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naturedust · 4 years ago

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The Arcana characters during the Covid-19 pandemic: Part 1 (Asra, Julian, Valerius)

hi everyone! i felt really happy whilst writing this. in each set of headcanons, the apprentice lives with that character! i don’t specify if there’s anything romantic or sexual going on between them though. this is VERY detailed, i’m still writing out muriel, nadia, portia, and lucio’s headcanons so they’ll come in part 2 <3 i hope you enjoy!! AO3 link: https://archiveofourown.org/works/27529276/chapters/67324228

Asra

asra hosts weekly magic workshops (covering very very basic magic) with the apprentice over microsoft teams 💻 each workshop has a small fee, with all proceeds going to local vesuvian charities like mask suppliers, and food banks (who he tries to donate extra food to every week) supporting the poorest amongst their population. it was the apprentice who first suggested he do this, on a day he was feeling really afraid in the face of the pandemic.

i think he has days when he feels really helpless and trapped – and it runs a little deeper than cabin fever and restlessness. other than the pain he’d experience if he lost the apprentice again, being unable to do things freely is the worst situation he can think of... as much as asra prioritises the apprentice’s mental health, he doesn’t practice emotional expression a lot. he truly strives to be there for the apprentice and even when he remembers how they suffered after coming back...asra only cries silently at night when they are asleep – when he knows they can’t hear him.

that’s part of the reason why he’s always seemed so mysterious in the game — growing up without his parents meant that he learnt to push down his fear and put on a brave face... and one of the reasons why he goes on trips without much explanation is to escape reality for a bit. he lets his vulnerability show only on the worst of days (like the day the apprentice died). on days where asra feels really afraid of the world and defeated, the apprentice takes over his shop duties and brews much more lapsang souchong than usual to comfort him. so much that even passerbys outside the shop are caught in the smokiness of it! unlike the red plague, every community in the world is affected, and there is nowhere for asra to escape to. this includes nopal. after vesuvia’s Covid-19 situation gets better though, he and the apprentice stay there sometimes as a mini vacation of sorts and it brings him peace 🏜

asra’s leading an effort to make high quality masks more accessible to vesuvians. in fact, that local mask provider i mentioned earlier is his initiative. he set it up after seeing people buy all the beaked plague doctor masks (the PPE of vesuvia) that actual working doctors need access to. he would never admit it but, when asra thinks about the doctors, julian is the first who comes to mind. anyways, the masks asra designs are stunning. he spends tireless nights testing their 3-ply efficacy, and they aren’t just plain blue or white – there are intricate details imprinted on them through his magic 🔮

i think asra would also be really into coming up with new herbal concoctions for customers, after he notices how tired people look from being indoors all day – for example, he’s developed an immune system-boosting drink that’s a gorgeous swirly purple colour 🍶 it’s similar to traditional chinese medicine. also he only uses ethically sourced, 100% local herbs (by local, i mean from nopal and the tarske forest, where muriel helps him collect wildflowers and herbs!!) 🌿 he uses spells to counter the toxicity of his favourite belladonna flower and it becomes a superfood staple of his concoctions

he goes out every couple of days just to gather herbs and ingredients for aforementioned concoctions, always prioritising the ones he makes for the apprentice and always making those sweeter, taking more time to create colourful depths in them that resemble galaxies. asra also makes particular effort to bring back a wide range of fruits from his local trips as it always cheers the apprentice up 🍈

asra invents the most effective, affordable, environmentally-friendly, non-toxic and skin-friendly hand sanitiser and because this magician is the sweetest person ever and cares much more about people’s lives than making a profit during the pandemic, he shares the recipe online for free & magicians all around the world recreate the hand sanitiser for their local neighbourhoods. he’s since been featured in a couple of “Top 10 People You Should Follow” lists in business magazines and there’s an online petition with over 200k signatures calling for his nobel prize nomination lol. asra insists he doesn’t care about fame but when the apprentice laughs about these recognitions, they always notice asra’s eyes crinkling

asra would also become a lot more active on his youtube channel. that’s right, he’s always had a youtube channel, he’s just had a million hiatuses because of all his adventures. he has around 20,000 subscribers (and a similar amount on instagram...his feed is colourful and full of pictures depicting his travels, the shop, and above all, the apprentice). since he’s decided to stay at the shop with the apprentice – who is actually a little more vulnerable than others to viruses, because of their “reborn” form – he has the time to post weekly videos again. i think asra wouldn’t want to show his face in any of the videos, and not on his instagram either... and it’s got nothing to do with his self-esteem – he just wants the focus to be on what he’s doing rather than how he looks. the videos vary from very domestic vlogs with titles like “what two magicians do in a day” to packed af guides like “🐍 SPELLS TO REFINE AT HOME 🐍” & “crystals that can calm you during these times” and his wildly popular “carving crystals i mined: in real time” ⏳ the apprentice is a permanent fixture in all of them <3 viewers always assume they’re together and whether they are or not...that’s for you to think about ;)

asra is big on healing crystals and gemstones. like really, really big on them. he always makes sure to inform his customers and audiences that they are alternatives and not substitutes, and that sicknesses need real medicine & they can’t just wear a crystal in place of a mask (bc that’s happened before and he felt so guilty for carving and selling the crystal in question) what’s strange is, even though he usually sources his crystals from other countries during his travels, there seem to more than ever all around the shop and the apartment upstairs..

when the apprentice asks about it, it turns out that asra goes mining alone in nopal! he doesn’t really like to mine the actual desert as he’s only ever dug up gold and silver there. one time, he accidentally stumbled upon a cave at the edge of nopal and – ever the curious wandering magician – he ventured deep within it and found amazing crystals and gemstones everywhere 💎 he never mentioned it to the apprentice because he always thought it was too dangerous for them to go, until they remind him it’s dangerous for him too. from that day onwards they go looking for crystals every weekend together :’)

if asra was living alone, he would be fine with just wearing a mask to go outside. but since he lives with the apprentice – and especially after what happened during the red plague – he’s not risking ANYTHING. he wears aviator goggles and eco-vinyl gloves when he’s in the market, just to be extra safe, though when he’s out foraging he takes off his mask because there’s usually no one else there & it’s way too humid. the apprentice likes to make fun of how steampunk he looks & the way the big goggles make his hair extra poofy 🤍

Julian

julian is on the frontlines of the vesuvian pandemic response. with his experience as a doctor – specifically, a frontline doctor during the red plague who discovered the cure (!!!) – he is revered by new doctors and nurses, most of whom are volunteers. when the pandemic first begins, there aren’t formal hospitals or medical schools set up in vesuvia, so he has to make do by reopening his clinic in the centre city, as an alternative to valdemar’s one in the palace – which, quite frankly is the stuff of nightmares for most of the population

as you know, julian is universally loved by the vesuvian people... so the waiting list of the hospital branch he works at is ALWAYS full. patients always report how gentle and attentive he is and how comforted they feel in his presence. even though he has to wear a hazmat suit and the plague doctor beak mask, he is known for visiting the most severely affect Covid-19 patients and holding their hands in their last moments.

the apprentice brings different flowers to put inside his beak mask every day (this is a headcanon that i’m pretty sure originated from the writer telanaris on AO3!!) to give julian some small comfort amongst all the death and suffering he’s witness to every day. they go out to the tarske forest or even to nopal with asra, or sometimes alone. because julian mentioned wolfsbane was his favourite flower once, the apprentice picked some without knowing that they’re poisonous. long story short, they blacked out and woke up in his clinic with an extremely worried julian nearly in tears launching into a self-blame monologue, about to black out himself from staying by their side the whole night

i also think julian would be featured in the news a lot and sometimes pretty randomly. he gives official weekly Covid-19 updates on the main vesuvian tv news channel – though the apprentice stands in for him after the first two weeks (he tries very hard to refuse their help because he doesn’t want to burden them, even though they assure him they actually want to relieve him of at least one of his burdens since he’s a full-time pandemic doctor – and because he almost fainted from exhaustion the second time. the apprentice kindly, but sternly asks him to take care of himself too, as he does everyone else)

he would just be on the news in general too...his random acts of kindness would go viral on social media – “Vesuvian Doctor Helps Elderly In Race for Toilet Paper.” ❤️ “Local Doctor Delivers Groceries for Struggling Families.” and his “grandmothers” in nevivon always get excited when they see him on the news and send letters to congratulate him (much to his embarrassment). julian would also go viral on twitter. one photo of him has 100k retweets: “oh my fcking god i just rounded the corner and there’s this really fucking t a l l man handing out free bottles of sanitiser. i don’t need to see him under his plague beak to know he’s hot af HELP” and the apprentice would retweet it saying “so proud of my bf” and the internet would go wild over this comment. it’s up to you to decide if they’re actually together or not hehe bc who knows the apprentice might’ve meant best friend 🤷🏻‍♀️

he sets up a youtube channel with no profile picture or description to upload a single video... “How to PROPERLY use hand sanitiser!” and all the comments are just about his looks and voice 😚 it reaches cities outside of vesuvia and because the hand sanitiser in the video is locally made (by asra!) it quickly becomes sold out by either those who don’t know how to do magic or people without access to the products being replicated by other magicians... because a lot of them actually marked up the price :( + even communities that are afraid of magic buy it because asra’s detailed method and julian’s instructive marketing combined are that effective. a power couple... in another life, perhaps 💫

julian would then be invited to do a city-sponsored video guide on how to wash your hands (the idea is helmed by nadia, of course, who recognises the usefulness of his newfound fame). not only would he be extremely exhausted from full-day shifts, he’d also be overthinking to the point of hyperventilation before filming starts – but he surprises the apprentice with how professional and clear he is in the videos. a true thespian at heart, instead of happy birthday, he improvises on set and sings an old tune from nevivon instead as he washes his hands for 20 seconds 🌊 lemme just say...his hands also go viral lol. also, julian could be a tik tok star if he wanted to. he’s certainly got the moves for it, and can easily achieve the e-boy vibe – plus, he’s gone viral on there several times already!

even though julian doesn’t seem to care when he’s in danger, he’s very meticulous when it comes to the apprentice’s safety. living through his second pandemic and working with patients first hand means that he is very aware of how severe the situation is. every morning he prepares a 99:1 water:bleach ratio spray to spray his shoes when he comes home. he refuses to even touch the apprentice (for fear of passing on anything from the clinic) before he’s taken off his mask, thrown it away safely – then showering and washing his hair thoroughly.

having grown up in nevivon, i like to think that julian is really environmentally conscious, especially with regards to the sea. he used to go diving in the sea to retrieve trash, and as a young man he made a habit of going to the docks every weekend to remove plastic containers and wires from around the necks of salt seals 🌫. so, no matter how tired he is, when he comes home to the apprentice, julian never forgets to snip the ear loops of his surgical masks in half, as he knows sea creatures can get caught up in them. i’m sure he makes a second youtube video at some point to talk about this issue. tldr julian is an environmental activist <3

Valerius

so it’s been a long while since valerius was freed from you-know-who. his personality has definitely changed a lot since then... he’s back to his old and real self (which we never really saw in the game) 🌄 he works side by side with nadia now, not only as colleagues but also genuine friends, and he oversees the health department. he sets up dozens of hospitals and more general clinics in and out of vesuvia, consulting experienced doctors in vesuvia like julian as well as officials from neighbouring countries and states. as a side note, valerius is actually a very humble person and the most attentive listener you will ever meet. people from neighbouring governments & royal households admire him immensely as a result <3

out of everyone, i think valerius would be the most careful during the pandemic. during the red plague he witnessed lucio’s illness up close and it’s had a profound impact on him. he worries about the apprentice, a lot. more than anyone who knows him expects him to. he’s always the first to notice and remind them if their mask is falling down their nose, or if they’re about to rub their eyes with unwashed hands. you will never catch him forgetting to wear a mask or touching his face at all when he’s outside. he takes the time to use disinfectant wipes to clean everything he brings back home one by one, and though valerius is adamant it’s not the apprentice’s responsibility (because most of the things are usually files from the palace he has to go through before the next morning or things he brings back from the market) the apprentice always insists they want to help out :’) so it becomes a nice daily evening ritual, sitting together on the floor after returning from the palace, cleaning their things in silence together 💜

speaking of things he buys, valerius loves the marketplace. he discovers it one day by accident when looking for a bouquet of 🌹 red roses 🌹 to bring back for the apprentice, who was particularly upset that day after helping valerius out at the new hospitals and not being able to help any of the patients as much as they would have liked with their magic. when valerius stumbles across the marketplace, he is absolutely amazed by the colours and smells that surround him. he spends a lot of his free time and lunch hours looking through jewellery stalls – especially hairpins and hair sticks.

