#im FEELING things with them

[gunsatthaphan]

~ 🎨🖌️🧑🏻‍🎨♡ ~

[hinamie]

in spite of everything, I had fun <3

[rendevok]

Act I ~ The Prince

A tapestry for Let No One Sleep by @azalawa-scroggs on ao3

[artrealla]

[bacchuschucklefuck]

truly this one's just for me. I can do what I want foreverrr

[ba1laur]

midna and that ugly dog

[lilybug-02]

Pain is a great motivator…

Part 26 || First || Previous || Next

—Full Series—

Meanwhile Toriel:

(Loud noises don't wake her up usually.)

Artist note: I’m so proud of this :))) I know it’s a lot of dialogue and reading, but dialogue is grueling work for me. I’m glad with the art and for the amount of pages I made in such a relatively short time span -w- page 5 was super fun to work on. A lot of blood, sweat, and hours here... :) The backgrounds were a big bore tbh, but I finished them! Yippie!

[jenanigans1207]

What I wanted so badly was for Mary to learn about her boys from Cas. Like that night where Cas finds her when she can’t sleep and she expresses that she just doesn’t know anything about her sons since she missed so much?? All I wanted was for Cas to sit down with her at the table and just start telling her about them. Basic stuff at first: their favorite foods, their sleeping habits, the stuff he’s just observed by being their passenger for years.

And then I want him to say something totally Cas, like “Dean always wears more layers but that’s because his body naturally runs two degrees colder than Sam’s. But that’s normal for him and not indicative of any illness, so it’s nothing to worry about.”

And as they talk, it starts to get a little deeper, and Cas tells her more. He tells her about what she missed, about all the horrible things that happened to her sons and how they coped; how it changed them. And he tells her about Sam, he does, but really it ends up being all about Dean.

He’ll tell her about how Dean clenches his fists when he’s upset, even as he tries to keep his face impassive. About how Dean drums his fingers on the steering wheel when he’s anxious. He’ll tell her about Dean’s nightmares, about the ways he’s chosen to cope. He’ll tell her how to know when to approach Dean and when to give him space, how to gently acknowledge what he’s feeling without pushing him too far.

And with every word he says, Mary’s curious head tilt from when she’d seen them hug in reunion turns into a bone deep type of certainty. Because Cas is telling her things that only someone who paid special attention would notice. He’s telling her things that only someone very, very close to her son’s heart would know.

Cas will tell her the cliff notes of what they’ve been through; will tell her how the whole world looked to Dean and he rose to the occasion over and over again. He’ll tell her about Dean’s doubts in himself and then vehemently declare them as wrong and explain, at length, why. He will tell her about the people Dean has loved— the people who loved him like he was their own— and lost. He will tell her about Bobby, Ellen, Jody, Donna, and Charlie. He’ll tell her about Claire, too, and how Dean stepped up.

And the whole time, Mary will have this realization that oh, she may not have been around to guide and protect her sons, but there was always someone there to care for them and support them when they needed it. She will realize that she and John may have left them, but they were never alone.

But more than that, there was someone there for Dean. Someone picking Dean over and over again while Dean picked Sam, or the world, over himself. There was someone fighting for Dean when he wasn’t fighting for himself. There was someone who saw Dean, and loved him unconditionally.

Sitting across from her, at the asscrack of dawn, filling her in on all the things she missed was every mother’s dream: someone who loved her child with the kind of devotion that would break the world. And from the sounds of the stories she was being told, it did break the world. Someone whose love is entirely untainted and comes without any strings attached.

It’s so clear to her as she listens to Cas talk that Cas loves Dean with no expectations. That loving Dean is something he just does, like he doesn’t know how not to love Dean, like the possibility of not loving him never occurred to Cas. He loves Dean in a way that Mary knows can and will soothe Dean’s sharp edges and battered heart. He loves Dean in the kind of pure way that tells Mary that it will continue to endure and overcome everything without ever diminishing, even the littlest amount.

