning voice is so cool (and scratches the silly fangirl corner of my brain)! and the lyrics go so hard >_< usually i'm not one for videogames songs with lyrics but some of this vocalizing gives me literal chills

Oh yes! Sooo true! That one is extremely good as well!!

Fanon or no (though I like femme Morpho >w<) I completely love the choice to go with a female vocalist for Morpho, and Emily Go went SO HARD on that song! A total brain-scratch! (Plus we in this corner love a good mythology bonus, fufufu~)

The only reason I didn't list it with the others is simply because...I have a complicated relationship with Morpho Knight as a character?

Not a bad one! I just feel like as a fandom, folks have moved kinda fast with them?? I get it though! They're super cool and their appearance in Star Allies and then AGAIN in Forgotten Land were "throw your controller and scream" moments! It's not like we have significantly less info about them than we do any other Kirby character people have built up a lot of lore and HC around!

I just feel so many have rebuilt their entire Kirby cosmologies and mythologies around Morpho Knight, when we really do know SO little about them? XD (With the corollary that I feel strongly we WILL find out more. Kumazaki even teased more in that interview about RtDL, so I guess because he’s “in the middle of cooking something, I’m waiting to let him “cook”) As for Morpho being in everything, this last part is meant entirely playfully, but...take the Kirby OC Tournament cast. How many OCs include Morpho Knight somewhere in their backstory?/lh

Considering we're liable to see them again (assuming Chaos Elfilis didn't do any permanent damage) I personally prefer to hold off on making any definite statements or strong HCs of my own about Morpho Knight. And while the song's lyrics did the same, leaning toward the vague and verifiable, I still have a slight preference for the songs that told a complete narrative or are for characters who are otherwise "complete" in the game they debuted in.

....That said, what they pulled off was total FIRE though!! (Fufu... Get it? Cause Morpho's...?)

Anyway, this month has been such a feast of songs I found myself imagining what a version of "Prayer Song to God" or "Hyness Unhooded" or "The Star-Conquering Traveler" would sound like!

(Not that anyone from either song team is reading MY silly little blog, but I would love to see a version of The Star-Conquering Traveler that gives a short lyrical "part" to all the Dream Friends, similar to how that one official (?) recap video they made shows Kirby fighting together with the different Waves for the different phases!)

Dess just try writing your own lyrics if you feel this strongly about this stuff

[radioroxx]

hi pluto i’m here to ask if u have any isat headcanons. about anybody! hope u have a good sunday :))

HAPPY SUNDAY VIA can i call you via. hello

ive mentioned my tattoo hcs before but im gonna expand on them as best i can rn because i think about it occasionally (i am making a lot of this up. right now! for you!)

ok so odile has a lower back tattoo she got in her 20s and i feel very strongly about this one 1. because i think its funny 2. because it makes her 10x cooler. the other day in my moots disc we talked about the idea of odile having a past polycule that she broke off from and so ive adopted that idea and decided the tattoo is a matching one. she does not regret it at all and is still (somewhat) in touch with her ex’s. siffrin was the first person she told about this, drunkenly btw, and for months afterwards he couldnt remember if it was Actually Real or just something his brain made up (and they were too scared to ask lol)

siffrin has star tattoos on his back and shoulders! i was considering giving him sleeves but i changed my mind,, he got them while he was still travelling on his own. possibly theres a region that is more well known for tattooing (havent decided what this would be though)! he was interested from a ‘learning about new culture’ perspective, also just because Why Not. he chose to get stars because it felt right. he somewhat regrets it. (maybe, post canon and later on their journey, he would try out something else. different designs. things inspired by his family! or things he wants to remember)

isabeau has no tattoos. not from not wanting them, but from just never really having the interest. UNTIL travelling with the party. until staying up late with sif in their shared tent and finding out that, on his travels, he learned how to (very basically) give people tattoos. and begs him for one. its like 2am and neither of them are thinking clearly so they agree. they ‘borrow’ odiles ink pot she uses for writing, a sewing needle that isa happens to have on hand, aaaand it. goes very poorly. as youd imagine. he is lucky to have the long sleeves to cover it up. whatever design theyd been going for was absolutely not achieved. but! he cherishes the memories regardless. (incredibly, they would try this twice. the second time would be after bonnie joined the crew, who would catch them awake, beg siffrin for a tattoo of their own, be told ‘no’, but would still be allowed to watch as long as they PROMISE not to tattle to madame and mira in the morning. bonnie absolutely tattles).

