#im going to try to post more on here

[elodieisboredd]

ITS APRIL 29TH SOMEWHERE SO HAVE SOME OLD ONI LLOYD ART!!!! NINJAGO DRAGONS RISING S2 TRAILER COMING SOON I CAN FEEL IT!!

[corviiids]

i found a bad post i made months ago in the privacy of my own home and now i need to air it out in public because it's getting mildewy and moths are eating it

[surreal-duck]

some business to take care of

[rayroseu]

RAMBLES.... This is just a little thing I found on Knight of Dawn's sprite, but HE ACTUALLY WEARS THE AURORAL RING AS A RING??? LIKE ON HIS HAND??? I assumed all this time that him and Silver always wore it as a necklace bcs both their rings has a chain on it and it glows only on their chest.

Maybe they just draw it like this bcs the screen of the game is very limited. It would look awkward if all this time, Dawn wore it as a ring and they tried to place the glow on his hand (which will be hidden by the thick dialogue box lol) TWST just pls make cutscene illustrations for once--

Although this is so interesting though?? What do you mean that Dawn has a seperate sprite where he has no armor and we can actually see the ring on his hand (despite the fact that all this time they have only been implied to wear it as a necklace) I feel like this guy will really come back on main story once we get to the lore of this ring 😭✨✨

PLS twst im clawing at your door,,, the RING LORE,,, we dont know anything about it fr, at least for Princess Glow, we know that stone only works with Meleanor and its able to grant miracles like restoring health, but for the ring, we only know it didnt come from the Silver Owls, it was left with Dawn ever since he was born (so he didnt create it) and its able to guide you out of the darkness and it only operates with Silver's UM.

Now that I think about it, isnt this auroral ring and Princess Glow operates the same way lol Only follows one caster/magic and able to create miracles (auroral ring's miracle is that its able to fight against the darkness and we know no one has been able to rise up from the darkness yet except Silver with his ring)

I personally think that other than Malleus, Silver will still be a relevant character once we get to Book 8. This magic and Malleus' UM sounds like it'll be useful to make Yuu meet Mickey or make them go home ig. Malleus' UM allows you to initiate a dream while Silver's UM allows you to travel around that dream conciously.

Also wild guess, but if Grim's overblot happens, I just know Silver will be the one to make it 😭

If Book 7 allowed Silver and Sebek to work together, maybe Book 8 will be about Malleus and Silver working together??? 🥺🙏✨

full sprite if anyone wants to see it lol (its from @twstassets)

WAITING FOR THE PART THAT SILVER GETS TO CAST A SWORD LIKE KNIGHT OF DAWN TOO ALKSJDALKD LOOK i feel that they made their model look exactly the same bcs they're trying to reuse this animation on Silver on the latter part of the book----

also looking at his normal outfit,,, Dawn's clothes really resembles too much with RSA's uniform 😭✨

[corvicyak-art]

[ID from ALT: A drawing of Gramble Gigglefunny from Bugsnax done on MS Paint. On the top left is his in game model accompanied by a trans flag color picked from his color palette. In the middle is the drawing of him looking to the side with his Kweeble beside him. End ID]

i love gramble so murch... holding him gently in my hands ...

releasing ms paint gramble to the wild because i love going back to my roots

[nomagicartz]

throws oldish art out

unblurred + originial ! really wanted to draw a parallel to this scene, stepping into the leader role and all that

[puppyeared]

updated Sleight ref!!

