#im not elaborating on that last detail

[calico-strawberry]

AF Aevia's darchlight form has wings right? I believe that's the drawing you currently use for her profile picture?

I know the Darchlight forms are meant to be the 'true reflection of your soul' or something like that, but a lot of the time I don't know that the design is trying to say. Florin and Erin have understandable designs given what we know about them, Flora is just Jotaro Kujo or some shit, and the protagonists each get a thing.

I'm asking what you were trying to say about your Aevia when you gave her wings in her 'true' form. What's the meaning behind it?

It's kind of. An easy thing to do with any true Paragon character but. The wings represent a guardian angel.

AF Aevia has lost a lot. She lost her own life and watched her friends die in storm 9, she's been through so much during the events of Rejuv.

In the first visit to Darchlight the wings were there, but very small. While she didn't remember being forced into the role of Interceptor, or the fact she even died, she still had the idea of "just wanting to rest" in her mind, but she *does* care about all of the friends she's made in Rejuv's plot.

She's grown since then. She wants nothing more then to protect the life she has now, hence her being a guardian angel of sorts.

That being said she has the wings for real actually, they're not just in her Darchlight form, though they're still manifestations of her soul.

[taruruchi]

Did I cook or did I cook /j (twas a simple drawing) (I spent an hour and a half doing it somehow)

Do you guys see the vision <- insane

Tag list: @angelwishess @scint1llat3 @distant-velleity @twtysevapr @cynthinesia @h0neybane @viperbunnies @linabirb @thehollowwriter @wafflethewitchboy @siphoklansan @jewelulu (please tell me if you wanna be added/removed!)

[welcometoteyvat]

read baizhu’s stories. he wins for most balanced character of all time

[foldingfittedsheets]

A friend I had briefly in my teens years was this girl in Arizona. She was a junior when I was a freshman, and as I was socially awkward and very lonely she kind’ve pulled me under her wing for a while. I don’t remember how we met, but I remember riding in her car and meeting her cute miniature Doberman.

But the thing I remember most about this girl was that she loved lying to me. And I had a massive but I acknowledged crush on her so I adored being lied to. Her natural charisma and storytelling was hypnotic.

It’s not what it sounds like because it wasn’t malicious but she came up with this in depth lore to tell me about this fake job she had. I know autistic people are meant to be credulous but I truly never believed her stories, I just adored her storytelling and was very ready to listen to whatever tale she spun that day. Another of her friends chided her once for teasing me but I genuinely never minded.

In her lore she moonlighted as a Professional Liar. People would hire her to get close to a target they wanted rattled. She’d make friends, develop a strong relationship, foster a dependency on her, then disappear. Then when they were confused and missing her sometime when the employer needed their target rattled she’d show back up as a glimpse to knock them off balance. Often it was implied she’d faked her death in the interim.

That itself was fine, it was an okay story. But in order to support that lie she’d make up tons of supporting details that were way more fun. She had this fake boyfriend who got high as balls on a mission and ended up seeing a sheep in a field and carrying it to a farmhouse to try to buy it because he wanted a puppy. I liked that one but suspected she didn’t know how big sheep were.

She’d IM chat with me as this made up boyfriend sometimes; once she had him ask me if I noticed her limping and he told me she’d just lost a toe but was covering for it like a champ. That one was fun.

She told me about something she called “purple charge” which was a way to get instant night vision. I did try looking that one up on the off chance, but was sadly disappointed there.

She said that Professional Liars had such high stakes jobs that they needed a week of insane time where they just partied so hard it was like a Dionysus rave and her IM boyfriend persona implied she’d killed someone during one of those stints.

I had such a fun time with her elaborate fiction that I’d often ask follow up questions and she had to do a lot of world building to keep up with my fascination. We’d get to class and I’d have three or four new questions which I think is why her friend thought her teasing was too far. They genuinely thought I believed her but I was just loving the fiction.

If any of this sounds malicious I’ll also add that when I got harassed on a roleplaying board she went out guns blazing to go after the guy who’d been harassing me. She genuinely enjoyed my company.

I find myself looking back on our friendship very fondly. I can’t remember her last name or have any way of looking her up, but she really was a professional liar to me. The only downside is that I’m completely faceblind so if she ever wanted to pop unexpectedly into my life I’d have no idea it was her.

[zeltqz]

— ✭ — 𝐏𝐀𝐓𝐂𝐇 𝐌𝐄 𝐔𝐏 — ✭ —

-> SUMMARY. satoru's smart in many things, but when it comes to dating and relationships, he's lacking that intellect. somehow he expects you to always be there for him to patch him up.

-> pairing : gojo!satoru x nurse!reader

-> length: 5.7k

-> tags. nsfw+18 content, injuries (mentions of bruises, cuts and scratches), implied beef with suguru (i shall not be elaborating further lol), medical practices; stitches etc, gojo is fucking annoying lol, love him though, reader is going to grow grey hairs bc of him, implied fwb relationship, satoru ghosts reader for five months (not his proudest moment but plz giv him a chance), marks during sex, blood mentions, unsafe sex, creampie, nicknames

-> a/n: im currently having a gojo brain rot. its not funny and this is a cry for help. ps i have no clue how to do any medical practices so if you notice some things are off just...shh.... 🤫

Satoru strolled through the clinic doors, his shirt rumpled and stained with remnants of blood. From the corner of his eye, he caught the sight of an older woman clutching her purse and just opposite her, a mother grabbed her kids closer towards her and away from him. 

Ignoring them was easy, after all he was here for one thing and one thing only. He approached the front desk and the nurse behind the counter was tapping at her keyboard, head tilted towards her shoulder to balance her phone. 

“Ah okay, gotcha. Your appointment is scheduled for next Tuesday. See you next week sir!” she said enthusiastically before hanging up and looking up at Satoru. “Hi, how can I help you toda—”

Her eyes widened as she met his gaze. Satoru rested his elbows on the surface and smiled back at her. 

“Hey! Is (Name) working tonight?” He didn’t even get the question out fully before craning his neck to peek past the doors reserved for the nurses.

She hesitated for a moment, wondering if you’ll be mad if she answered truthfully. It was conflicting for her. She’s fully aware of your brief relationship with Satoru. Hell, all the nurses were somewhat intrigued and aware to an extent. The extent being you refused to tell them any personal details of the matter. The only things they knew was when you’d suddenly get a text on your phone and the next five minutes you were leaving early, you were with Satoru.

But that was months ago. 

His frequent visits and texts started declining over the last few months and by the lack of Satoru written all over your face and phone, they all just assumed you stopped seeing each other. 

Satoru examined her hesitation and came to a conclusion. “Ah. She is, isn’t she? So, where is she? The back?” He tried to sneak another look past the small vertical window allocated on the wooden door to get a glimpse of your hair or anything before the nurse stood up. 

She wasn’t tall by any means, but with the way Satoru was hunched, it lowered his magnificent height to something more manageable and she was able to block his view with her head. “You’re not allowed to look inside there.”

“Then stop wasting my time and tell me if she’s here.” His eyes flashed momentarily as he started to get pissed and it was enough for her knees to buckle and give way, dropping her successfully back onto her seat.

“S—she’s not—” 

Before she could even finish her lie, the sound of a door opening from down the hallway caught everyone’s attention. An elderly lady walked out of the room, holding a walking stick and a grateful smile on her face. Once she got a reasonable distance out of the room, she turned around to face you and bowed, thanking you for the help.

You held onto her and helped her down the hallway a bit before letting go and leaning against the wall, arms crossed and a satisfied smile on your lips as you watched her walk at a slow but steady pace. Her hand stopped trembling as much against the stick and you were just happy she was slowly improving. 

It wasn’t until you looked past the elderly woman’s head did you notice Satoru himself, hunched over the reception. Your fellow nurse looked at you guilty before sighing. 

Satoru stood up straight once he met your eye. 

“Oh hell no,” you muttered under your breath and quickly darted back inside the room.

It’s unfortunate you’re messing with Satoru Gojo of all people because he was faster than you and crossed the distance in the hallway before you managed to lock the door behind you.

You did however, manage to get it shut and used it to your advantage and pressed your back against it. 

Satoru sighed, the sound smooth and honeyed, knocking gently on the door’s window with his knuckles. “Lemme in. I’m injured, you know?”

You couldn’t help but feel flattered that he was only acting with you, pretending to give you the choice of helping him or not because you both knew he could easily have this door open in seconds and you’d probably be flying across the room if he had his way.

“That’s got nothing to do with me, Gojo. Please leave and make an appointment. If you need an impromptu surgery, please find a hospital. Not a clinic.”

“But you’re the best nurse,” he said, pouting.

You rolled your eyes. Yeah right. If anything they were all better than you. You only started working here recently, having a few months experience compared to years. The first time you gave him stitches, you had pierced him full of holes so much that he was even surprised he had a drop of blood left inside him, but he kept healing himself so you barely noticed the damages.

Another thing about Satoru.

He doesn’t actually get injuried. His injuries are nothing but an illusion he creates to get close to you. All the times he came in battered and bruised, nothing was real and if they were, they didn’t hurt one bit. But it didn’t help that he was such a good, charming actor that you couldn’t help but fall for his little game every time.

“I’m not the best nurse, Gojo. Now for the second time, if you need treatment, go to a hospital or make an appointment.”

“Gojo?” he questioned, sounding utterly confused. At first, he thought the sudden use of his last name was just a fluke on your end. But twice in a row? Nah, he’ll wait to see if you use it one more time before making a judgement.

“Yes. Isn’t that your name? Now are you going to a hospital or not Gojo? Us nurses have actual patients to attend t—”

The door was pushed open easily and he walked inside without a care in the world as you fought back the childish urge inside you to not stomp your feet on the floor and throw a tantrum. 

Satoru stood tall over you and it wasn’t until the ceiling light hit his face that you finally noticed the scratches on his face and cut on his lip. They weren’t hospital level serious but you couldn’t help but feel worried at the sight of seeing him hurt.

“What the hell happened to you?” There was no malice in the question, your voice filled with nothing but concern.

He shrugged and rubbed the back of his neck, laughing awkwardly. “Got into a bit of trouble,” he said with a chuckle, scratching his messy hair.

You scowled and shook your head before holding his face in your hands to examine the damages. “This looks…managable.” You pull away after close examination and begin removing your gloves. “The nurse in room 405 upstairs can help with that cut.”

You turned around to throw the gloves in the bin and wished you saw the look on Satoru’s face as his smile fell at your words.

“That’s nice and all but I was hoping you’d help me with it. You know? For old times sake, yeah?”

“Definitely not .” 

“Why no—”

You turned around and poked him in his chest, hard, unaware of the big bruise under his shirt. 

“You ignored me for weeks! Not even weeks actually. Months! And now you think you can just waltz in and take advantage of my services? You’re so—” You stopped yourself when you felt yourself getting angrier and took a deep breath, taking a few steps backwards create some distance between you and Satoru.