anyone looking at him would be able to see how much care valerius puts into maintaining his hair. because he washes his hair every day (to avoid bringing any Covid-19 related germs into bed), and because being free from you-know-who has made him a lot more open to magic... not to mention because he actually lives with the apprentice now 💜 i think valerius would also consult asra about magical hair masks and conditioners, to keep his very long and thick hair healthy and soft, despite washing it every day.

he knows from accidentally overhearing asra a long time ago that the apprentice loves pumpkin bread, so he asks around for hours until he finally finds the baker’s stall 🍞 it takes hours because valerius is really bad with directions and gets lost a few times... it doesn’t help that he’s distracted by all the different foods and jewellery that he’s never seen before (he picks up a nice ring for the apprentice, and yes he’s so attentive and familiar with jewellery that he guesses their ring band size correctly). from that day onwards, once or twice a week, he wakes up a little earlier than usual to sneak out of his estate and buy the bread, so that the apprentice can enjoy it – freshly made, warm, and their favourite – for breakfast 🥣

yes, he has an estate (this mr. darcy-like headcanon is from jane_ways on AO3!!) and he treats his household employees very well, offering paid leave for all of them so that they can stay with their own families. in their absence, he proves to be an incredible cook, albeit a little rusty because he hasn’t cooked anything substantial since being under you-know-who’s influence and because he’s been too busy at the palace to eat anything that isn’t catered.

due to social distancing, the apprentice and him eat in a lot more – valerius is very ambitious and soon moves past making homemade dishes... he cooks blown out, elaborate dinners and prepares creative and (visually) beautiful packed lunches to bring to work 🍴 whenever the apprentice has to work late he brings them dinners inspired by the colours of the shop that day – he is hesitant to admit it, at first, but he’s always admired the crystals there, and he is often inspired by them in his food presentations. asra is ever perceptive and gifts him a few (polished amethyst because he used to be an insomniac, black tourmaline and selenite to keep you-know-who at bay 💎) soon after the apprentice frees him from the curse

i really see valerius as someone who against all expectations is really into hands-on work like welding and carving – things that can get messy. he’s slowly trying to get rid of it, but since he first started working at the palace he’s maintained a very prim and posh appearance. he really loves to weld jewellery like rings and earrings. before the pandemic began, he took a few classes in the marketplace – classes which are on hiatus now, of course. he's set up a little studio in his estate and wears a blacksmith’s apron and goggles and everything. it’s honestly quite the sight. whenever the apprentice is working longer hours at the shop making potions with asra, he goes into the studio to continue his projects. some of the ones he’s proudest of are: the pure-silver wine rack, the gold headbands and rings he makes for himself – and then for the apprentice too when they keep “borrowing” his – and his favourite of all is his first ever project: the cast iron skillet that took him over a week to weld. he hand engraved the apprentice and his initials onto its handle <3 you don't need to read any of this as a romantic gesture, because friends can definitely do the same!

i like to think that prakra managed the pandemic especially well, and that valerius sits down to have zoom calls with queen nasrin to discuss ways the two places can collaborate and help each other 👑 she becomes his mentor of sorts, as he’s still relatively young and inexperienced when it comes to governing a city-state like vesuvia. when nasrin visited nadia before at the palace, she was not a fan of valerius at all and was just as wary of him as nadia was. however she becomes very fond of him as a result of their collaboration, and even starts to see him as a son ❕ other than the apprentice, nasrin would be the second person valerius talks the most freely with. initially he is very reluctant to share anything about his life, let alone his past before landing the consul job – but he eventually opens up and nasrin plays a role in helping him move past his failures (his eyes are opened after the apprentice frees him, and he feels immense shame from how he didn’t lead vesuvia very successfully in nadia’s absence)

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the-beeloveds · 3 years ago

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before you get to the rules, we would like to preface that absolutely no discourse is allowed nor welcomed here. As stated before, this account supports systems, D/As, otherkins & fictionkins. If this is a problem for you, you’re are more than welcome to leave.

our dni falls under the basic criteria, (racist, aroace/pan exclusionist, terf/truscum/transmed, proshipper, anti-anti/pro-map, ableist, etc.) its easy to follow if your not a shithead creep. so don’t be a shithead creep thanks! <3

Rules

we won’t be doing content pertaining to real people, i.e. factkins & factives. While we fully support factives, we personally aren’t comfortable doing content that involves anything non-fiction/ccs, it’s not our strong suit/neither of us our equipped to do so. It’s just a personal preference, we hope you can understand!

if you are planning on requesting multiple things, please send a separate ask for each, instead of bunching them all into one. It helps us get to them easier!

this is a general rule of thumb for every blog that does requests, but please make sure our inbox is opened before sending something in, otherwise it will be deleted.

be exact about the details of ur request. make sure you specify the source a character is from, and let us know if theres anything from canon you want us to avoid/add or any triggers/icks we should know about. We would much rather you be overly-detailed than vague, for the sake of your own comfort and enjoyment! (This is especially important w ocs and kin-canons, as we obviously don’t know as much as you would. Please give us as many details as you can!)

we have the right to and will deny and/or delete any requests we don’t feel like doing.

remember to credit if you repost any of our edits somewhere! we also ask you to not repost any edits with fanart in them unless you’re giving proper credit, out of respect for the artist.

Blacklist

goblincore (& aesthetic/imagery rooted in racism/antisemitism, just in general.) , nsfw/sexual content , eye imagery/horror , bakudeku/kirideku/kirimina (platonic is fine!), pedophilic / incestuous / abusive ships , factkin content , graphic descriptions/imagery of self-harm , ships/hcs that erase a characters canonical identity (i.e. canonical lesbians being headcanoned as bi/straight, etc.)

Requesting guide

(This is specifically for people that would like to request something that we don’t already have listed, au/fanfics/popular fan content is included in this. If this doesn’t apply to you, feel free to skip over this! We’ve just had a lot of trouble with this in particular so i have to have an entire section clarifying how it works akdhsjsh)

If you want to request from a source we do not have listed, please send a separate ask, asking us if we would be able to fulfill your request. This gives us an opening to say whether or not we can without just deleting the msg, while also listing the characters and edits we are comfortable doing!

If you’re confused, here is an example! ;

Your ask: “Hi! Would you be comfortable doing something for -this character- from -this fandom-?”

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After this, u can then proceed to sending us the request so we can respond with the finished edit! Having these things separate makes our blog a lot more organized and helps keep us sane, so please try and respect this when requesting!

If you don’t ask prior to sending in your request, it will just be deleted. If any of this is confusing to you, please let us know and we will try to clarify!

That’s all, happy requesting! (^∇^)

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famedroleplayarchive · 4 years ago

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As promised, here’s an admin update post. This addresses several topics you all probably knew were coming and might have been waiting for the answers on, as well as some other topics, additions, and changes! Please take your time to read this thoroughly, and thanks again for four years of Famed! There’s a lot here, so take your time reading it.

URL change

The main blog’s URL has changed to famedroleplay. Some links are still being updated, but if you notice anything still links back incorrectly after a week or so, please do let me know!

Faceclaims

After hearing out the opinion of everyone who shared theirs regarding banning faceclaims involved in bullying scandals and taking that into consideration, face claims will be banned if they are linked to outside crimes or severe such as sexual assault, molka, or bullying in connection to suicide / suicide attempts. This means the initial ban on actor Kim Jisoo and April members Kim Chaewon, Lee Naeun, Yang Yena, Lee Jinsol, and and ex-member Jeon Somin remain in tact.

Bullying allegations not linked to these outside factors will still be grounds for someone to be allowed to ask to change a faceclaim before their faceclaim change waiting period is up, though, if they are uncomfortable continuing to use a faceclaim because of bullying allegations. If a faceclaim leaves the industry and/or removes themselves from the public eye for the foreseeable future for any reason, they are also still unusable, but this rule was already in place.

As for how this will affect parts of the roleplay other than faceclaims, please see the section further down about Element. Two April songs (”Oh My Mistake!” and “Love Clock”) were previously used for the first season of base’s COLLA3ORATE. These will be retroactively replaced with Elris’s “Jackpot” and “Like I Do” respectively, but if you had a muse involved in “Oh My Mistake” and would prefer to remove them from COLLA3ORATE season one entirely, just message me and they will be removed. I assigned the lines trying to match the positions and line distributions up similarly, but if your muse was involved and you’d like to keep them in “Jackpot” but want to switch to an untaken position, you’re welcome to request that as well. Otherwise, any references to that can simply use those songs instead now.

Element update

Due to the recent allegations involving Somin, a major revamp of Element has had to be conducted. After discussing the situation with the current muns of the group, the past model discography of Element has been replaced using Checkmate, K-Tigers Zero, and Lucky J, and they will be making their final comeback on April 12. After those promotions end, Element will be disbanded and the members will re-debut later in the year in a boy group, Quicksilver, with model groups of Ateez and Treasure and a girl group, Marigold, with model groups of BVNDIT and Melody Day with two new members each. The Element spots have been reopened, but the new positions in the new groups won’t be opened until after Element have finished promoting. This will be a major plotline for the roleplay and Gold Star in particular so expect to see it brought up in schedules and in some articles on the Exclusive blog as the storyline unfolds.

The new debuts in Quicksilver and Marigold will be available on May 13.

Fuse’s model discography update

Thanks to everyone’s suggestions, I was able to find two groups to add to Fuse’s model discography that I felt could align with their sound, direction, storyline, and positions enough to be happy with for now. These groups are Cherry Bullet and Weki Meki. The updated line distribution can be found on Fuse’s page.

There are other groups I’m looking into adding onto the model discographies of, but Fuse was the most urgent, so they’re the only official update I have today!

Canon soloists

Ultimately, after the poll, more people voted to remove canon soloists than to keep them, and they are officially being removed from the roleplay.

Those discographies previously used for the soloists will begin to be open for points claims at midnight/12AM EDT on April 12.

With the removal of canon soloists, the plan is to allow a solo music career to become a more prominent claiming option, and there are plans for some additional claim options to become available in relation to such a career, but those will be added and addressed at a later time.

As for storylines linked to some of the soloists, this is how those will be retconned:

BC Soloist 1: Instead of BC signing and debuting a known Gold Star trainee, BC hired a high profile creative director from Gold Star known from working with Gold Star since their inception and had worked on some of their most defining comebacks and announced she would be taking over as one of the company’s main creative directors. She has since worked on conceptualizing several group’s comeback as well as most heavily on Chroma’s pre-debut project.

Dimensions Soloist 3: Instead of Dimensions buying out a small and brand new company created by a crew of popular music producers with one soloist who they transferred to their label, in early 2020, Dimensions bought out a music production company that was created by a top music production team with several rising producers signed with them and made the producers in-house producers for Dimensions. Since then, the new producers have helped to produce several hit Dimensions songs since.

While Gold Star Soloist 1 no longer exists as an IU stand-in, Gold Star still had an incredibly popular and loved NPC soloist as one of their first artists that helped give their name prominence. At the beginning of 2021, she announced her departure from the agency to create her own label, citing her reasoning as feeling she needed a more focused environment than Gold Star’s growth could provide. There are rumors she was alluding to dissatisfaction with Gold Star’s recent management and gossip that Gold Star was pushing for her to pursue activities in overseas markets she wasn’t interested in.

Anyone who had a feature or MV appearance claim on a soloist can contact me and let me know whether they’d like to just drop the claim (and, if a points claim, recollect those points), keep it as a claim in an unspecified work, or try to replace it with something else. The following muses had claims this applies to:

Features:

Cha Kyonghwa (Kami) (app claim) Kang Sunghee (app claim) Park Jaewon (points claim, 10 points) dropped! Choi Joosung (Sun) (points claim, 10 points) Moon Chaeyeon (Dita) (app claim) Park Duri (points claim, 10 points) kept as unspecified!

MV appearances:

Kim Kyongmin (Alice) (app claim) Ryu Jaein (points claim, 5 points) dropped! Seo Minjung (points claim, 10 points) points reclaimed! Moon Chaeyeon (Dita) (app claim)

Points shop updates

There have been a few updates to the points shop!

Firstly, the nation’s title claim checklist now requires a headcanon on the muse’s image and how it relates to their claims and career to be completed. This is just so I can see a mun’s own intentions for how everything ties in with their image. This headcanon shouldn’t focus on the title itself since that isn’t ever guaranteed for approval, but the muse’s general image as the mun has shaped it. The viral moment requirement for a nation’s title is now also specified to need to relate to the image involved in the desired title.

