#if you want to know more specifics of the story I will tell you

[anonymous-existences]

DCxDP Prompt 10 :

Death Defying Ship. Danny and Dick are childhood friends where the Fenton's would often bring Danny and Jazz to the circus to hang out with their old friends the Graysons, where Danny and Dick are very close and do dumb kid stuff but jazz is there to watch them so they won't get into too much trouble when the parents aren't looking.

In there Danny learns from the Graysons some basic Gymnastics and Dances that require two people and all that brings them all closer.

Dick and Danny lost touch after the tragic incident with the Graysons, Many years later the story progresses as usual. Danny moves to Gotham to pursue his pursuit in getting a Professional Engineering Recommendation to W.E. with a Bonus Dani that appears every so Often and Dan a normal Mechanic that's acting as his older brother.

Sam Manson happens to be once again forced to attend a gala but this Wayne Gala was Unique because of it's setting as a Masquerade Ball. Sam is thrilled as she can add spice to her gothic aesthetic clothing with a more gothic mask, Danny is being dragged along as because of BFF code, (if I get to suffer, you suffer too.) thus Danny is also wearing an almost as gothic clothing that matches Sam.

Dick and Danny meet there but ofcourse they don't recognize each other, a specific song plays and Dick ever so playful tries to dance a specific routine that only He and Danny knows as they both made it as kids with the help of Jazz. Dick is surprised that Danny is keeping up, Danny is ecstatic and pacing faster as both are in full rhythm and sync in movements.

They don't even realize it but they've become the center of attention as they danced right in the middle of the ballroom. The song comes to a halt and Danny and Dick are breathing heavily, both smiling in excitement until Sam grabs Danny in a headlock and drags him away, scolding him for ditching her for another man.

Dick tries to stop them but was immediately blocked by many who wanted to converse or get his attention as he loses sight of Danny in the crowd of people.

Danny and Dick only ever meet in a gala but something keeps pulling them away from each other, both unable to get each other's names, Dick is totally mesmerized by Danny just as much as Danny is too. Sam finally tells him at some point that he's Dick Grayson. Danny's memories of their past flooding in but Danny didn't want to tell Dick about that because what if dick doesn't remember? What if he asked Dick and he didn't remember him? So Danny kept quiet until he can finally give Dick his name but that moment never came.

Danny is forced to go back to Amity because of the GIW and their Plan to once again destroy the Ghost Zone and Declare War, Danny is captured by the GIW and Sam in desperation with Tucker finally found a way to bypass the GIW firewalls and Break through to connect to the JL.

In the process of saving the captures ghosts with the help of the Justice League in infiltrating and dismantling the Anti Ecto Laws for going against the Meta Protection Rights. Dick doesn't recognize Danny as Phantom, they save him and all that process through Frostbite's help.

Jazz immediately recognizes Dick even as Nightwing and calls him 'Robin' and Dick immediately recognizes her because she is the big sister he always had and wished he kept. Jazz doesn't blow his Identity as expected but she does tell him about Danny as Phantom and Dick as A Wayne once again is processing all of those information in the Manor, Jazz had reassured them that Danny would visit at some point once he is fully healed and Dick waits everyday, waiting for Danny to call or text him that he'll visit.

Dick realizes he's fallen deep in love with Danny with his desperation and also everytime they've met and interacted with each other even for brief moments in the galas they've attended. Danny become the sole reason he'll force himself to attend a gala as he wanted to see the man, his best friend and his first love.

Danny eventually visits Dick and from then you can tell the story goes that way, it's sweet fluff with angst and Dick and Danny gets their happy ending.

[theesteppenwolf]

More Lucanis rambles because I’m still thinking about it and got nothing better to do :P

I am not here to tell anyone how to feel but putting words into peoples mouths who criticize the Lucanis romance (or Lucanis in general) for being unsatisfactory by saying;

“You don’t know what a slow burn is/ it’s because you expected zevran / you don’t get it he’s traumatized/ you just wanted something spicy and didn’t get it so now you’re mad” etc.

Is completely disregarding the fact that his lack of reactions and lack of content actually led people to believe he is bugged. Most DA fans didn’t expect spice or steam or whatever but they did expect an effective story, one they didn’t get.

This is at the end of the day a visual storytelling medium and implication will only get you so far, if i have to start thinking up entire plotlines in my head to make sense of the story or relationship progression then they failed at good storytelling. If i have to write paragraphs of explanations that the game doesn’t even remotely touch on then that isn’t a slow burn, it’s just a lack of content and poor pacing.

If he is traumatized and reluctant because of it you have to give me a scene where i can actually read that. If he is awkward and doesn’t know how to react to flirting you have to exaggerate to an extent for people to tell. If there is longing and angst give me banter that reflects it.

A romance in a game should give me some kind of deeper personal insight into a character and if i have to do the writers job and in my head think up those insights then the actual romance is mostly moot. I’m not saying give me all the details i’m saying at the very least give me a jumping point, some info buried in the game i won’t get otherwise. His romance fails at this.

Mary Kirby was fired yes and it’s awful what happened but unfortunately the product still remains and it leaves a lot to be desired for a big amount of people. When players are straight up going back on saves to romance someone else it’s a real problem. For me, it soured my first playthrough, especially later when i saw how Davrin and Emmrich had content, convos, specific romance outings and at the bare minimum actually had a noticeable reaction to flirting dialogue.

Again I’m not telling anyone how to feel, if it works for you that’s awesome, but to disregard his obvious lack of content by calling other fans basically stupid is incredibly disingenuous.

I love his character, loved it since The Wigmakers Job and he is still my favorite after my first playthrough. I think the beginning of his romance was very promising and the end is great but everything else is missing I’m sorry. His romance was not well executed and i honestly don’t think his character really was either. (But i won’t vent about that right now)

I know what a slow burn is, i was not expecting Zevran, i did not want a steamy romance. I wanted a well executed story and i didn’t get one. I am critical because i think it could’ve been great, i still love the game and i am not shitting on it, his character or other fans i just hate wasted potential.

[pseudophan]

nora can i just ask… WHAT was he thinking? how was that lie ever going to work when they were doing everything so publicly in 2009? sure you can delete stuff but he must have known it was still out there anyway right? isn’t it pointless to be like i didn’t watch his videos when he was commenting on the interactive adventures like his life depended on it ?? he was trying to convince people he just happened to be in manchester one day with a friend and he just saw phil ???? when we all saw you counting down the days to meeting each other online like WHAT

https://x.com/pinofdnp/status/1855973085771387187?s=46

tweet link (it's one of the infamous 'we met through a mutual friend' claims)

to be fair to them both, if the phandom wasn't as unhinged as it was (is) they could've gotten away with that lie. kind of. dan and phil are hardly pr experts but this isn't really too crazy a move, like yeah the people who know the truth will always know the truth but if you tell a lie enough times then in theory new fans, and people who just never looked into it, are gonna go with your version of events and not question it. the main issue for dan and phil specifically was that their fanbase was essentially built on and around speculation about their relationship and cataloguing any and all proof of it. new fans and casuals often believed the lie at first just because like, why wouldn't they, but the second they stepped foot into the phandom they obviously discovered the not-so-hidden truth, because you didn't have to be a shipper or be looking for Phan Proof in order to come across it, all you had to do is search dan and phil on literally any website with a prominent phannie presence

to their credit they seemed to realise it wasn't gonna work pretty quickly, they abandoned the 'mutual friend' story almost immediately it feels like. then they went with the 'yeah we met online but we met up to collaborate' angle but i kind of feel like they didn't go too hard on that one, probably because they had finally started to learn that Oh My God Say Less Please Say Less Always Say Less Stop Talking Jesus Christ. like by far the most damning part of the clip in the tweet is dan insisting on being like "a lot of people seem to think-" about the actual truth like girl why would you plant that idea in the heads of those who hadn't heard it before. just say you met through a mutual friend and move on like fbsdhjfbdjksf. also at that point they kinda didn't give a fuck anymore, by the time they gave that infamous editing tips interview in 2015 they had long since abandoned trying to convince anyone they didn't meet because dan was an amazingphil fan and desperately wanted to befriend him because of it. the only part they were trying to hide at that point i would say was the whole y'know, fucking and sucking of it all

this whole reply is way too rambly and idk if it makes sense but i guess my point is IF dan and phil had a more casual core viewerbase (and also didn't give up on the lie immediately. and dan was less blatantly defensive about it) they probably could have made it work in the long run, even with the amount of evidence against it. i would go as far as to say that if not every then at least nearly every single influencer/celebrity/public figure of any kind have readily available information about them out there that most people, even fans of theirs, don't know about literally just because they wouldn't think to search for it. like how often does a Major Scandal break about some celeb and some people in the comments are like yea this has been known since 2004 everyone just stopped talking about it, lmao. not that dnp being gay for each other is a scandal but you know what i mean

basically they started telling that lie just as their popularity skyrocketed and i guess the hope was that the massive influx of new people would allow them to rewrite history, but alas...

[vianbarnes]

my buddie going canon ideal scenario and why it could happen before eddie fully realises he’s gay

i’ve been cooking up this scenario for a while now but before going into it i wanna clarify that i don’t think eddie’s homosexuality is tied to buck and just that. i could write a full essay about eddie’s queerness without even mentioning buck. HOWEVER i do think buck could be the key to eddie’s discovery, the last puzzle piece that makes it all make sense.

narratively speaking, i think it could be interesting to see buck and eddie get to the same conclusion (that they’re in love with each other) but in the complete opposite way. while for buck it’s oh shit i’m bi > oh shit i’m in love with eddie, for eddie it would be oh shit i’m in love with buck > oh shit i’m gay. and obviously eddie is starting his own journey just now, so he might realise he’s gay and then it could click for him that all he’s been looking for was there all along, but i do think that - since this is a tv show - it would be interesting to offer a different side of the story to the audience. and yes i know that buck’s queerness and eddie’s queerness are very different already, but i’m specifically referring to their storylines leading up to buddie. (also this is just a personal side note but i think i would be lowkey crazy to have both of them realise they’re queer and still not understand their feelings for each other, like i know they’re dumb and dumber but c’mon!!!)

ok so now let’s put on the tinfoil hat

we literally know nothing about what’s gonna happen in the next episodes so i don’t have any solid theory on how we could get to this scenario. some of the interviews were teasing some potential tension (or angst even) between buck and eddie so my brain took this information and ran with it. a lot of us were also theorising a nde for buck, for eddie or for both of them at the same time and that could also be the setup for what i’m thinking.

but first let’s analyse where buck and eddie are right now (and in the upcoming episodes)

buck was just broken up with so now he’s trying to explore his sexuality and understand it more. it feels like the search for “his last” has just started and he’s excited to look at relationships and love through a new lens, but he also might feel a little discouraged that he has to do it all over again. he might be thinking “now that i have all these new possibilities, why is it still so hard to find my person?” (average bisexual experience i will tell you that much).

eddie on the other hand is slowly trying to forgive himself and love himself, accepting joy and not pushing away his desires and needs. allowing himself to feel certain feelings and just let go. he’s taking small steps to show up for himself just like he does for his loved ones every day (we still don’t know how far they’re gonna go with his story so the next episodes are definitely gonna be interesting)

so, with all that being said, here’s how buddie could go canon:

it’s late and buck shows up at eddie’s house. they’re in the kitchen drinking a beer, both leaning on the counter and not looking at each other at first. something has happened between them that they need to clear up (could be an argument, a fight or some very important words exchanged when they thought they were about to lose the other).

as much as i love a “because i love you!!” screamed during an argument, i don’t see that happening in this scenario. i imagine them having the softest, most honest and open conversation where they lay it all out - without even realising what they’re doing. at some point, buck is gonna say something that will make it finally click for eddie. if it’s an argument he could say something like “i need you in my life”/“i want you in my life forever”, or if this happens after a nde he could say “i can’t imagine my life without you”/“i don’t know how i could live without you” (i’m not a writer but you get the gist lol)

and that’s when eddie finally allows himself to feel what deep down he’s been feeling for years, and so he leans over and kisses buck. the kiss is pretty short: eddie pulls away almost immediately, as if his body was possessed by something and he just snapped out of it. buck can’t believe what just happened, but it takes him just a few seconds to realise and to grab eddie’s face and kiss him back. they start making out, they go out of frame, the screen turns black, the episode is over.