Inside, you hated to admit you actually liked Satoru and grew fond of him. You weren’t one to usually let people into your hearts but he was an exception, and he just vanished. 

The first week was okay, you didn’t mind. After all the two of you were spending way too much time together on a daily basis so maybe he just needed some space? 

The second week, you were also…kind of okay with it? It’s a dramatic change to go from seeing and talking to someone everyday to suddenly have two weeks no contact. It was lonely but you just chalked it up to him being busy.

By a month it was just getting ridiculous at that point. Third month? You were pissed and swore up and down if you saw him around in public you’d claw his face out with your scalpels. 

Fifth month you had convinced yourself you had moved on. You blocked his number on everything and made sure he had no ways of contacting you ever, despite the fact you knew deep down you missed his touch, his kisses, his words, his voice, his dic—

“I’m sorry about that. I’m a busy man, you know?”

“It’s always ‘you know this’, ‘you know that’. Fuck —” You dug the heels of your palms in your eyes out of sheer frustration. “I don’t know anything because you can’t communicate with me! You were too busy? Busy?! Too busy that you couldn’t even open your phone and I don’t know, call me?! Text me?! I think even an email at that point would’ve made me satisfied. Not just radio silence Satoru .”

This time when you said his first name, it was filled with such emotion behind it. He could feel it from where he stood. You tried to keep your face as casual as possible but the eventual twitch of your bottom lip gave you away. 

“I know baby. I’m so sorry.” He took a step forward and tested his luck. You didn’t push him away or tell him to leave you alone, so he engulfed his arms around you, wrapping you into his chest. 

You refused to hug him back, standing eerily still as your face was suffocated between his chest. The scent of him was so strong that it almost made you tear up. Five months. Five fucking months of no Satoru was enough to drive you mad. You were so touch starved that you physically had to strain your arms in order to keep them at your side and stop them from wrapping around his waist.

“I’m so sorry baby. I mean that. I didn’t mean for things to get this far,” he murmured into your hair, holding you so softly almost as if you’re delicate. “But I’m here now, okay. Always.” 

He was met with silence. 

“Baby?” His heart skips thrice in his chest when he realises your hand rose to the front of his shirt, gripping the fabric for dear life as you tried to fight back tears.

Crying in front of people wasn’t something you normally did, almost hiding it late at night in the comfort of under your bedsheets. The tears were always so easy to flow freely during those times, but now it felt like your eyes were hot and stinging and you couldn’t control them anymore.

With his hand on the back of your neck, he slowly pulled your face away from his chest and lifted your chin to look up at him.

You were a silent crier thank god; the mere thought of you ugly sobbing and sniffing in front of Satoru made you want to end it all. He pouted and wiped your eyes with his sleeve. 

“Wow, I really had an impact on you didn’t I? Interesting,” he hummed.

Your eyebrows furrowed. “Fuck you.” You pulled away first and stomped over to grab some tissues. “I’ll wipe my damn face. I don’t need you.”

“You do need me though.” He pointed to the wet patch on his white shirt. “Clear proof!”

Now that your eyes are dry enough to see clearly again, your eyes wandered around the room, looking for something you could throw at Satoru’s head to knock his brain back into place. Your hands twitched into fists as you tried to control yourself again. 

Satoru noticed. “You know I knew you’d be mad at me which is why I got myself all beat up so you could poke needles into my skin.” Then,  he sighed, long and dramatically. “And people say I’m not thoughtful.”

“You’re not thoughtful. You’re an idiot with no common sense at all.”

“How else was I supposed to see you again?”

You raised an eyebrow. “Maybe call me?” You paused, remembering you blocked him. “You could’ve just come and seen me. You know, without getting yourself all battered? You can never think like a normal human I swear to God.”

That was what you loved about him though, his carelessness and recklessness. It only added to the excitement you felt when you were with him and the fact you knew whatever he did there’d be no consequences because he was the strongest and rules don’t even apply to him.

But Satoru doesn’t need to know all that.

Satoru scrunched his nose at your idea and shook his head. “Ehhhh I dunno. Too boring. This,” he alternated pointing his finger between the both of you, “is much better though.” 

You rolled your eyes. “Get on the bed before I change my mind.”

“Yes ma’am!” He strolled over towards the patient bed and sat down, kicking his legs as he stripped off his shirt. By the time you turned around to face him with the supplies you needed, you almost dropped them all. 

There was a huge bruise on his chest followed by more cuts and scratches running all down his chest. 

“Gojo! Who the fuck did you fight?!” Your mouth dropped open at the sight, pure concern written all over your features.

His eyebrows furrowed a little. “Satoru*,” he corrects, looking salty. When you didn’t waver, waiting for a response, he sighed again. “It doesn’t really matter who I fought. Just come on, patch me up,” he ordered, smiling boldly at you.

“Don’t tell me what to do. Answer the question Go—Satoru.” 

He smiled triumphantly at your words. “Suguru.”

It was almost amusing to him to watch you file the name and process it. It definitely sounded familiar, but you spent the last five months erasing everything Satoru related from your mind, so it took a little longer than usual to remember. But eventually you remembered who Suguru was and gasped. 

“Suguru?! What—why?!”

He shrugged and you could tell he really didn’t want to talk about it. “He just…did somethings that pissed me off so we fought.” He looked unusually serious for a moment and you could tell something deeper than that happened, but you weren’t here to be his therapist. So you didn’t pry.

“Okay. Well…” 

He waved your sentence off flippantly. “Don’t wanna talk about it. Seriously. Move on and fix me.”

“You’re not in the position to have an attitude right now Satoru. I can leave right now and have another nurse here to do this for you.”

That shut him up for a bit and you smiled in triumph that he was able to shut up for once. 

His eyes were on you the entire time. You grabbed a cotton ball and applied alcohol to it, dabbing away at the cuts gently before beginning to stitch him up. He winced at the sting of the needle going in and you looked up at him, concerned.

“It hurts?”

“Nah. Just uncomfortable. Keep going,” he responded, giving you the okay.

With his approval, you continued with his stitches and everything was going just fine. You didn’t feel as overwhelmed with the close proximity as much as you thought you would’ve. But the second you finished up with his chest and moved onto his face, you realised you might not be able to do this.

His eyes were trained on your face the entire time and they were so intense to look at. He grinned when he noticed you pause for a moment, as if trying to keep all your focus away from his distracting stare and you wanted to stuff the ball of cotton into his mouth to wipe his smug smile off his face. 

The bed was near the end of the room, meaning the light didn’t hit it as well as it should’ve, making it harder to see. So you had no other choice but hold his face up by his chin and continue dabbing alcohol on his cuts. You could see his eyes dart all over your face, from your nose, mouth, eyes, and everything you shifted backwards to grab something, those eyes of his followed.

His eyes lingered on your lips the longest, and in the silence of the room you swore the sound of your heart beating was loud enough for him to hear.

“Stop staring at me,” you said, pausing your movements.

“You nervous?”

“No. It’s just distracting.” You wiped some dried blood from his cheeks with a wet wipe.

“Not a bad thing to be distracted, Doc.” 

“It is in my profession, Satoru.”

Standing this close to Satoru had its pros and cons. On your end, it was easier and quicker to fix him up being this close and you were able to see and hold his pretty face. But he was also a major distraction, making your first point render useless as you couldn’t get the job done regardless if he kept looking at you like that.

For Satoru though, you standing this close to him was only benefiting him. He could see every inch of your face this close and if he really wanted to, could trail his hands down the backs of your thighs and onto your hips. If he really wanted to though.

“Okay. I see your point,” he hummed. “Distractions aren’t necessarily a good thing. But…”

“No buts! Fuck, you’re so annoying.” You pulled away to grip at your hair, wondering if you were truly frustrated enough to rip your hair out. You’ll probably regret it in the morning so you refrain from the thought.

“Would you think it’d be annoying if I kissed you right now?”

“Yes,” you responded back without waiting a beat. “Don’t even think about it.” You went back to work, tilting his head tot he side to see if there’s anymore damage to assess.

He took advantage of your focused state to lean in closer. “You sure?” His nose brushed yours and you couldn’t find it in yourself to pull away. 

You cleared your throat and jerked your head over to the camera on the ceiling near the end of the room. Satoru looked away from you for a moment to look at it. 

“Nice try though,” you said with a smirk. There was no more damage to his face, he was all stitched up and his cuts were cleaned. “All done. You can go home now.”

You stepped away from  him and let out a breath you didn’t realise you were holding. It was so intense being that close to him, your lungs actually felt peace the moment you were away. 

“Alright. Let’s go.” He stood up, shrugging his shirt back on.

You turned around and looked at him in confusion. “Let’s go? I’m not going anywhere.”

“You gotta walk me to my car. What if I fall and seriously injure myself?” He put his finger on his chin, deeply thoughtful.

Your face deadpanned. “If you were good enough to drive here, then you can walk yourself to your car. I’m not an escort.”

“What time do you get off?” he asked, ignoring your previous sentence.

“I dunno. Maybe midnight? Something around that.”

He pulled out his phone from his pocket and checked the time. Almost eleven p.m. “Alright. I’ll wait for you.” 

“What?! No.” You rubbed your forehead in annoyance. This dude was giving you a migraine. “Please just go home. I have my own way home already.”

“What. The bus?”

You hated his tone. “What’s wrong with that?”

“Why go on that thing when you could drive with me? You used to love my car you know?”

The fact that he was throwing what you used to be in your face like he wasn’t the one to ruin it made you angry. “And how many months ago was that, Satoru? I’ve moved on.”

“Yeah yeah.” He laced his hands behind his head and began to walk out. “We’ll see.” The door closed behind him and you stood in the room for a moment wondering if he actually left. 

It felt too good to be true. But after two minutes, you went out into the hallway and saw he was nowhere to be seen. With that in mind, you were able to finish working and leave on time, briefly ignoring your fellow nurses questions about what Satoru wanted.

By the time you exited the clinic, changed out of your nurse scrubs and back in your casual attire, you were on your way to the bus stop down the street when you saw the only car left in the parking lot was still there.

“You’ve gotta be kidding me.” You hated how you could see Satoru’s white hair in the drivers seat, his head hung low as he looked at his phone. He was distracted and this was your chance to make an escape for the bus stop without him noticing.

You managed to make it out of the car park and on the way to the bus stop in peace, earbuds in your ears with music playing softly. But that wasn’t enough to stop the loud honk of a car beside you. He was driving beside you at a slow pace with the passenger side of the door wide open.

So careless.

He had it wide open as if he knew you’d get in.

So conceited.

Part of you wondered if you made a run for it, would he speed up and eventually have the door hit a pole? The thought of that made you laugh but you came to a stop and looked at him. 

“Your door is open.” You stared blankly at him, stating the obvious.

He acted surprised and gasped as if the revelation shocked him. “Really? Wow. Maybe you should get in so I can close it?”

You looked at the bus stop which was only down the road. It’ll take 45 seconds max to reach it. But you could practically feel the warmth radiating from the inside of his car and fell to temptation. 

