#if you have a mother and a father

[eimearkuopio]

I am not Arthur. I am not Merlin in this lifetime, although I do have some pretty interesting thoughts about what it meant that he lived his life backwards in time. I am the Lady of the Lake, blood of Danu but Catholic by adoption (and we can discuss the difference between kidnapping and adoption and factory farming children of Omelas at a later date, because the painful truth is that if I am who I believe I am, then I am one of only two who could have prevented this, and I will someday choose to allow it for the Greater Good). I believe a very important sword recently vanished and I would like to talk to anyone who knows about that.

[pine-rhyme]

I think it would be funny in Alecto, if we spend more time on the Ninth, for the great aunts to, very affectedly, inform Harrow of her parents' passing during their silent practice to which Harrow barelly even manages to act either surprised or mournful (while Kiriona has a fit of laughter nearby).

"And that makes you, Reverend Daughter Harrowhark Nonagesimus, our 311th Reverend Mother."

Freshly out of Hell and still dazed by whatever happend post tomb opening, Reverend Mother Harrowhark Nonagesimus, can urge no other reaction out of her but a slightly out of breath, shamefully informal "Ok."

Cue a pleathoa of mom jokes that everybody seems to get into.

"Reverend- forgive me Harrowhark, I cannot in good faith look at your face and call you-"

"Then please don't. Thank you, Paul."

"Oh, mother!" ejaculates Ianthe at her every movement.

"Oh, sorry mommy", Kiriona is already begging for it.

Worst things worst she is still, functionally, the last person ever born on the Ninth.

[poorly-drawn-mdzs]

The Odyssey would have been a lot shorter if Odysseus gave the Cyclops weed instead of wine.

[barrel-crow-n]

[adastreia-12]

poseidon’s relationship with percy is something that is so personal to me. love so flawed and complicated, so wary and tentative. your father is here. he’s always been here. he’s not sure what to make of you but he is proud of you. you’re not sure what to make of him either. you’re sally jackson’s son, but you have your father’s eyes. you are the sea as much as he is. trust him. trust yourself. breathe. the sea does not like to be restrained.

[shower-phantom-ideas]

Bruh emotional support ghost kid? Well thats what they are calling him

Suicide cases in gothem are about to fucking plummet boiz cause this one weird blue eyes, black haired boy is now heading to your location.

How does he know where to be? Having a bad day and are all alone? No the fuck your not cause don’t turn around now but theres some shiny blue eyes coming at you from that dark ally. Oh shit hes here to drop some information about you and your lost loved ones that he should know. Oh god the closure. How could you have been afraid on this sweet, creepy, boy who just helped you find your way.

Meanwhile Danny is chillin in Gothem cause the GIW hate it there (none of they equipment actually functions in Gothem so it’s either super haunted or actually not haunted at all). Then all of a sudden he gets approached by a random ghost begging for his help because their sweet baby girl is about to do something horrible. Oops now all the ghosts are following their most loved ones around just to make sure they are there to rush to Danny for help when all else fails. Now hes getting to fulfil his protection obsession double time because one hes helping protect people from themselves and two hes protecting everyone in Gothem by stopping people from becoming villains for revenge. Plus he gets to see first hand how hes making a difference because all those people he saved are sending him some good vibes from all across Gothem.

Thank god he followed Jazz around so much to slightly absorb some of her phycology knowledge over the years. Plus it was actually pretty interesting so she gave him her old text books. Shes also helping him deal with the rare events where he can’t save someone. Just a moment too late or he stops them but they later succeeded in the hospital. Neither are his fault. Now only if he could convince his core of that.

Anyway why Gothem you ask? Amity Park would have been just as good tbh but imagine Batmans face when he finally gets to be face to face with the emotional support ghost boy. Why is he here? Bruce is fine. Batman is fine. Hes not gonna do anything crazy. It’s just a hard time of year. Around their death always gives him grief. But hes an adult and can manage it.

“You know they are so proud of you.” The boy states. As if it’s clear as day, even though it’s Gothem and never a clear day. Batman blinks at him, stunned for a moment. “What?” This boy can’t possibly know that. No one will ever know that, Bruce can only hope. “They see their home, full of such life. That big house that felt so empty, so cold, to them as well for years. Then you filled it with Family and Love like they had always wanted for you. They are so proud of what you have turned it into. Somewhere full of life and warmth.” A small smile graces his face as finally “you have made your parents so proud” and its all he can do to contain himself. Emotions are running high and sue him because he really did need to hear that ok. The boy suddenly looks to Bruces right with a confused face “aren’t all basements like that though?” Before Bruce can even get a word in hes gone. Just vanished before his eyes.

[meangreennunseen]

You know how Leman Russ was at the start raised by female Great wolf right? So I was thinking maybe Fenrisian people had always assumed Leman Russ was born from that Great Wolf and after witnessing Emperor come and claim he is Father of Leman Russ...

