#im playing of course

[cozymochi]

Okay so we know Tia thinks she doesn’t have time for crushes and love

But do any of the boys have crushes on HER (please say yes)

C’mon, let’s not get carried away. Who’d like HER? 😩 unrelated, here’s her fairy gala fit pulled from her earliest concepts ever that nobody saw

[nat-20s]

Just thought to myself "can't women have a bad time in fiction without rape being involved" which really shows you how much you're in the fucking trenches if you are both a horror fan and women fan

[bacchuschucklefuck]

truly this one's just for me. I can do what I want foreverrr

[shepscapades]

Contrary to popular belief etho and bdubs are not divorced and in this essay I will

[tomwambsgays]

Day 1. 07:00. Waiting for the detective to wake up.

[princeyam]

Anniversary

[ricksanchezbignaturals]

silverv may not technically be "canon" but in actuality they are realer than all these other mfs

[jackieshaunism]

" if it was shauna outside jackie would've come to get her " THATS THE WHOLE POINT !!!! JACKIE AND SHAUNAS RELATIONSHIP WAS SHOWN FROM THE BEGINNING OF THE SHOW TO BE ONE-SIDED !!!! THE LOVE THAT JACKIE HAD FOR SHAUNA BLINDED HER FROM SEEING THAT SHAUNA WAS GROWING TO HATE HER !!!! EVEN AFTER THEIR FIGHT , JACKIE WOULD'VE COME TO GET SHAUNA BECAUSE SHE WOULD'VE PUT ASIDE THEIR ISSUES FOR THE SAKE OF POTENTIALLY SAVING SHAUNA'S LIFE !!!! BUT SHAUNA ISN'T LIKE THAT !!!! HER STUBBORNNESS IS HER BIGGEST FLAW !!!! SHE WOULD'VE NEVER BEEN ABLE TO OVERCOME HER RESENTMENT LONG ENOUGH TO BRING JACKIE INSIDE AGAIN !!!!!!!!!!!!!!!

[peoplesprincessgeorge]

formula 1 + txt posts 4.0

[krazieka2]

Here's a big old Fire Emblem Search & Find I did for the FE3H Masquerade Zine! Find the Golden Deer, but see if you can't find the rest of the students as well! For the ultimate challenge, see if you can't name every character! (Disclaimer two characters are NPCs with no names)

[penny-nichols]

games will go from cool sprites to mediocre 3d models and think its an improvement

[bitchthefuck1]

I actually really love that we see Helena's palpable hesitation about going back to the severed floor. We know that this has all been a publicity thing for her and it's about helping Lumon, so she's really invested in the outcome, but like. from her POV, she's literally letting someone who actively hates her and everything she stands for, and also has a proven willingness to hurt herself if it means hurting Helena, who now knows who she is and her significance to Lumon, pilot her body for 8 hours every day in an environment where they've repeatedly failed to control her. If I were her, I'd be genuinely surprised to wake up with my limbs intact.

You already questioned why on earth she'd come back after Helly's suicide attempt, and the identity reveal explains the reasoning, but on a human level that's still a wild thing to have to think about. This person (who is you but also isn't) almost succeeded in killing you, and like a week later you let them pilot your body again like nothing happened. How could you not be terrified?

[maythedreadwolftakeyou]

thinking about Lucanis again (always). and how so much of his narrative boils down to the theme of "control". and of course also about how this applies to the Rook x Lucanis relationship.

like the first scenes with him in the game are, in theory, about freeing him from the Ossuary (although he seems to have an escape attempt already in progress at the time, they certainly weren't just letting him keep those knives on him for enrichment purposes, Rook just provided an opening/distraction he could take advantage of and crucially Rook has A Way Out of the whole place not just a cell). but ACTUALLY the purpose it to put him right into a new contract for Us, one set up by his own grandmother and first talon no less, and the person he has the MOST trouble saying no to. He's escaped torture and the Venatori for sure but he still isn't free, which I think is part of what leads to Spite's confusion/the Inner Demons plotline. He agrees to the contract but you can tell it's in many parts out of a sense of duty/mourning vs something he actively wants to do for himself. And then the FIRST real heartfelt conversation you have with him, where he tells you "even before I was captured, my life was not really my own. So much had been determined for me." But he's chaffaing at that! He thinks "to live truly is to live fully" and so directly tells you he doesn't think he's lived a life true to himself. He's been constantly smothered by the weight of expectations around him, even though he longs for more.

And then once you get him to the Lighthouse you see how this Big lack of control in his life comes out as all these smaller frustrations. He's terrified of sleeping and downing 11 cups of coffee per hour because sleeping means he will lose control to Spite, even though Spite is shown to flee rather than fight when he feels threatened, and once calmed down, is more drawn to just benign curiosity/mischief than anything actively malicious. Like if Lucanis loses control and sleeps for a few hours he is not going to wake up surrounded by bloodshed, he's going to wake up to a belly full of candle wax because he wouldn't like Spite taste one while they were awake. Which is the other half of this--he constantly denying Spite's impulses for reasons that in some ways make sense (HE doesn't want to eat candles), but not in a way that's actually satisfying to either of them (why not just take a bite, chew for a bit, and spit it out so Spite knows they kind of suck actually?). But he CAN say no to Spite and so he does. Over and over. Spite's one of the few people he can deny things without feeling bad about it, because it's HIS body he doesn't like that has to share now (<- this is what he thinks about it at first anyway, but he's wrong, it's both of theirs and it's useless to try to hold those kind of boundaries forever. but the "no its mine" spiteful instinct is very beautifully ironic and reflective of them both and their early relationship).

