#if you want to you can go reread the piece with this extra knowledge now & pay extra close attention to their expressions and actions

[inkykeiji]

Wait im sorry clari im confused!!! So is reader just giving step enji attention to try and get touya niis attention and make him jealous?

sort of, yeah!!! here, i’m just going to quote my notes from when i was writing that piece to give u a little more insight into everything going on there:

⊹ touya knows this is disrespect; she’s acting out to hurt him, and even though he KNOWS this, it doesn’t make it hurt any less, even though he ends up giving her what she ultimately wants. it’s a little tangled and convoluted—touya’s pretty sure she does this just to piss him off, to provoke him and get a rise/reaction out of him, to gain his attention in any way, good or bad it doesn’t matter which. just ATTENTION in general. but there are genuine feelings to her love for their father, too, and there are genuine feelings on ENJI’s part, too, which pisses touya off even more because hello, this is HIS little sister. and it’s these genuine feelings from both reader and enji toward each other that leaves the tiniest sliver of truth to what she says and what she does, and that’s what ultimately hurts him the most. 

⊹ so, in other words: he’s angry because she’s doing this purely to disrespect him, and even tho he knows this he still can’t stop the hurt (an automatic, instinctual reaction he’ll never be able to soothe or stop); and he’s upset because there’s a shard of truth in it all and that’s rly what hurts the most. but knowing that his little sister will stoop this low to hurt him is painful as well—tho he supposes she learned from the best. he’d do the same, he’s such a hypocrite. still, obv he deserves more respect duh 

⊹ the obvious context of the fic is that she just likes running into enji’s arms and greeting him and it makes the rest of the family uncomfortable because it doesn’t exactly look or feel entirely innocent (this i want to SHOW through their interaction, tho). but the SUBTEXT is that she does this to piss touya off, because enji is really her only weapon against her eldest brother, but he’s also a foolproof weapon—he never fails to hurt touya, no matter what, and he always gets you what you ultimately want; attention from touya. (this should be hinted at in her comment about touya fuckin around with everyone)!

^^ these are my rough notes verbatim! their conversation after enji leaves is particularly important, because it shows where they’re both hurting; she mentions how touya sleeps around and he mentions how she’s all over daddy. reader boldly calling attention to exactly why touya is upset (with the jealousy bit), calling him out on his bullshit and explicitly hitting him exactly where it hurts, is the final nail in the coffin to her getting exactly what she wants (his attention!!). also, this piece obv is not set within my established touya-nii au. this is a different touya-nii entirely!

[thecarnivorousmuffinmeta]

Thank you so much for answering my previous ask! That said, I've been rereading Bleach on the Brain and that's prompted a new one.

Laying absolutely no blame for what happened on Carlie, trying to escape was a completely valid choice to make in that situation, the fact is that it turned out... poorly.

So! Two alternatives here... Carlie is being carried along by human-form Jacob who has expressed his intent to kidnap her to La Push, prevent her from seeing the majority of her family ever again, and begin a sexual relationship.

Option One: Carlie goes along with it banking on the idea that Jacob doesn't seem to be planning to keep her totally isolated, surely someone in La Push, or else Bella if she arrives later, will listen to her and help either talk Jacob down or force her release.

Option Two: Carlie has already realized that she currently has the advantage but will lose it as soon as Jacob phases, she's currently in close physical proximity to her abductor who is as vulnerable as he's ever likely to be, he's not looking at her as a threat... She takes her chance and tears his throat out with her teeth.

Do either of these end up with Carlie in a better place than the story ultimately ended up?

Bleach on the Brain by @therealvinelle.

For what it's worth, I just betaed that fic, what I co-wrote was Leech in the Rain, the sequel. But I can take a stab at answering and get yelled at in reblogs if I'm incorrect.

Option One

No.

Jacob would want to shift to get her to La Push as quickly as possible and either Rosalie would catch up with them (meaning there could be a fight with Carlie caught in the crosshairs) or she doesn't and Carlie now has to escape somehow from La Push in land her family is technically not allowed to enter.

Going to La Push would be the worst thing Carlie could do in that situation.

If she makes it all the way there, it's unlikely she gets out unscathed and things may end up worse than they did in the story.

Option Two

Carlie likely does not end up with the same level of physical ailments she has in the original story, but she's now murdered what was her babysitter and, despite all that happened, someone very close to her and a defining piece of her childhood.

She's also ruined any good relations with the tribe and she'd return home to her mother not believing that Jacob would ever threaten her and essentially accusing Carlie of having killed the man in cold blood (especially horrifying to Bella would that Carlie is Jacob's imprint, to hurt her other half like this would be the equivalent of being soulless and unable to love).

The Cullens have to flee from Forks and Carlie finds herself losing the love of her mother as well as her father over the murder of Jacob.

She's better than in the story per the fact that she can walk, but she now has this traumatic thing that happened to her along with the clear knowledge that her mother and father do not prioritize her (which is essentially the same as the fic with an extra dash of guilt).

[phecdasolar]

First of all, don’t worry about infodumping AT ALL I saw the massive amount of paragraphs and got super excited :DDD

But yeah! I’ll have to go back and read through Dahni’s other analysis posts to get a better idea on the others, so I’ll definitely be hunting for other ideas on Mei and Pigsy :D

The ones I’m absolutely solid on are Thief of Light Wukong, Heir of Void Macaque, Knight of Light Tang, and I’m going to reread the analysis just to double check, but I’m loving Prince of Rage Red Son!

A few things I’d love to know more about and/or am interested in hearing you elaborate on are why you don’t see MK as being in the Light category (which thinking now I can kinda see why but I also really want to hear your thoughts!), and going off of that I’d love to hear more about your idea of Maid of Blood MK! Another thing is why you chose Sylph of Hope for Sandy, and one extra thing, I know we’ve seen like, little to nothing on her(to my knowledge), but even going by fandom interpretation, do you have any ideas for a possible classpect for Bai He? (No idea if that’s her canon name, but that’s just what I’ve heard people calling the girl who LBD was possessing)

My hyperfixatons are merged right now, so currently I’m trying to piece together an entire fully-fleshed out session for these guys :D so these ideas are extremely helpful!!

Also no I have not watched s4 yet, I’m waiting for the English dub (^^)

So I was thinking "damn I wanna know lmk characters classpects"

Tried to look it up

Didn't find anything but one post

So I tried to do this by myself

MK — Maid of Blood (Prospit)

Mei — Witch of Space (Prospit)

Red Son — Prince of Rage (Derse)

Pigsy — Seer of Life (Derse)

Tang — Rogue of Light (Prospit)

Sandy — Sylph of Hope (Derse)

SWK — Thief of Light (Prospit)

Macaque — Knight of Void (Derse)

[sagurus]

Regarding a Common Misconception of Hakuba Saguru

Lately I've been doing some reflecting on Saguru & the various ways I've seen him portrayed, as well as the ways I've portrayed him in the past. And then I was rereading some MK manga, and had some realizations. I've been feeling like rambling about them! So here I go, rambling.

[Disclaimer: I'm not personally taking issue with anyone's interpretation or impression of Saguru - just sharing my own impressions! This is just for fun <3 ]

Misconception: Saguru is constantly accusing Kaito of being KID

It’s a generally accepted fact in a lot of fics I’ve read (and honestly, maybe some fics I’ve written -- I used to hold this belief too!) that Saguru just unendingly insinuates that Kaito is KID--alone, in front of other people, always.

I won’t cite any here, but I’ve seen nods in fanwork to Aoko feeling a little stressed/frustrated about the fact that Saguru thinks Kaito is KID and makes it known. I’ve also seen fanwork where Saguru explicitly calls Kaito KID, presses Kaito for information, or otherwise makes his beliefs clear, even when others are around.

There are only five scenes in the Magic Kaito manga where Saguru makes direct indication toward his knowledge of KID’s identity.

First, of course, we’ve got chapter 17 - the first chapter where Saguru puts together that Kaito is KID.

For a long time, when I’d consumed more fic than MK canon, I recall an image born in my head of Saguru singling Kaito out in class and making the claim that Kaito is KID in front of everybody. I don’t know if I ever read any such allusion in a fic, or if it’s just an assumption I drew based on portrayals I read, but imagine my surprise when he does nothing of the sort.

Now, to be fair, Saguru is A LOT in this chapter. MK is still heavily in gag manga territory, so his behavior is extra extra played up. But if we take away the visuals, the dialogue between Saguru and Kaito can be summed up thusly:

[First scene where Saguru makes direct indications as to KID’s identity]

Kaito: You look so tired. Haven’t gotten enough sleep after chasing KID for three nights In a row, huh?

Saguru: Hmph. Aren’t you tired as well?

And then, a few beats later in the conversation:

Saguru: I’d like to invite you to the Ochima Art Museum tonight, where KID’s declared his next target. Kaito: Eh? Saguru: Then, you’ll understand why I’m so tired. Or, do you have other plans tonight? Kaito: Okay, I accept your invitation. It’ll be great to see your work in action!

And that’s it, that’s the big class confrontation. Aoko is present for it, but she’s more interested in joining in on the fun, and while I do think Aoko pieces together that Kaito is KID, she prefers to live in willful ignorance of it until it becomes impossible for her to ignore. She’s bright enough to pick up what Saguru’s implying, but because he never brings it past implication, there’s no reason for her to look at it too hard. Anyway, I digress. That’s conjecture and headcanon talking. My point is that Saguru never makes any explicit claims, just invites Kaito along to the heist.

Another neat thing about this scene is that--while certainly not motivated by mercy in this case, Saguru does give Kaito an out: “Or, do you have an excuse not to go tonight?” Of course, if Kaito took it, it would be rather damning, but I do think it would have been enough confirmation for Saguru. I don’t think there would have been any arm-twisting to get Kaito to agree.

But Kaito and Saguru are competitive bastards, so here we are.

Let’s move on to the heist!

Once again, the manga certainly plays up the whole ordeal. Saguru is intense and waiting for his moment, and Kaito’s being, well, Kaito.

At the heist, there are a few points where Saguru has opportunities to make allusions to Kaito being KID in a way others would pick up on, or otherwise make his suspicions known, but he doesn’t.

First of all, is this exchange:

Nakamori: Why are you guys here? Aoko: Hakuba-kun invited us! Nakamori: What’s the meaning of this, Hakuba-kun? Saguru: I thought she might like to see if KID is arrested tonight. Nakamori: You’ll fail if you’re too cocky! Saguru: We’re well-prepared. Besides, who knows… KID may already be here.

Saguru does imply KID could be present, but he makes no indication that he means Kaito. His next opportunity to hint at Kaito being KID or otherwise make accusations is when Nakamori asks him to consult as a magician.

Nakamori: Kaito, since you’re here, do you want to use your magic against KID? Kaito: [laughing sheepishly] Saguru: Oh, I want to see that fight, too. If you really can do it.

Needling, yes. Saguru knows what he’s saying and so does Kaito. Accusations, no. This is well within the realm of something Saguru would have said even if he didn’t suspect Kaito, considering their dynamic up until this point.

And then, the most explicit Saguru ever gets in terms of literally calling Kaito out as being KID, beginning when Kaito excuses himself to go to the bathroom right before the heist:

[Second scene where Saguru makes direct indications as to KID’s identity]

Saguru: [handcuffs himself to Kaito] Kaito: Huh? Saguru: I won’t let you do that, Kuroba. Kaito: What do you think you’re doing?! Saguru: I got the report back from the lab. The hair I got from KID indicated that he’s a high school student. After I compared KID’s data with other high school students’ data in the database… Kuroba Kaito came up in the final list. Kaito: That’s a coincidence. Saguru: Really? We’ll see soon enough. Let’s wait until the time KID is stated to come. [Some heist hubbub occurs as officers get into position even though KID hasn’t arrived at the heist time] Aoko: What? KID’s not coming? Saguru: Ha! It looks like I win! You’d better confess who you really are.

And from there, of course, ‘KID’ (Akako in disguise) swoops in and takes care of the heist. That more or less wraps up chapter 17, the first chapter where Saguru understands that Kaito is KID. And I would argue this is the most aggressive Saguru ever is. In fact, rather than persist in trying to accuse/capture/implicate Kaito as KID, he straight up vanishes from the narrative for several chapters.

Saguru doesn’t show up again until the Chat Noir heist, in chapter 25, when he calls from France.

It’s also important to note that at this point, Magic Kaito’s narrative has experienced a slight tonal shift. At the very least, while still often comedic, it reads less like a gag manga. Between the last time we saw Saguru and now, we’ve learned the apparent motivation behind Toichi’s murder, we’ve met Snake (an albeit rather incompetent villain) and Kaito has faced down gunfire and the danger posed by Snake and his men.

The way Saguru is portrayed has also shifted to reflect the shift too. Instead of a hulking antagonist-like character in a Holmes cosplay, he’s dressed primly and presents more as a cheeky but polite character. He’s also more effectively emulating the charm that the story tried to imply he had early on (“Hakuba Saguru, at your service!”, the girls in class fawning over him, the newspaper calling him out as a famous detective making a long-awaited return to Japan).

The interaction is entirely less antagonistic, too. For reference, I’ll paste the exchange (sans Saguru’s massive info dump) below.

[Third scene where Saguru makes direct indications as to KID’s identity]

[At the heist for the golden eye] Kaito: [Hiding in a bathroom stall while putting on a disguise] [His phone starts ringing] Hello…? Saguru: Hi, it’s been a while. Are you still alive? Kaito: [Thinking] This sugary yet obnoxious tone of voice is... Hakuba?! Saguru: You’ve made quite the stir in Paris. They’re all talking about how France’s Chat Noir is going to go up against you in Japan. Kaito: Idiot! It’s not me. It’s Kaitou KID! Saguru: Ha… it doesn’t really matter. I’ll share some information that I gathered over here. [Info dump cut from dialogue] Well! That’s about all I have to say. Do your best. I don’t want to see you lose to anyone until I capture you myself. Kaito: Like I’ve been saying, I’m not KID! Saguru: Oops, it’s almost time for the Paris Fashion Week. See you! Kaito: H-hey…

The only part of this conversation that I could consider to fall into the territory of antagonistic is when Saguru says “I don’t want to see you lose to anyone until I capture you myself.” And more than anything, I think this is less reflective of a real desire to capture Kaito, and more reflective of his competitive nature. Not to mention, within the context of the conversation, it feels much more like teasing than anything.

Saguru’s motivation for making the call is clear: He doesn’t want Kaito to lose, and he wants to help ensure Kaito’s success.

And most interestingly (although I’d like to see the raw manga to confirm this, or otherwise a more literal translation) he never explicitly calls Kaito KID either. Outside of alluding to KID’s actions, Saguru doesn’t explicitly say Kaito is KID or mention KID at all. It’s Kaito who does that.

When Kaito points out that he is not, in fact, KID, Saguru doesn’t argue. He simply brushes off the denial and shares the information he’s collected.

So, to summarize what we’ve covered so far: after Saguru failed to arrest Kaito during chapter 17, he stopped troubling Kaito so thoroughly that the next time he features in the story isn’t until he’s calling from overseas to try to lend Kaito some helpful information. He’s not even playing a part in trying to capture this thief he allegedly wants to catch.

And then, Saguru dips back out of the narrative, although for a shorter period this time. The next arc he appears in is a few chapters later--the Nightmare Heist which he arrives in the middle of. But, there’s not any interaction between him and Kaito, nor any allusions made by Saguru about KID’s identity, so we’ll move on.

The fourth time Saguru makes any indication that Kaito is KID is during the Corbeau arc, when KID is being challenged by a clad-in-black KID lookalike.

Before jumping into that specific scene, though, there’s another interaction I’d like to call attention to--between Saguru and Nakamori. Not because of something Saguru says, but because of what he doesn’t say.

Nakamori: Hahaha! Looks like you let your guard down because you thought I was at home with a cold! Saguru: Our plan succeeded, it seems. Nakamori: But I only told Aoko I had a cold, so how does KID know…? Saguru: Hm...

If Saguru were wanting to make some kind of accusation, even a non-explicit one, he would have made some remark. Instead, he doesn’t say anything at all, which continues to speak to the fact that he isn’t really interested in implicating Kaito.

Anyway, the next time Saguru makes any sort of implication that Kaito is KID he is, once again, trying to help. Last time it was over the phone, so the conversation was private. This time, the conversation is in a classroom, although based on the panels, it seems like Saguru and Kaito are alone at the beginning--or at least, no attention is being paid to them.

[Fourth scene where Saguru makes direct indications as to KID’s identity]

Kaito: [Talking to himself] It must be the case, there’s no other way. There must have been some trick with the case.

Saguru: [Eavesdropping, apparently alone in the room with him] The case didn’t contain any hidden mechanisms. Kaito: Eh? Saguru: No hidden doors or things like that, as are often used in magic tricks. Kaito: W-what on earth are you talking about? Saguru: A new notice from Corbeau arrived this morning. ‘I’ll come and take the real Midnight Crow tonight.’ My name is Hakuba--so I don’t want a ‘white’ person to lose to some ominous black crow. [From here, Akako and then Aoko jump into the conversation.]

Surely a classroom is a risky place to have a conversation about KID, but the nice thing is that Saguru--once again--doesn’t bring up KID at all beyond saying that he doesn’t want the ‘white[-clad] person’ to lose to the black crow. From the outside looking in, all he’s doing is sharing information about the case with Kaito. It may also seem unwarranted from that perspective, but not at all implicating.

Also, another thing I’d like to call attention to is that when Akako joins the conversation (and seemingly blindsides Saguru, as if he wasn’t expecting anyone else to join), Saguru stops talking. He continues to be quiet when Aoko chimes in, and he doesn’t have any relevant dialogue for the rest of the scene.

Once again, Saguru’s clearly motivated to share information in the interest of helping Kaito. He has to share with Kaito’s civilian identity, since he can’t exactly arrange a conversation with KID, and this is likely the easiest way for him to do it. He makes no accusations, and this time he doesn’t even imply he wants KID caught.

So--Saguru is a part of the narrative again, but since rejoining the narrative he seems less interested in actually catching KID and far more interested in helping Kaito. And no accusations or incriminating allusions have been made since chapter 17, before Saguru’s first hiatus from the story.

The final time Saguru nods to Kaito being KID is from the Sun Halo arc. This is probably the interaction that’s closest to what fanon tends to depict when it comes to Saguru making subtle accusations that Kaito is KID. And even then, I tend to take this arc with a grain of salt if only because it felt less like Gosho was trying to add to the story and more like he was just trying to make a Magic Kaito addition that hit various fan expectations while still being wildly disappointing, lmao.

[Fifth scene where Saguru makes direct indications as to KID’s identity]

Saguru: [approaching and commenting on Kaito’s motorcycle] I see, a Suzuki GSX 250R. Akako: Ah, Hakuba-kun… Saguru: You’ve shown me something interesting. Perhaps this might help the police tonight. And could it be that you’ve forgotten… that the only motorised bikes we’re allowed to ride to school are scooters? Kaito: Eh?! For real?!

Once again, Saguru doesn’t explicitly mention KID at all--and segues from his mention of the police to pointing out that Kaito is breaking the rules right now, actually, which helps blend this teasing comment into the conversation.

Yes, later in the chapter Saguru does show up with a team of motorcycle experts. But that also means there’s more disguise opportunities for KID and more factors to account for, thus complicating things for, well, everyone--not just KID.

Also, I tend to dismiss that as Gosho throwing in some comedy, and as less to do with Saguru’s character. Call it cherrypicking if you like :P

To recount--there are five times where Saguru implies Kaito is KID.

The first two are in chapter 17, when Saguru first puts it together, and it is during this chapter that he gets the most explicit about calling Kaito out as KID, as well as the most aggressively he behaves about it. And he backs off so hard after that doesn’t work, that we don’t see him for several chapters.

The next two times he implies Kaito is KID are both in order to help him. No aggression or accusations, just the sharing of information. Even when teasing or suggesting he’s interested in catching KID, he’s good-natured about it, and when he realizes there are potentially people witnessing the conversation, he stops participating.

The final time he implies Kaito is KID is a tiny comment about finding something Kaito has shown him ‘interesting’ and ‘helpful for the police’ before smoothing into gently teasing Kaito for bringing an illegal vehicle to school.

In conclusion, Saguru may start off apparently aggressive in part thanks to early Magic Kaito’s overall tone, but rather than persevering in trying to catch Kaito after cornering him in chapter 17, he actually seems to back off. Once he’s playing a part in the narrative again, when he interacts with Kaito it’s almost exclusively to help him. Yes, he is on the task force and participating at heists, but where it matters, he’s less interested in catching the thief and far more interested in those the thief is opposing (excluding the police force).

[mobagehelllocal]

“lucky ending” extra notes i & iii

Hi, I said I would do it but then I released ver i so long ago that I felt I shouldn't do this unless I had another version out at least so yay! finally! ... I'll add ver ii here when I get around to writing it... *shifty eyes* So as usual, this is just my thought process and ideas while writing lol.

*please do not read if you haven’t read “lucky ending” ver i (dorm leaders) & ver iii (rook & lilia).

It was inspired by an anon ask and the button tradition from Japanese schools.

The anon ask went like this: First at all, I like do much your writing and I hope you are doing well. Second, I was wondering what would happen if the MC (Fem!s/o I guess) decided to not go back to her world, like she decide stay with her villain? Can you do make headcanons of this for the dorm leaders? Thank you very much. – from Anonymous

The button tradition, as narrated by the first years, is done when one person confesses and the other responds by giving them the button closest to their heart. In most Japanese uniforms it’s the second uniform, but in Twisted Wonderland--I looked at the ceremonial robes and the closest button should be the fifth. Maybe. I could be wrong. 

The songs I listened to while writing this! 

The original dorm leaders (and Rook) was written while listening to “Lucky Ending”, the ending theme of Fruits Basket. The English lyrics (translated by otenkiame!) are: 

“Change is important. I want to do it well,/ but I wanna cry. It's still bad. I wanna cry” 

“The word "goodbye" has disappeared completely from this world/ All that remains is me fooling around next to you/A day you don't laugh won't come anymore”

“I've understood it since being here/ These feelings of wanting to protect you aren't a misunderstanding/ If we can call what connects us bonds,/ everything changes/ everybody changes/ Even if in a different world, it'll never be different/ everything changes/ everybody changes/ Don't change, ever/ Stay here, stay here”

I think it’s obvious why I chose to use this as the title of the series. It’s a story about change but it’s also a story about the things you don’t want to change... And I think it’s not wrong to want to hold onto things. 

I also listened to the same playlist that I listened to while writing “wendy?” “hello peter pan”:

“Can’t help falling in love” cover by Annapantsu, “If you’re not the one” by David Beddingfield, “Who Knew” by P!nk and “All Too Well” by Taylor Swift. 

For Lilia in particular, I was listening to three Beauty and the Beast songs on loop. “Evermore” by Josh Groban, “Days in the Sun” by the live action cast and, of course--”How does a moment last forever” by Celine Dion.

“How does a moment last forever?/ How can a story never die?/ It is love we must hold onto/ Never easy, but we try/ Sometimes our happiness is captured/ Somehow, our time and place stand still/ Love lives on inside our hearts and always will”

Also for Lilia, Tolerate It by Taylor Swift.

“You're so much older and wiser and I/ I wait by the door like I'm just a kid”

“I made you my temple, my mural, my sky/Now I'm begging for footnotes in the story of your life”

Malleus was definitely the first piece finished. Closely followed by Vil’s. I believe there was a gap inbetween them before I did the others? I wrote bits and pieces of Leona, Idia, Kalim and Azul’s. I think I finished Leona, Idia, Kalim then Riddle because I distinctly remember saving Azul for last. 

One of the most important things for me, is that each story stands distinct of each other. So I gave myself a really hard time trying to figure out how each one uniquely belonged to each of the characters.

For the Prologue... I think because it’s set at the graduation of certain characters, I used that to my advantage and implied the stronger bonds between the Yuu!Reader and the entirety of the cast. Because a lot of time has passed and I feel like--regardless of what other people believe, bonds will be made and relationships will have strengthened enough for it to happen. 

Riddle is honestly another really difficult character for me to write. I generally do love him and I enjoy his story, but something about him is difficult and I’m not sure why. 

I think a part of me is also really miffed because from Heartslabyul-Savanaclaw, you could feel that Riddle really cared for Yuu on some level but then he just straight up disappears come Octavinelle chapter. I feel like there was potential to develop their relationship even more. 

He WENT UP AND TIED YOUR RIBBON I REMEMBER I WENT DOKI DOKI OVER THAT. 

I feel like because I’ve established that it’s a Yuu!Reader, it’s impossible for this story to not include both Ace and Deuce. So of course they featured in really big roles for this one, being responsible for telling Riddle the story.

I have to thank my friend, Mes, for bouncing ideas with me. They were the one who suggested what I could do with Riddle’s story by having ADeuce play such a big part!

I also tried my hardest to include Trey and Cater, and I’m pretty happy with their cameo. In a way, they definitely helped Riddle figure out his own feelings for you. 

My favourite lines are: “I think you earned that much. I don’t believe anyone’s ever been in your situation before so—there’s no right or wrong about what you’re doing. It’s all about what you want to do.”

I wish someone would tell this to Yuu in general though. They’re the only one who has ever been in their situation (to our knowledge at least) and like... they’re definitely allowed to be even more selfish. 

Leona is someone who I used to dislike a lot. I never hid that. It’s primarily because of how disappointed I am in the story of Savanaclaw probably. But like, I was always concerned about writing him properly because I thought that it was only right that I did right by him, because there would be people reading these stories who loved him. And I felt like I had to do right by that love. 

I think... it’s wrong to believe that characters... villains... cannot fall in love or “won’t fall in love.” I think it’s wrong also to think that “people don’t change for love.” 

In fact, people do change. You definitely shouldn’t change yourself to be loved, but... people change all the time to be their “better” selves. So whose to say that a good person, who you love, will not make you want to improve yourself? Isn’t that what we want when we meet people? To fall in love with someone who will ultimately make you better and never worse. 

Or so that’s how I try to write the Twisted characters when they fall in love... With an understanding that “morally” the person they are falling for is “kind” and “good” and how a part of them might just want to be better just for that person. (Especially Leona and Azul). They don’t necessarily have to be nice to everyone, but if they can be better for one person... We stan healthy character growth.  

But yeah, Leona is driven by understanding that he’s a very selfish person. But that he’s also very unfortunate and he doesn’t want tie you with someone who, he thinks, is actually worthless. He probably, deeply, thinks you deserve more.

Though his selfishness eventually wins out and well... Won’t you forgive him for it? :) For tying you down to this worthless second prince? 

I think his own self-awareness does make him try harder. Not for everyone or everything... but for you. Just for you. I think that would be Leona’s love language--spending time with you, trying for you.

He’d appreciate if you didn’t call him out on it though, that would be very embarrassing. 

Looking back, I’m surprised that it was the only version where none of the other boys from his dorm showed up lol. Which means Ruggie is the sole character who has yet to appear in the “lucky ending” series, huh.

My favourite lines from his story that still leaves me breathless and patting my past self in the back: ““I’m home—” you said—even if a part of you felt that home should have been two green eyes, a cocky smirk, and a warm patch of sunlight on the grassy ground.”

Like honestly, what was I on? Who was she?

Azul is, like Leona, someone who is so keenly aware of the things he’s lacking. In fact, he’s someone who thinks he’s lacking when he’s probably perfect in some aspects. He might act proud but a part of him--I think--thinks its not enough. It’s never enough. He can certainly do better still.

In that light, it’s why he thinks he’s undeserving of a partner. Especially one who is “kind” and “understanding.” While ultimately, Azul deserves people in his life who are that and “accepting” of him--I think he still thinks he doesn’t. 

And thats why he lets go of the Yuu!Reader. It’s why he doesn’t “chase” after her like Leona did.

It’s because he’s selfish, because he wants her--that he forces himself to let go. 

Azul needs someone who’ll tell him that he is worth something and that he’s definitely worth the effort. So please praise him a lot until he’s crying in happiness. I’m sure it’s the one thing he’s always wanted to hear from people around him.

Also my Poly!Octavinelle Agenda has never died and I am pleased Past!Ai got away with so much Poly!Octa hints in this story lol. But honestly, regardless of wht Octavinelle says... god, you can tell they genuinely care about each other.

I recently rewatched Octavinelle’s chapter and... by god, the amount of things I missed out on first watch. Jade’s concern when he realized Azul wanted to get rid of that photo... The fact Floyd was so willing to drop the fight to return to Azul too... Anyways, Poly!Octa Agenda for life.

Favourite lines: “Azul’s pathetic whimpers turned into guttural sobs. His fingers spread to cover his eyes—and his glasses slid off his face, down to his lap and then to the ground—at his actions. His whole body shook as he cried his heart out.”

It’s not as poetic as a lot of my other favourites, but for some reason these lines always get me when I reread them. There’s something so visceral about it. 

Azul’s piece is probably the least visually stimulating out of all these stories? His was so emotionally driven compared to the others and I worried a lot about that.

I think I remember I was crying so badly as I was writing this. 

Kalim is really hard for me because I feel like I struggle a lot with finding conflict in his character? He’s such a genuinely nice person, I find it hard to believe that the Yuu!Reader would feel alienated from him or something. So I brought in “environment” to get in the way. 

My use of celestial imagery for Kalim is because of the Scarabia trailer! I really loved how it put Kalim as the sun and Jamil as the moon. I definitely will take advantage of that when I get around to writing for Jamil.

So because I wanted to use the sun, I chose to use the idea of comets for Kalim? I think I remember something about how meteors are drawn to the gravitation pull of the sun and can “escape” it or “be destroyed” by it. Haha, hot. 

Jamil is someone who ultimately cares about Kalim too and I had fun writing his banter with the Yuu!Reader. I think I wanted to decribe the shadows licking his face reminscent to the marks from his Overblot but... I felt like doing that would give Jamil too much focus so I ultimately decided against it.

It would’ve been hot though. 

