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nightingale-prompts · 4 months ago

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God's TV- DC x DP prompt

Accidentally summoning a god from another dimension can happen, especially when cults are involved. However, no can could predict that the not only was the god a teenage boy but also a very bored teenage boy who didn't want to leave.

So he stayed and moved into Titans tower.

Danny is helpful (when he wants to be) but rarely goes out on missions. He says they are boring and nothing is dangerous enough to exert the effort. Instead, he minds the medical bay. Having a healer more than made up for the lack of help.

It's not like anyone disliked Danny or thought he didn't do anything it was just that he was unpredictable. Danny could be nice, considerate, and even sweet if he was working in the medbay. He could also be a pain in the ass anywhere else. He loved pranks and scaring people with his powers. He was harmless though.

No one really knew what he did all day. He was usually in his room doing something they guested. Said room was an anomaly. It was larger on the inside having been made into a pocket dimension. The appearance and organization of the room changed every time you went in.

It was after one mission that the team learned what was in the room.

A rogue had used their invention to erase Superboy's memories and they didn't know what to do. They took him to Danny who was currently rearranging the medicine by color. They hoped that his powers covered mind-altering afflictions. Unfortunately, Danny couldn't wave a hand and fix this.

Instead, Danny took the group to his room. The decor was neon Tokyo meets space right now. The furniture was currently floating and almost hitting Wonder Girl in the head with an end table. Of course, there was no gravity here.

"Stay here while I grab it," Danny said flying up the vertical corridor.

While he was gone the room rearranged itself into a contemporary format. The furniture grounded itself and shifted into a normal living room.

Danny returned with a cart and a headset. He placed a card he pulled out of the cart into the headset and put it on the dazed Superboy's head.

"Wait what is that?" Tim asked.

"It's his memories. I kept a backup in case this happened." Danny shrugged.

Immediately everyone began asking what the hell does that mean and why does he have that.

"Oh please, this dimension has this happened all the time. Amnesia is so cliché and cheap. I saw a pattern and decided the easiest way to prevent you from losing the entirety of your lives was to make save states of your memories." Danny said matter of fact.

Robin pinched the bridge of his nose.

Impulse studied the rack of cases and looking for the card with his name on it.

Wondergirl sighed, she was used to this from Robin but even he wouldn't go this far.

"What? It's not like just anyone can find these. Only you can access your own memories anyways. I just decided to repurpose my RE:Viewer." Danny pouted.

"What is a reviewer?" Wally asked flipping through the cases. Each one had titles like moves or shows with an arrangement of stickers.

"The RE:Viewer is something I created to catalog things I've seen looking into other dimensions. I don't have an infinite memory you know. But the longer I have my title the more I'll lose touch with my mortality. These things help me stay close to people by giving me the chance to remember how it feels. I also have been using them to get the stories of others. Keeping their experiences like you'd keep a TV show or movie. So many stories could have been lost to time but now they are saved. I use them to teach myself." Danny smiled.

The concept genuinely sounded interesting. Like experiencing a movie in 4d.

It had been 3 minutes before Kon took off the headset and back to his old self.

Danny pulled the input card out and it disappeared into another realm with a flick of the wrist. Danny was completely honest that the copies were inaccessible to everyone but him.

"You feeling alright Superboy? Your memory should be backed up until a week ago." Danny said shining a light in his eye.

"I'm fine. I think. What happened?" Kon asked batting the light out of his eyes.

"Explanation later. Take a nap first. You aren't concussed at least." Danny informed.

"What are the stickers for?" Wally said pointing at the rainbow of colors the card cases had.

"Just the emotions associated with the experiences. Orange is comedy, red is action, pink is romance, and blue is tragedy." Danny listed. "That one with the pink is one of my favorites. I meddled a bit in that world. Two people who had never met fell in love at two points at different times. One of them was doomed to die but I worked my magic on a mirror that allowed them to meet once. They shared notes left in different places for the other months ahead. Makes you believe in true love. A real tear-jerker."

"What about the black stickers?" Wally asked.

"Don't touch the black ones," Danny said darkly, smacking his hand away. "You don't need to know about those. I don't like thinking about them."

"So you just take the memories of others and put them inside your machine to replay later?" Batgirl asked. "Isn't that kind of wrong?"

"No, I asked permission. I usually pull them aside at some point and ask. If it's my memories (that's the green stickers) I don't need to. The rainbow ones are simulations. Like a video games." Danny responded patting her on the back for not being to hard on him about this admittedly weird situation.

"So what's the black one with the rainbow sticker?" Wally asked picking up the case that was obviously stuffed in the back.

"STOP TOUCHING THOSE!" Danny yelled pulling him away.

#dc x dp #dpxdc #dc x dp prompt #dp x dc prompt #danny fenton #danny phantom #young justice #batgirl #superboy #wonder girl #red robin #dc robin #tim drake #dc impulse #wally west

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salemlunaa · 2 months ago

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☀︎ YOU’RE NOT BEING PRODUCTIVE, YOU’RE LAZY AND AFRAID ☀︎

And this will cost you a lot of time that could be spent with your desires…

You have all the information, why aren’t you applying. You tell me you have been in this community for 6 months, a year, 2 years+, but how many of those days you’ve spent in this community have you actually applied, how many of those nights did you actually apply and don’t just fall asleep after 5 seconds.

And i know why you’re lazy, it’s because you’re scared, you’re scared of inducing process, whether it be success or failure. You make yourself busy with scripts and subliminals, “i’ll script this really cool thing first”, “i’ll scroll a little on tumblr first” “lemme just look at the success story hashtag before i do it, it really motivates me” You try and distract your self, you delude yourself into thinking you’re being productive but really you don’t want to, if you wanted to you wouldn’t be here and I will ALWAYS stand by that. You put it off until the last minute and then when it “doesn’t work” you run back to tumblr acting like you actually did anything.

a really good analogy from @archsariel333 - “you buy the pens, the notebook, you plan for the book you’re going to write but, you never write it”

“let me just add this one thing to the plan”, “let me look at inspo for book covers and art styles for illustration”, “let me go to my book writers group on tumblr and see if they have anymore advice for me even tho i know how to write a fucking book”

I know it’s comforting and validating to be in the “waiting period”, the period of anticipation. You want to go shopping for a vacation, pack your suitcase, look at reviews on social media, plan the pics you’re going to take, but getting on the actual plane can be scary, you ask yourself “what if they deny my boarding pass”, “what if i fail to make it on time”, “what if im not eligible to fly for whatever reason”, you don’t want to leave your comforting circumstances and even the trip itself scares you just a little, so you cope by buying all the vacation outfits in the world, saving inspo pics into a pinterest board, looking at vlogs of other people going to that place. You can’t bring yourself to get on the fucking plane.

You need to apply, and properly, 2024 is almost over, the amount of weeks we have left isn’t even in the double digits anymore, I don’t want you to make it to the end of this DECADE still keeping the tumblr “foryou” page company, watching people coming and going feeling paralysed as people who came here later than you pass you by. I know the feeling sucks but whose fault is that?

I want you to scrap the amount you’ve been here. Since you’re the operant power right? I don’t care how many weeks, months, years you’ve been here, scrap it, you’re going to start afresh and you’re going to actually apply, when you have the time, you’re not going to go back to your notes app, notion or pinterest to script some more, you’re going to apply.

A lot of you have the knowledge that majority of the world doesn’t and time on your hands, do you know how powerful and extremely fortunate you are, to have time AND knowledge? i don’t think alot of you understand how much of a privilege that is you are unstoppable yet you stop yourself out of fear that you will “fail” to tap into the void and let yourself down. You are so privileged to know what you know and to have the time to apply it, so do it, your not gonna scroll on tiktok for a few more minutes or shove a million subliminals down your throat to “prep yourself” you’re just going to take a breath and do it. Induce pure consciousness, and if you fall asleep scrap that assumption and do it again.

Look at your life right now, do you honestly like it, do you like envying others for having what you can have at the snap of your fingers. Do you like the life you are living?

I want you to tell yourself that you will not be the reason for your own demise. you will NOT be the reason that it’s 2026,27,28 and so on and you don’t have what you want.

please just go and apply, i don’t even know you guys and it hurts watching you kill time when you could’ve had everything a day ago, an hour ago heck even 5 minutes ago.

apply apply apply, don’t let this feeling be the reason you “fail” 💋🍑

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fairuzfan · 10 months ago

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I mentioned this before but the one thing I cannot stand is selfishness which is where a lot of zionist talking points come from even when they *are* advocating for "peace" and "coexistence" because it centers ISRAELI safety and only thinks of Palestinian safety as secondary and indecental to Israeli (ie: the only way Israelis get safety is if their Palestinian """"neighbors"""" get safety which is such a selfish way to view the imprisonment and oppression of Palestinians) but then again they publish literal thinkpieces about the guilt Israeli soldiers feel when they eat food left behind by starving Palestinians — who, again, are starving BECAUSE OF ISRAELIS WHO ARE THE OPPRESSORS — so there's no way mainstream Israeli society will ever make changes to their language they they carefully curate to not include Palestinians (Haaretz is a beautiful example of this — take a look at their editorial staff list) because they all feed into their own sense of self pity and self righteousness rather than actually uplifting the voices of the oppressed. But then PALESTINIANS are the ones in this scenario who are accused of bias because they advocate and fight for their stories to be heard. Israelis do not have to find alternative means to put out their stories — has it occurred to you why Palestinians have had to use SOCIAL MEDIA to share their stories rather than traditional networks? It's because no one gives us the time of day. So we developed our platform through social media, even on here where @el-shab-hussein has been documenting FOR YEARS the human rights abuses perpetuated by Israelis on Palestinians because we know that's how anyone learns the truth about Palestine. So when people are trying to take down tiktok specifically, it's sinophobia and also fueled in recent months by antiPalestinian sentiments.

Sudan is like this too — the news we get about Sudan are from people who are on the ground because they've largely been abandoned by human rights orgs and by news stations. We learn the most about Sudan from people like @/bsonblast and Ze on Twitter.

Then people like come on here and make fun of people who get their news from social media (which is code for "Palestinians," they always mean it as code for Palestinians) as if "professional" media takes anyone from the Global South seriously or gives them space to talk about their stories and when they DO, people say things like "hamas run media" or whatever lol like these people have never had to doubt what they see on public media before and it shows! No one takes you seriously when you say the words "islamofascist state" about Gaza when CNN publicly admits to having their content reviewed by the IOF! Hypocritical at best!

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sometimesanalice · 29 days ago

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Dream a Little Dream

Summary: After a long week away in Lemoore, all Bradley wants to do is come home to you. The only thing is, you’re just not where he expects to find you.

Pairing: Bradley 'Rooster' Bradshaw x Female Reader

Length: 4.5K

Warnings: so much fluff and a truly smitten Bradley Bradshaw (mdni)

(author's note: this is a fic is set in the 'Like I Can' universe, however it can be read on it's own!)

Bradley throws his head back and lets out low groan as he hits another red light.

Nothing in the past week he’d spent up in Lemoore had felt as long as this drive home from base.

Not the stuffy dinner with the higher ups that had Mav and him exchanging looks from across the table, both of them clearly wishing to be anywhere else than done up in their Dress Whites. Not the long nights sharing a room with Hangman, who snored louder than the multiple phone alarms that he’d kept snoozing instead of turning off, as if the scratchy Navy provided sheets weren’t bad enough on their own. Not the drills or the lectures or the reviewing of the new procedural guidelines or equipment requirements with the crew stationed up there.

He'd felt the all the tension that had been building up over the week melt off of him the moment he’d turned the key in the ignition- the engine to the Bronco rumbling to life after a week of sitting on a parking lot on North Island- knowing that he was finally on his way home.

Technically, he was on his way to your apartment. But it was the same difference to him.

Wherever you were was where he wanted to be.

That was home. You were home.

Minus the fact that the San Diego traffic controllers seemed to have it out for him.

He thought for a moment he’d make it to your place in record time considering that there weren’t many people on the road a 2am. He hadn’t even bothered to turn the radio on, but even 105.3 THE ROCK where hits go to die would be preferable to the way he was agitatedly drumming his thumb on the steering wheel. But he was stubborn and now he left it off out of spite when his drive became a game of ‘How Many Times Will Rooster Hit The Red’.

It had been more stop than go at this point.

“Finally,” Bradley mumbles to himself when the light turns green and shifts out of neutral into first.

When Jake had dropped him off at base after their five-hour road trip back to San Diego, he’d decided to suck it up and stick around to get some of the paperwork that he’d been putting off out of the way so that he could enjoy the days off he had lined up after the trip. He might have lost track of time and caught a second wind filling out flight logs with only the whir of the overhead fluorescents to keep him company, working until he reached the point where he felt like he couldn’t keep his eyes opened anymore. His eyelids getting heavier and heavier with each passing minute he stayed seated at the desk he’d commandeered to work at.

It had been a week of sleeping like shit. And not just because of the creaky, lumpy mattress or Hangman’s snoring. But because he’d gotten used to your soft, warm body pressed against his and the sound of your gentle breathing to lull him to sleep. He’d had a taste of what true luxury was like and now it was hard to go back to the bare minimum he’d known before.

He’d known even before he’d left the building that he wouldn’t be able to fall asleep unless you were tucked against him. He’d barely slept 300 miles away from you, but it would have been even worse to go back to his condo knowing you were closer than ever and yet still so far.