In the wake of canon soloists being removed, I’m planning on being a little more strict regarding music claims aligning well with positions.This applies to both individual songs and whole discographies. Still, the intent is to be reasonable. Chungha having a rap-like verse in “Bicycle” won’t require someone to have a rap position to claim it since it’s not a lot of the song and she’s not known as a rapper, but I also wouldn’t approve a muse whose most prominent position is main rapper or a main dancer making their entire discography IU releases since IU is primarily a singing-focused artist.

There used to be a rule requiring that muns seek admin approval before claiming songs written by deceased artists, but that rule has now been removed. Keep it respectful, though, please. If any issue arises with muns breaking the fourth wall in relation to these songs to be disrespectful about a real person’s passing, that claim may be revoked and the rule may be reinstated. Songs performed by deceased artists still cannot be claimed.

There’s also a new claim available — a YouTube variety show or talk show. Please see the variety page for examples and more information, but note that this is separate from both a reality show claim. I’ve tried to specify the difference, but if you’re ever unsure which one what you want to claim would fit into, feel free to ask! Both will now be uploaded in-’verse to base’s Youtube Channel. Likewise, there has been a small change so that future radio show claims are now through base Radio, a radio streaming application (think Naver Now).

Company building pages + Pinterest

I’m currently working on pages that give more detail on the layout of the company headquarters. They aren’t quite finished yet, but I have created a Famed Pinterest account for those of you who find more muse visually or who are into visual worldbuilding! One of the sections on the boards there gives a rough idea of company building visuals. There are group concept boards as well, so if you’re struggling to decide where your muse might fit, looking at those might help you if you’re more of a visual person. No one is required to follow it and I won’t be answering messages or anything of the sort there, but I thought it might be a helpful way to visually convey locations and concepts! I’ll make a small post to let everyone know when the pages with in-depth information on the company buildings is available.

Activity rules updates

I mentioned there’d be a few more touch-ups to the activity rules to fill in loopholes that have been around a while, so here they are.

- There is now a formal hiatus request form that must be submitted to request a hiatus. Simply sending the main an IM that you want a hiatus will no longer qualify as a valid request and it will not be processed.

- There will no longer be a week-long grace period after a hiatus ends. You are responsible for being active for the next activity check after your hiatus ends.

- The maximum length of a hiatus is now three weeks (and the minimum one week). The initial hiatus request maximum is still two weeks with one week extensions, but extensions may not be stacked to exceed three weeks total without a passed activity check in between. If you can’t be around for a longer period of time, it might be best to rejoin at a later time when you’re more available! In total, a mun is allotted a maximum of four weeks of hiatus over any twelve week period.

- If a muse reaches three activity warnings in a month, they will be automatically moved to the unfollow list on their third warning instead. If a muse is removed and refollowed three times over the course of six months, they will not be able to be re-followed again and will have to re-apply.

New points opportunity

As of this post going up, muses may now collect one point for every first closed thread with a new muse after it has reached ten posts. This will no longer only apply during events and the ten post requirement is new. Members should be interacting with new muses all the time, not just during events, so it felt right to adjust this accordingly. This applies only to threads started after this post goes up.

Chroma

As schedules have been made quarterly, all remaining Chroma roles will be made available for reserves and applications in at midnight/12AM EDT on April 12.

Suggestions + Feedback

I want to end off this post by reminding everyone that I’m always taking suggestions for events, tasks, etc! I plan on opening an official suggestion submission blog at some point down the line, but I’m happy to take suggestions through the ask box or submit if you have any. I’m also open to feedback as well. If you do send in either of these things, please specify if you’d like a reply from me, since sometimes I might be naturally inclined to keep a message simply giving a suggestion or idea without any questions instead of responding to it.

Thanks for reading this very long update! There are more additions to the roleplay in the works, some I’ve hinted at here and some I’ve not, but I hope Famed’s fifth year is able to be its best one yet!

#fmdadmin #queued post

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raat-jaaga-paakhi · 5 years ago

Text

(D)Evolution of Rukmini-Harana

This I wrote while brainstorming in the beginning of this month to centre my brain on what we know of Rukmini, so I could write her with (dis)regard to the texts. And what I found out in my Ruk-foray, was simultaneously intriguing and repelling. Tagging my Mahabharata people, if you want to go on Rukmini’s journey through the scriptures and the later kavyas (ancient fanfiction, guys) and don’t mind my snarky commentary in between as I try to be as analytical as possible (Warning: Strong Opinions and Wtf Moments!) – @avani008 @parlegee @incurablescribbler @shaonharryandpannisim @ambitiousandcunning @glyphenthusiast @mayavanavihariniharini @allegoriesinmediasres @walburgablack @jigyask @heyifinallyhaveablog @1nsaankahanhai-bkr from the top of my head. Under the cut, for this is detailed.

Mahabharata

Rukmini-Haran legend is outlined in several places: that Sabha scene we all seem to love unanimously, Krishna-Draupadi in exile, Arjuna describing Krishna’s feats, and in Udyoga parva when Rukmi comes to help in the war. Other times, she is mentioned as mother of Pradyumna (in fact, Pradyumna’s name is mostly replaced by “son of Rukmini”). Only details being: Rukmini was meant to be Shishupala’s, Krishna came, abducted her, fought off Rukmi who had taken an oath to not return without killing him, Rukmi builds Bhojakata due to his defeat. Rukmi is mentioned a few times to have learned battlecraft from a kimpurusha Druma (whose name is often written as Drona, eliciting confusion between Dronacharya of Hastinapur), from whom he gets Indra’s bow which is said to be equal to Gandiva and Sharnga.

- BORI CE Mbh, Translated by B. Debroy.

He comes with an akshauini to Pandavas’ camp where he is welcomed warmly enough, until he opens his big mouth and says, “Dudes, if you all are afraid of the Kauravas, I can help!” Insert big, smug smile. Krishna is present, but silent. Arjuna speaks, reminding Rukmi that he sought no help from anyone at multiple times (he goes harcore here *grins*), and wouldn’t need the same now, esp. from one like him. Disappointed Rukmi goes to Duryodhana’s camp where he’s rejected for, er, being the Pandavas’ reject and for his big mouth. Yeah. He, like Balarama, remains neutral. (Interesting that it’s Balarama who kills him, later.)

- BORI CE Mbh, Trans. By B. Debroy

There is no letter, no mention of a swayamvara, no love, nothing, sticking to Mahabharata’s rather dry style, which if stripped of its mystical elements would be a cold, clean historical narrative.

Apology: I am not giving any more screenshots (except for Bhaagavat, because it has some rather nice parts), for this would become…far too long to handle for even me. I promise you can take my word for it.

Harivamsa

Considered an “appendix” (khila) to Mahabharata, it contains the legend of Rukmini in the greatest of details. @parlegee would love to hear that her fic kalyanakirti, where Rukmini and Krishna have an early meeting before the letter and all, does have some solid basis. The legend in narrated in two separate parts: swayamvara and harana. Sadly, the first part doesn’t get into the BORI CE Harivamsa, but that is made understandable by Dr. Bibek Debroy, who comments the Harivamsa editing is indiscriminate and lacking in quality w.r.t. cutting down events, as compared to the precise and thoughtful editing of Mahabharata proper, at the very beginning of his translation. Thus, the omission, I guess. I am giving a rundown for this is what we will refer back to as we compare the later versions. (For reference, go to Mahabharata Resources online.)

Swayamvara part –

Rukmi arranges for Rukmini’s swayamvara, calling his boys and excluding Krishna (ofc), of which Krishna gets wind and arrives in class with Garuda. He is welcomed—notedly not by the king, as opposed to rules of hospitality—by his relative/father Kaisika, outside of the capital of Vidarbh in Kaisika’s own city.

Quite strangely, Kaisika and his brother Kratha offer Krishna their city; there is even some messenger fanfare with Indra.

Comment: This seems like something of an interpolation to me (it’s politically and intellectually stupid okay – why would krishna need to abduct rukmini with such pains if a part of vidarbha was already his. he could have been more politically subtle and all. it’s just horrible statesmanship), and part of the avatar-vaad or “make Krishna a god so that we can cloak his philosophies and ideas with the veil of god’s incomprehensible lilas so that no one can hope to emulate him and his decidedly non-brahmanical approach, and so they wait for his next appearance while the world burns” propaganda. Shut up, Medha, you’re going to be killed for this. Nah, brain, I will speak my truth.

Meanwhile, Jarasandha and his cronies come to know of Krishna’s arrival, get “afraid” and there is this huge-ass, strange, contradictory conversation. Jarasandha and Sunitha (read: shishupala. yeah, boi had this other, nicer name) are primarily of the view that Krishna is gonna fight them, while Dantavakra (hm, isn’t he another of krishna’s cousins?) opposes that. Shalva and the others also expressed their ideas. The exact point of this conversation is highly inscrutable because, (not) strangely, the conversation is shrouded by them praising and glorifying their arch-enemy as the “lord of the universe” and what-not. (wut? why do you all constantly fight him if you know “who he truly is” and so on? are you masochists, guys – i am seriously concerned. your opponent is apparently vishnu yet you go on fighting him knowing you’re gonna be defeated. what’s the point? medha, stfu) I mean, a professional, grudging admiration for a fellow warrior is fine, good even, but what’s this BS?

The next part is even more laughable, which I didn’t think was possible. They hear of Krishna’s “coronation” and except Rukmi, everyone attends it, even Jarasandha. Huh? Jarasandha who laughed in Krishna’s face in Mbh, called him a coward cowherd (love alliteration) outright so many times in both Mbh and HV . . . I don’t understand any of this. Is it fear for the one person you cannot seem to properly defeat? Are you trying to keep peace, because that’s ridiculous when you have gone on offence so many times. Is it that you are “honoured” to be part of such an important moment in your arch-enemy, who also happens to be “Vishnu’s poorna avatar”?

Then comes a truly interesting part – Bhishmaka and Krishna have a talk. Bhishmaka thinks it’s better to offer Rukmini to Krishna outright and that swayamvara is a stupid thing – whether it is this particular one Rukmi has arranged, or swayamvaras in general, is kinda unclear. For the sake of Bhishmaka, I will go with the first. He apologises to Krishna for not inviting him to the swaymvara for he is helpless against his ignorant son (I guess the ignorance relates to “the true form of Lord Krishna” here) and…hm, this is both exciting and…controversial? Krishna rebukes Bhishmaka quite strongly about letting Rukmi treat him as a doormat and what-not and I would be heart-eyes for he’s technically defending Rukmini in some weird, chauvinistic manner, but . . . is he? His tone is rather peculiar, if you read it. He ends his little tirade with saying that Rukmini is Lakshmi reborn and as such, meant only for him, and technically demands to dismiss the swayamvara. And then, he just…leaves with Garuda. Form your headcanons, guys. This is just too weird.

Bhishmaka is sweet-and-obedient little devotee now and does as he is told. Interestingly, this is before the formation of Dwaraka, for it is here, after the Rukmini’s swayamvara is postponed that Jarasandh and his cronies hatch the plot to use the foreigner Kalyavana to kill Krishna. (just now you attended the boy’s coronation ceremony, usually attended by allies and friends, and praised him as lord of all…make up your minds, guys)

Also, it is here that Rukmini makes up her mind to marry Krishna. Hm, a little meeting, particularly the one you wrote, Maya Di, is extremely likely!

Harana part –

After Kalyavana’s death, Jarasandha’s failure and Dwaraka’s formation, Jarasandha decides to have Rukmini married to Shishupala, just like that. Here is also said that Rukmi had gained celestial weaponry and the Brahmastra (woah!) from Druma and Parasurama respectively. Hm, looks like he was quite the excellent warrior. It isn’t specified if Parashurama only gave him the celestial weapons or taught him as well like he did with Karna – both are different things. But hey, why do people keep going to Parasurama specifically for Brahmastra? I feel bad for the big guy. [Also, here comes this strange issue, Parasurama is, by Karna’s words as well as popular perception, supposed to not hold any sort of guru-ness towards Kshatriyas, which is why the latter had to lie in order to learn from him, considering Suta is an inferior division of the main Kshatriya varna. But that’s topic for another day, Medha.]