Oh yes, one thing I wanted to talk about is Kalim’s rushed proposal. I remember people talking about it in the tags, comments... even in asks at that time. The reason he does it is because he’s someone who didn’t realize his feelings until you spelled out your own. It was a sort of: “Oh. Right. That is the word I’d use to describe my feelings.” 

My favourite lines from his story is: “How does one bid goodbye to the sun?” and “No one ever willingly bids goodbye to the sun.They spend the rest of their lives trying to find the right way back to it.”

My god, who was this genius.

Vil is probably the most visually stunning out of all these stories. I feel like my stories go from super vivid imagery and setting to just complete emotional disasters lol. (Vil being the former and Azul’s being the latter... not that it’s bad, it actually suits the characters). 

Oh man, I remember thinking that Vil is such a hard character to write because we don’t know what his motivation for perfection is. All we knows is that he wants to be the best but, why? 

It’s like, for example, Idia. His motivations could be otaku-related. He doesn’t want to go to class because he’d rather go play or something. That sounds in character--but Vil was so hard because he wanted perfection.

But we already see him as such a perfect character, so what else did he need to be even more perfect? In that light, Chapter 5 did a really good job on presenting Vil’s motivations. 

But honestly, I think I can comfortably say that the Vil I’ve written so far is pretty accurate? To his character. I’m really grateful I read his chat lines because his comment about intelligence really got me thinking about his possible motivations. It made it really easy to understand that Vil wasn’t like majority of the real world’s influencers. 

One other thing that I was really happy about with his story is the use of the flower language. It’s something I hope I can use more because it’s so beautiful. 

Oh! And the roses the Yuu!Reader talks about are double delight roses. They are specifically bred to have two colors--yellow in the center and pink on the outside. I thought it fitting that the Yuu!Reader breed special roses for Vil.

They can be called... err... Vil Roses?

My favourite lines from his story is:  ““My happiness will not be dictated by others—no, Vil Schoenheit is a person who will grasp happiness with his own hands.” [...] “I’m giving you this button because I’ve already found happiness by your side.”” 

This line was actually inspired by Zelda C.W.’s MYth series. Specifically Hera’s story, Will. 

Idia ...for him, I somehow had a very hard time imagining him trying to tell the reader to stay. Like that didn’t compute for me? I felt like his version was better approached in a more comedic light somehow. 

I also felt that it would be cuter if the Yuu!Reader had already chosen to stay and Idia would need to hastily retrack his confession... Unfortunately, Yuu!Reader won’t let him. 

Honestly looking back on it, I wonder how much of Chapter 6 is going to make me scream and want to rewrite Idia’s part? 

My favourite lines from his story is: “He was never particularly good at lying—nor was he good at keeping secrets from you. You were a person he considered a dear friend—and he was always the type of person who ended up spilling everything to you. He liked being able to talk about the things he enjoyed—he liked that he had found someone who wanted to hear him out.”

A lot of my interpretation for Idia is closely linked to personal experience as an anime, manga and gaming fan. It was just a couple of years ago where people would actually be bullied for liking these things--but nowadays its become a norm. It’s... stunning actually but it makes me happy to know that maybe nobody will be judged for loving anime.

That being said, Idia’s longing to find someone he can talk to is something I really relate too--back then, it was so difficult to find someone to talk to about my interests... So I interpreted Idia as much the same. That what he enjoys about the Yuu!Reader is their ability to simply sit and listen to him talk. 

Malleus... man, recently I’ve been starting to fall in love with him all over again. He was my first oshi ever... Anyways, moving on. You think I’ve talked enough about immortal x mortal but nope, we are not done. I love this theme in general, romantic or platonic. 

I will never shut up about it you can’t make me. 

Sebek having a good enough friendship with Yuu!Reader is such a delicious concept. Like mutual respect and Sebek understanding that Yuu!Reader gives Malleus a different type of companionship that Sebek, Silver or Lilia couldn’t... 

And also, ultimately, Sebek and Yuu!Reader do love Malleus. In different ways, but I like the thought of Sebek respecting that and respecting the Yuu!Reader.

Me realizing just now that Silver joins Ruggie in the: “has never appeared in a lucky ending fic club.”... Sorry Silver, I swear soon. Once we get more content on you.

Celestial themes for Malleus are primarily, again, because he only ever seemed to meet you at night. And I thought it would be wonderful, if you were a bright spark to him. 

Favourite lines are definitely:  “Oh, bright light… I would prefer to live the rest of your life by your side… rather than spend centuries contemplating what it could have felt… to hold you in my arms.”

I am, always, going to be such a big sucker for the idea of immortals constantly remembering and loving mortals. Always holding them close in their memories, because in that way--their lovers have become immortal with them. 

I also like to imagine that he eventually figures out a way to connect your worlds together so you can still talk to your friends and family from that world. He is one of the most powerful magicians around, I’m sure its possible.

Rook was honestly the most difficult piece for me to write because he’s so hard(?) for me to understand. He’s a mess of contradictions honestly and I... guess I’m excited to see what he’ll do come Chapter 6. 

I actually rewrote his story so much. I got about 500 words with a different idea/plot in mind before deleting that completely and restarting from scratch. 

I feel like Rook is someone who talks big and talks about love without actually knowing what it truly might feel like. He’s someone who doesn’t understand it and ends up mistaking it for his fascination. 

Aside from me enjoying inserting other characters from the same dorm as much as possible, I felt that Vil was the perfect person to snap some sense into Rook.

Epel’s appearance there is basically to reflect how much I really hope the first year kids get really close to one another. 

Rook is also someone who I think, doesn’t try to explain himself too much. He’s someone who I think talks a lot, but if people don’t understand him then he doesn’t need to be understood? That’s my impression. Lol, when “lucky ending” became a character study. 

I also really loved the idea that Rook was fine with people running from him--to him that makes it all the more thrilling. But then you start running away from him and that just ends up making dread pool in his stomach. 

My favourite lines from his story: “‘When something ends, it must be sad. So, tell me then, how an ending could be so beautiful?’ [...] .‘But there was one ending that was beautiful, non?’ [...] ‘That’s right. ‘They lived happily ever after’—are those not the words that define a beautiful ending?’”

I used the dusk metaphor for Rook. My idea is that he starts seeing dusk as an ending and how he can’t fathom how any “ending” is beautiful. When a story ends, it’s not beautiful to him, humu. But when that ending is the happily ever after then... That makes all the difference. 

Lilia was actually easier than Rook’s but also fairly difficult. I had written the middle of Lilia’s piece while stumped on Rook’s actually. Lilia’s was probably easier because I love the idea of immortals and mortals.

I don’t really like the idea of mortals becoming immortals. Like, yes, it’s certainly sweet and spending eternity with a one true love is definitely the best possible ending but... I think there’s so much weight in an immortal choosing to love a mortal while knowing that they will ultimately lose them.

The biggest theme for Lilia is definitely time.

Thinking about it now... There’s been a lot of things in real life that’s just... Made me think about how we have less time than we actually think we have. And I think I ended up channeling that through Lilia... Though I feel like it is ultimately things Lilia would think about though. 

The most important imagery would probably be the stars.

I honestly wanted to avoid it because I used celestial imagery for both Kalim and Malleus but the words just flowed out in a way that I felt that I couldn’t replace. So I went with it. 

Lilia is no stranger to loneliness. One of the reasons he feels less alone is because he has family now and he doesn’t want to rob you of that. Family is so important to him because they are people who are meant to be with you--they are people who will make you less lonely--or so thats how I think? he thinks. 

My favourite lines from his story: “He would relish in the way—You made the world pause. You made a moment extend into an eternity. You made an immortal crave just a little more time.”

I’m so immensely proud of this one? I don’t really have much else to say. There’s something so raw about it that I love. Also the part where it continues on to say that  “Because there is never enough time.”

Me realizing my extra notes is just half me simping over these characters, half sharing headcanons, have actually giving good advice? perspective?, half song lyrics, half character study/analysis?

“lucky ending” is about change. Whether we want them to happen or not it’s... the human condition to change. For better or worse, we change--day by day. I think we all operate under a small panic about how everyday things are changing...

But “lucky ending” is also about the things that don’t change. Won’t change. Will never change. The things worth holding onto, the thing worth fighting for... or so I’d like to think.

[my-writings-and-musings]

I saw a post you made from a little while ago about a group of young liaisons and was wondering if you could do that same prompt with fort max and megs? (If it’s not too much a bother)

Big bots with little human friends is... yes. That's far from a bother, dear anon, it's a privilege. I've completed Megatron alongside Cyclonus here, but I'll give some extra love to this big guy! For those who haven't read them or would like to reread, there's also a post for Rodimus, Rung and Drift plus the original with Tailgate, Ratchet, Minimus, Swerve, and Whirl!

Fortress Maximus

·Ever the expert of security and order, but not very knowledgeable on humans, he does a fair amount of research when the liaison initiative is announced. Earth proves a planet as diverse as it is complex, but what stands out is how small the dominant species is. It worries him to a considerable degree. Forget security threats; how are they going to handle the possibility that one of them could be stepped on?! It's a conundrum he still hasn't solved by the time the group is coming on board for the first time. At least accustomed to handling crisis, he's one of the crewmembers that greets the young liaisons when they arrive, but upon seeing them he's absolutely floored. They aren't just small; they're tiny to an impossible degree. Even the tallest one is smaller than the research could have ever conveyed. Of course he puts on a polite smile and welcomes them all, but deep down he's panicking over the mandatory safety measures they'll be needing, so much so he doesn't even notice how the humans fawn over his immense size.

·After burying himself in his work, it's only when he decides to summon the liaisons to his office that he meets them again, this time intending to lay out some rules and to check in with them so far. Unfortunately his train of thought more or less dissapears when he lifts them all onto his desk and is confronted with their tiny stature up close. It's then that he realizes they are not only small, but agonizingly adorable. Unable to recall the well thought out plans he had to discuss with them, he ends up answering their many questions instead, most of which are centered on his incredible size and strength. Their wide eyed fascination cements his dedication to protecting them with every ounce of power he has. It's with some embarrassment he has to admit to himself that their cuteness is overwhelming, to the point each and every one of them has him wrapped around their finger from day one.

·Though his commitment to keeping them safe continues, he can't help but look for reasons to meet up with them, and at times he has to simply make things up. Making things easier on him, the entire group quickly grows very fond of him. It's soon apparent he's their favorite bot on the ship. Having them around makes him happy in ways he's quite unaccustomed to, as if their innocence rubs off on him. Such feelings are only intensified by how they insist on hanging out with him by, more or less, relaxing on the broad expanse of his shoulders. It's the easiest way to chat while ensuring no one gets squished.

·After struggling with his trauma for so long, he feels a kind of peace he hadn't known he was missing out on. Therapy sessions become easier and more productive, and those around him can't help but notice the change in his mood. Some are just baffled to see him brimming with positive energy while a group of young humans sit across his shoulders like tiny birds, while most are happy to see him turning around, especially with how he's suffered in the past. It's impossible to deny he's uplifting the entire ship. Admittedly he went through a brief frenzy upon finding out the humans he had befriended were, technically, still protoforms and thus had developing to do. Thankfully though, that was resolved with assurances they would be fine with proper guidance.

·It had been with said knowledge that he'd set about trying to teach the liaisons everything he considered useful. While his experience is somewhat... grim, he has learned a great deal through his life as a soldier. They take to the idea of learning how to fight incredibly well, to the point the challenges of having such tiny students are almost nonexistent to him, meaning he doesn't even notice how difficult it is to guide their tiny hands into proper positions on their practice weapons. Using his stories as inspiration, albeit with many details watered down for their sakes, he mostly enjoys the idea of helping them learn to defend themselves. He doesn't want them to know the full extent of his past, but he does firmly believe he's come to terms with most of it. Their acceptance certainly makes that easier.

·Everything seems to fall apart when an incident far more recent is brought up by an unthinking crew member; his breakdown and attempt to reroute the ship by taking hostages. The liaisons are all shocked to hear their large but lovable mentor could do such a thing, let alone that it happened such a short time ago. Max can only see disgust in their innocent expressions of curiosity as they gently ask if it's true. Paranoia long banished from his head sinks in deep, and with the softest of confirmations he has to leave before he breaks under the trauma he'd thought defeated. He realizes in a flash that he'd adored how these little ones gave him a fresh start, and now that his scars have been revealed he can't ever have that again. It's all he can do to seel himself away as the emotions overwhelm him.

·Bearing no ill will for their beloved mentor and friend, the liaisons first seek out answers for context they're obviously missing. Other bots are able to put the pieces together, and they're both surprised and horrified to hear Max endured unfathomable torture before having his episode, as the happy mech they know has never shown any signs of such pain. Regardless, they know he's suffering now, and they want to help him. Though he lets them into his room, it doesn't take much observation for them to see he can barely face them, and the group grows emotional as they let him know they've heard what he went through.

·Before he can say a word he's surrounded by tiny hugs, with each human expressing the deepest sympathy for all he's endured and the greatest administration for their beloved mentor. His protective instincts kick in and he scoops them all up for the closest thing to a hug he can give them. Feeling the extent of their adoration makes it apparent he's far too beloved for his past to change their perception of him, and the entire group takes some time to bask in a much needed moment of healing. He resumes teaching them and they continue to flock around the massive mech, perching where they can as he carries them and marvels over what incredible beings they're becoming before his very optics. For the first time in his life, he's able to be something other than a soldier, and the weight of his past is far lighter with so many tiny hands to help him carry it.

[pathofcomet]

and it’s just around the corner

fandom: stardew valley 

pairing: sebastian/player (female)

summary:  She’s a fool – she tries to tell herself. There’s nothing she can offer Sebastian that would make him stay in this village he so obviously loathes. She’s just dumb enough to have fallen for the man she cannot even bring herself to ask to love her back.

rating: explicit // word count: 25k // AO3

She cannot remember the farm per say, just the proof that she’s been there once: a dusty, yellowed photo of herself, smiling in a pink sundress under the shade of a gigantic oak, 4 years old and beaming. She can vaguely bring back the savour of cranberry jam on her tongue, the authentic, slightly sour taste that only meant home-made. She thinks they had a gray cat, and she can feel the smell of gasoline in her nose, from the long car ride there as a child. That’s all she remembers about her grandparents’ old farm; and anything of that lifestyle is completely lost upon her, or her memories of her grandpa. They haven’t been crazily close either: she was busy pursuing her education too far away to allow proper visits, and the phone signal failed the old man too much to allow even constant communication. When he died, they buried him in the city, next to his wife, and everything about the way he lived his life became hazy and forgotten in the lives of the living.

Which is probably why it is so hard to comprehend what she’s reading now, in her cubicle at work, defeated under her 16th time this month of overwork. Her grandpa was known for being eccentric, which is why she expected to see a card with hey, we all die in the end! or something written on it, and not the dreams of her childhood offered on a plate to her. She stares at the paper, reads and rereads it for 7 times before she’s convinced it’s actually real.

She’s touched at the care in his words, at the oozing affection on that piece of paper. It’s something that she didn’t know she was missing until now. A care sent across generations, to reach her – and when she feels like she needs it most. She doesn’t know if she should scream or cry or laugh.

She looks around: there are only a couple of other workers left in the office at the moment, in the late hours of the night. There’s delivery food all across the others’ empty desks, and a few of the girls switched their shoes, from heels to sneakers. And yet, as she stops, the clanking on the keyboard never ends around her, and the neon light remain buzzing above her, the static noise of her real life nightmare. The sigh coming from a co-worker several seats away is deafening in her ears. As she’s writing her resignation letter, for her boss to find on his desk at the first hour in the morning, she can’t help but notice how her vision shakes, how she can’t quite straighten her back under the pain of hours and hours of being hunched at a desk.

It’s not even the irony of it all, dying in a storm of unfair overworking while those above her wallow in money, that upsets her more. But rather, the way in which she cannot have any satisfaction out of it anymore. As a graduate, she thought she’d find happiness in a corporate job that pays well, but now the comfort of money means nothing when she doesn’t have the time to even spend it, and she can’t even recall what her hobbies are, let alone when’s the last time she did anything else but work, do house chores and sleep.

She cannot recall the last time she met up with some friends, visited new places or ordered online something else but a new pair of heels or a new shirt for work. Gods, now that she hit the brake on her wreck of a life, she can’t stop noticing how pathetic she’s been.

Her hands tremble as she signs the paper, as she tosses her meagre office belongings into her bag, as she pushes the elevator button. She’s already overthinking the decision, but it’s already made and she can only worry about what’s to be done next now. She’s 100% sure she’s not made for this, she has zero knowledge of how to take care of a farm and she still screams when she sees a spider in her apartment. But she’s tired, there’s a tiredness that never seems to let loose, and no matter how much she sleeps on Sundays, she wakes up feeling like she has her hands and feet tied. Even if to only rest for a while, and the whole ordeal would still have been worth it.

Sleep doesn’t come easily to her that night. She reads the letter over and over again, she measures the weight of the keys in her palms, she tries to put puzzle pieces together, from old photos she brings up from hidden boxes. Nothing tells her she made the right decision, though in her old photos, everyone looks so happy while on the farm. Maybe she didn’t even truly get to the end of her patience, just a bad day, maybe she still could have taken it for a while. After all, it’s not like she had that bad of a life. But then, it’s not like it was that good either. And once she started thinking of it, the idea of change became hauntingly tempting. The potential in this new place is infinite, and so, so terrifying.

But a change nonetheless.

She spends the next couple of weeks in a frenzy: selling most of her belongings, keeping only the strictly necessary. She keeps the pictures, of course. A few books, only those that she read during university and she felt like they changed her life, though she hasn’t revisited those stories since. Maybe she’ll finally have the time to, now. She sells or donates all her office clothes, expensive shirts and bags – all gone, because they remind her of some kind of work she never wants to do again in her life.

When she stops to count what’s left, looking at her near-empty apartment, two suitcases and a backpack put aside, she’s overwhelmed at how pointlessly she lived her life up until this point. She has nothing to show for all the efforts she’s made, and she can feel the skin all over her body itch with the realisation, itch for something else to do.

She doesn’t look back, as she’s returning the keys of her rented apartment. She has been paying expensively for the chance to live on her own in the big city, and there’s nothing but bitterness towards that idea anyway. She waits in the bus station with music playing at the highest volume, drowning out an incoming panic attack – as she’s struggling to count up to 10, reassure herself that she’s a grown fucking adult and that she can do something as easy as just moving someplace new.

Still, the scenarios roll in her mind, unperturbed, and she almost throws up thrice before she reaches her destination – and then she almost throws up again, as she’s watching the bus pull away, leaving her alone in the middle of nowhere. The sun is bright, but too bright and her clothes are sticking to her skin, even if it’s barely early spring, and the air is fresh. A fairy-tale start to her new adventure, and yet she feels like crying right then and there, a fain headache booming at her temples from all the anxiety she had to push away.

She’s already exhausted and it’s barely noon. She starts pulling at her suitcases, though the road makes it a tricky and tiring job. Then, just as she’s ready to take her first break, a hand grabs the handle, and she stares up in the face of a kindly looking old man.

Mayor Lewis; she still remembers the face, as he is the kind of person who probably always looked the same. They’ve last seen each other at her grandfather’s funeral, so there’s a bit of awkwardness hanging between the two of them, as she’s allowing him to help her with her luggage.

A redheaded woman is waiting for them in her truck, a bit of a distance away, and she helps them with her stuff. It’s easy to make conversation when friendly people are pushing it forward, and they seem way too enthusiastic about her presence. They don’t even comment about her sneakers, totally unfit for most of the roads in the town, or her outfit, that would rip or get dirty the second she’d encounter a field.

She already has a room prepared at Lewis’ place, there’s no way her old house can offer her proper living conditions just yet. That’s not a jab directed at her, rather at the passing of time and the overgrown state of her courtyard. But there’s nothing mean behind their comments, and they’re even offering all the help they can.

She’s trying to come up with a list of things that she might need, but Robin is already writing one of her own.

“She’s our architect,” Lewis whispers, winking at her in secrecy.

It’s weird and scary and she doesn’t know how to feel about it. Back in the city, she could have crumbled on the sidewalk and nobody would have cared. Here, it seems everyone jumps at the chance to do just that, help and care, and she’s terrified out of her skin. Her thanks are muffled by the weird knot in her throat. When balancing things out in her head, there’s nothing she can give them in equal measures.

The key in her hand feels foreign, but yet it’s that thing that grounds her to the moment, doesn’t let her slip away in that part of her brain that makes her forget things even happened. The house is, of course, a disaster, though someone had the good thinking of covering the furniture. The place is small, and it needs a good dusting, maybe even a new coat of paint. Robin, by her side, is still doing her job.

“Is there anything you want in particular?”

“No, not really. I don’t think so?”

She’s lost and overwhelmed. She’d like to just sit somewhere and start unpacking, maybe go and switch all of her things again actually, because there’s no way she can fit in with these people. But Lewis’ arm is around her shoulder, urging her back the way they came, promising her his special vegetable mix and green tea.

Once finally out of his sight, and comfortably settled in his extra bedroom, she squeezes a pillow close to her chest, hiding her face in it, and starts crying. She sobs – for the grandparents she didn’t properly appreciate while alive, that still left her with so much. For the chance that not many have to switch things around. For the state in which the farm is, and the immense effort she’ll have to put in building it back together. For the pain in her arms, the burn so unfamiliar that it must be only the sign of something new. She’s overwhelmed and scared, and hours pass before she finally falls asleep,

The next morning, she refuses even the breakfast, and immediately heads towards her place, luggage in tow. Mayor Lewis promised he’ll solve the problem of electricity and water running back to the place, so at least she can forget the administrative part.

She greets everyone she passes by, because otherwise the staring just gets too unbearable, and though they’re curious, they also remain polite too. But her courtyard and house are truly disastrous. She’s glad it’s still so early in the year, so the weeds didn’t grow yet on the path towards her door, so at least she can focus on dusting off the room, polishing the floor. She unpacks with nostalgic music blasting from her phone: plates in one drawer, her clothes in the other two. She builds herself a nightstand out of all the books she brought with her, and she washes the curtains by hand, letting them dry out in the sun.

She goes to the town for bedsheets and even more cleaning products, buys a basil plant for the windowsill. The place is small, smaller even than her city apartment, and she has nothing of her own to properly decorate it with, give it a specific charm, so she allows herself to get lost between the small isles of the store, and pick whatever piques her fancy. But this is fine, she thinks. This is, after all, the true definition of a new start.

She watches the sun set from her porch – she thinks she’d like an armchair for the place, it’d make a lovely reading pace if it’s not rainy, and there’s a soft lull from the TV inside, where the weather prognosis for the next day rattles on.

She finds grandpa’s old gardening books, and she starts reading them. She cleans up a small portion of the land, plants some seeds she picked based on Pierre’s recommendations. Gathers wood from the end of the forest that runs almost up to her house, practices splitting it in smaller branches, that she can carry and gather in the small tool shed, for the winter.

During the first night that it rains, she opens her door to a stray, lost dog. She hugs him close to her all through the night, as he whimpers and warms up – and in the morning she names him Max, and buys him dog food and a colourful bowl. She stops feeling so alone, so lost, a purpose forming, even though she can’t quite name it.

When too many days pass with her cooped only at her place, letters and requests for visits start pouring in her mailbox. Sometimes mayor Lewis comes pick her himself, walking around the town with her, stopping to present her to any villager they encounter. She feels like a circus freak being paraded around like this, but she smiles, wonders if Max is getting bored at home or if she could walk through the forest in search of some fruits.

 ***

Then, when the weather prognosis tells of many sunny days in a row, Robin shows up at her doorsteps, can of paint in one hand, brushes in the other – and her son behind her, to help her out.

She watches him, fiddling on the spot, looking like he certainly doesn’t want to be here and she smiles. Well, that’s at least a feeling that she can relate to, even when in her bed after a tiring day, she still sometimes yearns for everything that this place is not. Max helps. In this case as well, as he runs to the door and immediately jumps on him.

“Max, no!” she chides, though he settles calmly on panting up at the man for pats. Luckily, he hasn’t slammed him to the ground, as he tends to do with her, but that’s still no proper way of greeting strangers. “I’m so sorry…”

“Sebastian,” he says. “There’s no problem, really.” He’s scratching the dog between his ears, absentmindedly looking in through the door, at the small place she now calls home. There’s nothing much in there, but she finds herself growing protective over it anyway, at his gaze.

Max, the traitor, is now cuddled down at his feet. From the side, Robin laughs.

Her and Sebastian move the furniture, as Robin tapes newspaper on the wooden floor. She prepares fresh lemonade for her visitors and helpers before they start painting, and she takes a short break just to water her crops. They do the work in silence, mostly, just her phone turned on to fill up the space – and without mayor Lewis’ fast mouth, she isn’t certain what she could possibly talk about. From time to time, Robin asks Sebastian something – regarding his sister, or some things she asked him about before, which sounds a lot like nagging so she prefers to stay out of it.

She thanks them many, many times before they leave for the day. Especially since it was the weekend, and she’s sure they just threw away a perfectly free day on helping her put together her house. She just feels more and more indebted towards all these people. Even if Sebastian didn’t look her way even once.

 ***

She starts going to the local library, borrowing books and learning more and more things about the farm. She accepts the quests from the bulletin board, and in exchange she asks for fishing tips or some town history. She starts taking evening walks, with Max, picking up acorns. She gets stronger and better at all the farm work. She places various orders, starting to gather syrup from the trees near her house – and one lazy day, she makes jam, that she then sells.

She starts counting the money, making plans for the farm. She buys two chickens, and the one day when no one in the town sees her, it is because she struggled all the time to build a fence so that they won’t step all over crops and no fox would reach them during the night.

 ***

Everyone is friendly, showing up at her door with gifts for her new move: a handmade mug from Leah, a beautiful seashell from Elliot, an actual functional first aid kit from Harvey. She suspects the mayor’s doing behind all these kindness acts, and yet it’s with a reverent kind of gestures that she finds a place for all of them in her small house. She starts adding some kind of adjectives to this cast of characters that enter her life.

But with Sebastian, something’s different. She doesn’t know what makes her notice him again; that something that made him stand out from the mass of people she met in the past few weeks. Maybe it’s not even just one single thing, but a mix: like how he is the son of the kindest lady, paler than the farmers or football players, how he doesn’t want to stand out at all, how she has to go out of her way to find him, instead of the other way around.

Most of all, it’s the desperation she can feel off of him. There’s a force in him that cannot make peace with how things are for him at the moment – and it’s the familiarity of it that pulls her in, lets her gaze linger on him for a bit longer, makes her ask about him while smiling in the most innocent way, sipping tea in Robin’s office.

***

They’re not that different; she’s easy to fit in the village life, mostly because she’s so pliable for others, knowing the memory of her grandpa is attached to her as well. She sometimes feels like the older residents of the town look through her, instead of directly at her, and see the ghost of someone else they used to know. And the days pass, things fall together, and yet in her chest, there’s a clock ticking away, counting down the time spent here, because if she was looking for something like belonging, it seems this town buried it away with her grandpa, and things don’t seem that different from how they used to be. She just has dirtier nails now, and some decaying make-up skills.

So she never visits without a purpose, doesn’t get too friendly with most of them. She spends days in a row on her farm, ploughing the land, watering the plants, feeding the animals. Task upon task, she goes through all of them, grateful for how it’s silencing her mind, giving her the time and space to breathe. If she finishes early, she likes to go fishing, the breeze nice against her sun-warmed face, especially as the dusk approaches.

It’s the simplicity of life that lulls her into wanting something more, eventually, tentatively. She visits Robin, as she’s closing the store, so they can share some fresh-picked fruits while watching the sun set. She meets up with the mayor for chess during Sundays, stories of two best friends half a century ago embedded in every sigh, and she wins every time and that’s how she knows he just lets her. When she passes by to drop something for the museum, she spends the remaining afternoon in the library, browsing the collection, reading for the children fresh out of classes that ask her to do so.

But if anyone in Pelican Town would be asked, they wouldn’t be able to tell people that much about their newest villager. In truth, even for those closest to her, there’s an aura of mystery: whatever her life was before, she doesn’t go into details. Whatever and for however long she might remain in their lives, she doesn’t say.

To Sebastian, that’s what makes it easy. He doesn’t expect her to tell him anything, since she’s not pressing her curiosities either. Probably why she opens so willingly, why she creates a routine around his. She always stops at the edge of the river, where she knows she’ll find him in the evenings. They never talk for long, or of important things – but she thinks, the magic is in staring together at the same scenery, feeling much of the same things. After the third time, she asks for a cigarette from him, and she winks at him when he looks just a tiny bit surprised.

This is how it begins. The rest she almost doesn’t even notice.

 ***

She remembers the Egg festival; she’s sure she took part in one of the hunts back when she was little, though the details are foggy in her mind. She doesn’t remember any of the villagers, but she’s been a very shy child, and not even the promise of bunny chocolates was enough to persuade her back then.

Still, she worked for so long in a corporation, at this point the spirit of competition is embedded into her. She wakes up early, and she wears one of her dresses from before, even if she has to match it with grandpa’s old jeans jacket. She even puts on make-up, manages to water her plants as well before she’s walking towards the town.

She officially meets Maru and Demetrius, as they’ve been so busy during her past visits. Marnie clasps her in-between her arms, exclaims how pretty she is when not trying to imitate her house’s looks, and loudly kisses both her cheeks. Gus waves at her, and keeps presenting various plates to her, and by the time she can excuse herself, she’s glad she hasn’t eaten any breakfast. Jas and Vincent come at her yelling tag! and she spends the next half an hour running around, followed by the sometimes annoyed, sometimes happy smiles of the other villagers.

She buys strawberry seeds, more on a whim, because she was craving for some, and gets herself a cute bunny plush, since she’d had trouble sleeping, and she’s sure Max would appreciate her hugging a non-living thing more. She feels like she fits more, now, that she’s surrounded by everyone else, and she realizes that she knows them all, that they know her back – and there’s no outright hostility.

