#im sorry hes just so babygirl<3< /div> Explore tagged Tumblr posts

[sharkaroni]

road trip

[insanostyle1231]

my professional bg3 villains tierlist

[fawnnpaws]

femming art what have u done to me...... completely demasculating him and then using his cock to make yourself cum I'm gonna go bonkers - his eyeshadow and mascara bleeding down his cheeks as you bounce in his lap hhhhhggughhgg

POPPY YEEWW GET ME

essentially making him a pretty doll for you to fuck aauurrr you do his makeup so pretty, pink blush and sparkly eyeshadow with lipstick to match, non-waterproof mascara that you bought specifically because you know it’ll run the second he gets teary eyed….. he’s such a crybaby you know it’ll be all over his pretty face almost as soon as it’s been put on. he wants to be good so bad, he lets you tie a pink ribbon bow around his neck and doesn’t complain when you take off the cute pink panties you’ve had on all day and tell him to put them on. how can he when he feels how damp they are with your slick, when he has proof of your arousal against his skin? his pretty cock drools all over them, his pre mixing with the essence of you until there’s a dark wet spot marring the baby pink fabric. his whole body flushes when you sit him down in front of your full length mirror with his back to your chest. you let your hands roam over his bare chest and stomach, the only thing covering him are your little panties, stretched taught against his straining dick. he tries not to look at himself but one of your hands grips his jaw and keeps his eyes forward.

“don’t be shy, baby, look how pretty you are.” you tell him, unashamedly groping his cock over the thin cotton with your other hand. “don’t you think i made you look pretty?”

he nods his head and his eyes nearly cross, but he keeps them focused for you. he has to be good. he needs you to tell him he’s good.

“say it for me, sweetheart. use your words like a big girl.”

“i- i’m pretty, you made me- made me look so pretty.” he’s getting lightheaded watching you touch him in the mirror. he squirms and tries to roll his hips into your hand. “fuck- fuckfuckfuck- can i have more? please? please! i’ll be so good- make you feel good!”

you lock eyes with him in the mirror and give him a smile that makes his stomach swoop. you shed the remainder of your clothes, then crawl around him and settle in his lap. he can feel the wetness from your bare pussy through his panties. “gonna make me feel good, huh? you gonna make me cum on this pretty angel dick?”

he looks up at you like you hung the moon and the stars just for him and you swear you see him start drooling. you pull his panties to the side and let his dick spring free. it bobs for just a moment before you’re lining yourself up and sinking down on it. poor art’s eyes roll back into his head so hard he thinks he might have blacked out for a moment. you waste no time chasing your own pleasure as you start bouncing yourself on him, the sound of your hips against his and his balls against your ass filling the room with a lewd plap plap plap plap. his breathing is uneven beneath you, a stream of little whimpers and choked out sobs are being ripped from his throat and tears are streaking down his face. his mascara runs in thick black lines down his pink cheeks and he’s leaning up to try to kiss you. you duck your head and bite his earlobe before you speak. “can’t kiss you, baby, we’ll ruin your pretty lipstick.”

he catches a glimpse of himself in the mirror and whines. he looks a mess. once pretty eyeshadow is now smeared and blends in with the ring of black melted mascara around his eyes, his cheeks are stained with remnants of highlighter darkened by thick black tear tracks and tears that are still falling.

“‘s already ruined! please please- kiss me, need you, ‘m ruined- you ruined me- please mommy-” his tears keep falling and his makeup keeps smearing, so you give him what he wants. you tongue his throat and he takes it eagerly, planting his feet on the floor to piston his hips up into you. even in his fucked out state, one of his hands finds your clit and it’s not long before he feels your pussy choking his dick as you crash over the edge.