mira! does not seem like a tattoo person to me. i think she would be intimidated by the idea- partially in relation to the change belief, partially because she wouldnt know what to get. i like to think tattoos are probably pretty controversial to the religion… some people think they are a very powerful form of change! something you cant take back. others disagree for the same reason, that its permanent. so pre canon no tattoos for her. but!! but! as i mentioned before with siffrin getting tattoos for his family, i think mira might consider something as well (confidence boosted by the fact that the others will be matching). other than that though, it just doesnt appeal to her much.

bonnie has no tattoos also aaand it will stay that way for. a little bit. this is something that upsets them greatly because i also like to believe that nille has PLENTY of tattoos! possibly some she even got when she was much much younger! irresponsibly, of course, and many of them are regrettable. so she steers bonnie away from making that same mistake too young (tries to encourage them to wait until they are 18 at least). maybe bambouche as a whole is a very tattoo-supportive town, which is where bonnie got their interest. this does not stop them from making little paintings up their arms and having the others help out as well, to make up for it, in a non-permanent way.

i havent actually designed what any of their tattoos would look like… thats gotta be something i sit down to think about,,, one day maybe ehe

[nikethestatue]

I finished ACOSF a few months ago and seeing this fandom has been so confusing to say the very least. Nesta is my favorite character and I loved the Valkyries but .... I just don't see this Gwynriel ship happening. I think they'd be cute together and I wouldn't be opposed to it obviously - but I just don't see it happening given where we left off in ACOSF. I also am confused about the personality difference in Gwyn & Elain and Azriel.

Gwyn didn't even kill anyone in the BR and was knocked out and carried to the top - so why are people acting like she is some great warrior and will destroy legions of armies and lead the Illyrians into war!? She saw a mini Pegasus at a sleepover and through it was cute and now all of a sudden people think she's going to ride one in the skies while she paints Prythian with the blood of her enemies? What enemies even?? She's not tied to any of the IC's plot?

Elain didn't really stand out to me in ACOSF, which makes sense because it was NESTA's story. I didn't really have an opinion on her and Azriel or her and Lucien. I get that Lucien makes her uncomfortable but SJM writes her pairings that way it seems so I could see them ending up together tbh. But then I read the BC and - wtf ?? I am firmly team Elriel now because what do you mean Azriel's out here dreaming about how elain TASTES . I see you freaky azriel 👀 goddamn I Definitely was not expecting that from him but now that I have seen it I can't go back. There's no way SJM wrote that and plans on making Elain then end up with Lucien. Like I thought it would be fine but after that BC - there's no going back.

Either way - it's weird that people have such a strong opinion on Azriel and Elain because I think combined, they've said maybe like 200 words total? I like the idea of them but we dont know much about them? Why are people forming such harsh steadfast opinions on what either of them want or need or desire when we don't know much of anything? They're both kind of mysterious.

Idk I feel like I just missed a book with how strongly everyone is arguing about these guys.

Elain - had some badass moments but barely mentioned on the page in ACOSF

Azriel - even more mysterious than Elain but the dry humor makes up for it.

Lucien - he's not been in the past 2 books?

Gwyn - is great but not the Aelin type of warrior people online are making her out to be

Where is all this coming from I am very confused??

Honestly, most of this is coming from TikTok, Headcanons and fan art on Insta.

You have NO IDEA how many asks i've received over the years with people saying the same thing 'i saw so many Gwynriel arts on Insta and I thought that there will be some amazing romance in ACOSF. THEN, I read the book. And I kept waiting for something to happen and nothing ever did."

I think the key word for a lot of GAs is 'then'--they first saw the art, watched the tiktoks, got themselves all jacked up on theories and headcanons, and then, THEN they read the book. So now, the problem is that they have a hard time separating reality/canon from all that stuff that brought them to the fandom in the first place.