She greets Sebastian, and meets his friends. She compliments Abigail’s hair, Sam compliments her instead. He’s friendly and outgoing, compared to the other two in his group, but she notices Sebastian’s fleeting smile at the toy in her arms, so she straightens her back even more.

As soon as mayor Lewis starts his announcement, Abigail immediately seems more excited, especially since she is presented as the winner for the past decade. However, by the time the day ends, Pelican Town has a new Egg Hunt winner.

The straw hat doesn’t fit her outfit, and it’s not quite yet a necessary accessory, but she’s beaming at every villager that comes to congratulate her, even if she’s already so old and she shouldn’t be so happy about beating a few 10 year olds. Even Abigail is a good sports and promises she will beat her next year.

Next year – she wonders if she’ll even be around for that long. Her saved-up money is slowly trickling down, as she keeps buying things that she needs, and she has no idea yet how much profit she’ll be able to make at harvest time. She feels better knowing her doubts don’t show to others.

She walks part of her way home with Robin and her family. Maru is happily telling her something about her research, though it goes over her head and she doesn’t understand much of what’s going on. Demetrius and Robin walk several steps ahead, arms linked, and it’s a sweet sight to see, that they can be so close even after so many years.

Then, before she takes her turn to her farm, after everyone else said their goodbyes, Sebastian looks up at her.

“It suits you,” he says, so low she almost misses it, nodding his head at her hat. She blushes under the street lamp, but he’s already turned his back on her and he can’t see, so she can go on her own way and pretend it never happened.

 ***

She starts going to the mines, even if everyone tells her she better not. But she needs better tools, more resources and something to do on rainy days, so she goes anyway. She comes out late into the night, dirtier than she’s ever been, spider cobwebs stuck in her hair, but her backpack heavy.

The next morning, she struggles packing some presents for Robin and Lewis, for all the help they’ve showered her in ever since she moved. She doesn’t have much to offer, some syrup and a jar of jam, a few eggs. But as she’s going into town, there are three presents that she’s carefully carrying around in her bag.

She stops by Lewis first, sits on his stairs with a steaming mug of coffee between her hands, as he waters his small garden – and they chat about the weather, the fishing days that Lewis has programmed, their favourite Stardrop meal. The days get warmer and warmer, as they’re slowly rolling towards summer, and she’s feeling peaceful, listening to the mayor’s chatter, his grunts as he digs around, his yelling when she offers to help him around.

She drops by Clint to let him examine some of the stuff she found underground, and by the time she reaches Robin’s place, the older woman is taking her lunch break. She’s exclaiming happily at the gift, and invites her to stay for lunch. She helps her with the plates, and while Robin goes to gather the rest of her family, she sends her to get Sebastian.

She has to breathe deep, count to 10, before she has the courage to knock at his door. There’s the sound of something tumbling to the floor, and she winces; more shuffling, and the door finally opens to reveal a somewhat sleepy looking Sebastian. It looks like he hasn’t brushed his hair yet, as it sticks out in odd directions, and in his own space, he’s wearing some old, washed-out t-shirt that is several sizes too large, and sweats. She stares at him, entirely endeared, but also deeply aware that there’s a line she has just crossed by seeing him like this – and she’s not sure she was allowed to.

“Hi,” she says, at the same time he says “Shit”, closing the door on her. She opens and closes her mouth several times, trying to come up with a proper way to reach to this, but her mind coming up blank.

Eventually, she lamely says “Robin said lunch’s ready,” before she leaves for the kitchen again. Demetrius is already seated at the table, looking up at his wife like she hung up the sun on the sky. Maru refuses to show up, as she’s too invested in her research, but there’s the slam of a door from downstairs, and Sebastian eventually shows up, just as his step-father takes his first bite from his plate of spaghetti. Their guest has not yet picked up her fork.

Sebastian is now wearing actual jeans, and his hair looks a bit more tamed. He sits next to her, and the four of them eat in relative silence, though she’s obsessively thinking of her knee, against Sebastian’s, under the table and she wants to fucking swear at herself, for acting like a fucking cowardly high-schooler.

“So, why did you move to Pelican Town?” Demetrius asks her, in the end. She notices him wincing immediately after the dull thud from under the table, and she imagines that was Robin kicking him from asking a question that no one had dared poise to her until now.

She finishes chewing the food in her mouth, swallowing a bit more painful.

“I needed a change,” she says eventually, entirely too vague.

“From? You should tell Sebastian about your city experience, because he’s obsessed with leaving the town.”

There’s a disapproving tone in his voice that makes her wince, but her head snaps up at Sebastian, who looks both entirely annoyed and disappointed. She’d like to press her finger to the frown now so obvious on his forehead.

“Really?” she mumbles lamely instead. Sebastian’s now looking at her, and although across the table his parents are bickering with each other in low whispers, he doesn’t break the eye contact. He just nods at her question, grabs another bite of food – the words won’t make it any better.

She always thought that the people in this town are happy to live here, heck even she’s trying to understand the charm of the place and why her grandpa never left it. She always thought that if there is someone to leave it, that’d be her, in an example of another of her life’s failures. But here’s Sebastian, burning with a yearning for a city just as hers to leave it was.

He takes her back home, assuring her that his lunch break is long enough to allow him to do that. They’re walking side by side in companionable silence. Sebastian, unlike his father, doesn’t ask her anything, so when they reach her property, she hands him her last package.

“Can I?” he asks, a hand already tugging at the ribbon, and she smiles at him. Inside, there’s an assortment of minerals: quartz, obsidians. She’s found them during her time in the mines, and the only thing she somewhat remembers from her dialogue with Maru is that her brother loves this stuff.

“What’s this for?” he says, voice a little chocked, laughing at the end, embarrassed and overwhelmed.

“Thanks for that day,” she says. Then, more unsure… “And good luck for the future?”

“Yeah. Thanks.”

She’s already turned around on her feet, a hand up in the air in goodbye.

The next morning, even if Sebastian never eats breakfast, he makes toast and eats it with strawberry jam, from a jar cutely decorated in stickers, where in cursive, their newest villager wrote for Robin and family <3.

 ***

She goes to JojaMart to buy an electric kettle; she can’t quite yet afford to get her kitchen built in, so she’s been eating at the Stardrop Saloon or lived on oatmeal and salads. But the mornings are dreadful with instant coffee and cold tap water, so she’s finally investing in something to make her life a bit better. This lifestyle reminds her of being a student in the dorms, and it’s not something she thought she’ll ever return to.

Sam looks around for his managers, and when there’s none around, he stops next to her and they chat by the vegetable stall. She’s frowning at the price, way higher than what they can find in the town and what she sells her own products for.

“Capitalism,” Sam says brightly, tugging at his employee lanyard, and she laughs at him.

“Oh, trust me, I know all about that.”

He wiggles his eyebrows at her, which makes her snort. Shane, his co-worker, turns to stare at them, but he’s not telling them on, so she moves one step closer to him.

“I’ve worked in customer care for Joja Corporation.”

Sam mimics throwing up, turning serious again only when she’s elbowing his side. She’s painfully aware of all the cameras in the store, after all this time away from anything of the sorts.

“But for real, you’re way better in Pelican Town,” he says, even if she’s not yet quite convinced.

But he doesn’t continue pressing the matter. Instead, Sam invites her the next Friday for an evening at the Saloon, where him, Sebastian and Abigail are supposed to play live a few of their songs. She clasps her hands together, and agrees immediately. She used to love this kind of thing: but it’s been so long since she allowed herself to take an evening off, both in her life back in the city, and the life here.

 ***

She’s already a regular, so Emily nowadays greets her with a hug. Though this time she whistles suggestively at her outfit. Since it’s supposed to be a more special night, she chose a low cut blouse to go with skinny jeans, and she’s no more a formless body buried under work clothes. The only make-up is a very dark lipstick. Her… friends, she supposes, are already on the side, tuning their instruments. Sam grins at her, waving her at the table Gus saved up for them, where he ordered pizza for everyone.

They’re not playing for a long time, maybe half an hour, but by the end, everyone is loudly clapping at their performance. She’s the only one whooping, and Sam is loudly laughing at her embarrassed grin afterwards, runs to fall into her waiting arms and twirls her around in the air, feet not touching the floor.

“Who knew our biggest fan would be you?” he says, helping her pat her hair pack into place.

“I did. I mean, your band has Abigail.”

The girl in questions frowns a bit at her, suspicious that it’s less of a compliment than she tried to make it, turns on her feet as she moves to the music box, tosses a coin in and picks a song. It takes a few seconds for her choice to start loudly booming in the saloon, but as soon as she does, she moves to grab at Sebastian’s arm, dragging him to the dancefloor, though he looks like he’s a lamb taken to sacrifice.

Sam laughs at the two of them, then turns back to his new friend.

“Do you think these two will ever hook up?”

She chokes on the slice of pizza that she’s eating, punching at her chest so she can breathe again. Someone slides in the chair next to her to the table, a hand slapping her hard on the back until she can breathe properly again. Then, frowning, she turns towards the newcomer, because she can’t bear looking at Sebastian and Abigail, together, dancing. She doesn’t think she can look at them without imagining them doing exactly what Sam asked her about, and it’s a shaming thought that she burns down. Shane, the one sitting next to her now, has already picked a slice of his own from their order, and nodded in greetings at Sam.

Sam leaves to talk with Penny, spending enough time as it is in Shane’s company, so Shane moves even closer to her, so he can be heard over the loud music. He’s a bit of an asshole, as he’s looking nowhere else but at her cleavage and the skin she’s showing with her choice of clothes. He’s not even trying to hide it, licking his lips, speaking without even trying to lift his eyes.

“Didn’t know the sunshine and the emo buy are hiding such a beauty between themselves,” he says, snaking an arm around her waist, shoving the second pint of beer he arrived with in her direction. He already smells like the stuff though, which means he’s at least tipsy, if not outright drunk yet. There’s offense in the way he said those nicknames, horrible on their own as well, but she’s sitting between the wall and his body and he’s a man showing interest in her, clearly going out of his way to make it obvious.

She takes several big gulps from her beer, and then turns towards him, smiling. He can’t tell it is strained.

“Well, I’m here now,” she says, and the hand around her squeezes in response. She lets him talk, mostly shit about the town, then shit about himself, and she keeps drinking and drinking, glass after glass of alcohol, because then at least she doesn’t have to reply. In the dark, they must look pretty cosy to the others, because no one else returns to the table – and by the time she remembers she is supposed to have friends around, and looks around for them, her vision is unfocused and she can’t make out the shapes and figures all around.

But she can notice the slightly grown stubble on Shane, how he’s now so, so close to her, his lips brushing against her ear each time he tells her something. She feels like she’s about to suffocate. But he tells her about how beautiful she is, how hard he makes her – and he guides her hand to his pants, where she indeed can feel her effect, and it’s a surge of pleasure and power. She squeezes him through his pants, and he groans in her ear. Her nipples perk up. And then his lips move closer, to her neck, where his tongue is lapping at her skin, sucking against the space. She feels hot all over, in a way that she doesn’t know if she likes or not. His other hand is now fondling with her breasts through her blouse, and she gasps – which only makes him to go at it harder. His mouth finds her, his tongue moving against hers immediately. She’s lost in time, doesn’t know for how long he does it – her body becoming lighter and lighter with each swipe of his saliva against her lips.

Then, a cough from behind Shane. She snaps out of her daze, looks up. Makes eye contact with Sebastian, which feels as effective as a cold shower to her fogged mind. She yanks Shane’s hands off her, but he’s unbothered, turns to look at Sebastian with something like disgust and boredom.

“Can we help you?” Shane says. She hates how the word we sounds from his mouth.

Sebastian doesn’t bother to even look at the drunk guy, instead addressing her only.

“Do you want to go home? The others left already, but it’s getting pretty late…” He stops to stare at Shane, and she wordlessly nods at him. He starts moving instantly, shoving Shane away so he can grab her wrist and help her out of her chair. She needs a few seconds to stabilize herself on her feet, stop the dizzying headache that hit her at the sudden movement.

“Come on, man, what do you think you’re doing?” Shane asks, though he also has troubles standing on his own feet. He makes do with leaning against the table, doing his best to look as menacing as possible.

In his arms, she shudders at the sound of his voice, clutches her fingers around Sebastian’s leather jacket. He doesn’t move away, but he doesn’t want to touch her either, so he just stands still.

“She’s coming with me,” is all he says, and when he starts towards the door, she follows silently. He offers her jacket, which he picked up earlier, before checking on her, and she hangs her head even lower in shame. The cold, outside air is quickly sobering her up, and she really can’t believe she lost herself, just as if she were a college freshman. She burns with embarrassment.

Once out, Sebastian moves a bit away from her, offering her space, though he always extends an arm in her direction when she stumbles on both existent and imaginary obstacles. The silence now is excruciating.

“Say something,” she croaks, her throat hurting from all the alcohol.

“Are you okay?”

His voice is soft, and he stops, looks at her for the first time since the start of all this situation. She knows she probably looks like a mess, lipstick smeared all around her mouth, clothes hanging awkwardly, but his eyes just search hers. She suddenly feels like crying. He must see it too, because he’s moving closer to her.

“Can I-” he tries, sighs, moves a hand through his hair in frustration. “Can I touch you?”

She nods, but he doesn’t move.

“I’ll need verbal confirmation.”

“Yes.”

She’s outright staring at him now, as he makes his way to her, cups her face in between his hands. His fingers are cold against her flushed skin, but it grounds her to the moment. Sebastian’s eyes are moving now, across her face: stop at her jaw, her neck, where Shane sucked painful love bites against her skin, visible even only in the light coming from the street lamps. He hesitates before moving his gaze downwards, where similar marks were left by his fingers against her tits. She feels like used goods, even if there is no judgement from Sebastian.

“Did you want that?” he asks again, sounding deadly serious, so she’s trying to think equally as seriously about his question. It’s hard, her thoughts all jumbled up, a soft kind of edge to everything going on in her head.

“I don’t know,” she answers finally, her head pressing more firmly against his palm. Sebastian’s thumbs are now moving softly against her jaw, and she wants to purr, just like a cat, maybe hang on to him for more of his warmth.

“God,” he says, and it sounds like a swearword. He unglues himself from her, extends an arm that she gracefully takes as they continue on the road to her house. He doesn’t say anything more until they arrive on her porch, though he looks like he’s thinking very hard. She’d like to press her finger to the frown on his forehead.

Max is happily snoring on the warm ground, and she lets go of Sebastian to run the short distance to her dog. She goes on her knees, grabs Max’s head in her hands and coos at him like she would to a baby, talks lovesick nonsense to the dog, pats him all over.

Her voice sounds fucking cute, Sebastian thinks, but instead he fishes something from the pockets of his jacket, bends down so he can press it in her palms. She immediately turns to look at him, eyes big and questioning.

“Take those in the morning, okay? You’ll need them,” is all he says, raising a hand and waving it in a goodbye.

 ***

Sebastian is right. She wakes two hours later, empties all the contents of her stomach, tears burning at her eyes, and when she wakes again, she thanks all the gods that outside it is raining, because she only gets up to get a glass of water and swallow the pills. Her head is killing her, and her heart aches in embarrassment at the way she acted. She hangs between screaming out in frustration at her own self and complaining about being hangover the whole day, hating herself so, so very much.

She still shoots Sebastian a text, thanking him for taking care of her, in so many ways, the night before. He leaves her on read.

For the next week, she busies herself with work on the farm. She makes another batch of jam jars, which she sends to Lewis for selling. She plants a new tree sapling, harvests strawberries, even builds an ugly-looking scarecrow out of an old broom. She cuts down wood, saves up stacks of it for when she’ll eventually afford Robin’s services. She goes in the mines, once or twice.

Then one of Lewis’ invitations is waiting in her mailbox, for another festival. Spring is coming to an end, already a sweeter, warmer breeze in the air, so the whole town is to celebrate the exact thing.

 ***

But Pelican Town is a small place, and so it never forgets gossip too easily. On that evening, enough pairs of eyes saw her fumbling in the dark with Shane, and so enough pairs of eyes are now watching her suspiciously as she greets the mayor. She’s wearing some city dress again, though more modest, and ribbons in her hair. She’s forcing herself to smile at everyone she encounters, trying not to seem so affected by the outright cold shoulder.

Sam still greets her, though, grabbing her in his arms.

“Oh, handsome!” she says, and laughs when he’s looking around, to check if anyone else heard her. But he is wearing a suit, his hair is gelled down and he smells like his mother. His eyes are searching hers though, and she thinks Sebastian might have said something to his friend. But thankfully Sam mentions nothing.

She looks behind him, at Sebastian, dressed in a costume as well. Her heart starts beating faster in her chest; his hair is pushed back, and his forehead is now uncovered. He sits relaxed, his hands in his pockets, like he doesn’t really want to be there and she hasn’t seen someone look that heartbreakingly gorgeous.

“You too,” she says. Sebastian raises an eyebrow at her. “Look good, I mean,” she clarifies, and she clears her throat before the awkwardness chokes her.

It’s a big understatement, but it’s the best she can do right now. There’s a small smile that she gets in reply. On the other side of the field, by Robin’s side, Abigail, Penny and Maru look absolutely stunning in their festival dresses, with the flower crowns on top of their heads. They’re laughing at one of Abigail’s stories, and they’re just beautiful and young and entirely enrapturing. She wonders if she didn’t fuck it up so badly earlier, she would have been invited to be one of them.

This time around, there’s not as much mingling with the people as earlier in the season; people are a bit warier, though she supposes she deserves it. She’s busy setting down a mat under a blossoming tree, preparing some kind of picnic and viewing spot at the same time.

“You look beautiful,” she hears from behind her, and she turns around to find Shane. A bit behind him, Marnie is engaged in a conversation with the mayor, and by his side, there’s Jas, who immediately shoves her sandals away so she can step on her mat and sit next to her.

She offers her tea and strawberries, places her own hat on top of the child’s head to protect her from the sun, who squeals in delight that she can show off the winning prize of the egg hunt. Then, she turns back to Shane:

“Is she your daughter?”

“Gods, no. She’s my goddaughter.”

She sighs, relieved a bit. In the morning, Shane looks just scruffy, some kind of sober, but his face is still red and puffy, sign of alcoholism. She knows Jas lives with him and Marnie, and it can’t be a good environment for a child, but she’s heard the rumours that he’s not that much at home anyway. She’s worrying for the young girl, but she also trusts Marnie to handle the subject, not really her place to say anything anyway.

Shane moves closer, his hand grabbing the end of the scarf she’s wearing around her neck, tugging so it comes undone between his fingers. She gasps, palm gluing to the skin there, reaching out for him.

“Give it back,” she all but growls it out, eyes frantically looking around, hoping no one is actually looking their way, since everyone is focused on preparing for the dance.

“I did that, right?” he asks, finally stopping, and she takes back her scarf, hangs her head low, so that her hair can cover her movement, as she ties it back in place.

“Yes, you fucking asshole,” she spits, but doesn’t move away from him.

“I was honest, you know. About you looking beautiful. Then and now too.”

“Thank you,” she says, and stays in place even as Shane gets closer to her. He’s also dressed up, wearing an actual shirt and everything, his jaw freshly shaven. He even looks somewhat attractive, and just like last time, she’s grateful for the attention. Back in Zuzu City, no one bothers with any kind of dating, no one bothers to notice someone else at all – no sweet lies, no prelude, just a dick and a cunt. So this feels new and flattering at the same time.

She sits down on her mat, reluctantly serves Shane too with some of her freshly picked strawberries. Jas moved over to Vincent and Jodi, her hands carefully holding on to the hat that’s still a bit too big for her, so it’s only the two of them in this corner. The music can’t start soon enough, because she can feel stray eyes looking to them.

The dance starts, and she watches, transfixed as the pairs walk towards each other, meeting in the middle in an embrace. Almost immediately the dresses flutter in the air, twirling. There’s an admiring exclamation from somewhere in the crowd, Jas happily clapping along to the rhythm. She looks at Sam, all but drinking up Penny’s laughing face. She looks at Abigail, tightly holding on to Sebastian’s shoulders. She looks at her friends dancing with the girls they have a crush on, and something in her chest rips apart.

“Hey,” Shane says. “Wanna get out of here?”

She nods wordlessly, and he takes her hand. No one looks at them, as they discreetly make their way behind everyone else. Once out the field, Shane breaks into a run through the woods. They stop in a clearing, both breathing hard from their run, and Shane grins at her, before straightening his back, walking purposefully her way and deciding to kiss her. It’s hard and rough, much like he’s been handling her until now too, but she still moans.

His hands are already moving at pulling his belt apart, and he takes her hands and moves them towards his dick.

“Come on, play with it,” he whispers breathlessly, as he’s pulling apart her scarf for a second time today, mouth finding the tender skin, reinforcing the fading marks. She’s feeling needy herself, she’d like him to shove down her panties and eat her out, but she makes do with moving her legs one against the other, seeking some kind of friction, as her hands are moving from his tip towards his balls, slower at the beginning, and faster once he starts grunting in her ear, pumping into her hands.

Then, he grabs at her hair, and she has to bite her tongue to stop from yelping.

“On your knees,” he says, already pushing his weight on her shoulders, and more or less willingly, she gets to the ground. The uneven dirt hurts her skin, and yet she has to ignore it, because Shane is already guiding his dick with his hands towards her lips. She forces herself to open her mouth, hopes he’ll better get down to do the same thing for her.

Her mouth is warm, and she’s fucking good at what she’s doing, sucking hard and taking him all in, like a good bitch, even if tears are forming at the corner of her eyes and her throat is burning. He pulls out, just to slam, hard, back inside her wet, welcoming hole – and in just three shoves, he comes undone, half coming in her mouth, half out just so he can have his fantasy of his cum leaking on her face.

Her dress is stained, and almost all her arousal is out of her. She wipes her mouth with the back of her hand, presses a palm against the painful strain in her jaw. Shane hurries to put his now flailing dick back inside his pants, and he’s not helping her back up.

“Gotta go,” he says, and he’s patting down his pants, where she held onto and left some creasing.

“What?” she asks, suddenly annoyed. “What about me?”

“Solve it yourself, princess.”

He starts walking away. She screams after him.

“Oh, fuck you!”

“My pleasure, next time!” he shouts back, but he doesn’t stop, as he’s making his way back towards the festival.

She shoves the middle finger up in the air, stomping her feet at the same time, shrieking.

“You fucking asshole!”

He chuckles at her tantrum, but he’s spent and satisfied, while she’s there frustrated and fucked over, so he’s not bothering to take her too seriously.

There’s no way she can go back there without everyone else figuring out exactly what she’s been up to. Of course, Shane looks no different than his usual, maybe he’s even surrounded by some post-orgasm glow, but there’s some bleeding from one of her knees, his now dry cum on the front of her dress, and her hair is nothing but a mess. She can’t believe how fucking stupid she can be, and how she fell again in the same old game of “I give you some attention, you give me some sex” that she’s been playing for ages now. It seems like habits don’t change, no matter if she’s in Zuzu City or Pelican Town.

And for what? Just because she felt lonely and jealous, because she felt like no matter how much she’ll try, she’ll never be anything but a passing fancy to these people that know each other inside out?

She makes her way towards her farm stomping her feet, swearing at Shane and mumbling curses all the way. Once back, she draws herself a hot bath and, in the tub, finally somewhere safe, she touches herself, moans out into the air a name she doesn’t dare to even say out loud, and thinks of someone who never even looked at her in any way to indicate she might want her too.

So, she must make do with fucking Shane?

But as she succumbs to her orgasm, moving lower into the water, maybe she can just order a dildo online and leave it at that.

*** 

On the first summer days, she takes up fishing. She buys a bottle of mead, because she’s heard from mayor Lewis that’s the favourite drink of their local fishermen, and she goes down the beach to beg.

She wants to learn fishing, she says. Just a couple of lessons, whenever he can leave his store and he’s willing to – she really just wants some new hobbies. It’s dreadfully awful to have only three functional TV channels, and only a dozens of books. Even Max is just a dog, and there’s a limitation to what he is capable of. Willy is funny and wise in the way only old men who love the sea can be, but he’s patient in his explanations – and sure enough, very soon, she catches her first fish.

She takes a picture of it on her phone, proud of her achievement. She sends it to Sam, to boast a bit and to annoy him, because he’s currently stuck at his part-time job. Then she goes shell hunting, because she’s too giddy to do any actual work. The villagers recently rebuilt the small bridge on the beach, and it’s lovely to get to take a walk like this. She wants her house to have the same fresh feeling, so she visits Robin for an upgrade.

And she knows she’s paying for the work, but with Robin, she feels like she’s asking for a favour, so she must give something back. And because she feels guilty, for having thought so angrily and jealously about Sebastian and his life, she wants to say sorry in a way, even if he has no way of knowing why she’s doing it in the first place.

Robin’s outside the house, just having come back from an exercise class at Caroline’s. She greets her visitor just a bit more strained than usual, and well – there’s no doubt that if there’s a gossip mill in the town, that’s probably the weekly gathering of middle-aged wives.

The farmer sighs, agrees to wait in the house while Robin takes a shower, before they can discuss about work.

“Is Sebastian home?” she asks, and the older woman makes a dismissive sign with her hand, which means she can go and check for herself.

The door to his room is slightly open, and he actually asks her to come in when she knocks. She greets him from the doorway, suddenly shy when he speaks, suddenly guilty that she’s interrupting him. She sits down on the couch, starts by watching him work, and then eventually she gets distracted by the posters on his walls, and the huge book collection he is showcasing on his shelves. It’s work that she’s familiar with, the stuff she liked to read before, when she used to have time for her hobbies, about worlds that she could escape to only by reading about them in books, featuring magic and dragons and robots.

He doesn’t seem to mind her looking around, as long as she’s quiet. Then, he eventually finishes, and sighs, stretching out his arms.

“Sorry about that, had to finish what I was working on.”

“Ah,” she nods. “And what is that?”

“I do freelance programming,” he answers. “I just want to save up enough to move from here. You know, if I’d gone to college, I’d probably be making six figures right now… but I just don’t want to be part of that corporate rat race, you know?”

“As a rat,” she says, a smile already on her face, “I totally agree with you.”

He looks at her; this is the first hint he gets – of something more about her. He’s heard from Sam, of course, about her actual job in the city, but it’s different to know it from her, to know he has her trust, to hear the defeat behind her voice, even as she tries to hide it with humour.

Then the moment is broken, the ping from his IM breaking the companionable silence between them. Normally, he’d have to explain to people why he is not in the mood to meet up with others, his introversion something out of a freak show with the villagers, but she just nods at him in understanding.

But the next interruption is almost brutal, Robin returning to pass on Abigail’s message, so filled with dismissal at his work, and indifference at his preferences. The easy air about him, as he was talking about a work he clearly loves and his dreams, is now entirely stifled – and instead he, defeated, just accepts all of this, even if he complains. She’d like to press her finger to the frown on his forehead.

This situation makes her blood boil, though: because she’s been in his exact spot. She’s had people look down at her choices for as long as she’s decided to walk her path, out there in the city – and now that she knows what it’s like not to, she can’t take to be the witness to it happening in front of her. Of course, some people will always have something to say, but it should be different with those considered friends – considered family, no?

From the kitchen upstairs, Robin is calling out her name – now, suddenly, she doesn’t really want to go, especially when she knows her presence is soon to be replaced by someone else’s. So, she acts daringly. She touches his arm, as she raises to go:

“You know, I think you’re doing an amazing job, especially considering your conditions. And trust me, it really is better than being a clog in the corporate system, and your work is important, even if it’s important for you only.”

As soon as she came, she’s gone and he loses his chance of asking for more. She left behind another sloppily packed present on his desk, a piece of quartz inside. He gets up, moves to put it up on his shelves – and shit, he wonders if she noticed the other stuff she’s given him, up there.

 ***

So Robin starts coming around with her carpenter tools, sometimes so early in the morning that she’s welcoming her still in her Disney pyjamas. They drink instant coffee, warm this time – and they discuss recipes that she’d like to try in her new kitchen, or the kind of animals she’ll grow in the barn. She learns that Robin loves goat cheese, and she shares that she absolutely hates peppers. She asks about Sebastian and Maru’s childhoods, she tells of her grandpa’s favourite magic trick.

The sound of Robin’s hammer accompanies her through her motions, as she’s ploughing the land for the summer crops. She didn’t really understand how lonely she has been all these months, just going through what she has to do. It’s nice to have someone to talk to, even if just for a few stolen minutes.

Sebastian drops by during his breaks sometimes, to bring his mother’s lunch, and both women nag at him so much that he ends up eating with them, Max nestled at his feet under the table.

Once, she walks back with him towards the town; she needs to drop by Pierre’s, to order some kitchen utensils – and by Lewis’ house, to leave him a note with info on her next batch of syrup and honey, that she sells for some good prices. He strains himself to walk in a pace that matches hers, even if he just wants to hurry home and take a nap.

She noticed, how tired he looks lately: hair more dishevelled, the slight stubble on his chin, the dark under his eyes. She knows, from Robin, that he spent even more time than usual in his room, refusing to meet even Abigail or Sam. She’d like to press her palm on his forehead, check for any signs of sickness.

“Are you working a lot these days?” she asks, fumbling with the edge of her t-shirt, feeling shy and worried that she might be overstepping.

“Had a tight deadline, but it’s over now.”

He pushes the hair out of his eyes with his hand, pats the pockets of his jeans with the other. He takes out his cigarettes, and then swears.

“Shit, do you have a lighter?”

In fact, she does. Sometimes, when she goes to the mines, her flashlight flickers and dies out, so she started the habit of carrying candles on her expeditions, and always a lighter in her pocket. She offers the fire; she has to stand on her tiptoes and he has to bend down to make it work.

Sebastian looks at her; she’s determinedly staring at the ground. They’re so close that even in the summer heat, she can feel his breathe on her cheek. Once the cigarette is lit, she almost scrambles away, pressing her palms to her cheeks, complaining about the hot weather.

She starts walking faster, afraid of what she might do if Sebastian looks into her face. There’s a small smile on his face that she can’t notice.