“oh fuck yesyesyes— cum for mommy, babygirl, c’mon- give it to me, give it all to me,” you moan into his mouth and he follows your command, pumping you full of hot cum and clawing at your body to get you as close as possible. you stay intertwined and panting as you come down together. when his dick has softened you slide off of him, but stay hovering above his lap. you move the panties back over his dick and swipe two fingers inside of yourself to gather some of his cum, then sit back down on his lap to let the rest drip out and soak his panties even more. you grin and run your cum covered fingers over his lips. “there, new coat of lipstick for you, baby.”

his eyes flutter shut and he lets his body fall backwards, flat on the ground, as his dick kicks back to life and he says, “you’re fucking evil.”

he loves it though <33

[pineappical]

father and son

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[indigopoptart]

gonna get back into the swing of things with!! some faces I did a bit ago!!!

+ closeups and oc creds under the cut!

the welcome home guys ofc <3

some of my guys!

(Niebla belongs to both me and @akemima ! <3)

-

And now, some friends’ ocs!

Lady belongs to @gremliinsart, Keira belongs to @funonion001 !!! :3

Sundown belongs to @carnivalcarrion !! <3

Damon belongs to @sammysun , Wizard belongs to @akemima !! :33 <3<3

[lunearobservatory]

florida's weird kids 💕 mami and orla

ought gfu k fuck there's THREE of them !!!!! AAA

[smol-tired-binch-blog]

[kicks door down]

Autistic Nishiki whose special interest is fashion and not only considers what's trendy but also looks out for fabrics that aren't a sensory nightmare, however sometimes he will force himself to wear something that isn't comfy for appearance's sake, which leaves him more vulnerable to getting overwhelmed and therefore 'emotional' Also means he has his collar popped like Kiryu's for sensory reasons too and slutty reasons, which would once again make me correct in saying if he undid his collar in Kiwami he'd be normal again because if I were constantly experiencing sensory discomfort I too would be fucked up and evil.

Cause like here's the thing, autistic Kiryu and Majima headcanons are more obvious (especially the former), whereas Nishiki probably comes off as the most 'normal'; he can likely maintain eye contact and talk to people 'normally' and not like, go off on some random tangent about a special interest or hyperfixation. And then you remember masking is a thing.

And okay, so I actually think it's unfair a lot of fandom considers him a 'crybaby' right, cause he's cried in situations MOST PEOPLE WOULD RIGHTFULLY CRY OVER! BUT, I can use this to my Autistic Advantage and have this be he actually struggles to regulate his emotions, and considering he's been exposed to the yakuza world since a young age where ANY emotion that isn't 'respectable stoicism' or 'righteous fury and indignation', he's seen as even MORE overly emotional. Hence the need to start masking so early, PLUS having to protect Kiryu who couldn't mask if his life depended on it because he doesn't realise he may HAVE to (speaking from personal experience, Kiryu definitely went his whole life unaware there was anything ""wrong"" with him (for lack of a better word) and had people just like "oh yeah he's just Like That dw bout it" and went on with his life), so Nishiki takes up the mantle of I'm The One Who Knows What We're Doing Lad's desperate to gain acceptance and will change whatever he has to but people still somehow pick up that Something's Off About Him and so they tend to be disdainful or brush him off. It's easy charisma that can win over hostesses and brief encounters with civillians but can't carry across in the yakuza. Kiwami is him trying his DAMNDEST to act neurotypical even at the cost of his own comfort, and the worst part is it's not working

[floralovebot]

why do people think he was meant to be a woman? helia’s design was very clearly based off shojo anime love interests à la tuxedo mask (although i strongly believe the main inspiration for his design was actually goemon ishikawa from lupin iii lol)

exactly!!! the entire "mysterious pretty long haired boy who is gentle but can still fight for you" is lifted directly from shojo anime like ajdkajdg personally, i think he was inspired by hotohori from fushigi yuugi !! (at least in terms of visuals,, ajhgl) (it's extra funny to me cause there's an entire joke about hotohori being so beautiful that everyone thinks he's a woman aldjhg) (also helia's initial design being red instead like... bro.....)

look at this bitch!!! they stole his hair!!!

anyway this rumor is so dumb too like it's been around for Years (i remember being ten looking at forum posts about this) but no one has ever found proof or even implications. no one from rainbow has ever confirmed this. years ago, someone probably said something along the lines of "helia is so feminine i wonder if he was meant to be a girl at first" and everyone else just fucking ran with it.

