@the-ghost-trader - ooooh, i love this! it has the potential to be so incredibly sad, too, like poor Damian just trying to carve out something normal for himself only for it blow up in his face
BUT, shockingly, i'm not about the angst today! not yet anyway 😇
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“So, how was your day?”
Despite his answering groan, Damian likes this. This. This whole… thing he has with Danielle. With Ellie.
And, yeah, he’s not exactly told any of the others yet, but can you blame him? For wanting to keep something, anything, to himself. Wanting to keep this small little slice of goodness he’s managed to carve out, untouched and unmarred by his family, by their other lives, by the rogues, the vigilantes, the assassins, everyone.
“That bad, huh?”
Being with Ellie is freeing. That’s the best way to describe it.
She knows. Damian surprised even himself when he told her—not about the others, mind, but he supposes it’s not hard to put two and two together and Dani has always been smarter than most—but it’s the best decision he’s ever made, and no matter what the niggling little voice in the back of his head says (the one that sounds suspiciously like Father), he can’t bring himself to regret it.
He won’t. Because having Ellie know gives him freedom.
She’s a safe place, a hand to hold, a warm, welcoming presence when things inevitably turn ugly. It’s the freedom to just be normal when everything else in his life spirals into stranger and more stressful missions.
“Richard is being insufferable again. I do not understand his incessant need to know everything about my life.”
“Oh? What’s he done now?”
“I was subjected to an hour long interrogation about my love life, like it’s any of his business. It’s infuriating!”
“Ugh, tell me about it. I get the same thing from Jazz, constantly. It can be suffocating.” Ellie says as she curls herself tighter into his side. “But it’s just how they show they care.”
“Yes, well, sometimes I wish he wouldn’t—”
“Hey!” Ellie pushes herself up to glare at him, punctuating her shout with a soft whack to his arm for good measure. “What have I said about using that word?”
“Yes, yes,” he placates with a roll of his eyes, “‘Be careful what you wish for.’ I apologise, it won't happen again.”
“Damn straight it won't.”
She maintains eye contact with him for a second longer before tucking herself back into his side, squirming around with a long, contented hum that Damian can feel rumble through him. He smiles and doesn’t complain even when he has to shift to give her more room after a particularly strong elbow jabs him in the ribs. It means leaving the warm patch on the couch, but he’s rewarded with another long, happy moan as she settles and Damian can’t bring himself to mind.
Ellie constantly makes noises. Little mews and hums and laughs and songs known only to her. It reminds him of a cat, sometimes. He likes it. It calms him down; it means she’s happy, so he's happy.
They settle back into the cushions and Damian lets the subject drop, not wanting to spoil the moment. Outside, the wind changes direction and from where he’s laying he can watch as the snow starts to come down thick and heavy. Hopefully it’ll mean a quiet night's patrol.
“Is that why you haven’t introduced me yet?”
“What?” He can't help it, he stiffens at the thought of losing his secret, of the scrutiny he'll be inviting if he lets anyone know.
“Are you worried I’ll embarrass you?”
Damian’s eyes snap down quick to reassure her, only to see her light, teasing grin. He lets out a breath of relief. It figures she wouldn't worry about that.
“Of course not, don’t be absurd. You could never embarrass me.”
“I don’t know,” she muses, her voice taking on a dangerous lilt, “that sounds like a challenge.”
“Believe me, having been subjected to Father’s Brucie persona at every gala I’ve been to, it would take a lot to embarrass me.”
“Alright, bet. I’ll get you, just you wait.”
“You’ve already got me.”
She flicks him on the nose. “You’re such a sap.”
He hums his agreement, enjoying the tinkling sound of her laughter. And then, before he can think otherwise, he asks, “Is that why you haven’t introduced me?”
“That’s different,” she scowls. “You know how hard it is to get there, there’s no signal, and Danny only gets a break like—oh, Ancients!”
Damian gets another elbow to the ribs as she bolts upright, a manic grin on her face that has him laughing.
“What is it?”
“It’s the holidays! It’s nearly Truce Day! You know I said I had a family thing around Christmas?”
“Yes?”
“Well, do you want to come to it? I can introduce you then! I mean, it’s going to be a bit formal and you’ll have to meet everyone, not just family. There’s going to be some banquets, you’ll have to sit through some long speeches and you have to be on your best behaviour at all times, okay? Absolutely no fighting, it’s called Truce Day for a reason!”