Mary, through tears, will tell Cas how she always told Dean that there were angels watching over him. And before Cas can make some comment about Dean being the Righteous Man and the interest of most of Heaven, she will place a hand over his and give him a motherly look that will convey all the things she’s not sure how to say— and the things she’s not sure Cas is ready to hear yet. And Cas will flush and look away, mumbling about how her son is very special to him.

And when she pulls him into a hug and murmurs thank yous into his shoulder, she will be comforted in the knowledge that her sons turned out to be wonderful men, and that they managed to stay together through everything. She will be comforted to know that no matter what happens, no matter her shortcomings as she tries to fill a role she never meant to leave, Sam will have Dean and Dean will have Cas.

And this time, when Cas tells her that she belongs here, she will believe him. And she will tell him that he belongs here, too.

And when Dean wakes up a few hours later and wanders in to find Mary and Cas still chatting over the table, he’ll be surprised— but pleased— to find Mary looking more at ease. He’ll be pleased when she gives him a warm hug and pats him on the cheek and tell him with all the sincerity that only a mother can muster that she’s glad that he met Castiel. And when Dean agrees, a little confused, Mary will just smile at him.

“I always said I’d like a third son.” She says, “so give him a reason to take our last name, won’t you?”

And Dean will splutter and turn fifteen shades of red as he steadfastly doesn’t look at Cas but mumbles something that suggests he’s not against the idea at all.

And Mary will laugh again and wink at an equally red Cas before heading towards the kitchen like “Cas said waffles are your favorite, so I hope you’re hungry!”

[puppyeared]

horrible truth bomb dropped on my head 20 min ago

[slavhew]

look at this idiot not aware that his body is warm and his touch comforting everyone point and laugh

[keferon]

The tac net crash chapter is one of my favorites so far~

Ah and. Guess what. I just discovered that including this post, I made 50 pieces of fanart for Mistakes on mistakes until.. I’m so sane and normal about this story can you tell👍

[hinamie]

new official illust of them with puppies healed something in me

[araneapeixes]

Not gonna be able to get back to this for the next week or so but I wanted to share so wips :))

[sharkylad]

Thinking about the fact that Mabel and Dipper didn't know they had two great uncles.

Yeah they are 12 and at 12 I had a shotty understanding of my family tree- But really? Nobody brought up their great uncle? Stanley? Especially since they'll be staying with his twin brother, Stanford?

Shermie never went to Stan's fake funeral, which to me means the twos relationship was strained on some level. If Shermie is older that means his view of Stan was poisoned in some way, that even as kids they weren't close. If the Shermie is younger then he never even got to meet Stan and all he knew about him was how he failed his family. Hell, people probably barely mentioned Stanley TO Shermie.

The fact that Stan had become a black stain upon the Pines family name makes me so vividly upset. Stanley faked his death and the family just- seemingly decided to strike him from the record. To pretend he didn't existed to spare themselves the sadness and shame.

Stanford and Shermie Pines. The only children worth mentioning of Filbrick and Caryn Pines.

It was never Stanford that was lost to the world. It was Stanley, ever since he had to leave New Jersy- it was always him that had to be struck from the record. Change his name, change his state, change his affiliations, destroy the remains of ghost that was Stanley Pines. Kill him so the family doesn't bring him up, doesn't ask questions, stops asking "Stanford" about his twin.

I just keep thinking about the fact that since the day he made one single mistake all the way up until Ford walks out of that machine- Stanley Pines was killed and did not exist. And Stan himself had no one to blame, he had to play the part in his own demise- He is the only one who ever knew Stanley was alive and has been for decades.

He lives in the multitudes of every personality he's ever taken, all in the hope that he himself can stop being Stanley Pines.

[thatneoncrisis]

i wrote a big long essay talking about tlt and how it engages with describing the skintones of brown characters its under a read more bc it is so long.