He grinned wide as you stripped your bag off your shoulders and slid into the passenger seat, slamming the door behind you. “Atta girl,” he commented before speeding off.

It took everything in you to not glance over at him the entire ride. Something itching deep inside you that made you just want to peek at him once, but you knew he’d never shut up if he caught your attempts. He’d probably go on a long ramble about how he’s not surprised you couldn’t get enough of his pretty face and the thought made you want to gouge your eyes out. 

Instead, you decided to peek out the window and try get a glimpse from his reflection. The car was speeding past so many streetlights at once making it somewhat easier to grab a solid reflection. 

Staring at Satoru driving was one of your favourite things back then. He always looked so calm, one of those rare moments when his face wasn’t fixed in a smirk. His face was relaxed and he’d keep his pure attention on nothing but the road. Of course that made you determined to see what you could do to break that concentration, like holding his spare hand that wasn’t on the wheel, playing with his fingers and rings, or even (in the severe cases) going down on him just to hear him groan whilst struggling to maintain that concentration.

You knew deep down Satoru would never let the car crash, so it allowed the both of you to be reckless. A smile fixed on your face as you remembered those moments and before you knew it, the car came to a stop.

Outside his house.

“And we’re here!” He stopped the car engine but kept the lights on, allowing him to look at you better and man, your reaction was worth it.

“Huh? This isn’t my house Satoru.”

“It’s not?” He looked around before gasping. “Oops. Guess you’ll have to stay the night then.”

Ten seconds passed where you both just stared at each other, not speaking, just the sound of the crickets outside adding to the awkward silence. 

“I’m walking home.” You grabbed your bag and made a move to exit the car before he locked the doors. You struggled with the door handle for a second before glaring at him. “Open it.”

He sighed, loud and bratty; practically throwing his head back against the headrest. “Can’t you see I’m trying here? What else do you want me to do man?”

“Maybe leave me alone, Satoru. It’s been five months. You clearly wanted nothing to do with me, now I’m returning the favour.”

“That’s not it though. Just…fuck. Please? Give me a chance.”

You shifted in your seat until you were sitting down again, looking dead straight at your hand in your lap as you began thinking. “...why now Satoru? Why today of all days? Why five months later, when I already let everything out of my system. Why did you choose to come back now when you had so many chances?”

He shifted forward, resting an arm on the steering wheel and resting his forehead against it. He shrugged. 

“Honestly I don’t know. I just…didn’t think things through I guess until it was too late. At first, I was scared. I was spending too much time with you and it wasn’t like me. The anxious feeling I felt was because I was experiencing these new feelings because of you.  So as a deflection, I stupidly convinced myself that you were busy, being a nurse and all and that was enough conviction I needed to convince myself to stop texting you, waiting for you to make the first move. You never did though, so I assumed you genuinely were busy. So I waited. And waited. And waited…but you never texted back. Then the fear I was feeling initially was just me coming to terms to the fact that…I liked you. But by the time it took me to realise, I found out I was blocked.” 

He sighed again and sat back upright, resting his head against the headrest again and looked up at the car ceiling. “I deserved that block though. It only hit me that I actually ghosted you five months later. And I am sorry for that.” He tilted his head to the side and looked at you, deadly serious. “But it never would’ve escalated this far if you just texted me first.”

“There’s no way you’re blaming this on me right now.” 

“I’m not. I just—fuck.” He pulled at his hair and sighed. “You’re right I’m sorry.” He flopped his head back against the car and reached his hand out over towards you. 

You hesitantly grabbed onto it and he rubbed his thumb along your skin, holding your hand tight. “You forgive me yet?” He raised your hand to his lips and pressed kisses against your knuckles, giving you goosebumps. 

You sat upright and leaned closer towards him, holding the side of his face in your palm before planting a kiss on his lips. It was short and to the point before you pulled away. “That answer your question?”

He looked at you for a moment before you closing the distance again, alternating between slow, sensual kisses and sucking your lower lip. You scramble out of your seat and he’s eager to lift you up and plop you down on his lap. 

Your hands laced between his hair as you pressed your entire body against him. His hands on your body caressed every inch of skin he could grasp, digging his nails into your waist as your tongue invaded his mouth. He winced when you went to undo his buttons and you pulled away, remembering his injuries.

“Oh my god. I’m so sorry ‘Toru.”

He chuckled. “Nah, it’s not a problem.” He couldn’t help himself and pecked your lips again to wash away your concern. “In fact wait.” He unlocked the car doors and told you to get out. He grabbed your things for you and held onto your hand, leading you into his house.

Your bag, his things ended up scattered on his living room floor as he carried you up to his bedroom. You were laid flat on his comfy bed, head rested against his soft pillows as he hovered on top of you, keeping a little gap between both your chests to avoid further pains.

You graciously accepted him with open legs, locking them around his waist as he kissed you as passionately as he could. His fingers roamed all over your skin, peeling your clothes away and examining your body, naked and vulnerable beneath him.

The two of you barely spoke the whole time, too busy focusing all your energy into just enjoying the moment, the feeling of your lips against each others, the slide of your hands down his back, the caress of his hands along your waist. 

His lips attached to your neck like a leech, sucking until the blood rushed to the surface as his fingers went rampant between your legs, fucking in and out of your wet pussy, his thumb circling your clit. 

Your moans were heaven to his ears. He couldn’t wait to see your eyes cross when he sinks into your pussy. The image stayed in his mind as he quickly pulled his fingers out and switched your positions. He laid flat on his back and adjusted you on his lap.

You reached behind yourself to grab at his hard cock and pumped it a few times before shifting it underneath you. His cock slipped into you easily but the rest was hard, sinking down was painful, his cock carving its way into your pussy. 

You had an iron grip on his arm as he held your hips, your nails digging and leaving marks into his flesh. It hurt but it hurt so good. Satoru rolled his hips up to help you sink down, each roll pushing his cock further inside. It took longer than it should’ve for him to bottom out, but the second he did, you collapsed on his chest.

He winced again but the pain was worth it. Your arms wound around his neck and he began rocking you back and forth against his cock. 

“That feel good?” he questioned, his voice right beside your ear sending tingles down your spine.

“Mhm-mhm.” You bit your lip hard before sitting upright, resting your arms against the headboard for balance as you created your own rhythm. His chest was too injured for you to hold onto it, so the headboard was the next best bet. 

He hissed when you started bouncing like your life depended on it, his grip on your hips and waist becoming even tighter. “Fuck— don’t stop,” he gritted out, low grunts spilling from his lips.

His breathing got heavier as you sped up, grinding your body above him in any direction you could, desperate to feel more of him inside you. He moaned loudly in your ear and the next thing you knew, your world was being flipped. 

Injuries aside, that didn’t stop Satoru from flipping you onto your back, his cock still nestled inside you and starting off a brutal pace, slamming his hips against yours. The bed kept smacking against the wall with each thrust. His hands had a death like grip on your hips, keeping you pinned down to make sure you take everything he’s giving you.

Your nails dug painfully into his shoulder blades, not able to do anything but just scream litanies of curses and his name as you felt yourself getting closer. 

“C’mon, please, fuck me Satoru—I’m ah—’m so close ‘Toru please,” you begged, bringing him down for another kiss. You bit at his lip before sucking the length of his tongue, a move that you remember drove him crazy.

“Scratch me,” he whispers against your lips, removing his hands from your hips to rest beside your head, keeping him upright. “Mark me baby I know you can do it.”

Your hands reach towards his back and drag your nails along his flesh. It stung so bad but he didn’t care. He wanted to feel it, feel every emotion pent up inside you for months and left as a red line on his back. He wanted it to scar, wanted it to be a reminder whenever  he looked in the mirror that you left that on him. That you were his now. 

The thought had him speeding up, plowing your body into the matress; your nails kept scratching, some lines even drawing blood with how deep you scratched. You reached a hand up to his hair and tugged and he lost it.

His hips stuttered inside you and his cock began to leak before he could even process what was going on. He didn’t stop steadily fucking into you as you came on his cock, as his cum began to fill your insides. 

He thrusted one more final time before his arms gave out, collapsing on top of you. His weight was more than you could bear, but that didn’t stop you from holding him as tight as you could. Your fingers ran through his hair, scratching lightly as his undercut as he took the time to catch his breath.

A minute later he was shifting off you, rolling onto the spot beside you before wincing again, the scratching on his back far too sensitive. 

You told him to sit up and then gasped when you witnessed how much damage you did. “Oh my god.”

“What? What?”

You pointed over to the mirror inside his bathroom and he slid off the bed and walked towards it, examining the marks on his back. You followed shortly after, standing behind him and watching as he kept wincing when he tried to touch it. 

“I’m so sorry—I didn’t—I need to cut my nails.”

He shook his head and rested his forehead against yours, looking down at you and smiling. “It’s nothing a nurse can’t handle.” He winked at before pecking your lips.

A few hours ago, the idea of patching Satoru up was enough to leave you grumpy for a day, but now it fills you with excitement. 

You can’t wait.

[triptychgardener]

i saw you mentioned that transfem!calliope was practically canon, could you maybe elaborate on that? (im not dissing your hcs btw im just confused on where its suggested in canon)

Hey so it took me a while to get to this just because I wanted to solidify some thoughts about it! Won't go into as much detail wrt my other posts, but we can at the very least start with her handle: uranianUmbra

Uranian is an old-fashioned term, generally used for gay men, though also used in different ways to describe other-gendered people or ways of being, occasionally used as a catch-all similar to how Queer is used today. Its history is complicated and occasionally uncomfortable, as a lot of queer history can be, but notably, one potential root of this idea came from Urning

Now obviously conceptions of gender and sexuality were a lot different then, and I don't want to simplify this, but in Homestuck, it's pretty undeniable that Calliope is a woman stuck in a man's body, and this is likely why Hussie used that very specific word in the first place: to foreshadow the eventual Cherubian Twist.

And not that framing: a woman trapped in a man's body. Cherubs (at least as we are told) have two equal halves who can predominate. But the framing of their entire dynamic makes it very clear that this is Caliborn's body, not Calliope.

Callie's ideal self, in Callie Ohpeee, her Trollsona, is positioned as something to be taken off to reveal her true self. She feels that she needs to conform her exterior to match her interior self, something Caliborn never has to do.

Hell, even as she goes to sleep for the last time, she removes her jacket to reveal Caliborn's shirt underneath. It's his body, not hers.

Not only that, but throughout the story, we see that Callie experiences something close to either dysphoria or body dysmorphia. She hates the way she looks, and affects an especially sweet demeanor in order to not scare people away. She sees herself as a monster because her body becomes the most hideous masculine monster the story has ever known! Literally Lord English.