Being in the same city wasn’t enough for him. He needed to be under the same roof, under the same covers.

Four red lights later, he’s turning onto your block. By some kind of miracle there’s an open spot big enough for the Bronco near the main entry without him having to maneuver into it with too much effort. It’s another reason why he’s dying to have you move in with him, the parking at your apartment complex is trash. And there are never enough guest spots, even with the parking pass he kept in his glove box.

Bradley lets himself in to your apartment as quietly as he can, opening the door slowly as to not wake you. The spare key you’d given him when you’d first moved here had lived on his own set of keys for the last couple of years, along with the fighter jet keychain you’d picked up for him when the two of you were teens during a family trip to Pensacola as thanks for looking after your hermit crabs. Even if one of them did lose a claw on his watch, which he’d felt guilty about for days, until you told him it would most likely grow back.

He’d never had a lot to be sentimental about, but that keychain with the charm whose silver finish had long been worn off around the edges was one of the few things that had been everywhere with him, so it wasn’t going anywhere anytime soon.

He gingerly sets the key on the console table you had near the front door, trying to keep them from clattering together. Carefully, he toes his boots off and sets his bag down next to them, making sure to keep it off the runner you had in the entryway. He knew you wouldn’t care if he tracked in some dirt on it, but he did.

One of the things he’s always liked about your apartment is how lived in it was.

Even in the dark, Bradley could make out the ruffly curtains you’d hung up over the door to your balcony. And the impressive gallery wall that framed your TV, one that was a mix of your own photos and art that you’ve accumulated along the way. There were more pillows than he thought was necessary on your couch, but made for one of his favorite afternoon nap spots. You usually had fresh flowers on your coffee table, the ones there now from what he could tell looked a little wilted, so he made a note to pick you up something from the shop next to the grocery store when he goes out to restock his fridge.

He lightly treads past your kitchen- and the two different types of coffee makers you had lined up on the countertop- towards your bedroom.

Bradley could already see it in his mind’s eye. The curve of the dip of your waist as you slept under your white comforter with the light blue piping along the edges. Always with a foot kicked out. The framed picture of the two of you on your nightstand. The chair in the corner where your pile of folded-and-to-be-put-away-later clean clothes sat. Your dresser topped with some leafy green thing and your tray of jewelry, where you’d cleared out not one but three drawers - which was a whole half of wooden unit he’d helped you build when you first moved in- for him to use for his things. Not to mention space in your closest too and room on the shoe rack you kept in there.

It was more than what he needed, but that was you. You’d always been the type to go above and beyond for the people you cared about. But now it meant more because you weren’t just sharing your space with him, you were sharing your life with him.

The blinds aren’t pulled closed, so your room is illumined with more city light than he was expecting. And he can see with clarity that everything is in its place.

The picture of him kissing your cheek- your nose scrunched up in that way he knows so well- in the grassy park where you’d surprised him with a showing of one of his favorite movies on one of your first dates together. The white linen covered chair with your clothes had an old sweatshirt of his tossed over the back of it that he knows if he were to pick it up would smell more like you than him. The plant in the white ceramic vase on your dresser was one you’d bought at the farmer’s market almost two years ago now to commemorate your big move there, you’d proudly carried it around for the rest of the morning while he’d carried your ever-growing collection of bags.

Everything right where it should be, except for you.

Your bed is perfectly made up. Well, the side he usually sleeps on is. The are corners still tucked in with the same crisp precision you use to wrap presents. The right side, however, looks like the comforter and sheets were hastily thrown back, a rumpled pile of fabric in the spot where he thought you’d be sleeping.

There’s only one other place where you would be.

Bradley doesn’t even try to quiet his steps as he struts back towards the door with a new destination in mind. He shoves his feet back into his boots, not bothering to retie his laces, as he scoops his keys out of the little bowl he’d just put them in barely even five minutes ago. Only slowing down long enough to make sure he’s properly locked the door behind him before he’s back in the Bronco for the second time that night.

This time the drive feels like nothing. Especially since he hits green lights all the way there.

His lips turn up in an automatic smile when he sees your all-too-practical white Honda Civic parked in the drive way of his condo. He doesn’t think he could find the words to describe the feeling that wells up in his chest at the sight of it.

It just felt right.

Bradley lets himself in, using his own key this time.

His condo had always felt more like a place to land, rather than a home. Over the last few months though that feeling has changed for him.

For Bradley’s whole life things have felt temporary. The people he met. The things he owned. The bases he lived on. You made him crave permanence in a way he’d never experienced before. The two of you had a couple decades worth of history, but he knew he couldn’t be truly content until his ring was on your finger and you shared his last name.

He can see your fingerprints in this space from the knit blanket draped on his couch to the framed print on the wall over the breakfast nook. He can see the promise of a future together in the fancier-than-he’s-used-to coffee maker on the kitchen counter.

It’s quiet, but not the empty kind.

The light above the stove is turned on illuminating the kitchen.

That was usually his final task of the night before going to bed. Flicking off the brighter overheads in exchange for the softer one that gave him just enough light to avoid crashing into things in the darkness if he woke up in the middle of the night and was on the hunt for something to eat or drink while still half-asleep.

Although it hits him now that he can’t remember the last time he’s turned it on himself.

It was something he’d noticed that you didn’t do at your own apartment when the two of you had first started sleeping together. But now if he thinks back on it, every glass of cool water out of the filtering pitcher you kept in the fridge and every bowl of late-night cereal he’s had that little light has been on to guide him into the kitchen while you slept peacefully in bed.

It’s a realization that lands squarely behind his ribcage.

Bradley kicks his boots off next to your sandals by the door and turns the lock back into place behind him. Normally, he’d take them up to be put away in their proper place, but for now he’s got other more important things on his mind.

He takes the stairs two at a time as soundlessly as he can, avoiding the step that sometimes pops. The first door on the left has been left slightly ajar, just wide enough for him to slip into.

there you are, his heart registers before his eyes do.

Tucked under the green comforter- with that one foot kicked out- on the wooden canopy bed he’d recently purchased is you.

He couldn’t fight back the smile on his face that the sight of you curled up there on his side of the bed, with your face pressed into his pillow, even if he wanted to.

Bradley still doesn’t know how he got to be so lucky that he gets to be the one to see you like this, at complete ease as you sleep, as relaxed in his bed as you are in your own. He’s grateful for every morning he gets to wake up with you and every night he gets to fall asleep with you in his arms.

It’s never been like this for him, not before you. It’s a good thing he’s already told you he loved you, otherwise he doesn’t think he could have been able to hold himself back from waking you up right here and now to tell you.

Quietly, he steps up the side of the bed, taking a moment to admire you looking soft and warm and like everything he could ever want. The few FaceTime calls the two of you had had over the course of the week couldn’t even begin to capture just how beautiful you were. Bradley leans down to brush a featherlight kiss against your temple and straightens back up. You let out a contented hmm, and he hopes you’re dreaming of him.

He’s never needed anything more than to be under those covers with you.

Bradley undresses quickly in the walk-in closet and strips down to his boxer briefs, leaving his khakis to decorate the floor until sometime later when the sun was back up in the sky. Realizing as he takes off his watch that in his rush to get here that he’d left his bag with all his other laundry by the door at your apartment. A grunt of exasperation escapes him, and he’s glad that you’re a deep sleeper and the fact he keeps his baseball bat in the garage. Especially since he’s the one that taught you how to power swing.

The only sound in the room is of your even breaths and his carpet-muffled footsteps as he pads across the room. He lifts up the covers on your side of them bed and slides into the cool sheets, the stiffness in his joints loosening at the contact, and scoots in closer until he can feel your warmth.

He’d been in San Diego for the better part of four hours now, but he hadn’t been truly home until about thirty seconds ago.

Bradley debates for a split-second whether or not to let you sleep or if he should wake you up so you’re not startled to find a 6’ 1” aviator back in bed with you. But he knows you well enough to make an educated guess. He murmurs your name, rubbing a hand gently up and down along your back, and presses his lips together when you let out a soft, sleepy sigh.

You jolt a little as you ease back into consciousness. “B-bradley?”

“It’s just me,” he hums in confirmation as he squeezes your hip, all sleep-warmed skin under his palm. He doesn’t miss the way you relax instantly against him at the sound of his voice, settling further back into him.

“You’re home early.” You reach back for him, your hand finding the base of his head, lightly scratching at his scalp as you weave your fingers through his hair.

“Mav either pulled some strings or took one for the team by staying another day, but we all jumped at the chance to get out of Le-snore early.” You let out a little snort at that.

“’re you hungry?” you offer sleepily, the words a bit slurred and strung together. “Do you want me to make you something?” Bradley is equal parts amused and endeared that you’re not even half way awake yet and wanting to look after him.

His sweet girl.

He presses an affectionate kiss on the back of your neck and wonders if you can feel his soft smile, the one that’s reserved for only you.

“Nah, I’m good,” he says, resting his chin on your shoulder, “I promise.”

He’d snagged a couple protein bars from the mess on base and had scarfed them down as he filled out his overdue flight logs. But also, there was no way he was getting out of this bed now that he was in it. Not for anything in the world.

Bradley leans in close, letting his lips skim against your ear, “You know this could count as breaking and entering, kid. Always knew that good girl thing was just an act.”

You lightly tug on his hair. “I don’t think that would hold up in court of law seeing as you gave me a key and all,” you retort, you voice still low and raspy from sleep.

“I’m pretty sure I gave my best friend a key,” he drawls, teasingly, “Don’t remember giving my girlfriend one though.” He drops a kiss to your soft-cotton covered shoulder. The shirt you were wearing was one he’d completely forgotten about until you sent him that picture of you in bed sometime past 2am in the early days of when you’d started dating, before the two of you had sex for the first time. His name was printed on the back- right at the very top- along with all the other players on the Washington High Cardinals baseball team from the year they’d won the championship. “Think ‘m going to have to fix that.”

You shake your head amused into his pillow before looking at him from over your shoulder and turning to lean back into his chest. When your eyes meet, there’s nothing but fondness reflected in them. Yours is a face he’s known most of his life, he could read you as easily as any book, and it’s even more apparent just a few inches away from his just how happy you are to see him.

He slides a hand around the side of your neck, his thumb caressing your cheek as he drinks you in. His eyes travel over your forehead, and along the curve of your cheekbones, and down the bridge of your nose, and lands on the dimples framing your smile.

thereyouarethereyouare

Bradley dips down to kiss you for the first time in a week. Your lips part easily, like you’ve been waiting for this too. There’s no rush. Your kiss is slow like honey off a spoon. Just as sweet as it’s meant to be savored. And there’s no doubt in his mind that this was always how it was supposed to be.

You and him.

Him and you.

Together.

“Hi, sweet girl,” he says, warmly.

“Hi, Bradley.” You tilt your head up for another kiss, one he has no intention withholding from you. “I missed you.”

It’s a new feeling for him, knowing he has someone to miss him when he is away. And having someone to miss in return. It’s been a long time since he’s had that in any real way that truly mattered. Bradley knows he’s due for a deployment soon, one that’ll take him from you- from this bed- for months. He’s already found the perfect thing to give you for when he leaves, something to show you how he’ll be thinking of you. But he doesn’t want to dwell on that inevitable reality.

For now, he just wants to share your warmth and focus on the feel of you pressed against him. Enjoying the luxury of getting to have this with you.

He just lets himself hold you the way you deserve to be held. He lets himself kiss you the way you deserve to be kissed. He’ll love you the way you deserve to be loved for as long as you’ll have him.

“I missed you too.” Whispering your name because he likes feel of it in his mouth.

“I think I was having a dream about you,” you murmur against his lips.

Bradley grins. “Yeah? Was it dirty?” You laugh in response, it’s his favorite sound. Happy. You make him so damn happy. He buries his face in the nook where your neck meets your shoulder and breathes you in. Lavender and cedar. Your favorite lotion to put on before bed, and something of his that he can’t put his finger on. “Mm, you smell good.”

“I took a shower before bed, used your body wash,” you tell him, running your hand along his arm. He senses you smile before he hears it. “And you smell like Jake.”

He groans and rubs the coarse hairs of his mustache against the soft skin of your neck. You giggle and try to squirm away from his prickly retaliation, but he’s got you basically pinned to the bed now. All your perfect curves against his firm angles.

“I can’t believe he’s still using a black ice tree air freshener like a damn sixteen-year-old,” Bradley grumbles. As if him and Seresin hadn’t spent enough quality time together over the week, now he was basically in bed with him and his girlfriend.

“At least you’ll know what to get him for his birthday,” you offer less than helpfully, playfully nudging his foot with yours.

Bradley chuckles and props himself up on an arm to gaze at you. He can feel the need for sleep settling over him, the long day and the longer week catching up with him that now he’s home and here with you. He can tell you’re drowsy too from the dewy way you’re blinking at him, and appreciative that you’re indulging him in this bit of pillow talk. In the quiet of his bedroom, he admits, “I went to your apartment first.”

You look almost bashful when you say, “I like these sheets better.” Both of you know that’s not your real answer for why you’re in his bed instead of yours.

He lifts an eye brow, meaningfully. “You have the same ones at your place.” Bradley knows because he made sure to check and buy the same kind for his own bed.