Okay, so it is mentioned that Rukmini and Krishna both longed for Krishna, and though there’s no dialogue, it appears that Rukmi knew of this, for the text goes on to say why Rukmi won’t accept this marriage – his enmity with Krishna due to the latter killing his friend Kamsa who also happened to be son-in-law of beloved Jarasandha etc. The text says that with Jarasandha and Shishupala, also came the allied kings Dantavakra, Paundraka, and the kings of Anga and Vanga. [This…is markedly curious. Surely by this time in the epic, Karna was crowned Angaraja? For it not to be so, Krishna would have to be much, much older than the Pandavas, chronologically speaking, which is the headcanon of a popular modern writer Ashok K. Banker. But Yudhisthir and Bhima are considered Krishna’s elders many times in Mbh. There is also this strange friend/frenemy-ship between Karna and Jarasandha as they have a kind of stalemate in a fight and Jarasandha, pleased, offers Karna a city in Anga, Malinipuri, if I remember right. Does it mean that not all of Anga was under Hastinapur’s influence? Again, Medha, to dissect another day.]

Now, “to please their aunt” (Shishupala’s mother Shrutashrava), Krishna comes with Balarama and other Vrishni heroes, all welcomed by Kaisika and Kratha. Upon seeing Rukmini in her journey to pay obeisances to Goddess Indrani, Krishna, er, cannot control himself and decides to abduct her, in consultation with Balarama and others. To note that (i) even though the text expresses both their desires to be with each other, it seems like an impromptu decision to abduct Rukmini, almost as if in lust (at least, that’s what the text makes it sound like); (ii) there’s none of that “coming alone in a hurry after getting her letter” event, as per Harivamsa. He comes quite prepared, and even consults with the other Kshatriyas before going for it.

You know the drill now: Krishna abducts Rukmini as she finishes her prayers and Balarama defeats all the guards. Krishna then puts the responsibility of the war on Yadava heroes like Balarama, Satyaki, Kritavarma, Gada, Prasena (is this that same Prasena of Syamantaka incident?) etc. and sets out for Dwaraka with Rukmini. At all this, Jarasandha and his cronies Shishupala, Dantavaktra, Paundraka, kings of Anga (again!), Vanga, Kalinga and others decide to kill Krishna in a joint attack. There are small descriptions of these following duels – Satyaki vs Jarasandha, Akrura vs Dantavakra, Viprthu vs Shishupala. Shishupala, after being attacked by Atidanta, Gavesana and Brhaddurga (who are these people, gosh) kills Virpthu’s horses and beheads Brhaddurga. Balarama kills the king of Vanga and then attacks Jarasandha. All this results in the defeat of Jarasandha and his cronies.

Hearing this, Rukmi vows before Bhishmaka and if he can’t kill Krishna and bring Rukmini back, he won’t return to the capital Kundina. Note that the next part of his vow, bringing Rukmini back, isn’t mentioned in Mbh proper. He leaves, accompanied by Kratha (that devoted guy?), Amsuman, Srutarva, Venudari and Bhishmaka’s other unnamed sons.

Rukmi sees Krishna-Rukmini standing on the banks of Narmada (aw, what are these two love-birds doing on a riverbank, that’s so romantic… Medha, stop). [Also, as I argued with someone on Quora, had it been a forcible abduction, without Rukmini’s consent in any way whatsoever, considering the letter is not in HV, they wouldn’t be standing there on a riverbank, resting and doing hell-knows-what. It’s a logical fallacy, sorry.]

Seeing them together, he gets even more pissed and wants to kill Krishna in a dwairatha (dual chariot) fight. Cool stuff. Both archers fight. Krishna kills his charioteer and cuts off his chariot-banner. [What’s the thing with this? Why even bother? If you are making a statement then stop, we know who’s gonna win. Even if you didn’t win the fight, the texts would still claim you the winner. Medha, stop, you are supposed to love the man. Yes, the man, not the god men have created as a horrible substitute for the real thing. Why am I saying this now? This is a very normal archery feat if we see Mahabharata’s war parvas.] He defeats all the Vidarbhan warriors and kills many. Rukmi is not a doormat. He retaliates, cutting off Krishna’s banner as well (the garuda one! wow, boi), hurts both Krishna and his charioteer with his arrows. [Aw, and people say Arjuna only won his duels because of Krishna being his charioteer. Dude, look at this. I mean, these people straight out claim him to be God Incarnate and yet, they can’t completely smoothly modify a fight scene to suit their purposes – how sweet. Stfu, Medha.] Krishna then cuts Rukmi’s bow. [The Vijaya one? Surely Rukmi is not fighting such a serious fight without it. If so, wow. You just cut Indra’s prized bow – you really have a strong issue with the guy, don’t ya? Yeah, I feel you.]

Rukmi picks up another (here’s to perseverance), which Krishna again cuts off and crushes Rukmi’s chariot. Now Rukmi rushes at Krishna with a sword (gotta give, guy’s relentless) which Krishna cuts off and uses a sharp weapon called naracha on him which hurts him enough to render him senseless. The remaining soldiers run away. Rukmini’s pity aroused, she pleads for Krishna to spare her brother. Krishna lifts her up and reasures her (awww *waves shipping flag, completely ignoring the falling at his feet part*), then assures poor Rukmi of his safety (who seems to have woken up from his swoon by now, poor boy must have been so tired…why am I feeling so bad for Rukmi? I hate the guy! Btw, I can so imagine Krishna being cheeky here). He returns to Dwaraka with Rukmini, accompanied by Balarama and other Yadavas and his wedding his celebrated there.

There are no later versions of the legend in other texts that tally with the first part (swayamvara) seen in Harivamsa. There’s no love letter, no shaving hair-and-moustache. Let me tell you guys here only, for I don’t want to repeat this, there is no Madhavpur Ghed in the texts I have encountered (and they’re quite a bunch, as you’ll see).

Note: The evolution or composition of Mahabharata and Harivamsa are considered by old and modern scholars alike to have gone parallely, so the insertions of Rukmi’s details, his guru Druma, his bow Vijaya, etc. which seem to exactly match Harivamsa, may have been addded after that part of Harivamsa was written.

Vishnu Purana (about 300 BC-450 CE)

Rukmini-harana is narrated very shortly here, whereas in Harivamsa, it takes up a few chapters, being one of the most prominent parts of the text, as compared to Krishna’s marriage to his other wives. The entire swayamvara part, from Krishna’s “coronation” to the postponement of the swayamvara is missing here. From the harana part as well, Rukmi and his celestial weaponry, worship of Indrani, consultation with Balarama and other Yadavas before abduction, seeing Rukmini-Krishna along Narmada, details of the fights, aren’t present. Again, no love letter (though, even this extremely short version of a few mere verses speaks of Krishna and Rukmini’s mutual love), no shaving. However, it doesn’t deviate from the “original” in Harivamsa as well; it only clips away the details as if deeming them unnecesary in the larger context.

Matsya Purana (about 200-500 CE) mentions her among the Ashtabharya, here listed as – Rukmini, Satyabhama, Satya, Nagnajiti, Gandhari, Subhima, Shaivya, Lakshmana. [argh, we’ll talk about this later. just know for one that this is clearly not a very…right list, and not only in popular perception. jambavati isn’t mentioned; satya, nagnajiti, gandhari and lakshmana are having an identity crisis amongst themselves. basically, the text(s) is (are) only sure about rukmini and satyabhama. pardonable, for they happen to be krishna’s most famous wives. i feel so bad.]

Bhaagavat Purana (about 500-1000 CE)

Oh, yeah, this one is interesting. Unlike Vishnu Purana, Bhaagavat is all about the details. (reminds me of amitabh sir in badla every time i say this word.) There are omissions as well, for Rukmi and his celestial weaponry, Bhishmaka’s lineage, etc. are not mentioned. Let me go by points of difference only, since the main story has been explained in Harivamsa.

We get to hear the names of Rukmi’s younger brothers, only mentioned in HV – Rukmaratha, Rukmavahu, Rukmakesa, Rukmamali. We come to know Rukmini heard of Krishna from bards and decided he would be her perfect match. (Despite Bhaagavat’s devotional fervour that distracts from the main events, I love its version so much better in so many places.) Similarly, hearing of Rukmini’s knowledge and beauty, our boy pines for her. The relatives shipped Rukmini/Krishna as well, but only Rukmi seems to be against it, who arranges her marriage to Shishu. Learning of this, Rukmini sends a faithful old brahmin to Dwaraka with her message, who is received respectfully by Krishna. In her message, she…well, makes me fangirl. Interspersed between what seems to be fanatically devotional love for her “lord”, Rukmini calmly devises a straight and firm plan for him to follow, from the going to the temple of Girija (not Indrani, here) and the Rakshasa vivaha, telling him “not to worry” and all, and also adds a little…threat, in the end, that if he doesn’t do so, she will give up her life by fasting. Neat.

- Srimad Bhaagavat Purana

Krishna, “in love and excitement”, says that he too has been spending sleepless nights pining for Rukmini. Aw.

- Srimad Bhaagavat Purana

Added this to say, here’s the implicit metaphor of Jarasandha and his cronies being the kindling and Rukmini the diew generated by churning them. (Why am I thinking of Samudra-manthan?)

Here, Krishna doesn’t bring Balarama or any other Yadava hero with him, straight going to Kundina on his chariot with his charioteer Daruka and the brahmin, and apparently reaches within one night (which is realistically impossible, except if he had something like Pushpaka, which is not so here). There’s lot of description of pre-wedding things, where the only thing striking me is the phrase “Rukmini with fine teeth”. (I can just imagine her baring her teeth at Rukmi’s back, uff.) As Shishu sets out from Chedi with Jarasandha and his cronies who have developed a “stratagem” to kill Krishna, Balarama comes to know of the plot and sets out after Krishna with the Yadava heroes, moved by his affection for his bro. Exasperated elder brother, here he is.

A despairing Rukmini is informed by the brahmin of Krishna’s arrival in Kundina, she thanks him. Bhishmaka comes to know of Krishna and Balarama’s arrival, whereas in Harivamsa, it was Kaisika who welcomed them. There’s also this huge gathering of Vidarbhans to see Krishna and they decide that only he is fit for their princess. That’s so sweet. After worshipping Goddes Ambika/Girija, asking for Krishna to be her husband, Rukmini returns very slowly from the temple, her beauty so bewitching that a few kings “fall down from their horses, elephants, chariots”. Omfg! Lol. Krishna abducts her in presence of all those kings, who rebuke themselves and shower arrows upon Krishna, seeing which Rukmini laments in fear. Krishna consoles her, the Yadavas march against the kings; Jarasandha, Shishu and their friends have to flee to save their lives. No details are given, as compared to HV. Here, is a very interesting segment, where Shishu laments about having “lost” Rukmini and Jarasandha consoles him in a strangely fatalistic manner:

- Srimad Bhaagavat Purana

Comment: Jara actually doesn’t sound insane or just fatalistic here, imo. He sounds...manipulative af. Don’t think that was the intent of the writers (more likely it was just to forwards the idea of fate and futility as opposed to true action), but that’s what it sounds like to me. Worthy opponent for Krishna, if you ask me.

Now, there’s that drill with Rukmi and his vow, except here, he’s said to have taken an akshauhini of men. When he sees Krishna-Rukmini (no Narmada river here), he verbally insults Krishna unlike prev. versions and then attacks him.

- Srimad Bhaagavat Purana

(Even the abuse here is mild, compared to Mahabharata. I mean, think of the dice game, the Shishupala-vadha parva and so on! But still, Bhaagavat retains class, even as it propounds avatar-vaad, fatalism and fervent devotion.)

The description of battle here is more intense and long-drawn (compared to the main Yadava battle fought against Jarasandha and his cronies), with Krishna cutting down Rukmi’s banner, and then breaking three of his bows. Rukmi uses various kinds of weapons on Krishna – Parigha, Pattisa, Tomara, Camra, Shula, Asi, Shakti, etc. but Krishna remains steadfast in his defence. Rukmi then picks up a sword and rushes at Krishna; there’s no mention of Krishna having killed his charioteer and crushed his chariot. Krishna descends to thebsword-fight and brandishing his own, breaks Rukmi’s sword too. Now you know the drill, falling at his feet and all, our Rukmini. (Don’t roll your eyes, Medha.) Now...it’s in Bhaagavat we see the disfiguring first, Krishna deciding to give him some sort of light punishment, shaving off his moustache, beard and hair unevenly.