 ***

Pierre’s store is more of a general hangout spot for his daughter, though – Maru is eating her lunch with Abigail in a corner, and she waves at the two of them as she turns towards the counter. Of course, Pierre convinces her to buy several types of flower seeds – and she walks around the town with those in her arms. She thinks she might actually be his best customer. Or easiest, which in his case, it is one and the same thing.

That’s how she meets Evelyn: in the town square, taking care of the flowers. In truth, she never stopped to think about who maintains the town, and now she seems to have her answer. There are many people around; Penny with the kids, playing in the water fountain. Mayor Lewis and Harvey discussing in front of the clinic, Gus sticking a request on the board.

But the old lady spots her shopping, and sits her down on a bench, where she lectures her on the proper way to take care of them.

Then, the tone shifts – and the older woman asks her about the animals she’s growing (they’re well), how she finds Pelican Town (nice) and what’s her favourite flower (hyacinth).

“You know,” she laughs. “I almost married your grandpa.”

She sputters, unsure how to take this wild what-if she’s presented with. Of course, if Evelyn would have ended as his wife, she wouldn’t be here at all. And still, her curiosity gets the best of her.

“What happened?”

“Oh, George – that’s my husband, dear – bought an old farm here in town and moved one day. The next thing you know, everyone was smitten with the new farmer, me included. And by then, your grandpa was already in the army.”

And when he returned from the army, he returned with a wife – that’s a story that she knows. Grandpa met her grandmother at one of the dance evenings organized for young soldiers, and if the story she was told as a child is to be believed, he danced with no one else that night, the next and all the other ones that followed.

“How was he like?”

Sometimes, when it comes to someone you love, it’s hard to consider them from another point of view than the one you were always familiar with. He has always been just her grandfather to her, yet Evelyn here has seen him growing, becoming all those things to all those many people: son, neighbour, husband, father.

“He always worked hard, stirred trouble wherever he went and loved this town like no other,” she says, a faint smile on her face, lost in memories.

That sounds like the old man alright.

“Th-thank you, Evelyn.” Her voice sounds a little chocked. Just a little.

“Psssh, please. Call me Granny.”

The old man takes her hand, squeezes her fingers in hers – and pats her butt when she gets up to go home.

 ***

“Hey, mom,” she says, pressing the phone closer to her ear. It’s the first phone call she’s making from the landline, and there are jitters all over her skin. She hates that she has to stay still, glued to one spot the length of the phone’s cable. Her brain goes in override.

“Darling!” her mother exclaims from the other side. There’s some shifting, the sound of a door closing, then a sigh. “How are you? How’s Pelican Town?”

She tries not to sniffle outright, tries not to cry that she wants her mother when she’s a fucking grown-up adult, but that really is how she feels. It was all okay, the construction almost to an end, her crops growing beautifully – and then Max gnawed at her only good pair of shoes, and the thing sent her into a spiral of self-pity. She really has no idea what on earth she is doing here.

Instead, she asks: “Did you like living here?”

She is grandpa’s only living child. After her older brother’s death, she simply packed her stuff and moved to a shitty dorm in city, got married in two months and had her almost immediately after. Nowadays, her father is drowning in alcohol and her mother is drowning in work – and she wonders if the first coping mechanism may be more useful than the latter, though her last experience seems to point to a no.

“No,” her mother says. “But depends on what you’re chasing, or what you’re running away from. So, do you like living there?”

She tugs at the phone cord, shifts on spot, looks at Max sleeping a few feet away.

“M-maybe? I don’t know.”

“That’s not a no,” her mother says, ending the call immediately afterwards.

She sits on the same spot, with the tone dead in the background for a very long time, just staring out the window at the setting sun.

 ***

With the new barn built, she visits Marnie about filling it with the appropriate animals. She’d like a sheep, just because she thinks knitting would be a useful hobby to pick up by winter. Maybe a goat, so she can make cheese and thank Robin properly for all the overtime work she put in finishing her house so early.

Jas is out with Vincent, but before discussing the price of the animal, Marnie hands her the straw hat and her picnic mat. She burns as she takes those from her, not knowing what to say. It’s been two weeks since she ran from the town’s celebration, and even now, she burns with the shame of that day. She starts looking around.

“He’s not-”

“At work, dear,” she says, and finally she starts calculating and writing down something at her desk.

“So you know.”

“Everyone knows,” she says and sounds forcefully cheerful, although she must understand what weight her words have, because the farmer is slouching in a chair, head hanging in her hands.

“There’s nothing going on,” she wails, looking up at Marnie, begging her to believe her – even if she’s just a stranger, asking for a bias against her own blood relative.

“Nothing going on anymore?” Marnie corrects, moves to pat her on the shoulder, signalling at the same time for the young woman to follow her. She nods her head, defeated, and Marnie has to wonder what exactly did this hard-working farmer see in her drunk nephew. She feels relieved to know that she put an end to it. Maybe exactly because she got involved with her good for nothing boy that she feels a bit more forgiving towards her.

She talks her in getting another chicken too, as an apology for having fucked around with her nephew. She doesn’t have the heart to correct this motherly woman that it was, in fact, the other way around. But either way, she’s forgotten.

She knows that because the next day, Penny calls her and asks her to spend the day together with the kids on the beach. She shouldn’t be that surprised to see Sam there too.

 ***

She asks everyone she gets along with over, after the house expansion is finished. She spent most morning just preparing various recipes, to fit everyone’s taste. Penny arrives first, dropping an apple pie on her kitchen counter and moving around the house to admire Robin’s work. She’s been thinking of doing something about her trailer-living situation for a while.

Abigail and Maru arrive together, with a plate of Robin’s spaghetti. Her and Demetrius decided it’s better to skip the evening, seeing how everyone else there is the same age as their children. She learns that Abigail is supposed to start her second year of university in autumn, and that Maru is going to do her master’s in astrophysics.

She whistles appreciatively, makes fun of her literature degree on the way. The two then huddle together in a corner of the porch, feeding Max stray bits of food and cooing at him when his tail starts wagging.

Sam and Sebastian arrive the last, each carrying a board game in their hands. It’s smart thinking on their side, because she’s not sure what she would have entertained her guests with otherwise. They huddle around the table, filling up plates with at least five different food recipes, passing iced tea and lemonade around. Abigail has this perfect skill of being able to imitate Lewis’ announcement voice perfectly, which in turn makes Sam snort his drink out of his noise. It makes everyone else lose it, and afterwards there’s no awkwardness hanging between them.

Penny helps Sam clean up in the kitchen, and they’re gone for way longer than necessary, though everyone else at the table is polite enough not to comment on it. Abigail and Maru, sitting one across the other, keep looking at each other while the other is not looking, and Abigail might be eating so much chocolate cake that she risks getting sick.

Sebastian sits next to her, smiling softly at a story that Penny is telling, from their time together in high-school. She should, technically, feel left out of the loop, but each time she mentions someone unknown, or a habit they used to have as a teenage group, Sebastian leans over closer to her, and whispers explanations into her ear. His voice, low and smooth, makes her feel like she’s melting down her chair.

Sam and Sebastian go out for a smoke, and she’s following them too, asking for a cigarette from Sebastian, letting her lighter pass around in a circle. The sun has already set, and there’s only the soft buzzing sound of her lamp in the air. The boys are talking about their rehearsal schedule, ask her over sometime, which she happily agrees to.

“Hey,” Sam says, kicking at her leg with his shoe. “Are you single?”

“What the fuck?!”

Sam raises his hands in the air, talking with his cigarette between his teeth. “Don’t shoot the messenger!”

She was ready to punch his elbow, but is now lowering her arm, frowning at him. Behind Sam, Sebastian continue smoking, refusing to get himself involved in this mess.

“Whose messenger?” she asks, though there’s a teasing edge in her voice, clearly proving that she doesn’t believe anything else but his own curiosity brought him to this rudeness.

“Look man – uhm, woman I guess, we’re all friends here, no judgement zone.”

“You just laughed at Maru for liking math two minutes ago!” she points out, this time her kicking his leg.

“You can just not answer the question,” Sam says, pacifying, turning towards Sebastian to offer him his lighter, as he’s already on his second cigarette.

“No, it’s fine.” She feels embarrassed for causing a scene, when it’s not even such a big deal. “I am single.”

She starts walking a bit away, making it seem like she’s inspecting the shrub just next to the stairs.

“So no Shane?” this time it’s Sebastian asking, which is surprising because she did not expect him to care.

“No Shane,” she confirms, her voice a bit weaker than she intended it to be.

Sam punches the air in a victorious movement, grinning at her.

“Thank God, that guy’s a fucking asshole.”

He shivers a bit in the cold night air, wearing only a t-shirt, and with a goodbye thrown over his shoulder, he goes back inside. Sebastian moves his hand in the air a bit, gesturing to his unfinished smoke, but she’s still not making a move to go back.

“But him and Penny… totally a thing, right?”

“Totally,” Sebastian says, and they both burst out laughing.

***

When Abigail phoned to tell her about Luau, she actually mostly whined that summer festivals are the most boring ones, because everyone is so busy tending to crops and making the most out of the long days. The farmer herself was actually taking a break, at the height of the summer heat, with a glass of iced water, but counting down the minutes before she’d be back in the garden, pulling out the weeds and gathering ripened fruits.

She still gets invited to Luau with everyone else; somewhat of a temporary, potentially forever fixture to their group. There’s a gaping hole opening in her stomach when she thinks of this, anxiety bubbling all inside her body making her feel sick. She feels like something terrible surely must happen soon, considering how much joy she gets from all these people.

She has sent some stuff to mayor Lewis, to add to the potluck soup: fresh tomato, some mushrooms, basil. But still, the thing looks completely inedible.

“Are we trying to kill the governor?” she asks, as she’s carefully looking at the bowl in her hands.

Sebastian laughs, turning his upside down in the sand. She’d really like to do the same thing.

“It’s tradition!” Maru explains, frowning at her brother.

“Are we choosing governors based on the quality of their stomach?” she tries again, this time sniffing at the stuff. Its consistency looks absolutely… gluey.

Sam joins the laughter this time, and Sebastian pats Maru’s shoulder in some attempt at an excuse. Abigail is the only one who actually eats the stuff, though her face turns somewhat pale as soon as she is done. The governor looks like he is perfectly fine, and even praises their soup, which makes everyone visibly relax.

 ***

Maru’s birthday was a solitary thing; just another ordinary working day, celebrated only with chocolate cake in the evening with the entire family. Robin builds her another bookshelf, Demetrius and Sebastian get the money for a new telescope. No other guests are invited, though random gifts still find their way to her mailbox: a stray astrology book, a new case for her glasses.

Sam’s not that different, though they all heard the rumours that immediately after his shift, he visited the museum, and spent a very, very long time there. They meet on Friday night at the Saloon though, so that the band can play and the others can cheer. They’re spectacular, as usual, and when doing something they love, all three of them look younger than she has ever seen them.

Penny is at her side, an arm looped around her waist, and they’re both swaying their bodies on the rhythm of the music. Sam winks in their direction, though the redhead pretends she doesn’t see it.

 ***

On one of their river discussions, Sebastian mentions frogs to her once; something she’s been terrified of for as long as she remembers. But there’s just such a soft smile on his face, and his voice is so calm: and as such, she thinks to give it a try. Which is exactly why he finds her one day, as he goes to visit Sam, by the river bank, on all fours, staring into the water.

She yelps when he hears him calling out to her, fluttering her arms in the air in a panic. It’s that movement that makes her stumble forward in the water. She doesn’t know how to swim, but the water is low enough to not be a problem, but as she gets up, sitting on her ass in the middle of the river, she scowls at him.

“I hate you,” she says.

He smiles, and with the sun at his back, it’s the most beautiful sight she’s seen. He offers her a hand, which she accepts gratefully, trying to remain as dignified as possible, considering that her clothes are now stuck to her body and there might be some mud on her butt.

“What were you doing?” he asks, and she immediately reddens under his attention.

She mumbles her answer; she’s a terrible liar, so she doesn’t even try. This time, Sebastian actually laughs at her, and she crosses her hands at her chest, both indignant and cold.

“I hate you,” she says again, this time accentuating each of her words. But there’s no fire behind it, so he ignores her remarks. Instead, he unzips his hoodie and, slowly, places it on her shoulders.

“But-” she starts, already moving to remove it, give it back, refuse the help, her natural instinct kicking in. He hasn’t stepped back, and having him so close, she notices the subtle smell of his aftershave, the dark marks under his eyes. She wants to get on her tiptoe and let her fingers run through his hair, so soft from up this close. Then he speaks, the magic breaking, and she moves her eyes down to her shoes, shy all of the sudden.

“Sam’s living real close, so it’s really no problem.”

He’s trying very hard not to move his eyes away from hers, face burning red with embarrassment – and only then does she realize she’s wearing a white shirt, and she’s wet –

“Oh,” she says, lamely, moving her arms through the sleeves and zipping it up. “I… I’ll wash it and bring it back to you.”

“Yeah, don’t worry about it,” he says, before awkwardly saying his goodbyes. Sam will chew him out for being late, and Abigail will frown at him for not letting them know about this ahead of time.

But their new farmer will stand by the river bank for a long time still, looking down at the water, even when Vincent passes her by and laughs at the wet pool that dripped at her feet.

***

She likes taking the mountain path, especially during hot summer days: less people to stop and chat with under the sun, more shade from the trees, chances to see a wild bunny or a squirrel, maybe picking up some wild fruit. She learnt to enjoy these things, that felt like such a chore back in the day, when she was simply a child helping out her relatives. Maybe because, from start to finish, in everything she does for her farm, she leaves a part of herself in there.

She’s as familiar with Robin’s garden as she is with her own, and that’s why it takes her brain a bit to catch up with what she is seeing.

She didn’t even expect to see Sebastian at all, and especially not like… this. Sprawled under his motorcycle, the picture perfect of her dream boy from high-school. It’s then when it dawns on her that she might have some other reasons too, for visiting Robin today, for picking the mountain path, for going to the mines so often, even if she’ll never admit it to anyone else.

For a second, she hates him so much for having been so kind to her, for having taken care of her, for his beautiful smiles and his unending understanding. For having made her like him so much, when this recluse and silent man seems to dislike everything that she is starting to like lately.

She crushes the feeling coming up in her chest; the despair and the need to go and run as far away from him, before they make eye contact, before her beating heart goes into override.

Sebastian heard her approaching footstep though, and as he’s coming up, t-shirt clinging to his chest, she closes her eyes. God help her not to jump this man right here and now.

“Hey you,” he says, the corner of his lips lifting up a bit seeing her.

She waves, taking a deep breath as she approaches him, taking a seat on the outside bench. He picks up the tool that he needed, and goes back to work. She stays put right where she is, watching him.

“You know, it’s fascinating to watch someone do something I know nothing about,” she laughs, thinking of her useless literature degree as well, her dirt stained nails and her dead-end job back in the city, so opposed to his programming skills and the coppery smell of his motorcycle.

“That’s how I feel when you talk about farm upgrades with mom,” he says, and then asking her for another tool – it’s the round one with a yellow handle.

She shifts closer; he gets out from under the metal labyrinth of his bike enough to nod at her in thanks when she hands it to him. But he understands her feeling better than he manages to put it into words, especially since he’s been an outcast in the village for so long; heck he’s not sure anyone else but her even accepts what he’s working, let alone understand it.

But if there’s someone who can get it, it’s certainly the city girl who gave up everything to become a farmer. Much as he wants to drop everything here just for a shot at the big city. It’s the same strangling hope in his voice, that she’s detected the first time they met, when he talks about his short escapades.

He gets up, wiping his hands on a dirty old rag. There’s a dark stain on his cheek that makes him so incredibly cute, and yet the contrast couldn’t be more obvious with his muscles.

“You could come with me next time,” he says, and he purposefully looks at her, digging out her reactions.

She blushes, all red, prettily and opens her mouth to say something, closes it again. Then, with a bit too much eagerness, that makes her seem just a bit too desperate to do the right thing, she says:

“I’d love to.”

“Great,” he says, and this time it’s a full smile that he graces her with.

They move to enter the house now, the sun setting at their back, and he holds the door open for her. She has to squeeze by him, so close that she can feel the smell of oil mingled with his sweat, and the always present soft aroma of soap.

Robin is in the kitchen, preparing hot chocolate for everyone; Abigail is over too, in Maru’s room, the two’s laughter loud enough to be heard from downstairs. Demetrius is in his office, researching something in one of his biology tomes.

She immediately moves to help Robin; now familiar with the layout of her kitchen, with everyone’s favourite mug. His mother yells at Sebastian to go and take a shower before even daring to enter her kitchen, which is exactly the reason why he moves closer to her instead, loudly kissing her cheek.

Robin shrieks, hitting him with the spoon she’s holding in her hand. Their guest watches the scene with a soft smile; she likes it when there’s no bitterness between the two, which is something that comes way easier when no one else in their family is around.

She presents Robin with her first goat cheese; it’s experimental yet, really I have no idea if it’s any good, but she gathers her in her arms anyway, thanking her from the bottom of her heart. She carefully places it in her fridge.

And while Robin goes to Demetrius’ office, forcing a break out of this man as they plan to drink their hot chocolate together, she’s tasked to bringing up the girls’. She knocks, but it still doesn’t feel like sufficient incessant to stop whatever they were doing, because when she opens the door, Maru’s in Abigail arms, having a somewhat lost look on her face. Abigail’s lipstick is all over Maru’s neck, and smeared around her lips, and both their mouths are pulsing red with the pressure of shared kisses.

She blushes under their eyes, hates to have interrupted what she just did. It’s worse than if they were having sex, because the tension in the air is so thick she can choke on it.

“R-Robin said-” she tries, but she’s so embarrassed that she just leaves the tray on the desk, and all but bolts down the stairs.

Shit, she thinks.

“Shit,” she exclaims out loud as well. She’s so wind up she doesn’t hear the footsteps following her, and she almost screams when Abigail’s hand comes down her shoulder.

“Hey, look, let’s be chill about it and keep it a secret, yeah?”

“Of course,” she nods her head. “And I’m really sorry…”

“Our fault for being daring enough not to lock the door. But in our defence, we didn’t think that would happen,” Abigail says, winking at the other woman, before moving upstairs, probably to calm down her lover.

The theme of her life is that she is a big, stupid, idiotic fool. She’s been jealous for months on a relationship that didn’t even exist, and now she feels guilty and embarrassed all over again for what she did when overcome by those emotions. She stands in the middle of the hallway, hating herself so much that she would burst into flames if she had magical powers.

Sebastian finds her eventually, grounds her back to reality with a soft touch against her elbow and a soft call of her name. She startles like she’s been shot, almost jumping out of her skin, before things start refocusing around her. Sebastian, after his shower, smells like pine and mint, and he’s wearing shorts.

“Come on,” he says, slowly guiding her back to the kitchen, where their drink probably went cold already. At the back of his leg, Sebastian has a tattoo: a man lying face down, ten swords hanging above his body.

“That’s cool,” she nods her head at the design, sipping from her hot chocolate.

“Thanks. Sweet sixteen present, teenage rebellion and everything.”

“I ran away from home when I was sixteen,” she says, and Sebastian rises his eyebrows, clearly sceptical.

“For real!” she laughs. “I came here, to gramps.”

“Can’t remember you ever being up here,” he says, but now he’s curious.

“Well, of course, he called my mom the second I entered the house, and next morning she came to pick me up, but still.”

Sebastian snorts at her story, and she’s beaming at him with the largest smile possible, having gotten such a reaction out of him. It seems like it’s so easy for her to rile him up, or to get him involved enough in what she’s doing that he can’t filter his reactions anymore.

He walks her home that evening; she insisted he didn’t need to go through the trouble, since she’s out even later all the time, but Robin pushed, especially since Abigail was to sleep over, so she didn’t need Sebastian to walk her home.

In the end, she had company on the way home.

“Sorry for the trouble,” she says. Sebastian is smoking again, and only shakes his head. They continue their conversation from earlier, about how they used to be as kids and teenagers, periods in time that feels very far-away. Then she tells him of her past job, how she used to want to kill herself every time she entered the building, how there was no more city around her, and just the clutch of overwork and need for money.

She breathes easier here, she says. She hasn’t seen the stars in years, she adds.

She’s looking up at the sky, but Sebastian is looking at her.

She’s seemed lost on that first day, overwhelmed as she looked around at her inherited plot of land, and he’s given her two weeks maximum to survive in there. And here she is, rounding on six months, looking like she’s always belonged.

She hands him his sweater, thanks him again, in that sweet voice that matches her face, but not her personality when she’s swearing. He wishes the road between their houses was longer, longer than to Zuzu City, so long that they could have the entire night at their disposal.

 ***

“You’re late,” she says, from where she sits on the pier, her feet just a few centimetres above the water surface.

She’s barefoot, and she’s wearing a thin and short dress, and showing so much skin that Sebastian is a bit distracted at first. Technically, they haven’t set a meeting time, but he is indeed the last of the villagers to arrive on the beach for the dance of the moonlight jellies. By now, the others are also grouped together, leaving her alone.

She pats the space next to her. He sits down, yawning.

“Sorry, I was up until 3am reading a new book.”

She lights up then, shoots question after question at him: about his favourite authors and books, hints at the volumes he knows she’s seen on his shelf. They decide to buddy read a book together, and the next day he finds her favourite novel in his mailbox, he sends his instead. His are in pristine condition, while hers are underlined all over, notes scrambled over the margins that he spends a lot of time trying to decipher, corners dog-eared. The first few are a hit and miss, then slowly, as they go through the volumes, writing long texts and handwritten note with their thoughts on it or calling each other late into the night, they start to figure each other’s state, collections growing on each side.

On Penny’s birthday, no one can find the young woman almost the entire day. For that matter, they had the same problem with Sam too.

On Abigail’s birthday, she knocks on the farmer’s door in the middle of the night. The other woman is sleepy, bleary eyed, and she knows that something serious is going on because Abigail doesn’t even make fun of her pyjamas. She opens the door, wordlessly. Makes some tea, as Abigail plops on the rug on the floor, nuzzling Max.

She passes her a steaming cup of tea, sits in front of her in much the same manner.

“What happened?”

It takes Abigail a long time to reply, and when she does, she stumbles over words.

“I-I came out to my parents. Let’s say they didn’t take it too well. Sebastian lives with M-Maru so it didn’t feel like the smartest move, and Sam’s mother already has enough things to worry about. I had no-nowhere else to go.”

She shouldn’t be this surprised when the farmer leans closer, wrapping her arms around her, squeezing her close. Abigail reaches up her hands, tugs at the pyjama top and starts sobbing. There’s a large wet mark on the other woman’s shoulder when she is done, though she doesn’t seem to notice it as she’s running around her house, pulling out a rolled up mattress and building a make-shift bed in the middle of the room. She’s gentle as she moves Abigail to her bedroom, helps her in bed, petting at her hair, and chanting it’ll be okay over and over again.

Abigail’s already asleep when she moves to the kitchen, scrolling through her contacts list. It takes a few seconds before the person at the other end picks up, and Sebastian’s voice sounds muffled. She imagines him for a second, face half-hidden in his pillow, dishevelled hair. Then:

“It’s Abbie.”

The next day, Sam and Sebastian show up on her doorstep at 6am with chocolate cake, and they barely even greet her before moving inside, slamming open the door to the room where Abigail’s sleeping, essentially waking her up. But they also jump on the bed, squeezing themselves in the small space, peppering her face with kisses, even as she screams at them to stop, that they’re gross. But she’s laughing.

Over breakfast (eggs and salad and chocolate cake), they discuss what they should do next. There’s enough space here for two people, and it makes most sense to have Abigail live here for a while, until things calm down a bit.

“Did,” Abigail starts, unsure, playing with a tissue, “Maru tell your parents?”

“Yeah,” Sebastian says, and he feels like he really needs a smoke.

“I guess it went well.”

Abigail ends with a laugh that resounds dry and bitter in the room. Sam’s leaning towards her, holding her hand.

“Your parents will come around,” he says. “They just need to get over the initial shock.”

Except Abigail, everyone else nods. It’s hard to imagine Pierre staying mad at anyone, let alone his own daughter. But Pelican Town is a small enough place that such a thing might take a long time to forgive in the eyes of others. After the guys leave that first day, Abigail spends the entire day in bed. The next one, she joins her host for coffee, asks about the pumpkin patches.

When the Stardew Valley Fair rolls around, she helps the farmer fill Robin’s truck with her products. The older woman hugs Abigail that day like she’s a long-lost daughter, which makes her cry all over again.

 ***

The Fair itself is nice; the trees around had already started to turn orange, and it gives the place a really cosy atmosphere. Almost everyone in town buys something from her stall, and Marnie even comments that she fits right in. She enters Lewis’ competition with her pumpkins, but she loses to Shane’s chickens, which is a totally deserved win on his side, though she hates to admit.

Abigail makes up with her family that day, because the second she steps in town, her mother drops a crane of jars, swears, and runs up to her baby girl to hug the life out of her, cry and apologize. Pierre is sniffling at his stall, next to her – and she passes him her handkerchief.

Then, because Abigail is Abigail, she kisses Maru in front of everyone. George whistles, loudly and everyone laughs, which ends any discussion on the topic. With this scene, the farmer thinks she has just fallen a bit in love with the man herself.

Shane approaches her, to boast his win.

“Congrats,” she says, though she is pointedly not looking at the bow pinned to his chest. Jas has already been over, stopping everyone and showing it off.

“You’ve been avoiding me,” he says, and she’s glad the stall stands between them, because she knows he would have liked to be much closer than this.

“Glad you took the hint.”

“Is the freak gang that entertaining, little girl?”

There he goes again, with his horrible nicknames and that shit-eating grin. She hopes he’d choke on all the bullshit he’s spewing, some day.

“Yes.”

She sounds firm, serious and soft at the same time. There’s a small smile on her lips as well, and probably it’s that combination that makes Shane realize she’s entirely truthful. So, he laughs. For sure, he must find her stupid and foolish, and yet she only feels relieved as he watches him walk away, shaking his head like he’s disappointed.

As evening approaches, Sebastian stops by her stall. It’s almost empty now, most of her products sold earlier in the day. He sits next to her, smoking, looking at Sam winning the big prize at darts for Penny. She all but swoons.

Sebastian gets up, throwing his cigarette to the ground and stepping on it.

“Do you want to walk around?”

She nods, he helps her up. She asks Pierre to watch over the rest of her stuff, and when they move from stall to stall, her and Sebastian are so close that their shoulder almost touch, though none moves to put more space between them. She keeps stealing glances at him, as he explains to her about his favourite stalls, and how it used to look like back in his childhood.

They eat Gus’ famous burgers, and her heart almost stops beating when he leans closer, pressing a tissue to the corner of her mouth. He starts by looking her in the eye, but then her own eyes drop to the flutter of his eyelids, the curve of his nose, eventually settling on the plumpness of his lips – and his gaze follows suit, tracing the same path on her face. They sit in silence, staring at each other, until Gus’ boisterous laugh makes them both startle.

She mumbles her thanks, looking at her plate, too afraid to look at Sebastian.

They play darts too, though she only manages to hit the target only once, and only on its furthest ring.

“Sam rigged this game, didn’t he?” she asks, which makes him smile.

Sebastian pays for his turn, raises his eyebrows at her when she’s expectantly watching him. He throws the first dart while still looking at her, and it hits bull’s eye. She screams in delight, clapping her hands together.

He moves his hand to the back of his head, embarrassed at her reaction, even if he so desperately wanted it in the first place. He asks her if she wants any of the prizes, but she shakes her head. As cheesy as it might be, for her it’s enough that she can enjoy the fair, and that she can do it alongside him.

 ***

When she counts her savings the next day, it’s not as much as she would have liked. So she starts going to the mine again, because she can sell well everything that she finds in there, and for a couple of weeks, it works out just fine. Until it doesn’t anymore.

She knows the place is old, but the crack of the stair giving way under her weight was not an expected problem. The lurking animals and the unmapped areas, sure. But not the wooden step of the stairs.

It takes her by surprise, and she doesn’t have fast enough reflexes to find another footing, so she falls all the distance to the ground. She lands on her side, and there’s a terrible crack in the shoulder that makes getting up so, so painful afterwards. She’s bleeding heavily from one of her knees as well, and several bruises are already blooming on her legs and arms.

Her flashlight also went out on impact, so at first she is disoriented, her head booming with the sound of her fall. Then she gets scared, her heartbeat in her throat, and before she can even think more of her wounds, she forces herself to count up to 100, as slowly as she can, bringing her breathing back to normal, forcing her body to refuse the incoming panic attack just yet.

No one knows she’s in the mine right now, so technically even if they were to notice her disappearance, it will take a while until they find her. And it was already dark outside, judging from the last time she looked at her watch, which makes searching for her unsafe until at least tomorrow morning. She can’t just stay here and wait for someone to find her, even if that is all that she truly wants to do.

She winces when she finally raises to her feet. She’s unstable and everything hurts, but she’s most worried about her arm. She tried to pick up her discarded flashlight, but the movement hurt so much she left out an agonized wail.

Tears start biting at her eyes when she bumps into the stairs, after fumbling through the dark for it. She tries not to think of all the steps until the surface, and then her walk back home – and instead tries to take it one step at a time. She can support her weight only on one arm, and her legs hurt each time she raises them, the skin at her knee ripping open a bit more with each move of her leg up. She takes it one at a time, stops often to breathe deeply, give some part of her body some respite. She struggles even more when she finally gets to the broken stair, and she has to cover twice the distance.

When she eventually collapses on the ground at the entrance to the cave, she can smell the fresh night air, and she can hear the rustling of the leaves, and she starts crying. Somewhere down there, where the mine caved in, trapping workers under the stones and dirt and in unending hallways, is the body of her uncle. Of course, she could have easily shared the same fate today, if she would have been a bit higher, if she would have fallen on one of the sharp stones littering the lower floors instead.