“Semantics,” you reply, breezily. Although he catches a hint of a pleased smile before you lean into trail a few kisses along the underside of his jaw. “Do you want your side of the bed back?” you ask.

“It’s our bed, sweet girl. You can sleep wherever you want,” Bradley says, “I’m good just as long as I can hold my girl.”

You thumb at the dimple of his chin, gazing up at him, “Have you gotten much sleep this week?”

Bradley just hums in response.

The softest of looks coast over your face. Understanding, sympathy, tenderness. It’s all there painted on your face from the little furrow between your eyebrows to the thoughtful search in your eyes as you read his face in return. He didn’t even say a word and you’ve got him figured out.

You tug on his arm and turn back over, taking him with you. Snuggling in so that your body is cradled closer to his, his chest all but pressed against your back. He slides his arm under your pillow and finds your other hand, threading his larger fingers between your own.

He situates your pillow beneath his head, sighing as he gets comfortable on the supportive mattress. He runs his palm over the familiar dip of your waist as you stretch and burrow in further, getting ready to go back to sleep. His fingertips find the edge of your cotton underwear and he follows it over your hip and along the side of your stomach, slipping one under the band to stroke at the soft skin near your hipbone.

It's the same spot where he’d find you butterflies if the two of you weren’t reversed from the way you usually fall asleep facing the other direction. Their location was a pinpoint in his mind, memorized from the moment he’d seen them that very first night together. He liked imagining he could feel the delicate lines of them under his fingertips as he drifted to sleep.

He hears the almost inaudible catch of your breath at his touch. “In the morning,” he promises.

You make a half-hearted noise of dissatisfaction, already well on your way to falling back asleep. He feels more than a little self-satisfied that he’s the one getting these reactions from you, that you want his touch just as much as he wants yours.

“Tease.” You nestle in closer, your ass brushing against his cock in a way that leaves no question it had been done on purpose.

“Menace,” he chuckles, lightly.

You hum, a pleased sound and reach for his wrist, removing temptation for the both of you and slide his hand beneath your shirt right to the very spot above your bellybutton where he normal finds its drifted to during the night on the mornings he wakes up with you in his arms.

The two of you fit together better than he ever could have possibly imagined.

“Hey, kid, what’re you doing tomorrow? I wanted to take you to breakfast.”

“To the place with the banana pancakes?”

Kisses the crown of your head, and he thinks he hears you sigh. “Wherever you want.”

“I could get away with a little hooky,” you yawn, “Maybe we could go to the beach too. Wanna spend the day with you.”

Bradley pulls you in closer, and closes his eyes. “Sounds like a plan.”

“I can’t wait.” It’s more of a sleepy mumble than anything else, but he’s already looking forward to waking up.

He listens as your breathing slowly evens out, knowing when you’ve fully drifted off. It didn’t take you long, the way it never seems to when he’s in bed beside you.

Maybe one day soon he’ll get to have you here with him every night. But until then, this is more than enough, he’s happy to fall asleep with his dream girl tucked on his arm.

Bradley lets himself imagine the day where you come and stay and it’s for good this time, because all of your clothes are in the closet and your mail gets delivered along with his.

And it won’t be just his favorite dream, it’ll be his reality.

I will never not be down bad for a smitten Bradley Bradshaw! Thank you to @yourlocalcringydaydreamer for sending the ask that inspired this soft fic!

Thank you for reading!

You can read more about these two or check out all of my stories here!

taglist:

@gretagerwigsmuse @sehnsuchts-trunken @notroosterbradshaw @tongue-like-a-razor @laracrofted @starryeyedstories @top-hhun-main @startrekfangirl2233 @callsign-viper @teacupsandtopgun @shanimallina87 @angelbabyange

#bradley bradshaw x reader #bradley bradshaw fanfiction #bradley bradshaw x you #bradley bradshaw x female reader #bradley bradshaw imagine #bradley rooster bradshaw #bradley rooster bradshaw fanfiction #bradley rooster bradshaw x you #bradley rooster bradshaw x female reader #bradley rooster bradshaw x reader #bradley rooster bradshaw imagine #rooster x you #rooster x reader #top gun imagine #top gun fanfiction

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badgertracksart · 1 year ago

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Portfolio advice, from a lead who hires Concept Artists

(This was originally a twitter thread I wrote before the site self imolated, hense it's strange structure.) I wrote this after a weekend of portfolio reviews - 1. Like a maths exam, please please show your working. I want to see thumbs options, mid options and of course a final design.

2. Arrange your portfolio, I don't want to bounce about between subject matter and pipeline. Your portfolio's narrative should be as strong as your work... 3. Please make worlds that excite the viewer, make them want to go in and explore them, explain to them the interesting parts of the town, or the way the character's hat unfolds. How will this draw the viewer in? 4. As I've said before the majority of your project work is explanatory not mood, make sure your portfolio contains explanatory work. Explained here -

5. A lot of beautiful post apocolyptic paintings, , but 80% of realistic games and film, we just give the environment artists photo ref, they are capable artists in their own right. Different work in stylised where you do need to create rules for how things can be translated. 6. Production art contains call out sheets, material references and flat graphics. This doesn't have to be your final image, but it should support it.

7. Design characters on a swatch(es) of the environment they will be viewed in. Not on white. I make swatch backgrounds from screenshots, it avoids assumptions that damage readability. 8. Reverse of this, put people in your environments, show me the scale.

9. It's not a deal breaker for a review, but if you intend to get a job, please show me your work on a screen larger than a smartphone (print outs probably the cheapest option with the best battery life). 10. Please have your contact details clearly visible, and by that I mean email address, I will not pass your social media contact on, I cannot input your form into my tracking system. EMAIL ADDRESS emblazoned and bake it in, sometimes recruiters do funky stuff to pdfs

11. Your portfolio will never feel done, not to you anyway. You will have learnt from your latest pieces and want to apply it to older work. But we know art is a journey. Send your portfolio anyway. I've been in the industry 10+ years and my portfolio is still not 'finished'. 12. If you are applying to an environment centric Concept Art position then please vary your times of day! Golden hour is cool but show me some happy sunny days, looming overcast days, what about at night? Vary your weather too! Sunny snowy day? Rainy Spring day? Stormy night?

13. If you are applying for a character centric Concept Art role then please ensure your portfolio shows a variety of body types and ethnicities. 14. Designing characters for games? Please show back views and feet (!) Many potfolios contain only front views. This is a problem because:

You haven't shown you are considering the design from all angles.

In many games rear view is the main view.

Stop cropping feet.

15. If you are entry / graduating and looking at Portfolios to compare content and standard of yr own work too, look at hired grad/junior artists as opposed to seniors Seniors and leads often have old or personal work in their portfolio which isnt representative of the day job. 16a. Show clearly the intended use case for your Concept Art. Mention the game type in the description. Are these player character designs for a 3rd person adventure game? Then more back views please. Bonus points for diagetic ways of showing health / equipment / role etc.

16b. Are these designs for an FPS? Then really the player view of the gun needs to sell the player style/ choices, in an FPS your weapons are almost your character. Are these world designs? What's the view distance? For an RTS your shapes need to read from above & a distance. 16c. The lack of clarification means I am judging the design in isolation, which both harms the design (you might be considering the backview of a char as the main adventure character.) Or an NPC, their waist up expressions may be important for conveying exposition and mechanics.

16d. Concept art is not separate from gameplay, great concept art serves the game team before it is a good illustration.

17. Play games. A variety of games. Think about them. IMO to be a good concept artist you need to understand the common language & references used by your peers. Also understand the principles and common language your audience are used to. FPS design rules are v.diff from RTS.

18. There are many skills that are needed in concept art, please show them. For example: Graphic design - logos, liveries, typographic use etc. VFX concepts - Abilities, Ambience, motion concepts. Architectural knowledge - How buildings are built! & more but I'm out of space :O

#gamedev #conceptart #advice #careeradvice #hiring

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drchucktingle · 1 year ago

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Chuck, how do you deal with people who are rude about you and your work? I write queer romance and I want to put my writing out there for people to read, but I'm a very sensitive person and I know it will be hard not to take insults personally and let them affect me. I don't want to let that stop me from expressing myself and sharing my art, but I'm scared!

very good question buckaroo. i am a good example of this as pretty much EVERYONE was rude about my work for many years calling it 'so bad its good' (it is just good) and 'terrible photoshop' (i think it has a great and instantly recognizable style) and 'intentionally stupid premises' (i dont think there is anything stupid about sex being fun and whimsical and playful). even these days the reaction of the VAST majority of buckaroos who discover chuck have this reaction AT FIRST, and then learn to appreciate the tingleverse in a more sincere way over time.

all that is to say BEING DOUBTED HAS WORKED OUT VERY WELL FOR ME. art that changes meaning over time can be very powerful, so if someones initial reaction to my trot is one thing and then it evolves into another thing, well that is just good art. while it can feel bad to get a bad review, i would say a bad review just means you have entered a realm of tension and change and discord and WE ARE TALKIN ABOUT ART BUD so that, in itself, is very exciting.

i think of what i do as 'punk writing', and a big part of that means pushing against preconceived sensibilities. not many other authors will proudly say 'there SHOULD be some spelling errors in my erotic shorts because i wrote it in a day and edited it once. that is the FEELING i want to create', but that is my way. by creating what is in my soul i KNOW i am going to bother some buckaroos and that is okay.

now i am NOT assuming you are also doing punk writing (that is okay of course we all have our own styles. what i am doing with tinglers is pretty rare), but it still stands to remember that there are 7.8 billion people on the planet of this dang timeline and some of them are bound to be bothered by your creations. that is not a problem, that is just part of baring your authentic self.

the other thing to remember is theres no REAL right or wrong in art. it can be analyzed in different ways and i tend to look at it in a way of comparing intention to result, but even THAT is not strictly correct. therefore any bad review of something you make is not actually BAD it is just someones information and feedback for you to take or leave. a one star review is just another opinion, it is no more right or wrong than your own opinion, and that is wonderful. it is freeing.

if i see a bad review of my own book, lets just say CAMP DAMASCUS for instance, i do not get upset because i know this: that reviewer is not wrong. camp damascus is five stars for me, but it is one star for someone else AND THAT IS OK. THAT IS THE WAY IT SHOULD BE. THAT IS GREAT ART. also MAYBE THEY KNOW BETTER THAN I DO. just because i wrote the book does not mean i am the authority on it, and the conversation and tension between those that enjoy something and those that despise it is a creative act. the audience engaging with your work is just your art emerging from its cocoon and saying 'here i am. lets see where i flutter off to now'

do not fear the river of this timeline sweeping away your creations and carrying them where it will. this is inevitable, but it is also beautiful and freeing. you cannot swim against it and that is okay bud, because YOU HAVE ALREADY WON. you have already created something and given a piece of yourself back to this timeline and that is a great honor and privilege. it is literally all there is

by creating ANYTHING you are proving love is real, and that is something to be proud of

#buckaroo lifestyle #art #creation #chuck tingle

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sugaredrhubarb · 3 months ago

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A QUICK GUIDE TO AO3 CUSTOMIZATION FROM SOMEONE WHO KNOWS NOTHING ABOUT CODING

ft adding pink to everything and my secret to writing long comments

note: I originally posted this to twt but if that place burns in a fiery pit I spent too long on this for it to disappear, so I'm putting it here too :)

so many people know way more about this than I do, but this is a step-by-step walkthrough of the changes *I've* made, and hopefully it works as an introduction people can build from for whatever they'd like to do

There are a lot of images in this post! (click to enlarge)

to start, AO3 skins

site skins change how the AO3 website appears when logged in (even on mobile), mine is pink and blue!

I'll have my skin turned off throughout the post so the guides appear as they will for you

to create, edit, and view skins, go to the "skins" tab from the left-hand menu. you can also view public site skins from there or from the button in the preferences.

public site skins are made by other users. i would really encourage previewing and exploring them to become familiar with the possibilities (maybe you just want to use one of them and now you're done!)

to create your own skin

on the skins page, click "create site skin"

if you don't know CSS (same), use the wizard! clicking on the "?" will give more information about each option

I only use the colours section you'll see a link right there for hex codes I use pink as a header colour and bue for accent but lots of people change the background colour and that looks really cool!

submit

The next step (optional!!!) is to add CSS from a public skin to your own. I use "ByLine" by Branch. this separates the tag categories and adds spacing to make them easier to read.

here is a before and after using the fic "Landslide" by @roosterbruiser as an example

to see the CSS of a skin, click the title

copy all the text below the CSS heading

in the skin creator/editor press the custom CSS option and paste all the text into the CSS box

you can have both wizard and custom CSS settings, in mine you can see the header and accent colours as well as the CSS

level up: USERSCRIPTS

userscripts are small pieces of code that modify a website. for AO3, this may involve adding shortcuts and buttons or even advanced tagging functions (computer people, I'm so sorry if this is wrong, I'm trying). I use Greasy Fork and Tampermonkey.

This is how I write long and formatted comments!

Greasy Fork is an archive of userscripts and Tampermonkey is a browser extension and userscript manager. You don't need to use these two in particular. please use your common sense when downloading anything or adding permissions to your browser.