There’s another alteration here, that Balarama comes to see this and rebukes Krishna for humiliating a relative. Rukmini is apparently inconsolable and he offers Rukmini a patronising (if sensible philosophically in many places) discourse, starting with a more political note of “the conduct of Kshatriyas is hard and merciless where brother kills brother” and continuing with a lengthy philosophical lecture of the body and the soul, as in in tune with Mahabharata’s Gita, to a marginal extent. Rukmini attempts to calm down, and they return to Dwaraka. The marriage is well-described, with the addition of kings with intimate relations invited – from Kuru, Srinjaya, Kekeya, Kunti races and Vidarbh as well! Hm. Interesting. As is the inconsolable Rukmini, described earlier, which finds no mention in earlier (or a few later versions). Is it so hard to imagine a “difficult woman”, in Nikita Gill’s terms? Does she have to be a wilting flower, even though it breaks off from her prev. characterisation? I mean, she can sure be miffed at it, but for her to be so disconsolate that Balarama out of all people has to offer a huge-ass philosophical advice. Sigh. Basically, Bhaagavat more or less presents it attractively by way of supplying more materials to the story (the greatest and most landmark being Rukmini’s letter), even while it ignores some other details (like Narmada).

Brahmanda Purana (about 400-600 CE) doesn’t delineate the main legend, but Rukmini, the princess of Vidarbha, is mentioned as Krishna’s principal wife, along with the names of their sons and daughter.

Padma Purana (about 400-1600 CE)

Points of difference:

Brothers’ names apart from Rukmi not mentioned.

To fulfil her desire to marry her “lord”, Rukmini worships the gods from childhood itself and keeps sacred vows. Hm, yeah, go ahead.

Here, her brahmin is called the son of a purohita who is received by both Krishna and Balarama. Rukmini’s words in her message are not there anymore (a format which will be followed by every later version except the kavyas) as opposed to the beautiful plan in Bhaagavat and, they both set out for Kundina. No army of Yadava heroes accompany them.

Rukmini goes to the temple by her chariot rather than by foot, at evening, none of which is mentioned in prev. versions. After the abduction, it is Balarama who singlehandedly routs all the kings headed by Jarasandha, using his plough (Langala) and Musala (…the same weapon they use in the fratricidal war of Mausala parva, incidently; so it has some other source than that “curse” where Samva delivers this “new weapon” called musala).

There’s no mention of Rukmi’s vow.

When Rukmi attacks Krishna, he laughs and defends himself with his bow Saranga, a bow presented by Indra. Keeping with both HV and Bhaagavat, dear Krishna obligingly cuts of Rukmi’s bow, his banner, his charioteer’s head and crushes the chariot. There’s Rukmi with his sword, and Krishna with a sharp knife.

Interestingly, there’s no objection or plea or falling at his feet from Rukmini, but Krishna still doesn’t kill him, letting him go by his own free will. That doesn’t stop him from laughing and shaving the hair on his head, though. The beard and moustache are forgiven.

Despite not having taken the vow, apparently the humiliation is enough for Rukmi to built Bhojkata in Vidarbh outside of Kundina, keeping with all prev. versions.

No Madhavpur again. What’s interesting here, is that Nanda and Yashoda and other cowherds are present in the wedding in Dwaraka, unlike popular perception which says Krishna never met his adoptive parents after having left Vrindavana.

Skanda Purana (about 600-1200 CE)

It is narrated to Yudhisthir by Markandeya about the significance of some Rukmini teertha. Points of difference:

Rukmini’s mother is mentioned to be “Mahadevi”. This could also be a title, since queens were also addressed thus. Rukmini is said to be her second child, younger to Rukmi and elder to the other brothers, whose names aren’t mentioned.

At her birth, there is this prophecy about her marriage to this four-armed divine person by a bodiless voice, kinda like Kamsa’s akashvani. Sure, go on. Marry her to Krishna right as she’s born, why don’t you? It’s destiny after all. Can I add that the previous love affair between Rukmini and Krishna is also not mentioned.

Damaghosha, king of Chedi and Shishupala’s father goes to Bhishmaka with a marriage proposal, more in accordance with a marriage as we see it now as compared to the prev. versions (where Jarasandha and Rukmi are instrumental), as also the prevalent nature of marriage of those days w.r.t. Mahabharata.

These two develop attraction to each other just prior to the abduction, in the vein of Harivamsa, but Harivamsa does speak of mutual pining long before the abduction.

The brahmin messenger, the role or even the name of Jarasandha, Rukmi’s fierce vow – nothing finds mention.

Unlike prev. versions, Krishna and Balarama are invited by Bhishmaka to Rukmini’s marriage. No other Yadava hero is mentioned to have accompanied, similar to Padma Purana.

It brings back the river Narmada, where Rukmini and Krishna were resting and Rukmi stumbled upon them, which is only found farther back in Harivamsa.

Now, the battle with Rukmi gets interesting here. There is no archery or even swordfight; rather, Krishna takes his chakra to battle. Fearful, Rukmini asks Krishna to bless her brother with the “divine eye”. Krishna obeys, “pleased” by Rukmini. Rukmi’s ignorance taken away, he offers auspicious prayers to Krishna, who, pleased at the brother this time, blesses him and speaks “blissful words”. Rukmi happily goes back to Kundina. No Bhojkata, no insult, no killing or fighting.

Even the marriage isn’t celebrated in Dwaraka, but on the very banks of Narmada, in the presence of pious sages and other brahmins.

A long explanation of the significance of Rukmini tirtha is given in details, which we don’t find in prev. versions and which I have no energy to go over, for it isn’t significant to either the topic, or even Rukmini in general.

In a nutshell, Skanda Purana takes a decided and marked departure from the martial, the political and the more realistic, to the more mystical realms that have surrounded Krishna and his actions. Do we see a pattern here?

Brahmavaivarta Purana (about 700-1500 CE)

God, I hate this one so much. In a nutshell, guys, it goes several steps ahead of Skanda Purana and goes for a classic social marriage, as is prevalent nowadays. There’s no abduction, no Shishupala, no love, no resistance from Rukmi, no agency from either the bride or the groom. Nothing.

[Instead of Rukmini-harana, or even Rukmini-swayamvara, the headings become “Rukmini Udvaah Prastaav varnan” (description of proposal of Rukmini’s marriage) and then, “Rukmini Vivaahe Yuddham” (fight in Rukmini’s marriage). Credit where credit’s due, I learnt from an online friend about the Sanskrit titles.]

No message is sent by Rukmini, but a brahmin messenger does go with a proposal of marriage. He is sent by Bhishmaka instead of Rukmini. What’s more, the letter was addressed to Ugrasena, and it’s not Krishna, or even Balarama, who receives the proposal. It is Ugrasena, stepping into the limelight where before he had no role to play except that of a figurehead and a tortured father as per the texts.

In Kundina (described in detail for the first time, with the classic mahajanapada-style ditch around it), Krishna and Rukmini have a nice social marriage, presided over by all the elders and kings, with Bhishma, Drona, Duryodhana etc. and the Pandavas in attendance. Again, no mention of Jarasandha, but there’s a fight between Balarama and Shishupala, Dantavakra, Rukmi and Shalva, ending in a sorta mysterious, inconclusive defeat.

How interesting is it, that Brahmavaivarta is a text dedicated to, er, Radha-Krishna, an idea that didn’t exist until the Bhakti movement. So they just decide that no, such a daredevil mariage between lovers won’t do. It has to be society forcing these two together (rather than apart, as we see in Mahabharata et al), because it is Radha and Krishna whose relationship is against society, the rebellion of rebellions in the name of true love nd devotion, blah-blah. Forgive my tone, please, but I am pissed off, ‘kay?

The concerted effort to make everything in Krishna’s life, except Radha (oh, because they are the Supreme in Goloka, which is even above Kailasa and Vaikuntha, and nothing can separate them and all), socially acceptable because he’s their “God” who can do no wrong except if in “true love for Radha” (when the dude clearly rebelled against society any chance he got) is ridiculous. Esp. this! Damn, don’t make my girl into this insignificant little thing. Harivamsa and Vishnu Purana were silent about Rukmini’s letter too, but at least both mentioned clear attraction and interest between Krishna-Rukmini.

Digressing: Also, why is Krishna such a sap here, suddenly? Or why does the Radha-Krishna pairing (which originally symbolises the Jeevatma-Paramatma or devotee-god relationship,) need Krishna to chase her ceaselessly and for all his actions to lead up to her, despite him advocating being a man of action in the real world? I am sorry for being so vocal; it’s probably just my pent-up frustration from that horrible Radha-Krishna serial where this Krishna (gosh, I can’t even call him that!) finds a reason to cry every single time. I would have forgiven it had they cut off the Vishnu’s avatar perspective and kept only the lover boy part, but they keep it and they still make him a crybaby. What’s worse…at the times he should actually feel bad, he’s “calm” af, looking as if he has transcended every human emotion, and just patronises people. Such hypocrisy. Look, I have nothing against men who cry; in fact, it’s heartening to have men strong enough to embrace their emotions, esp. publicly; similarly, there is nothing wrong with suppressing them (apart from the mental health issues it generates, but we are no one to judge). But people, when you are making an omnipotent, omnipresent, omniscient character…keep the BS consistent at least?! (Sorry, civility.)

Agni Purana (about 800-1100 CE) only mentions Rukmini as one of the eight principal wives.

[Devi-Bhaagavata Purana gives a brief outline sticking to what’s known. It says that in Rukmini’s swayamvara, Shishupala is specifically invited (this is the popular notion, and what I personally believed too, and still find myself going for). Krishna, with Ugrasena’s permission (not mentioned in prev. versions; as opposed to consulting with his fellow warriors in HV), takes Rukmini in Rakshasa vivaha. It also mentions that he later married Jambavati, Satya, Mitravinda, Kalindi, Nagnajiti, Bhadra, Lakshmana. (Satyabhama is not present. She seems to have been confused with Satya, whose other name is Nagnajiti, princess of Kosala.)

Kalki Purana goes for this elaborate Rukmini vrata which grants desired husband to a lady as a fruit of the vrata, where Rukmini is accorded deity status alongside Krishna, seemingly for the first time (not considering the temples dedicated to both). A woman named Sharmistha (strangely similar to Sharmistha of Yayati, Puru’s mother, who too hankered after Yayati) offers oblations to Rukmini-Krishna, saying a prayer: “O Lord, offerer of boons, accept the camphor, molasses and sandalwood with your beloved Rukmini, princess of Vidarbha. O lotus-eyed one, possesor of pitambara and four arms, supreme of gods. Please be satisfied with me and protect me with Rukmini.” It’s far longer, but this is the gist. Is this still Krishna we are speaking of? Huh, all these rituals and Krishna don’t sit well.]

I have only been able to catch hold of so many texts, and of the others, Markandeya Purana (about 250-700 CE) and Shiva Purana (about 1000-1400 CE) do not even mention Rukmini. Mudgala Purana only says Lord Krishna had 16,008 beautiful wives and washes its hands off.

Note: Mathematician and Vedic shastra writer Baudhayana cites Rukmini/Krishna as an example of Rakshasa vivaha.

Sanskrit Literature

So after the Puranas kinda close off the (d)evolution with turning such interesting stuff to the dry social marriage w.r.t. to the parallel evolution of Radha-Krishna, where the concept of Krishna shifted completely from a socio-political persona with mild godlike touch to become a complete love god (as also the lord of the universe)… Rukmini rises again in later literature, of what, by modern standards, would be ancient fanfiction. Lol. There are loads of poetic descriptions (think Kalidasa) that embellishes the narrative – for example, the beauty of sunrise described for paragraphs onto paragraphs. (Yeah, I skimmed those. I was too interested in some Rukmini action. Will appreciate the poetry later.)

References are made to the Rukmini-haran incident in Shishupala-vadham by Magha in around 600 CE, in the 2nd canto, where Balarama, Krishna and Uddhava are in conversation, planning to kill Shishupala. (I hate this.) The entire canto is full of controversial speeches. Balarama refers to Krishna abducting Rukmini from her swayamvara and defeating Shishupala as being the latter’s prime reason for animosity, saying things like “women are the root of all enmity”.

It is referred to in Bhavabhuti’s Malati-Madhav as well, a love story between Malati and Madhav (son of a Vidarbhan minister), where in a convo between friends, a lady says something like “Purushottama Krishna accepted Rukmini, the mother of Kandarpa (Pradyumna being considered Kama’s rebirth), at her self-choice (swayamvara) ceremony”.