They are digging their heels and arguing that it WILL HAPPEN!!! absolutely will. Gwyn will become a great warrior and will ride a Pegasus into battles. Azriel will fall madly in love with her. They'll have kinky sex and she'll 'heal' him.

ALL of it comes from fan art. Literally, look at 99% of Gwynriel fan art and it's all 'fake'--imagined scenes that never happened.

I think many of them either left the fandom or can't accept that they've been duped and are incorrect in their assumptions.

It will be interesting to see what the fallout will be once the book is released.

[ghostofthemost141]

Lindor

Pairing: Ghost x F!Reader, First POV, no use of (Y/N)

Word Count: 1,404

About: You and Ghost have disclosed feelings for each other, knowing that it's forbidden to be together in y'alls line of work. Noneoftheless, Ghost ends up in your room one night and you end up sharing a chocolate bar together.

Themes: Fluff, Suggestive Themes but Nothing Explicit, 18+

Notes: Zara is your nickname for this one, which means 'blooming flower' and it comes from the word Zahrah from Arabic roots. I enjoyed doing this but I hope I didn't write Ghost out of character. Enjoy!

It’s forbidden, you can’t act on your feelings. You’ll get booted from the team if you do it. But he makes it so damn hard to do that. Whether it be a brush up against my hand or even just a glare from across the room, my feelings grow more and more for him every single little thing he does to me. I can’t tell if it was intentional or not but it has to be. The fact that he always sits next to me on the lounging couch at base or always insists on going on a task with me if I was going to be alone or I always catch him staring first. I never expected Simon ‘Ghost’ Riley to be that kind of person, a ‘hopeless romantic’, but I guess you never know with people. I have never even seen his face under that skull mask or even the balenciaga he wears, but I can only imagine what he looks like. He makes me feel things that I have never felt about a person before and I hate myself for it. He is my Lieutenant, it would never work out. 

*KnockKnock*

Who could that be? I’m not expecting anyone. Am I? 

“You in ‘here, Zara?” 

Simon. That was Simon’s voice. What on Earth would he want with me? I scanned over my little cubicle room, seeing it was mostly tidy.  

“Yeah come in.” I announce. 

The door swung open and Simon stepped in, shutting the door behind him. He wore his skull balenciaga with a black hoodie on and gray jeans on. Even though we are on call duty, we can still be in our lounge clothes just as long as we can get dressed and ready into our gear in less than two seconds. 

“What’s up?” I asked as he came and sat on my bed with me sitting on my desk chair that was right near my bed. 

“Can’t sleep.” Simon mumbled. 

I peeked at my clock seeing it was nearing midnight. I didn’t even notice the time, had I been thinking that much?  

“I’m sorry, rough day today?” I offer him to vent. 

Today was arguably our slowest day ever. Just last week we had come back from a nearly month long mission and since we came back, there hasn’t been much to do except drink and do stupid shit around base, and even then that can become boring after so many times of doing it. Simon mostly keeps to himself during the day and does his own thing. No one sees him until it’s dinner time. 

“No, just boring as shiet.” Simon mumbled. 

“I feel that.” I agreed. 

Even though he wasn’t looking at me, just sitting there on my bed, looking down on the floor, made my heart race. Why was he even here? I didn’t understand it. I found myself staring at his hands. I don’t think I have ever seen him without his iconic gloves on. His hands looked so soft and smooth. You can tell by someone how they take care of their hygiene and his nails were neatly trimmed and cleaned which is very Simon. I could see that for sure. 

“Zara.” 

Simon’s deep voice brought me back to reality and I realized he caught me staring. 

“Yes, L.T?” I say, trying to act like I wasn’t, in fact, staring. 

His eyes pierced into mine, intimidating me strongly. 

“Is that a book you’re reading?” Simon asked, eyeing the open book that was on my desk. 

“Yeah, I am just rereading it, already read it once before.” I comment, closing the book and admiring it. 

“What’s the poin’ in that?” He asked. 

