was writing this down for an ask but realized i was quickly getting off topic for that ask lmao. let’s talk about Dean’s handprint, the wild misinterpretations of it, and how those have affected how people read Anna covering it during her sex scene with Dean.
We have to establish the obvious first: the number one way the handprint is misinterpreted is to establish a romantic connection between Dean and Castiel from their very first meeting. Because of how popular the ship is, we’re now left with the unfortunate aftermath of people knowing the ship first and the show second, and therefore being more inclined to interpret the show through the lens of the ship. Needless to say, while looking at season 4 through that lens for hints of destiel is fun, it doesn’t lead to a thematically cohesive reading. The handprint is the best way we can demonstrate this. If we take the handprint to indicate that Castiel has been romantically interested in Dean since minute one, or even that he sees Dean as a person rather than an instrument of Heaven’s will at first (put a pin in that), then the rest of his character arc for the season is incoherent and meaningless. To assert that this is what the handprint is about takes the conclusion Castiel needs the entirety of season 4 to reach and transplants it onto him at the very beginning in order to make it easier to find evidence for the ship.
There’s a lot of media out there where interpreting it through the lens of a ship, even one unintended by the author, can enhance the original text. (Lest we all forget our Winter Soldier roots.) Supernatural does not have that relationship to interpreting it to be about destiel. A season 4 where the handprint means Castiel is in love with Dean is a weaker story and does a huge disservice to Castiel’s actual character arc.
So, now that we’ve established what the handprint isn’t, can we talk about what it is? Yes. It’s pretty simple, actually.
Think of it this way: To Heaven, Dean is livestock, and the handprint is the brand telling everyone (but especially Dean) what ranch he belongs to.
Let’s start with the obvious: it isn’t a metaphorical brand at all. It’s literal. It’s burned into his skin permanently (or at least, when the makeup department wants to put it there.) I’d argue that from the nature of it being notable as the only scar Dean has from being raised from Hell and later showing up during his sex scene with Anna that even if we don’t see the handprint, we’re meant to interpret it as continuing to be there for… well. The rest of his life, most likely. And that’s horrifying. The handprint is telling us two things when it shows up: one, letting us know that Dean’s resurrection was intentional and through a manner we as the audience don’t have the information to guess at yet. Anyone who watched the show airing, or watches it now without knowing about angels would have assumed demonic deal intervention as being the cause of Dean’s new lease on life, and this. handily. discards that theory. But secondly, it tells us that this resurrection was violating. All resurrections on Supernatural are.
We assume from Castiel’s line, you know the one, we all know the one, Mr. Gripped-You-Tight, that he’s the one who put it there. However, to then make a further leap that it was Castiel’s personal decision to do so is, I think, a misunderstanding of his role. Take that pin out now. Dean is not a person to Castiel at this point. They’re not friends. Dean is a tool for Heaven to use, a tool that should be honored and grateful to be picked up at all. Make no mistake: Castiel branded him for Heaven, not for himself. Castiel’s a ranchhand. They aren’t in the business of letting the cows run free if they look a little sad to be slaughtered later.
Castiel needs to start here for his arc to be as impactful as it is. He can’t begin rebellious. He has to learn how to doubt. He has to develop a personal friendship with Dean that threatens his allegiance to Heaven. He has to see Anna having chosen to fall rather than obey Heaven and to be betrayed by Uriel being so desperate that he’s turned to killing their brothers and sisters trying to find a way out from under Heaven’s control.