now let’s talk about the aftermath of the kiss. because if we know 911 we know that this goddamn show can’t let people just be happy so of course there’s gonna be some angst and miscommunication.

after the kiss, they don’t really talk about it. they might even get interrupted by something else (maybe eddie has to go to texas to get chris back?) so they have to postpone the what the fuck just happened conversation. and that’s when both of them start to spiral, but for different reasons. buck of course thinks that eddie’s distance means that he regretted the kiss, that they got caught up in the moment but that he doesn’t feel that way about him and he basically ruined their friendship. eddie is also freaking the fuck out: he’s panicking about how they could make their relationship work, how they could tell christopher, he’s questioning literally his whole life and past relationships like oh my god have i been gay this whole fucking time??, he’s worried about their jobs, how they’re gonna tell bobby and the others. basically questioning everything but buck.

being the idiots that they are, they’re gonna convince themselves that the other regretted everything and they’re gonna avoid each other and never have that much needed conversation. the 118 obviously notices that something is off, but no one knows what it is. until hen and eddie finally talk and he tells her everything: what happened, what made him panic and doubt everything and what’s stopping him from talking to buck. hen is shocked but not necessarily surprised. her and karen look at eachother (yes karen is there too because of eddiekaren bestfriendism that is very real to me) and then hen says something like “i don’t have the answers to all of these questions, but i’m sure of one thing: you love him and he loves you. you can figure out the rest together. go talk to him” (i think it would be nice for eddie to have this conversation with henren as a couple, since his biggest fears and concerns are about how they could make the relationship work)

eddie feels like he just woke up from a 20+ year long sleep. he runs out of hen’s place, hurrying to his car, and from now i’m picturing a full romcom montage with him just fighting for his life to get to buck’s apartment: traffic, construction work so he has to take a detour, his shirt is drenched in sweat so he has to go back home to change because surely he can’t show up at buck’s looking like that. once he gets home, he sprints to his room to find a new shirt (maybe he puts on too much cologne - the one buck likes - and he has to change again. just because it would be fun to see him in distress). he fixes his hair for the 100th time, grabs his keys, finally opens the front door and stops in disbelief. buck is on his doorstep, hand mid-air about to knock. they look at each other and in that moment they just know. they both lean in and go for the kiss aaand BUDDIE CANON !!!! (+ the buck at eddie’s door parallel finally having the romcom resolution it always meant to have)

of course i have no clue how we could get there, but i do feel like it would be true to the show if they didn’t immediately get together and if there was some angst between them. i hope that once they get together they won’t try to break them up (even just temporarily) so they might have to go through some shit at the very beginning of their relationship for that to happen.

alright tinfoil hat OFF folks. i always try to stay consistent to the show and only come up with theories that i could truly see being developed and i don’t think any of this is unrealistic. buuut i’m still a clown so who knows. quite frankly i’m fine with buddie canon either way (as long as their first kiss is initiated by eddie and it happens in his kitchen <3)

[fiona-fififi]

You know, the more I think about it, the more I do actually think a storyline about Buck fucking around (or at least dating around) would be interesting. Like, my first instinct was that it would be bad for Buck, specifically, because he's always used sex in unhealthy ways and because I really do think he's seeking a permanent kind of love.

But, you know, that's not working for him right now. He's spent 8 years entering what he hopes to be long-term, forever kinds of relationships and they just keep falling through. Abby, Ali, Taylor, Natalia, Tommy. Five failed relationships, all of which he clung to beyond their expiration date (well, all except Ali, I guess). That's a lot for him to just want to try to jump in with another person he doesn't know and try to make it work, and he has just discovered this new part of his identity—which, of course, for some people, they wouldn't need to explore—but I do think it's something a single, unattached Buck would want to explore.

And I don't even necessarily think this would have to be a backslide. But if it was, that would be okay, too, because healing isn't linear and people fuck up and do things that aren't good for them all the time, and Buck feeling hopeless and going back to his old ways because what he really wants isn't working, makes a lot of sense to me. I will admit, my first instinct was that I didn't want him to backslide, but actually, I do think there would be an interesting story to tell there, and it might even sell the way his character has stagnated in the same boring, unfulfilling relationships over and over again by calling attention to it and recognizing that Buck is feeling it, too—not just that the particular most recent relationship has failed, but that he's feeling like he's not worthy, can't make things work, isn't meant to be loved because it keeps happening. Which I don't think they've ever explored in depth before.

So having Buck backslide, or even just take a step back and decide he wants to have some casual sex for a bit while he tries to figure himself out (and by that, I do not mean his sexuality, but rather what he needs to make him happy), then I think there actually could be a really interesting story to be told there that would be both very true to the character and would serve to break this broken record of storylines for him (because yeah, it's been done before, but at least not since s1, really).

And honestly, I'm not sure where else they would go with Buck right now. This does actually feel like a logical progression for him, and I can't think of anything else they could do with him unless they decide to speedrun buddie and/or intertwine him fully with the Eddie and Chris plot (which I could see happening, and I also think could work). But beyond that, I don't see an obvious logical story progression for Buck at this moment, and I would rather see him backslide a bit with this than have them slap some completely random new plotline on him without warning, because we've all seen how poorly those have been handled lately.

And as an aside, I could also see a Buck backslide potentially causing some of the tension they're talking about for Buck and Eddie. Because Eddie's never directly known that part of Buck, and last season, he was ensuring Buck that he'd seen the growth in him and trusted him to talk to Christopher because of his past and his growth beyond it. And I could see Eddie struggling a bit with a side of Buck he's never actually encountered before, and maybe (if it is a legitimate backslide for him, and he's using casual sex as an unhealthy coping mechanism) with a part of Buck he doesn't know how to help.

[avianconcept]

Agency, value systems, and growth: the fate of the Perfect Court tattoos.

Been thinking about the Perfect Court tattoos today, and I’ve finally decided what I personally hope happens to Jean’s. I know there's a lot of discussion about a cover up like Kevin’s, suggestions like a flower, a sun, a fleur-de-lis; and I see that, but I raise you: he gets it completely removed. 

I think it has something to do with what the tattoos mean to each character. More specifically, how each character got them, and what that means to them. Most of this comes from a quote I found on my last re-read of TKM: 

The first time someone asked about Riko’s and Kevin’s tattoos, Riko hadn’t beat around the bush. He was the best striker in the game, he said, and he wanted everyone to know it. The story changed a little when Jean made his first public appearance with a “3” on his face. Riko was supposedly handpicking the future US National Team. He called it the ‘perfect Court’, and even though it was unofficial and unbelievably arrogant, his talent and upbringing gave some credibility to the idea. ‘

According to Neil in the first book, Riko and Kevin had been sharpie-ing on their numbers since they were children. This quote adds some more crucial context to that. It establishes that Riko and Kevin’s 1 and 2 came before the perfect court, and that the perfect court was what Riko decided their 1 and 2 (and newly minted 3) meant. This bit is what changed it for me, I think. 

Riko and Kevin are both referred to as the sons of exy. Both are heirs to the game, Riko through his uncle and Kevin through his mother. They do it to signal their place in the world of exy– heirs, future best in the game, destined for greatness. And then Jean comes along, and Riko changes the narrative. He comes up with the perfect court, and tells the world. The perfect court are his chosen players (read: his property). It furthers his control and possession of Kevin, who is allowed to be excellent, just not better than Riko. Kevin can be good, he just has to be good Riko’s way, subscribe to RIko’s model of success. 

Riko dies with his tattoo on his face. He dies clinging onto the idea of the perfect court, that he is the best, and that the only way to be the best is through pain and abuse. There is no real change for Riko in the series, so it fits that the way he’s marked himself (read: the way he defines himself) doesn’t change either. 

Kevin gets his covered up with the infamous chess piece. For Kevin, the challenge is reclaiming the sport that is also his birthright. He is physically free of Riko and Tetsuji, but mentally, he isn’t. Even with states between them and a new team, he is still understandably afraid of standing up to Riko. It goes against the status quo that has been beaten into him, and it takes him a while to be able to fully leave them and their limits behind. What holds Kevin back is that his greatness has always been defined. It has been defined by Riko, upheld by Tetsuji. He can be second best, a Raven, a prince to Riko’s King. Kevin changes his tattoo right before the final game– in order to beat Riko, he has to first reject Riko’s hierarchy, the limiting belief that was forced onto him that Riko was best, Riko was king. To me, its extremely fitting that Kevin’s evolution involved him putting his own mark on his talent. Instead of challenging Riko for ���King’, or for that 1, he invents his own symbol. For Kevin, it's a reclamation of a game that was always partially his– just on his terms now. 

Neil’s tattoo gets burnt off by his father’s henchmen. This also fits well in my mind, because in my opinion, Neil’s number one challenge wasn’t actually Riko. Riko was Neil’s adversary, but Neil’s true terror was his father. The tattoos and their removal/evolution appear to be symbolic of the character’s growth, so it makes sense that Neil’s wasn’t on his face for long, and was taken off by (basically) his father. Each of the perfect court members had something keeping them trapped, things that wouldn’t let them grow into who they were supposed to be. Riko’s was the wound of his fathers rejection, and the toxicity created and maintained by Tetsuji. Kevin’s was Riko, and by extension Tetsuji. Neil’s is his father. Unlike Kevin, Neil’s not trying to be the best exy player in the sport. The sport makes him feel less like no one and nothing, and his continued playing is an expression of his will to live and his desire for personhood and a future. Neil wants better than what he has at the beginning of TFC, and the thing keeping him from that isn’t Riko. Sure, Riko is connected to the Moriyamas, and Ichirou owns his contract now, and Neil fights with Riko a lot. But to me, the thing that caused him real terror and stripped him of his personhood and autonomy was Nathan. Riko branded him with the 4, and Nathan’s people took it off, as if to say, “No, Riko isn’t who you have to reckon with, it’s me.” Neil’s internal fight was with being the butcher’s son, not with being number four. 

Jean’s situation is best described by a line in the EC– Jean never asked for this. 

In his own words, he loved exy, and was excited for what he thought was an opportunity to improve, but it doesn’t seem like he was ever vying for greatness. Then his father sold him, he was given the 3, and he was made perfect court. 

Much like Neil, didn’t have a say in his involvement. Unlike Neil, Jean adopts the mentality and hierarchy of the perfect court as his truth. Riko’s estimation of his value becomes his own. 

For Jean, the 3 has a lot to do with pain and self worth. In TSC, the only time Jean speaks positively about himself is when he calls himself perfect court, or when he talks about himself as a backliner. He has been conditioned that the only place he has worth is on the court. Nothing is important about him, just about what he is, the position he occupies. Where his personhood and bodily autonomy is denied over and over, his talent cannot be denied on the court. He is allowed to matter on the court, and nowhere else. In a sense, that 3 becomes the only thing about him that could be his. 

The other thing about the 3 is that he didn’t ask for it, but he has bled for it. So much of his relationship with the Ravens is defined by his rank.  Even though the Ravens do not like Jean as a person, they want to be his partner, to have that 4. The reason someone protects Jean from repeated sexual assault is that 3, and how it could lead to a 4. This is why Zane strikes a deal with him, why Grayson goes all the way to the Gold Court to hurt him. It is what the sexual assault from the backliners is blamed on. The 3 was given to Jean as a mark of something he didn't ask to be a part of, and then he was forced to fight tooth and nail to keep it.  It became the defining part of his identity because he wasn’t allowed to have anything else. He wasn’t even allowed to have his name. 

In my opinion, I think that the ultimate expression of Jean’s growth would be to take the tattoo off. He doesn’t have to subscribe to that value system. Covering it would feel like half assing it. He can change it, but he has to keep a tattoo of some sort, because Riko put one there. 

Note that I don’t think of the cover up the same way for Kevin. For Kevin, exy was likely always going to be important to him, with Kayleigh as his mother. He is inheriting it, same way Riko is, and this inheritance is symbolized by that 1 and 2. Kevin wanted to be the best, and so the ultimate expression of his healing is him becoming the best his way. Jean has his tattoo because he is seen as an object, a talent investment belonging to the Moriyamas. What is a limit for Kevin is a brand for Jean. 