“Well when you enjoy something so much, you want to revisit it again because of the joy it brings you. And if something really brings you joy, then you revisit it multiple times, basically.” I explained. 

“Interesting.” He mumbles, averting his eyes from me. 

Alright, awkward silence, thank you Simon. Really appreciate it. I reached into my desk drawer and peeked into my hidden stash of assorted chocolates and candies. It’s hidden because if Gaz or Soap found it, it’d be dryer than the Sahara desert. I wasn’t even sure if Simon likes this sort of thing. I could see mints being his favorite candy. Oh well, one way to find out. I pulled out a Lindor Milk Chocolate bar and shut the drawer. 

“Want some?” I offer, showing him what it was in clear view. 

“Sure.” Simon mumbled. 

I opened the candy bar halfway and reached out to hand it to Simon, giving him first dibs. 

“No, I just want one piece.” He grumbled. 

You’re really gonna make this hard for me aren’t ya?  I broke off the first piece and stretched my arm out to Simon. He didn’t move at first, and instead just stared at it. It’s just chocolate dude, not a bomb. Suddenly Simon pulled his mask up enough just for his mouth to be exposed, leaned forward, without moving his butt off my bed, grabbed the chocolate with his teeth and took the piece out of my finger. He chewed the piece of chocolate slowly and eventually swallowed it, looking satisfied from the mini dessert. 

…

…

What just happened? That was weird. I didn’t expect him to do that. But for the record, I have never seen him without his mask off, let alone what his lower half looked like. His skin was light, with little blonde stubble on his chin, with his clean light pink lips. He is not helping my situation right now. 

“That was good, actually. Could I have another?” Simon asked, not hiding that light smirk that was on his lips. 

“Oh! Yeah, sure.” I answer, snapping out of my delusion. 

There is no way, you’re being delusional Zara. Here you are calling yourself by the nickname that the Task Force gave you instead of your real name. You have really gone off the deep end. I broke off another piece, held it in my fingers, and stretched my arm out to Simon. This time he did it almost instantly. He reached for it, with his tongue agape from his mouth, and I felt his tongue make contact with my fingers, sending instant chills down my spine and into my core. Simon kept his teeth on the chocolate and locked eyes with me. His deep, dark blue eyes staring into my soul as he slowly gripped the chocolate with his teeth and pulled it away from my fingers, consuming it. The cold air in my room confirmed that he did indeed lick my fingers. What is this man doing? 

“Your face is bloody red.” Simon said. 

“Shut up.” 

“That’s no way to talk to your Lieutenant.” Simon remarked, with a deep tone. 

His voice change went straight to my core. It was tingly and it made me shiver. 

“Simon what are you-” 

*SMOOCH*

Simon’s lips are on mine, Simon’s lips are on mine, Simon’s lips are mine, Simon’s lips are on mine, Simon’s lips are on mine, Simon’s lips are on mine, Simon’s lips are on mine, why, why, why, why, why-

Simon’s lips were soft against my dried up ones, keeping our lips connected as he held my cheek with his hand. His bottom lip tugged with my lip a little causing me to gasp, and he deepened the kiss. His soft fingers went into my hair, tugging slightly, but not too hard. I instinctively held his face as he continued to kiss me. My entire body was hot and heavy, until he let go of the kiss, but kept his hands on me. 

“Hm.” Simon chuckled, “your nickname is true to its word.” 

I was confused, what was he implying? Simon then leaned in, placed a kiss on my forehead and pulled away from me. 

“Thanks for the chat.” Simon thanked me as he headed towards my door. 

“You’re welcome, anytime. You’re welcome to do that, anytime.” I emphasized the last part. 

“I’ll be back tomorrow ‘hen.” Simon said, “Goodnight, Zara.” 

“Goodnight L.T.” 

Simon then left my room, shutting the door behind me. I was still holding the Lindor chocolate bar that started this whole mess. 

“It’s your damn fault I got left hanging.” I grumbled at the bar, putting it on my desk and slamming myself onto my bed. 

Simon, you’re such an ass. But my God you’re a handsome ass. 

END