There is Bhagavata-Champu (don’t laugh) by Ananta Bhatta before 1500 AD and Sri-Gopala-Champu by Jiva Goswami. Both show their retellings to be derived from Bhaagavata purana (I’m so glad). In fact, in some places, like Rukmini’s letter and Balarama’s consolatory speech after Rukmi’s humiliation, the lines (as per the translated hardcopy in my home) seem to have been picked up directly from Bhaagavata. So it must be that the original Sanskrit lines were as well. The only thing that differs in Sri-Gopala-Champu is the premise of the story. Two messengers from Krishna tell the story to Nanda, Rukmini’s attributes coming up in the conversation. Radha and her fellow Gopis are mentioned as being present and eulogised. (Can no one let my girl have a moment?) But I love these few lines from the convo. The listeners speak thus (not the exact translation, but I don’t have the book rn):

“Although a girl, she is very intelligent and brave.”

“Is she a girl?” (Omfg, I laughed so much at this)

“No, never. She is a tense female elephant.” (The comparison is aimed to be praising of the confident, slow gait of an elephant in Sanskrit poetry, not in the modern way a woman might be called en elephant. Warriors and great women hav often been compared to elephants. There also seems to be an oxymoron as she is described as being tense or edgy, perhaps an allusion to being cautious…Hm, the spy headcanon, @avani008 and @allegoriesinmediasres? *grins excitedly* Oh, we’ll take anything, won’t we?)

“She is fearless, because she is a princess.”

Intelligent, brave, fearless, cautious…oh yeah, all my personal headcanons too.

Other Sanskrit works are as follows, to the best of my knowledge, some gathered from my grandparents and some from friends. I don’t know if their online versions are available, will have to see.

Bhaismi-Parinaya-Champu by prolific poet Ratnakheta Srinivasa Dikshita (South India) around late 16th century. also based on the Bhaagavata version. His son, renowned scholar Rajachuramani Dikshita wrote the Rukmini-Kalyana-Mahakavya (flourished in late 16th and early 17th centuries), possibly one of the most important Sanskrit works on the incident. This one, I unfortunately haven’t read, but have heard about from my late eldest grandfather. Two whole cantos take up Krishna’s mental affliction and pining in a pleasure garden of Dwaraka at the thought of his beloved Rukmini. Aw. Basically, Sanskrit poetry used to be all about elaborate descriptions and comparisons which would veer far, far away from the context, which in these times would be considered redundant and unnecessary. I agree, sort of. I would rather read about political machinations, rather than devotional poetry that distracts us from the issue at hand, thank you very much. Stfu, Medha.

We have Parvati-Rukminiya by astrologer poet Vidya Madhav in late 17th century, which narrates two marriages at a time – Shiva/Parvati and Krishna/Rukmini. Rukmini-Parinaya was written by Ram Varman of Trivancore in the middle 18th century.

Rukmini-Haranam-Mahakavyam, by Kashinatha Sharma Dvivedi, was published first in 1966 AD. (This one, my eldest grandmother straight up read to me, Bengal-ising it while she read. It was arduous, but I was old enough to bear the long hours.) Here, we find a few deviations from Bhaagavat – We find a long description of Rukmini straight up from birth to youth (yikes, that’s what I was attempting to do in my Yugantaram fic). It’s not a lot of characterisation, though – mainly dramatisation, if I remember correctly. (Unfortunately, I don’t know if we have that book any more.) The second canto has a description of Narada, who comes to Bhishmaka’s court bearing Krishna’s tales, which we don’t find in prev. versions, and who appears in the first canto of Magha’s Shishupala-vadham as well. In the third canto, Rukmini, hearing all this, falls in love and is treated by the royal physicians and offered consolation by her friends. (Here’s to one of my best-beloved lines of Hema’s Meerabai, ‘Is love an affliction, that you can cure?’) The next four cantos dramatise and stretch this love-struck Rukmini – with lovely descriptions of the moon, the seasons, the royal garden, etc. The next three cantos describe Rukmini’s marriage being fixed to Shishu by Rukmi, her sending the brahmin messenger to Krishna, a vivid description of Krishna’s beauty (as a young gal, I fell in love with that, yeah, I know, sorry) and an equally beautiful description of the dawn (which may be compared to the description of dawn in Shishupala-vadham by Magha… people are really fond of poeticising political and social issues to hide their significance behind glamour. Medha, stop). In the next canto, Krishna begins his journey to Vidarbha with obeisance to Lord Shiva, which isn’t present anywhere else. It is worth mentioning that the poet also starts his epic poem with salutations to Shiva as well, and states that he composed the entire poem with the grace of Lord Shiva. There’s a lot more descriptions, along with the deviation of Rukmini being guarded on orders of Shishupala rather than those of Rukmi, but the skeleton is all Bhaagavat. Sharma Dvivedi has been inspired heavily by Magha. It stands that his Rukmini-Haranam-Mahakavyam is the most successful rendering of the legend.

It has come to my knowledge that there are other Sanskrit literary works on these two as well but…I just don’t have the energy, sorry. There is a time and place for poetry and devotional fervour. Let me just say, with absolute relish on my side, that it is the Bhaagavat version that is preferred by our predecessors unanimously and all the Sanskrit literature is based on that. Personally, my go-to is Harivamsa and Bhaagavat as well, especially since they have the oldest layers of puranic text. I mean, just imagine, if all later retellings had been based on Brahmavaivarta rather than Bhaagavat. There would be no Rukmini-lovers at all! I mean, the first love does start from the most popular version, after all. It never fails to intrigue me, how legends undergo these modifications, and none of it is a coincidence.

Much love,

Medha

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banxson · 5 years ago

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jungkook as a boyfriend (long):

a/n:

since i am currently writing a jungkook social media au, i thought it would be fun to make a headcanon of bf jungkook. this post and the au does not go hand in hand at all. the masterlist to my au is in my bio, please give it a read :) (this prolly the worst self promo ever lol).

if you do want any other headcanon of the boys as a boyfriend, please let me know.

meeting the boys:

so basically, you were one of jimin’s closest friends.

you guys didn’t hang out as much as you used to because of his popularity and schedule.

he also wanted to keep the rest of the boys as far away from you as possible since he saw you as a little sister and felt like he had the duty to protect you.

clearly that didn’t go well.

you knew where their company’s building was, so you decided to give jimin a visit.

you weren’t sure if the other boys were there, but your guts told you that they most likely will be there.

so when you first walked in, jimin was stunned.

homeboy was happy to see you but also nervous because this would be the first time you would meet the rest of the group.

the group and you both knew how jimin wanted to keep you separate .

when the boys first saw you, they were confused.

but then they realized who you were and shouted out for you.

they all hugged you and guys introduced yourselves to each other.

jungkook was the one that caught your eye the most.

he was more shy and introverted than the others.

he barely made eye contact with you and spoke lowly as well.

jimin eased into the idea of you being friends with the boys.

he suggested that after practice, all 8 of you can go grab some dinner.

everybody liked the idea and you sat in the corner on a chair and waited.

through the mirror, you and jungkook would glance every couple of seconds or so.

he would look down shyly while you were glance over to the rest of the boys.

once their practice finished, you guys grabbed dinner near their dorm.

usually, girls would nervous to eat in front of guys, but that wasn’t you.

you stuffed the hell out of your mouth and they were genuinely surprised that you didn’t try to hide it.

because of that, you quickly bonded with jin since he is a huge foodie himself.

becoming good friends with the boys and jungkook:

over the course of a few weeks, you had gotten closer with the boys.

you were always hanging out in their practice room daily.

you would bring them food over sometimes if they stayed late.

they all considered you as part of the friend group and little sister at this point.

except jungkook.

homeboy grew a massive crush on you.

i mean little did he know, you felt the same way but lets not get to that just yet.

there would be times where you didnt hang out together at once.

for example, there was a day where you went out with jin to some new. restaurant you were interested in trying.

another day you went exploring with taehyung for pictures and to the museum on the way.

on a particular day, jungkook asked you to hang out.

he didn’t specify if it was a date or not, so you didn’t assume it.

you both went to the movies and then a carnival.

he even won you those teddy bears girls usually get in the movies.

he was a bit more open than the first time you met, but not completely.

you basically got closer and closer since that hang out,

you guys did talk about a lot of things when he walked you back to your complex.

that day, you knew that you had feelings for jungkook.

confessing:

jungkook definitely knew he liked you from the moment he met you.

at this point, the only people who knew you liked him was jimin, tae, and jin.

you were the closest with them and they already knew you well enough to know.

all the boys knew he liked you, he would make it so obvious

he would always somehow find a way to talk about in a conversation

there was a time when all the boys were discussing jungkook’s good ramen making skills, and he asked if they think you would like it.

he was just so obvious.

always complimenting you.

finding words and ways to make you smile.

i mean, it worked...

the boys finally convinced jungkook to ask you out and confess

he asked you to hang out and to dress nice on the day you met, just 4 months from then.

you did as told and wore blue jeans with a cute sweater since it wasn’t even summer yet.

jungkook had planned a picnic in the park by the water.

he thought maybe that would increase his chances of getting an official date with you.

and it did.

he confessed when you guys were eating dessert.

he was scared out of his mind that he ended up stuttering most of it

“i-i um i- h-have feel-” you get the point.

you found it cute and giggled at it softly which got him embarrassed.

“aw man now you’re laughing at me”.

you reassured him that wasn’t it and that you liked him too.

his eyes lit up so hard you could probably see his reflection in the water.

he then asked you out on an official date and of course you said yes.

dates:

jungkook wanted to take everything slow with you.

which made sense, you didn’t want anything rushed either.

you hung out with the boys daily and sometimes even slept over.

obviously you slept with jungkook in his bed.

the boys teased you and him doing the frickle frackle which both had you flustered.

you guys would wake cuddling together.

which meant

the boys taking lots of pics.

even with flash

jungkook would always cover your face so you wouldn’t get blinded.

so cute of him

you did spend most days hanging with just jungkook too.

when you guys weren’t together, you would be on call or ft when he wasn’t practicing.

if he was, he would of course tell you he would call you after he’s settled back at the dorm.

at this point, every time you guys were out, you had to be careful.

the group was getting more and more popular and the last thing jungkook wanted was you to be involved in the spotlight.

not that he didn’t wanna show you off, he so did.

he just knew you never had the experience and was afraid of how you would handle it.

every date that went by, he planned a perfect one where he would officially ask you to be his girlfriend.

he knew it would be tricky because of his fans.

so he improvised

he rented out a sea-front restaurant.

and also asked the chef to decorate a small cake.

he would have it say “be my girlfriend?” in edible rose petals.

he was going all out, as you deserved.

after dinner and about an hour of laughing, he finally asked for dessert.

you were completely stunned and his face was full of nervousness.

you just grabbed his cheeks by your hands and kissed him.

you nodded your head at the same time.

did that make sense? just imagine it idk.

both of you were incredibly happy.

you broke the news to the boys afterwards.

but not before jin yeeting your leftovers.

you did spend the night, no you didn’t do the frickle frackle.

your relationship:

well this is already mad long and we only up to the actual relationship.

please keep reading if you made it this far, im trying my best LFMAOOO.

as i was saying

the first important thing was keeping your relationship away from the public.

their boss of course knew about the relationship and told jungkook to be careful.

you guys would take a lot of couple pics but never post it.

you were known as jimin’s friend as it is, you didn’t wanna attract more news onto the group.

jungkook was very loving

obviously he was kind of shy in some situations.

but there were two jungkooks

bunny jungkook and daddy jungkook

boy oh boy

cuddling sessions would turn into makeouts.

makeouts would turn into last minute dick appointments.

you had to try to be quiet in case the others boys heard.

didn’t work out that great to be honest.

some days it would be at your place.

some days it would be at the boys dorm when no one but the both of you was there.

some days it would even be in the company building.

and lemme tell you

daddy jungkook >>>>>>>>>

you loved the soft jungkook too

but daddy jungkook just made you feel all types of things

the way he had control over you

the way he would dominate you

followed by aftercare

whew

this boy was IN LOVE with you

always protected you.

teased you obviously.

but in a cute way

after being together for a few months, you decided to go public.

some fans were proud

some...not so much

but jungkook didn’t care

he only cared about loving you, giving you what you deserve, and protecting you.