And shockingly, even though it (in my opinion) handles it poorly, the Epilogues do give us a brief insight into cherub gender, where it basically illuminates that Aranea was kind of talking out of her ass about cherub reproduction, and that Cherubs have no actual biological sex or gender. Meaning that somewhere along the way, Caliborn and Calliope CHOSE their genders, likely influenced by the human and troll internet they were permitted. Callie perhaps forming her own gender in opposition to her brother. This also probably created the ouroboros through which gender became a thing in the first place but thats besides the point. Point is, Callie was likely not a woman until she chose to be a woman. I.e. transgender.

Now the epilogues took it in what I find to be a kind of boring direction, i.e. "well cherubs have no real biological sex so that means I have to be nonbinary now" which is just such a lukewarm take on the imposition of gender but whatever. Point is that Callie is transgender end of story goodnight!!!!!

[storgicdealer]

rolls up sleeves. today's short guys.

the short brought me SO much to think about — particularly, how the news outlets DO exist in the outernet, and how the showdown was seen from the stickcity — which does confirm that if they were around, it was impossible for vic not to see at least bits of it before.

so in this post i am . once again . compiling my thoughts into a big victim theory that tied in my Head

victim theory: the point the show went down

again. warning this is me going on a RAMBLE that is so insane that i constantly switch from one topic to another. expect insanity

in case i interpret something incorrectly in your opinion, or forget a major detail — feel completely free to add on! my memory is horrible

so. presenting the thing that the outernet and the internet are connected with each other, yet still have a barrier in-between them there is a possibility of outernet citizens not having access to it full-time. at the same time, so much stuff is digitally reliant on pc tech that i doubt outernet sticks wouldnt know about it at all

im thinking that when victim has been ‘unsaved’, one way or another — they couldve gotten into the outernet, also one way or another (this is a raw supposition that it would happen that early but). which made them separated from the pc/internet in the first place — severing them from knowing about how things really work there aside from what they learned when needed to survive, as well as knowing about the existence of other cursors.

and given the last, when showdown happened — this was their first cue to become involved in the whole hollowhead tragedy. a thing they didn't know before due to being out of the pc — which was also the point where they became obsessed with revenge.

we now DO know that the outernet has news outlets; whether they saw it on the news or themselves, this was their first step into getting revenge. (at the same time, seeing it on the news would sort of? elaborate on why rocket tech most likely also streams news n such. perhaps as some weird kind of thanks "for showing me where my torturer was" or, perhaps, wanting others to see what has been going on too/how much of a danger cursors are. it would support the freedom guy=victim theory just a tad bit if victim Did care about stick rights prior showdown)

(another point — i must mention that we now know that sticks have phones, and most likely their own in-gadget social media now — but we don't know if they have the same internet as humans do. honestly the whole reason why the theory of sticks not having full access to internet didn't crumble yet.)

going to investigate, either by themselves or having already been in rocket — they could've possibly found the tech dark owned (as well as the mega blaster that literally shoots things in the ip sky) and, importantly, dark's own portals to the internet — and perhaps, have used them, for minor things and scraps or, something bigger. like actual travel.

whether by connecting the cursor with alan or not, by the point of them getting into the internet they DEFINITELY saw what happened with them, chosen, dark. (ava 4 as well, but it is talked about later.)

and thats the point where theyd get the adobe tools = i believe they would have to go to a pc to get them, but i also am not against the possibility of them just. downloading it cracked or something. they got the tools and. if thats the point where they left the pc/internet and didnt come back (perhaps, danger of another user) it mightve been the reason they didnt know about the powers of second.

this whole thing elaborates on why they found the showdown in chosens memories first — having seen what happened, they wanted to fully understand what went down — perhaps where such power came from. it was kind of.. impossible to see sec from such distance? and there werent any news outlets seen next to the showdown site itself, which could explain why they didnt know about secs powers once again.

the thing that makes me doubt this in a way is the reason why they didn't go to alan right away, having acquired the adobe tools. but there is a thing i believe might explain that — victim saw, and realized that chosen, dark and them are peas of the same pod; that they managed to destroy alan's computer — and that they don't have such power to do the same ¯⁠\⁠_⁠(:{)⁠_⁠/⁠¯

having came back to the outernet, with the adobe tools — they might've started to enact the plan of getting revenge by gaining power that they first lacked, now especially that they had some tools to do so. them getting the instruments that outernet citizens didn't have before, perhaps didn't fully know about — they could've been seen as someone who brought something special to the outernet. they could've been a person that, aside from revenge, would want to protect sticks (it would genuinely clash with how they treated chosen, but at the same time i can believe it was their own anger of not getting what chosen "had". power and ability to get revenge on their creator.) — being seen as some sort of saviour or, at least, someone powerful — this is how they could've gotten up the career stairs of rocketcorp in the first place.

what makes me think of the box episode — this could've been the point they have acquired enough power to challenge alan, causing them to FINALLY hang up posters after 5 years (sorry it just tied in so well in my mind thats why i capitalized it. like holy shit thats the reason for posters being late as shit)

knowing about the showdown, they wouldn't put up dark as well, whether she was mia or . yknow.

what EXACTLY the power to challenge an animator, a god requires. oh this is a brainworm of mine.

knowing about the showdown#2, perhaps having investigated it itself — could bring back the theory of dark being captured by rocket and, perhaps, being in her weak state — used by victim in order to gain more power that they lacked. victim could've known about how challenging dark was to beat + how chosen and dark managed to destroy chosen's computer = a recipe to gain power to go at alan themselves.

and have finally gained enough power, whether with dark or not — they could've went for chosen, who WAS active — and difficult to beat.

finally being ready to go at alan, they went to get the only person alive that was connected to him.

i could also bring in the fact that they COULD'VE possibly tried to go at chosen for using his own powers for themselves as well — at the possibility of them being "good and powerful" in the eyes of society, being a "saviour" — capturing a well-known terrorist, moreover brainwashing citizens (a raw assumption, but perhaps even rocket) into thinking that they need to get him to get revenge on a person that murders sticks — that it is something that they were okay with doing. at the hands of their own, bitter desire for revenge.

one thing that contrasts it all, however — showdown has happened when ava4 already happened. and in case victim went to investigate their roots — it would've been impossible for them not to know about sec. but at the same time, orange used his own wit (and a small sprinkle of chosen silhouette flashing) to try and defeat noogai — and he didn't !! alan has trapped and spared him on his own !! which could've made them think it's not someone worth paying attention to, someone isn't powerful enough that they may need.

i must mention that it is possible for victim to gain the adobe tools without looking at the hollowhead's history after they were created at the time. for example, stealing the app and not opening youtube to do so, lol — but the whole existence of alan's tv makes it at the same time impossible, and at the same time — so confusing on why victim did not know about sec's powers.

im clutching my pearls . oh god this is so long

im going ins

i would APPRECIATE ALL of your input!!!

[chinomiko]

hi! i know it must be kinga boring for you recive questions about castiel bc ppl are obsessed ober him for years but like the other person who asked you a few days ago, i follow you (and ply mcl) for like 10 years and ever since day one my fav boy has been tiel. till this day at the age of 22 he's my favorite and my comfort boy so i joke that he's not a fictional character anymore for me and that i know him personally at this point lol

with that being said, i bet you can imagine that over the years i've been elaborating his personality beyond what the game gives us but he's your boy, you created him therefore you know him and your word is canon, so i'd like to ask a few stuff!! nothing too big, dont worry but here we go.

tiel is an amazing songwriter and since he's very emotional not very good at express it (he does it a lot better now that he's an adult 🥹) i bet his lyricism is very deep and poetic so i have this headcanon that he at first wouldn't like taylor swift because obviously lol but then he payed attention to her lyrics and ends up basically being a swiftie since he likes her writing a lot. what you think about that?

and what kind of music crowstorm sings? like there are any bands that you listen and think "hey this would be in a crowstorm album!" (i have a playlist with this name btw lol). im probably wrong on this one but since this is my fav band i like to think that catfish and the bottlemen are the irl crowstorm, musically speaking

and the last one: another thing that gives me so much comfort is the lystiel friendship. not having present parents, being so closed off i know that lysander is such an important presence on tiel's life because he was basically the only close person he had (specially after the debrah fiasco); if lys didnt had taken the farm and went to college and bla bla bla do you think he would still be part of the band with castiel? im not sure if im mixing the canon with a fanfic i read a while ago (lol) but the band was more of a fun thing to lys, right? he liked writing most (i always imagined him getting into a literature degree or something like this). i also like to think that he helps tiel with lyrics at times, even if he's out of the band (in my head the canon is that they are best friends and pretty close till this day, i pretend lys never left our lives just like armin)

anyways sorry for this big ask 😭 i dont even know if you will read it all but if you do, thank you! and dont feel like you have to answer, i know its too much its just that mcl is my hyperfixation till this day like for real, i have a fanfic that i write still and i even plan on making it into a book sometime. except from the main characters (who is my oc) all the characters will be based on the game's ones :)

ilysm take care and stay hydrated!!

Hellow !

Aww thank you so much and for all your love for Castiel ^^

What a long ask, I'll try to answer in order.

Castiel being a swiftie. No sorry, I don't think he would be. If candy likes her, I'm pretty sure he would try to listen. Also he is an open minded person for sure, so I'm sure he would be curious to listen and study what all the hype is about, it could also help as some sort of far away inspiration, but I don't see him being a fan.

What kind of songs Crowstorm sings This is hard to answer because my musical knowledge is pretty limited and I'm sure I would miss on lot of potential groups or singers that would fit well. And it would require too much research time to have a real detailed and clear answer, but I still did check a bit and here is a little list of songs/groups that I think would have a fitting vibe for Crowstorm

City of the dead - Hollywood Undead The worst in me - bad omens Paranoid - I prevail Trauma Just pretend - Bad omens Ice Nine Kills - A grave mistake Catfish and the bottlemen sounds nice but I think its a bit too soft for what I imagine for Crowstorm.

What is his voice like I think something similar to this (not necessarily the song itself, just the voice. )

bonus, I think this song is so so fitting for Castiel's breakup song, I love it. Dial Tone - Catch your breath

Castiel and Lys friendship. It was'nt mentionned much in UL/LL because I didnt wish to bring too much drama by mentioning Lys when he was not there for the players, but of course Lys and Cast always kept in touch. It is very clearly mentionned in Lys' AL that they keep in touch, that Lys helps Castiel write songs and Cast also like to come to his farm to have a break and spend time together. You should play it if you havent, you'll have a good chunk of Cast and Lys friendship :) However yeah I can confirm that Lys would not like to do it serisouly and professionally, but he'll be all the way around to support and help Cast.

[interstellar-productions]

So this is probably unimportant to anyone who reads this but i feel like i need to explain my though process here, I’m a psych major specializing in abnormal psych with interest in creative writing and art. Very much an art, science and history girlie. Im saying this so there’s some context to the way I visualize certain things.

I want to elaborate on my view of the foxes in a less scientific and more artistic view, metaphors and imagery.