“What?”
“Yeah, it’ll be perfect! I think Jazz is going in a couple days earlier to help with the preparations, so I’ll get her to let Danny know—and fair warning, he will try to give you the shovel talk, but this is great! It’s Truce Day, so he can’t actually do anything about it!”
“I’m sorry, but you're going to have to explain a bit.”
“Yeah, I know, it’s a bit much—but that’s family, right? Danny can get pretty protective over me, which is why going on Truce Day is the best time to do it! He can’t even command the Fright Knight to stab you! It’s genius!”
“Ellie, what?”
“Like, yeah, sure, he’s the king, but even he has to obey the rules of Truce Day—and then once you’ve spent all day with him, he’ll see that you’re a fantastic, wonderful, kind, brilliant, smart, strong, capable person and he’ll get over himself and everything will be good!"
Damian collapses down onto the couch, the wind knocked out of him. This is… He had not expected anything like this at all. For all that Ellie talked about her family, she had never mentioned this.
“Did you… did you say your brother is a king?”
“Yeah! High King Phantom, have I…” The manic grin slips off her face as she turns round and notices Damian. “Have I not mentioned that before?”
“No. No, you have not.”
“Ah. Sorry. Probably should clarify that I’m also a princess.”
“Right. Yes, that follows.”
“And I’m not really his sister, I’m his clone.”
“What?”
Damian blinks and tries to say more, but he has no idea what he’s meant to do with… any of this information.
Normal. He thought she was meant to be his normal. Nothing could have prepared him for this.
Not that it changed anything, of course, of that he was certain. It’s just… a lot to take in. Overwhelming. But it's okay! He takes a deep breath, and another, and a sense of calm washes over him. Ellie makes one of her little hums as she cocks her head to the side to consider him and he can't help but relax at the normalcy of the sound. It'll be okay, he's dealt with stranger and he can deal with this.
“I’ve, uh… I’ve told you that we’re half ghosts, though, right?”
“What?”
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do u have any navi thoughts from your oot replay
i've been waiting to answer this until I actually beat the game in my current playthrough because navi is another one of those characters that i think of in like a "set" with several other characters who serve relatively the same thematic purpose; in this case that purpose being the "mother" character, and i wanted to have all the characters in that set fresh in my mind. it's notable that while oot shows us very clear and consistent instances of the ways in which the adults of hyrule fail to protect their children, there ARE several adults who DO go out of their way to both oppose ganondorf and protect and nurture the children under their care. All of these characters are adult women, and all of them explicitly help the children out of some sort of parental responsibility or sense of duty towards them. in this group I include link's late mother, impa, nabooru, and navi.
all 4 mother characters, despite being adults or adult-coded, reject the inaction mentality which characterizes other adults in the game. they become either direct supports or shields to their children from the conflict the world has to offer them, and they are always explicitly punished for their interference--link's mother is killed trying to protect her son, impa's village is burned, nabooru is brainwashed. The mother's fatal flaw is that she will protect her child above all else, even in a world in which children cannot truly be protected. however, with the exception of link's mother, these characters manage to persist even in the face of her punishment, and this is where I think navi becomes the exemplary character.
Navi, after a lifetime of being link's only support system, the only adult in his life he could truly, consistently count on, receives her punishment at the hands of ganondorf--in the final battle, she is pushed out. she is unable to reach her child. she cannot protect him. However, BECAUSE link has grown up with her at his side, he is strong enough to take ganondorf down. and when ganon rises again, navi is there to support link, promising not to leave his side, and the intuitive targeting of that battle (a mechanic which navi is inherently tied to!!) makes it a cinch to win. Navi, and the other mothers we meet, are a reminder to the player that the world doesn't HAVE to be the way it is. Their persistence when punished, their insistence that their children ought to be protected, is a reminder that good adults do exist, and that good adults raise good children. link and zelda are able to win in spite of the adults who refused to help them, but also BECAUSE of the adults who DID. It's a reinforcement of the core theme of oot--that childlike idea that the world SHOULD be good and fair and if it isn't, it should be changed until it is. The mothers of oot are examples of what the world COULD be, reminders that it is possible to grow up without losing hope or growing bitter, and they are examples of the next step for the children they've raised to change the word--to continue fighting even in the face of punishment, to refuse inaction, and to foster that same hope and persistence in the generations to come.
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