And personally I think this is where his fear of his own desires and intimacy is coming from, at the root. I don't think he's afraid of the concept of being in a romance or having feelings (even if they're unusual and rare for him, this is by no means incompatible with him being demi) but I DO think he is afraid of the kind of power it gives people over you. Getting something you want means there's something else that can be taken away. Admitting your desire means the other person has the opportunity to deny that. The more you have, the more you have to lose, and he has lost again and again and again in his life--his parents, his childhood to the crows, his independence, even his future--he doesn't aspire to be first Talon but he knows the rumors. He knows his grandmother wanted it for him, not Illario. His life path has been laid out for him by others and up to this point he has simply been going along with it anyway, even though it bothers him. He COULD argue and fight Caterina and push for Illario who actually wants the job to be First Talon instead, but from The Wigmaker Job we know he doesn't. He just ignores it and pretends maybe it won't happen, without him having to do any of the work. Which is why in the end Illario is the one who has to make a move about it (and even warns Lucanis of this!!!!). Lucanis KNOWS all this makes him a target but is neither taking charge or getting off of the train tracks, just closes his eyes.

And I think THIS context is what makes the almost kiss scene in the pantry make more sense to me. Rather than being afraid of having feelings (and then NEVER addressing this in game with a Rook who pursues him anyway) or not knowing how to finish what he's started via crow seduction training, it's more like this is a pivotal moment where he can actively choose to step off the planned path of be given a job -> kill the gods -> enact revenge -> go home. even if he doesn't at that point realize that a relationship with Rook could be something that lasts long-term, the very act of doing something just for himself is what's foreign and scary and hard. It's that first step off the tracks, and even if he were to keep walking in the same direction, it means he's making a choice about it. he's accepting that one way or another it IS in his power to go along with everyone else's plans or not. Hence the hesitation, and drawing back, and needing to clear his head.

And then the rest of Rook's role in his narrative IS about giving him more and more control for himself. Inner Demons, dealing with Illario, his questlines move less towards revenge and more towards just... not being locked into one fate. Which of course Caterina comes back and immediately tries to overturn by declaring him First Talon after all, even though she and him and everyone else knows she's not ACTUALLY ready to give up her rule/decision making power yet. Which in a way is maddening because cmon I did all this work here so this sad man could have some agency in his own life just to watch him get sucked right back in (which, at least we get many directions to headcanon from here), but there's no denying that THIS version of Lucanis at least is actually going in with his eyes open now. THIS Lucanis has had a taste of life outside the Crows, and seen the politics and power dynamics in other places/organizations, and finally has emotional ties to the big picture state of the world now, both in relationship and friendship paths with Rook. He's not just hyper focused on each contract as it's given to him now, he's looking at the whole thing.

Anyway of course the beautiful culmination of all this within the romance is the lighthouse scene with Rook, where he finally is willing to let himself be vulnerable (emotionally and physically), and fall asleep without fear of what Spite's going to do in the meanwhile. He also (depending on dialogue choice) finally talks about his feelings directly with you for the first time instead of in roundabout ways (the dessert being "not enough" is it really the dessert you mean, Lucanis. is it.). Even though he is STILL reluctant to verbally admit his feelings or let Rook share their own at this point, I think that's more a narrative choice about saving those last emotional dialogue options for the big final battle. but it is another point where he does have to stop just following along and ACTIVELY choose that yes, yes sometimes loving is worth the risk of losing it. Even if someone takes it away from you later, even if you don't survive it, sometimes the love alone makes it worth it.

I have like another 5000 words I could add into about how Spite ties into all this, about how having the demon in him is something he both fears AND how it forces him to acknowledge that actually yes he DOES share the same base feelings/instincts Spite does in terms of not wanting to be told what to do. And how this in a way is part of what gives him permission to act on it since he can no longer just shove it down out of sight. but this post is long enough already so i'm just going to take the rest of this and gnaw on it all day like a chew toy I guess.

anyway. AHG. it is kind of frustrating that the culmination of his arc seems to be "and then he got the job he never wanted anyway" but I do think at least all this prepares him for it in a way Caterina actively failed to actually do on her own. He NEEDED that step away from his straightforward path. Whether he stays first talon or not, and with or without rook as a romantic partner, he's finally been able to explore ideas outside the expectations of others.

[divineandmajesticinone]

LET FREE THE CURSE OF TAEKWONDO I EP. 04 Are you okay? No, I'm not.

[wyvernity]

quick personal update -- i've been in chinaaaa for the past few weeks! plus a few days of layover in tokyo, so i got to visit japan for the first time! good experiences good food all around \(^_^)/

now that i'm officially back, i can share some of the soulsilver i've been stockpiling since march..... and since i'm too lazy to make multiple posts, you guys get the full dump. warning! there are a few!

[alterigo06]

A Christmas Carol, featuring Lord Barok van Zieks and his migrane.

Silly sketches below the cut