For Jean, I think true freedom wouldn’t be freedom to be the best, it would be not having to be the best. It would be not having exy be the most important thing in his life. To not need to defend something he didn’t want. I hope he becomes so sure of his worth in the world, and so sure of his own autonomy that he doesn’t need the 3 to tell him he’s worth something. I hope he realizes that he is his own before he is anyone else's, and doesn’t need to carry around a value that someone else gave him.  

In TSC, the legacy, abuse, and dehumanization of the Nest is killing Ravens as soon as the Nest is taken away. Without the strict environment and the imposed value systems the Nest and team gave them, the Ravens crumple. They seem to feel they can't go back (I suspect that whether ‘back’ means back to their old lives or back to the Nest is different for every Raven), and that death is their better option. Ravens don’t seem to be meant to survive outside the Nest. It is designed to be all consuming. Jean doesn’t know who he is if he isn’t a Raven, if he isn’t perfect court, if he isn’t ‘3’ anymore. To live again, he has to leave the perfect court and its poison behind. He has to learn himself again, to rebuild and repair and create out of nothing. 

Neil says it about Grayson, that he could have chosen to walk away from Riko’s poisoned legacy, but it applies to all Ravens. To survive, to live a life worth living, they have to chose to fight their way out of that kind of thinking. Taking the tattoo off feels like him choosing to leave the Nest behind. Jean taking it off represents him shedding that entire ideology. No three, no expectation, just him and whoever he wants to be. 

In short, the toxicity that the perfect court represented killed Riko with its symbol still on his face. 

The Moriyama’s never really owned Neil, and they weren’t who he had to overcome. The tattoo was never going to be around long. 

Kevin was held back from his birthright. His potential was conditional, and there was a leash on him. He needed to reclaim the game that would always be his, mark himself in his own image. 

Jean needs to see himself as a person beyond his place on the court. He needs to walk away from the perfect court ideology and reclaim himself, with no one’s mark on him. 

[ectoimp]

Ya know what I find interesting. There are almost no "Lewis lives/is resurrected" fics. Fics where he doesnt die, just swap him dying for someone else dying.

If you go to the "lewis lives" tag on ao3 there are 11 works. All except 2 are actually precave, lewis hasnt died yet or the kind where someone else died instead.

and there are 2 resurrection fics and of those one still involves someone else dying (arthur killing himself specifically)

And yeah, Lewis' death is the inciting incident to the series, but I certainly dont think there are no stories to tell there. I think there could be very interesting character drama there. Especially when you dont have the amnesia thing to make it so no one has to deal with the aftermath

With no ghost induced amnesia, Vivi has to deal with the fact that being the leader, Arthur getting hurt was on her. Lewis getting hurt/almost getting hurt is on her. They went cave exploring with no safety gear. In street clothes (chucks for hiking in a wet cave??). They didnt even have a flashlight. And its seems that no one knew they were going into this cave (since it seems like Lewis' corpse is still there) So they broke every basic rule of caving safety https://www.fs.usda.gov/visit/know-before-you-go/cave-safety

Like even if you dont blame her, I think she would blame herself. And its another thing I dont think I saw explored much. I'd see it get mentioned but usually it would immediately get brushed aside, usually by one of the boys.

But with how unsafe there were being....Lewis could have just died from slipping. No possession required. (obviously the doylist reason is because it would be a pain to design whole new outfits for one scene that was added last minute. They would look super cute in little themed caving outfits tho.)

This started out with just me thinking about "Lewis lives" But now its more about how I kinda want more Vivi angst......

Imagine if Lewis knew Arthur was possessed. If Arthur hadnt been clear he didnt want to go in the cave. Imagine if Lewis blamed Vivi.

[n0vazsq]

The art of forgivness | PA17 x Reader

pairing . . . paul aron x f!reader

summary . . . When Paul and (Y/n) have a fight, he doesn't know if she'll ever forgive him. However, he decides to take his chance and ends up with a happy girlfriend.

request . . . no!

word count . . . 1.1k

warnings . . . cursing

alexavia yaps . . . little random story idk i kinda stole it from myself <33 tell me who yall want in the next one <3

It was almost noon now, Paul knew damn well that he should be practicing on the sim, but he wasn't. 

He re-read the messages between him and (Y/n), for what seemed like the millionth time. Was he really that much of an asshole? He couldn't believe how she didn't physically attack him, he'd want to do it to himself.

Cocky, annoying and asshole-ish. That was he was to (Y/n), and he didn't understand why she still dealt with him. Perhaps homicide of oneself would be useful now.

His fingers lingered over the keyboard, aching to send her a message. It was so painful to restrain himself, he basically longed to see the blue message appear on his phone.

Sighing, he closed his phone and looked at himself in the mirror. His hair was messy, he looked rougher than usual. He guessed that this would happen when the thing you love most is taken away from you.

He brushed his hair slightly with his hands, and put on the rings (Y/n) gave him, the ones he always wears. Grabbing the bouqet he had bought off his bedside table, he closed his hotel room and went out into the dangerous, dangerous hallway. 

Paul knew he had fucked everything up when (Y/n) didn't respond to his text. Usually, she'd reply within seconds, always surprising him with her fast replying speed.

If only she was as fast to forgive him.

Something like this happening was inevitable, whether they liked it or not. They were both foolish to think that they'd have a relationship with no fighting whatsoever. Stupid of them.

The thing was, it wasn't only this recent fight that made them like this. No, it was multiple mini fights that just made their frustration build up to the point where they both snapped. 

Paul was wrong, he knew that. But he couldn't bring himself to admit it, always so stubborn, both of them. He knew that if he did, he was going to be teased, even though it was the right thing to do.

And after a very heated argument with himself, he'd decided to go apologise to (Y/n). He had promised himself to not get cold feet when he arrived at her hotel room. But as he stood there, a large bouquet in his hands, he felt the urge to run off and never return. 

He was already regretting his choice of flowers: white lilies, blue hydrangeas, and a few blue hyacinths thrown in just for the aesthetic. Why'd he chose blue specifically? He'd never know. 

The shame and guilt felt heavy on his shoulders, weighing him down as he took a deep breath, finally bringing himself to knock on her door. Two heavy knocks and one light knock, that was their code. Paul slightly regretted doing the secret knock, what if she didn't open the door because she knew it was him?

Stop that, take deep breaths and calm down. He'd told himself, the dread slowly enveloping him the longer (Y/n) took to open the door. It was very dreadful.

Finally, after what felt like an eternity, she opened the door. Paul had to force himself to not start sobbing from relief. (Y/n) had opened the door! This was one small step for her, but a giant leap for him. 

He was brought back to reality by his girlfriend clearing her throat, glaring at him, as if urging him to speak. Her eyes were slightly bloodshot, her face a bit paler than usual. Had she been sick? He knew that she got sick easily, and more often than not, he'd find her sniffling and shoving pills into her mouth.

"Uh-hi! How have you been? I....I brought these flowers for you. I know you don't like red roses so I choose against them but then had the weird urge to-"

"Yes, yes. Thank you. Why'd you come here?" (Y/n) cut him off, her tone frustrated, or maybe annoyed. He didn't know why he started talking so much, good job you idiot.

He should've asked Ralf or even Dino for help. This was a bad idea, he already regretted it. Now he'll never be able to get his girlfriend back and she'll never forgive him.

"Paul! What is the matter with you? Speak." He was so caught up in his own thoughts that he forgot about (Y/n) standing infront of him. Ironic.

"Ah, yeah. I just came here to apologise to you, I was an asshole and I knew I was wrong. I am so sorry, kallis," He mentally facepalmed when she raised an eyebrow at that. "I just want you to forgive me, I should have cared and noticed when people were hating on you. I love you so much and don't want to lose you. So please, just forgive me, (Y/n)."

Wow, where'd he pull that from? He should start considering a job in film writing, or even writing books. His lines would probably have people sobbing.

(Y/n) narrowed her eyes at him, her face pulling into an awkward, forced smile. Maybe he should stick to being a racing driver.

"I appreciate all this, Paul. I really do. But..."

But what?! 

"You really didn't need to bring flowers, you could've just came and apologised. Thank you."

Paul's anxiety vanished instantly, all hints of the shaking hands he had vanishing. His face formed a grin, his whole body relaxing.

"I-h....I love you so much and I can't deal with losing you again. " He managed to say. His voice shook, as if he was going to cry. He really couldn't lose (Y/n) again.

"I can't either, ange. And I'm sorry, for everything. I love you too." (Y/n) gave him an apologetic smile, and he could see in her eyes that she really meant it.

Paul felt immense happiness flood him, all tension from the past few days disappearing. He wouldn't have known what to do if (Y/n) hadn't forgave him

"So...are we back together?...." Paul trailed off, he really didn't know at this point. 

"We broke up?" She said, tilting her head at him. 

"Oh... Well, I thought we did. Uh, sorry, it was a stupid question. I don't know what I'm saying." He scratched the back of his head. Great, Paul, you ruined it now

"How have you been?"

"Quite depressed, actually. You really did light up my life," (Y/n)'s eyes widened, and her cheeks were tinted red. He still has the charm. "Well, I have to go now. I have to do the track walk with Amaury. See you around, I guess."

"See you."

He didn't know what to do with his arms, part of him stepped forward to hug her, and part of him raised his hands to wave. (Y/n) sighed and pulled him into a hug, rubbing his back while she laid her head on his chest. His heart was propably beating out of his chest, still not used to the feeling.

Then, he swore he heard her mutter something like 'I missed you'.

[thefinalwitness]

i don't know if it's because i started playing mmorpgs with one whose fanbase was generally HOSTILE to people becoming invested in their characters as fully fledged members of the story being told (insane, i know), but one thing that environment DID teach me is how to bend the canon story to MY needs and the needs of the character i wanted to play, and i see a lot of ffxiv players, specifically those very invested in the "rpg" part, that don't... seem to grasp this idea?

i instead see a lot of (joking and serious) demands that the wol be portrayed differently in the source material, that we hug more characters, scream and cry over more events, and i think the mismatch happening here is you're supposed to WRITE IN any of those moments or divergences yourself. the portrayal of the wol cannot meet everyone's expectations about who the wol should be; they are, within the game, a narrative tool, as all characters in a story are. they serve a function in order to progress the story squeenix has chosen to tell.

but things like dialogue choices and an ambiguous timeline are MEANT to provide YOU with the option to rewrite the details yourself. they can't possibly provide every way every wol could react, so it's up to YOU to put an asterick in things and say, ok, this is how this scene went in MY version...

and the same is true of how other npcs treat your wol! op is completely right: the formula squeenix used in ARR is "you are an adventurer, and adventurers typically agree to crazy dangerous shit for money, and that's the agreement you and the scions began with". i think minfilia saying "we are family" is a two-fold thing: one, i think minfilia DOES care about you more than the average employer of an adventurer, just because she cares about people in general.

(the secret second reason is, if you were a 1.0 player, she RECOGNIZES YOU in ARR and thus already has a particular relationship and bond with you. ARR is weird because, if you're a 1.0 wol transferred to 2.0, you get lots of different story beats to reflect that—but also, a couple of those beats seem to persist in the non-1.0-transferred version of the story? remember when cid said you gave him his goggles despite never doing that in 2.0? yeah.)

but all of that is just the baseline, default version of a story YOU are meant to and encouraged to rewrite as needed. your wol WASNT the typical die-for-money-or-glory adventurer? you can rewrite the reasons the scions sought your character out, AND their treatment of that character to reflect the new circumstances! that's what an rpg IS: you MAKE the story YOURS.

to be fair to the scions regarding their arguable lack of concern for your wellbeing, despite minfilia's 'we are a family' hr spiel in arr they clearly hired* you in your function as an adventurer, people who by canon die like flies and who's job is to do the worst and most dangerous things ever for glory and shit money and maybe some used shoes. somehow i don't really blame them for taking you at your word. you clearly are off your nuts already

*allegedly we are paid

[sorcave]

Hating Calypso does not mean you don't understand morally grey characters and defending her does not mean you understand them.

I've seen many takes from those defending Calypso in one way or another dismissing those who hate her as "not understanding morally gray characters" which is simply isn't true. Defending her as a poor victim who didn't know any better does not mean you understand the concept of morally gray characters either.