[ganondoodle]

got this reblog on one of my posts were i talked about being anxious about the future of the zelda series after totk and-

i even went back and unblocked them just to check my own post and check twice what they meant exactly- but i still dont know how they got to these conclusions

i never said i 'want a good uwu ganondorf' (bc that would mean hes aligned with hyrule bc thats how goodness works!!!!11!1!!!), i also dont think of any of the zeldas as 'whores' (seriously, where did that come from?? neither me nor the addition of someone agreeing with me said anything like that??? did they think bc the addition called tloz misogynistic means we think zelda is a whore????? huh???)

its also funny how they say they want zelda to stay a simple fairytale rather than have 'people like me' bc .. one point i talked about in the og post was how the evil arab thing VS good white people media likes to do so much is so normalized here that its simply seen as a simple harmless fairytale trope instead of a big underlying issue in general media and the writers might not even realize it (which is worse) bc the most 'generic' appeal is to people who dont think of it as a problem in the first place, because it is so normalized

(huh, i wonder about what kind of person that part was about .. hmmmm)

(ALSO funny they mention princess hilda as nuanced villain ... like ... wow they are so nuanced about purple haired people!!- like guess why we want a nuanced/less badly/less flat written ganondorf and what he, in particular, has not in common with other villains! its not his hair color! .... or was that point supposed to mean .. look we have one female character that is a villain, its not misogynistic! idk honestly)

(and the classic, "you just call it this/dont like it bc its not what you wanted !!!!!!!2!"1!112!!")

also funny how its 'never gonna be progressive enough' like asking for the franchise to maybe put a little more thought and nuance into their white divine right vs evil desert man simulator instead of making it worse is already asking too much

(i dont know what the last point has to do with anything??)

(also yes totk is racist, like most if not all of the franchise and a alot of other media as well, shocker- you can still like it though, i and plenty of other people are still fans of it, we just wish they did a little more with their stuff and maybe not make the racism problem WORSE)

(also yes the hyrule monarchy is also evil :))) )

(and also not so secretly so either :)) )

[sillykodzuu]

boatem sleepy

this is for @applestrudas dtiys theirs is actually so amazing so i had to draw it<3

[nonbinarysurge]

I love this callback to issue #50 in issue #67. It's funny seeing Surge mock & sass Sonic like that of course, but it's also a really smart and subtle way of summarising Surge's motives.

In this issue Surge is taking advantage of Sonic's offer to reform herself. She, at this point, clearly has zero intention to actually better herself - she's just using it as an opportunity to eventually cause more harm.

He knows that, and she knows he knows that, but she also knows that as long as Sonic sticks to the moral code he was preaching so much to her, there's nothing he can do about it.

And here we see it summed up in just those two lines - Surge takes their exact words from their previous argument, flips them on their head, and spits it back in his face.

[corviiids]

ok hear me out about this vaguely Your Name inspired lawlight au told via notes they leave each other while bodyswapped

[skitskatdacat63]

Okay now where's the Seb teddy bear so I can make them kiss each other!?

+

[lerildeal]

wow Ace attorney doodles two days in a row?

yes 😔

I finished the first case of the second game and boy it was surprisingly queer

[lunarharp]

forgot i had some old backlog or whatever..

[beesorcery]

further into irondeep than any man or dwarf before!!

(hardwon to match moonshine from a while ago <3)

[instantpansies]

STRANGE NOISES FROM THE HOLE IN THE WALL HEADCANONS/INTERPRETATIONS UHHH OBVIOUS SPOILERS. CLARISSA CENTRIC CAUSE. HOLY SHIT

clarissa is to locomotion as clara is to the nutcracker. she's the kid who dreamed him into existence hundreds of years ago. i know he says he's older than the devil - i think that's still plausible, he's existed since thought but wasn't attached to the Silver Line or brought into physical existence until clarissa, lonely or in danger or just bored, imagined a world where she could escape from her everyday life and live as a grown-up(? maybe? since benjamin/timothy/billy seemed to age up as soon as he went through the portal?), with freedom and whimsy and eventually a relationship with the friendly driver.

why do i say this? because otherwise im really fucking confused lmao, that first scene where clarissa and loco are introduced is strange in the context of the end of the play. they seem to have known each other for a good while before they get on the train. they act like a young couple who's stumbled upon the silver line as an escape from danger and now they're excited for their new life in a new, safe world. except that loco also says he's been driving the train for years.