Greasy Fork guide on installing scripts

Install Tampermonkey on Chrome

there are TONS of user scripts for AO3. This is another good opportunity to explore all the possibilities. there are lots of more complicated options I haven't explored.

scripts for AO3

i use this floaty review box

and this comment formatting

EDIT: if you use chrome you might need to turn on developer mode in your chrome extension manager - you can google "tampermonkey developer mode" and it should explain that :)

to install (once you have Tampermonkey installed):

open the script you want in Greasy Fork and press install

Tampermonkey will open, press install again

clicking the Tampermonkey extension will let you toggle scripts on and off, and opening the dashboard will let you view, edit, and delete scripts

i find i can only have a few turned on at a time before they cancel each other out, but that depends on which ones you're using and someone more savvy might be able to fix that

how to use the floaty review box - write more comments!

there will now be a "floaty review box" button at the top of the work, it will open a floating text box you can move anywhere on the page. highlighting any text and pressing the insert button will paste the text with italics into the box

anything you type in the review box will appear in your comment at the bottom of the page!

if you have also installed the comment formatting script, you'll be able to highlight any text in your comment and use the new buttons above the comment box to format it

thats all ive got! Hopefully this is a good starting point to get familiar with some of the terms and basics for skins and scripts <3

if you want some inspo for how to comment on fics i made a whole fic rec list on twitter based on comments I've left, it's here. i have a masterlist of recs there mostly for darklina/reylo and similar ships.

the tag #reading with ru has cod recs and me talking about books

#please no one follow me from this im never helpful otherwise #ao3 skins #ao3 #fanfic #ao3 community #fandom #ao3 resources #im sorry if the image quality is awful lmk if I should clarify any of the text!#floating comment box #floating review box #ao3 guide

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willowsnook · 2 months ago

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Let me in

Hi! Love your idea for a prompt list. Can I order: A turkey swiss on wheat bread, maybe mike’s way if you feel like it’s fitting for the sandwich?

Joe burrow x bsf!reader

Please don’t leave

—-----------------------------------------

Fall in Cincinnati was something that you loved. The trees changed colors, you could start leaving your windows open, and, of course, Bengals football. Now, you’d never claim that you were a die-hard fan, that was still reserved for your beloved Green Bay Packers, but after 5 years in the city, they were a solid 2nd favorite. Plus, being good friends with the starting quarterback meant you had to root for them.

You met Joe at a charity event a year after you moved to Ohio. Working for a Cincinnati-specific lifestyle magazine, your recommendations and reviews had made you quite well known in the city. Your strategy was always finding small, hidden gem places, usually family-owned, to review and elevate. This fulfilled your need to make a difference and also get paid to eat food.

While your job was so public and in the spotlight, you were pretty introverted, which surprised a lot of people. You didn’t necessarily enjoy being the center of attention, focusing more on making those around you shine. This meant that while you were appreciative of being recognized by the community, you hated going to big events; you’d much rather just be writing about them.

So when the introverted star of Cincinnati joined you in the shadows of an event, the two of you hit it off. Knowing who you were, his PR team had noticed and pitched a content series involving Joe. You spent a whole day with him, going to places he recommended and giving instant reviews. Initially, you were worried about it being awkward because you didn’t know him well, but you both had a blast. Joe was easy to talk to, and he liked that you treated him like anyone else.

After that, he’d invited you to hang out with his friends several times, and Ja’marr really liked you, insisting that you be added to the friend group. Since then, you’d spent the last couple of years being forced to go to every home Bengals game, but you could also easily force one of them to help you with some kind of content for work. A mutually beneficial friendship you thought.

Midway through the week, you were back at your apartment, taking pictures of some cookies someone sent you to be considered for an upcoming article you were writing. You snapped the perfect picture just as your phone rang, and you looked over to see it was Joe calling.

“What’s up?” You said, putting the phone on speaker.

“I’m bored. Can I come hang?” He asked.

“Yeah, I’m doing some work, but I’ll be done soon.”

“Okay, I’m on my way.”

You were used to Joe calling you randomly to hang out, especially when the season was going poorly. One thing you learned in your years of friendship with him was that he didn’t like to be alone, mostly so he didn’t spiral thinking about everything. You were happy to be a friend he could lean on.

15 minutes later, you heard your front door open and smiled as Joe wandered into the kitchen. He gave you a small squeeze from behind as you leaned over your laptop.

“Are you doing anything with these?” He asked, and you looked over at the cookies.

“No, I just got done. Have at it,” you replied, amused as he shoveled one into his mouth.

“These are pretty good,” he said, swallowing. “But I’ve had better.”

“Hmm,” you thought. “What don’t you like about them?”

“Too grainy,” he said, and you agreed, unable to think of what you were feeling.

“That’s a good point; I’m using that,” you said, typing it down in your notes.

“Watch out, I’m going to steal your job,” he joked, and you smirked.

“Does that mean I get yours?”

“You’d probably do a better job than me right now,” he said, and you frowned, shutting your laptop.

“You are still a superstar, even when you lose,” you told him earnestly, getting a small smile from him.

“I think I need you with a headset on to tell me that during the games,” he said, and you laughed.

“Yeah yeah,” you replied, blushing. “Want to take a walk or something? I need to get out of the house.”

“Yeah, let’s go.”

The two of you walked down the street and ventured towards the water, chatting about upcoming events and his family coming to visit. You started to get chilly and held your arms briefly before Joe noticed. He pulled his hoodie off with one hand and handed it to you, not even stopping what he was saying. You pulled it on, inhaled the lingering cologne, and sighed.

“Will you come to dinner with us tomorrow night?” he asked, jolting you back to reality.

“With your parents?” you asked, and he nodded. “Would that not be a little weird?”

“Why would it be weird?”

“I don't know. I just wouldn’t want them to think we were dating or anything,” you said, confused. Joe frowned at that, but you didn’t have time to analyze it.

“Ja’marr is coming too,” he said. “You are both my best friends, so I’d like you to meet them.”

“Okay, if it’s important to you,” you agreed, giving in. Dinner with Joe’s parents. Huh. Sometimes you really didn’t understand why he chose you as a best friend when many people were fighting over it. If only people knew how clingy Mr. Cool was.

—---------------------------------------------------

Ja’Marr picked you up from your place the next night and the two of you headed to dinner.

“You look nice,” he commented, and you smiled. You and Ja’Marr had a flirty relationship, but nothing had ever come of it. One time, when you were both very drunk in the offseason, you had made out but it didn’t last long with him backing out, saying that Joe was going to kill him. You had just assumed that Joe didn’t want anyone in the friend group dating in case it got messy, which was understandable. With Ja’marr, you were mostly just attracted to him vs. wanting something more.

“I still feel weird about this whole thing,” you admitted to him and he gave you a lazy smirk.

“Please, they’ll love you,” he assured you.

“That’s not what I’m worried about; I’m amazing,” you said, causing him to laugh. “I just think it’s weird and intimate. Like if my parents were in town, yeah, maybe I wouldn’t mind them meeting you guys at the game or to celebrate in a group after. But I wouldn’t invite you for a small dinner.”

Ja’Marr gave you a look you couldn’t decipher before laughing to himself.

“I’ll try not to take offense to that,” he said and you rolled your eyes.

The restaurant was a nicer one that you had been to before for work. Joe’s parents stood up as you approached the table and warmly greeted you. His mom pulled you into a tight hug, laughing about how excited she was to meet you finally. You shot Ja’Marr a look and found him trying not to laugh. You could tell Joe was embarrassed, which made the situation a little amusing.

Sitting down beside him, he gave you an easy smile while handing you the drink menu. Joe’s dad jumped into conversation with Ja’Marr about the season while Robin asked you a ton of questions about your job and basically your whole life. You ended up loving his parents; they were the sweetest people. While you might have missed the way that Joe was looking at you the whole dinner, his parents definitely did not.

“It was so good to meet you y/n,” Robin gushed. “I’m sure we’ll see much more of you in the future.”

You smiled, confused, while Ja’Marr couldn’t hold back his laugh. Joe’s face turned bright red and his dad chuckled.

—------------------------------------------------

If you had thought the season was going poorly before it was a million times worse now. It seemed like each week, your two friends were putting up superstar numbers but still losing. After watching them lose by just a point to the Ravens, you clicked the TV off and sighed. Reaching for your phone you texted him a white heart and watched him read it and not reply. He usually would, even after a loss, but this one was tough so you didn’t pay much mind to it.

As the week went on, you started to feel Joe’s tension about the team bleed into your friendship. He wasn’t answering your calls and had replied to any text you had sent him with just one word. What had really pissed you off though, was that he was supposed to shoot a Thanksgiving promo with you about places that provided free food for those who needed it and he didn’t show.

“I get that you’re having a tough time right now and while I can live with you being a bad friend I can’t live with you 1. making me look bad professionally and 2. disappointing people making a difference. So give me a call when you figure your shit out,” you ranted to his voicemail.

You were supposed to fly out for the game this weekend but weren’t sure if you still should. Calling Ja’Marr, you complained about Joe being a dick and that you didn’t know what to do. He assured you that you should still come and that Joe was just hurting because of the season. The best thing you could do was be there for him, even in the shadows.

The game started out horribly with it being 24-6 leading into halftime. But a different team came out in the third quarter, and you went crazy as the Bengals got ahead. But like the week before, no matter what Joe did, even throwing for over 350 yards, they still lost in the end. You lingered by the locker room after the game and smiled sadly as you saw Ja’Marr first. He wrapped you in a hug, and he was happy to have you there. Joe on the other hand, did not look happy to see you.

“What are you doing here?” he said coldly, and both you and Ja’Marr flinched. His teammate gave him a weird look, but Joe was just staring at you blankly.

“I’ve had these tickets since before the season, you know that,” you replied.

“I didn’t want you to come,” he said and you tried to ignore the hurt you felt. “Did you not get the hint from me ignoring you all week?”

“Oh, so is that why you stood up the charity?” You bit back. “So that I would ‘get the hint’?”

Joe didn’t say anything, clenching his jaw and Ja’Marr tried to step in.

“I wanted her to come man,” he said and Joe snapped his head towards his friend.

“Well just fuck her then and get over it,” he replied and your jaw dropped. Ja”Marr shoved him backward, yelling at him before security intervened. You recovered from your shock and turned around, abruptly leaving the stadium. You called an Uber to take you back to the hotel, and the massive traffic gave you a lot of time to process what had just happened.

You could understand him being upset over the game, especially since it was so fresh in his mind. But it’s not like you went up to him; he came up to you. This man was supposed to be your best friend, and he basically just called you a whore to your face. This shit was ridiculous.

30 minutes later, you were walking into the hotel. Ja’Marr had tried calling, but you declined. You called the airline you were flying with to see if there was any chance of flying out early, and you were lucky to snag a seat on the last flight out. You quickly packed up your stuff after changing into a comfier outfit and headed down to the lobby to check out and call a car.

Turning to head out the door you stopped as you saw Joe walking in, his eyes trained on you. He looked miserable and he made his way towards you slowly.

“Y/n..” he started, his eyes filling up with tears, but you stopped him from saying anything else.

“I’m leaving,” you said emotionlessly. He tried to reach out to you, but you flinched back and pain flashed across his face.

“I need to talk to you y/n,” he begged. “Please don’t leave.”

“Why would I stay?” You asked softly. “Goodbye, Joe.”

You left him standing there wondering why it felt like your own heart was breaking into two.

—-----------------------------------------------

It had been two weeks since then, and you had successfully avoided Joe at all costs. He blew up your phone of course but you have yet to answer. Luckily he hadn’t tried coming to your apartment because he knew you well enough to know that it’d piss you off.

You were on your way to hang out with Ja’Marr for a group movie night which he promised you that Joe would not be at. You don’t know why you even believed him; Joe’s car was parked in the front driveway and you almost reversed until you saw Ja’Marr waving his arms at you. Stepping out, you crossed your arms, waiting for him.

“I knew you wouldn’t come if you knew he was here,” he started and you scoffed.

“You were right.”

“I am miserable because he is y/n,” he pleaded. “I’m sorry but I will be selfish for a minute. He is being a dick at practice to everyone and isn’t throwing me good balls. He’s moody, won’t say a word to me, and won’t leave his house unless necessary. So please let him make it up to you. You two belong together.”

“He called me a whore Ja’Marr!” You exclaimed frustrated and gave you a sympathetic look.

“I know he did, and that was terrible. I tried to fight him on your behalf,” he said, earning a small smile from you. “God I shouldn’t tell you this but he’s so in love with you it’s insane. He’s hurting and you’re hurting. Please just talk to him.”

“He’s not in love with me,” you said and he just rolled his eyes.

“Believe what you want but get in there,” he said steering you towards the door.

The good thing was that there were a few other people here from your friend group, so technically, you didn’t even have to talk to him. He was the first person you saw when you walked in so clearly, this was a coordinated effort between the two friends.

Joe did look sad, and you wanted to be happy about it, but you couldn’t find it in yourself. He was dressed down in grey sweats and a black T-shirt, his hair looking like he had run his hands through it over and over. His eyes were puffy, and that made your heart clench.

“Are we ready to start?” One of your other friends called from the living room and you started to walk towards the room but Joe gently grabbed you, pulling you closer to him and letting Ja’Marr pass.

“Can we talk?” He mumbled quietly to you and you nodded, letting him pull you into the study. You stood with your arms crossed as you looked at him, waiting.