You just know someone on Fenris had to assume Emperor had fucked that Great Wolf, thus Leman Russ was born. And that assumption had to become a legend.

[jaggedjot]

There is a deep rooted bitterness underneath Claudia’s immediately infamous “two blood fat cocks slapping hands” line. After having spent more than a cumulative decade of her life searching for another vampire and being met with nothing but silence or pain, Claudia was welcomed by more than a dozen in one night, only to then be told by Louis that she should not see them again. It must reignite the resentment Claudia felt towards Louis’ open pessimism and misery while they travelled through Eastern Europe. The purposeful crudeness of the line, a sudden sour note after her teasing Louis’ fear “of your own lust”, suggests her frustration at being unable to fulfil her sexual desires. The disagreement the pair have in this scene about the significance of Lestat’s portrait reflects the larger rift in their relationship over Louis’ unwillingness to move past Lestat (“He's a hundred-and-something-year-old painting in a frame.” “They got a fսcking shrine to him!”). Claudia’s life was forcibly shaped time and time again to better serve Louis and Lestat’s love for each other; turned into a vampire so that they could repair their relationship, intimidated and hurt when she encouraged Louis to leave Lestat, made prisoner by Lestat ostensibly for Louis’ welfare, and now the memory of that relationship threatens her newfound kinship. It is galling enough that her long awaited introduction to a vampire community comes as an afterthought tacked onto Louis’ hand delivered invitation (“Come. And bring the petite beauty with you.”, “Monsieur de Pointe du Lac. Our finest seats.”), but the realisation that even that was determined by another man’s attraction to Louis has to be beyond infuriating. 

[demaparbat-hp]

In your Spitfire AU, since Zuko is looking after Lu Ten II, what happened to Ursa?

Zuko is slightly older in the Spitfire AU. He was banished at fifteen, his head a little clearer and denial a little weaker than in canon. After his first look through the Air Temples, Zuko decides that if he can't find a myth, he might as well search for the next best thing.

Finding Ursa isn't easy, but in time he makes it to a secluded house in a near-forgotten part of the world. His mom is there, older and stronger and alive.

But she isn't alone.

And Zuko, as it turns out, didn't keep the best company during his search.

When Ursa is discovered and her secrets are laid bare for assassins (for Ozai) to find, she begs Zuko to take his little brother and run. She'll do anything it takes to protect her children, even if that means leaving them behind to keep a target off their back. Ursa diverts attention from them and allows Lu Ten's ancestry to be kept a secret. She orders Zuko not to follow her again, and disappears.

Zuko is left with a little three-year-old brother to raise and a mother he cannot hold onto.

[worstwolverinesbf]

the batfam as things i and others have said pt 2

jason talking about his death: everyone has bad days, everyone gets blown up sometimes

——-

tim: dad, how old are you?

bruce: old enough

——-

dick: the moon is in a phase

tim: what is it, emo?

——-

jason talking about tims mental state: its being held together with zip ties and a dream

——-

steph when a bat appears: i hate when men do that… appear out of thin air

——-

bruce, deadpan: i was gonna say who has a mobile number (police number) but it’s the police

——-

tim talking about wifi: it keeps dropping out

jason: of high school?

——-

bruce: are you on something?

little dick: FREEDOM

——-

tim after scrolling on tumblr for too long: teenagers relate to murder

——-

dick after fighting slade too many times: he’s always down to kill kids and i respect that

——-

pt 1

[lgbtlunaverse]

So I've said multipe times now (here and here) that thinking nmj is just so blinded by privilege he doesn't undertand that acting out of line gets people killed is, in my opinion, a misunderstanding of his character that ignores the part where he's, you know, actively dying the whole time and thinks that's a good thing. But that doesn't mean I don't think privilege plays no role at all in how he views the world.

Specifically, his view that death (at least premature or violent death) means something.

Death isn't always a tragedy to NMJ, but it is always meaningful. If you kill an evil dangerous person for your righteous cause, that death had meaning. There was evil in the world and now there is less of it. Similarly, if you die in the pursuit of your righteous cause, that death has meaning, because the sheer dedication you gave to it that you were willing to die for it will further that cause, and your bretheren will be invigorated by your sacrifice to fight even harder.

If a death isn't meaningful, that's an injustice and it is up to the living to give it meaning. That's what cuts so deep about his father's murder. There were no consequences, no changes, no meaning. Wen Ruohan was just going to get away with it! He fights and wins an entire war to make it mean something, to make it so that the unjust murder of Nie Mingjue's father is part of Wen Ruohan's downfall.