She forces herself, again, to just breathe. But even as she makes herself stand up and walk the long way home, her mind is drifting further and further away, the pain now more dulled at the edge.

That’s why she doesn’t catches when someone calls out her name, doesn’t realize she’s not alone anymore until said person catches her arm to make her stop. Unfortunately, it is her hurt arm, and she shrieks, tears pooling at her eyes, as she’s stumbling away.

Sebastian stares at her, mouth agape, looking like he’s just seen a ghost. He moves his eyes over her body, taking in her state, though he’s unsure in some spots, if the stains on her clothes are blood or dirt.

“Shit, you need to see a doctor,” he says, moving closer again, but she flinches upon his approach.

He passes a frustrated hand through his hair. Dumbly, she wonders what he is doing out here, by the river, in the middle of the night.

“Can I touch you?” he asks. He’s still keeping his distance, though he’s looking at her in a strange way, like she’ll fall off her feet at any moment. Although she nods, this time more aware, more in tune with her surrounding, this time around he approaches more slowly, careful with his movements.

She leans onto him, sighing in relief.

“This will hurt,” he says, and before she has time to think about it, he gathers her in his arms, head at the crook of his neck, her good arm around his shoulder, as he starts carrying her. She just whimpers pathetically, at his chest, blushing furiously and trying not to overthink the gesture, or her weight, or the fact that they’re stopping in front of Harvey’s clinic at fuck knows what time.

Harvey answers on the second knock, looks at the state she’s in and simply mumbles I need my coffee, allowing them inside. Sebastian is still carrying her the flights of stairs up, before finally setting her down on a bed. He’s breathing hard by now, but he’s not complaining. In the light, she can see how wild and panicked his eyes are, how deep his frown is as he searches her body for wounds.

Now that they can see, her shoulder is at a weird angle.

“I’ll have to set it back,” Harvey says, sipping loudly from a fresh cup of coffee, sitting on a chair next to her bed. He looks up at Sebastian, checks the time on his wrist watch. “You can go if you want to.”

“I’ll stay,” he replies almost immediately, making her shiver on the bed, a movement that both men catch. “If that’s okay with you.”

She nods, pleading with Harvey to let him stay, to which he agrees. His job is not made any more difficult, since Sebastian looks perfectly healthy, the weird sleep schedule aside. She doesn’t notice when Sebastian moves, shifts so he can sit next to her on the bed, wrapping his fingers around hers.

Harvey descends like a shadow above her, snapping her bones back in place. She squeezes Sebastian’s hand in her good one, so hard that his bones crack, her fingers digging in his skin until they draw blood. But she only inhales sharply, letting out a string of soft curses, teeth grinding together in pain. When she looks at them, she feels only betrayed, because they both clearly knew what was to come, and did their best to make it as fast as possible.

Harvey hands her a glass of water and some painkillers, and only then does she realize she’s still holding onto Sebastian’s hand. She lets go slowly, smiling at him, patting his hand in silent thanks, though Sebastian cannot smile back at her.

“So what happened?” Harvey asks, moving on to cutting open the leg of her pants, cleaning up the cuts, disinfecting her wounds.

She speaks, evenly, though her panic shows through in some parts, and Sebastian rubs calming circles on her back with his palm. She leans into his touch, swaying in place, eyes fluttering closed, opening them again at a slower and slower pace.

“You should sleep here tonight, so I can monitor your condition,” Harvey says, and Sebastian rises, helping her lay down on the bed, covering her with the blanket, as she’s already fallen asleep.

The two men move downstairs in silence. The clock on the wall shows 4 a.m.

 ***

She wakes to Granny knitting on a chair next to her bed. It’s such an odd image that it takes her a while to recall all the events of the night before. Then, she startles upright.

“Easy, darling, all’s good,” Granny says, though she didn’t even look up at the younger woman.

She learns that Marnie visited her farm earlier, feeding her animals. Abigail took Max to her place, Penny came by with pie. And Sebastian is downstairs, on his 3rd coffee of the day, not having gone home since he first dropped her at the clinic.

Granny smiles to herself when the patient looks longingly at the door, her skin on fire.

 ***

Harvey keeps her for one more night, though she is feeling alright, and she insists so to everyone coming around to check on her. She thought Robin will pick her up, something that she agreed to after much pestering from the woman, but instead the one waiting for her in front of the clinic, leaning on Robin’s truck, is Sebastian.

“Mom had something come up,” he says, moving to get her backpack, filled with the stuff from the mine and some clothes that Abigail picked for her. He opens the truck’s door for her.

“I could have just walked,” she says, though her leg is still stiff.

He shuts the door on her, and until he joins her in, she has time to mull over what exactly she wants to say.

“Thank you,” she beings. “For everything and I’m sorry.”

She fidgets on the spot, as he starts the engine and begins driving.

“Why are you apologizing?” his voice is soft, the corner of his mouth tilted up just the tiniest bit.

“For all the trouble?”

It sounds more like a question,

“You know I’d gladly be troubled for you.”

She does not know that, in fact. She turns to look out the window, at the stretch of trees on the road to her farm, and she wonders when she became such a person to others.

When they arrive, she invites him in, but he politely refuses. She needs to rest. But he does walk back to the car, fiddling with the gloves compartment, coming back with something in his arms. He presents it to her, carefully wrapped, and watches attentively as she opens it, catching her reaction.

In her hands, she has the first volume of what she knows is Sebastian’s favourite comic.

Abigail will tell her, later on, that before he came to pick her up, he drove all the way to Zuzu City so he could pick a copy for her. So on an autumn rainy day, she makes herself a cup of tea, and curls in her bed, opening the book.

She takes her sweet time, searching every detail in the art, rewriting particular quotes in her journal. Then her thoughts fly without her even wanting to, to a particular someone she’d like to have next to her, to explain her favourite parts. She’d like to have him by her side more than that though, as she wakes and works, a person that makes it so much easier for her to just be.

She’s a fool – she tries to tell herself, hugging the book close to her chest. There’s nothing she can offer Sebastian that would make him stay in this village he so obviously loathes. She’s just dumb enough to have fallen for the man she cannot even bring herself to ask to love her back. But the image is now stuck on a loop in her mind: stray sun rays filtering through the curtain, and Sebastian in the door frame, with her mug of coffee in his hands, offering it to her as she wakes.

She tortures herself with thoughts like this afterwards, whenever she finds a moment of respite in her work, as she hurries to sell the last of her crops, to preserve the mushrooms, fill the sill with grains for the animals and the storage outside with wood.

 ***

The first time she gets out of her property after the accident is to attend a dinner on Robin’s birthday. In the town here, it’s not a big deal, so she feels particularly honoured to have the older woman invite her.

However, Robin sends Sebastian to pick her up. She’s on the porch, bundled up in her favourite sweater and a shawl, petting Max, when he pulls up in her courtyard on his motorcycle. He’s wearing a leather jacket, and as he moves to get her helmet, she’s only staring at the way his muscles are straining under the material.

He helps her put it on, clasping it under her chin, his fingers lingering on her skin, and they stare in each other’s eyes for a few long seconds. Then, he holds out a hand, helping her get up, and guides her arms around his waist.

She’s basically glued to his back, and she wonders if he can hear how loudly her heart is beating. He tightens his hold against her arms, signalling that she should hold on tighter, and she does, even though she closes her eyes to will the embarrassment away.

Robin welcomes her with an enthusiastic hug, and she’s delighted to see Abigail has been invited as well, and she’s now sitting next to Maru at the table, discussing something with Demetrius. She’s sent her present in the mail earlier this day, more goat cheese and a few quartz pieces, and the redhead thanks her happily.

When she passes Sebastian on the hallway, she stops for a few seconds to thank him for the ride, warmly clasping his hand in hers. Then just as quickly she lets go, joins everyone else in the kitchen.

Most of the conversation is just the parents dotting on the newly formed couple, though there is a passing comment of the pumpkin soup currently served being Sebastian’s favourite food, so she makes a note to ask the recipe from Robin the next day. There’s an anecdote about how Demetrius and Robin first met, though it makes both their children cringe at how young and lovesick they still sound recalling it. Abigail talks about her studies, Maru continues, though their degrees are vastly different.

The farmer turns to look at Sebastian.

“What about your work?”

The conversation stills, a bit awkward. No one ever asks what Sebastian is doing, since freelancing is such a grey area in their mind – though they fail to see that almost everyone in this town is the goddamn owner of their own work.

“Well,” he starts, playing with the food on his plate. “Actually I’ve got a promotion recently and a really big project coming up.”

She clasps her hands together, beaming up at him.

“That’s wonderful, isn’t it?”

Everyone at the table nods politely, Robin even congratulation her son. But he thinks of her question, and lately the answer seems to be no, because each of his successes brings him closer to leaving Pelican Town, and he’s not sure he wants to anymore.

 ***

By the end of the evening, everyone is more or less tipsy, made soft by the drink and the warmth of the house. Robin insists that she should sleep over, afraid to let her return home this late. She almost puts Sebastian and Maru in one room, but the daughter refuses so vehemently, that Sebastian instead just tells her he’ll take the couch. Their mother stares for a long time after both of her children, as each turns to their guest, and instead decides to retire for the night, together with Demetrius.

That’s how she ends up sitting on Sebastian’s bed, as he’s searching for a towel and some clothes for her.

“Maru is leaving next spring for a research program,” he explains. “That’s why-”

“She wants to make the most out of it,” she continues.

“Yeah.”

He understands the feeling; it’s why he’s more often than not out of his house these days, afraid that one day he’ll have to root himself out of this place, and he will leave many things behind to regret. And many people he will miss.

He throws the clothes in her direction, points her to the direction of the bathroom.

She’s feeling more awake after the shower, and she’s drying her hair with a towel as she enters his room again. She wears one of his hoodies, but on her it looks almost like a dress, coming down halfway to her knees, sleeves rolled several times over. The sweatpants are equally as large.

“I like your socks,” she says, wiggling her toes, an ugly, green gooey face dancing with the movement.

She’s way too freakin cute, Sebastian thinks, though he only smiles at her as he passes her to go and take a shower. When he returns, she’s snuggled in his bed, a comic book in hands, the sequel to the present he’s given her before. She doesn’t hear him come in until he plops on the couch, and then she looks up at him, cheeks immediately flushing.

“Aren’t you cold?”

He’s wearing a tank top, loose enough around the chest area that she can see his collarbones. She knows she’s staring, yet she can’t tear her eyes away from the skin of his arms, or the taut stretch of his top against his chest. When eventually, finally, she moves her gaze up to his face, he’s smirking, clearly having caught her in the act.

“I never get cold,” he replies, shrugging, though he tenses the muscles on his arm, and her gaze immediately snaps back there.

He’s outright laughing right now, which makes her turn her back to him, pulling the blanket over her entire body and mumble an embarrassed good night.

But she has a very, very hard time falling asleep.

 ***

“I don’t wanna go,” she whines at Sam, pulling at his clothes, dragging him away from the maze.

He just laughs, tugging her harder instead. His little brother scared her as soon as she arrived for Spirit’s Eve, and since then she refused to leave his side, on edge all the time.

The town is decorated in skulls and supersized spiders, and Abigail took to walking around with a witch hat on and a sword in her hands, which everyone agreed was cool but also relatively worrisome.

She swears, loudly, clinging even closer to Sam’s arm, when Sebastian joins them, carrying two glasses of punch. He chuckles, but still passes one of them to her.

“You don’t celebrate Spirit’s Eve in the city?”

“Well,” she says, taking a large gulp of her drink. “There it’s more about getting shit-faced in a club, and less about your heart going for a run when you turn the corner of the street.”

“Amen, sister,” Sam yells, grabbing her glass and downing it all in one go.

“Hey!” She punches his shoulder.

“It made you laugh though!” he says, leaving so he can get her a refill, and well, he’s not wrong, because now she feels way more at ease than before.

Sebastian shifts closer to her, for which she is grateful.

“Is it really that bad?”

“I just hate jump scares,” she whines, again. “And I’m sure the maze is filled with them.”

“You know you don’t have to do it if you don’t want to, right? We can just sit on a bench and watch the skeletons.”

“We?”

He’s pressing his palm to his neck. “Well I’ve cleared the maze every year, so.”

So they sit, together.

 ***

Back in the city, she can never tell when it will snow anyway – but here in town, the air is crisp and cold for days before. Robin shows up one early winter morning, and helps her isolate the house as much as possible, around the windows and the doors, so that no cold seeps in, so that all the warmth stays. She might need to renovate the house next year, but for now, it will have to be enough.

Robin sips at the coffee she’s been offered, and pretends not to see Sebastian’s books sprawled all around the farmer’s house, on the kitchen counter, on the bed, next to the TV. She also equally doesn’t comment on one of Sebastian’s jackets hanging on the back of the chair that the young girl is currently occupying. Robin takes another sip, and smiles in her cup.

Back in the city, when it snows, it never piles; part car fumes, part all the people walking around doing their business. But here in the town, when she wakes up one morning, all she can see around her house is a wide expanse of whiteness. Max runs past her, jumps into the snow, comes back in so wet but so happy, that she doesn’t mind having to towel him near the fire from the fireplace.

But she’s left with too much time on her hands; she watches Queen of Sauce almost obsessively, following along in her own kitchen, surprised when her food is actually good. She starts knitting, phoning Granny each time she stumbles through a row. She reads, almost obsessively. And she does go to the mines, but for shorter periods now, scared of not repeating her injury, even if the Adventurer’s Guild repaired the broken stairs.

Then Sam calls her over one day and welcomes her to the world of DnD, him and Sebastian more or less forcing everyone else to start a new campaign with them. It’s the happiest she’s seen them both, so she tries to keep up with the characters, stops to ask about plot holes. They explain things in tandem, finishing each other’s sentences, for almost an entire hour, because you see, this race can’t have this magical power. Sam pulls out his guide, passing it around so that everyone can look up the kind of character they want to create.

That first evening together, that’s all they do in fact: filling stat sheets, searching reference pictures on the internet. And they eat Jodi’s delicious snacks, gossip a bit about Marnie and mayor Lewis’ affair, that the whole town knows about but somehow only the two of them missed this detail.

They turn it into a weekly meeting, rotating their meeting place through all their houses, sometimes the Stardrop Saloon in the days when they know it’ll be more empty and calm. They fight imaginary battles, Sam’s voice guiding them through cities and enemies and friends, saving each other’s asses and forging alliances. It’s the best fun she’s had since arriving in the town, though if anyone were to tell her this a year ago, she would have laughed directly into their faces.

They break the tradition only once, when instead they decide to go ice-skating. Each winter, if the temperatures are low enough, the lake freezes, making it a perfect rink. To be fair, it’s her favourite sport – probably only sport that she’s so excited to do, that she jumps on the spot as she waits for her turn to lend a pair of skates.

She’s looking a bit ridiculous, wearing 3 different layers and one of her grandpa’s padded vests, a beanie on top of her head. Sebastian finds her just really cute. She skates around holding one of Maru’s hands, Abigail the other – because she’s the only one who doesn’t really know how to do it.

Then Sam starts a game of tag with Jas. So they start chasing each other around, yelling when they’re caught only to start again. Penny almost trips, but Sam’s catches her hand and stabilizes her, even if he’s it now. Abigail and Maru skate around holding hands, working more like one person than two separate ones, though Abigail lets go only when it’s her turn to chase someone; and she’s fast as a flash, her turn over in under a minute.

She touches the farmer’s back, and she’s left in the middle of the frozen lake, trying to think who to go after. Her intention is to go after Vincent, his voice shrill with happiness when he realizes he has to run away from her, but her skates catch in the ice.

She only has time to gasp out a swearword, preparing to fall flat on her face. But there’s an arm around her waist, though the angle is awkward and her weight too heavy, so both of them fall to the ground.

She blinks, trying to make sense of the new position. She didn’t hit the cold ice, instead Sebastian’s body cushioned her fall. She’s on top of him, hands on either side of his head, and she’s staring into his eyes. She’s so close that she can feel his chest heaving.

“You good?” he asks, a hand moving to settle around her waist.

It snaps her out of it. “Shit, I’m the one who should be asking that.”

She’s trying to get up, though she’s embarrassed and fumbling, and her first movement just positions her ass on Sebastian’s thighs and crotch area. He shudders, inhaling loudly – and she can feel him stir under her.

“Oh,” is all that she can say, eyes blown wide catching his. Though there’s something more there: curiosity, and a growing interest.

“You guys okay?!” Sam’s voice is distant to her ears, though she waves a hand in the air, to both show that they’re okay and ask for a break from their game. Sebastian says nothing, looking up at her like a man found guilty of murder, face flushed, though he hasn’t moved his hand from her waist.

She grinds her hips, pushing harder against Sebastian’s body, watching in fascination as he’s squeezing his eyes shut, a frown on his forehead.

“Stop,” he says, sounding wound up and chocked.

So she does, rolling from on top of him, pulling herself to her feet, smiling when offering him a hand up. Though he’s not smiling back, he takes her hand.

***

“Happy birthday!” she shouts, when Sebastian opens the door to his bedroom, holding up her present to him.

Behind him, music plays loudly, and she can see Sam and Abigail arguing about who gets the last slice of pizza. She’s the last to arrive, but that’s also partially because outside there’s a real blizzard. Penny comes to hug her in greeting, and she high-fives Sam. Most of the time, they just drink and joke around, chatting about random things, his oldest friends telling tales of Sebastian.

After a couple of hours, Sebastian catches her eyes, motions towards the outside. Sam has given up smoking, being more of a social smoker, just like her. But since he got together with Penny, a fact to which they finally admitted after merciless teasing from Abigail, he quit.

They stop in the hallway, putting on their coats – and she hands him the present again, though he hasn’t noticed her coming up with it.

“You might find useful what’s in here.”

So he opens it to find a matching hat and scarf, in a dark navy. They’re clearly handmade, and handmade by her he suspects – and he’s touched by the time and care she had to put in her gift. Nestled between the material, there’s also a frozen tear.

“God, I-I love this. Thank you.”

She beams at him, obviously relieved. He puts the frozen tear carefully in the pocket of his jacket. She helps him with the scarf and the beanie, her hands lingering on his shoulder for a second afterwards, admiring him.

Outside, in the courtyard corner where they’re smoking, there’s a snowman. Sebastian almost feels like kicking it when she mentions in passing that it’s cute.

“I built a snowgoon but Demetrius made me get rid of it, yet Maru’s cute little snowman still stands…”

He didn’t mean to sound this bitter. She shifts, coming in closer, taking his empty hand in hers.

“If I just disappeared, would it even matter?”

He means it like a rhetorical question, just for himself – but she’s strengthening her grip on him, forcing him to look at her. She wants him to understand that she’s entirely serious.

“It would matter to me.”

 ***

It’s drizzling, a mix of snow and rain, weather suddenly warming up. On the beach, anyway, snow never piles up, and when Sebastian turns around, he finds her standing a few feet away, staring out into the sea. She is drenched, shivering lightly with each gust of wind, and now that her concentration has been snapped by his movement, she’s staring at him instead.

He gestures her closer, and she stops by his side. Now, closer, he can see that she’s shivering more violently than he initially though, and she’s certainly not dressed properly for the weather.

“What are you doing out here?” he asks, softly, pushing some of her hair behind her ear. She closes her eyes, head leaning toward his touch, and he finds himself cupping her cheek without thinking too much about it.

“What are you doing out here?” she counters, blinking up at him.

Maybe it’s the absolutely pathetic state that both of them are into that makes him answer honestly to the question. Or maybe it’s the fact that it’s her.

“Looking out at the bleak horizon… It makes me feel like it’s worthwhile to keep pushing on.”

He shrugs, trying not to look as serious as his statement. Lately, he’s been having more reasons to believe that same thing, but old habits die hard, and there’s a particular calmness in being somewhere where no one else is. Or, he thinks, looking down at her, almost no one.

“I just like the sea,” she says, and any awkwardness that he still felt dissipates with her admission. The water is raging, stirred on by the storm, crashing violently against the pier, and they stand in silence, his hands carefully petting her hair, pulling her closer when she shivers again.

“Fuck, do you want to catch your death?”

He undresses quickly, placing his jacket over her shoulders. It doesn’t make much of a difference, but it’s more waterproof than what she’s wearing, and also carrying his warmth. He pops open the umbrella he’s carrying, and with an arm around her shoulder, pulls her to his chest.

“You know,” he starts, his palm rubbing circles on her back. “I would normally feel anxious doing this with anyone. But somehow, you’re the exception.”

Her head turns, chin resting on his chest so she can look up at him.

“I want to kiss you,” she says, and Sebastian chokes on whatever he wanted to say before. “Can I?”

She’s on her tiptoes now, her lips so close to his that their breathes are mingling, yet she’s giving him the choice of covering the remaining distance. Which he does, hungrily, almost desperate for it, both hands cupping her cheeks as their mouths clash. The umbrella falls into the water, and yet they don’t care enough to notice it.

They stop for a moment, coming up for air, and then they’re back at it, and despite the fire growing at the pit of her stomach, the kiss is languid, exploring, tongue pressing against tongue. Slight movement, a change in their position to deepen the kiss, her fingers now playing in the hair at the nape of his neck, his hands at her waist.

He kisses her like he never kissed somebody else, and went hungry for it all this time. His fingers move under her sweater, and the sudden cold touch makes her break apart. His touch turns comforting, pressing against her skin, and she sighs. Their foreheads meet.

“Fuck, I wanted to do that for so long,” he breathes and she laughs.

“We are two idiots, right?”

“Big idiots,” he nods, and she takes his hand in hers, starts pulling him in the direction of her house.

 ***

She starts the fire in the house, as he’s slowly undressing layer after layer. In the bathroom, the bathtub is filled with hot water, waiting for him. He’s down to a t-shirt and his boxers when he cups her elbow in his hand.

“Join me?” he asks, voice a bit strained, but firm.

She can only nod, dazed, not trusting that this is not just a dream, afraid that speaking will ruin the moment. He sits down on the edge of the tub, gesturing for her to come closer. She’s standing in front of him, and he’s gentle in guiding her out of her clothes, letting them drop to the floor. He strays from his purpose sometime, to press a kiss against her hip, or at the tip of her fingertips.

When she eventually ends up stark naked, his eyes are hungry, but his touch not, as he guides her inside the hot tub. She sighs in pleasure, closing her eyes. She opens them again when she hears the rustling of clothes, to watch him undress. He’s a bit slow, a bit shy, joining her inside the tub. The water almost spills over. She tries not to think of his cock, the precum leaking. She tries to ignore the uncomfortable heat growing between her legs.

She helps him shampoo his hair, he washes her back. They go off track from time to time, kissing lazingly for a long time, his hands massaging her breasts, her teeth grazing his neck. Until she moans, a loud sound. Until he gasps, her name caught between his lips.

Then, with ease, he helps her out. They share one, large towel, huddling together until they reach her bedroom, giggling like children. They’re almost to the bed when he stops, looks at her.

“We don’t have to do anything.”

He’s a liar, because his cock is pulsing with want and she can feel him against her hip. She pouts.

“But I want you.”

He kisses her pout away, pushes at her shoulder until she falls to the bed with a yelp, hands wrapping against him, taking him down with her. She’s laughing, pleased with having him on top of her, when his mouth moves downwards on her body, kissing against her collarbones, sucking at the skin, biting at the skin, until there’s a dark mark behind. He throws her a pleased grin, moving lower yet again.

Sebastian takes one of her nipples in his mouth, a hand moving up to tease the other. Her hands immediately wrap in his hair and she gasps. He pulls at the sensitive area, with his teeth and his fingers, licking it better immediately afterwards, and she writhes under him. He kisses his path downwards, though his lips kiss at her hips, he bites at her thighs, always circling around where she most wants him.

“Seb,” she whines. “Please.”

He stops his ministrations to look at her, frowning and pouting, hair dishevelled against her pillows, her body flushed all over, his marks so obvious against her skin. He feels himself growing at the sight, though he smirks at her.

“Please what?”

She blushes.

“Please eat me out?”

It sounds like a plead and a question and a prayer and a command all at once, and he’s on her in the blink of an eye, tongue lapping at her folds. Her back arches, but his hands are keeping her in place – and he maintains a constant, slow rhythm.

Until he doesn’t, one of his fingers entering her in full, with ease. Sebastian chuckles.

“You’re so wet, baby.”

Her walls squeeze at the nickname. He adds another finger; watches, transfixed, as it disappears inside with the same ease. He starts pumping them inside her, and the sound of her wet pussy taking it all in is so hot, that he groans.

Buried down in her to the knuckles, he opens his fingers apart. She moans, pushing down, searching for more, more, more. He scissors her, spreading her wide – and his head moves lower yet again, lips kissing against her clit at first.

Then, he adds a third finger. He can feel her stiffen under him, so he pulls her clit in his mouth, rolling his tongue around it, just as he starts pumping his fingers inside her. Now her hands are holding on to her sheets, and she’s mumbling some curses, halfway lost to her pleasure, moans louder and louder as he speeds up.

He raises his head just for a second, to chuckle against her heated pussy.

“Come, baby.”

So she does, and he continue pumping inside of her, letting her ride her orgasm. She still sighs when he pulls out his fingers, immediately missing the feeling of being filled up with him. He moves to pepper her face with kisses, petting at her now sweated forehead.

“You did so well, baby.”

He’s teasing her, knowing how much she likes the nickname. So instead she looks down between their bodies, his cock against his navel, leaking – and looking like the most beautiful dick she has ever seen in her life. It’s not the biggest one she’s seen, but he’s thick and she’s never wanted to taste something more than the cum that’d spill out of it.

Still staring, she moves her hands to grab it, her fingers dancing over it, starting with his leaking tip, spreading his precum all over his length, before stopping with a slight squeeze at its base. Sebastian shivers over her, eyes closed, mouth open in an unspoken prayer, because he’s not sure even god can help him now.

Holding his dick in her hands, she helps him adjust at her entrance. At first, he teases against her cunt, pressing his cock between her folds, rocking his hips back and forth as they both moan in tandem. She’s already dripping over the sheets again.

He grabs at her hand, fingers entwined.

“You ready?”

“For that dick? Born ready,” she says, chuckling, but not moving her eyes away from where he’s starting to push inside her.

“Fuuck,” he says, just as she moans, only the tip in. The stretch is painful, but so fucking delicious and she’s a blabbering mess begging for more, pulling him closer with her free arm. He slams inside her, forcing the rest of his length inside in one go, and she swears. He kisses at her eyebrows, at the tip of her nose, apologizing softly.

“Tell me when to move again,” he says, and true to his words, he seems content to just kiss her, tongue at her neck, words whispered and lost in her hair, but making her shiver nonetheless just because there’s the hot breath so close to her skin. She’s trying to adjust to his entirety of him inside her, not hurtful but not entirely comfortable just yet either, and his mouth now licking at her hypersensitive nipple seems to slowly do the trick.

“Move,” she says, and he does.

He’s slow at first, almost frustratingly so, pulling out almost entirely, before slowly filling her up again. She moans, drawn out sounds, with each movement – and she almost doesn’t notice when the speed picks up, when she starts moving her hips to meet his actions. They’re a mess of grunts and moans, gasps and swears – and he squeezes so hard at her hip when she comes again, the orgasm washing over her with an intensity that it’s almost blinding, that she’s sure he’ll leave bruises.

Sebastian looks like a man in pain, inside her as she’s coming back to herself after the orgasm. She kisses his cheek, hands rubbing against his chest muscles.

“Do you want to cum all over me?”

He almost trips with the haste that he’s pulling out of her. She’s waiting, on her back, tongue lolling out of her mouth. Sebastian rises on his knees – it’s embarrassing that he only needs two more pumps to come. Most of it falls on her tits and neck, though she’s happily licking every bit that she can reach with her tongue, swallowing it all like a good girl.

“Fuck,” Sebastian says, falling next to her on the bed. “You’re so fucking sexy.”

She beams at him, getting closer. They kiss for a while, bored and tired and messy, teeth clanking together, tongue at the corner of the mouth. There’s a string of saliva between their lips when they separate.

She gets up, goes to the toilet, returns all cleaned up, before coming back to the warmth of the bed, dragging the covers over both of them. Sure, the sheets are dirty, but that’s a problem for her future self, because right now, all she wants to do is snuggle at Sebastian’s back, an arm draped over his waist. So that’s what she does.

 ***

When they wake, they fuck on the kitchen counter, the angle hitting her just right. Truthfully, half of her butt is in the air, her legs wrapped around Sebastian’s torso, as he snaps his hips up in her, deeper and deeper each time. She’s never been so glad she doesn’t have neighbours in her entire life. Maybe because it’s been so long on her part, or because Sebastian is really just that good, she’s loud – and she loves to feel him stirring inside her, with each of her moans and praises.

“So good,” she gasps, fingers digging almost painfully in his back, and he proves his point by ramming into her, ripping a sob of pleasure out of her.

He’s wearing a condom this time around, so there is no mess to clean up, and they drink their coffee afterwards – talking about this and that, not even skimming the topic of what they’re doing, or why.

He kisses her goodbye though.

And on Winter Star, while she’s getting ready for the feast with everyone else, Sebastian comes by. He welcomes him warmly, and he sits on the side of her bed, watching her finish her make-up and doing her hair, and though he doesn’t move, she keeps catching his eyes in the mirror, looking at her every movement hungrily.

“We’re not fucking after all this effort I just put in,” she says, pointedly plucking her lips and applying a bright, red lipstick.

“I want to take you out on a date,” he says, ignoring her childish theatrics, but shaking his head with a soft smile.

“Sure.”

She tries to sound nonchalant, but her heart is beating in her chest. As much as she’d like to have him bend her over the table and take her like a bitch in heat, she’d much prefer him being her boyfriend while he does so.

“Good, let’s go then.”

“Now?” she yelps, when he grabs her hand and walks her towards the entrance.

“Now,” he says. He helps her putting on her beret, she straightens the scarf around his neck. “I’ve already called Sam and told him we won’t make it to the feast.”

“You did? What did he say?”