I see Aaron very much as someone who internalizes his hurts. My brain conjures up the example that as he was growing up he was the type that every time a piece of him cracked off he picked it up, at first perhaps to use as a weapon. Taking the jagged edge and using it to lash out but that only got him bad things growing up with Tilda. (Who I imagine as the embodiment of catholic guilt, she knows what she’s doing is wrong but she’s so consumed by her hatred and bad choices the only way she can internalize it is through violence. Specifically directed at Aaron.) So as he got a little older he took those edges and hurt himself with them.

Aaron would have known from living with Tilda that physical marks raise questions that cause trouble, so it wouldn’t have been the same form of self harm that Andrew and some of the others used. But he i image he would have taken those edges and used them to hurt himself mentally, self hatred and self harm that doesn’t leave lasting marks.

Then Andrew and Nicky and Luther start getting in the picture. Tilda was always to strung out to notice and the men she brought around didn’t care. So Aaron learn to carefully shave the edges of his jagged pieces down, purposefully cutting up the parts of himself that remain and taking tape to stick it all back together. Trying to form some semblance of a human being that wont make people ask questions. The pieces don’t fit right though, some pieces are still jagged, some pieces are too smooth, some he cut down too much to be able to put them back right.

By the time AFTG is taking place Aaron has probably caused himself so much damage by trying to self internalize he issues that he more so resembles a stained glass piece before its soldered together. Just pieces that loosely sort of fit together that might be something one day but could also just as easily smash into a million pieces. 

Aaron lives his life being one step from the edge. A minor inconvenience could send him spiraling, a change in his routine throwing his entire day off. But he barely registers major incidents. Because for Aaron ignoring the big things is how he survives and yet the things that keeps him alive is focusing on the small details. The little things here or there that convince both him and everyone else that he’s perfectly normal. Sort of like how you can take a piece of glass and drop it from a pretty significant height and it’ll be fine so long as it lands in a way that distributes the impact. Where as if you drop a piece of glass from a small height but it lands on the wrong corner it shaders.

Aaron knows that if he can’t be normal, if he can’t convince himself or others that he is, he’ll fall apart. And if his pieces fall apart there will be no glueing them back together. There will be no getting back up. That’s part of the reason why the foxes put him on edge so much. He’s a unsoldered stained glass piece and the foxes are a swinging hammer. If they collide the foxes will survive but Aaron wont.

[iridescentmirrorsgenshin]

HIIIIII

Omd I love your work so much the analysation between Kaveh and Alhaitham is just so ??? (Beautiful wth I probably read like 99.9% of your work bc I just love reading the analysis between them) literally EVERYTIME you post I get so excited like it just makes me smile

Anyway if it’s not rude to ask, Ive read some of your fanfics about them and I just wanted to ask how you make them so.. accurate? Ive just recently started writing fanfics and do you have any tips?

Also knowing how much you analyse these two are there any like details about them you found out abt the pair? I would normally do it myself but im not even up to the Sumeru archon quest 😭

And another thing, do you have any head canons revolving the two or do you just stick by the canon? (If you do head canons i would LOVE TO HEAR THEM.)

Hope this isnt too much to ask!! (Also ignore my horrible punctuation it’s normally better than this i swear)

Anyway like i said your work is amazing and byebyeeee have a good night/day/afternoon

-🍀

hiya!! AHHHH i'm so glad you enjoy my brainrot analysis of these two <333 i'm way too invested so i'm happy that people are invested in them just as much!! HELPPP now i'm kicking my legs and giggling that's so sweet :'''')

firstly !?!?! thank you for checking out my fics!! and !!!!!! i'm glad you like the characterisation! :'''') when i first got into haikaveh, all i was doing was reading fics before i got to sumeru. i had ideas for writing, but i was way too scared of actually getting them up in full in case they were inaccurate, because i felt that i didn't have a great grasp on their in-game characters? (not that this fear should stop anyone - where would haikaveh nation be without the authors who wrote for haikaveh before kaveh was even released??)

personally i spent a lot of time going over their individual character stories and voice-lines, as well as constantly rewatching character trailer videos and clips where haikaveh are together onscreen, and also apart, so i could start the essay, and this definitely also helped me develop a voice for both of them in fic in terms of dialogue and inner monologues.

for me kaveh's inner monologue is going to be almost the complete opposite of alhaitham's, where kaveh's empathy comes out in overthinking, and is fuelled mainly by emotion as he tries to rationalise his perspective (in relation to interpreting alhaitham), whereas i write alhaitham's inner monologue to be more observation based, and where emotion is implied rather than stated - which i find is used in his character stories, particularly character story 5 where his past is given. although no emotions are mentioned, it's evident how essential his grandmother is to him, only there is no detail about how he felt when losing the last of his family, and having to arrange her funeral, and enrolling in the akademiya when he previously believed it to be boring, and the years spent after his graduation, up until the point where kaveh moves in - in contrast to kaveh's character stories which are extremely detail heavy in these regards.

there's a clear contrast between kaveh and alhaitham's experiencing of emotion in inner monologue, especially when it comes to alhaitham's grandmother's last wishes, as it's an impactful line about her wanting him to lead a peaceful life, and there's no further elaboration on this; the emotion is there to be interpreted, whereas kaveh will be explicit about his exact feelings at the time, and how these feelings change, or don't change.

for me, both are interesting to write, as kaveh's empathy ensures that he will be in constant motion, avidly aware of each shift of mood in any conversation, or aware of a thought that alhaitham might be chasing. if writing when alhaitham and kaveh are not in sync, then justifying kaveh's mindset and his interpretation of alhaitham can fuel the dialogue (whether it be typical banter or strained conversation). on the other hand, alhaitham's emotions are more subtextual, perhaps he'll notice kaveh beginning to frown when working, which shows that alhaitham has been staring at kaveh rather than reading, or something. i interpret his inner monologue as him being thoroughly aware of how he feels towards kaveh, and therefore he has no need to reiterate this when thinking - again, in contrast to kaveh, whose mood and feelings fluctuate depending on those around him.

those are just my personal approaches in case it's of any interest to you! if you're hesitant to write because you feel like things won't be 'in-character', i'd argue that fanfiction as a medium ensures that works can't be in-character as it won't be the game's canon; especially as characters can be reinterpreted for each person depending on the plot and the themes. in general, i'd say write whatever, and however you want, so long as you're writing something. you can come back and edit it later, and you may find that new ideas come to you as you start writing. so long as you're having fun!

as for things i like about them in terms of in-game canon(?), i would say that aside from the writing of their dialogue and their character stories, their arguments on the bulletin board posts around sumeru are so sacred and special! when you get to sumeru i highly recommend running around to find them! it feels very rewarding to click through each post to find alhaitham responding to each and every post that kaveh makes <3

additionally, there's the idea that as alhaitham accidentally created an aesthetically pleasing rug print design, with (supposedly) kaveh doing the same by creating a practical, affordable rug, mirroring each other's traits of artistry vs practicality (thanks to haikavehtimely). the devs being thorough in their haikaveh propaganda is so insane, but if i had made haikaveh i would be doing the exact same thing???

as for design inspiration, the idea of them resembling plato and aristotle in terms of their beliefs is rather interesting?? especially with kaveh talking about beauty having a whole form, in that it's a concept intrinsically understood! especially with their splash art poses in mind (which is written about in the haikaveh bible)

blessed be headcanons! i end up writing them into my fics, but i think the spaces in canon leave a lot to interpretation, so i think i end up working around that? a lot of them are domestic for me, for example, kaveh definitely has a skin/hair routine, and i think while alhaitham may not go to such lengths, he values cleanliness and has a lengthy bath time (alhaitham likes the smells of kaveh's skincare and kaveh likes the subtle smells of alhaitham's bath oils).

also!! that kitchen is TINYYY!! i think it's !?!?!? that alhaitham canonically had that research lab redesigned into a house, and approved a design that had TWO bedrooms, even after kaveh rejected the building?? i think he prioritised his dreams of a reunion over realistic living conventions and that kitchen is atrociously small, and kaveh complains about it all the time and clowns on alhaitham, so they have to scrunch up when cooking, or they establish a cooking schedule, which, a lot of the time, goes out the window, as they go to the tavern or get take away <3

thank you so much for your ask! it was really interesting to explore all these questions, i hope it's been useful to you in any way :''') and thank you for your support!

[pluralthey]

is there a good place to start if we want to learn about idletry? im very interested in the story and all the bits and pieces revealed so far but i dont know if youve like, stated the basics both about the characters-in-story and how you’re releasing the comic

hi there. unfortunately, idletry became a passion project very abruptly and many details were added very quickly without regard for how long the project would take. once i did realize how large the project was, i decided that i would not even kid myself on the idea of holding in spoilers for the next 5 years, and those two factors combined make the information available very chaotic and slapdash -- somewhat intentionally.

i don't even have the comics tagged separately for easier access among the idletry content -- although, i could go back and give them a separate tag.

i can summarize the story and say that it's about a funny little talking honey badger/tasmanian devil named jessie gaylord who has for the last 10 years of her life been on heavy psychiatric medication in an attempt to mitigate a pervasive delusion that the world is a fictional story. she also has a notorious aggressive streak. these medications work primarily by leaving her so tired that she sleeps most of the time.

the story begins when her medical team has run out of typical medications to try, and they must order an older, more aggressive type of drug which is not commonly used anymore, and has a lengthier process to manufacturing and approving the drug. during this time, she is not on any medication, and she becomes more urgently fixated on convincing people that the delusion is true.

she ends up attempting to contact the writer, who is referred to as God, and she receives a response. she immediately attempts to write the story herself, and she's granted the ability to do anything within the story so long as she can write it out. (the intricacies and limitations of this power have been elaborated upon in a bunch of fragmentary posts, so i won't try to condense it here)

at the end of the first act, she kills the first writer and becomes the new God of her world. the rest of the story is about what she does after acquiring omnipotence, and it heavily features a character named fate -- or shiloh, as jessie calls her -- with whom she enters an intimate relationship.

she has a happy loving family composed of a father named adam, a mother named evelyn, and an older sister named emily. there is a later minor subplot about a cult following who worships her after she becomes God, and this cult is initially organized by an ant called samanthuel -- or samwich, as jessie calls them. these are usually the other characters i mention and i am too lazy to link them right now

the comic itself is currently being written. the script stands at around 51,000 words at the time of writing this as i work on the second act. after it's written, i will let it simmer for a few months and then write a second draft to start to relieve the story of its bloat. depending on its length at that point, i will either need to write a third draft, or i will start drawing the comic.

chances are, during the second draft, i will start to thumbnail or sketch scenes which receive little to no editing, as i know they will likely remain relatively unchanged even through multiple drafts.

the sketch strips are to tide me and an eager audience over in the meantime, but they've sort of dried up as i focus all of my attention on finishing the first draft and taking care of a puppy that was kind of just forced onto me.

i've made a couple of full-length comics before and they have taken years. it is, unfortunately, just the nature of the process. for idletry, i plan to self-publish the comic. i've never published something in print before, so that is the most daunting part for me.

the plan at the moment is to crowdfund this, but, to be frank with you, i no longer pay rent, and i care very much about having this comic as a printed book. i have no issue with paying the cost of printing out of my own pocket by the time it's done and am even anticipating that outcome ahead of time, despite having a pretty reliable audience by now.

i'm on the fence about releasing a digital book version, as i very much want to retain digital color versions of the pages that are more vibrant, but due to the explicit adult content of the story, i don't want it to be free-access.

tl;dr: it's about a lesbian incel with anger issues who's given omnipotence.

i'm still working on the story because i want it to be good.

i'm planning on printing it as a physical comic book once it's done.