“I’m sorry y/n. I’m so sorry,” he said, his voice cracking slightly. “I was hurting so bad and I took it out on you. The one person who has always been there for me.”

“Sorry isn’t going to cut it Joe,” you said, frustrated. “It’s not like it was just the comment; it was the week leading up to it, missing the event. I can’t be there for you when you don’t let me in.”

You had imagined how this conversation would go multiple times over the past few weeks. You expected an apology and another apology, but you did not expect Joe Burrow to start sobbing in front of you.

He sunk against the wall and had his head in his hands while he was crying. Your shock wore off, and you knelt down in front of him, moving in between his legs. He looked up and your heart broke at his tear-stained face.

“What is going on, Joe?” You asked softly, wiping some of his tears with your thumb.

“I just don’t know what to do,” he whispered. “Everything is going wrong, and I don’t feel like I’m in control. I do everything I can, and it’s still not enough.”

“Oh Joey,” you murmured, pulling his head into your shoulders. He held on to you tightly as he cried and you ran your hand through his hair gently.

“I’m sorry,” he rasped. “I’m sorry I hurt you; I hated myself the second I said it.”

“I forgive you Joe,” you told him, looking into his teary eyes.

“I don’t deserve you; I’m not good enough for you,” he said. “I want to be enough for you.”

You cupped his face gently, making him look at you. Your own eyes started to water at the vulnerability he was showing.

"Joe, you’ve always been enough for me," you whispered. "You don’t have to prove anything. Not to me, not to anyone. I’m here for you, not for what you do or don’t achieve."

His brows furrowed, and he shook his head slightly, his hands moving to hold yours. "You don’t understand, y/n. I don’t just want to be your best friend—I want to be everything to you. And I’ve been so afraid of ruining our relationship that I pushed you away instead."

Your breath caught in your throat. "Joe..."

"I love you," he said, his voice breaking, but his gaze held steady. "I’ve been in love with you for so long, and I didn’t know how to tell you. But pushing you away hurt worse than anything I’ve ever felt on the field. I can’t lose you."

For a moment, the weight of his words left you speechless. You searched his face, finding nothing but raw sincerity. Your heart ached, but in the best way, as if it were piecing itself together after being fractured.

"I love you too, Joe," you admitted to him and yourself, a soft smile breaking through the tears on your face. "But you have to let me in. No more shutting me out, no matter how hard things get. We figure it out together, okay?"

His hands tightened around yours, and he nodded, relief washing over his features. "Together. I promise."

You leaned forward, gently kissing his forehead before resting your own against it. The two of you walked out of the study and into the living room, where everyone else was already engrossed in the movie. Ja’Marr looked between the two of you and at your connected hands and gave you a wide smirk. Joe moved to the big armchair and pulled you down with him, and you snuggled into his lap. His arms wrapped around you, and you finally felt content.

#joe burrow #joe burrow imagine #nfl imagines

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darkficsyouneveraskedfor · 4 months ago

Text

Down Home 1

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as non/dubcon, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: The world's most famous heroes walk into a small town diner and change your life.

Characters: Bucky Barnes, Steve Rogers

Note: Because of this.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. Thanks to everyone who reads this one and thank you for all your energy.<3

Love you all to Jupiter and back. Take care. 💖

It’s a slow day. Every day is slow out in Tumble Down. The township’s name tells the whole story. Everything there is in decline. It’s hard to imagine there was ever a time when the people weren’t tiny and forgotten in the hubbub of the bigger world. Since the mines closed and the canning factory was outsourced, it feels even smaller.

Smaller isn’t so bad. It’s simpler. You all know each other’s names and faces. You say hi and how are you and do what needs to be done. Simple is, simple as.

You here there isn’t much to do in most small towns. Not for fun or for work. You’re one of the lucky ones. You got a job down at the diner in your sophomore year. It helped pay for your daddy’s new engine and since then, it keeps you all afloat in the rising waters of disparity as they close in on Tumble Down.

You hum to the old radio that sits on the shelf you make sure to dust. The speakers crackle from time to time and the signal gets wonky in storm season, but the music’s never bad. It’s the classic stuff that always played in your mother’s kitchen.

You wipe down another table. Not because it needs it, just because it’s something to do. The day has been long and listless. Even the breakfast rush was lower than usual.

Darnell, the cook, whistles along from the back. Everyone knows he isn’t as mean as he looks. He just likes his space.

As you go back to the counter and lean on it, staring at the ticking clock, a roar cuts through the distance. You blink and look up, narrowing your eyes at the dusty country road outside. Wind rustles through the tall wheat in the field opposite and the noise rumbles closer and closer.

A man pulls in a motorbike. He’s going so fast that he has to circle the gravel lot before he can slow down. It’s not Lenny and his prized Harley but another man on a more modern-looking mount. Not far behind, another motorcycle zips through and the riders straddle their bikes as the survey the restaurant.

You narrow your eyes. You probably need glasses but you make do. The last time you got your eyes checked, you didn’t have enough for the frames.

The one man wears blue and red, an odd helmet on his head. Not a helmet at all but a sort of mask. The other man has dark hair to his chin and a beard to match. He’s all in black but his left arm shines with gold ripples. Not a sleeve, an arm, made of metal.

“Oh my lord,” you murmur in shock, “Darnell!” You holler over your shoulder, “you’re not gonna believe this.” You turn to the window as he pokes his head around, “not sure I do myself. Tell me my eyes aren’t lyin’.”

He looks above your head, an easy task for the mammoth cook. He hums and swirls around his spatula. “Thems those boys on the news. The one that was in the old war. Grandad’s battle.”

“I’m not going crazy with boredom?” You bubble.

He snorts. It’s as close to a laugh as you get from him. You spin back and hurry around the counter to grab a pair of menus. Still, you don’t want to seem too eager. You put down the menus and fiddle with a napkin holder instead.

The bell over the door jingles and swipe up the menus and turn. You really can’t believe it’s them. Yet, as Captain America removes his cowl, you’re certain. They look just like they do on the TV. Even with your sight, you can tell.

“Hello, fellas, how are you doin’ today?”

The dark-haired one, the Winter Soldier, glances at the other, his cheek dimpling, “well... we’re... uh...”

“We’re doing great,” Steve Rogers answers brightly. “Starving. You guys serve bacon? My buddy’s dying for some.”

“Um, yes, sirs, yes. Can I sit ya down?” You ask, hugging the menus closer.

“Please,” the Captain accepts as the other man stays silent and pensive, his eyes wandering down to the coffee stain on your apron.

“Just here,” you sweep away and wave them on with you. You stop beside the nicest booth and lay down a menu on each side, “have a seat.”

They do just as you bid. The blond puts his cowl on the table and unhooks the shield from his back to lay on the far end of the seat. He smooths back the sweaty strands of hair as his companion stretches his metal fingers. You sway nervously by the table, twitching as you remind yourself how to do your job.

“Well, can I get ya started with coffee? You look beat from the road.” You beam with the smile Mr. Welk says could outshine the sun.

“Not just the road,” the dark-haired one mutters as he rolls his shoulder. The one that connects to his real arm. “I’ll take one, please.”

“Can I get an orange juice, please,” the Captain asks.

“Course ya can. I’ll be right back. You have a look at the specials and give it a think,” you bounce and spin around.

You go to pour the orange juice and a cup of black coffee. Darnell lingers by the window. He only ever really appears to put a plate up but he watches the new arrivals.

You bring their drinks and step back, clasping your hands behind you.

“Did ya need cream or sugar for your coffee, sir?” You ask.

“Black’s fine,” he assures.

“No need for the sirs. Steve, Bucky,” Captain America insists, “we’re off duty.”

“Right, sorry about that, ssss...Steve,” you correct yourself. “You need some more time?”

“Think I’m decided,” Bucky intones, “what about you?”

“Set,” Steve confirms, “I’ll have the sunny side up with toast and sausage. Can I get some fruit on the side as well, please?”

He hands over the menu and you take it as you hold your smile. Your cheeks ache. Not because you have to force it but because you can’t stop. This is the most exciting thing to happen in Tumble Down ever. If Darnell wasn’t there, no one would believe you.

“Overeasy, bacon, extra bacon too, and some french toast, and uh... home fries.” Bucky offers up the second menu, “please and thank you.”

“Alrighty,” you preen, “I’ll put your order in.”

“Got it,” Darnell growls over the empty diner.

“He’s got good hearing,” you giggle nervously as you look between the men. “Ummmm, sorry, I’ll leave ya be.”

“You’re not bothering,” Steve assures. “I can see you’re dying to ask.”

He gives a gentle smile.

“Nah, oh, gosh. I’m sure ya get it all the time. I don’t wanna be one of those,” you put your hands up. “Really, you all look like you could use the peace and quiet.”

“Well, actually, I’ve been stuck with this meathead for days,” Bucky scoffs, “so please, I’d love to hear someone else’s voice.”

You laugh again. They’re funnier than you expect. They always look so serious on the TV.

“What... what are y’all doing here in Tumble Down? It’s a bit far from... anywhere.” You ask sheepishly.

“Tumble Down? Is that what it’s called?” Steve scratches his neck above his stained collar. “Well, we couldn’t get a signal so we’ve just been riding through. Saw the sign down the way and figured we’d get a bite.”

“He’s lying. He was falling asleep on his bike,” Bucky teases.

“Sure,” Steve shakes his head. “Only ‘cause I’m tired of you.”

You giggle again, “I thought y’all were friends.”

“Friends, partners, cursed with each other, have your pick,” Bucky snorts.

“He’s playing,” Steve says. “Look, we’re boring. Despite what you think. We’re a couple of old men bickering with each other. What about you? What about Tumble Down?”

“Ah, nothing really, sir. Steve,” you squeeze the menus tight at the edges. “Nothing going on since the coal law and that. Everyone’s all but run out. All but us.”

“Just you? Your family?” Steve wonders.

“Jesus, Steve, nosy much?” Bucky says over the brim of his mug.

“Sorry. He’s right. Like I said. Crotchety old man. I talk to the pigeons.”

You laugh again, “oh my, you are a hoot!” You slap your thigh emphatically, “I’m still my ma and pa. It’s just the three of us. They need help with the animals and that.”

“Animals?” Steve wonders, his posture shifting towards you.

“Chickens, cows. They got a farm. Was my grandpa’s. And his ma kept it going after he didn’t come home from... well, you’d know more about that time than me, I think.” You give a forlorn look to the floor.

“Oh, I’m so sorry about your grandfather. Great grandfather,” he corrects himself.

“Lotta good men gone,” Bucky mulls grimly.

“Yeah, my great granny said as much. I wouldn’t know though, but I heard the stories,” you dare to look at them again. “Sorry to bring up the bad memories.”

“Nah,” Bucky waves you off casually. “I got this nifty arm outta it.”

“And I got a shield so, you know, not all losses,” Steve chuckles.

“I s’pose,” you agree. “I’m gonna check on that food for ya. You good with your coffee?”

Bucky raises the mug, “delicious.”

You nod and turn with a swish of your skirt. You go up to the window and look over the ledge. “How’s it going, Darnell?”

“Going. I’m happy it ain’t Raylene here. She’s got a mouth on her, don’t she? Them sort don’t deserve that trouble,” he tisks.

“They’re nice. And Raylene is too. She’s just... Raylene,” you say, “can I help with anything?”

“I don’t wanna be rude but I’m tired of tellin’ ya to stay outta my kitchen. You know the grill likes to spit,” he shakes his head. “You go, I’ll let ya know when it’s ready.”

“Alright,” you back away and turn back.

Steve and Bucky lean over the table, their voices low as they chat. As you move around behind the counter, they both sit up and the former clears his throat. You smile as you take the cloth from your apron pocket and wipe the already clean counter.

As the radio buzzes, you hum without thinking. Stevie Ray Vaughan’s smoky voice mingles with the emotion plucked through electric strings. Your dad’s a big fan. He has old tapes with concerts on them and even went to one himself.

The bell rings and you nearly jump out of your shoes. You turn and scoop up the plates as you thank Darnell. He grumbles that he’s going out to have a smoke; his code for having a Tootsie Pop by the backdoor.

You bring the meals over to the table and set them down before the men. Their gazes make you sweat. It’s all a little more intense with no one else there.

“Thank you,” Steve says and Bucky echoes him.

“Not at all. Anything else? Water? Ketchup?”

“It all looks great as is,” Steve says, “you got a nice voice.”

“Oh, really? Ha, I was just humming out of tune. Sorry if I was too loud.”

“Not at all,” Bucky picks up his fork as he leans forward. He tilts his head. “You know this one?”

“Sure do. It’s Fleetwood Mac,” you answer. “One my all times.”

He grins and nods as he looks at Steve. Steve watches you with a smile of his own.

“Do you sing?” He asks.

“Me? Only in my shower or to the chickens. They usually hide in the henhouse then.” You tinkle with laughter.

“Ah,” Steve nods.

“But if... if ya really wanna suffer, I could try it,” you smile, “but uh, you know, Stevie Nicks, she’s one of a kind.”

“I’ve had worse,” Steve says.

You look between him and Bucky. You chew your lip and think. You follow the song as you try to recognise which verse it is. You squint and perk up as you catch your place.

“You just let me know when you’ve had enough,” you say before you start. Not only can you tell your pa that you met the super soldiers, you can tell him you sang for them. It’ll be a nice bit of excitement for the dinner table.