“To have condoms on me,” Sebastian says, face serious, which is why it makes her snort.

“And?” she’s wiggling her eyebrows at him. “Do you?”

He slaps her butt as she’s getting out instead of a reply. She turns at him, the slightest darkness in her eyes.

They go for a ride, promise not forgotten. They drive for a long time, and when they finally reach their destination, he tells her to keep her eyes closed, keeps his palms against her eyes as he guides her steps.

When he moves his hands away, she gasps. Spread ahead of her, the lights of Zuzu City against the usual darkness of the night. Sebastian moves next to her, grabs her hand in his.

“I come here when I want to get away from everything and just… think.”

He’s been doing this a lot lately, ever since she came to the valley, became his friend. Torn between his dreams of the city and the familiarity of home, he came here often thinking about what he should do.

He’s fumbling with his cigarettes, before eventually lightning one. Leaning against his motorcycle, she’s still looking out at the landscape in front of them.

“It gives such a strange, sad feeling…”

She’s almost saying it to herself. She doesn’t understand why he is showing this to her, and she can only think of how much he wants to be a part of those lights shining in the distance. She knows, if he is to walk that path, there’s nothing she will do to stop him.

Sebastian gets close to her, slings an arm around her shoulder. His gaze is still fixed to the city out in the distance, but when he speaks, it’s all just for her.

“The city used to draw me in… but now I’m finding myself happier at home in the valley.”

Her head snaps up so fast that it almost hurts. She doesn’t trust herself to say anything, afraid she’s overstepping, afraid she actually misunderstands whatever is going on, afraid to hope too much.

He turns to her, knuckles slowly caressing her cheek.

“You’re the only one I ever brought to this place. You know what I’m trying to say, don’t you?”

She shakes her head; wants to hear it. He leans down, pulling her close with his other arm, covering her sound of surprise with his mouth, kissing her. She doesn’t think she’ll ever get used to his kisses; he’s a passionate but patient kisser, drawing out the movements for as long as possible, biting and licking at her lips, smiling smugly and lazily at her when he is done.

“I want us to be together. For real.”

She jumps in his arms, the move making him stumble a bit, but they’re not falling. She looks in his eyes, the gaze as touching and passionate as it’s ever been.

“I love you, Sebastian.”

“Wha-”

But she kisses him.

 *** 

She’s obsessed with saying those three words. Now that she has the right to say it, it blooms out of her at his every gesture. She says it out loud without embarrassment or care as to whoever else can hear it. She says it as good morning and as good bye. She says it when he stays the night, and when he asks her over to play a new game together. She says it in front of Maru and mayor Lewis. She says it when he comes inside of her. She says it when he lets her borrow his sweater. She says it when he calls her in the evening after work.

It makes him dizzy with how wanted she makes him feel.

It’s the middle of the night and they’re waiting, alongside everyone else from the city, for the clock to strike exactly 12, and the fireworks to blast into the sky. She’s holding onto his arm, chatting happily with Sam about a cover song they’re planning. Her weight, next to him, is something new to get used to – but she’s always fitting herself right there with so much ease, that it seems almost natural.

The countdown begins, mayor Lewis’ voice booming across the square. At 8, she joins in. At 3, he does too. The fireworks blast with a loud noise, and she squeezes herself closer to him, her eyes to the colouring sky, her lips to his ear.

“Make a wish, babe.”

She closes her eyes, thinking of everything she wants in the upcoming year. He looks at her.

“So, what did you wish for?” he asks.

She tugs at his jacket, kisses him.

“You.”

[cricketnationrise]

(Chain) Mail Call

Day 5: Hockey & Hobbies on AO3 

_X_

“Uhhh, Nurse? What’s that you’ve got there?”

He knew the question would be coming. It’s the first road trip of his new team on the way to play the Schooners. And it’s not like he has a normal, easily accessible hobby. Nursey was surrounded by bags of tiny metal rings and two sets of pliers. He looked over at Smee and watched his eyes get bigger as Nursey pulled out the piece he was working on. Smee is a rookie, fresh from juniors, and Nursey’s d-partner. It doesn’t seem like he’s gonna be a dick about this, so he answers.

“It’s chain mail,” he says settling in to his seat and picking up his pliers.

“Chain mail.” Smee says flatly.

“Yup. One of my old teammates back at Samwell got me into it.” Nursey starts opening links as he continues, “It’s meditative and shit, plus it gives me something to do with my hands while I listen to my audiobooks.”

“That’s … pretty cool, Nursey,” Smee says.

“Thanks, Smee,” he says.

Not a bad reaction, on the whole. Last season he got a lot of weird looks and some not so friendly comments, so mostly kept the chain mail at home and just watched a lot of movies instead. But he hadn’t really been a good fit on his last team, either. Smee’s reaction made Nursey think that he wouldn’t be made fun of for his weird plane hobby here. Or not as meanly.

He wasn’t lying to Smee, he really does listen to audiobooks while assembling the mail, so he turns on the latest Murderbot novel and gets to work. He pries open what he deems to be an appropriate number of rings to get started, and starts to attach the opened ones to closed ones. He uses up all the open links and is left holding a strip of two rings. Now comes the hard part, adding the new strip to the main piece. He’s so in the zone that he doesn’t realize at first that the plane is quiet.

Too quiet.

He only notices when there’s a pause at the end of chapter. He pauses the book, and takes his headphones off. He does a double take when he sees the entirety of his team crowding close.

“You guys okay?” Nursey asks nervously. He hasn’t had this many people crowding him since Samwell, but that was a very different vibe. Nursey realizes he’s holding his breath, worried, braced for a negative reaction from the guys he still doesn’t know very well yet.

“NURSEY OH MY GOD – “

“HOLY CRAP NURSEY – “

“Can you teach me??”

“THAT’S SO COOL!!”

“I want to do that!”

Nursey lets his breath out, relieved. His teammates all erupt with excitement and questions and the noise is so loud that he can’t actually make anything out for sure, but he is glad that no one can tell he’s blushing from all the general hubbub directed toward him. It’s nice to know his instincts in signing with this team were right. He’s gonna be okay here.

“I can teach you guys yeah, but not more than one at a time, I only have so many pliers and rings and stuff.” He finally says when they’ve calmed down enough.

Smee immediately calls dibs and throws himself into the seat next to Nursey; the others grumble and move back to their seats, but Nursey can hear them figuring out a schedule for the next few weeks. Smiling to himself, he turns back to Smee.

“Alright you ready?”

“Yeah! Thanks for doing this Nursey.”

“Of course, dude.”

“You said your old teammate taught you?”

“Yeah, Tango. Guy’s a riot; always asking questions. But that means he has a lot of random knowledge rattling around. He noticed I was feeling pretty anxious on a roadie one day and just sat down next to me and was like, ‘Hey Nursey, you should help me with this,’ and it totally calmed me down. So now it’s my go-to activity when I’m gonna be flying, it’s not really conducive to do on a bus. No tray tables.”

“Well, thanks for passing it on, man,” Smee is definitely blushing now. “You know, I was nervous to talk to you?”

“What? Why?”

“Well, you’re just so cool and chill and like confident all the time and we’re both new to the team but you’ve been in the NHL longer AND you went to college and,” Smee’s hand comes up and rubs the back of his neck, “I don’t know man its just – intimidating, I guess?”

Nursey just stares at him. Smee’s intimidated by him. Somewhere Shitty and Ransom are laughing particularly hard, and they don’t know why. He makes a mental note to text the Frog Chat as soon as possible to brag about how the rookie thinks he’s intimidating and chill. Shut up, Dex, yes, he is. If it wasn’t totally rude, he’d be bragging in the Frog Chat about it right now, but it is - so instead he finds his extra pliers for Smee.

“Well, I definitely wasn’t intending to be intimidating – just wait till I manage to trip and spill a bowl of cereal on someone and believe me the magic will be gone,” Nursey says.

“… Right.” Smee is looking doubtful, but Nursey knows it’s only a matter of time before he takes his throne as the clumsiest guy on the team. Not eager to hurry that fact along, he dumps out some more rings and clears his throat.

“Okay. So. The first step is to use the pliers to open a bunch of the split rings. Make sure you don’t open them too far or they’ll get too weak and snap.”

“Like this?”

Nursey check Smee’s work and grins, “Yeah that’s great, Smee. Do that for another ten minutes or so and then I’ll teach you how to link them.”

“Thanks man,” Smee says.

“It is gonna get old if you keep thanking me all the time, Smee,” Nursey says. “It’s a little selfish, actually, but if you learn, you can help teach the others. And then maybe I won’t be booked every single road trip. I’ll miss my books.”

Smee frowns a little, then brightens, “What are you reading? We could listen together, maybe?”

Smee reminds him of Chowder so viscerally it’s like he got punched in the stomach. He really needs to text his friends. It’s definitely been too long.

“Sure thing, Smee. Let me go back to the beginning of the series. Don’t look like that they are really short, and I’ve been meaning to reread them anyway. The first one is called All Systems Red and the series is known as The Murderbot Diaries by Martha Wells.” Nursey fiddles with his phone, and while Smee asks a bunch more questions about the book and making chain mail, he’s able to sneak a text off to the Frog Chat.

Me: The rookie told me he was nervous to talk to me because I’m quote: Cool and chill and confident and I went to college So take that

Dex 🦞: AHAHAHAHAHAHAHAHHA HAHHAHAHAHAHA HAHHHAHAHAHAHAHHAHAHAHA Good one Nursey

Chowder 🦈🦈🦈🦈: that is so nice, Nursey! If ONLY HE KNEW THE TRUTH

Me: Shut up I'm very intimidating The both of you are so savage I love you guys

Chowder 🦈🦈🦈🦈: 😘 See you when you play the Sharks! Only 1 week!

Dex 🦞: Still can’t breathe from laughing 🤣 Love you man See you when you get home 🙂

_X_

[dazeythescout]

in your post with perks in the tags, are you meaning the rest are bad or perks is objectively bad? just curious!! :)

so i don’t think perks of being a wallflower is necessarily as bad as i implied it to be but i do have a lot of .... conflicting opinions

first of all i read it when i was 10 years old. for those of u that have only seen the movie—the book is a lot more explicit and has at least one notable extra scene that is definitely not appropriate for a ten year old lol. i learned a lot from that book that i otherwise wouldn’t have known. this isn’t my issue with it—it’s not the author or the book’s fault if someone that’s too young reads it, this is just background info

the book is SHORT. like, worryingly short once you realize just how many heavy subjects were written about. so many things were touched on but with an assumption that the reader already had extensive background knowledge, which just isn’t true. it’s marketed towards teenagers, and putting aside the fact that i read it when i was 10, it just wasn’t an ethical way to write about stuff like rape & violent homophobia & serious mental illness & drugs & incest & child abuse and probably like ten other things that i’m forgetting, all for a teenage audience

i didn’t like the way patrick was outed. i know that happens in real life, but it always just irks me when there’s only one lgbt character in a piece of media and one of their huge character plot points is homophobia, especially as someone who was outed

i know a handful of people who dated seniors when they were freshmen and lemme tell u looking back they all can attest that it negatively impacted them. i’m about to be a senior right now and i wouldn’t even consider dating a sophomore honestly. i feel like charlie’s friends took advantage of him and it was never fully addressed properly. there’s probably something to be said about the way charlie was taken advantage of by seniors and how that parallels his relationship with his aunt, but i’m very much not qualified or comfortable to speak about that

i’m sure it wasn’t the author’s intent while writing (and someone with a better understanding of literature & psychology might be able to do a better read of this than i have) but it did come off as romanticizing a lot of these heavy subjects. some of it was due to the fact that it was so short, but a lot of it is also due to the book’s cultural impact and the way most people view it as a pretty standard coming of age story. it’s not—it’s very heavy, and i think the movie’s deliberate extraction of a few key scenes is the reason why we don’t collectively see how heavy it really is

also it’s just...overwhelmingly white. i’m white myself i don’t want to overstep on this point (and i wish i could go back and reread it right now to give some examples) but i just don’t think we really need more stories about white american teens

all this being said, it was a formative book to me as a 10 year old & as a preteen when i reread it, and i have a lot of nostalgia tied to it so i do consider it a favorite

[adenei]

Finding My Way To You - Ch. 11

AO3 || FFN

A/N: In case something looks familiar to you, yes this does include the Day 8 prompt in this chapter with a few slight alterations to fit the rest of the chapter more accurately.

**************

New Endeavors

Ron woke up the following morning to Hermione’s alarm going off. He reached over to her in an attempt to coerce her into having a longer lie-in, but he pulled back when he heard her squeal.

“No, no, no, no, I’m late! This is not good!” she said frantically. She jumped out of bed and ran to the bathroom. 

As much as he didn’t want to see her get moving, he could certainly get used to the sight of her walking around in just her knickers and one of his shirts. Ron closed his eyes as he heard the shower turn on and replayed the night before. After they had cleared the air and spent the rest of the afternoon exploring their new relationship, they’d gone to dinner with her parents. 

Hermione had suggested she spend the day with them today, and Ron was fine with it. He knew it was important to her to reconnect, and some of that needed to be done with just the three of them. So that’s where Hermione was getting ready to head now. He heard the door open and Hermione came out wrapped only in a towel.

“I forgot to grab clothes,” she said in frustration with herself. “Are you sure you’re okay with this?”

“Not if you keep walking around in just a towel, I won’t be,” Ron said. “Are you sure you can’t come back here for a little bit?” He knew she was referring to her leaving him alone all day, but he couldn’t pass up the opportunity to try and get a little extra time with her first.

Hermione had gathered her outfit in her arms and turned around to give him a look. “I’d love to, but I’m already late. And we both know if I crawl back in bed, I may not have the resolve to get up again.” She walked back into the bathroom. “What are you going to do all day?”

“I dunno. I’ll think of something. Don’t worry about me. Have fun with your parents.”

Hermione came out of the bathroom again and walked over to the edge of the bed. “I just feel bad.”

Ron sat up and swung his legs over the side to meet her. “Don’t. You need this time with them. That’s why we came. I’ll find something to do, and I’ll see you later tonight. Just...keep me updated, okay?” Slight worry etched across his face. He knew he was on good terms with her parents, but he still worried that she might not return. 

She must have noticed his concern because she leaned over and kissed him. “I will. I’ll see you tonight.” Ron nodded as he watched her grab her bag and head out the door. He laid in bed a while longer before finally getting up.

After getting ready for the day and finishing his breakfast, Ron made his way to to look through some of the brochures from the Australian Ministry. He nearly jumped out of his skin when he heard the phone on the wall ring. At first he wasn’t sure what to do. It wasn’t like he answered telephones often. He reminded himself not to shout into the receiver like that awful attempt at calling Harry when he was younger.

He picked up the phone and said, “Hello?”

“Hello, Ron? Is that you? This is Graham. Graham Jacobsen. I showed you to your flat when you first arrived.”

Ron had honestly completely forgotten all about the man. Now that he thought about it, they probably should have updated the Australian Ministry days ago. “Er, yes, hi. Is everything alright?” Ron asked.

“Yes, yes, of course! I’m just checking in to see how your search has been going and if you need any assistance!”

“It’s been great, actually. We’ve managed to locate Hermione’s parents, fairly quickly actually, and she’s been spending the last few days getting reacquainted with them.”

“Excellent, excellent! So the resources the Ministry sent over with the muggle teeth cleaners and addresses of Wilkin’s in the surrounding area were no doubt helpful, then?”

“Er, yeah,” Ron said. He wasn’t about to tell Graham that they’d actually stumbled upon Jean and Hugo by accident.

“Great. So anyways, like I said, I was asked to get an update. Since you’ve located them, we were wondering how much longer you were anticipating to stay.”

“I’m not sure. I can talk to Hermione and see if we can get a clearer answer for you tomorrow or the day after if that’s okay.”

“Yes, sure! No rush. It will just help to have an idea to prepare your portkey trip back. Let’s see, let’s see, oh yes! One more thing. You received a letter here from England through the Portkey Post. Wouldn’t want to make owls travel all this way. If you’re available, you can come pick it up at the Ministry anytime.”

A letter? Is everything alright back home? “Sure, yeah, I can actually be down there in fifteen minutes.”

“Excellent, I’ll meet you in the entrance hall. See you in a jif!” Graham said before hanging up.

Ron hung up the phone and immediately began moving around the apartment to grab his things. He figured he could spend a few hours walking around and seeing what else Melbourne had to offer from the magical side of things. Before he knew it, he was apparating to the spot Graham showed them almost a week ago, and walked the short distance to the Ministry entrance.

He had barely stepped a few paces inside when he saw Graham waving frantically. “Ron! Over here!” They met in the middle as Graham said, “So good to see you again! I hope you’ve been enjoying your stay here so far.”

“Yeah, it’s been great,” Ron agreed.

“Here’s the letter that came for you. If you want to send a response, we send our international post out at 13:00 every day. The drop box is over here.”

Ron followed him over to the box that had a small slot in it. He was curious how this system worked. Whether it was his lack of knowledge about other cultures and customs or not, he always assumed the owls just traveled the distance to their destination. Though, for a continent like Australia that was so far away from other places, he supposed this system made sense. It’d be hard for an owl to travel over an ocean with no resting points.

“Thanks.” 

“Absolutely. Well, I must be getting back to my obligations. Like I said, feel free to call if you ever need anything. Just press 9 on your dial pad and it will transfer your call to my office. A little magical touch so you don’t have to memorize a ten digit number. I look forward to hearing from you!”

Graham shook Ron’s hand before walking away. Ron looked at the letter in his hand. He didn’t want to return to the flat just to read it, so he decided to walk around a bit to find a place to sit and read what it said. There was a small park a few blocks away that Ron stumbled upon. He chose one of the vacant benches and sat down. The handwriting looked like Harry’s.

Hey Ron,

I hope you and Hermione are having luck finding her parents. It’s odd here without you two, but I’ve been keeping busy. Listen, I’m not trying to rush the process, but I wanted you to know that I met with Kingsley yesterday, and he said they’re looking for recruits in the Auror program. The other letter that I sent with this is from him. He’s inviting us into the program if we want. I think I’m going to go for it. We have to complete the screening process by the end of the month, so I’m hoping you’ll be back by then to start with me if that’s what you want to do. By the way, are you and Hermione sorted yet? Ginny wants to know. Well, anyways, let me know when you decide. 

Harry

Ron reread Harry’s letter a few times before pulling out the second piece of parchment that he now knew to be from Kingsley. Was this actually an invitation to join the Aurors? Would he be able to achieve his dream? Did he still want to pursue that dream? He slowly peeled off the wax seal and unfolded the official Ministry parchment.

Mr. Weasley,

I hope this finds you well and that you are having success on your current mission. I am reaching out to you to personally invite you to join the Aurors. As you know, we are woefully understaffed as a result of the war, and your integral efforts make you a prime candidate for the program. Typically, the training period is an extensive three years, but given your experiences, you will have an opportunity to pass out of the training program after a year, and be promoted to Junior Auror status. 

I understand that you are predisposed on a mission, but this offer is time sensitive. The Auror department has agreed to honor this offer for select people, yourself included, but they are requiring all candidates to begin on 3 August. Paperwork and a screening, however, must be completed by 1 July. I have attached the preliminary paperwork for you to set up your appointments with the Ministry, and they will be in touch should you be interested in pursuing this avenue. 

Please take the time to think about this, but do not wait too long to reply. The Aurors will be lucky to have someone with your skillset in the department. Best of luck on your continued search. All my best,

Kingsley

Ron’s hands were shaking slightly at the letter. He had a personal invitation from the Minister of Magic to join the Aurors. His finger followed the application that he looked over. It seemed straightforward enough, and the prospect was certainly appealing. He knew deep down that he absolutely wanted to try, but something was preventing him from returning to the Australian Ministry to fill out the paperwork and send it back that same day. 

Ron thought it through to make sure he’d have enough time to discuss with Hermione first. He reviewed the application, and it said he could return his paperwork from Australia, and it said that he could request a timeframe for his appointment. That was good. Maybe he could return next week, but his heart wrenched at the thought of having to leave Hermione here. Ron folded the contents of the two letters and tucked them in his jacket pocket for safekeeping. 

He looked around the park, thinking about what to do next. It was a beautiful, crisp day, just like every other day had been since they’d arrived, even if it was colder. He smiled, thinking Hermione would be cold, but he was perfectly comfortable. The weather here differed so greatly from the weather in England, and Ron was slightly envious of how nice it seemed to be year round.

He finally decided to walk around. This part of Melbourne wasn’t as familiar to him, but Ron figured he could always apparate back to the flat if need be. A smile spread across his lips as he stood up and began walking back towards the Ministry. He’d gone from not knowing what life had in store for him now that the war was over to having a career prospect. Nothing could break his mood as he looked around at the places to explore. 

About an hour later, Ron found himself wandering aimlessly around Melbourne’s streets. He’d gone in several of the shops that interested him along the way, and had just finished up a light meal he’d gotten at a cafe. The food was great, and he wished Hermione had been there to. He told her he was fine with today’s plan, but he still missed her. They’d been spending so much time together that it felt odd to be apart from her, even if it was just for the day. Even when her mum had whisked her away to shop, he still knew exactly when he’d see her next.

As he made his way down another new street, Ron stopped outside the window of a unique looking jewelry shop. He knew it was still early in their relationship, but he walked inside anyways to see what the display cases held. Most everything would probably be out of his price range, but maybe he’d gather an idea or two for Hermione.

“Good afternoon,” a bright and energetic salesperson said to him.

“Hello,” Ron said.

“Is there anything I can help you find today?”

“Oh, er, not really. Just looking,” his ears turned red. 

“Not a problem at all! I’ll be around if you need anything,” she smiled and went back to her work.

As he walked around slowly, browsing the selection, he was appreciative that there seemed to be a wide variety of items and price ranges. Ron avoided the section with the rings. It was way too early for that, and he didn’t want to get his hopes up with wishful thinking. So, he found his way over to the earrings, which he was pretty sure she never wore often, though he was certain her ears were pierced, and then the necklaces. He shuddered at the recollection of Lavender giving him that horrifying ‘sweetheart locket’ back in sixth year, and swore to himself that he wouldn’t get anything like that for Hermione. 

Once he’d finished circling the perimeter of glass cases, he moved to the center displays, which appeared to be bracelets. There was a small display among them that had a variety of blank bracelets and little pieces scattered all around. 

Ron looked around and caught the salesperson’s attention. “Find something I can help you with?”

“Er, yes. What are these?” Ron asked her.

“Oh! Great question. These are charm bracelets! Are you familiar with them?” she asked kindly.

“No, not really,” Ron admitted.

“No matter! You see, you pick out a bracelet first, though I’m sure you would have gathered that, and then you have all of these amazing charms to choose from. We have hundreds of them on this display for you to choose from.”

“So, the charms are like symbols, then?” Ron asked for clarification.

“Precisely! They are becoming increasingly popular.”

Ron nodded as an idea was forming in his mind. He was unable to get anything for Hermione’s last birthday, and Christmas for that matter. Maybe this could be the way to make it up to her. “How much?”

“The bracelets are 50 dollars, and then the charms range anywhere between 15 and 50 depending on what you’re looking for.”

Ron thought about what the salesperson said as he felt the wallet in his pocket. Bill and George had both given him money before he’d left. He was determined not to use it unless he had to, since he felt guilty that he was taking it to begin with. Maybe he’d splurge a bit, and when they got back to England, he’d take up a part-time job at the shop with George in order to pay him back, and then earn a little spending money of his own.

In truth, he was about to use it to pay for their posh dinner the other night, but Hermione had insisted she use her parent’s card. He’d need to make it up to them, too, at some point. Focus, Ron. Okay, I could get her the bracelet, and a few charms. No more than five. He knew if he didn’t set a limit, he’d blow all his money on this one gift.

“Okay, I’d like the silver bracelet, I think. Is there a list of charms, or will I need to look through all these individually?” Not that he minded, since he had nowhere else to be today.

“We have a list right here!” There was a stack of laminated papers that she grabbed one from and handed to him. “When you’ve decided what you’d like, I can take them out for you and we can put them on the bracelet at the register.”

“Great, thanks!” Ron said as he began to work his way through the list. 

She wasn’t kidding when she said there were hundreds. They were broken down into categories on the double sided sheet. He knew he definitely wanted to get her the book charm. That was without a doubt. He saw that there was also a heart with roses engraved in it. It looked fancier than the other charms, but he figured he could splurge a bit on it since it held a special meaning for them both. 

As his eyes skimmed the list he noticed an assortment of animals. I wonder…, he thought. He saw there was definitely a dog, which he wasn’t surprised by, but he was even more pleased to see that there was an otter charm! “Well, they are quite cute,” he muttered to himself. 

Four charms down, one more. He initially looked for an elf, but didn’t have any luck there. He wasn’t surprised, and he worried that even if he saw one, it’d be one of those Christmas looking ones. Giving up on that, Ron ended up finding a seashell charm which instantly brought him back to Shell Cottage. That was no doubt the turning point in their relationship, and it also represented the place where Dobby was buried. It could definitely serve a double meaning, for sure.

He brought the paper up to the counter and told the kind salesperson his choices, watching as she bustled around to collect everything. She rang the items up, and Ron pulled out his wallet to pay for the items. He carefully tucked the receipt away so he could keep track of his purchases.

“Would you like this wrapped up in a gift bag?” she asked him.

“Yes, please,” he said, glad to have her assistance.

He asked if the charms could be arranged the following way on the bracelet: book, otter, terrier, seashell, and heart. It represented the chronological order of the charm’s meanings to their relationship. The salesperson finished wrapping up the bracelet and handed him the gift bag when she was finished. “Thank you so much for your business, and best of luck. I’m sure your special someone is going to love this!”

“Thanks for your help,” Ron said as he exited the shop.

He figured he should probably head back before he spent any more money that day. Ron could watch the telly, and there was enough food for him to make something at the flat. There was an alley nearby that he decided to turn into, so he could apparate back to the flat. Better to be safe than sorry, since he really had no idea where he was. He turned on the spot and appeared at the apparition point nearby. He approached the building, typed in the code and let himself into the foyer. 

When he made it up the stairs, he unlocked the door and walked into the main living area, just as a silvery ball floated toward him. At first, his heart constricted and he immediately became on edge. He was even more worried for Hermione’s safety when the ball transformed into Hermione’s otter patronus.

A moment later he could hear Hermione’s nervous voice. “Hi! I hope this works. It’s the first time I’ve tried to send a patronus message. Anyways, I’m having dinner with my parents and will be back after. Most likely between seven and eight. I hope you don’t mind. See you soon.” 

The silver otter pranced over to him and moved in a figure eight pattern around his legs before nuzzling him and disappearing into a wisp. Ron couldn’t help but smile with pride. Hermione was okay, and she’d produced her first corporeal patronus complete with a message. He checked his watch as he set the bag down on the table. Only a few hours until he could see her again.

[gabtapia]

Warning extra long ask lmao:

The last three chapters broke me. 😭😭😭

But the worse thing was reading first two paragraphs of ch 31 and having it go from Patroclus’s narrative to third person narrative because Patroclus is dead so he can’t tell the story anymore 🥺🥺😭

I have so much to say so i’m gonna use quotes to help:

“A prophecy,” she said. “That the best of the Myrmidons will die before two more years have passed.”

She draws down the blanket, releasing me into the air. She cups my face in her hands. “Be careful tomorrow,” she says. “Best of men. Best of the Myrmidons.” She places her fingers to my lips, stopping my objection. “It is truth,” she says. “Let it stand, for once.” Then she leads me to the side of her tent, helps me slip beneath the canvas. The last thing I feel is her hand, squeezing mine in farewell.

No. My hands flurry in the air like startled birds, trying to halt the spear’s relentless movement towards my belly. But I am weak as a baby against Hector’s strength, and my palms give way, unspooling in ribbons of red. The spearhead submerges in a sear of pain so great that my breath stops, a boil of agony that bursts over my whole stomach. My head drops back against the ground, and the last image I see is of Hector, leaning seriously over me, twisting his spear inside me as if he is stirring a pot. The last thing I think is: Achilles.

WHY??? Why does Patroclus have to be the person of the prophecy. They made it pretty obvious that it was him but my God actually reading it I-

Calm down Chiara. Say this properly.

WAIT NO THERE IS NO WAY TO SAY THS PROPERLY PARTOCLUS IS DEAD 😭 AND THE FEW PARTS WHERE ACHILLES DOESN’T KNOW HE’S DEAD YET MY GOD I JUST STARTED BAWLING IT HURT TOO MUCH

HIS GRIEF AFTER PATROCLUS DIES IS JUST SO RAW I COULD LTERALLY IMAGNINE PATROCLUS IN THE TENT AND ACHILLES CRYING OVER HIS BODY AND MY HEART-

But he cannot feel it. There is a numbness in him. The writhing field is like a gorgon’s face, turning him slowly to stone. The snakes twist and twist before him, gathering into a dark knot at the base of Troy. A king has fallen, or a prince, and they are fighting for the body. Who? He shields his eyes, but no more is revealed. Patroclus will be able to tell him.

HE SEES THE THING IN PIECES. Men, coming down the beach towards the camp. Odysseus, limping beside the other kings. Menelaus has something in his arms. A grass-stained foot hangs loose. Locks of tousled hair have slipped from the makeshift shroud. The numbness now is merciful. A last few moments of it. Then, the fall.

He snatches for his sword to slash his throat. It is only when his hand comes up empty that he remembers: he gave the sword to me. Then Antilochus is seizing his wrists, and the men are all talking. All he can see is the bloodstained cloth. With a roar he throws Antilochus from him, knocks down Menelaus. He falls on the body. The knowledge rushes up in him, choking off breath. A scream comes, tearing its way out. And then another, and another. He seizes his hair in his hands and yanks it from his head. Golden strands fall onto the bloody corpse. Patroclus, he says, Patroclus. Patroclus. Over and over until it is sound only. Somewhere Odysseus is kneeling, urging food and drink. A fierce red rage comes, and he almost kills him there. But he would have to let go of me. He cannot. He holds me so tightly I can feel the faint beat of his chest, like the wings of a moth. An echo, the last bit of spirit still tethered to my body. A torment.