I already left a long comment about this on someone else post but I wish I could study tazmuirs odd little habit of dancing around the fact that Gideon and Harrow are women of color when she describes them, and how this kind of extends to other brown characters

We get a million descriptions for how sickly pale ianthe Silas and cytherea are, what a lovely golden tan corona has, the odd tannish yellow hue of colum, all imagined by her, in her own words, to be white. Then when it comes to Marta and Judith they're called dark like Once in the text. I don't think it's even mentioned for Jeannemary and magnus in the entirety of gtn though I will gladly stand corrected if I missed something. It's such a non factor for them, which normally I would overlook if it wasn't for the aforementioned specificity of how white characters are described on Top of one of the major themes of the book being how John, a Maori man, resurrected a largely Polynesian population and then proceed to rule them using the exact same methods that actively colonized new zealand. Like I just think it's really interesting that in many ways, the story is about two young Maori women completely stripped of cultural heritage, they can't even speak te reo maori they cannot even conceptualize the scale of that kind of loss. Theyve been to earth once and during her brief time there Gideon literally died on it's soil it feels so poignant

Back to them specifically being Not Pale, this is not me saying they would be "less" maori if they were light-skinned that's total bullshit and the entire paradigm exists as a product of European bullshit. My fascination is more with the fact that tamsyn has clearly thought of them as midtoned to dark skinned. I'm going to be really generous and disregard the Tommy Arnold covers- he is a talented artist but he's not the author and Taz stated in an interview that she didn't envision Gideon with an undercut either so he clearly has little liberties he can take and I'm fine with that get your coin dude. For these two I'm going to have to focus on Nona the Ninth, bc for the entirety of gtn, harrow is described as grey, and while I understand that's bc she's constantly under a mountain of white and black facepaint, we basically never get an objective description for either of them. Gideon stand out features are her build, hair and eyes, like a lot of characters, but it could have been pretty easy to throw in a line about how she seems less desaturated than what one might expect from a ninth cavalier, like a rich warm brown, possibly hinting to other characters that she isn't a ninth native

Htn also gives very little to work with, again harrows primary colors are the blacks whites and greys of facepaint and her hair and the reds of constantly sweating blood. The character who's darker skintone is Most remarked upon (also one of the few ever constantly headcanoned) as black, is g1deon. I've actually spoken to a few people about this and there seems to be some actual Mandela effect shit going on where people remember Taz saying he's black despite me never once finding evidence for this. However, this is not a case where I'd be overjoyed to be proven wrong, because g1deon being the one black guy in this entire cast, the one who's dark skintone is commented on the most, being the guy who barely speaks, tries killing harrow with a spear 14 times and then dies offscreen. Not good. Bad, actually

Finally onto ntn, in the beginning chapters Nona remarks her (harrows) skintone is the color of an egg carton. I assume she means the light tan, desaturated brown of the cardboard used in certain cartons, which is fitting for harrow, girls lived in an ice cave for 17 years. This is basically the only word we get on it. I believe a few times the text will say something about pyrrha's (g1deon's) brown Everything; brown skin, russet brown hair, rich brown eyes. that character gets to be viewed and constantly affirmed as a brown character in teh way gideon and harrow arent, it kind of others pyrrha. to contrast camillas hands are called tanned way at the beginning while recording nona's dream, then at the way end it says, "Her face still looked grey beneath its nice normal olive," olive being used to describe her once before in gtn as far as i can see. pyrrha's (g1deon's) skintone is one of her most notable features, its brought up to a noticeable agree the text wants you to keep it in your mind when you think of the saint of duty; "Most of Pyrrha was the colours of the building site: deep dried-out browns, dusty hunks of clay, rusted metal." "Pyrrha wouldn’t burn any colour other than her deep cool brown." "Nona took the water from Pyrrha’s brown, work-chapped hand and even sipped it" "Pyrrha had carried Camilla to bed in her big brown arms like Cam weighed nothing" "Pyrrha said, “Thanks, Nums,” and drained the whole thing. Nona,fascinated, watched the brown column of her throat move as she swallowed." its just notable to me when alternatively with nona you'll get a line like "Camilla didn’t say anything to that either, only rubbed her wrists where the tape had been. Nona’s skin was already back to its nice normal colour." like just the vagueness in nice normal color, we get one line about what shes supposed to look like in the beginning and thats it

towards the end during the broadcast, nona gets her first clear look at kiriona, described as: "warm-coloured skin that should have been a similar brown hue to Nona’s, except that there was something wrong with it." break out the champagne its official