#bts #bts imagines #bts imagine #bts headcanons #bts scenarios #bts au #bts reactions #bts reaction #bangtan boys #bangtan fanfic #bangtan #bangtan jungkook #bts jungkook #jungkook #jeon jungkook #jungkook imagines #bts x reader #jungkook x reader

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roseskiesandbutterflies · 5 years ago

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Killer Queen - Chapter 10: Dreamers Ball

Summary: Life is easy when things go your way. I know this from experience. I also know that that can disappear in an instant and that you have to be able to rely on your friends. Luckily my name is Arabella Ruth White and I’m the fifth marauder. But I want to show you the girl behind the mask. It takes a lot of work to be this fabulous, darling. (This story is also on Wattpad and AO3 of the same name.)

A/N: So, I recently binge-read all of Lore Olympus on Webtoons and if you haven’t read it, then I highly recommend it. It’s about the Greek Gods (mainly Persephone and Hades) but it deals with some mature themes just to warn you. The chapter title comes from Queen’s 1978 album, Jazz.

Warning(s): alcohol, drugs, swearing, implied sex

Word Count: 4.3k+ (this was one word off of being 4400 words so that’s annoying)

Inspiration: random headcanons I found on Tumblr and Pinterest, The Boy Who Killed God by SeraMGrigori on AO3, All The Young Dudes by MsKingBean89 on AO3, Sweet Things by Cocomouse on AO3

Taglist: @bhmay @briarrose26

Ask to be on my taglist!

Throwing a birthday ball might just have been my best idea thus far, if I did say so myself, and it hadn’t even started yet. I was gradually walking through the doors of the Great Hall, embracing my dramatic entrance for every little millisecond that it was worth. All eyes were on me, as they should be since it was my birthday and I bloody love attention, and suddenly I understood what brides must feel like when they walk down the aisle. The train of my sparkling golden gown trailed along behind me, leaving a stream of glitter in my wake. It had been both a style choice and a way to infuriate Filch when he had to clean it up. Have fun with that, you miserable bastard. The Great Hall was decorated from top to bottom in gold, gold streamers, gold glitter, gold balloons. It was akin to the Emerald City from The Wizard Of Oz but, well, gold. Anyone who was anyone was among the crowd watching me, providing they were at least a fifth year; I didn’t want little kids at my birthday party, thank you very much. The only ones I would even consider would be Rhea and Luke, but they weren’t at Hogwarts yet and right now, I was grateful for that. As far as I could see, everyone had a glass of amber-coloured liquid in their hand, which I assumed was butterbeer for the far majority of people in the hall. Some minuscule part of me wanted to squirm under all of the attention, but I suppressed it as best as I could. I had a reputation to keep up, after all.

You may be wondering how on earth I got access to the Great Hall for my birthday party, and honestly, I can’t blame you for pondering such a thing. It had been a complete stroke of luck which had come in the form of good old Minnie McGee. I’d been explaining my plan for the ball to the lads during one breakfast back in September, yes my plans for it have been in the works for that long what are you going to do about it, and Minnie had overhead while she was walking past our usual spot. I’m quite sure she has some kind of hearing superpower, even though that particular sense should be decaying with her old age rather than growing. And just in case you’ve somehow found this, naturally, I mean no offence, Minerva, so please don’t give me another detention I really don’t want one please and thank you. She’d then gone on to offer the Great Hall for the party but with three conditions. One, she could go and bring Dumbledore as her ‘date’, two, we served nothing stronger than butterbeer and three, we actually worked hard for our OWLs which were just around the corner. Initially, we all thought that she was joking but it turned out that she was deadly serious (naturally Sirius had interrupted her with his classic pun) and that she was, in fact, rather looking forward to going to a party for the first time in a while. James had then asked if she was on drugs, because quite frankly this was one of the nicest things she had ever done for us, and she came very close to whacking him upside the head for even suggesting such a thing. But she never actually denied it, so I still secretly think she does weed. I don’t know about you, but I can most certainly see it.

Now, as you’d expect, I was rather disappointed at Minnie’s suggestion of a near total absence of alcohol, but it hadn’t been long before Sirius, always searching for an excuse to drink to the point where I often wondered if he was addicted, had suggested something quite marvellous: an afterparty. Such a seemingly straightforward idea quickly turned into something so much more. We decided to hold it later on in the night in the Room of Requirement, and only the elite people knew about it and, subsequently, invited. And by ‘elite’, I mean the male specimens I call friends, the females who I love and cherish and a couple of other people. And that was bound to be very much alcohol-fuelled. As long as I had that to look forward to, I could endure a much more age-appropriate evening, just not for too long.

Finally, I reached the platform where the teachers would usually sit during meals, and bear in mind that I had been milking the moment for way longer than necessary, so this did take some time. I cleared my throat for effect before speaking in an impossibly posh voice, “Thank you all for attending my ball this evening. I won’t talk for too long because I would hate to bore you to tears, I’ll leave that job to Professor Binns. Now, Minnie, don’t look at me like that, we all know it’s true. Look, even Dumbledore agrees with me and you can’t argue with Dumbledore. Moving on, I would like to say a couple of things so entertain me for a moment. One, if any of you are caught drinking anything stronger than butterbeer, then I will happily leave you to face the wrath of our dear Minerva on your own, I have no intention of arguing with any teacher tonight.” A few giggles rippled throughout the crowd as well as a few pouty faces from people who were doing a shockingly awful job at hiding mini bottles of firewhiskey behind their backs. It wasn’t my problem, I did say this on the invites I sent out, if they chose to go against that then they would deal with the consequences, not me. I continued, “Two, I hope you all enjoy yourselves tonight and remember, it ends at precisely eleven o’clock, which means don’t hang around. Frank and Alice, I’m looking at you.” The couple in question blushed furiously and Alice gave me a death stare that could rival the one I get from Remus when I gather enough courage to steal some of his chocolate. I then clapped twice to signal the official start of the ball and music began to blast from the speakers I’d linked up to my record player which was enchanted to start playing a record whenever I clapped my hands.

It took a second, but people were soon dancing and mingling and doing whatever else people do at parties. I made a beeline straight for the boys but ignored their greetings, instead, I grabbed two, I wasn’t sure which ones, and, hoping that they were all following if they weren’t being dragged, marched over to the drinks table. I let go of whoever I had been holding to pour myself a much-needed butterbeer, but in a wine glass because I’m classy like that, leaving two boys to rub their arms in pain.

“Bloody hell, Ruth, you could have just asked us to come with you, that really wasn’t necessary,” Remus muttered as he got his own drink.

“Why is your grip that damn strong?” James pouted, whining like the little child that he is.

Sirius just smirked evilly, “I think we all know where she gets her practice with her grip.”

Naturally, I wasn’t going to have that, so I swatted him on the arm as if he was a fly, but then I decided that that just wasn’t enough, so I kicked him in the shin. Not too hard because I was feeling nice for some strange reason, but you get the idea. He then howled suspiciously like a dog, causing us all to give him strange looks that pretty much read dude what the fuck.

Sirius, then desperate to change the subject to literally anything else, went on to ask, “Ruth, are Snivellus and his mates supposed to be here? Because I don’t have a problem with physically throwing them out,” he shrugged.

I sighed, knowing my response wasn’t going to be immensely popular amongst the group. I muttered quietly, refusing to meet anyone’s eyes, “I invited them.” As expected, I was met with outcries and protests from the cloud of testosterone surrounding me, such as but they’re such pricks and why would you want to infect your own party with the human equivalent of the goddamn plague, so I was quick to defend myself, “I didn’t want to! It’s just that Lily said that she wouldn’t go if I didn’t at least give Snivellus the option. But then I worried that he’d hang around Lily the whole time, and I wasn’t going to allow that, so I invited a couple of his friends too. I didn’t think they’d actually show up though,” I peered over Peter’s shoulder to observe him talking to Lily, grimacing at his choice of outfit if you could even call that monstrosity an outfit. I’d specified in the invites that you had to wear muggle ballgown-wear and you had to make it yourself using magic. I guess blood supremacists don’t even want to wear muggle-style clothes these days. They really are that shallow and it surprised me how Lily couldn’t see that.

Sirius huffed and made a comment that sounded like it should have come from James’s mouth instead of his, “Fine, but only because Lily is a treasure and I’m also terrified to death of her.” When he was met with blank stares for the second time in five minutes, he blushed furiously, only just clocking what he had just revealed.

I smirked at him, “Since when were you such good friends with my dear Lily?”

It was just a widely accepted fact that the girls weren’t huge fans of the boys, and while those attitudes weren’t reciprocated by the other side, it was practically unheard of for the girls to be anything more than civil with the boys. Well, only if you don’t count Lily and Remus’s strange friendship. I’d often promoted a union of sorts between my two friendship groups, holding out in my firm belief that some epic bonds could be formed if they just tried, but I was usually shot down with objections of but they’re arrogant toe rags. I think that that’s complete and utter bullshit but each to their own, I guess. I just carried on in the hope that one day they’d come round and see how silly they were being.

While James was appearing to have a mental breakdown right there and then, Sirius slowly explained, “Since a couple of weeks ago? I went down to the common room because I couldn’t sleep and I found Lily and she looked quite upset, so I asked her what was wrong, thinking she would just tell me to piss off or something, but she just burst into tears and she told me a lot of stuff that I won’t tell you because I think it’s private. Anyway, long story short, we had a rather profound conversation at two in the morning, followed by a couple of games of chess because neither of us wanted to go back to bed. We’ve had some rather thought-provoking conversations in Charms because we sit next to each other this year. She’s actually really cool.”

I grinned broadly at him, “This is what I’ve been trying to tell you for four whole years!” We then high-fived because why the fuck not. Remus gave us a look of wholehearted betrayal, which is understandable because he had been assisting me in my quest to get them to appreciate Lily properly, so I gave him a high-five too, and so did Sirius. Then Peter and James high-fived for no reason other than they were feeling left out, as they should be. So, we all looked like fucking crackheads already but that was to be expected of us.

“Anyway, just because Sniv is allowed to be here, doesn’t mean I’m not allowed to fight him the second he does something fucked up, right?” Sirius asked.

“You and I both know you’ll fuck him up regardless of whether I allow it or not, so yes, yes you can. In fact, please do.”

***************

By around midnight we were drunk off our asses in the Room of Requirement, the civilisation of the ball long gone. It was total carnage, although you probably worked that one out for yourself, but it wasn’t all bad seeing as my two friend groups don’t try to murder each other every five seconds when under the influence of my lovely friend alcohol. Most of us were sprawled out on various sofas, still in our ball attire, with Hunky Dory playing on my record player at a much lower volume because our drunk asses couldn’t deal with too much noise. I was lying on a sofa with my head in Marlene’s lap and my feet in Dorcas’s while James and Peter shared a sofa. Alice and Frank were, as I had predicted earlier on, making out in some darkened corner, thinking that they were being subtle because no one was gawping at them. In reality, the only reason we all refused to look was because they were being more than a bit gross and no one wanted to see that, to be frank. Pun absolutely intended. Dorcas didn’t drink because of her religion, which meant she was the only sober one in the room, and that meant it was her job to make sure we didn’t get ourselves killed or anything like that. Lily was actually a bit tipsy, but only due to Sirius’s incessant nagging that she was missing out on the finer things in life. I mean there were certainly finer things than knock-off elf wine we smuggled in from Hogsmeade, but Lily didn’t need to know that. Meanwhile, Sirius was stumbling on a table he’d conjured for this exact reason, wearing Marlene’s stiletto heels and ranting about society’s many problems as he usually did when drunk. Tonight’s topic was for discussion was feminism.

“But why is the world like this? We shouldn’t just accept it for how it is! Shouldn’t we try and change it or something?” he slurred, finishing his drink and promptly refilling it with his wand. Several amens could be heard from almost everyone in the room, as is what happened every time Sirius made a point. It was strongly reminiscent of the church service my mum would drag me along to from time to time.

“Sirius, not that I don’t agree with you, but maybe you should get down before you break your neck?” Lily suggested, looking at him in sheer terror.

He just pouted down at her, “I will only get down when the patriarchy falls, and you girls don’t have to live in fear of boys who have the audacity to call themselves men!”

“If a boy comes anywhere near me, I’ll just smack him round the face, I don’t give a shit,” I piped up, swinging my hand around as if I was actually punching someone, and coming very close to actually hitting Marlene in the face.

“That’s alright though because self-defence and shit,” James grinned at me, running over to clink his glass against mine, then running back to his sofa and sitting down as if nothing happened, leaving me confused, to say the least.

“Has anyone seen Remus?” Sirius suddenly changed the subject. When all he got in response was shrugs and confused looks, he started walking up and down the table like it was a catwalk, shouting, “Remus! Remus, where are you, you little shit? Remu-” he suddenly fell straight off of the table but stood up and brushed himself off as if he hadn’t just nearly died, “Reeeeeeemuuuuuuuus!”