The main divide is whether intent, her actions, or both matters in defining her morality and by how much. Either side of that spectrum is missing the nuance of the situation- she's not a supervillain intent on making Odysseus' life horrible nor is she an innocent, naive girl who shouldn't be held accountable for her actions. To me, while I don't think she is evil, she is at the darker end of the "morally gray" spectrum as her actions are so egregious that her intent nearly doesn't matter.

Most defenders use the story that Calypso tells in "I'm Not Sorry For Loving You" as their evidence. She didn't INTEND to hurt Odysseus- she hasn't known anyone before so she didn't know! She was just lonely! She just loved him! If you were stuck on an island all alone for 100 years and finally someone came, wouldn't YOU want to make sure they didn't leave? Besides, she apologizes for her actions!

This is a trap that the song actively brings listeners into. It is meant (or at least easily interpreted as) as a plea for sympathy, to make the audience feel empathy for poor Calypso. It is not a simple explanation for her actions and it is definitely not an apology for them. The reason it feels like a "Youtuber Apology" is that they share many similar characteristics. She is intentionally vague about what she is apologizing about, to the point they are nearly irrelevant. "Coming on too strong" wasn't the issue- it was "Coming on too strong" AFTER Odysseus told her no ( "From here you're mine, all mine"/ "Hell No") was. It doesn't address her main crime, specifically keeping a man AGAINST HIS WILL for seven YEARS, even AFTER he became so desperate to leave that he was moments from committing suicide. Lastly, she doesn't take accountability but (intentionally or not) blames Odysseus . "I'm sorry if my love was too much for you" is a VERY common phrased used by abusers to shift the blame from themselves onto their victims.

The crux of the issue for me is while her rough experience up until she met Odysseus may explain her actions, too many people seem to use it to EXCUSE her actions (including, seemingly, the narrative itself). Why this rubs so many the wrong is because of how many real life victims have been told they have to "forgive" their abusers because their life was hard or "they didn't know better." Many who were bullied as a kid had at least one guidance counselor say they needed to "forgive/even befriend x because they are struggling/ \[Insert Bad Thing Here} happened to them." Many others see Calypso using the same tactics their own abusers used to hurt them, and justifiably hate her for it.

I am not saying someone is wrong or stupid for having a more forgiving perspective on Calypso. If you are one to put more weight into intent than actions, I could see why Calypso could be a much lighter gray ( I am not seeing many defenders saying she is an entirely innocent, "morally good" character"). It can be argued that her actions were not of an intentional abuser but of a goddess who haven't had much experience with relationships before, especially with mortals. If her idea of romance came from whatever the Ancient Greek version of romance novels were, it makes sense that her idea of romance may not be the healthiest. Heck, even reading the myths would explain or even excuse why she didn't see "She's my wife" as a sign to back off- for probably at least 90 percent of Greek Heroes, that would not matter.

In summary, Calypso is a morally gray character- but that doesn't mean there aren't valid reason to dislike or even hate her. Seeing her as dark gray bordering on black doesn't mean you don't see the nuance- many who are against her understand her intent may not have been evil- but that her actions make her intent almost irrelevant. So please stop dismissing those who dislike/hate her as simply misunderstanding/being naive with morally gray characters. Many are not (especially since the entire show is full of them) and simply put weight in her actions more than her intent.

[itsmewahoo]

this is very specific but do you know any youtubers who do horror video game analysis but not talking in a way like theyre telling a horror story?

its more personal preference but i want to listen to someone in the background just explain a game like a normal analysis instead of it making it spooky. does anyone know any youtubers that do that?

[amethystarachnid]

Please, please, I need to ask you for a part 2 of Snowy Love now... they had a little boy, an exact copy of Tony, and of course, his name is Anthony Edward Stark Jr. 🥰 and just as Tony promised, they are going back to the same place with their baby boy now 🥰 Tony is the best hubs and dad, always so soft and protective... one night, as they observe their beautiful baby boy sleeping so peacefully, Tony will tell her that he wants another one, and they decide to have another baby 🥰 if you want you can spicy things up too, thank you 😘

I love the idea of Tony and reader having a special place like this to go 🥰

SNOWY LOVE - part II

⤷ ANTHONY “TONY” E. STARK

ᯓ★ Pairing: Anthony “Tony” E. Stark x fem!reader

ᯓ★ Genre: romance fluff, a tiny tiny spicy scene

ᯓ★ Request from: normal request

ᯓ★ Story type: short fanfic

ᯓ★ Part I

ᯓ★ Word count: 8k

ᯓ★ Summary: after your son, Edward, comes in the world your little Alps getaway get more interesting, so interesting that you and Tony decide you wouldn't mind another baby Stark.

ᯓ★ TW(s): mentions of birth, a little spicy scene

ᯓ★ Comment if you want to be added to the taglist (specify if you want the everything taglist or for a specific character)

ᯓ★ My Masterlist

ᯓ★ MARVEL Multiverse - choose an AU, pair it with your favorite character and make a request!

ᯓ★ Songs & Superheroes tales - The Game (to make a request, follow the rules on the link!)

ᯓ★ MARVEL Bingo

ᯓ★ English isn’t my first language

The weeks leading up to your due date are a mix of excitement, nerves, and more than a few late-night talks about the baby’s name. You’d both been bouncing ideas around since the second trimester, but nothing had fully clicked for both of you. Then, one evening, Tony hit you with a proposition that he was sure would be a “slam dunk.”

“What if…” Tony begins, giving you his best salesman smile, “we make him a junior?”

You nearly choke on the sip of water you’re drinking. “Junior?”

“Think about it.” He leans forward, eyebrows raised, already envisioning it. “Anthony Edward Stark Junior. Our little legacy. Our kid gets a great name, I get a mini-me, and you get to say, ‘I’m married to Tony Stark Senior.’ Everybody wins.”

You stare at him, trying to process. “Tony, I don’t know… A junior? I feel like it’s setting up some pretty big expectations.”

He tilts his head, giving you a puppy-dog look. “What if we just call him Edward, though? Classic, timeless, elegant… just like his mom.”

You narrow your eyes, both charmed and trying not to roll your eyes. “You’re really playing the flattery angle here.”

Tony grins. “Is it working?”

“Fine,” you sigh with a smirk. “But I’m calling him Edward. You don’t get to sneak in any nicknames like ‘Tiny Tony’ or ‘Starky’ or anything weird, got it?”

He beams. “Deal. Edward it is.”

On the big day, when the contractions start, Tony morphs into a chaotic mix of superhero and headless chicken. The moment you tell him, he’s grabbing his jacket, his tablet, and two power banks (just in case, he insists). He practically hustles you out the door, giving the driver a set of instructions that makes it sound like you’re about to pull off an international heist rather than have a baby.

In the delivery room, Tony is trying his best to be calm and supportive, but his nerves start showing the minute you go into active labor.

“Alright, babe, you’ve got this,” he says, squeezing your hand. “Just… breathe! And maybe, uh, try some meditation?”

You give him a look that could melt his Iron Man suit. “Oh, really? Breathe? How insightful. Maybe I should just think calming thoughts while this tiny human makes his dramatic entrance, Tony.”

He swallows, wide-eyed, clearly realizing he’s treading dangerous ground. “Right. Just, you know, ignore me. I’m here. Quietly. Totally quiet.”

But every time a contraction hits, he’s there, full of commentary and ideas, most of which involve technology he wishes he could be using. “You know, I could invent a pressure reducer—some kind of… I don’t know, anti-gravity cradle? That way, all the pressure is off you—”

“Tony!” you gasp between contractions, managing to laugh despite the pain. “Focus, please. No inventions right now.”

Finally, after what feels like hours of huffing, puffing, and a whole range of Tony’s attempts at encouragement (that occasionally backfire), you hear the first cries of your son. The room goes still, and Tony’s hand grips yours a little tighter, his face softening with awe as the doctor holds up your baby boy, all squirmy and red-faced.

You’re exhausted but overwhelmed with joy as they place him on your chest. The little guy blinks up at you, and as you look down, you’re struck by how much he already looks like his dad. From the dark hair to the tiny furrow in his brow, he’s unmistakably Tony’s son.

Tony’s voice breaks the silence, soft and filled with wonder. “Oh, look at him… He’s perfect.”

“Yeah,” you whisper, stroking your finger over his tiny hand. “He really is.”

After a few moments, Tony leans over, whispering so only you and the baby can hear. “Hey, Edward. Welcome to the team, little guy.”

You laugh softly, glancing up at Tony with a smirk. “I suppose we’ll let you keep the ‘Anthony Edward Junior’ for the birth certificate.”

Tony grins, looking a little misty-eyed. “And we’ll call him Edward. Just like we said.”

The baby shifts in your arms, yawning with a seriousness that makes you and Tony both laugh. “Look at that,” Tony says, chuckling, “he’s already judging us. He’s got the Stark stare down.”

“Oh, he’s definitely yours,” you say, tracing his tiny nose. “There’s no denying it.”

As the nurse takes Edward for his check-up, Tony stays close, keeping one eye on the baby and one on you, as if he can’t decide who needs more protection. At one point, Edward lets out a small cry, and Tony practically jumps out of his seat, only to be gently waved back by the nurse.

“Alright, alright, kiddo’s tough,” Tony mutters to himself, trying to act casual. Then, under his breath, he adds, “I’d better teach him about building armor for all life’s tough moments. Soon as he can walk.”

You smile, shaking your head. “Not just yet, Tony.”

“Fine. Maybe in a few years.” He smiles down at you, giving your hand a soft squeeze. “You did amazing, by the way. Both of you.”

Later, as you’re resting in the quiet room, Edward nestled in your arms, Tony sits by your side, his gaze fixed on the little bundle between you. He reaches over, brushing a hand over Edward’s dark hair.

“I have a feeling this little guy’s going to keep us on our toes,” he says, his voice warm with anticipation.

You chuckle. “I think he’s going to be just like his dad. Confident, a little dramatic, always ready for an adventure.”

Tony grins. “Then he’s got some pretty big shoes to fill. But don’t worry, kid.” He leans close to Edward, whispering, “You’ve got a head start. You’ve got the best mom in the world.”

Your heart swells, and you glance over at Tony, feeling overwhelmed with love and gratitude. “And the best dad.”

He reaches for your hand, holding it tight. “Here’s to the new adventure, Mrs. Stark. Alps trips, tiny skis, and all.”

And as Edward settles back down in your arms, his little hand wrapped around Tony’s pinky, you know you wouldn’t trade this moment, this family, for anything in the world.

November brings a fresh blanket of snow over the Alps, and true to his word, Tony whisks you and baby Edward back to the chalet for your first family trip as a trio. But this time, Tony has leveled up his promise a little bit.

“Alright, brace yourself,” he says with a smirk as the three of you arrive at the chalet’s entrance.

“Tony, what did you do?” you ask, eyeing him with playful suspicion.

He opens the door with a flourish. “Meet the new and improved chalet,” he declares as you step inside and notice everything from the original cozy stone walls to the carved wooden beams… looking the exact same as they had before. It’s still the chalet you remember, but now, as you glance around, you notice subtle but elegant upgrades: a sleeker kitchen, plush couches, perfectly arranged warm lighting, and something tells you Tony’s fingerprints are on each and every detail.

“JARVIS?” you call out, testing your theory.

“Yes, Mrs. Stark,” JARVIS replies smoothly, his voice filling the room. “I am here to assist you with anything you need during your stay.”

You look at Tony, arching an eyebrow. “You put JARVIS in the chalet?”

Tony grins. “What’s a chalet without a little Stark-level luxury? Besides, he’s got the heat, lights, baby-monitoring, and full security on lock. Plus, the moment Edward gets fussy, he’s going to give us gentle background white noise. Like having a top-notch babysitter that we don’t have to pay.”

You laugh, holding baby Edward closer to you. “Only you would find a way to make a rustic mountain getaway smart-tech enabled.”

Edward blinks up at the sound of JARVIS, his big brown eyes going wide. Tony leans over, stroking Edward’s tiny head with a grin. “See, kiddo? We’ve got all the comforts of home—just with a better view.”

Of course, while the chalet is all set up and the vacation is planned to perfection, the reality of bringing a seven-month-old to the Alps sets in quickly. For one thing, Edward seems endlessly fascinated with everything in sight—the crackling fire, the pinecone decorations, the view outside—but especially, he loves testing his new babbling skills at full volume whenever you’re trying to enjoy a quiet moment by the fireplace. And when it comes time to bundle him up in his little winter gear for some snow time, things get complicated fast.