#steve rogers #dark steve rogers #bucky barnes #dark bucky barnes #dark!steve rogers #dark!bucky barnes #steve rogers x reader #bucky barnes x reader #marvel #mcu #captain america #down home #winter soldier #avengers

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mimicmimikyuwrites · 5 months ago

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Who You Belong To - Jonathan Crane (Scarecrow) x Fem!Reader SMUT

Summary: You and your professor share what could barely be called a relationship, but what's there is tricky and difficult to put a positive label on. When a fellow classmate successfully asks you on a date, Dr. Crane decides to make one thing clear: who you belong to.

Contents/Possible Warnings: Age Gap (Reader is in her early 20's, Crane's in his mid 30's), inclusion of original male character, student-professor relationship, unprotected sex, P in V sex, toxic relationship (?), creampie, semi-clothed sex, mentions of masturbation, degradation, semi-public sex (they fuck in an office), SMUT, MDNI

Other Notes: You can read part two here.

Some people say there's over four hundred estimated phobias, others say that number can be even higher at five hundred; no matter the number, you were sure Dr. Jonathan Crane knew every single one of them by heart. Your slightly off-putting psychology professor with a passion for fear and its workings shared a relationship with you that had breeched its professional expectations long ago. You couldn't tell what he was to you, exactly, but it certainly wasn't just your professor, not when he had been inside of you more times than either of you could count.

It wasn't uncommon for him to ask you to stay after class, leading into an invitation to his office before you found yourself bent over an expensive, wooden desk that had already been cleared off in expectation of you being pressed to it while you took him. Sometimes if he wanted to strike a bit of fear of getting caught into you, he'd fuck you right in the lecture hall, always letting you know how terrifying the consequences would be if someone else did something as simple as come back for a forgotten pen.

You may have been his favorite teacher's pet, but you were sure there were others. Jonathan was an attractive man who taught an already difficult class, it'd be no surprise to you if he had other women lined up for a chance to recieve a better grade from him in exchange for a little "extra- credit" assignment, as much as you hated to admit it to yourself. He was never yours to begin with.

"Care to tell me why you're staring down at your closed text book instead of listening to my lesson?" Your professor questioned, breaking you out of your thoughts. Shit, how had you gotten so immersed in your little daydream that you had forgotten you were in class? You could feel the sympathetic stares of your peers burning into you as Crane loomed over you, a gleam of mischievous satisfaction in his blue eyes. You didn't respond.

"Stay after class," He said plainly, heading back to the front of the room. He'd still ask you to stay back regardless of how things went, the little show he had made out of you was his way of toying with you in just the way he liked. It was more of a tease at this point, you weren't scared, not of him. Still, you shrunk back into your seat in faux embarrassment to entertain him.

"To those who were paying attention, unlike a certain someone," he paused, gaze drifting over to you as he quickly took in the sight of what you were wearing.

While it was nothing out of the ordinary for you, you did choose to wear a skirt today, a favorite of his to see on you. How easy would it be for him to pull it up, bunching the fabric over your hips so be could get acess to what he was really after? He also took note of your gloss-covered lips, mind drifting onto how great they'd look wrapped around his cock or wide open as you moaned for him. He shifted, moving to be further behind his desk as he felt his pants tighten. He would wreck you after everyone was gone.

"You have a test on the topic of agoraphobia this upcoming Monday; today is Friday, which means you have the weekend to review the notes, which I hope you've been taking, for your own sake." He continued. "You're all free to go, except who I've already asked to stay." He really wouldn't stop rubbing that in, would he? Maybe he was trying to rile you up to make your usual "meeting" more exciting today.

As your classmates rose, you stayed seated, putting your stuff into your bag as you did. It was all routine, except for the man who had approached you before making his way out. He stood over you with a friendly smile, one that you had to admit made him look handsome. He didn't look too different from Dr. Crane in terms of basic features; dark hair and cornflower blue eyes. He was your type on the level of looks.

"Hey, I'm Ryan," He introduced himself, friendly smile remaining on his face. "I heard that you're pretty good in this class, making straight A's. I was wondering if you could help me study this weekend if you're free? Maybe we could grab a cup of coffee, too?" You looked over to where Dr. Crane was standing, the man in question observing your interaction from his desk, making it subtle by acting like he was sorting through papers.

You and your professor weren't exclusive, and if he had others lined up and waiting for him, then you could, too; it'd only be fair. Your classmate wanted to study and get coffee? He'd get what he wanted and more. "Sure! I'm free tommorrow at twelve if that works out for you," You finally replied, smiling up at Ryan. You had just met the guy and he was already doing something that Crane never did: asking you out on a date.

Ryan grinned, grabbing a notebook out of his bag and ripping out a piece of paper, writing his number on it before handing it to you. "I'll see you then!" He exclaimed happily before waving goodbye and leaving. After he had left, you stood up, pulling your bag over your shoulder before you made your way to where Jonathan was at the front of the lecture hall. He did ask you to stay after class.

"Throw it away," Crane stated plainly, moving the small, paper-filled trashcan that was under his desk to be in front of you. You looked down, not realizing you still had the slip of paper with Ryan's number on it in your hand.

"Do you even know what it is?" You retorted, shoving the paper into your bag.

"He gave you his number. You don't need the number of someone you turned down," He responded, moving the trashcan even closer to you. "Throw it away." He repeated.

"Except I didn't turn him down." You replied, watching his brows furrow in a mix of confusion, and then annoyance once your words sunk in. "We're not exclusive, you and I, are we?" Part of you hoped he'd prove you wrong, telling you that he was yours and you were his, while another part of you wanted to tell him 'fuck you" to his face. How many simultaneously lucky and unlucky women did he have waiting for him? Many, you were sure of it.

"I'm sure you have someone else in another one of your classes that you can spend your evening with, Dr. Crane." You smiled, trying to ignore the growing pain in your heart. "If you can have others, then it's only fair that I can as well."

"What makes you think that I have others?" He inquired, looking up at you with curious, blue eyes. "Do you think I'm the type of man to give out straight A's in my class in exchange for a fling or two? I don't even up your grades, darling." He chuckled lightly.

You rolled your eyes. He had to be lying to you... right? Were you really the only one and he just didn't see you as more than someone to have sex with? You didn't know what idea hurt you more, but the end result was the same: you meant little to him, and your body was all he wanted.

"I'll see you on Monday, professor." You mumbled out, feeling defeated. You already knew why he had asked you to stay after class, but the thought of him touching you while he wanted nothing more than just sex sickened you. What did you expect? That's all things had ever been. You shouldn't have caught feelings.

He watched you leave, letting out a long sigh once you were gone. You had always been a pain in his ass, but not one he'd ever get rid of.

Saturday at Twelve left just as quickly as it had come, and before you knew it, not only had you had your date, but you were also back in your Psychology class on Monday, a test on agoraphobia in front of you. Being nearly sixty questions long, it was intimidating to look at, even more so when the majority of questions were statistic-based. You were far from worried, however, having studied the topic extensively over the past few weeks.

Any confidence you had left you once you received your score later that same class period. You had failed by a large margin, the bright red ink in the corner shamefully exclaiming '34%' seeming to mock you as you stared back at it. You had yet to fail any assignment in your Psychology course, let alone one on such a common fear as agoraphobia. Your professor did this on purpose.

"Yes? Can I help you?" Crane asked, not bothering to look up as he shuffled through a stack of papers on his desk. You placed your failed test in front of the man, an angry frown on your face as you did so.

"Did you intentionally fail me because I went out on a date this weekend, you prick?!" He finally glanced up at you, his neutral expression not faltering a bit despite your obvious discontent. Then, he stood up, making his way over to his office door in the corner of the room.

"Come on, let's take this to my office so you can shout at me without embarrassing yourself as easily." The condescension in his voice only served to upset you further, much to his sadistic delight. You were the first one inside, Jonathan making sure to lock the door behind you. Before you could even open up your mouth to yell at him once more, he spoke.

"Did it feel good?" He asked nonchalantly, catching you off guard.

"What? What are you—"

"Did it feel good when he fucked you?" He finished, watching calmly as your eyes widened in shock. "You have a hickey on your neck under all that makeup you used to try and hide it. You've done the same to the ones I've given you in the past. It's just barely noticeable."

He stepped forward, closing in on you like a hungry animal would their prey, a dangerous gleam in his eyes. "Did it feel good? Did he manage to fuck you better than I ever could?" His arm wrapped around you, a hand placing itself on the small of your back as he leaned into you. "Or did he leave you wanting more? Did you go home and grab that vibrator of yours, just wishing it was me that had been the one with you while you were forced to make yourself cum, because he couldn't?"

He moved, lifting you up so he could sit you on the desk. Of course, like always, it was cleared off ahead of time in anticipation of your visit.

"Maybe I need to show you who you belong to, hmm?" His hands moved down under your skirt, one resting on your inner thigh while the other gave an experimental touch to your clothed sex. You were already wet, your arousal felt through the thin cotton of your panties. "Soaking already, my dear? He must've left you worse off than I imagined." Jonathan purred.

"H-He barely touched me," You stuttered out, feeling Crane tug your underwear to the side, his deft fingers finding your clit. "All we did was make out." You let out a soft moan as he began slowly rubbing at the sensitive bud.

"I don't believe you." His hands left you, beginning to undo his belt. The prominent tent in his black slacks let you know just what was in store for you; he was starving for you. "Not when you admitted you let him touch what's mine." He continued, motioning for you to take your soaked panties off.

"What's yours?" You breathed out, slipping off the clothing in question, letting it fall to the ground below.

"You need to know who you belong to." He stated, pulling his cock out; hard and leaking pre-cum at the tip. Your pussy grew even wetter at the sight. You spread your legs on instinct as he came in closer, putting himself in between them, a hand resting on your hip while the other lined himself up with your eager cunt, the head of his cock teasing your entrance.

"Who do you belong to?" He asked staring into your eyes with his half-lidded, sultry ones swimming with lust and need. "Answer me correctly and I'll be nice and give you what you want."

"You. I belong to you. Dr. Jonathan Cra— oh, fuck!" You gasped out, feeling him thrust into you without warning. He set a quick, almost animalistic pace, wasting no time; not when he needed you so much. Every drag of his thick cock inside of your desperate cunt sent pleasure coursing through you.

"I bet he didn't fuck you as good as this," he groaned, a tight grip on your hips as he slammed into you, the lewd sounds of your shared pleasure filling the small space of his office. It had only been a few days since he had last fucked you, but with the way you were already trembling beneath him it felt like it had been months.

"You're the best I've —Oh!— ever had!" You managed to get out between your moans. It was true, too. Out of every man you'd ever been with, no man had made you feel as good as Jonathan did. "Harder– baby, please!" You begged, gripping the edge of the desk like your life depended on it.

"Look at you, begging like a slut," He growled, pounding into you even harder. "That's okay, darling. You're my little slut. Mine to fuck. Mine to ruin." He let out a loud groan as your pussy clamped down on him at the sound of his words. "Oh? Does that turn you on? The thought of me ruining you? Trust me, you're not going to want a single person other than me after I'm done with you, darling." You pulled him down, dragging him into a messy, open-mouthed kiss. Your tongue moved against his, just like you were made for each other.

"I love you," you whimpered out, feeling him nip at your neck. "Please— I want to be all yours. Only yours." You pleaded, your mind too clouded with the intense pleasure rocking through your body to fully process the potential impact of what you had just confessed.

"You already are." He responded, hips snapping against yours as he lost his rhythm. "I love you, too. I don't care what trouble I'll get into for what we've done. I don't care if I lose my job, as long as you're with me at the end of it all."

That sent you over the edge, along with the tip of his cock grazing your sweet spot. You came around him, your orgasm crashing over you as your legs shook with the force of it all. He spilled into you not long after, thick, warm cum shooting deep inside you and leaking out to drip down your thighs as he let out a long, loud groan of ecstasy.

You slumped back against the desk, feeling the cold wood against your warm, hot skin. Jonathan buried his head into the crook of your neck, pressing soft, chaste kisses to it as you both came down from your orgasmic highs. You stayed like that for a long moment until both of you calmed down, a blissful exhaustion filling you.

"There's a new restaurant that opened up in the town center," he smiled, caressing your cheek. "I hear it has some of the best Chicken Alfredo the city has to offer. Good wine, too."

You chuckled tiredly, not catching on to his offer. "You fucked me silly just so you could tell me about some Italian place?"

"I'm sure it's a better first date than whatever that guy got you," He said, letting out a chuckle of his own. "I'm free later tonight if that's not too short notice."

Your eyes shot open as the realization set in. "Wait— You're asking me out? What if someone from the University sees us, Jonathan? You could get—" He cut you off with a short, sweet kiss.

"Arkham always needs new doctors, darling. There's never a shortage of the need for psychiatrists. I'm tired of grading papers, anyway." He nuzzled his face into the crook of your neck. "You heard what I said earlier, didn't you? I love you. You belong to me."

You had finally learned who you belonged to, and you couldn't have been happier.