[blkkizzat]

Hi you’re such an amazing writer and great smut writer!! I was wondering if u had any tips on writing smut cus I wanna start writing it too! Do u have tips on dialogue/action/pacing and being descriptive 😭 it’s harder than it looks!! Ps your suguru bumpy car ride is one of my fave fics!! And I’m excited for sadako!geto 😘😘

hey nonny, pookie tysm ur too sweet! im so glad you enjoy my perversions enough to ask me for advice kcjhdscjkhsdb 😩🩷🙏🏽✨

also sure idk if these will be helpful but these are things that help me:

smut:

i think the cardinal rule of smut writing is if it doesn't make you horny, re-write it until it does. lol.

i am a very visual person so i like to close my eyes and imagine the scene before i write it. not just going through the motions either. if this is me, reader, what am i thinking, feeling (both physically and emotionally).

5 senses (touch, taste, smell, sound, sight) should be covered. not every action needs all 5 but if you are describing something you should at least be hitting two of these. " tears falling, you cry out as he enters you slowly" is fine but "blinking away tears you hiss from the overwhelming stretch of his girth entering you, even slowly, proves to be too much" is better.

sometimes i need a boost and if you partake then a few puffs from a weed pen or a glass of wine (im partial to bubbly) will put you in the MOOD lmfao.

*note i dont think you need to have experienced something to write about it, sex included for any virgins however in lieu of that, with anything you don't have experience in, you need to do research to make it believable.

dialogue:

use dialogue to tell us/reiterate who the character is. you can tell us the character is nervous but then its highlighted by the stuttering, rambling, etc of their spoken words.

break up long dialogue with descriptions. this is also a pacing tip. also can insert memories, i will have readers have a whole dialogue and in the middle their will be a relevant memory to give context and insight to the character and their motivations.

using subtext to explain character feelings, you dont have to be so explicit with dialogue all the time. instead of a character saying "im so fucking mad at you right now," use "alright" your voice is clipped, flipping your hair over your shoulder you go back to your task at hand, not even sparing them another glance.

i rarely use explicit dialogue tags now like "said, spoke, cried, yell" i will still use them but ill weave into the description that follows. ex instead of "please stay!" you cried—i would write—"please stay!" your lip quivers as tears gathered on your lashes.

action:

the last subtext tip also helps with action too, alot of times its what we see that really enriches the dialogue so "show" dont "tell".

this is also a pacing tip but during high action/intense scenes using shorter sentences helps express the urgency. although it all depends as long sentences/paragraphs too can help build tension, slowing down descriptions/actions during the climax (lol non sexual) of a scene builds anxiety/thrill.

explaining emotional reactions of heart racing, sweaty palms, etc, is just as important as physical reactions (even tho these are physiological actions they still are emotion driven).

pacing:

besides the pacing tips above in the other sections i think the biggest pacing issue i think people have is adding in details, actions, etc that don't inform your story. everything action/thought you take time to elaborate on that your character does, should be relevant to their motivations, story or characterizations. if it doesnt apply to one of those then cut it out. (note: sometimes it does apply and needs to be cut out and moved another section if its making a scene go on to long)

edit your stories, i know some people post and go and thats fine. everyone has different goals. some just want to get out thoughts and go. however, pacing can be hard to effectively capture on the first go so you will need to reread at least once to ensure your fic is properly paced.

editing leads into eliminating redundancy. often i will write something where i expressed an emotion/feeling then did it again a paragraph or two down the line just in a different way. unless that feeling is evolving, its redundant. redundant doesnt mean the feeling isnt applicable in both places, it means ive already established this feeling/state of mind in my story and it isnt needed both places. this can be one of the hardest things to identify or even fix. however i think my fics are 100x better when i do.

descriptive:

i think people fall into one of these buckets, 1) having the inclination of being overly wordy descriptive or 2)not being descriptive enough. i am the former, so my issuing is editing is pulling back and giving emphasis on somethings but not others. if you arent descriptive enough you will have to decide where in your story its important to give emphasis.

use metaphors that make sense to the person speaking or narration style. you wouldnt use overly flowery language for example if you were writing how sukuna is feeling about something lol.

hope these tips were helpful!

[catscidr]

«grip on your top is so tight you think he might even rip it, god knows the last time he had to trim his nails» 😭😭❤️‍🔥

I've always wondered how Zandik's hygiene is. I'm sure he doesn't give a shit about it. The only thing he cares about is the mechanisms. And how do you think 500 years ago students washed at sumeru?

you’ve come to the right person nonnie i love elaborating about seemingly boring and mundane details lemme ramble for a hot second (￣^￣ )ゞ

-> i talked about what i think his shaving habits would be like a couple of weeks ago (here). i think he would be less inclined to shave as an akademiya student than when he’s “Prime” because he just has.... so much to do, so little time. as a young adult he does grow a decent amount of facial hair (not enough for a full beard though i think), and as much as he dislikes having it, he doesn’t really bother to shave it unless it starts to get on his nerves. like, if he’s head-first into machinery and he keeps rubbing his stubble on the metal...... he’ll get back to his dorm room and quickly shave off the annoying stubble lol. but he doesn't shave it regularly, no. he doesn't gaf about his appearance, really, so doesn't care enough to have a routine

(naturally i like to think there's dorms in the akademiya LOL a shame genshin doesn't expand on living spaces other than just a couple of houses here and there sadge ˙◠˙ )

-> i like to think he’s a heavy nail biter to make up for having barely ever touched a nail file/clipper in his life. it helps him focus sometimes when he's locked tf in. some of his nails are less affected than others, like his pinky fingernails. even though they're all mostly dull, cracked or bitten off there’s definitely potential for him to scratch someone if he truly wanted to. and i'm sure he’d just rips his nails off when they got in the way of whatever research he's doing..

-> but boy oh BOY best for last. i think that they would maybe handwash their clothes in a tub/basin with soap, or if they don't have anything of the sort they could go up north to sumeru city and wash their clothes in the river.

.......but at the same time they did have akasha terminals (going off dottore's vague lore timeline because greater lord rukkhadevata created the akasha system and died around 500 years ago, so im assuming maybe dottore would have been in the akademiya when she died? but my brain hurts thinking about the possibilities so lets assume they all had akasha systems when he was enrolled lol)....... so maybe they had the technology to create basic washing machines (maybe something like this?)

though i'm sure he wouldn't bother himself with a proper hygiene routine, probably only washing himself and his uniform when it got dirty enough (which was probably often anyways) (and i'm sure the akademiya would basically just dresscode him if he showed up to class with soot and oil all over him, too)

and i like to think that maybe the akademiya dorms would have communal bathrooms/"showers" as well. but at the same time it's a super prestigious school so they could have individual bathrooms for each dorm room...... but at the same time² we're talking about 500 years ago........ so............. hmm..............................

in general he's more focused on research and conducting experiments n getting results, so being spotless would be the least of his worries. if he ended up getting sick as a result of his less-than-socially-acceptable hygiene he'd probably just use it as learning experience and use that knowledge for future experiments, like on his eleazar patients in that abandoned hospital. he'd do the bare minimum to Not get sick, has to dedicate as much time as he can in the akademiya to study forbidden knowledge. can't be bedridden with a fever, that's for pussies and he's Not a pussy... probably his daily affirmation. "i'm not a pussy, i am better than everyone. they all suck ass and i'm an alpha". yeah anyways

but WHATEVER!!!!!! tl;dr: he's a grimy little guy and reeks of blood sometimes but its ok we love him either way♡

[muma-kitty]

alright, since some of you seem to agree with my thoughts, i think i'll elaborate a bit

sweeney todd's autism diagnosis

this might be a bit lengthy so ill spare you the scroll if youre not interested.

stiff movements (this isnt really a dancer's role)

lack of expression, tends to look either sad or angry most of the time. could just be the trauma tho

weird stilted way of speaking (hearn specific)

generally quiet and reserved outside of emotional outbursts (again, trauma)

strong sense of justice - "at the top of the hole sit the privileged few making mock of the vermin in the lower zoo"

entirely fixated on razors when reacquiring them, completely oblivious to mrs lovett talking about her massive crush on him

doesnt know what to do with his hands when not holding anything - "at last, my arm is complete again!"

[shaving contest /w pirelli and aftermath]

doesnt bother with any flash or flair, gets straight to work and gets the job done

becomes agitated and paces when expecting the beadle to arrive at his barber shop but doesnt know when (gotta have a schedule)

[epiphany]

if this isnt a textbook meltdown idk what is

mood swings (man goes through every stage of grief twice in the span of 3 minutes)

lashing out - "alright! you sir! how about a shave?"

mrs lovett trying to calm him down just upsets him even more

[a little priest]

doesnt understand what mrs lovett's hints at at first

asks what unfamiliar food is before trying it, as if hes hesitant to try new things

definitely an odd sense of humor

wordplay. so much wordplay.

more tactile stimming, this time with suspenders (hearn)

[god thats good]

upset because the package he was told would arrive by 5:45 is 15 minutes late (his SCHEDULE is RUINED)

once the chair arrives, becomes agitated when he cant get mrs lovett to stay and watch him open it (PLEASE let me share my interests!!!!)

once again calling for lovett's attention, this time to set up a system of communication. he just really wants to make sure she isnt missing his cues

[by the sea]

several minutes of sweeney being completely absorbed in his own thoughts while giving half-assed responses to at least pretend like he heard any of that nonsense

[wigmaker sequence]

time to infodump

possible echolalia? - "the madhouse? the madhouse!"

[finale]

upset that he now has to go find toby when hes expecting the judge to arrive soon (the schedule!)

doesnt seem to be aware of how threatening he sounds while calling for the kid

after killing the judge, suddenly remembers he was supposed to catch toby and runs out only to realize he didnt grab his razor (only has enough working memory for one task at a time)

im sure there are other details i missed, especially since everyone's performance is different, so feel free to add on

[mycatishandsome]

AMA: My Experience as an Experienced “Shifter” and Where I am Today with it

So, I don’t ever talk about sifting anymore really, even to the friends I made through the sifting community, but I’ve weirdly been seeing a lot of sifting posts on my main and thought that it couldn’t be a coincidence- especially since I hadn’t been looking for the content. Tumblr is very specific about their algorithm I’ve found. That was weeks ago though, but for the first time today, I actually thought about shifting.