Tony holds up the puffy snowsuit, squinting at it like it’s a complex piece of machinery. “Okay, so we just… put him in here? I don’t think he’ll fit. Are you sure this is his size?”

You stifle a laugh. “Yes, Tony. Babies’ clothes just tend to look a little oversized. Trust me, he’ll fit.”

After a few minutes of wrestling with the baby-sized marshmallow suit, Edward is all bundled up, looking a little like a tiny, slightly disgruntled snowman, his cheeks poking out from the snug hood.

“Well, look at you!” Tony coos, chuckling as he lifts Edward up. “You’re ready to brave Everest.” He leans in and whispers conspiratorially, “Just don’t expect us to climb it anytime soon, okay?”

You take a few steps outside, holding Edward’s tiny mittened hand, and Tony follows with a knowing smile. “Alright, team, it’s time to introduce the little guy to snow. First snowball?” he asks, already forming a little powdery ball.

“Nothing too rough, Stark,” you say with a laugh. But before you know it, Tony tosses a soft, fluffy snowball—more like a gentle powder puff—onto Edward’s lap.

Edward stares at the snowball with a very serious expression, reaching out to poke at it. His face lights up as his tiny mitten sinks into the snow, and he looks up at you, babbling excitedly.

“See?” Tony says, grinning. “Total natural. And he hasn’t even tried sledding yet!”

You and Tony spend the morning showing Edward the snow-covered world, taking him out to a little sled where he sits on your lap, squealing in delight as Tony gently pulls the sled along. Every now and then, he looks up at you with pure joy, and your heart just melts.

Later that evening, after you’ve managed to get Edward fed and snuggled into bed (which was an ordeal in itself, as he spent half the time grabbing at your hair and Tony’s glasses), you sit by the fireplace, wrapped in one of the soft blankets Tony stocked up on. Tony finally joins you after setting up a baby monitor with JARVIS’s help, plopping down on the couch beside you with a tired but satisfied smile.

He wraps an arm around you, pulling you close. “Well, we survived the first day. Barely.”

You laugh, resting your head on his shoulder. “It’s different with a baby, isn’t it?”

“Oh, absolutely,” he says, looking over at the baby monitor and grinning as he sees Edward sleeping peacefully. “But it’s kind of the best thing ever.”

You smile, thinking of all the little moments from the day—Edward’s excitement over the snow, his curious little face peeking out from the snowsuit, the way he’d babbled at the mountains like he was having a full conversation with them. “It really is.”

Tony’s hand drifts to your shoulder, and he kisses the top of your head. “Remember what I promised you? Yearly trips to the Alps, no matter what.”

You close your eyes, soaking in the warmth and the soft crackling of the fire. “And you’ve outdone yourself, Mr. Stark. This chalet is perfect.”

“Well, only the best for you and our little snow adventurer.” He chuckles, his eyes soft as he looks at you. “I can’t wait until he’s old enough to really take on the slopes. I’ll teach him everything I know.”

You raise an eyebrow, laughing. “Oh, so he’ll be an expert on the bunny slopes?”

Tony gasps in mock offense. “Excuse me! I did those bunny slopes with you for safety reasons.”

You grin, nudging him playfully. “Sure, sure.”

For the rest of the night, you both fall into comfortable conversation, talking about your favorite parts of the trip and laughing over Edward’s tiny adventures of the day. And even though there’s a new level of exhaustion that comes with traveling as parents, there’s also a new kind of joy, too—the kind that fills your heart in ways you never could have imagined.

As you settle in beside Tony, his arm around you and the fire casting warm shadows across the room, you feel it—the deep contentment of being right where you’re meant to be. You have each other, a beautiful family, and all the memories waiting to be made on snowy Alps trips just like this one.

The next morning, you and Tony have a grand plan: to get a family photo in the snow with the Alps as a backdrop. You picture a sweet little scene—Edward bundled up, the mountains glistening in the background, and you and Tony looking like that perfect, smiling family on a holiday card. But getting a baby and two semi-coordinated adults to cooperate for a “simple” photo quickly becomes its own comedy of errors.

First, there’s the task of getting Edward back into his snowsuit, which he’s now decided he hates. He’s wiggling, giggling, and pulling at the hood the entire time, giving Tony a run for his money as he tries to zip up the tiny suit.

“Alright, Edward, c’mon,” Tony pleads, one hand struggling with the zipper while Edward bats at his dad’s face with a mittened hand. “Just work with me here, buddy. Think of the memories.”

Edward lets out a little squeal that sounds suspiciously like laughter, and you can’t help but giggle as Tony finally manages to get the zipper all the way up.

“There we go!” Tony cheers, looking immensely proud, like he’s just invented a new suit himself.

With the baby finally bundled, you two tackle the next challenge: finding a spot outside where the snow isn’t too deep. Tony scouts ahead, and with JARVIS chiming in via earpiece to give him topographical tips, you both make your way to the perfect spot, nestled near a tall pine tree with a breathtaking view of the snow-capped Alps in the background.

Tony positions his phone on a nearby rock, sets the timer, and then hurries back to join you and Edward. But as he leans in, trying to hold Edward steady, his hand slips, and suddenly he’s teetering backward, flailing as he tries to catch his balance on the icy snow.

“Oh no—!” you gasp, holding Edward securely as Tony lets out a string of surprised curses and lands straight in a snowbank, his legs flopping over the edge like a giant starfish.

The phone’s camera timer goes off with a cheery click. The result? A perfectly crisp shot of you holding Edward, smiling serenely while Tony lies in the background, half-buried in snow, looking thoroughly betrayed by gravity.

You’re laughing so hard that Edward starts to giggle too, a bubbly little laugh that only makes the whole situation even funnier. Tony sits up, looking bemused but amused, his face pink from the cold. “Okay, that’s… that’s one for the family album.”

You grin, wiping tears of laughter from your eyes. “It’s a classic already.”

Not one to let the snow get the best of him, Tony gets up with determination, brushing the snow off with dramatic flair. “Alright, no one messes with a Stark like that. We’re getting this shot, and it’s going to be flawless.”

On attempt number two, Tony positions the phone on a steadier surface, checks the snow for any hidden ice, and rejoins you, looping an arm around your shoulder as you all face the camera with bright smiles.

Just as the timer ticks down, Edward reaches up, grabbing Tony’s nose with an impressive grip for a seven-month-old. The photo snaps just as Tony lets out a squawk of surprise, his expression halfway between amusement and “I’ve been captured by my own child.” The result is another photo that, while completely unscripted, somehow captures everything you love about this little family adventure.

“Alright, I’m calling it,” Tony laughs, taking a look at the new photo. “Apparently, we’re destined for candid shots only.”

You shrug, kissing Edward’s chubby little cheek. “Maybe that’s even better. We’re a chaotic family, Tony—why pretend otherwise?”

As you all make your way back to the chalet, Tony leans in, whispering, “Just so you know, I’m sending both of those pictures to Happy for our holiday card options. Let him decide which one says ‘Stark Family Adventure’ the best.”

Later, cozy by the fire with Edward dozing in his crib nearby, you and Tony swipe through the day’s photos, laughing over each and every attempt. The best shots—the ones where you’re all genuinely laughing, snow in your hair and mismatched expressions—are far from perfect, but they’re filled with real joy. And as you snuggle close, you know this will be the kind of memory you’ll treasure forever, a perfectly imperfect adventure in the Alps with the people you love most.

Three years later, you’re back at the chalet for your annual Alps getaway, and it’s no surprise that Edward is now an unstoppable force. At three years old, he’s practically a mirror image of Tony—a toddler with boundless energy, unfiltered curiosity, and a confidence level that has you equal parts impressed and on high alert.

“Okay, buddy,” Tony says, crouching down to zip up Edward’s puffy little parka. “Remember the rules for today. One, no climbing any trees. Two, no running past—”

“Got it!” Edward chirps, promptly bouncing up and bolting out the door, his tiny boots pattering across the snow.

You laugh, throwing Tony a knowing look as he sighs. “He’s got the Stark attention span, too,” you say.

Tony smirks. “Only the best traits, right?”

Outside, Edward has already discovered a stick and is poking it into the snow, chattering away to himself like he’s narrating his own discovery channel show. As you watch, he picks up a pine cone and waves it over his head like it’s a prized artifact.

“Look, Daddy!” he calls, holding up the pine cone with immense pride. “I found treasure!”

Tony, trying to keep up with Edward’s imaginative pace, kneels beside him, inspecting the pine cone with all the gravitas of a museum curator. “Ah, yes. A rare alpine pine cone. I’d say that’s worth at least ten points.”

“Ten points!” Edward exclaims, his face lighting up with joy.

You watch the two of them, warmth filling your chest. They’re a perfectly matched pair: Tony, the ever-encouraging, slightly mischievous dad, and Edward, who treats every rock, snowflake, and icicle as if it’s the most magical thing he’s ever seen.

Before long, Tony has convinced Edward that a snowball fight is in order. The two of them square off, and it’s a comical sight—Tony with his practiced aim and Edward with his… well, enthusiastic but chaotic form of defense, which mostly involves flinging snow in every possible direction.

You try to sit back and watch, but before you know it, Edward has roped you in. “Mommy! Help me!” he calls, his tiny face flushed with excitement.

“Oh, you’re going down, Stark!” you call, laughing as you crouch beside Edward, forming snowballs as fast as he can toss them.

Tony’s attempts at pretending to be defeated are the funniest part of it all. He stumbles around dramatically, flinging snow in the air and making ridiculous sound effects every time Edward hits him with a snowball. Edward laughs so hard he nearly tumbles backward, and his laughter is contagious, echoing through the snowy landscape around you.

After an hour of snowy chaos, you all retreat back inside, red-cheeked and chilled but perfectly happy. You wrap Edward in a cozy blanket, and he nestles up beside you on the couch, his head resting against your shoulder, still babbling about his “great snow victory.”

Tony sits on your other side, wrapping an arm around you both. “You think he’s going to be this wild every year?”

You smile, brushing a stray bit of snow out of Edward’s hair. “If he’s anything like you? Definitely.”

Tony laughs, his eyes softening as he looks down at Edward, who’s drifting off in the comfort of your arms. “I wouldn’t have it any other way.”

And in that moment, in the warmth of the chalet with your little family bundled together, you can’t imagine a better tradition. The mountains, the snow, and these beautiful, hilarious memories—they’re your family’s own perfect kind of magic.

After a long day of helping a highly enthusiastic but wildly unpredictable Edward navigate the beginner slopes, you and Tony are both thoroughly exhausted. Getting Edward to sleep has been an adventure on its own—he insisted on wearing his snow hat to bed, hugging his newfound pine cone “treasure” like a beloved teddy bear. But at last, he’s tucked under the cozy blankets, his soft snores filling the room as he finally rests.

You and Tony stand in the doorway, watching him with a mix of adoration and relief. Tony wraps his arms around you from behind, resting his chin on your shoulder as you both gaze at your son.

“Out like a light,” Tony murmurs softly, a trace of awe in his voice. “Gotta hand it to the Alps—only place that can actually wear this little guy out.”

You chuckle, leaning back into his embrace. “Only took skiing lessons, a snowball fight, and an epic bedtime negotiation to get him here.”

Tony smirks. “Can you blame him? Kid knows what he wants.” He drops a light kiss on your shoulder, his voice turning playfully suggestive. “Wonder where he gets that from?”

You roll your eyes, smiling despite yourself. “Pretty sure that’s all you, Mr. Stark.”

Tony pulls you closer, pressing his lips near your ear. “I think you underestimate just how… persuasive you can be, Mrs. Stark.”

You laugh softly, feeling the blush rise in your cheeks as Tony’s hands slip around your waist. “You’re incorrigible, you know that?”

He feigns innocence. “Just stating the facts. And for the record, I’m pretty persuasive too. I mean, look at this kid.” He nods toward Edward’s sleeping form. “That’s a whole collaboration project right there. A masterpiece, if I do say so myself.”

You shake your head, trying to keep a straight face. But then, as you glance back at Edward, all tucked up in his little cocoon of blankets, the thought slips out of you before you can catch it: “I wouldn’t mind adding to the… collection.”

Tony goes still, and you feel his arms tighten around you, the grin in his voice unmistakable. “Oh, really?”