But this is a view he can only hold because he's the kind of person who's death will be meaningful. Most ordinary people's deaths are meaningless. Not ontologically, not inherently, but they are made meaningless because no one cares. For death to be meaningful you either have to be so powerful that anything you risk your life for will be impacted in some way. (Like, say, if you sacrifice a long life for immense martial power in a faustian bargain with a blade) Or if people with that kind of power care enough about you to do so for you. For most people, this isn't true. A starving street kid has no power to change the unfair world that put them there, even if they risk their life trying, and no one will do it for them once they die.

Nie Mingjue knows this in abstract, and of course rightfully believes it's wrong. But all that does is make it yet another righteous cause people should be willing to die for. Everyone's deaths should mean something, we'll make it so or die trying!

This is what the conflict between nieyao is about at its core. Because Jin Guangyao, fundamentally, cannot conceive of his own death as meaningful. Nie Mingjue grew up around powerful men who could change the world but refuse to do so because god forbid they risk a single hair on their perfect heads. Meng Yao, on the other hand, grew up in an environment where no one of importance would blink twice if you died. He was surrounded by meaningless death. Indeed his entire early life is defined by that lack of care.

Meng Shi dies and no one cares. Meng Yao gets thrown off a flight off stairs and no one cares. He has to be the one to do the caring, and once he's gone no one else will do it for him.

So he has to live.

Jin Guangyao eventually gets far enough that he actually does aquire the power to change some things... as long as he's alive. If he changes too much, holds on too tightly to his ideals, he'll die and it'll all be for nothing. He can't sacrifice himself for his goals because doing so would immediately render those goals unobtainable. No one will care about what he tried to do. He won't be a heroic sacrifice, he'll just be trash that finally cleaned itself up.

And well... Nie Mingjue dies, and someone makes it mean something. Makes it mean so much that the entire story of mdzs would not exist without it. Jin Guangyao dies and it doesn't mean anything. Most people are glad to be rid of him, and the few that are not don't do anything to change that.

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[royaltea000]

[jttw swk oc children] tried out giving them some new clothes but I dunno bout this one… 🤔

Prev:

[waitineedaname]

MXTX protagonists ranked by how bad their mommy/daddy issues are

Luo Binghe: absolutely nuclear level of mommy/daddy issues. this is the consequence of giving your protagonist two deadbeat dads and two dead moms, and then letting him project all those issues onto his overly indulgent teacher

Wei Wuxian: he could've had perfectly normal orphan levels of parent trauma, but what's that?? IT'S THE JIANG PARENTS WITH A STEEL CHAIR!!! the combo of fear and respect he had for Yu Ziyuan is already bad enough, but then there's also the feeling of responsibility for the Jiang siblings that they put on him, which then leads to, you know, all the Yunmeng sibling problems

Lan Wangji: this dude is so haunted by his father potentially kidnapping his mother and then locking her up and putting himself in seclusion, and this significantly shapes his relationship with Wei Wuxian. plus he took his mother's death really, really badly :(

Shen Qingqiu: he like never mentions his parents?? which is weird, but at least he's not haunted by it. however, he gets the special privilege of being the person exacerbating someone else's mommy/daddy issues. he brought this on himself. he doesn't get to walk out of a confession involving a metaphor where he'd be pregnant with his partner and act like that's normal

Xie Lian: he definitely has trauma surrounding his parents for sure, but they don't seem to have manifested as specifically mommy/daddy issues? it's just, you know. normal grief. honestly, there's so much shit going on with his trauma and baggage that he can't be defined by this one thing

Hua Cheng: does not seem to care about his parents?? at all???? he's presumably an orphan and they're probably the origin of his self worth issues, but like. in the grand scheme of things, they do not seem to be that big of a concern for him. who needs mommy issues when you have devotion to dianxia i guess

[coquelicoq]

it's about...longevity? stability? it's about natsume believing he'll be somewhere long enough to plant flowers and see them bloom. it's about him taking touko seriously when she asks him to tell her what flowers he wants to plant. it's about making something with his own hands, building a future with the fujiwaras. it's about him repairing a rundown home for someone else, restoring it because it's beloved to them, because it's the home of someone they love. it's about him seeing touko's joy and thinking about the youkai saying we'd like to look upon her happy face forever. it's about the box garden making him think of the fujiwaras' garden and his parents' garden, about the flowers being both the memory of flowers that bloomed there before, and the flowers that he and the youkai planted earlier that day. it's about him waking up in both worlds with sensei. it's about touko finding the petal in his hair. it's about him feeling how he falls short and the youkai saying, but you have such gentle hands...

[kankuroplease]

Monster(s) in Suna

While excited to meet a fellow “monster”, they ultimately just meet a pretty nice guy that happened to be a jinchuriki. Junko would like the kazekage because he’s proof that public perception can be changed, but Juri would LIKE the kazekage for who he is.

Also, I’m not saying they would run around Suna in their Sage transformation (that would be a terrible idea), but they would show it off in meetings simply to explain their clan a bit in a diplomatic manner since they have full control over themselves in that form.