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akutasoda · 2 months ago

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the fans are always right. right?

synopsis - mr reca seemed a bit more downbeat then your used too, maybe some rather interesting reviews would cheer him up

includes - reca

warnings - gn!reader, fluff, slight crack, wc - 1.6k

a/n: i uhh had an idea... lost it and tried to salvage what i remembered and this was the result- anyway all the reviews used were given to me by some lovely people ( @tragedy-of-commons, @singularity-sam, @vxnuslogy, @mikashisus, @/milksnake-tea, @/tetrachrxmacy and @theother-victoria) try and guess who's who :))

a huffed sigh escaped you, slouching down in your chair as the clock ticked rhythmically in the background. mr reca was supposed to meet you around fifteen minutes ago. he'd never been late before.

a reasonable explanation would be that he had something more important to tend to. and that would be understandable. but for now you were bored out of mind and leaving wasn't an option as reca could show up at any time - he probably wouldn't be as forgiving if you were to show up after him.

today you two were meant to develop a new script and start on the storyboard for his latest idea. in honesty, you're still not quite sure how you landed this job. you wanted to start getting into directing films of your own but couldn't quite place how to start and so you settled for finding a job as a co-director.

after helping co-direct a few pieces here and there, you got a message from the esteemed mr reca. you had to do a couple (maybe even hundreds…) of checks to make sure you weren't actually dreaming. mr reca didn't exactly strike you as the kind of person to need or even want a co-director.

and yet here you were. apparently he enjoyed the sense of style you breathed into the films you helped direct and thought it would pair nicely with a couple of his. even to this day you find it hard to believe that you still had this job.

but you put your all into it. a lot of trust and expectation was placed upon you and you would be sure to not let him down. even if that meant waiting for him to show up for your appointed meetings.

twenty minutes.

you looked around the room for anything to pass the time, all you could think of was your phone laid idly on the desk. then an idea crossed your mind. reca had recently released a film. perhaps you could read some reviews to pass the time.

you never really expected yourself to be mentioned in any of them. yes you got credits and the recognition for being reca's personally selected co-director but most people still only talked about him in their reviews, which wasn't exactly a problem.

it didn't take long to find a rather reputable review page and so you began scrolling.

you should've expected the first one being a five star review

@bebe_fanpage101 : ⭐️⭐️⭐️⭐️⭐️

- "This film has changed my life. My whole outlook on everything that exists in this world, in fact even in the entire universe. I can never look at anything I know the same way ever again. This film represents emotions most humans could never comprehend. But I can. Thanks to this film I have been awakened to many things previously thought unimaginable. Thank you."

a rather extreme opinion in your eyes, reca did have some “over-the-top” fans. your became intrigued after stumbling across a one star review soon after

@frankenweeniehater4life : ⭐

- "what ?"

[review has been deleted]

maybe it wasn't an actual review, but you stifle a laugh at the next review being from the same person

⭐

- "wrong movie how do i delete a review" (Edited)

perhaps this could definitely entertain you until reca arrived. you idly scrolled through the reviews, only stopping when some peaked your interest or made you smile

@seas_ablaze : ⭐⭐⭐

- "A film that does a lot of monkey business and goes bananas with it."

or alternatively,

@frankenweeniehater4life : ⭐️⭐️⭐️⭐️⭐️

- "i've seen about a million movies and dear god this has to be one of the worst. an absolute slog to get through. the pacing was awful, everything took years to happen. the soundtrack was grating. the actors either put no effort in or way too much- either put them back on the street or send them back to the musical theater. the cinematography was dull at best and straight up nauseating at worst- i had to pause multiple times so i didn't get physically ill. and don't get me STARTED on the stilted script and dull characterization. and the dog isn't even a weenie."

you reckon they might have gotten the wrong film again… but it definitely explained the username-

and at that moment reca finally showed up, he pushed open the doors grumbling something - obviously whatever kept him busy wasn't pleasant. he had walked in with a huff and his expression didn't exactly read that of happiness.

you brushed it off and greeted him like you usually would, something that was greeted with another grumble which you could only guess was a hello of sorts towards you.

watching, you noted how he slumped into the chair on the other side of the desk and it became clear that he wasn't in the mood to get any work done. the silence was starting to get uncomfortable and so you slid your phone over to him, reviews still open.

reca perked one eyebrow up and questioned you “what's this about? we have duties to complete not waste time”

you hummed in response before sliding your phone closer until he picked it up “it's reviews from your latest film, it's not like we'll be getting things done soon and maybe they could help guide our planning” a small pause “they're quite entertaining”

he scrolled for a bit before stopping on one and reading it out loud

@/blink!vxnus! : ⭐⭐⭐⭐

- "film was great and very informative. it made the story far more interesting compared to other documentaries tackling the same story. - 1 because mr reca wasn't in the actual film"

“it's not very helpful, just compliments” he sighed “and wishful fans being normal”

you smiled in response before reaching over as he turned the phone to you and scrolling back up again “this one's a personal favorite, especially the comments”

@/bebe_fanpage101 : ⭐⭐️⭐️⭐️⭐️

- "came for the reca shirtless scene, stayed for the storytelling. no regrets stan robin"

- @/ultimate_recakisser : "I mean I’d be the same as well I MEAN WHAT WHO SAID THAT Speakingofshirtlessrecaifoujdthisonefanartdoesanyonewantmetosendit?"

- @/bebe_fanpage101 : "me. dms. shhh."

- @/iwishsundaywasmywife : "id judge u both. but. im the same way abt bird man so i cant"

reca stared at the review, then the comments, before his face began morphing into something akin to the middle point of shock and disgust.

he sighed “there wasn't even a shirtless scene, these people are… enthusiastic, to be nice”

you hummed in response before suggesting that the lower rated reviews may help more and scrolled until you found some.

@/iwishsundaywasmywife : ⭐

- "Great movie. Plot flows well, characters are charismatic and overall a wonderful viewing experience. Just hate the director."

@/abardslyre : ⭐

- "my gf broke up with me for the director. mr reca count ur ******* days."

you had to hold back laughter at the sight of his face distorting into confusion and a slight grimace making the corner of his lips scowl

@/seas_ablaze : ⭐

- "This is awful, pretentious garbage. In all objective fact, he's an auteur wannabe who makes idiotic movies for the normie audiences who are too stupid to think for themselves. I didn't even watch more than five minutes of it, I just know it's bad from his name attached to it. I never made a movie before or have ever taken a film class, but even I could do better than this disgrace of an art form that only a few can ever hope to master. Hell, I would personally kill all subpar directors myself if I could, I'm just that smart. As Lord Scorsese says: Cinema is dead!"

mr reca sighed, deeply, “i can't decide if this helped or not, but im leaning no at the minute”

you definitely could say you enjoyed scrolling through the reviews more, but it wasn't hard to notice how his demeanor changed. how he wasn't so grumpy and you could've sworn that at one point you'd seen a smile on his face. your idea worked.

eventually you two managed to start discussing ideas - which was more him talking your ear off with his ideas and you listening and writing down anything he told you to. and then he paused.

before you even had the chance to question if anything was the matter, reca surprised you “maybe those reviews could help for the next film”

“what do you mean?” you couldn't believe what you were hearing, your spur of the moment idea to show him reviews to hopefully boost his mood so you could both actually talk about his next film properly worked. it actually gave him ideas.

reca prattled on about how some of the reviews gave him the idea for how to expand his latest idea that had hit a wall and now he could continue to elaborate the idea. it was sort of satisfying to see how passionate he had become despite his earlier attitude.

he then abruptly stopped before trailing off “maybe i should listen to some of those reviews and change genres”

you thought that was a rather drastic suggestion, arguing that his current genres worked perfectly fine and it was his speciality, his signature if you would. but then he started mumbling again

“maybe if we went that route… then you could…” he was trailing off, you could barely piece together his coherent sentence but you could pick up on “based on us”

“what? could you repeat that again mr reca?”

“what?”

mr reca was never easy to work with.

taglist - @little-miss-chaoss, @frankiesteinn, @https-sourlimes

#—stellaronhvnters.#x reader #x gender neutral reader #honkai star rail x reader #hsr x reader #honkai star rail x gender neutral reader #honkai star rail x you #hsr x gender neutral reader #hsr x you #hsr reca #reca x reader #mr reca x reader

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amateurvoltaire · 1 month ago

Text

For the past six years or so, this graph has been making its rounds on social media, always reappearing at conveniently timed moments…

The insinuation is loud and clear: parallels abound between 18th-century France and 21st-century USA. Cue the alarm bells—revolution is imminent! The 10% should panic, and ordinary folk should stock up on non-perishables and, of course, toilet paper, because it wouldn’t be a proper crisis without that particular frenzy. You know the drill.

Well, unfortunately, I have zero interest in commenting on the political implications or the parallels this graph is trying to make with today’s world. I have precisely zero interest in discussing modern-day politics here. And I also have zero interest in addressing the bottom graph.

This is not going to be one of those "the [insert random group of people] à la lanterne” (1) kind of posts. If you’re here for that, I’m afraid you’ll be disappointed.

What I am interested in is something much less click-worthy but far more useful: how historical data gets used and abused and why the illusion of historical parallels can be so seductive—and so misleading. It’s not glamorous, I’ll admit, but digging into this stuff teaches us a lot more than mindless rage.

So, let’s get into it. Step by step, we’ll examine the top graph, unpick its assumptions, and see whether its alarmist undertones hold any historical weight.

Step 1: Actually Look at the Picture and Use Your Brain

When I saw this graph, my first thought was, “That’s odd.” Not because it’s hard to believe the top 10% in 18th-century France controlled 60% of the wealth—that could very well be true. But because, in 15 years of studying the French Revolution, I’ve never encountered reliable data on wealth distribution from that period.

Why? Because to the best of my knowledge, no one was systematically tracking income or wealth across the population in the 18th century. There were no comprehensive records, no centralised statistics, and certainly no detailed breakdowns of who owned what across different classes. Graphs like this imply data, and data means either someone tracked it or someone made assumptions to reconstruct it. That’s not inherently bad, but it did get my spider senses tingling.

Then there’s the timeframe: 1760–1790. Thirty years is a long time— especially when discussing a period that included wars, failed financial policies, growing debt, and shifting social dynamics. Wealth distribution wouldn’t have stayed static during that time. Nobles who were at the top in 1760 could be destitute by 1790, while merchants starting out in 1760 could be climbing into the upper tiers by the end of the period. Economic mobility wasn’t common, but over three decades, it wasn’t unheard of either.

All of this raises questions about how this graph was created. Where’s the data coming from? How was it measured? And can we really trust it to represent such a complex period?

Step 2: Check the Fine Print

Since the graph seemed questionable, the obvious next step was to ask: Where does this thing come from? Luckily, the source is clearly cited at the bottom: “The Income Inequality of France in Historical Perspective” by Christian Morrisson and Wayne Snyder, published in the European Review of Economic History, Vol. 4, No. 1 (2000).

Great! A proper academic source. But, before diving into the article, there’s a crucial detail tucked into the fine print:

“Data for the bottom 40% in France is extrapolated given a single data point.”

What does that mean?

Extrapolation is a statistical method used to estimate unknown values by extending patterns or trends from a small sample of data. In this case, the graph’s creator used one single piece of data—one solitary data point—about the wealth of the bottom 40% of the French population. They then scaled or applied that one value to represent the entire group across the 30-year period (1760–1790).

Put simply, this means someone found one record—maybe a tax ledger, an income statement, or some financial data—pertaining to one specific year, region, or subset of the bottom 40%, and decided it was representative of the entire demographic for three decades.

Let’s be honest: you don’t need a degree in statistics to know that’s problematic. Using a single data point to make sweeping generalisations about a large, diverse population (let alone across an era of wars, famines, and economic shifts) is a massive leap. In fact, it’s about as reliable as guessing how the internet feels about a topic from a single tweet.

This immediately tells me that whatever numbers they claim for the bottom 40% of the population are, at best, speculative. At worst? Utterly meaningless.

It also raises another question: What kind of serious journal would let something like this slide? So, time to pull up the actual article and see what’s going on.

Step 3: Check the Sources

As I mentioned earlier, the source for this graph is conveniently listed at the bottom of the image. Three clicks later, I had downloaded the actual article: “The Income Inequality of France in Historical Perspective” by Morrisson and Snyder.

The first thing I noticed while skimming through the article? The graph itself is nowhere to be found in the publication.

This is important. It means the person who created the graph didn’t just lift it straight from the article—they derived it from the data in the publication. Now, that’s not necessarily a problem; secondary analysis of published data is common. But here’s the kicker: there’s no explanation in the screenshot of the graph about which dataset or calculations were used to make it. We’re left to guess.

So, to figure this out, I guess I’ll have to dive into the article itself, trying to identify where they might have pulled the numbers from. Translation: I signed myself up to read 20+ pages of economic history. Thrilling stuff.

But hey, someone has to do it. The things I endure to fight disinformation...

Step 4: Actually Assess the Sources Critically

It doesn’t take long, once you start reading the article, to realise that regardless of what the graph is based on, it’s bound to be somewhat unreliable. Right from the first paragraph, the authors of the paper point out the core issue with calculating income for 18th-century French households: THERE IS NO DATA.

The article is refreshingly honest about this. It states multiple times that there were no reliable income distribution estimates in France before World War II. To fill this gap, Morrisson and Snyder used a variety of proxy sources like the Capitation Tax Records (2), historical socio-professional tables, and Isnard’s income distribution estimates (3).