You blush, nudging him with your elbow, but you don’t deny it. “Maybe…”

“Maybe, she says,” he murmurs, amusement dancing in his tone as he steps back, just enough to turn you around and face him. His eyes are sparkling with a familiar mischief, and you know exactly where this is going. “Well, Mrs. Stark, I don’t believe in wasting time.”

Without another word, he scoops you up in his arms, carrying you down the hall to your room with a determined grin. He pauses only to nudge the door shut with his foot and click the lock, just in case Edward decides to wander in on his way to a midnight snack.

The next morning, you both shuffle into the kitchen, happily disheveled but somewhat groggy after last night’s, uh, activities. Tony pours you both coffee while you tackle the task of assembling breakfast for the family, the scent of coffee filling the chalet. Just as you finish plating the pancakes, you hear the pitter-patter of small feet racing down the hall.

Edward appears in the doorway, all tousled bedhead and wide, curious eyes. He grins, hopping up into his chair with more energy than either of you can muster, and starts digging into his breakfast.

“Did you sleep well, buddy?” you ask, trying to keep the knowing smile off your face as Tony gives you a wink over his coffee mug.

“Yeah, I did,” Edward says, then tilts his head in thought. “Except for the weird noises.”

Your fork pauses mid-air. Tony freezes, eyebrows raising slightly as he trades a look with you.

“Oh? What kind of noises, honey?” you ask, trying to keep your tone light and innocent.

Edward scrunches his face, deep in toddler-level contemplation. “I dunno… kind of like ‘thump thump’ and then like… a squeaky sound?” He shrugs, perfectly unaware of the red hue creeping up both your faces. “I thought it was maybe animals outside. Like a bear!”

Tony chokes a little on his coffee, quickly composing himself as he nods, very seriously. “You know what? That’s exactly what it was. Just some… mountain animals. Bears, probably. Or… squirrels. Could’ve been squirrels too, I’d bet.”

Edward looks skeptical. “Squirrels? Squirrels go ‘squeak squeak’?”

You nod, putting on your best parental poker face. “Oh, absolutely. These Alps squirrels are, uh, very vocal.”

“And super fast,” Tony adds, trying to keep a straight face. “They must’ve just been scurrying around outside.”

Satisfied with this explanation, Edward returns to his breakfast, the mystery solved in his mind. But Tony can’t help himself—he sneaks a hand over, giving your knee a quick squeeze and winking at you over his mug, a mischievous smile dancing on his lips as he whispers, “Squirrels, huh?”

You bite back a laugh, nudging him with your foot under the table. “Keep it up, Stark, and you’ll be explaining squirrel noises for years to come.”

And as Edward chatters away about his plans for another day of snowy adventures, you and Tony share a quiet smile, thinking about how this mountain hideaway has become even more special to your family—memories made in the snow, and, apparently, memories made with a little help from the “squirrels.”

It’s a crisp spring afternoon in New York, and you’re back at Stark Tower, watching Edward chase his toy cars around the living room with endless energy. You can’t help smiling as he zooms his favorite red race car across the floor, making all the appropriate “vroom” noises, blissfully unaware that his whole world is about to change. You’ve just returned from the doctor, and the news you have to share with Tony feels like a small, joyful secret waiting to burst.

After waiting for the right moment all afternoon, you find Tony tinkering in his workshop. He’s bent over some project, half of his attention on JARVIS narrating stock reports, but as soon as he sees you standing in the doorway, he brightens up and sets down his tools.

“Hey, gorgeous. To what do I owe the pleasure?” He smirks, reaching for your hand and pulling you close.

“Well, I thought you might want a break,” you say, feeling the excitement bubble in your chest. “I actually have… some pretty big news.”

“Oh?” His eyebrow arches, his interest clearly piqued as he looks at you with that familiar Stark sparkle. “Do tell.”

Taking a deep breath, you let the words tumble out. “Tony, I’m pregnant.”

For a split second, there’s only silence as he processes what you’ve said. And then his face lights up with a joy so pure it makes your heart swell.

“You’re serious?” he whispers, almost as if he can’t believe it.

You nod, your smile growing wider. “We’re having another baby, Tony.”

His response is immediate; he wraps you in his arms, pulling you close, and you feel the warmth of his kiss on your forehead as he lets out a small, breathless laugh. “Another baby… wow. I’m gonna have two little Starks running around?” He pulls back to look at you, his hands on your shoulders, his gaze soft and a little awed. “You’re incredible, you know that?”

“Well, thank you,” you laugh. “But this is all teamwork.”

“Oh, believe me,” he says, his expression growing playfully mischievous, “I remember the teamwork.”

You give him a light smack on the chest, rolling your eyes. “Focus, Stark. We have another little person to tell the news to, remember?”

Tony’s eyes widen, glancing toward the hallway where Edward’s little voice can be heard playing. “Oh, you mean the future big brother. How do you think he’ll take it?”

“Honestly?” You shrug. “No idea. But I think he’ll be excited… once he gets past any confusion.”

Tony grins, his eyes sparkling with the thrill of telling Edward. “Let’s do it.”

You both head to the living room, where Edward is still entirely focused on his toy car, making it zoom up the arm of the couch and fly through the air before landing it perfectly on the carpet. At three and a half years old, he’s the spitting image of his father: curious, energetic, and already a little charmer. When he sees you and Tony approaching, he stops mid-vroom, looking up with big, curious eyes.

“Hey, big guy,” Tony says, crouching down to Edward’s level. “Mommy and I have some special news for you.”

Edward’s eyes light up with interest. “News?”

You smile, sitting down next to him. “Yes, honey. You’re going to be a big brother.”

Edward’s little face scrunches up in confusion. “Big… brother?”

“Yes,” you say, glancing at Tony for support. “That means Mommy has a baby in her belly, and when it’s ready, you’ll have a little brother or sister.”

Edward’s eyes widen even more, and he stares at your stomach, looking half-confused, half-impressed. “Mommy ate a baby?”

Tony immediately bursts into laughter, and you can’t help but laugh too. You shake your head, gently taking Edward’s little hand and placing it on your belly. “No, honey, Mommy didn’t eat a baby. The baby is growing in here. And in a few months, you’re going to have a little sibling.”

Edward’s hand stays on your belly, his face absolutely serious as he contemplates this information. “So… the baby is just there?” He presses a bit, as if expecting to feel something.

Tony chimes in, his voice warm. “Yep. Just there, buddy. Growing a little more every day.”

Edward’s face slowly shifts from confusion to excitement, his smile growing as he processes what it means. “I’m going to have a baby to play with?”

“Exactly,” you say, brushing his hair out of his face. “You’re going to be a big brother. And that means you get to help take care of the baby, teach them new things, and, when they’re big enough, play together.”

Edward’s grin is so wide now that it practically glows. “I’m gonna be a big brother!” He pauses, squinting up at Tony. “Like… like how Daddy is in charge of everyone?”

Tony grins, clearly enjoying this line of thought. “Well, not exactly. You’ll be a big brother, which means you’ll get to show the baby how to do all the fun stuff, like building towers and—”

“And playing cars!” Edward finishes with enthusiasm. “I’m gonna teach them everything!”

You exchange a tender smile with Tony, watching as Edward begins to babble on about all the things he’ll show his little sibling, his excitement growing with each idea. You can see Tony’s eyes soften as he watches Edward, his hand finding yours and giving it a gentle squeeze.

Edward scrambles off the couch and stands right in front of your belly, crossing his arms with determination. “Baby, you have to come out soon so I can show you everything, okay?”

You chuckle, running a hand through his messy hair. “It’ll be a few more months, sweetheart, but the baby will hear you.”

Edward nods seriously, placing both hands on your stomach as if he’s already the most devoted big brother. “Okay, baby. Don’t worry. I’m gonna be here to teach you all the important stuff.”

Tony chuckles, pulling you close with an arm around your shoulder. “I think this baby has a pretty awesome big brother waiting for them.”

Edward looks up at both of you, his face filled with pure, innocent excitement. “Is the baby going to look like me?”

“Maybe!” you say, smiling at his curiosity. “Or maybe the baby will look like Daddy.”

“Or you!” Tony adds, squeezing your shoulder. “But one thing’s for sure, they’re going to be very lucky to have you as their big brother.”

Edward beams, his eyes bright with pride. Then he suddenly looks thoughtful. “Does that mean I get to be in charge of them? Like when they don’t want to play?”

You and Tony share a glance, stifling laughter. “Well, being a big brother means you’re a helper,” you say. “And that means being patient and kind.”

Edward thinks about this, nodding slowly. “I can do that,” he says seriously. “I’m going to be the best big brother ever.”

With that, he dashes back to his toy cars, already chatting to them about his new sibling as if they, too, need to know the news. You and Tony watch him with affection, sharing a moment of pure contentment.

“Not bad, huh?” Tony murmurs, his hand slipping around your waist as he pulls you close.

“Not bad at all,” you reply, leaning into him. “I think he’s going to be amazing.”

Tony chuckles, his gaze softening as he watches Edward play. “You know, if he’s anything like me, that baby is going to have a lot of excitement to look forward to.”

“Let’s just hope they balance each other out,” you laugh. “Otherwise, I think I’ll have my hands full.”

Tony gives you a teasing smile. “I think you already do, Mrs. Stark.”

The snow has blanketed the Italian Alps in a serene white hush, and you can’t help but smile as you look out the chalet window, feeling at peace even with the slight ache in your lower back. You’re nine months pregnant, and the baby could come any day now, but you wouldn’t have missed this trip for the world—not when it’s become such a special tradition for your family. You’d made sure Tony understood that before you left. Despite his protests, he finally agreed. But only under the condition that you’d “take it easy” and let him handle absolutely everything.

The chalet has become even more luxurious, thanks to Tony’s constant upgrades and “adjustments.” And though it’s outfitted with everything you could possibly need, from a medical suite to Jarvis-powered heating control, Tony is still on edge. You feel his watchful gaze follow you even as you wander just a few steps around the cozy living room. Even more surprising, Edward seems just as watchful, hovering nearby with a little furrowed brow that mimics his father’s.

“Mama, you need more water?” he asks for the third time in an hour, holding up a glass in his little mittened hand, though he looks a bit wobbly carrying it.

You smile, reaching down to take it. “Thank you, sweetie. You know, I think I’m good for now.”

He looks relieved, climbing up onto the couch beside you and cuddling into your side, immediately leaning down to put his face near your belly. It’s become his favorite spot, his “sister perch,” as he calls it. “Hi, baby Mia,” he whispers, his breath tickling your belly. “I got Mama water like you need. But you gotta wait a little bit, okay? ‘Cause you’re supposed to come after Christmas.”

You giggle, reaching down to ruffle his hair. “I think she’s listening, Eddie.”

Tony walks in from the kitchen with his own cup of coffee and grins, watching the two of you with unmistakable fondness. He’s got his eye on Edward, who’s started this protective routine almost as if on cue. You’ve noticed that ever since you arrived, Edward has been watching you with extra concern, following you room to room with a serious expression that makes him look adorably like a miniature version of Tony.

“Keeping an eye on Mama, huh?” Tony asks, dropping into the armchair beside you. He catches Edward’s eye and gives him a wink, which Edward dutifully returns with a nod.

“Daddy said I gotta be extra good and make sure you and Mia are okay,” Edward explains seriously, his hand now gently patting your belly. “Because if she comes early, it’s up to me to keep you safe too.”

You glance over at Tony, arching a brow. “So, you’ve enlisted a tiny helper?”

Tony smirks, leaning back in his chair with a mock-casual expression. “Well, let’s just say I figured another set of eyes wouldn’t hurt. Especially with someone as stubborn as you, Mrs. Stark, insisting on a nine-month-pregnant trip to the Alps.”

You roll your eyes, stifling a laugh. “Oh, so now I’m the stubborn one?”

He just grins, leaning forward to gently place his hand beside Edward’s, rubbing soothing circles across your belly. “Mia, just for the record, we’d prefer it if you’d wait a little longer to make your debut, okay? Let’s give Mommy a couple more quiet nights.”

Edward chimes in, “Yeah, you stay in there, Mia!” He lowers his voice to a loud whisper, as though she might be eavesdropping. “Daddy says it’s cozy and warm in there.”