For a bit of context- I used to be a very popular shifttoker on TikTok years ago. Obviously im not anymore. I did it for about a year- met some great people, and some others not so much. It was exciting while it lasted, but i moved on after i started to notice all the drama, and genuinely got so annoyed so i left. Before shiftok, I was already very spiritual and using my time to consistently look into techniques especially regarding meditation, lucid dreaming, and astral projection. I never did figure out astral projection, but became what you could call a “master” of lucid dreaming. I was doing it every night, several times a night without waking up or causing problems! Then deeper into my research i found out about shifting.

It was much like lucid dreaming, or at least it followed my theories about dreams- that when we dream, we’re technically in another “state of existence” much like astral projection, where our consciousness is leaving the body. I couldn’t find much info on it honestly, and what info i did find either led back to TikTok, or to ancient spiritualities and religions, and I genuinely couldn’t decipher half the stuff i was reading from them. My mistake, was i went to TikTok instead of trying to understand anything else. TikTok, I genuinely believe, has done irreversible damage to what actual shifting is, and if you were anywhere near shiftok in 2019-2022ish, you know exactly what im talking about.

BUT that’s not what this post is about, I wanted to talk more about my experiences (just wanted to add my history :))

My first shift was actually not too long after i found out what shifting was, I can’t entirely recall the method i used- no its not one of the fancyshmancy ones we see all over YouTube. It was something more simple, like a genuinely simple meditation, and at this point i had gotten very good at meditating- shutting my mind off and feeling everything but nothing (if that makess sense). It was unlike anything i had experienced, ESPECIALLY lucid dreaming. It was really just a mirror image of this world, with some differences, so nothing crazy. It was after i had found shiftok that i decided to join in as a creator and share my experiences, as I was actively shifting.

This was another mistake, as i found it more difficult to shift after this, but again- this post isn’t about that.

I was actively shifting for about 2-3 years before I eventually stopped. Why did I stop? I started to see really negative results in my real life (cr as some call it). I had some real elaborate realities I would go to, some were planned to the most minuscule detail, others not as much. But i had a blast regardless, and genuinely learned so many new things. I stopped when I started to really look at my life here, which when i was a creator, i always would tell my followers to ground yourself here, to never look past what’s happening here. It’s easy to get lost in your many lives, but it’s not worth losing this one. I really should’ve followed my own advice though. In my life here, I was still in college, had just broken up with my boyfriend of a year, had some shit friends, and a job at a library (which was honestly the only good thing). My life was boring, and I was living out what i wanted, through shifting. Which isn’t entirely a bad thing, just not the best thing.

Once shiftok when to shit and i had left, I had kind of “healed” myself in a way and created a new relationship with shifting, i was shifting regularly again. It was also at this point that I started to come up with more theories about shifting other then the whole, “we’re tuning in to another consciousness”. I’m by all means not saying that isn’t what it is, but we don’t know for sure if it is, so i was just having fun, as a regular shifter and lucid dreamer, trying to figure out other explanations.

I havn’t shfited in god knows how long. I haven’t meditated either. And I sure as hell haven’t lucid dreamed. It sucks to kind of lose something that was such a huge part of your life, but for reasons that has made my life better. I now have a partner of 2 years, im back in school for my masters, and im generally happy with my life :). The first time i have thought about shifting, was this morning when i woke up. Something happened earlier this week that has caused me great stress (family related) and one of my thoughts were “man shifting somewhere else would be lovely” just this idea of not having to deal with anything really. This thought process isn’t healthy, and by no means should you shift to escape anything. If you choose to do this (let’s face it, lots of us have or will), just understand the consequences.

If anyone would like to hear any shifting stories, methods, or theories or just any questions, please ask! I may not shift anymore but i love talking about it :)

Thank you for reading :)

[j2zara]

hello janelle zukkacore j2zara, its a long time coming but i would like to be a part of clone enjoyers anonymous bc im v interested in their dynamics and i really like ur drawings of the clones :3

i am however, overwhelmed on where to start learning abt them and i was hoping u could point me to the right direction since i pretty much see u as the president of clone enjoyers thank u so much ily 💖

HI FRIEND WELCOME TO THE CLONE ENJOYERS!!!!! WE'D LOVE TO HAVE YOU! THIS WAS GETTING WIELDY SO I SPLIT IT INTO TWO PARTS

PART ONE + TWO OF CLONE LORE IS HERE

Part 1 is basics of Clone Lore. Part 2 is me shamlessly reccing my fanfic to understand the context. Tbh I'd start with part 1 first or the doc

I've also compiled Clone Lore into a Google doc: it contains all the information from the first post and this post. I might include elaborations later (i was too exhausted to get fully into LJ3. But i feel bad neglecting it).

Anyway. I'm probably gonna link Clone Primer into my pinned post so that people can come back to it.

And I wanna emphasize. I 100% get how insular this is so if you're confused please feel free to ask!!! I have no problem explaining things. I love to talk. I talk way too much. Ask anyone. b/c like. I feel bad that this is gonna look super intimidating.

SO here's the rest of Clone Primer

PART 3: CLONE PRIMER - ELABORATION ON THE BASICS + WEIRD INSULAR INFO + ME RECAPPING FIC CONCEPT STUFF

[I WOULD SKIP THESE OR COME BACK TO THEM LATER IF YOU WANNA GO INTO THE FICS UNSPOILED BUT IF THE SUMMARY IS SUPPLANTING READING THE FIC GO RIGHT AHEAD]

J2 EDITION (aka ALMOST LORE) - aka "BLUEJAY"

J2's personality originates from I'm Almost Me Again (He's Almost You), and was the first one to be developed

J2 is devoted, sweet, earnest, hard-working, anxious, desperate to prove himself. He can have a slight acidic streak (his favorite way to rebel is smashing Jace's stuff) but is very preoccupied with being useful.

He reads as slightly younger than Jace b/c he's a clone, he basically just started existing yesterday, and I jokingly refer to him as "25 year old green new hire coded jace" (and also as Born Sexy Yesterday Jace) bc rewatching Freshman Year, I was surprised by how young and inexperienced Jace sounded, and I feel like that detail about his character (that imo makes his situation very pitiable) was really lost in translation in Junior Year. Because he is young to the world and kind of naive, he is very easy to impress and exploit

However, he is still clever and good at magic. Simulacra in dnd don't regain spell slots, but J2 was the first clone to figure out that as a sorcerer, he could convert sorcery points into spell slots, extending his utility to Jace and Porter and basically sparing himself from being dispelled.

J2 is initially very anxious about his purpose / survival. As a clone, he knows he has an expiration date and is desperate to make himself invaluable. The sorcery points solution to the spell slots is part of this.

J2's innate talent is part of what caught Porter's eye. He was the first clone to meet Porter, and Porter (and to some degree, Jace too) laud him as basically like. Jace's Precious Last Gift to Porter. He's often seen as remarkable or special, but its ambiguous whether that specialness is about j2 on his own terms or if he is special as a manifestation of jace's talent.

J2 is the one who is the intermediary between Jace, Porter, and the other Clones. He takes on the most responsibility, and interacts the most with Porter. Spending a lot of time with Porter, they two of them became very close

J2 is the one who loves Porter deeply enough to be very committed to The Plan. He thinks Porter is worthy of ascension, godhood, even if it means Porter will eventually leave him.

J2 had a long, deeply committed affair w/ porter that culminated in them sleeping together and J2 taking devil's honey that kinda rewired his brain and fucked him up. J2 was very much in love with Porter until he found out that Porter killed Jace and brought him back to life, but the devils honey tricks him into forgetting that fear.

The lie he told himself on devil's honey is "I want this. I want everything. Porter deserves everything". It basically rewires his brain to convince himself that he wants whatever happens to him, whether it be good or bad. Even if Porter got back together with jace, he would want that too, because Porter deserves everything, right? Everything he wants. Me and Jace. Just jace. Even if J2 becomes a literal or emotional sacrifice for the betterment orf porter or the cause. Whatever it is, i will be happy

Right after this happens, jace calls porter and agrees to enfold back into the Plan, but is not going to get back together w/ Porter. J2's fate is ambiguous, but emotionally, Porter has pretty much cast him aside with the hope that he will get back together with Jace. Also, b/c Jace is back in the picture, his status as the Last Precious Gift from Jace is in jeopardy and he becomes about as disposable as the other clones (however, usually when we clonepost, J2 is still top of the pecking order just below Jace)

POST-ALMOST: as far as Clone Lore goes - J2 tends to live in this state where he doesn't just worship Porter, but what we call the "Starbreaker Pantheon". He reveres the jaceporter relationship b/c he finds it to be profound and meaningful even if it's not always Good. Jace also occupies a spot in his devotion as like. This figure he is deeply envious of and could never measure up to, but also as someone he knows must be worthy of respect b/c that's who Porter wants, right? He wants what Jaceporter has b/c he sees Porter's love for Jace as like, something true and intimate and something he's only ever gotten a sliver of, treated as a replacement. He wants to be Jace, but he also wants Porter to be happy, so if Porter is happy with Jace he can find a way to worship Jace, too.

I ALMOST FORGOT TO MENTION: in Almost, Porter gave J2 the nickname "Bluejay". This is b/c J2's favorite color is blue, which makes him distinct from Jace. He is a very cozy boy who loves cardigans and sweaters and blue nail polish. Yes. Blue Jay is two words. We're gonna breeze past that. J2 fell in love with his new nickname, desperate to see it as a way for Porter to finally recognize him as different from Jace. If you see the clone enjoyers refer to J2 as Bluejay, this is why.

J3 EDITION (aka some Biggest Lie Lore etc)

J2's personality was developed in Almost, and I'd say J3's personality was crystalized in Biggest Lie, but technically J3's personality started as a joke. I said offhand one time in reply to another mutual that in my head, Porter was 100% noncommittally flirting with J3 the entire time he was having this very deep and torrid love affair with J2, and J3 sort of. Became the our beloved little slut as a result of that

J3 is flirtatious, thrillseeking, playful, manipulative, charming, easily bored, fatalistic / borderline parasuicidal, and deeply alientated from his sense of personhood. J2 spent a long time wishing to be loved by Porter on his own terms, as his own person, before finally succumbing. However, J3 is happy (well, convinced himself he happy) to be treated as Jace's cypher.

J3 is often treated as the Most Disposable of the clones. J2 is the intermediary and the Precious Gift. J3 is usually left with grunt work, and anything dangerous is usually foisted upon him to spare J2. He is the one who goes with Porter to cast enlarge-reduce in the woods, and he is the one that used to be spellcaster support for Porter if they ever needed to go anywhere dangerous.

J3 being treated as disposable is why he has no sense of identity or a sense of self preservation, unlike J2. Porter never spends time outside of necessity (until they start screwing. we'll get to that), so nobody has ever really bothered to get to know J3 besides the other clones. J2 is the one that Porter treasures, so J3 views himself as the shield for j3, the disposable one, the one who is likely first to die.