Obviously, dying takes some color from you. If anything, gideons desaturation should make them More comparable given the egg carton comment and harrows general state of constant anemia. Has Nona gotten darker during her time on new rho? Was Gideon lighter than the cover led us to believe? We don't know. We well never know, which is odd, bc these books fucking love purple prose about people's appearances. We have like seven different synonyms for the shade of ianthes hair. New words for black have to be invented in order to convey harrows eyes which are Black, not the dark muddy brown of someone like ortus. It's less that I'm bothered by the text not hyperfocusing on their skin and more it picking and choosing when it will laser focus on a detail like that, and how often it's skipped over to the point that I like, constantly see people draw harrow as incredibly pale, which is very different from being light-skinned

Finally, I know people can dismiss this as like an audience interpretation thing. I know I actively draw harrow darker than Gideon which I know isn't canon. But this is less about Fandom response to the text and more the text itself and how it's like. Afraid to say brown. near the end of ntn i found One instance of it referring to gideons "slim brown hand" on nonas cheek and that is direct as it gets. even her other like, strongly non european traits are sort of danced around. her nose is "a nose that was the complete opposite of Nona’s nose, one that put her in mind of those big poison desert cats Born in the Morning was crazy about." a very fanciful description, you have to infer that nona means that its probably flat and wide, also giving us the information that harrows is most likely narrow and straight, possibly downturned. im not opposed to this, especially given the character talking about her is nona, but then you get the following paragraph:

"Her skin was very much dead-person skin, ashen and tinted the wrong colour around the nostrils and the mouth. But even if she hadn’t been dead, Nona was critical. Her eyelashes were very dark, but short and curly, whereas Nona thought all eyelashes should be long and straight (her own eyelashes were long and straight). The corpse had too much mouth and a dimple (nobody in her home had a dimple). You could not, at least, see the veins in her eyelids, which were heavy and cold and deep-set. But Nona thought it was going to be a shame to go from being so lovely as she was to being so—redheaded."

its a very frank description. dimple, curly lashes, red head, dead skin, probably a wide mouth. her nose is contrasted against nonas nose, which is also never directly described, and then compared to a fantasy animal we have never heard of until right now

kicks rocks. there isnt a point to this. the series is almost over, there is zero reason to like, knock on taz's door and ask why she did this or that. it doesnt stop me from loving the series, and the insinuation that noticing this means i must dislike the series is frankly insane (real thing that happened). if someone got the impression that harrow was white given how shes described i wouldnt blame them honestly, its most apparent she isnt in the third book (with the cover art being incredibly ambiguous) and a single blog post from taz mentioning shes maori, immediately followed by an "oh i dont care how you see the characters" addendum, which i think is like. an odd thing to tack on bc them descended from kiwis is like, very integral to the story, and gideon being the daughter of the maori man who took everything from her she didnt even know she could have and the (presumably, given her name and a very brief description) maori woman fighting to get that world back its like. damn. it feels a little important. that the audience knows theyre maori. like a little. it feels intertwined with the whole thing about john using european standards of imperialism and general aesthetics to hurt his own kid. actually.

[fox-guardian]

starting to feel like part of the reason that Sam and Celia's romance thing feels a little off rn is cuz like. what do you mean they're actually dating. he asked her on a date and she said yes. and it's working out so far. it's chill and fine. what do you mean they're not pining for 4 seasons, not communicating, and then getting together only after one of them walked through hell to drag the other out and make sure they know they're loved and wanted. they haven't even patched each other's wounds yet hello. aren't y'all moving a little fast.