I’M MAD AT BOTH OF THEM FOR BEING STUPID IDOITS FOR ACHILLES NOT LETTING HIS PRIDE GO AND FOR PATROCLUS FUCKING GETTING HIMSELF KILLED BUT I CAN’T EVEN STAY MAD AT THEM BECUASE HELL THEY ARE SO BEAUTIFUL AND THEY DIDN’T DESERVE ANY OF IT

And then Pyrrhus? I want to kill the asshole:

“When I am dead, I charge you to mingle our ashes and bury us together.”

There's is a slight pause. “Your father and his companion. Patroclus.” “And why should this man be buried beside Aristos Achaion?” The air is thick. They are all waiting to hear Menelaus’ answer. “It was your father’s wish, Prince Neoptolemus, that their ashes be placed together. We cannot bury one without the other.” Pyrrhus lifts his sharp chin. “A slave has no place in his master’s tomb. If the ashes are together, it cannot be undone, but I will not allow my father’s fame to be diminished. The monument is for him, alone.” Do not let it be so. Do not leave me here without him. The kings exchange glances. “Very well,” Agamemnon says. “It shall be as you say.” I am air and thought and can do nothing.

Pyrrhus’ hand closes on the shapeless, blowing dress of the princess Polyxena and yanks her towards the altar. “This is what my father’s soul deserves.” He will not. He dare not. As if in answer, Pyrrhus smiles. “Achilles is pleased,” he says, and tears open her throat. I can taste it still, the gush of salt and iron. It seeped into the grass where we are buried, and choked me. The dead are supposed to crave blood, but not like this. Not like this.

And then the way Achilles just becomes a cold killer after Patroclus dies reading that part felt so bad because it wasn’t Achilles anymore and i was so glad when he died. But then Patroclus didn’t get a proper bury and i freaked because why??? I thought the book might end with him not being reunited with Achilles in the underworld and i had another good cry because seriously that would be the most unfair thing. I was so, so, so happy when Thetis wrote his name.

So basically i’m not okay right now and ever time i think about them before the war happen my eyes fill with tears because they were just so happy and innocent and in love and it hurts to think of what happened during the war. I’m glad i read this book thought, but i know the pain wont go away for a while watch me punish myself by reading all the fluffy scenes 😭

@in-love-with-themoon did you finish yet? I realize i may be spoiling for you, sorry about that! 😅 tell me if your finished the book! And i will send you bunches and bunches of tissues

Sending you lots of love, hugs, ice cream, and tissues!! 💙

I swear I had to take a break after reading that book

The last 3 chapters are just pain

Tbh I was crying since they said goodbye to Chiron because Achilles told him that they were going to come back in a few days and I was like nope you are not and even Chiron knew they weren't coming back 😭😭😭

Since the prophecy said that "the best of myrmidons" I was like fuck is Patroclus and this is bad

The scene that broke me was when Patroclus said that they didn't say the words (I love you) because they would have more time to say them, like in the night when they talk about their day and I was like please tell him 😭😭😭😭😭

THE MOST PAINFUL THING IS THAT EVEN WHEN PATROCLUS KNEW HE WAS GONNA DIE, HE TRIED TO STOPPED HECTOR BECAUSE HE KNEW THAT IF HECTOR KILLED HIM, ACHILLES WOULD KILLED HECTOR AND THE ACHILLES WOULD DIE AND HE DIDN'T WANT THAT 😭😭

AND OMG I WAS SO MAD WITH THEM, WITH ACHILLES FOR BEING SO STUBBORN AND WITH PATROCLUS FOR FIGHTING EVEN WHEN HE KNEW HE DIDN'T STAND A CHANCE!!! 😭

YES I KNOW WHEN ACHILLES IS SURE THAT PATROCLUS IS GONNA COME BACK AND EVERYTHING IS GONNA BE FINE, BUT WE KNOW THAT HE IS ALREADY DEAD 😭😭😭😭

ACHILLES GRIEVE BROKE ME HOW HE DIDN'T WANT TO SEPARATE FROM THE BODY AND HOW HE JUST WANTED TO KILL HECTOR AS SOON AS POSSIBLE

AND I WAS CRYING MY EYES OUT WHEN HECTOR'S FATHER TALKED WITH ACHILLES AND TOLD HIM THAT THEY SHOULD LET THE DEAD REST, AND ONLY AFTER THAT ACHILLE AGREED TO BURN THE BODY 😭😭😭

WHEN ACHILLES DIED WITH A SMILE ON HIS FACE BECAUSE HE THOUGHT THAT FINALLY HE COULD BE REUNITED WITH PATROCLUS 😭😭😭

Don't let me get started with Pyrrhus I hate that jerk so much I was happy when thetis said he was dead!, When he was taking decisions on his father's name I was like stfu you don't even know him!!

And for real I thought they would never be reunited and that Patroclus' soul would be strand in the living world forever I was crying but then thetis appeared and for once in the whole book she wasn't a bitch!

Yes before the war they would never imagine what the fate had for them and it's so sad because they just wanted to love each other, and their love was so beautiful and I love their communication because no matter how bad the things were they always tell the truth to the other 😭😭😭

Believe me I already reread their fluffy scenes and it's never enough! 😭

I'm glad you enjoy the book too, even when it left us with a void in the heart!!

[tiaragqueen]

Au Revoir

✂ Pairing: Yandere! Kirishima Eijirou x Reader

✂ Word Count: 1,8k+

✂ Trigger Warnings: Possessiveness, strangulation, implied stalking

[Edited]

***

A sequel to this that nobody asked but I did, anyway. Probably more dramatic than the first one. Quarantine really set off my hidden drama queen side.

If you like my writing, please support me on ko-fi!

“Let this be a sermon, I mean everything I've said. Baby, I'm determined, and I'd rather see you dead. You better run for your life if you can, little girl.” - Run For Your Life [The Beatles]

Kirishima didn’t think he could love someone as much as he did to you. Sure, he was fond of his ex. There were times when he gazed through the window and wondered if she missed him the same way he longed for her presence if his death left an empty spot in her heart that just seemed impossible to replace by anyone else. But time had slowly altered the nature of his romantic feelings into something more… subtle. Mild. Bearable.

Ever since you came to the picture, Mina had eventually blended into the background. Someone who he occasionally reminisced, but never thought about much.

Was this what ‘moving on’ felt like? It sounded so… cruel. Like he was trying to forget her, but he didn’t. He wasn’t that heartless, he swore! He cherished every memory with her and sometimes wondered if things could’ve gone differently.

But people come and go, don’t they? Nobody lived forever, and if his ex had found a much better life, why shouldn’t he? There was nothing wrong with being happy with a new person, right? If Mina came here and brought her new boyfriend, Kirishima was certain he’d congratulate her. It’d hurt, sure, even the idea still sent a dull ache that throbbed his inert chest. But, at least, it was better than seeing her grieved face.

She deserved all happiness in this world. Though, he couldn’t help but wonder if he was just making excuses for his feelings. That he wasn’t actually moving on, more like, rebounding.

Still, nobody could blame him. He’d been lonely for so long, constantly praying and regretting the past. It was time for him to find happiness, and the Gods just so happened to bless him with a new friend. A beautiful, kind young woman that he never got tired of watching even in her slumber.

Again, nobody could blame him for wanting to grasp that blessing forever, right? He was sure that your existence was actually a fruit of his sufferings.

However, you seemed to think otherwise.

“I’m gonna house-sit to my friend’s house tomorrow.”

Kirishima paused, his hand hovered over the clean plate that he’d been helping you to put away. It took much of his stamina to maintain a corporeal appearance, so he settled with his normal transparent figure. So if anyone were to see you, they would’ve thought that you were talking to yourself. The sheer insanity didn’t bother you, though. As long as he minded your boundaries, you could care less if you looked like a madwoman.

Unbeknownst to you, he’d long overstepped the lines. Not that you would’ve known.

“… Why?” The voice echoed in the quiet kitchen, hanging heavily the same way he clung to your presence as if it was his lifeline.

You shrugged. “Why not? She pays me, so I don’t see any reason why I should reject the offer.”

“But I thought…” He nearly choked on his saliva once he discerned your definite tone. “[Name]-chan, you’re not serious, are you? You’re just joking, right? Tell me you are, please.”

You raised a brow, silently questioning his growing desperation. Throughout the weeks you’d come to know him, Kirishima was an affable individual who was hell-bent on assisting even when you insisted otherwise. You didn’t know the full story of how he became a ghost in the first place; he looked uncomfortable when you asked about his past life, so you promised to never bring it up again. But you did know that he’d been living in this humble, suburban house for a long time. Alone. Trapped. Isolated.

So, as confusing as his distress might seem, you understood that he was lonely. For all you knew, you might be his first friend in so many years.

“No, of course not.” But your job only paid so much. There were things that you had to fix, and your savings were thinning in each day. Thus, the extra cent became something that you very much needed. You were lucky that you purchased the house at a low price, otherwise, you would’ve been sleeping on the street by now.

You chose to overlook its vague description when you asked the seller about why the place was abandoned, and how she looked mildly restless at the question.

The plate almost fell from your hands when he suddenly clutched the sleeves of your shirt. You couldn’t see his face, but you were certain that he was pleading at you.

“No, please, don’t go. Don’t leave me alone.” he sobbed, gripping the cloth as though you’d disappear from his sight if he didn’t. “I’ll do anything for you. Just please, don’t abandon me.”

“What? No, I won’t abandon you. Don’t be ridiculous.” You bit your tongue once you heard his soft whimper. “I-I mean, you’re my friend and this is my house. So there’s no way I’d move out just like that.”

“How would I know?” he asked. “How would I know that you wouldn’t change your mind and choose to live in there instead? How would I know that you still want to be with me?”

“Because, as I said, you’re my friend.” You crouched in front of him and patted what you thought was his head. You hoped it was his head. “And friends don’t abandon each other.”

Kirishima examined your face; all the freckles, acne, and tiny scars that adorned your mesmerizing features. All the sparks that brightened your eyes the same way the stars lit up the universe. You were being earnest, he realized it that much. The way you correctly stroked his hair, the way you looked into his bloodshot eyes so tenderly (almost like a lover would), the way you lowered your tone to a soothing whisper, and the way you smiled to appease his raging anxieties. There wasn’t any trace of insincerity in there, and that was why it hurt.

It hurt because he no longer wanted to be your friend. He didn’t want to be just a housemate to you. He wanted to be something more. Someone special. Someone who you’d remember fondly on your deathbed. Someone who would walk with you through all the events – big or small, important or not, it didn’t matter – despite the knowledge that you couldn’t marry him.

But you didn’t know it, did you? And if he told you someday, would you listen? Would you accept his offer for eternal friendship? Would you accept his dogged devotion towards you?

Would you care to know?

You patted his head for one last time and retired to your room, but he couldn’t hear it. He merely stood by the dishwasher, looking at nothing in particular. He didn’t want to entertain the thought of you going to some stranger’s house tomorrow. He didn’t want to imagine what would you do in there, while he waited for your return like a faithful dog. But it almost felt as if the idea was as inevitable as time itself, and nothing he did could change that.

Surely, there must be a way, right? You’d get angry for sure, but you’d understand his reason. You had to. He refused to think otherwise.

***

That was odd. Kirishima usually appeared the second you hollered his name, sometimes even when you barely opened your mouth. But today, he didn’t heed your summon. Perhaps, he was still sulking about yesterday? At the very least, he could’ve come to bid you farewell, right?

Whatever. If he didn’t want to see you, then you wouldn’t force him. And whether or not he wanted you to go, you’d still go nonetheless. The money wouldn’t wait for him to relent to your wishes.

Climbing into your car, you pulled the door shut and turned on the engine. Or tried to, because it refused to turn on for some unknown reasons. You tried again and again, but the engine remained immobile. How strange, you could’ve sworn that it was fine yesterday. Why was it any different now? Did someone mess with your car without your knowledge? You hadn’t spotted anyone suspicious, though.

You clicked your tongue and hit the steer wheel in frustration, resting your head against the headrest. The day hadn’t even started, and yet, you already felt like blowing off some steam. Your tired eyes glided towards the glove compartment, where a piece of paper stuck out inconspicuously. Curious, you undid the compartment and snatched the folded paper. You tentatively opened it and peeked inside, mentally chiding yourself for anticipating the worst. It could be a useless brochure that you’d accidentally brought, for all you knew. There was no reason to get suspicious, right?

Mine forever.

Frowning, you reread it and attempted to comprehend the hidden meaning. Aside from the scrawl, you couldn’t discover anything that might lead you to the sender. A secret admirer, perhaps? If they did, they sure were quite… aggressive. But why would anyone send you this? Who would admire you so much to the point where they broke into your car? You couldn’t think of anyone that had a crush on you, or maybe it was just you being oblivious to your surroundings. The constant pressure from work helped to dull your perception of special sentiments.

Well, you had no time to further inspect the awfully cryptic message. Time kept ticking, after all.

Shaking your head, you put the letter back to the compartment and locked it. You glanced at the rearview mirror to check your makeup, and that’s where you saw it. A shadow sat ominously on the back seats, its crimson eyes glaring daggers to your head. But it wasn’t the abrupt presence that shocked you, rather, the identity of the said shadow.

“Mine forever.”

A pair of hands slithered from behind you and clutched your neck. You tensed up almost immediately and gasped for air, trying to claw the transparent hands away but scratched your skin instead. You could still discern half of his face through the mirror, lacking any cheerfulness that you’d come to associate with him. Years of solitude had molded him into a desperate man, hell-bent on clutching the only light left in his dark and empty life.

But you didn’t expect him to actually murder you.

“Kiri… shima…” you heaved, desperate to knock some sense into his head yet incapable of doing that. It felt as if a part of his shadow had clogged your nose, too. How long would it take until it successfully closed your respiration?

“I’m sorry, [Name].” You heard him whisper in your ears. He felt so close, yet so far. Specks of darkness slowly filled your sight as you struggled to breathe for the last time. Was this how you were going to end? How disappointing it was to perish at the hands of a man you used to trust. Maybe this was the punishment for not listening to your guts. Maybe this was the punishment for heeding security more than your life.

Maybe this was the punishment for giving him false hope with your friendship. But how would you know?

“… I'll see you soon.”

You finally went limp.

[inkedstarlight]

Bittersweet: Chapter Five

Summary: College is kicking Nesta’s ass, so she goes to her T.A., Tomas, for some extra help. Note: Read it on AO3 here! Bittersweet Masterlist  Warnings: N/A

October

It was only a couple weeks into the fall semester, and it was already hell.

Nesta was drowning in schoolwork, whether it be essays or presentations or hour-long projects. She had exams every damn week, so she was at the campus library nearly every day – typically until the sun set and the stars emerged. But even then, her night was far from over. Nesta returned home only to catch up on the work she’d put off for her paid internship. Elain got in the habit of making Nesta tea and cookies when she returned from the library on those ruthless nights. And every damn time, Nesta would wrap her arms around her sister with thanks.

This was her routine for at least four days of the week. Wash, rinse, repeat.

Needless to say, she was fucking exhausted.

The worst part, though? Nesta’s grades were precariously low despite the countless hours she’d been putting in. And she knew exactly what was causing it.

It had been a month since her father’s death, yet Nesta was still waking up in her own sweat every morning after a nightmare involving him. Of him hanging on the edge of a cliff, begging Nesta to save him. Of her dad screaming at her to kill herself. Of her mother dragging Nesta into the other room as he watches idly by.  

Nesta had cursed herself for letting her father’s death affect her in this way. She’d never been one to grieve, especially not for so long. She preferred leaving it in the past. It was easier that way.

Thanks to her merciless professors, Nesta was forced to dedicate nearly all of her time to school, which forced her to neglect her internship. They required she edit ten pieces of work every week, whether it be self-published books, college publications, or online articles. Even though the internship was entirely online – a convenient bonus – she still didn’t have enough time to fulfill the weekly goals. Instead of editing ten works, she was barely scrapping by with five. She’d already received several angry emails from her boss threatening to fire her if she didn’t get her shit together.

And, well… Nesta didn’t get her shit together. On the last day of September, she received that fateful email.

Nesta Archeron,

I regret to inform you that we’ve made the difficult decision of letting you go from Scribner Editorial. While I understand you’re in the midst of earning your Master’s degree, we are looking for editors who can reach – or exceed – the necessary requirements. Unfortunately, you have been lacking in the past few weeks. It has caused other editors to pick up your slack and do more than what we ask for. We are sorry to see you go.

Sincerely,

Ressina Laurent Scribner Editorial

Nesta read and reread the email dozens of times before closing her laptop. Her head fell in her hands, her shoulders trembling with the weight she carried.

She stared out the window, the world a flurry of red, orange, and yellow. Nesta had worked so hard for this, and all for nothing. She couldn’t believe she’d fucked up such a prestigious internship. It’d paid surprisingly well, and that had been the only income she was receiving. Even with the paychecks from Scribner Editorial, Nesta’s financial situation was holding on by a thread. She had used the money her father had passed down to her to pay off the remaining student loans she owned. Her family never had much money and when it was split in three, it didn’t make much of a difference.

Just like that, Nesta no longer had a job.

Fuck.

Within ten minutes of receiving that email, she was already browsing online for job opportunities. Nesta didn’t care what it was, as long as it put steady income in her pocket. There was no way she would be able to finish school without a job.

But unfortunately, after an hour of job hunting, Nesta came up empty handed. The only person who was hiring was the large grocery store downtown. They were looking for a cashier. And there was no way in hell Nesta would even consider working there. She’d seen the crowds they got on weekends. The work were incessantly forced to talk with rude, invasive customers. Nesta was far from the realm of customer service.

Nesta was down to her last resort. She didn't give herself another second to overthink it as she picked up her phone from her desk and texted Feyre.

I was just fired. You know of any job openings in the area?

Nesta sat by her phone for a couple minutes until Feyre deigned to respond.

The only one I know if is Rita’s, the local bar. They’re looking for a bartender, have been for months.

Nesta nearly snorted out her coffee when she read the text. Feyre had to be kidding. Nesta, bartending? There was no way in hell she could be a halfway decent bartender – anyone who’s ever met Nesta knew that. She didn’t possess the charm nor the patience, and she certainly couldn’t deal with drunken men who leered at her all night. In Massachusetts, she'd had her fair share of hook-ups, men and women alike. It was night after night of mindless, drunken sex. But then she'd grown up.

Nesta looked back at the soft glow of her computer screen. There had to be something, right?

----------------------------------

Wrong.

After scrolling through hundreds of websites with job opportunities (or lack thereof), Nesta collapsed on her bed. She checked the time to find that it was nearly one in the morning. Rubbing her face, she let out a low groan. Tomorrow was Monday. Gods, why did tomorrow have to be Monday? She was so exhausted that she was feeling physically ill: sore throat, cough, stuffy nose. The urge to skip classes tomorrow was tempting.

But Nesta knew she wouldn't skip. What would she do? A whole day to herself and a head full of intrusive thoughts. The perfect ingredients for a panic attack or two.

Her gaze fell to the small stack of bills she had yet to pay – that she couldn’t pay. Bills that would only grow.

With that thought in mind, Nesta cursed Scribner Editorial as she grabbed her laptop and searched ‘Rita’s’ on an open browser.

Then, she composed an email.

----------------------------------------

The next day, Nesta finally got around to contacting her Fictional Techniques teaching assistant. It was by far her most challenging class, and she despised the professor. A big chunk of her studying was dedicated to that course alone. And since she no longer had a job – for now – she finally had the time to meet with him for extra help.

His name was Tomas. He was notoriously known as the “Hardass T.A.” Nesta had heard her peers complaining about his grading on more than one occasion. It was common knowledge that he rarely gave students any feedback on their essays but when he did, it was brutal. It was practically unheard of to receive higher than a C from Tomas.

Nesta never got below a B+, though. And though she’d never spoken with him, Tomas always gave her detailed feedback on her papers, more so than any student.

So that afternoon, she emailed him.

Tomas –

           My name is Nesta Archeron and I am a student in a class you T.A. in, ENG-403 Section 003. I have a couple questions regarding the paper that was assigned on September 28th. Are you available to meet after class? It would be much appreciated.

Nesta –

           Thank you for contacting me. I would love to help you one-on-one. I’ve noticed the work you hand in, and it is spectacular. Your writing is sophisticated, and you have such potential. Coming from someone who has been in the publishing business for years now, I know several companies who would publish your work. Perhaps I can mention your name the next time I meet with them. How does tomorrow work? We can walk to the library together, maybe grab a cup of coffee (on me). Let me know.

Tomas –

           Thank you. That works for me. I’ll see you tomorrow.

----------------------------------

“Don’t forget to finish up those essays! They’re due on October sixth, and I won’t be accepting anything that’s turned in late. Yes, Mr. Vanserra, I’m looking at you.”

Students snickered as they filed out of the lecture hall. Nesta grabbed her backpack and made her way down the stairs to the front of the room. Tomas had his own desk in the corner where he chimed in during class discussions.

He was already smiling at her when she approached.

“Hi, Nesta,” he greeted her. He was in the midst of packing his things. “Are you ready to head out?” She nodded.

Tomas had the charm of the boy next door. His dirty blonde hair was cropped short, eyes crystal blue, and he wore an easy smile. It was hard to imagine that this was the guy who gave students Fs for not having a cover page for their essay.

"Did you want to grab a cup of coffee?" Tomas asked her as they made their way out of the classroom. He shot her a smirk "Like I said, I'll pay."

Is he flirting with me?

Nesta prayed to the gods he wasn't. Sure, he was cute and all, but she had no interest in a relationship of any kind. Including a one night stand.

Perhaps I can use that to my advantage...

Nesta dismissed the thought immediately. There was no way in hell she would flirt with her T.A. to ensure a high GPA. She wasn't going to sleep her way to the top. That's not how Nesta did things.

A little flirting never hurt anyone.

She groaned inwardly and shut out that train of thoughts.

Tomas and Nesta chatted while they trudged to the library, backpacks full of textbooks in tow. Much to Nesta’s dismay, he fired question after question at her. Tomas asked about her family to which she miraculously deflected, about her journey to become a writer, and her ambitions. Luckily, Nesta was a pro at this sort of thing, so she simply responded to every question with a question of her own. Not the most subtle approach, but it worked.

The library was teeming with students when they pushed through the doors. Pryth U’s library was a sight to behold. Its foyer was ornate with hand-painted murals, the ceiling stretching far above them. They hopped on the elevator to the third floor. When the doors opened, Nesta inhaled the sweet scent of old books. The bookcases reached the ceiling, thus requiring a rolling ladder in every stack. When Nesta and Elain had toured the campus before the semester began, Elain was quick to jump on the ladder and sing “Be Our Guest.” Her voice was horribly off key. They both burst into laughter, clutching their stomachs until the librarian found and scolded them.

Nesta was pretty sure Elain hadn't stepped foot in the library since.

“Okay,” Tomas said, setting his belongings on a corner desk. He grinned at her. “Ready to be tortured?”

Nesta offered a less than enthusiastic smile. “Let’s do it.”

---------------------------------

After a couple hours of grueling studying, Nesta hurried to the coffee shop on campus. It was five o’clock and she hadn’t had a cup of coffee since the morning. If she didn’t get caffeine in the next ten minutes, Nesta wouldn’t function properly.

The meeting with Tomas went well; he was certainly a helpful resource to have. He'd even offered to meet with Nesta again to prepare for the next big assignment, to which she graciously accepted. There may have been batting of the lashes involved.

Nesta pulled her wool scarf tighter around her neck. Even with a peacoat and a hat, she was still freezing. She let out a sigh of relief when she entered the coffee shop, grateful for the inviting warmth.

That gratefulness disappeared when she looked at the line.

It was at least a dozen people long. Nesta let out a frustrated groan, managing to put a tamper on her anger and hauled her ass to the back of the line.

After a couple minutes of drooling over the scent of fresh coffee beans, she felt a tap on her shoulder from behind.

“Nesta?” a sultry voice asked. The familiar husk in her words had Nesta turning around to see Amren standing behind her. She was staring up at Nesta through her long lashes, a smirk playing on her face. Nesta couldn’t help but admire her feral beauty: chin length hair, angular face, dark and smooth skin, and exquisite makeup.

“Hi, Amren,” Nesta said blandly. “I didn’t know you attended Pryth U.”

“I don’t,” she snorted. “I wouldn’t last one week in college. This is the best coffee around, and I don’t mind driving twenty minutes out of my way.”

Another coffee snob. Interesting.

“I’m impressed that you even remember my name. I thought you always zoned out during the dinners.”

Nesta huffed out a laugh, and a hint of surprise flashed on Amren’s face. It was gone a second later.

“It’s tempting whenever Rhysand opens his mouth, trust me,” Nesta replied dryly. “But I have my ways.”

Amren’s eyes lit up with amusement. “Oh, I’m going to like you.”

--------------------------------

That evening, Nesta strolled back to her apartment with a steaming cup of coffee and Amren’s phone number.

It was quiet when she unlocked the door, but the living room light was on. As Nesta dropped her heaving backpack and padded to the kitchen, she noticed Elain sprawled out on the couch, her nose buried in her phone.

“Did you eat already?” Nesta called out as she rummaged through the cabinets. She dug through a shelf for pasta, which was buried under Elain’s many baking ingredients.

When Elain didn’t answer after a couple seconds, Nesta poked her head into the living room. She was still scrolling through her phone, the faintest smile on her rosy face.

“Hello? Earth to Elain?”

Silence. Nesta groaned in frustration. Rounding the overstuffed sofa, she assaulted Elain’s feet with her hands.

Elain’s entire body jerked as Nesta tickled her, pained laughs escaping her mouth. Elain was easily the most ticklish person Nesta had ever met. It made it easy to get information out of her.

“Stop!” Elain gasped breathlessly, laughing all the same. “Please!”

Nesta ceded and raised her hands up in surrender. Elain scrambled off the couch and narrowed her eyes.

"What the hell, Nesta?”

“I was calling your name for a good five minutes,” Nesta crossed her arms. She nodded her head at Elain’s phone. “Anything interesting?”

Elain’s cheeks flushed, and Nesta gasped.

“Is it a guy?” Her voice was threatening. Nesta had always been protective over Elain.

“A guy? No! That’s… that’s just ludicrous. Why would a guy… I mean -"

Nesta let her sister stumble over her words with amusement. She raised a brow. “Show me what you were looking at then.”

“That’s none of your business!”

Nesta gave her no warning as she leaped at Elain.

Elain squealed in surprise, trying her best to deflect Nesta's tickling. They wrestled on the couch, Elain trying desperately to get her phone out of Nesta's reach. But Nesta was taller and stronger.

“Gerroffme -"

“Just gimme -"

“Argh!”

"Ha!" Nesta stood up and held Elain’s phone in her hand triumphantly. Elain was glaring at her from the couch, her hair sticking every which way.

Nesta looked down at the screen to see the Instagram app open. Then, she read the name of the account.

“You’re stalking Azriel?”

“No! I was just following him.”

All Nesta had to do was give her a stern look.

“Okay, fine," Elain threw her hands up. "I think he’s cute. Are you happy now?”

“No,” Nesta glowered, “I’m not happy. He’s basically Rhysand’s brother. I'm not letting another one of those boys seduce my sister.”

“Seduce?!" Elain choked. She shook her head. "They’re best friends! And what does it matter anyway?”

Nesta shot her a leveled stare. “Rhysand’s an asshole.”

“He’s just protective over Feyre,” Elain explained incredulously. “Like you are of me.”

Nesta considered that for a moment. “Touché. But if Azriel hurts you -"

“Nesta!” Elain exclaimed, an exasperated laugh leaving her lips. “We’ve barely talked. I just think he’s handsome.”

“Does Feyre know?”

That got Elain's attention.

“You can’t tell Feyre.” Elain broke out her puppy face: wide eyes, pouty lips, knitted brows. No one in history had been able to resist her puppy face. Including Nesta.

She huffed out a laugh. “I may be a bitch, but I’m not that cruel.”

Elain threw herself at her sister and pulled her into a hug. "Thank you!"

After promising Elain she wouldn't tell Feyre about her crush for the tenth time, Nesta retreated to her room. She was just about to pull out her notes when her phone buzzed in her back pocket.

I’m supposed to go on a date with this guy tonight, but I just met a hotter guy on my way home. Will you judge me if I ditch the first one?

Nesta looked at the phone number.

Amren.

She could help but let out a small laugh.                              

When in doubt, pick both.

Both?                                                                                        

Both.

Damn, Nesta, I didn’t realize how savage you are.

A couple moments later, another text came in.

Both is good.

---------------------------------

tag list (let me know if you want to be tagged):

@sjmships @sleeping-and-books @sirgwaines @books-for-sure @blowing-mikey @b00kworm @wineywitch202 @drielecarla @liquifyme @gisellefigue08 @iammissstark @theoverlyenthusiasticwriter @loysydark @superspiritfestival @stardelia​ @sayosdreams​ @maastrash​ 

[verdantspringcourtyard]

Sealand Homecoming Event

A new week long event that coincides with the release of SP Ootakemaru and SP Ubume. It is the 1st half of the 2 part event "Promise with the Ancient Sea". It's similar to War of Mt Oe and some more recent events that have characters replace our onmyouji like Bound by Love. Consists of 3 main parts; False Islet, True Island and the Final Battle. There is also is a puzzle but it's more of a side thing that you should be able to complete without even trying.

General Info

Battle Report

Like War of Mt Oe, there is an "event chat" labelled Battle Report. In the Battle Report there are 3 tabs;

Report - displays how long until the Evil Spirits start attacking the Sacred Trees, how long the attacks will last, how much of total HP/shield for the Sacred Trees is left, a daruma that displays rewards for protecting the Sacred Trees every evening when tapped on, etc.

Chat - event chat, unsure if this tab will be CN only.

Treasure - view Morale and Treasure, this tab is removed when the Final Battle starts.