Because of this, he is a thrillseeker, desperate to cram as much living into his short half-life as possible (this includes trying to fuck anyone and everyone in elmville). The experiences do not have to be positive, he wants everything as long as its exciting.

During Almost, J3 and Porter were casually flirting. J3 would die before admitting it, but spending time with Porter was his favorite part of the day. Post Almost, when Jace got folded back into the plan but was not back together with porter, that's when Porter started hooking up with J3. With J3 perfectly willing to let Porter project all his want for jace and frustration at jace onto him because hey, he's getting the porter hookup and not jace, right?

J3 always threads this tenuous line of actively seeking out experiences while also passively being the recipient of other people's fantasies. unlike J2, he embraces being a jace cypher for Porter because that's how he gets porter at his most heightened. J3 often refuses to articulate what he wants, instead letting people do whatever they want to him. He is terrified of being seen as needy, terrified of being rejected for who he is.

At his best he is charismatic and charming, but at his worst he can be dramatic, whiny, desperate for enrichment, actively manipulative and cruel. His best quality and greatest flaw that he inherited from jace and took to the extreme is that he is generous and egoless; as much as he desires to be the center of attention, as much as he can push and push, at the end of the day, he gives people exactly what they need from him at his own expense

J3 rejects the intimacy with Porter that J2 seeks out and can never really achieve because he always falls short of being Jace. J3 convinces himself that he got the best deal out of anyone b/c he doesn't have to deal with the mess of attachment and heartbreak. However, deep down he is deeply jealous of J2 and Jace.

Post-Biggest Lie: Jace and Porter get back together in IYWD, in which Porter drops the clones, including J3. However, in cloneposting, sometimes the clones still have like a weird undefined thing with Porter and Jace for the sake of us having a fun time and fucking around.

BONUS LORE: Not technically canon to Biggest Lie, but J3 is closest to J4 out of everyone in Jaceporter + the clones dynamic. Because J2 is the precious favorite, J3 n J4 developed a weird allyship because they were the matching spares. They are kinda primed to be each other's biggest supporters and biggest weaknesses tbh. J3 provides J4 a spot of actual levity and pleasure in a half-life she otherwise considers to be miserable. J4 recognizes J3's personhood, gives voice to injustices he faces, and likes him for who he is and not who he pretends to me. They are best friends. They flirt. Sometimes they're in love, but like. we'll get to that

J4 EDITION - (aka Electra / Ellie)

J4 doesn't have as much of a... hefty source for characterization. i really hesitate to call things i write a primary source b/c i don't like to claim ownership over the clones it feels weird and wrong for something that is supposed to be fun and is already fanfiction. But i will say the things i write are. Substantial sources if you want clone context bc they're hefty projects lol.

J4 does not have a Porter-centric fic. This may change in the future but, the reason for this is b/c she is the only clone that hates Porter so subjecting her to that is. A much more convoluted task. Closest thing she has is Stay / Leave which is j3/j4 which we sometimes call LJ3 (and the two fics written by iaus!!!! which are fan fucking tastic!)

J4's personality is the result of. Looking at J2 n J3 and going. Ok what is the third point in a data set. If J2 worships Porter, the antithesis is someone who hates Porter, right? (and J3 is a middle ground)

J4 is marginally more loose in her characterization, but I would say she is... Rageful, bitter, driven, rebellious, ruthless, and steadfast in her beliefs, whether they are good or bad. She feels trapped by her circumstances, unlike J2 who has learned to love his gilded cage, and J3 who has accepted his fate and is basically trying to fuck hard until he dies in an explosion. She is determined to carve out her own path and define her own personhood, what we jokingly refer to as her "escaping the narrative"

Unlike J3 who has no problem being a cypher for jace and has completely neglected his own personhood, and J2 who desperately tried to get porter to recognize him for the person he was before succumbing and submitting, willing to be whatever The Plan and Porter needed of him, occupying this weird middle ground, J4 wants nothing to do with jace. She is determined to be her own person. She is disgusted by the limitations placed on her by being "of jace"

You're probably wondering why J4 is a girl. This was a me-headcanon that became fairly mass accepted, but I have joked that J4 is the only clone to achieve transgenderism. I do use she/her pronouns predominantly for J4, but it's mainly out of habit, i also am not super precious about it, nor do i really care what anyone else does with her. I don't necessarily see being a binary trans girl as the only way to interpret her character, but J4 being a girl it is the common way she is perceived at this point this deep into clone lore. As someone who also has a lot of gender feelings, i do see the need to define oneself and create your own identity to be very transgender tho, so i do think it's fitting

More of a fandom joke thing, J4 loves knives. We love when she gets stabby. There are also a lot of jokes abt her stealing jace's credit cards, his SSN, fantasizing abt setting his house on fire

She is preoccupied with the ways in which she might be similar to Porter because she views him as the embodiment of everything she hates, but she is the clone most like him. She is afraid of her own capacity for rage, her instincts for violence, for control, to own, to take, to posses, to dominate. She wants to fight to liberate, for what's right, but she worries her fight is just to be the person holding the boot at someone's throat rather than the person under the boot.

She worries her impotence and rebellion makes her unpalatable and unlovable. Because she can't really make any meaningful change in their circumstances, wouldn't it just be easier to submit? She worries she's denying herself pleasure for nothing. Even if she doesn't have a choice, wouldn't it easier to be submit and be happy, rather than fight and be miserable?

We also joke about Bad Timeline J4, who is equally as cruel and ruthless, but is devoted to Porter. There's no real content abt her, but its just a make believe scenario where she did finally stop fighting and agree to love Porter, in which she is the one most possessive of him, determined to be his attack dog right hand.

As articulated brilliantly by bambi, Jace, j3, and j2 are pretty archetypal charisma casters in that they are charming and make themselves easy to love. J4 wields her personality like a sledgehammer, but that is charisma, too. Her presence is always felt

She was originally very prideful. Determined to be different. Determined to be the one to make it out. Her pride covers up for a deep self hatred, especially as the expiration date of the clones ticks nearer and nearer, and she views herself to be a failure.

Her only soft spots are for the other clones, but especially J3. She pities J2, essentially viewing him as brainwashed into accepting their lot on life, but because of that pity, she does harbor some kindness and tenderness for him because of that. But J3? J4 bets on losing dogs, and she loves her losing dog so much and she would never admit it, but everyone can see it. If it wasn't for him, she probably would have ditched this whole situation.

This is an Esme Special aka @neerdowellnarrator, but J4 b/c she wants to make a point about not being Jase does choose her own name. J4's chosen name is Electra b/c of the greek myth comparisons and her basically Escaping A The Cycle. She goes by "Ellie" for short. J3 sometimes calls her El / Elle. We still refer to her as J4 sometimes for clarity's sake. Whatever stage she is in when it comes to even having a name is very dependent on whoever is depicting her anyway.

PART 4: Wait, so are J3 and J4... In love?

Yeah. it's like a whole Thing. This is a pretty recent development. I'll save it for the doc. To be elaborated on soon, I promise. It's called LJ3, i have a whole tag for it if it grips you.

PART 5: ADDITIONAL SILLY CLONE ENJOYERISMS (with links)

J2Porter Vegas Wedding Roleplay Weekend: a Jess Special! Based on this post! Elaborated on here! Jess aka @hauntedwizardmoment has more thoughts here! But I have a whole tag dedicated to it. Gist is that even after Jace n Porter get back together, Porter still devotes special days to the clones to give them Porter Time, and J2's day is an entire weekend where they booked a hotel in Bastion City. And during that time, they're basically roleplaying "What if we got spontaneous hitched in vegas" where Porter books out the honeymoon sweet, and J2 wears a tacky wedding dress, and the whole weekend is just devoted to treating J2. I'm not kidding, if i think too hard abt j2porter vegas roleplay weekend, I might cry.

Jace put the Clones are in the Torment Nexus: based on a post made by Jess again. Makes me laugh my ass off. If we say the clones are never escaping the torment nexus, this is why

J2Jace Blue Lingerie Gift: Sometimes J2 deserves the niceys, so Jace gives him a treat. NSFT warning lol. The post is a Jess Special / Bambi @iaus / @innskeep Special. I drew J2 something inspired by the getup once.

J2 is goodboy modest tradcath jace / J3 is college casual hookup clubbing era jace / j4 is grunge jace: Just headcanons for the different Jace's style of dress. They're all different eras or common headcanons within the fandom b/c Jace fashions eras. J2 is a bit modest, he likes cardigans and sweaters and for things to be comfortable and oversized (but to be fair, he's not AS modest as goodboy jace. Goodboy ex tradcath jace is the jace backstory for IYWD btw. He's the child of one sol worshiping parent and one galicaean worshiping parent and he is NOT ok). J3 wears a lot of form fitting clubbing outfits and hotpants and shit, Jace's wild child era. J4 wears clothes from grunge jace era which i think is a Jess Special again? Like. Old band tees and flannels and lots of black.

J4 is constantly name dropping obscure alt bands that play tuesday night in the parking lot of the black pit and only watches experimental indie horror movies and foreign war films shot from the perspective of pigeon (said w so much love, that concept fucks)

J2 Amy Dunne / J3 Cool Girl / J4 Gone Girl Amy / Jaceprime Amazing Amy Thesis: An elaboration on Jess's Cool Girl Jace Thesis on which she wrote an awesome fic about.

The Clones are Dykes: This one is old as fuck. I made a joke ages ago abt Dyke!Jace b/c I think Dykefag!Jace / Zara is a cute ship. So if Jace is a dyke, then the clones must also be Dykes. I drew art of them once. Digging up the dyke clones posts would be a trip and they're not really indicative of their current personalities, but if you see us joking about. J2 escaping to another timeline where he is a dyke and in a committed relationship with Zara or Lucilla, that is where that comes from

"Born to Love Porter Cliffbreaker, forced to do weird menial tasks for Jaceprime": another old ass thing i said as a joke before the clones had personalities. But it does have a lot to do with j4's preoccupation w/ free will. And Jace also being remade to love porter. Life is hard when you're born to love someone and you're forced to grade papers instead! It ain't much but it's a half-life! At the same time, me positing the clones all had potential to fall in love with Porter is kinda what brought us here, so.

There's a whole host of greek myth and hadestown references we're always dragging out. Cassankarna is Persephades, Jaceporter is Orphydice. Jaceporter is Persephades, J2 is Eurydice. Jaceporter is Persephades, LJ3 is Orphydice. J2 is Iphigenia, J3 is Helen, J4 is Electra / Cassandra. J2 is also Psyche.

Putting the Clones in Game changer: A comedy au in which the Clones are improv comedians on Dropout.tv. But also it's about LJ3 being a little in love and unable to escape the narrative. Esme made Elliego n J3go which i love (aka bingo cards). Loosely based on the last time i drew Jaceporter on game changer as well

Anyway! Thank you for coming on this long winded journey of Clone Primer! If i have any other thoughts I'll add it to the doc.