After reading the whole paper, I can say their methodology is intriguing and very reasonable. They’ve pieced together what they could by using available evidence, and their process is quite well thought-out. I won’t rehash their entire argument here, but if you’re curious, I’d genuinely recommend giving it a read.

Most importantly, the authors are painfully aware of the limitations of their approach. They make it very clear that their estimates are a form of educated guesswork—evidence-based, yes, but still guesswork. At no point do they overstate their findings or present their conclusions as definitive

As such, instead of concluding with a single, definitive version of the income distribution, they offer multiple possible scenarios.

It’s not as flashy as a bold, tidy graph, is it? But it’s far more honest—and far more reflective of the complexities involved in reconstructing historical economic data.

Step 5: Run the numbers

Now that we’ve established the authors of the paper don’t actually propose a definitive income distribution, the question remains: where did the creators of the graph get their data? More specifically, which of the proposed distributions did they use?

Unfortunately, I haven’t been able to locate the original article or post containing the graph. Admittedly, I haven’t tried very hard, but the first few pages of Google results just link back to Twitter, Reddit, Facebook, and Tumblr posts. In short, all I have to go on is this screenshot.

I’ll give the graph creators the benefit of the doubt and assume that, in the full article, they explain where they sourced their data. I really hope they do—because they absolutely should.

That being said, based on the information in Morrisson and Snyder’s paper, I’d make an educated guess that the data came from Table 6 or Table 10, as these are the sections where the authors attempt to provide income distribution estimates.

Now, which dataset does the graph use? Spoiler: None of them.

How can we tell? Since I don’t have access to the raw data or the article where this graph might have been originally posted, I resorted to a rather unscientific method: I used a graphical design program to divide each bar of the chart into 2.5% increments and measure the approximate percentage for each income group.

Here’s what I found:

Now, take a moment to spot the issue. Do you see it?

The problem is glaring: NONE of the datasets from the paper fit the graph. Granted, my measurements are just estimates, so there might be some rounding errors. But the discrepancies are impossible to ignore, particularly for the bottom 40% and the top 10%.

In Morrisson and Snyder’s paper, the lowest estimate for the bottom 40% (1st and 2nd quintiles) is 10%. Even if we use the most conservative proxy, the Capitation Tax estimate, it’s 9%. But the graph claims the bottom 40% held only 6%.

For the top 10% (10th decile), the highest estimate in the paper is 53%. Yet the graph inflates this to 60%.

Step 6: For fun, I made my own bar charts

Because I enjoy this sort of thing (yes, this is what I consider fun—I’m a very fun person), I decided to use the data from the paper to create my own bar charts. Here’s what came out:

What do you notice?

While the results don’t exactly scream “healthy economy,” they look much less dramatic than the graph we started with. The creators of the graph have clearly exaggerated the disparities, making inequality seem worse.

Step 7: Understand the context before drawing conclusions

Numbers, by themselves, mean nothing. Absolutely nothing.

I could tell you right now that 47% of people admit to arguing with inanimate objects when they don’t work, with printers being the most common offender, and you’d probably believe it. Why? Because it sounds plausible—printers are frustrating, I’ve used a percentage, and I’ve phrased it in a way that sounds “academic.”

You likely wouldn’t even pause to consider that I’m claiming 3.8 billion people argue with inanimate objects. And let’s be real: 3.8 billion is such an incomprehensibly large number that our brains tend to gloss over it.

If, instead, I said, “Half of your friends probably argue with their printers,” you might stop and think, “Wait, that seems a bit unlikely.” (For the record, I completely made that up—I have no clue how many people yell at their stoves or complain to their toasters.)

The point? Numbers mean nothing unless we put them into context.

The original paper does this well by contextualising its estimates, primarily through the calculation of the Gini coefficient (4).

The authors estimate France’s Gini coefficient in the late 18th century to be 0.59, indicating significant income inequality. However, they compare this figure to other regions and periods to provide a clearer picture:

Amsterdam (1742): Much higher inequality, with a Gini of 0.69.

Britain (1759): Lower inequality, with a Gini of 0.52, which rose to 0.59 by 1801.

Prussia (mid-19th century): Far less inequality, with a Gini of 0.34–0.36.

This comparison shows that income inequality wasn’t unique to France. Other regions experienced similar or even higher levels of inequality without spontaneously erupting into revolution.

Accounting for Variations

The authors also recalculated the Gini coefficient to account for potential variations. They assumed that the income of the top quintile (the wealthiest 20%) could vary by ±10%. Here’s what they found:

If the top quintile earned 10% more, the Gini coefficient rose to 0.66, placing France significantly above other European countries of the time.

If the top quintile earned 10% less, the Gini dropped to 0.55, bringing France closer to Britain’s level.

Ultimately, the authors admit there’s uncertainty about the exact level of inequality in France. Their best guess is that it was comparable to other countries or somewhat worse.

Step 8: Drawing Some Conclusions

Saying that most people in the 18th century were poor and miserable—perhaps the French more so than others—isn’t exactly a compelling statement if your goal is to gather clicks or make a dramatic political point.

It’s incredibly tempting to look at the past and find exactly what we want to see in it. History often acts as a mirror, reflecting our own expectations unless we challenge ourselves to think critically. Whether you call it wishful thinking or confirmation bias, it’s easy to project the future onto the past.

Looking at the initial graph, I understand why someone might fall into this trap. Simple, tidy narratives are appealing to everyone. But if you’ve studied history, you’ll know that such narratives are a myth. Human nature may not have changed in thousands of years, but the contexts we inhabit are so vastly different that direct parallels are meaningless.

So, is revolution imminent? Well, that’s up to you—not some random graph on the internet.

Notes

(1) A la lanterne was a revolutionary cry during the French Revolution, symbolising mob justice where individuals were sometimes hanged from lampposts as a form of public execution

(2) The capitation tax was a fixed head tax implemented in France during the Ancien Régime. It was levied on individuals, with the amount owed determined by their social and professional status. Unlike a proportional income tax, it was based on pre-assigned categories rather than actual earnings, meaning nobles, clergy, and commoners paid different rates regardless of their actual wealth or income.

(3) Jean-Baptiste Isnard was an 18th-century economist. These estimates attempted to describe the theoretical distribution of income among different social classes in pre-revolutionary France. Isnard’s work aimed to categorise income across groups like nobles, clergy, and commoners, providing a broad picture of economic disparity during the period.

(4) The Gini coefficient (or Gini index) is a widely used statistical measure of inequality within a population, specifically in terms of income or wealth distribution. It ranges from 0 to 1, where 0 indicates perfect equality (everyone has the same income or wealth), and 1 represents maximum inequality (one person or household holds all the wealth).

#frev #french revolution #history #disinformation #income inequality #critical thinking #amateurvoltaire's essay ramblings #don't believe everything you see online #even if you really really want to

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luveline · 8 months ago

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coworker!james is fueling me rn thank u miss jade!! can i pretty please request a coworker!james drabble in which someone at work, a higher-up of some kind or someone visiting from another company being kind of cruel to reader, and jamie discovers that maybe there are several people who have just not been very kind to her, and she doesn’t really understand why he’s upset for her? please and thank u

—Why is James so upset? And how do you calm him down so quickly? fem, 1.2k

The horrible heat of the first week of British summer time finally breaks. It was an eventuality. Nothing good ever lasts for James —he must’ve been enjoying it too much. The sun is gone, the clouds are grey, and the office radiators pump a meek heat into the room.

The dreary skies outside depress him. “I miss the sun,” he sighs, putting the tips of his fingers together and bringing down his hands, base of his palms apart to stretch the sore inside of his wrists. They pang.

“Sunny again next week,” Remus says reassuringly. “Just in time for your review!”

“Please don’t remind me.”

“I must remind you, Jamie.” Remus stands up, and he gives James a loving squeeze on the shoulder, voice close to his ear, “Because you need to pretend you like your job, at least for the next few days. Come and get some coffee with me.”

James waves his hand. “In a second.”

When James met Remus, Remus couldn’t take touch. Didn’t like it or want it, couldn’t accept so much as a compliment, but things change, and years of knowing one another makes squeezing and pinching easy work. Remus flicks him without cruelty and exits the nook, leaving James on his own.

He glares at your empty seat, confused. When did you leave?

Doesn’t matter. Coffee. James is in desperate need of coffee as Remus recommended to warm up. He exits out of his desktop and shucks his suit jacket back on, taking a hand to run through his knotted hair as he walks. Past the desk banks of the account managers and the reception bank to the hallway that runs into the break room and adjourning kitchen. The office is a weird maze but the worst part is having the big ‘conference’ room right next to the break room, so the people inside working can judge you for eating, and vice versa.

The conference room door is propped open.

James recognises you from behind, your hair and tight shoulders. He should recognise the stress, having caused so much of it.

“It’s just not good enough.”

“I know.”

“You coast by, doing half the work of your fellow accountants.”

“I… I was sick for a week, I know it affected my turnover. But nothing went unfinished, sir.”

“No, because your colleagues picked up your slack.”

“Sir, I– I promise I work hard.”

Your voice is so oddly unlike yourself, a tone James is unfamiliar with. He’s arrogant and agitating and has no business interrupting, but he knocks the conference door anyways.

“Hi, Mr. Vida. How’s it going?” James asks.

“James, it’s fine. We’re just going through L/N’s review.”

James pulls one of those boyish smirks that men often share when they should be grimacing instead. “I’m sorry to interrupt.” He hangs on like he has something else to say.

“I think we’re about finished.”

Mr. Vida is a predictable man. He ushers the woman away to make room for the man. His misogyny is unsubtle and unfortunate, your expression laced with hurt as you gather yourself and stand to leave.

“Not looking forward to mine,” James says easily. You round the door, and he sends Mr. Vida a suck-up smile before he goes. He should stand up for you in a way that matters, but he’d felt it imperative to remove you from the situation, rather than escalate.

He’s on your tail, coffee forgotten as you scurry back to the desks. “Hey,” he says, finding himself in a half-jog to keep up, “wait, wait, are you okay?”

You slow. “I’m fine,” you say, so mildly perplexed that he doesn’t think for a moment you’re playing it cool.

“He was getting a little heavy with you.”

You frown in agreement, but otherwise move on, rolling your chair back with your foot to open your desk drawer. “I guess so. He’s like that.”

“Is he? I’ve never had him that mad at me.”

“He’s not that bad.” You pull a blister pack of painkillers from your drawer and pop three out in a row. “Have you met his boss? Oh, have you ever spoken to the manager of the account managers from the Brussels office? She sucks.”

James doesn’t have the wherewithal to pretend he wasn’t following you. He stands with his hands vice-like on the back of his chair. “What did they say to you?”

“Who, Mr. Vida’s boss? Or the Brussels manager?”

“Both.”

You sit and fish a bottle of water from your bag. “I actually filed a successful grievance again Mr. Vida’s boss, he kept calling me sweetheart. I know,” —you wince— “that’s a bit much, but it was really obvious he was looking down at me, so.”

“And the Brussels manager?”

“She emailed me thinking I was much more involved with the lab than I actually am. She kept calling me stupid.” You take one of your tablets and wash it down with a swig of water. “But,” you add, smiling at him, “I did manage to solve her problem.”

“What do you mean, she called you stupid?”

Your smile slips. “She called me a bunch of stuff. Professionally, you know, but she kept asking why my foresight was so sorely lacking. You know what they’re like.”

He shakes his head. “I don’t, no. Nobody’s ever called me stupid. Or sweetheart.”

You smile genially. “Perks of being a girl. Or stupid.” You laugh at yourself softly.

“You’re not stupid.”

You sober at his solemn tone. “I know,” you say. “I’m just joking.”

“Nobody should be talking to you like that.”

“I know, James, but what am I supposed to do?”

He doesn’t know. What can you do? Nothing. What can James do? What should he do?

“I’m sorry,” he says softly.

Your frown deepens. “It’s not your fault. It’s really fine.”

“It’s not fine. It’s not, though, it’s–”

“James?” you say.

“What?”

You stand up. You stand close to him, looking into his face. “Don’t be upset,” you say, mirroring his softer tone, “it’s okay. It’s nothing I can’t handle.”

“You shouldn’t have to deal with it at all.”

“Well, luckily this time I had you to come and rescue me,” you say. “But it really is fine. I can look after myself, even if I shouldn’t have to. Okay?”

Your hand finds his arm. You squeeze his wrist and his entire torso lights up, everything, his chest, the backs of his shoulders, like goosebumps but warmer and with a softer fuzz to it. Your eyes meet his, an encouraging smile playing on a pretty mouth. For the first time that day, he feels pleasantly warm, like he’s had that first hot sip of coffee.

The pads of your fingers are so, so soft where you catch his bare skin.

“Okay,” he says instinctively. He’d say the sky was red if you asked him to, in that moment.

You rub the back of his thumb with yours before letting him go. You sit down and finish your drink, and it takes James a good two minutes at his own desk to remember he’s not the one who needed comforting.

He opens his emails to write a formal complaint against Mr. Vida for poor work conduct. He doesn’t think twice about hitting send.

#james potter #james potter x reader #james potter x fem!reader #james potter x y/n #james potter x you #james potter fic #james potter fluff #james potter blurb #james potter drabble #james potter imagine #james potter fanfic #james potter fanfiction #james potter scenario #james potter oneshot #the marauders #marauders era #marauders

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