There’s another line I think gets misinterpreted a lot in this initial meeting. “You don’t think you deserve to be saved?” On its face, easy bait for someone looking for shipping fodder, but that misses the actual point of the line. It’s a powerplay. We don’t learn until later why Dean wouldn’t think he deserves to be saved (aside from his general Winchester levels of self-esteem, but knowing that trait about him actually serves as a pretty good red herring to mask real reason Dean is thinking about himself as irredeemable now until the reveal. It’s not that Dean had a low opinion about himself in general, but that he tortured people in Hell and can never forgive himself for that.) , but Castiel does know. All of Heaven knows what Dean’s sin in Hell was. Without saying it, Castiel can remind Dean of it here. This line isn’t about Dean being so inherently good that Castiel had to rescue him. It’s about making sure Dean knows that the only way he can be ‘redeemed’ is through obedience to the heavenly powers who own his ass now. This is how he deserves to be saved. Because God commanded it. Because they have work for him.
And if he doesn’t bow? Then, as Castiel puts it in the very next episode, “I dragged you out of Hell. I can throw you back in.” This threat hanging over Dean’s head won’t go away for the rest of the season, not from Heaven. The only shift is that Castiel’s continued doubt and disobedience levels the playing field between them. They’ll both be punished, rather than Castiel taking on the role of disciplinarian. (It’s a really clever way of dealing with that power gap between them, actually. There’s always a bigger fish.)
The handprint and Castiel’s early conversations with Dean serve as a reminder of the precarious position he’s in. We shouldn’t take him ‘being saved’ at face value, no more than we should take Heaven being good just because they’re the angels in this equation as a given. Dean hasn’t been saved. He’s being used, just as much (if not arguably more) than Ruby is using Sam. (Because at least Ruby truly believes this is for Sam’s benefit, in the end.) And the worst part is how aware of it Dean is. How could he not be? His entire stint in Hell is defined by how Alistair used him. He’s just been handed off to a different owner, one that will still happily push him into the thing they ‘saved’ him from the minute it proves useful. Dean needing to torture Alistair reminds us just how little his circumstances have actually changed. He’s not allowed to say no to this.
So. The handprint is Heaven’s mark of ownership. It’s Dean’s status as their tool, their victim, burned into his flesh and inescapable. What does it mean when Anna places her hand over it?
I’ll lay my cards on the table. I’ve been thinking about this for so long because the aforementioned tendency to assume that the handprint is evidence for destiel means that the scene between Anna & Dean also gets lumped into being interpreted as more evidence for destiel. For over a decade, I have endured people joking about Anna being jealous of Cas for getting to leave a mark on their boytoy. And that’s one of the nicer things the Supernatural fandom will say about a woman who they perceive as a threat to their ship.
So, not to be rude or anything, but fuck Castiel. This ain’t about him.
This scene—It’s a lovely scene, a fantastic continuation of Dean and Anna’s previous conversation into the language of a sex scene—is about two people who have both been used and threatened by Heaven connecting over that shared trauma. Before, Anna gives space for Dean to open up about Hell, but he can’t, not yet, and though she knows what he’s gone through, she hasn’t been there herself. But when it comes to what Heaven has made of them, she does understand. It’s an incredibly vulnerable moment.
You make the handprint about Dean and Cas, and you erase what that scene is about entirely: the way Heaven’s abuse has tangled itself deep into Dean and Anna’s lives, into their bodies, and how they can resist it, if only for a few moments together.
The handprint was never about Castiel at all. It was about Heaven and its dehumanization of Dean.
One of Riley's new goals is to show Monica all of his favorite spots in Strangerville before they potentially move away (they have started discussing it!). She's still fairly new to the area and is very excited to see where Riley grew up. First stop was the Strangerville Canyon Pool by @ladykendalsims! Riley spent a lot of time here when he was younger, up to no good of course. They swam, drank and maybe kissed a little bit, I gave them their privacy though. The night ended with them cozied up next to the bonfire. Overall a very successful little date!
Oh yeah a while ago my program had an event with a rly vague theme but i was told to "take inspiration from a book you like" so obvious i did this locked tomb business casual look whatever. There's like 1 picture of me from the event and when i saw the png versions of your little gideon and harrow i knew what i had to do
Holy fuck, man. What a trip Fearne has been on, huh?