Watching Tony and Edward both focused so intently on you and the baby makes you feel an overwhelming rush of affection. Tony may be playfully aloof at times, but you know how protective he is, and seeing Edward’s instinct to care for you just as much—it’s almost too much for your heart to handle.

Over the next few days, their vigilance only increases. Edward insists on helping with every little task, from picking up anything you drop to insisting you don’t leave the couch without him.

One afternoon, you’re sitting near the fire, Tony stretched out beside you with Edward nestled between you both. Edward has his hand on your belly, his little face serious as he leans over, “talking” to Mia about all the things he’ll show her once she’s born. You glance over at Tony, who’s pretending to read a book but has a smile on his face, clearly listening in.

“Yeah, and I’ll show you the big mountain,” Edward whispers to your belly. “And all the squirrels! But you gotta wait a little ‘cause you’re too tiny now.”

“Big brother’s got it all figured out, huh?” you murmur, looking over at Tony.

Tony gives a soft laugh. “He’s thorough, what can I say?”

When evening falls, you sit with Tony as Edward helps him prepare dinner in the kitchen. Tony’s pretending not to notice that Edward is sneaking more carrot slices than he’s putting in the salad, and you’re listening to their banter with a smile. Just as Tony finishes the final stir, he glances over at you, his eyes brightening.

“Alright, gorgeous, dinner’s served.” He and Edward bring everything over to the table, setting it up with an odd mix of finesse and excitement. Edward clambers into his chair, looking proudly at the setup.

As you all dig in, Edward turns to you, as serious as ever. “Mama, do you think Mia can eat with us next year?”

You chuckle, nodding. “I think she’ll be joining us for a lot of meals, honey. And you can help show her how everything works.”

“I’m good at showing stuff,” Edward says, sounding very grown-up. He stabs his fork into his food, then pauses to look at you. “Mommy, is Mia gonna need to wait for food like me?”

“Maybe at first,” you say, glancing at Tony as you add, “But she’ll have a big brother who can teach her all about snacks.”

Tony nods seriously, reaching over to give Edward a high-five. “That’s right, buddy. You’ll have to show her all the important stuff—especially the snacks.”

Edward beams, looking very pleased with himself. Dinner continues in this cozy, easy rhythm, filled with little jokes and laughter, until you find yourself feeling so relaxed you almost forget how close you are to your due date.

Late that night, after Edward is tucked in, you and Tony settle into bed, and he wraps his arms around you from behind, his hand resting instinctively on your belly. You sigh, leaning into his warmth, grateful for the peace and quiet.

“Think she’s getting cozy in there?” Tony murmurs, rubbing small circles on your belly.

“She seems content,” you whisper back, smiling. “But then again, so am I.”

A comfortable silence falls between you as Tony presses a soft kiss to your shoulder. “I can’t believe we’re going to have two little ones soon.”

You chuckle. “And you doubted our Alps trip.”

He rolls his eyes playfully. “Hey, better safe than sorry. If I had my way, we’d be back in New York near the best hospital in the state.”

“Relax,” you say, lacing your fingers through his. “We’ve got everything we need right here.”

And as you lie there, cradled in Tony’s arms with the baby softly moving beneath your hand, you feel a deep, calm certainty—no matter where you are, as long as your family is by your side, everything will be exactly as it should be.

The evening is peaceful as you sit by the fireplace in the chalet, warming up after a full day spent playing in the snow. Tony’s got an arm around your shoulders, holding you close, while Edward is curled up on the rug in front of you, arranging his toys with focused concentration. You’re enjoying the rare calm, your hand resting on your belly, feeling the little nudges and kicks that Mia has made her daily ritual.

Suddenly, you feel a sharp, intense pressure low in your abdomen—a sensation that makes you gasp, your hand gripping Tony’s arm on instinct.

“Hey, you okay?” Tony looks at you, his brow furrowing in concern. Edward glances up too, his toy race car frozen mid-drive as he watches you with wide eyes.

“Um… I think…” Another wave hits you, stronger this time, making you tense. You can’t help but wince as a rush of pain makes it clear exactly what’s happening. “Tony, I think it’s time.”

“Time? Time for—oh!” Tony’s face goes through a series of rapid changes, from confusion to realization to full-blown panic. “Time! Okay, okay. That’s fine. We knew this was coming. I’ve got this.” But his eyes are wide, and his hands are already shaking as he reaches for his phone, practically tossing it out of his pocket in his haste.

Edward’s face scrunches up with worry. “Mama, are you okay? Is Mia coming now?”

You manage a reassuring smile for him, though it’s strained. “Yes, sweetheart. Mia’s on her way.”

Edward’s little mouth forms a perfect “O” as he stands there, frozen with his toy car clutched in his hand. “But she’s not supposed to come yet!” He looks to Tony for confirmation, a touch of panic in his voice. “Daddy, she’s coming early!”

“Uh, yeah, she sure is, buddy,” Tony mutters, trying to steady himself as he dials for the hospital. But when the call goes unanswered, he swears softly under his breath, his face paling. “Right. Nearest hospital it is. I’ve got this. Totally got this. Y/N, do you need a bag? Should I carry you?”

You laugh—well, as much as you can while clutching your belly. “Tony, just help me to the car. And grab the bag we packed in the bedroom. It’s all set.”

He nods, snapping into action as he wraps an arm around you, helping you up as gently as he can. Edward trails closely, his eyes fixed on you, looking like he’s ready to burst into tears. “Mama, is it going to hurt a lot?”

You nod, managing a comforting smile. “It’s going to be okay, Eddie. But yes, sometimes it does hurt a bit.”

With a nod, he straightens up, puffing out his little chest as if he’s trying to be brave for you. “I’ll protect you, Mama,” he says with a firmness that makes Tony’s mouth twitch, though he’s too frantic to fully appreciate the cuteness of it.

Tony helps you out to the car, keeping an arm firmly around you while Edward scrambles into his seat in the back, buckling himself with serious focus. He’s quiet as he watches Tony settle you in, his gaze darting between the two of you.

“Okay, everyone’s in. We’re good. We’re going to the hospital,” Tony announces, gripping the wheel and peeling out of the driveway with more speed than finesse.

The drive is quiet, save for Tony’s constant mutterings and reassurances. “Almost there, babe. Hang on. We’ve got this.”

Edward, still wide-eyed and silent, keeps glancing from Tony to you, his little hands clasped in his lap. Finally, he leans forward and says softly, “Daddy, is Mia going to come soon?”

Tony gives him a reassuring smile in the rearview mirror. “Pretty soon, buddy. But she’s going to be just fine, and so is Mommy.”

A few minutes later, the hospital comes into view. Tony whips into the parking lot, barely managing to park the car before he’s jumping out, rushing around to help you. The nurses spot the three of you, and within moments, you’re whisked into the maternity ward with Tony by your side, Edward clinging tightly to his other hand.

After a moment of hesitation, Tony looks at Edward, his expression softening. “Okay, Eddie, I think it’s time for you to hang out with the nurses while we bring Mia into the world, alright?”

Edward’s eyes are filled with worry as he looks up at you, his little brow furrowed. “Are you sure, Daddy? Maybe I should help.”

You reach out and give his hand a gentle squeeze, smiling through the pain. “Don’t worry, honey. I’ll see you soon.”

Reluctantly, he nods and lets go, and a nurse leads him to the waiting room, promising him hot chocolate. Once he’s settled, you let yourself focus fully on the task at hand, breathing deeply as another wave of contractions hits.

Hours later, as dawn breaks over the mountains, you’re finally holding a tiny, pink-cheeked bundle in your arms. Mia is here, and she’s perfect, with soft wisps of dark hair and the tiniest little nose. Tony looks at her with an expression you haven’t seen before, a mixture of awe, wonder, and pure love.

“She’s… wow,” he murmurs, his voice choked. He reaches out, his finger stroking her soft cheek. “She’s here. She’s finally here.”

You nod, tears slipping down your cheeks as you watch him. “She is. And she’s beautiful.”

Just then, there’s a knock on the door, and a nurse steps in with Edward, who’s clutching a small, stuffed bear that he insists is for Mia. He’s a little hesitant, staring at the tiny bundle in your arms with wide, curious eyes.

“Eddie, come meet your sister,” Tony says, beckoning him over with a soft smile.

Edward steps forward slowly, his eyes fixed on Mia with fascination. He gently sets the bear down beside her and looks up at you, his voice barely above a whisper. “Is that really her?”

“Yes, sweetie,” you murmur, shifting Mia just enough so Edward can see her more clearly. “This is Mia. Your baby sister.”

Edward’s face lights up as he takes it in. He reaches out tentatively, gently touching her tiny hand. “Hi, Mia. I’m your big brother,” he whispers, looking awed. Then he glances up at you and Tony, his voice growing more confident. “I’ll take care of you, Mia. Just like I promised.”

Tony chuckles, ruffling Edward’s hair. “That’s right, bud. You’re the best big brother she could ask for.”

Once you’re back at the chalet, it’s as if the whole place is holding its breath for Mia. Even the snowfall outside seems to have softened, the sky a soft pink and blue haze as the sun rises over the Alps. Tony helps you get settled on the couch, Mia tucked warmly in your arms. Edward is right beside you, eyes wide and sparkling as he stares at his sister, still in awe of the tiny new family member.

“Mommy, can I…?” He trails off, looking up at you with hopeful eyes.

Tony clears his throat, immediately stepping in. “Can you what, buddy?”

Edward meets Tony’s gaze with a bold determination. “Can I hold her?”

Tony opens his mouth, looking unsure. It’s clear he’s struggling, torn between letting Edward’s eager big-brother heart grow and the sheer terror of seeing his three-year-old son anywhere near such a delicate little bundle. You give Tony’s hand a reassuring squeeze, then smile softly at Edward.

“Of course you can, sweetheart. We’ll help you,” you say, and Tony shoots you a look that is part admiration and part mild panic.

With care and precision that would make any parent proud, you and Tony arrange Edward on the large bed, surrounding him with a fortress of pillows. He sits cross-legged, his little hands clasped in his lap, looking more serious than you’ve ever seen him.

“Alright, Edward, remember—very, very gentle,” Tony instructs, his voice a little shaky as he settles Mia in Edward’s lap. The look on his face says he’s ready to leap in at any second.

Edward nods with the utmost sincerity, keeping his hands steady as he holds Mia, his tiny fingers brushing over her soft blanket. He gazes down at her with awe, and Mia, as if she already knows her brother, blinks up at him, her eyes round and calm.

“Hi, Mia,” he whispers, his voice almost reverent. “It’s me, Edward. I’m your big brother.”

Tony, standing a mere inch away, watches like a hawk, his eyes locked on Edward’s every move. If there were any way for him to be closer without actually holding Mia himself, he’d probably do it. You catch him clenching and unclenching his fists, clearly debating if he should interfere, even though Edward is doing perfectly well.

You chuckle softly, nudging Tony’s shoulder. “Breathe. He’s got this.”

“Breathe?” Tony whispers back, glancing at you like you’ve suggested he let Edward juggle china plates. “Babe, our son is three. Mia’s barely a week old. This is like… a recipe for chaos.”

“But look,” you murmur, smiling as you take in the sight before you.

Edward leans down slightly, his face inches from Mia’s, his little voice filled with wonder. “You’re so small, Mia. But I’ll help you get big. Just like me.”

You feel your heart melt, watching your son speak to Mia with the wisdom and warmth of someone far beyond his years. Mia, sensing something special, gives a little yawn, her face scrunching up before she settles comfortably in Edward’s lap.

Tony’s shoulders ease just a fraction, and he shakes his head with a small smile. “Alright, you’re right. He’s got this.”

After a few moments, Edward looks up at Tony with a mix of pride and excitement. “Daddy, she’s not crying!”

Tony laughs, reaching out to ruffle Edward’s hair. “She’s not crying because she likes you, buddy. You’re already doing an amazing job.”

Edward beams, sitting up a little taller. “Yeah, I think she does like me. I’ve been practicing, Daddy. With my teddy bear, remember?”

Tony chuckles, nodding. “All that practice paid off, didn’t it?”

Satisfied that Edward has everything under control, you settle back, letting yourself enjoy this peaceful moment. It’s incredible to see Tony’s eyes soften with such pride as he watches Edward. When Mia stretches a tiny hand and accidentally grabs one of Edward’s fingers, Edward lets out a little squeak of excitement.