Treasure

Morale is a server-wide buff for ATK and DEF on the True Island map. Every time an Evil Spirit Lair has been successfully defeated(?), Morale will go up by 1 level and every level increases ATK and DEF by 0.5%.  

Personal Treasures are found on the False Islet map by clearing Treasure Hunting zones. They provide buffs that only affect you in battles on the True Island map.

Treasure effects;

Jeweled Fish: Event AP cost to challenge Evil Spirits on the True Island map is decreased by 1.

Bell Taiko: Changes the effect of Morale from "every level increases ATK and DEF by 0.5%" to "every level increases ATK and DEF by 1%".

Japanese Umbrella: Increased conversion of Miasma Crystals into shields for the Sacred Trees (was 30%, now increased to 50%).

Lunar Jade: Damage dealt to Evil Spirits in their lairs is increased by 10%.

Suzuka

Upon starting the event you may notice that the character you'll be controlling and who'll be replacing your onmyouji is Suzuka. She has her own upgradable skills, 3 are slightly different versions of her existing skills while another 3 will be passives. Her skills can up upgraded with Bells obtained in Treasure Hunting zones and by donating 30 Miasma Crystals to a Sacred Tree. The passives have extra effects that can be upgraded multiple times even after reaching max skill level.

Her skill description can be read on the wiki version of this guide.

Recommend upgrading Suzuka's special 2 first. After all skills are maxed, focus on doing additional upgrades to passive 2. If you want to min-max then only focus on special 2 and passive 2, ignore her other skills.

False Islet

During the event you can explore the map of Mt Suzuka by going "Treasure Hunting" or going to the "Evil Spirit Lairs" and "Sacred Trees".

Treasure Hunting

Everyday there will be a couple of these Treasure Hunting zone you can clear until all 4 Treasures have been found. Clearing a zone gives 10000 event currency and after clearing a most of the zones for a region, a Treasure will be revealed on the map. To clear an area you must clear all 2-4 activities in it, all activities cost 3 AP to do, can be done on auto and all give Miasma Crystals. Activities do not need to cleared all at once, you can leave and re-enter areas if you want to. Activities are;

Evil Spirits (Bosses): Defeat 1 of 3 types of bosses, can be done solo or co-op. There is a 3 minute time limit but HP carries over between attempts.

Evil Spirit: Has ~240k HP and has 5 minions. Drops ~5000 event currency, random 5-6* souls and evo materials. 

Young Spirit: Has ~190k HP, has 2 minions and are very weak. Drops ~3000 event currency, random 4-6* souls and evo materials. 

Fierce Spirit: Has ~640k HP, has 5 minions and can hit a little bit harder than a regular evil spirits. Drops ~13k event currency, 1 random 6* soul and evo materials.

Knowledgeable Evil Spirit (Quizzes): Answer the questions about Sealand. Answer incorrectly and you'll have to fight a boss. Depending on the question the boss might relate to it, ie if the question is about Kani then the boss might be Kani. Alternatively, you can skip answering altogether and just fight a boss (solo or co-op). On auto only the correct answers will picked for you.

These quizzes are not ones used for Demon Encounter. Rewards are the same regardless of whether you answer the quizzes correctly or fight the boss instead.

Sealand Daruma: Defeat the tanky daruma boss for daruma shards, can be done solo or co-op. Drops ~5000 event currency.

Treasure Paper Doll: A paper doll gives you rewards such as puzzle pieces, bells, R-SSR shiki shards and daruma shards.

Tamatebako (Turtle Reward Box): Get rewards such as bells and select 1 of 4 items (30 AP, 1-5 white daruma shards, R-SSR shikigami shards or 15k gold).

Tales of Mt Suzuka: Listen to the Sea Butterfly tell tales of Mt Suzuka and get rewards such as a bells, R-SSR shiki shards, daruma shards and gold.

Since Treasure Hunting zones are only available for the first few days of the event and the activities to clear them aren't very hard either, would not recommend doing it on auto. Save your mochi for other stuff.

Evil Spirit Lairs

Fight the bosses of these lairs, costs 5 AP to do and can be done on auto. A total of 100 Miasma Crystals and 100 additional event currency drops can be farmed from the bosses, this amount is shared between all 4 so there's no need to fight each one 100 times. They drop 5000 event currency, event AP, a Miasma Crystal, orochi scales and random 4-6* souls. The types of souls you'll get can be chosen from a daily selection, kind of like Choose Your Soul weekend events. The faster you defeat a boss, the more event currency you get.

*Special Note: Memory Scroll fragments can also be obtained as drops here, however the drop rate seems to be rather low.

Sacred Trees

Use Miasma Crystals to restore the shields protecting the trees. Get 200 event currency per 1 Miasma Crystal. Using 10-20-30 crystals gives 15 AP, 5 Mochi and 3 Bells.  

True Island

To switch between the True Island and False Islet maps, tap the eye at the top of the screen. This can only be done when Evil Spirit Forces start attacking.

Everyday from 6 PM the server must fight Evil Spirit Forces to prevent them from attacking the Sacred Trees. The various Evil Spirit Forces coming out of their lairs all have their own stats for strength, HP and mobility. As the days go on there will be more and more of of them. Each one also has its own timer showing how long until they reach the nearest Sacred Tree. Challenging them requires 4 event AP, battles have a 2 minute time limit and HP is shared server-wide. Drops of event currency depend on how much damage you dealt, for reference; dealing ~3mil damage gives 7500 and dealing ~5mil gives 12000.

When the 4 Sacred Trees take too much damage, this bar at the top of the screen will decrease and the server-wide rewards for protecting the them will also decrease. To qualify for the server-wide rewards everyday, you must do a total of 8mil accumulated damage and/or donate 30 Miasma Crystals. The rewards can viewed by tapping the red daruma at the top of the screen or in the Battle Report tab.

Rewards for total remaining HP for the Sacred Trees:

100% - 10000 event currency, 3 black daruma shards and 40k gold

75% - 8000 event currency, 2 black daruma shards and 30k gold

50% - 5000 event currency, 1 black daruma shards and 20k gold

25% - 3000 event currency, a blue daruma and 10k gold

0% - 2000 event currency, a blue daruma and 10k gold

The rewards will sent out after reset and claimed from a paper doll in your courtyard.

Final Battle

After the last day (on the 2nd Wednesday of the event after maintenance), the server must work together to purify the Evil Spirit Corpse form of SP Ootakemaru to return him normal. There is no specified end date but we're intended to defeat the boss within a day.

When the boss enters a weakened state, the boss won't attack and we must purify the 4 objects on him (boat, sword, lantern, torii gate). The weakened state is basically a free damage phase, so if you're a beginner try to do much as damage as possible. The state ends when 1 of the 4 objects has been purified. When 4 objects are purified, the boss gains an new skill.

Costs 8 AP to challenge the boss and there's a 3 minute time limit. Can get ~1000 event currency per 1mil damage dealt. Before challenging the boss, can pick Kujira, Kani, Fuuri or Sasori to give you a buff. Can change the buff at any time.

Buffs;

Kujira: Suzuka has 60% chance to double crit when dealing crits.

Kani: Crit damage for all allies is increased by 100%.

Fuuri: Suzuka becomes immune to normal attacks.

Sasori: All allies deal 20% splash damage when dealing single target (and random target) attacks.

The rewards for total accumulated damage are; 50k gold, 50 AP, 50 gold orochi scales, 4* specoal kekkai/realm card, 3 black daruma shards, 10 skin tickets and an icon frame.

Handbook

Main Story: Can reread the main story of the event here.

Side Stories: Can reread the stories involving Yaobikuni, Uminari, Kujira and Kani Hime here.

Puzzle: Puzzle pieces received from paper dolls in Treasure Hunting zones will be automatically placed here. The total rewards for completing the puzzle is; 50000 event currency, a white daruma, a 3* white daruma, a 4* white daruma and a loading screen illustration.

Past Stories: Can reread the 15 short stories told by the Sea Butterfly encountered in the various regions of Mt Suzuka here.

Exchange Shop

The most notable items in the first tab are: lots of event AP, 2 event icon frames, 2 loading screen illustrations, new Sasori Onna skin, random SSR/SP, black daruma, 3-4-5* white daruma, lots of daruma (white, blue and red), 4 blue summon tickets, lots of skin tickets, totem tickets, demon souls, AP, mochi, lots of gold, special realm cards, etc. The icon frames are the exact same, one is still and one is animated.

The type of items that can be obtained from the packs are;

Jewelry: gold, jade, AP, evo materials, bio affection items, etc

Sculpture: R-SSR shikigami shards, gold and EXP buffs, etc

Painting: 6* souls, EXP souls, orochi scales, demon souls, totem zone tickets, etc

Gourmet: daruma, daruma shards, realm cards, bio affection items, soul and evo buffs, etc

Recommended Teams

Don't need very specific teams for this event, so as long as you already have teams that are regularly recommended for events you should be fine.

False Islet

The Treasure Hunting zone bosses and lair bosses aren't very strong, so you should be able to use the same team to clear everything.

True Island

If you don’t have Enmusubi, you could potentially use Shoyou/Bukkuman for the last 2 teams instead.

Final Battle

As long as you have a team that does really well against a single enemy, you shouldn't have too much trouble with this.

If you’re not using a team that needs kyoukotsu on Ushi, then remember to swatch her set from shadow to watcher as the fight goes on.

As for which buff to pick, Kujira's and Kani's buffs are probably the best ones. If you're a beginner and you want to give Suzuka some survivability then pick Fuuri. If you're using Kinnara/SP Tama + double Youkinshi or double Shuten + Shira then Sasori's buff is an option.

[daresplaining]

not sure if you have been asked this before but how would you rate the daredevil runs from miller to soule, and why?

    It has taken literally a thousand years to answer this, and I apologize– it’s just a huge question, even skipping all of the pre-Frank Miller runs (thank you for that, by the way– maybe I’ll rank them in a separate post, because I love a lot of the pre-Miller stuff!). Every reread brings with it new insight, and so my preferences are ever-evolving. That said, here’s how I would rank the main Daredevil runs from Miller onward (I’m not including annuals, mini-series, or novels, and I’m skipping the really tiny one-or-two-issue runs for the sake of brevity):

1. Mark Waid Daredevil volumes 3 and 4 are, for me, a perfect encapsulation of everything that makes Daredevil great. It’s all there! Smirking, swashbuckly Matt pulling off badass feats to save the day? Check! Dark, emotionally turbulent Matt trying to cope as the world falls apart around him? Check! An excellent supporting cast? Check! Fantastic hypersensory moments? Check! Great stories? Stunning art? Stilt-Man? Check! Everyone needs to read this run. It’s pretty much perfect.

2. Brian Michael Bendis I’ve learned that my Daredevil preferences tend to lean light(er…), but dang, Bendis writes a heck of a noir comic. He balances intense crime drama with striking character moments, changes the status quo over and over again (in a good way), and gives Matt some of the best zingers he’s ever had. (Seriously. Bendis’s Matt is really funny.) He also gave us Milla Donovan and Angela Del Toro, and for that I am eternally grateful. And whooo, that Alex Maleev/Matt Hollingsworth art… This is a classic, enduring run for a very good reason.  

3. Karl Kesel/Joe Kelly Okay, I’m cheating here. These are two separate runs. But they happened back-to-back, had the exact same tone, and were great for all of the same reasons, so I usually squash them together. If Karl Kesel and Joe Kelly have a problem with this, they can take it up with me (preferably in person– I have a lot of comics for them to sign.) These runs are fun. The Daredevil pendulum swings from light to dark and back again, and these guys landed on the upswing, after Matt had reconnected with his quippy, swashbuckly past. They feel old-fashioned, nostalgic in the best possible way, not afraid to be a little silly while still delivering solid, character-rooted stories. And it helps that the cast of characters is top-notch. Karen is around, trying to re-start her life while juggling humorous relationship issues with Matt. Foggy’s family drama is on full-force as Rosalind Sharpe and Candace come to town. Misty Knight stops by, as does Natasha Romanov. Kathy Malpher, one of my favorite minor DD characters ever, has lots of panel time. Deuce the Devil Dog is there. And it all ends with the breathtaking DD #375, which has got to be one of my top five favorite issues of all time. If you haven’t read these runs yet, go do that and thank me later.  

4. Frank Miller Darkness is only effective when interspersed with some light, and lightness is only effective when injected with some darkness, and Frank Miller (pre-”Born Again”) hit that perfect balance. It’s noir. It’s deep. It’s intense. It’s also some of the funniest Daredevil material ever written. Please go back and read “Guts”, or “Hunters”, or the Power Man and Iron Fist crossover. Let me say it louder, because I feel like I’m alone here: I love Frank Miller’s Daredevil because it is FREAKING HILARIOUS! And it goes without saying that “Born Again” is also stunning– definitely one of my favorite DD stories. And he gave us Stick and the peerless Elektra Natchios (three different versions of her, in fact) and the world has never been the same.

5. Denny O’Neil Denny O’Neil had the misfortune of getting sandwiched between Frank Miller’s two runs, and I feel like that’s the reason he doesn’t get the attention he deserves for some truly fantastic comics. Uh… weird comics, in a lot of cases, but heck, I like well-done weirdness. O’Neil added an international angle to the comic. He sent Matt to Japan and Italy (and even- gasp- New Jersey) and brought in Glori O’Breen, a great character even with her slightly over-the-top accent. He reconnected Matt with Natasha Romanov for a few beautiful one-shot team-ups. He killed off Heather Glenn in a horrible way, but did it with such grace and style that it didn’t feel entirely gratuitous. And he’s responsible for “The Price”– one of my favorite stand-alone issues. Plus, the fact that he was working with David Mazzucchelli didn’t hurt either.  

6. Ann Nocenti Superhero comics– superhero comics writing in particular– has been a white male-dominated profession for far too long, and there are far too few women who have written Daredevil. I hate to start a discussion of Nocenti’s run with “Look! A woman!” but it’s worth pointing out because look at this list. Seriously. (And for anyone unfamiliar with the pre-Miller runs, I assure you, it’s more of the same.) Ann Nocenti’s run is fantastic for the ways it really digs into the heart of the material. She took the post-“Born Again” landscape and ran with it. This was the period that tied Matt to Hell’s Kitchen, and Nocenti made that plot point stick by showing us the fabric of the neighborhood, bringing in characters like the Fat Boys, placing Matt and Karen within the community with the founding of Karen’s free clinic, and turning the Hell’s Kitchen of the Marvel universe into a living, breathing place. In contrast, she also took Matt out of the city, and in doing so, wrote some of my favorite Daredevil stories. She wasn’t afraid to address pressing social issues. She wasn’t afraid to tell stories that were just plain weird. And her run is utterly unique and complex as a result.

7. Ed Brubaker/D.G. Chichester Yeah, okay, this is really cheating. These are two completely different runs, but they are nevertheless tied because of the same factor: I adore some parts, and dislike other parts. “The Devil in Cell Block D” (the first arc of Brubaker’s run) is phenomenal. I re-read it a lot. So is “Last Rites” (by Chichester). Chichester wrote two of my favorite stand-alone issues: “34 Hours” (vol. 1 #304) and “Just One Good Story” (vol. 1 #380). Brubaker gifted us with the awesomeness that is Maki Matsumoto (A.K.A. Lady Bullseye), and Master Izo! Chichester gave us D.A. Kathy Malpher, one of my favorite DD characters ever (bring her back, Marvel! Where did she go?)! Also, his hypersensory writing is visceral verging on gross– which, for me, is ideal. However, Brubaker’s run went downhill a bit after the first arc. I mentioned the light/dark balance in regards to Frank Miller’s run, and Brubaker went all dark. (I consider it the darkest DD run yet.) It’s great storytelling, but not my style. And while I love his shorter arcs, Chichester’s longer work– “Fall From Grace” and “Tree of Knowledge” in particular– don’t do it for me. I find them overly convoluted and lacking substance. Also, while Scott McDaniel draws my favorite rendition of the radar sense, he’s my least favorite DD artist. D.G. Chichester + Lee Weeks 4ever.

8. David Mack I like “Vision Quest” a lot more than “Parts of a Hole”, though that’s somewhat due to the artist switch partway through the latter. “Parts of a Hole” did an excellent job of introducing Maya Lopez, and has a lot of great moments, but “Vision Quest” is practically a piece of fine art. It’s stunning, both narratively and visually. I consider it more of an Echo comic than a DD comic, but it still belongs on this list.  

9. Charles Soule I haven’t had a chance to reread this run in its entirety, since it just ended, and I really need to do so because I’m having a hard time figuring out my feelings on it. There are aspects of Soule’s characterization of Matt that I disagree with. The sensory writing varied in quality, and we clearly have different perceptions of the radar sense. There was a distinct shortage of female characters– and, in fact, of side characters in general. And the mind wipe was a huge misstep, since it erased so many of Matt’s long-held friendships. In a comic that has traditionally drawn much of its power from its strong supporting casts and Matt’s dynamics with them, that decision has caused serious lasting damage. However, there’s also a lot I loved. Sam Chung, though (I feel) underused, is a great character in his own right, and he also provided the chance for us to see Matt in a long-term mentorship role– something I’ve wanted for a while now. Muse was a fascinating and terrifying antagonist. And Soule’s perspective as an actual lawyer added extra zip to many of his stories, whether it was putting Matt in the mayor’s office (finally!) or sending him to the Supreme Court in what may be my favorite law-centered DD story ever. But the real reason Soule’s name is this far up this list is because of the “Double Vision” arc (or, as I call it, “Mike Murdock Must Die 2.0″) which is sheer brilliance, and to my mind, one of the greatest Daredevil stories ever told.

10. Bob Gale “Playing to the Camera” does not get nearly as much credit as it deserves for being a genuinely hilarious superhero law-based comedy of errors, and a bright spot amid the angst-fest that is Daredevil volume 2. My major complaints are that it’s too short and I dislike the art.

11. Andy Diggle I don’t dislike “Shadowland”. I don’t love it, but it’s a cool story concept that suffered– as events often do– from storytelling spread too thin, across too many characters, in too short a timespan. (Though I need to know if he came up with the “Matt Murdock dared evil… and lost” tagline, because if so, that wordplay would rocket him right to the top of this list.) I prefer the lead-up to “Shadowland” to the event itself. But I love DD: Reborn (yes, I said I wasn’t going to cover mini-series, but it’s essentially part of the main comic because it bridges the gap between two volumes. I say it counts). I’ve always enjoyed stories that take Matt out of NYC, and Reborn is a fun adventure story that gets back to basics and serves as a great bookend for volume 2.  

12. Scott Lobdell I like “Flying Blind”. It’s quirky and unusual (which I appreciate), and Matt is written very well. I just don’t love it. It’s one of those arcs that slides right to the back of the memory and only returns to the forefront when you’re reflecting on the first time Matt ever saw Foggy, or wondering if Matt’s bad French in Brubaker’s run is left over from his SHIELD-implanted fluency. It’s a neat idea, but could have been executed in a more engaging, lasting way.

13. Gregory Wright This short run went right out of my head the instant I finished it the first time, and upon rereading it has remained fairly unmemorable. The art is hit-and-miss, and the story– while perfectly fine– isn’t anything exciting or innovative. There are some great hypersensory moments, it’s worth reading, but I don’t have much to say about it beyond that.

14. Alan Smithee “Alan Smithee” is a pseudonym used in the entertainment industry by writers who don’t want to be associated with a certain project. The commentary on manwithoutfear.com states that this run was actually written by Chichester, who used the pen name as a way of protesting his abrupt firing from the comic. I treat it as a separate run, since that’s clearly what he wanted. I always tend to group the Wright and Smithee runs together in my mind because they take place one after the other, are both very short (only 5 issues each), and are very similar in both tone and quality. I like the art in Smithee’s run more, and the writing is solid. However, the whole thing is colored for me by the horrific and unnecessary death of Glorianna O’Breen, a character I love. I’m perfectly fine with characters dying if their deaths are well-written and impactful (heck, I’ll be honest– I love a good death), but Glori’s demise just seems gratuitous, and is therefore not appealing to me.

15. J.M. DeMatteis This run is super weird, but not in an interesting way. It leans toward the religious, which is not my thing, and it relies on the dead sex worker storyline from Man Without Fear, which is really not my thing and should have stayed out of the main continuity. It’s good to read, because it’s a major shift in Matt’s life and sets up the fabulous Kesel/Kelly runs, but… eh. That said, Matt battling his different identities in a graveyard while getting heckled by Stick, and yellow suit DD running around creating mayhem, are 100% my things… so credit where’s it’s due.  

16. Kevin Smith You may have noticed that “Guardian Devil”, the first arc of Daredevil volume 2, the run that rescued the series after its cancellation and brought Matt Murdock to the forefront of the Marvel street-level universe once more…! …is rarely ever mentioned on this blog. That’s because I really don’t like it. At all. I’m grateful to Smith for bringing readers back to DD, but would be happy if he never wrote these characters again. His run is poorly paced, out-of-character, and covers themes/topics/etc. that I personally don’t enjoy. I forced myself through it because I’m a Daredevil completist, but I haven’t read it again. I probably will someday, just to make sure I remember all of the key plot points, but… not yet.  

[dillydedalus]

what i read in july

THAT’S MORE LIKE IT aka i’m finally out of the (relative) reading slump for good & my bro james joyce was there

men explain things to me, rebecca solnit the original mansplaining essay is great, and still scarily relevant; the others in this collection (most on feminist issues) are also quite good; some aspects are a bit dated & problematic so be aware of that. 2.5/5

erschlagt die armen!, shumona sinha (tr. from french, not available in english) short but very impactful novella about a young french woman, originally from india, who works as an interpreter in the asylum system and becomes more & more broken by this system of inhumane bureaucracy and suffering, until she snaps and hits a migrant over the head with a wine bottle. full of alienation and misery and beautiful but disturbing language - the title translates to ‘beat the poor to death’ so like. yeah. 3.5/5

fire & blood: a history of the targaryen family I, george r r martin look, it’s a 700-page-long fake history book about a fictional ruling dynasty in a fictional world, and i’m just That Obsessed & Desperate about asoiaf (and i don’t even care about the targs That Much). anyway, now i know more about the targs than any ruling family from, you know, real history, which is like, whatever. this is pretty enjoyable if you are That Obsessed, although i will say that some bits are much better than others (there are some dry dull years even in everyone’s fav overly dramatic dragon-riding incest-loving family) and the misogyny really is. a lot. too much. way too much. BUT i did really like Good Best Queen Alysanne (her husband king joe harris is alright too i guess) and i found my new westerosi otp, cregan stark/aly blackwood, who both have Big Dick Energy off the fucking charts. 3.5/5 (+0.5 points for cregan and aly’s combined BDE)

the old drift, namwali serpell hugely ambitious sprawling postcolonial nation-building novel about zambia, told thru three generations of three families, as well as a chorus of mosquitoes (consistently the best & smartest parts). there is A LOT going on, in terms of characters, of plot points, of references to history (the zambian space programme) and literature (finally my knowledge of heart of darkness paid off) and thematically, and honestly it was a bit too much, a bit too tangled & fragmented & drifty, and in the end i probably admire this book more than i liked it, but serpell’s writing is incredibly smart and funny and full of electrical sparks 3.5/5

a severed head, iris murdoch the original love dodecahedron (not that i counted). iris murdoch is fucking WILD and i love her for it. this is a strange darkly funny little farce about some rich well-educated londoners and their bizarre & rather convoluted love lives. not as grandiosely wild as the sea the sea, but fun nevertheless. 3/5

midnight in chernobyl, adam higginbotham jumping on the hype bandwagon caused by the hbo series (very weird to call the current fascination with chernobyl a hype bandwagon but you know). interesting & well-written & accessible (tho the science is still totally beyond me) & gets you to care about the people involved. lots of human failure, lots of human greatness, set against the background of the almost eldritch threat of radioactivity (look up the elephant foot & see if you don’t get chills), and acute radiation syndrome which is THE MOST TERRIFYING THING ON EARTH . 3.5/5

normal people, sally rooney honestly this is incredibly engrossing & absorbing once you get used to how rooney completely ignores ‘show don’t tell’ (it works!), i pretty much read the whole thing in one slow workday (boss makes a dollar, i make a dime so i read books on my phone on company time, also i genuinely had nothing to do). i also think rooney is really good at precisely capturing the ~millenial experience in a way that feels very true, especially the transition from school to uni. BUT i really disliked the ending, the book never engages with the political themes it introduces (esp. class and gender) as deeply as it could and the bdsm stuff never really gets TIED UP LOL. so overall idk: 3.5/5

störfall: nachrichten eines tages, christa wolf quiet reflective undramatic little book narrated by a woman waiting to hear about the outcome of her brother’s brain surgery on the day of the catastrophe at chernobyl - throughout the day she puts down her thoughts about her brother and the events unfolding at chernobyl, as well as the double uncertainty she is trying to cope with. really interesting to read such an immediate reaction to chernobyl (the book came out less than a year after chernobyl). 2.5/5

the man in the high castle, philip k dick it was fine? quick & entertaining alternative history where the axis powers win the war, some interesting bits of worldbuilding (like the draining of the mediterranean which was apparently a real idea in the early 20th century?) but overall it’s just felt a bit disjointed & unsatisfying to me. 2.5/5

fugitive pieces, anne michaels very poetic & thoughtful novel about the holocaust, grief, remembrance & the difference between history and memory, intergenerational trauma, love, geology and the weather. i’m not sure how much this comes together as a novel, but it is absolutely beautifully written (the author is a poet as well) and very affective. 3.5/5

american innovations, rivka galchen short collection of bizarre & often funny short stories about neurotic women whose furniture flies away, or who grow an extra breast, or who are maybe too occupied with financial details. very vague & very precise at once, which seems to be the thing with these sort of collections. 3/5

fool’s assassin (fitz & the fool #1), robin hobb YAASS i’m back in the realm of the elderlings!!! i thought this was one of the weaker installments in the series - i still enjoyed it a lot, and Feelings were had, but it just doesn’t quite fit together pacing-wise & some of the characterisation struck me as off (can i get some nuance for shun & lant please?) and tbh fitz is at peak Selfcentred Dumbass Levels & it drove me up the fucking wall. molly, nettle & bee deserve better. still, completely HYPE for the rest of the trilogy. 3.5/5

JAMES JOYCE JULY

note: i decided not to read dubliners bc it’s my least fav of joyce’s major works & too bleak & repetitive for my mood right now AND while i planned not to reread finnegans wake bc……. it’s finnegans wake…. i kinda do want to read it now (but i also. really don’t.) so idk yet.

a portrait of the artist as a young man, james joyce y’all. i read this book at least once a year between the ages of 15 and 19, it’s beyond formative, it is burnt into my brain, and reading it now several years later it is still everything, soaring and searing (that searing clarity of truth, thanks burgess) and poetic and dirty, and stephen is baby, and a pretentious self-important little prick and i love him & i am him (or was him as only a pretentious self-important teenage girl reading joyce can be him - because this truly is a book that should be read in your late teens when you feel everything as intensely and world-endingly and severely as my boy stephen does and every new experience feels like the world changing). anyway i love this book & i love stephen dedalus, bird-like, hawk-like, knife-blade, aloof, alienated, severe and stern, a poet-priest-prophet if he could ever get over himself, baby baby baby. 5/5

exiles, james joyce well. there’s a reason joyce is known as a novelist. this is….. a failed experiment, maybe. a fairly boring play about an adulterous love-square and uh… love beyond morality and possession maybe??? about how much it would suck for joyce to return to ireland??? and tbh it’s not terribly interesting. 2/5

travesties, tom stoppard a wild funny irreverent & smart antic comedy inspired by the fact that during ww1, james joyce, lenin, and dadaist tristan tzara were all in neutral zurich, more or less simultaneously; they probably never met, but in this play they do, as dadaist poetry, socialist art critique, and a james joyce high on his own genius & in desperate need of some cash while writing ulysses, AND the importance of being earnest (joyce is putting on a production of it) all collide in the memories of henry carr, who played algernon & later sued joyce over money (tru facts). not my fav stoppard (that’s arcadia) but it’s funny & fizzy & smart & combines many many things that i love. 4/5 

ulysses, james joyce look i’m not really going to tell y’all anything new about ulysses, but it really has everything, it’s warm & human(e) & cerebral & difficult & funny & sad & healing & i always get a lot out of it even tho there’s bits (a lot of them) i’ll never wrap my head around. ultimate affirmation of humanity or whatever. also stephen dedalus is baby. 5/5

dedalus, chris mccabe the fact that this book (sequel to ulysses about what stephen dedalus might have done the next day) exists and was published ON MY BIRTHDAY is proof that the universe loves me. 

anyway this is very very good, very very clever, extremely good at stephen (less good at bloom but his parts are still good), engages w/ ulysses, portrait & hamlet (& others) very cleverly & does some cool meta and experimental shit. y’all it has stephen talking to a contemporary therapist about how he’s stuck in joyce’s text which is all about joyce & very little about whoever stephen is when he’s not joyce’s alter ego/affectionate but slightly amused look at younger self and ithaca is an interview w/ the author about how his relationship to his dad influenced his response to ulysses and I’M INTO IT. the oxen of the sun chapter replaces the whole ‘gestation of english prose’ w/ just slightly rewriting the first pages of about 10 novels published between ulysses and now & it does lolita w/ “bloom, thorn of stephen’s sleep, light in his eyes. his sire, his son’ and i lit. screamed. anyway i don’t want to give this 5 stars (yet) bc i think some of the experimental stuff ended up a bit gimmicky & didn’t add that much to the text but fuck. that’s my boy & i want to reread it right now. 4.5/5 ALSO it’s a crime no literary weirdo woman has written ‘a portrait of the artist’s sister’ about delia ‘dilly’ dedalus, shadow of stephen’s mind, quick far & daring, teaching herself french from a 3rd hand primer while her father drinks the nonexistent family fortune away and her older brother is getting drunk on a beach & starting fights w/ soldiers bc he’s a smartarse