You tell her how grateful you are to have her in your life, you flatter her, you tell her you need her, that you have to do this together. You have her make a promise that has this woman, born of chaos and fey, agreeing through shaking hands and a trembling voice.
You make her deceive your friends; you make her follow where they cannot know; you make her help you into this contraption; you make her feed this thing into you despite the fact that you both have been warned extensively of the risks. You make her watch you crumble and splinter and shatter and fracture and burst and implode. You make her watch you die, over and over and over and over, for a minute in agonizing bullet time.
You make her do all these things, because when she tries to back out, when she tries to not be the one who let you do this—how could you do this—
you tell her, "YOU PROMISED."
Because if there's one thing you know, it's that the fey do not break a promise.
anybody remember the stephanie brown essay I was working on under a research grant fully last summer? yeah it’s not done yet it super needs to be done and I’ve been avoiding working on it for weeks. someone tell me to just do it already
Omg you're back again hello 👀 how have you been????
Big mood on the "man I wish this author would finish their fic" LOL I've been rereading my own wiring recently and going wtf. Where's the rest of it?
For a limited time only babyyy
But I've been good. Extremely busy but it's okay, the pto is worth it. That's what I keep telling myself at least :) but how are you??? Is anything interesting happening? New developments perhaps 👀
The funny thing is that I've actually been talking with a few mutuals, and they've all told me that they recently went back to re-read their drafts. Maybe it's something in the air or we're all feeling a bit nostalgic? Or because everyone is on break since it's summer.
hi 13 second clip that i will be obsessed with for years to come because mikksy and lombo are doing mikksy and lombo things in the bg as they usually do how are you doing
theres something about mikksy looking over to his left and spacing out but when he sees long brown hair in his periphery he turns towards it, sees lombo struggling to pass off the cup and stares at him until lombo comes his way. the pining is palpable. i can feel it from here. he has the targetting program of a turret hes locking on.
also someone seems to either dropped a hat(?) or something of that nature because right as lombo steps forward to where mikksy is he bends down to get it but mikksy seeing him, also makes to reach for it but lombo seems to have it covered so he just bows like a chicken for a bit because his gentlemanly code intiated (rare sight) seeing a beautiful man bend down to retrieve an object...
and then after lombo comes up he immediately gets an arm around him and ushers him into his side. MANS GOT A FULL TOOTHY GRIN ON SEEING LOMBO. TH- AND HE REALISES HOW BIG HE MUST BE SMILING BECAUSE HE JUST CLOSES HIS MOUTH AND TRIES TO PLAY OFF THE FACT HE DIDN'T JUST HAVE THE GOOFIEST GRIN ON HIS FACE.
THE WAY LOMBOS CHEEK IS SO SMUSHED INTO HIS SHOULDER HE BARELY REACHES. PERFECT SIZE TO SNUGGLE INTO THE COLLARBONES. IM SORRY WHERE IS PLAYGROUND BULLYING PRETENSE??? SO WE'VE LOST THAT. WE'RE JUST GONNA COURT EACH OTHER NOW. WE'VE FINALLY ADMITTED TO THE ELEPHANT IN YHE ROOM AND WE WILL BE ACTING ON OUR FEELINGS HONESTLY. IS THAT WHAT WE'RE DOING. IT ONLY TOOK BOTH OF YOU BEING DRUNK. OKAY.
me when i write a character who is prone to dooming themself and then they run off and doom themself. core traits are stubbornness and a willingness to disregard their own humanity gET BACK HERE IM NOT DONE WITH YOU
thinking abt how in the bible the holy spirit is represented by a dove, an animal that is pure white and represents . purity. And innocence
thinking about how in angel's egg the girl is. well. a little girl (and innocent kid) and is also near pure white in skin tone and hair and is also followed by feathers whenever she runs
warning for a massive ramble in the tags major spoilers for the whole movie if you want to venture in there lmao