“She’s so strong!” he says, looking up at Tony. “Look, Daddy! She’s already holding my finger!”

Tony’s grin widens, and he’s now fully invested, crouching beside the bed to get a better look. “She’s a Stark, all right. Strong from day one.”

You share a knowing smile with Tony. Somehow, it feels like the chalet, with its vintage wood and cozy, fire-lit rooms, has truly become your family’s haven. This yearly trip has become more than just a tradition—it’s a ritual of love and connection, a reminder of the life you and Tony have built together.

When Edward finally looks up, he gives Mia one last gentle hug before releasing her back into your arms. “Mommy, can I hold her again tomorrow?”

You smile, nodding. “Of course, Eddie. She’ll need all the big-brother cuddles she can get.”

“Deal,” he says with a grin, hugging his knees to his chest, his excitement making his little feet wiggle.

Later, when Edward’s sound asleep and Mia is curled up beside you, Tony wraps his arms around you, pulling you close. The fire crackles softly, casting a warm glow around the room, and he leans down to press a gentle kiss to the top of your head.

“So, another perfect day?” he murmurs.

You nod, resting your head on his shoulder. “Perfect in every way.”

I love family man Tony so much you guys can't even understand

[wolf-in-a-trenchcoat]

@hobartsaglet wanted me to tell you about the color ramble lol

So, this actually reminds me of two sets of media I thoroughly enjoyed that has a similar thing- Megamind and Our Flag Means Death. In Megamind, we see Roxanne going from red to blue throughout the movie- thus signifying her relationship developing with Bernard!Megamind- and then turning to purple when they "break up", and lastly back to blue when she finally gets back together with Megamind in the end.

In Our Flag, Ed wears purple the closer he gets with Stede- same goes for how he wears fingerless gloves in the beginning to show that he's hiding most of himself except for the bits he wants people to see, then goes gloveless when he and Stede become super close, then full gloves in S2 for various plot reasons that may be spoilers. Fuckin love that show-

Anyways, back to the actual topic.

If you pay really close attention to Bilbo AND Thorin's attire during the journey, you'll see that as Bilbo becomes closer to Thorin, he ditches the reds and oranges and starts wearing blue- specifically Durin's blue.

Like THE family blue.

And it's not even that noticeable he does it. It actually took me a while to notice it myself, a second watch, AND looking through the costume designs. Like, yeah, we know that he'd end up wearing something warmer when the winter months come, but they obviously had various colors they could've used- Thorin wears a brown fit after Lake-Town, and everyone has their own colors...

But Bilbo specifically has Durin's blue. That is the shade it's called.

And BOTFA would be where we'd see the peak of their relationship- Bilbo is supposedly the only one at the time able to reach through the gold-sickness and get to Thorin. We see it during the acorn scene (a whole other rant) and when Thorin gives him the mithril shirt (also another whole ass rant). He trusts and has such a deep fondness for Bilbo even through the sickness.

It makes you think, when you take the colors into consideration. Bilbo wore very warm colors when we first and last see him. And yes, I mean the gear he had when he goes back home.

Bet you didn't expect me to bring that up, did you?? (Yeah, same- @hobartsaglet had to hear that rant for... 3 is hours on call? Sorry man haha-)

When he heads back to Bag End after talking to Balin and the remaining Company, if you pay really close attention, he's back to wearing red. Thorin is dead now, so there's no more relationship to develop. Bilbo isn't wearing blue anymore.

He stops wearing blue.

The whole journey, Bilbo's clothes change as he acclimated to the dwarves, but his colors changed as he grew closer to Thorin. It wasn't obvious and in your face, you had to pay close attention as the movies and scenes progressed.

Thorin wasn't left out either.

We see him first wearing dark colors and a common silver or steel. He's dark, majestic, broody- he looks out of place in Bag End at first. And as the story progresses, Thorin starts wearing lighter colors- browns, reds, just not black/dark colors.

That can also tie into the gold-sickness, too.

When they finally make it to Erebor and drive out Smaug, we see Thorin dressing more lavishly- AND BACK INTO THE DARK COLORS. He's back to wearing those shades and Bilbo is still wearing blue. Thorin also adds gold into the scheme.

Wanna know what else is gold, and causes great harm to its owner? The One Ring.

Both have something gold that destroys them from within- Thorin with the hoard, Bilbo with the ring.

But, when the Battle of Five Armies starts and Thorin finally clears out of the sickness, he's back to wearing SILVER/STEEL. Not a single touch of gold on him. At all.

The thing about the gold is that it was meant to make us uneasy. We're meant to see it and feel how heavy the weight of that sickness lies on Thorin and the line of Durin. Same goes with the ring, and it also being gold.

Thorin gifting Bilbo the mithril shirt is a nod to how much Bilbo has changed. That is one of the most, if not second to the Arkenstone, valuable items in that mountain. Thorin saw him as valuable through the rarest silver.

And mithril is a clean, pure silver.

I think there's more, but this is all I remember ranting about, so if I figure anything else out from memory, I'll shoot you another long winded reblog.

bagginshield is so real cause what do you mean they started wearing each others colors

[hella1975]

would you like to talk about how bad the mha ending was hella

as much as i would love to give like. a comprehensive response i genuinely dont think i can get my words together just yet without it being a constant unintelligble stream of 'AND ANOTHER THING-' and bc it's become quite torn in the fandom on if the chapter was good or bad i want like. an actual coherent response here. so i will reblog this if/when i can word it but know IM NOT FUCKING HAPPY

[batsplat]

casey also talks about sepang 2015 what do you think of that

oh in that podcast? uh... lemme listen again...

yeah idk it's not really anything new I'd say? he's said basically all the same stuff in more interesting and extensive ways elsewhere. I think casey inevitably has a very 'well feuding is bad and helps nobody' point of view, has expressed that before in the past, does it here again, and he's also drawn a parallel between himself and marc on several occasions. which... well, of course there's similarities in terms of public discourse or whatever, but the parallel really falls apart whenever casey argues the feuds cost valentino. like, I do think it's sometimes important to just. keep in mind. it's interesting that casey draws this comparison in his mind but that doesn't necessarily means he's right about this. I'm not sure how you'd argue that starting a feud with casey cost valentino anything competitively? you can argue it didn't help him I guess, and then we can have a debate about the ins and outs of the 2008 season. we can also have an argument that in a hypothetical world where casey isn't ill in 2009, valentino doesn't break his leg and casey isn't on a piece of junk in 2010, and valentino isn't on a piece of junk in 2011-12, then actually maybe valentino sparking open animosity with casey COULD have cost him. but we don't know that! didn't happen! I wish we could have found out, but we never got the chance! as it stands, the tally on this is pretty straightforward: casey won the title when things were reasonably civil between them in 2007, and valentino took control of the following season at the exact moment he worsened the relationship between the pair of them in 2008. obviously, it's all more complicated than that and casey would of course argue laguna didn't negatively affect his subsequent performances... but it certainly didn't help them. like, at the very worst valentino escalating tensions in 2008 is a complete net neutral. after 2009, them being bitchy to each other every other tuesday was completely competitively irrelevant beyond maybe affecting how they approached occasionally fighting for a podium position. hey, maybe casey used that feud to fire himself up through sheer spite throughout the later stages of his career, but that doesn't actually support his anti-feud stance - it's basically the exact same thing as what valentino does. they're both quite similar in that regard! always so hungry to prove a point, to show how someone else is wrong. kinda half the point with this feuding business is to get yourself going, get yourself motivated, yeah. he straight up openly admits to using yamaha's repeat rejection of him as a way of giving himself motivation, and at the end of the day that's really not all that different?

anyway, what else does casey say... oh yeah, that him and the other aliens were already kinda prepared for this and had learned vale's tricks. that valentino had only been able to get into the minds of the previous generation. welllllll *wiggles hand* sure, I mean, he did clearly have to change his approach... he couldn't just use the exact same playbook to get to them, either on-track or off-track. but that's why he did change up the playbook... again, whether you want to believe valentino won his final two titles 'in the head' rather than just through pure pace kinda depends on how you assess the evidence, but it is at the very least a debate. and, y'know, it's always worth remembering that valentino's most important mind games with casey didn't happen in a press conference... it was on the track. and the on-track stuff really is just embedded in how valentino approaches winning. speaking of aliens, this is what dani and jorge have said:

like, valentino's entire approach to his riding, even to the way he's setting his bike up, is deliberately about directly fucking with you... he's not actually always trying to be faster than you as much as he's trying to give himself the tools to make your life miserable, to pressure you into mistakes, etc etc... and again, especially with casey (if anything because he was so mentally sturdy), the off-track stuff was really just window dressing. (I know they bicker a lot after 2009 but it's just so fundamentally irrelevant to actual on-track competition.) so you can be aware of those tricks, but it also doesn't necessarily help you when someone's being nasty to you on-track in a way you just fully do not enjoy. which is what it was like for casey! for casey, a lot of this comes back to the truly unpleasant context of how he was perceived by the public, how he was treated as mentally weak or 'broken' or whatever partly because he had the misfortune of coming up against a bloke who had the reputation for breaking rivals. I think it's quite natural to end up with a bit of a hardliner 'actually I've never been mentally affected by a result in my life' stance - and of course casey is a lot tougher than a lot of people give him credit for. that being said. sometimes your rivals affect you, shit happens, it's part of the game. it's fundamentally a nice idea to think that valentino's tactics weren't just morally wrong but also ineffective, which is kind of the appeal of this narrative, right? you want to believe you're above that, you want to believe you were adequately prepared and wise to valentino's tactic. it's unsurprising and understandable that casey does tend to tell the story that way, but again it's *wiggles hand* also hard to describe it as completely factual

uh. what else. oh I'm thrilled casey does canonically know valentino and marc were friends, he has said he wasn't following motogp too much during that time period so you couldn't be sure of that. does this mean anything? does it tell you anything? well, no, but it's just a pleasing thought to me. I like that. oh also 'provoking particularly aggressive riders isn't a good idea' is kinda a funny take from casey? like, he of all people would hate the idea of being cowed by someone's reputation like that... casey's right that provoking fast riders can potentially be dangerous, but y'know I do think that's probably not news to anyone almost nine years later. um. that's all I've got I think

[cruiseshipmoment]

@1989worshipper Gladly!

So we can guess that their memories of the event are somewhat skewed, since we know that's happened before (e.g. Dennis thinks he was the Golden God in high school, when people actually found him erratic and off-putting.). We know they tend to remember things as better than they were as a coping mechanism.

Charlie is huffing substances at work. Not nearly as much as he does in the present, but it's noticeable, because who on Earth would willingly put their face in a communal shoe? Charlie would, because he's huffing the cleaner. Even the rosy version of the story involves substance use connected to childhood trauma.

With Dennis it's probably more accurate to say that we get a better look into why Dennis is how he is. Note the inconsistency between Dennis' previously expressed wants (veterinary medicine, academic psychology), and what he expects he'll actually end up doing (working for his dad). Has he already given up on what he actually wants to do by this point? Is he deferring to his dad because Frank is abusive to him? Dennis remembers saying, "I can't make him mad" about his dad. Is he having an identity crisis? Part of BPD is struggling to feel a consistent sense of who you are.

Additionally, Dennis freezes and is stuck watching Frank sleep with a prostitute, which is a consistent response to sexual trauma for him. (See "PTSDee," in which he gets quiet and scared when the older women harass him.) Freezing on its own isn't pathological, but it's a pattern for him.

Then we have Mac. Mac is so clearly dealing drugs because he wants to be like his dad. He's terrible at it. He's not good at keeping himself safe. He could do just fine only working at the roller rink, but his parents messed up his ability to develop his own sense of self, so he's trying to be Luther 2: Electric Boogaloo.

Also, they don't change the bar's decor or name. They immediately get stuck in how it was when they got there, which is 100% a metaphor for how none of them can move forward psychologically either.

There's a post out there that says "The Gang Buys a Roller Rink" is likely the three of them telling themselves a story in which Everything Was Fine until a specific point in adulthood, instead of reckoning with the fact that literally all of them have extensive childhood trauma. I think that post is right.

Fascinating that even if "The Gang Buys a Roller Rink" is the boys' much rosier version of what really happened, they still all show signs of their current mental health issues.