(looking back, that very much feels like a scenario from a child's imagination - or perhaps a dream - where of course he's been doing this for years, that's his job, but of course they're glad they've found the train together, this is a new experience for her so it's just an extension of her perspective)

but clara is, she says, a child when she gets on the train. idk how old "little girl" is, but if we run with this headcanon and also assume that the timeline is both linear and literal, she's imagining herself in some form of a sexual relationship with loco at a pretty young age.

i posit that this can be reconciled in several ways (some more disturbing or inappropriate than others), but one thing that could be considered is that the first scene where loco and clarissa are introduced is symbolic of their relationship over the course of the train's history. depending on how old clarissa was when she first dreamt the world into existence, she might not have even been very aware of loco, and spent her time just enjoying the escapism or whatever. after a few years or however long, she starts to get older and decides to learn how she's actually done this, maybe spends a long time trying to understand exactly what's going on. maybe her research leads her to a relationship with loco, i don't know. they do get on the train together, maybe, when they're both young (or, well, relatively speaking) and new to the world, and loco eventually has been driving the train for years and years and clarissa makes it a bit more tolerable with some companionship after a long lonely time. but those things don't happen simultaneously, because i think those things don't really work simultaneously. that scene is a sort of speedrun/amalgamation of how the two of them have interacted over the years. and yeah i guess that means they fucked at one point in there

(im going to be transparent, some of that is a bit of cope/rationalization. i think loco and the conductor are very exes/begrudging coworkers vibes, but i do like clarissa and loco together as well - unsettlingly powerful girl x eldritch being with a soft spot is a very good trope. and im trying to make it work out okay? give me a break lol. you don't have to agree with me on this, but once i see a luke and tom couple with a fun and compelling dynamic i will not let them go even if the ethics get a bit hard to explain later on. sorry, anyways moving on)

additionally, and i probably should have said this earlier, a reason i think this whole nutcracker theory holds up is because clarissa holds a sort of unique power in the world. she's been on the silver line for hundreds of real-years, who knows how many train-years, and still remembers her name and something of her old life. loco isn't hostile to her, even confirming her memory of her name and reminding her of her birthdate. with everyone else (ex. benjamin), he actively discourages them from remembering their lives. despite seemingly being one of the oldest passengers, she doesn't transform for hundreds of years. she obviously has some significance.

you know how that ties in? if this is clarissa's world, if her mind is what created the whole thing, then i think it makes sense to assume it's tied to her. as she begins to question her surroundings, then panic as she realizes she can't leave, her emotional and/or mental state becomes less stable, less utopic, less perfect. the dream begins to turn into a nightmare. and it becomes. well. an ouroboros. the snake eats its own tail and the train goes in circles and the escapist fantasy clarissa once loved becomes a prison of her own design. trapped in the very thing that was supposed to save her.

maybe that's why anthony and benjamin can get out when they do - as clarissa's world decays, as she finally begins to become part of the nightmare, as she melds with the train, the world has to shift a bit. it's reaching the point of no return - once clarissa has been fully sucked in, the train will never stop again. falling into an infinite nothing. but in that moment, there's one final chance for the conductor to stall locomotion, one final leap that could at last pull benjamin and anthony and everyone who's been sucked in by clarissa's black hole of a nightmare out of the portal and back into the real world.

and now, clarissa has lost three hundred years of a life that should never have lasted so long. gained perhaps thousands of years of memories of joy and connection and despair and panic and forever forever forever. and she is once again trapped in a vessel of her own making - her body is that of the child she has not been for lifetimes. her world is dead and gone - not just the world she created, but the world she escaped from as well. what of locomotion, that brief flash of connection? does he even exist anymore? who is she, now? who was she? where can she possibly go from here?

shoutout delirium_undead on discord for going along with the nutcracker theory and helping me flesh this out. your ideas are so galaxy brained and i am forever in your debt