i know at one point the popular rumor was that rainbow wanted to introduce two new winx members (aka aisha and helia) but decided that would be too much and just went with aisha instead and made helia a boy. which like. cmon aldhg

but it's just SO so bad like it's literally just white people going "oh wow long hair into art And poetry??? WOMAN" it's like ?? the fans who think they're being progressive for this too like ajdhglda you are Literally just doing gender stereotypes. that's what you're doing here. you saw a man with long hair and a quiet personality and went "aha! i have discovered that you are secretly a woman!" like. buddy. you sound like a right wing lugnut yelling about "we can always tell" like BOOOOOO

again i really do think a good test is if you can't see any of the other specialists (especially brandon and sky) as women or as trans men then you shouldn't headcanon helia like that. if you can't see white muscular men as "feminine" in any way, then you shouldn't be doing that to helia. (anyway woman!sky my beloved) (someone ask me about sky secretly being a girl au NOW) (LESBIAN SKOOM LETS FUCKING GOOOOOOO)

anyway i'm starting a new rumor: tecna was actually supposed to be a boy specialist but they didn't want two nerds in the group so they made him a girl and put her in the winx instead. you can still see clear masculine elements in her design like her short hair, brutish personality, and interest in technology. things we all know women would never have. follow for more fun winx club facts!!!!

(that's how stupid ignorant and frankly misogynistic you all sound when making your helia was clearly a woman posts fuck you fuck you fuck you)

[0-sunstranger-0]

I LOVE Prismo! I would bust it WIDE open for Prismo!!!!

[constellation-skirmishes]

thinking about skysolo again. and skybridger. and skydalorian. and all of them. at once? perhaps. perhaps not. they all exist in my mind and are good.

forgot to mention skylighter. love them love them they make me sob in agony.

[little-candy-store-of-horrors]

Where did those quotes in the art piece of yours you reblogged about Charles V being ugly and stupid actually come from?

I'm really curious about which academics said that

YAY im being recognised as a reliable source to come to for these things!!!11!

Moving on okurrrrr i //did// say academics in like massive inverted commas so 🤡🤡🤡 regular history book writers is more like but doesn't quite have a ring to it. Anyway here are your Sauces™ because i may throw words around but I don't make shit up!! *Taps head*

"A perfect twit, a cruel victim of spoiling and aristocratic inbreeding" - Eric Metaxas, Martin Luther

"He couldn't help being ugly", "Villainously ugly" - John Julius Norwich 🔫 WHAT'S GOOD CUNT!!!?!?!????!*, Four Princes

"Not quite put together.... Ungainly and frail-looking" - James Reston Jr, Defenders of the Faith

"Thin, sickly-looking and somewhat ugly" - Henry Kamen ((aka the only bitch on this list i respect)), Spain 1469-1714: A Society of Conflict

*((if you all KNEW how much i hate JJN. it's Unreal. Had semen scumbag Montefiore from soviet history's good review on the very back of this book too they can suck each others and rot together imo.))

Have a sketch i never posted with it! And yes he was a skrunkly lad wasn't he!! If I can't *quite* say I love him then I can at least say I feel a deep sympathy really every time someone unironically dunks on what was otherwise an uncomfortable teenager. It just feels mean, ye know what i mean?

And then a deep fascination with his arc from that sopping wet rat to whatever the hell god complex delulu bullshit he became when he got older. Thoroughly insufferable. I'm obsessed.

[cherry-bomb-ships]

My integrity leaving my body the moment Robotnik steps in the room

[jrueships]

dork

[6okuto]

The way you go off about Leander makes me laugh LMFAO keep being you

HELPDFBJS bro if u think about it...this is not my fault. ur all feeding my brain worms im losing so much surface area to him up there. i have 5 asks just about this guy ANYBODY WANNA PICK SOMEONE ELSE?🤨 what about bokuaka🙁no one wants to talk about aki hayakawa making u breakfast in bed... all i have is magic yandere guy im shaking /J /NM