“I think he’s with Idania. I don’t know where though,” Peter offered.

Marlene and I gave each other a knowing look and bumped arms, “I think we all know what they’re getting up to,” she raised an eyebrow at me suggestively.

“Ooooooh, Remus you saucy boy,” I snorted, making James cackle so much that he fell off of his chair and also making Lily fake-vomit so much that I was seriously expecting her to actually throw up right there and then.

I think it’s important to update you on the whole Idania-Remus situation. It’s been a tricky one, I won’t lie to you about that. They only started talking again a couple of days ago, making it nearly three weeks of silent treatment from both parties. Even I thought that that was a bit much, and we all know that I can be a dramatic little shit at the best of times. After copious amounts of persuasion from us, way more than would have been necessary if he wasn’t a stubborn bastard, a rather miserable Remus had finally apologised for some things he’d said in the heat of the argument that he hadn’t really meant. He didn’t disclose exactly what he’d said, but I have to be honest, I was just glad that he got over himself and talked to her because it was painful to sit behind them in History of Magic while they were being that damn ridiculous. Not only had he said that he was sorry, but he’d wanted to do something for her to show her how sorry he was. He’d done some research, which meant he’d spent twelve hours straight in the library. James, forever the mother hen of the group, was far from pleased to find out that he’d missed two whole meals, so naturally, that had led to him lecturing poor Remus on the importance of eating properly. He argued that that it doesn’t matter that it’s for love, you need to eat, for Merlin’s sake, which was saying something when you remember how James was a closeted romantic himself. He’d eventually found a spell that was a variant on the translation spells Peter was rather fond of for uncomplicated pranks. Usually with those spells, you speak whatever you mean to say in English, but when it comes out, everyone hears the language you’re cursed to speak. This one, however, worked with sign language; he would say what he wanted to say, and his hands would automatically sign what he’s saying. It didn’t solve everything, he still had to keep studying the language so he could understand Idania, but it was a sure start, and a massive help for the both of them. According to Remus when he’d returned to tell us how it went, she’d been so grateful that she’d almost started crying, though she denied it every time we asked her about it.

While I had been simultaneously amusing and horrifying my friends with mental images of Remus doing unholy things, Sirius had been on a mission to find him, and seemed to have returned triumphant. At some point, he must have left the room even though I had no memory of seeing him leave, as he was now dragging Remus behind him by the hand, who was dragging Idania somewhat gentler. “I found them!” he proclaimed with a stupid grin on his face, in a way similar to how a child would announce such a thing.

“Yeah, no shit Sherlock,” Peter muttered with no actual malice behind his words.

“You’re welcome, Pete,” Sirius bowed but then stumbled forwards, crashing headfirst onto the ground. He didn’t bother getting up, choosing to sit cross-legged on the floor once he got his bearings.

Lily plonked herself down next to him and gazed at him quizzically, “Why are you saying, ‘you’re welcome’, when you’re the one who wanted to know where they were?”

He covered her mouth with his hand to prevent her from speaking, “Shhh, Lily-flower, shhh.”

She scowled at him while Marlene mouthed ‘Lily-flower’ at me in confusion. I just shrugged, desperately trying not to laugh at James who was clearly dying of embarrassment while trying to hide from Lily. We once heard him murmur the nickname in his sleep during our second year, and even though he hasn’t said it since, we refused to let him forget it. Lily must have licked Sirius’s hand or something for he retracted his hand as quickly as he would if he’d had an electric shock, wiping it on his trousers while staring at her in disgust and betrayal. Lily didn’t show an inch of sympathy towards his pain.

“So, what were you two actually doing?” Dorcas asked, directing the conversation back to Idania and Remus.

Idania smirked evilly and looked up at Remus, looking awfully glad that she didn’t have to be the one to explain. I still thought they hooked up finally, but Remus didn’t look nearly as mortified as I imagined he would.

Remus opened his mouth to speak but Lily cut him off, “I can smell weed.”

“How the fuck do you of all people know what weed smells like?” I laughed.

She glared at me in a way that had me quaking in my heels, “Please, you know what Cokeworth’s like, so you can trust me when I say I know what weed smells like.” I had to give it to her, that town wasn’t exactly the poshest in the UK, and I would know seeing as I used to live in the damn place.

We locked eyes for a second, then slowly looked up at Remus and Idania’s slightly guilty but overall chilled-out faces.

Well shit.

Once it clicked in my head as to what they had been doing, I started giggling uncontrollably for a good minute, and everyone else started looking at me really worriedly. I can’t say I blamed them if I’m honest, I did look like something of a lunatic. I quickly put the spell that Remus had found on myself, suddenly feeling really bad that Idania probably didn’t have much of an idea of what had just been said.

“Idania, how dare you corrupt our sweet, innocent Remus?” I laughed, shaking my head like a disapproving parent.

“Excuse you, Remus hasn’t been innocent since before he met us,” James grinned lopsidedly.

“I wasn’t that innocent before I met you,” the boy in question tried to defend himself, only to be met with about seven people saying, ‘you were’.

“Anyway, that’s beside the point. The point is you smoked weed?” I asked incredulously.

“Don’t look at me like that!” he said, “It’s not that big of a deal, no one really cares about that kind of thing these days, well not in the muggle world at least. Live a little, Ruth.”

“That doesn’t make it any less weird that it’s coming from you, mate,” James shook his head.

“But here’s the question nobody else is brave enough to ask, apparently,” Marlene raised a finger and then pointed it at the couple, “Is it nice? And if so, may we have some?”

Most of us, excluding Dorcas and Lily, made some sort of noise of agreement to which Remus just laughed, “Well, it’s Idania’s, not mine, so it’s up to her really…” he trailed off, leaving his girlfriend to make up her mind.

I didn’t actually know much sign language, except for the odd word or phrase I’d picked up (naturally fuck off was on of them), but whatever Idania had signed in response put a devilish smirk on Remus’s face that was all too familiar, “I think that’s a yes, just not too much. Ida doesn’t think you’ll be able to handle it.” The girl in question lightly breathed through her nose, which I’d come to learn was her laugh.

I gaped at her with mock outrage on my face, “I am offended but at least I’ll get to try some, right?”

A couple of blunts went round during the next however long we were high for, while Lily and, to some extent, Dorcas looked on disapprovingly. I think it’s safe to say that the concept of time was non-existent for the rest of the night. I have to say it was one of the most relaxing yet insane experiences I’ve ever had, and it wasn’t long until long after it had worn off did I start to wonder how Idania had access to that kind of thing. She must have been even more of a badass than we first thought.

When I had first started holding parties like these last year, I had made an offer to Dorcas which had involved me making drinks that had no alcohol in them but still had the same effect. She’d been grateful for the suggestion, but she’d pointed out that doing that kind of defeats the whole point of not drinking alcohol in the first place. We’d then settled on making non-alcoholic drinks that still tasted like their alcoholic counterparts but had no effect whatsoever, and we were constantly trying different recipes. Word caught soon after we started, and our non-alcoholic drinks were in almost as high demand as the alcoholic black market I’d created with the boys. They proved to be popular among students who either didn’t want to or weren’t allowed to drink, but didn’t want to miss out on a party or something like that, as well as older students who needed a form of stress relief from their exams, but didn’t want to develop some kind of addiction. I couldn’t blame them, seeing as they used to drink a lot as a really unhealthy coping mechanism. I’d much rather they drink something else, so I was glad to have been of service. As you can imagine, the business really boomed around springtime.

“You know, trying to keep track of you all is like herding a load of cats,” she huffed, taking a sip of her not-quite-firewhiskey.

“Hey, Dorcas,” I mumbled in the most serious voice I could muster, which was quite the feat considering I was both drunk and high at that point. She leaned in to listen, only to hear me say, “Meow.”

Her brows furrowed sceptically, “Meow?”

I nodded, not breaking my composure though I desperately wanted to just dissolve into giggles like a child, “Meow. Because you said we’re cats.”

Dorcas sighed with a resigned look on her face,” Sure, Ari.”

A chorus of meows sounded throughout the room, much to Dorcas’s confusion and exasperation. I could only imagine what it must be like to have to deal with all of us unaided when we were like this.

A/N: By the way, I’m not trying to promote the use of drugs, personally I think things like marijuana should be decriminalised but that’s a story for another day. Just to remind you, this is set in 1975 at the moment, which means that drugs were more common, and more people did things like weed. It makes more sense when you consider the context. Also, they’re only human, shit like this happens.

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arnaultdorothea · 5 years ago

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sorry i should have specified! meant to ask what are your dorothea ships and do you have any particular headcanons for them?

Oh, well now I’m embarrassed by writing that entire post. Sorry I misunderstood! OOPS.

I love her with:

f!Byleth

Edelgard

Petra

Ingrid

Mercedes

Basically, that entire list I wrote applies but each of the above would react differently to the scenarios, so I basically picked some out and made them more specific to who was Dorothea’s partner.

I added Mercedes later so I made a separate post of headcanons for her with Dorothea, but most of the same situations. You can find it here if you want!

PHYSICAL AFFECTION

Dorothea, in all pairings, starts off as the one to usually be the person to initiate kisses, hugs, hand-holding, etc.

Petra quickly becomes one to initiate such things though as well since she knows Dorothea’s naturally an affectionate person, and she enjoys seeing Dorothea smile whenever they do any of those things.

Byleth isn’t shy about physical affection though not as expressive with it in public, but sometimes she initiates physical affection – particularly hand-holding – without realizing or meaning to.

Edelgard is reluctant and shy with physical affection and also not used to it at all. Dorothea finds the latter a sad fact and likes to wrap Edelgard into hugs and give her kisses when they’re alone. She respects that Edelgard isn’t as openly affectionate, especially not in front of others, and Dorothea restrains herself more when they have company. She will at least give a quick kiss on the cheek though. Edelgard usually blushes whenever any physical affection takes place.

Ingrid is ungraceful and gets flustered by physical affection though doesn’t dislike it with Dorothea. Like Edelgard, Ingrid also blushes a lot whenever physical affection is initiated and often by Dorothea. She does later try to be the one to initiate holding hands, hugs, kisses but sometimes Ingrid overthinks by accident, ends up making herself too anxious, backs out last second. Dorothea finds it adorable and is the one to follow through. Dorothea is also most often the person to initiate such things throughout their relationship.

SINGING

They all love her singing and she loves singing for whoever her partner is. No matter who her partner is, they always attend her performances that she puts on at the opera.

Upon arriving in Brigid, Dorothea learns of Brigid music and songs and learns some that she sings to Petra once she gets a better grasp on her pronunciation of the language.

Byleth never really heard Dorothea sing much during their time at Garreg Mach or during the war until they were married and living their lives together. Dorothea’s voice is Byleth’s favorite sound and she’s always eager to hear Dorothea sing.

Though embarrassing, Edelgard is still flattered when Dorothea sings her praises, which Dorothea does from time to time when they’re together if only to make Edelgard blush. After the restoration of the Mittlefrank Opera when she finally allowed Dorothea to put on the opera she wrote about her and the war, Edelgard is mesmerized by Dorothea’s voice. She’s heard it before, but never in that capacity and it’s at that moment she realizes her feelings for Dorothea.

Ingrid is always focused on her knighthood and improving herself as a fighter, but an offer to hear Dorothea sing is typically enough for Dorothea to get Ingrid to take a break.

DANCE

Petra is better versed in Brigid’s way of dance than Fodlan’s while it’s the opposite for Dorothea. They like to teach each other how to dance in their respective homeland’s styles.

Edelgard has training in dance and she’s fairly confident when it’s practiced steps, but when it comes to improvising her confidence plummets and she thinks too much about what she’s doing rather than going with the flow.

Although she was popular among the students during the ball back in her teaching days, Byleth is kind of a clumsy dancer as she’s never had any formal lessons. She also hasn’t danced since that night so any skills she had gained have since been lost. Dorothea doesn’t mind though and likes to try and teach Byleth how to dance (again).

Ingrid has always been a clumsy dancer and trips over her own feet and that of her partner’s.

Dorothea is always happy to teach them how but for a while it frequently leads to Byleth/Ingrid tripping over her own feet, Edelgard and Ingrid thinking too much and losing her sense of rhythm and flow, and sometimes losing their balance as well which can lead to landing on top of Dorothea or with Dorothea landing on top. Dorothea always finds this amusing and likes to tease Edelgard/Ingrid about having done it intentionally much to Edelgard/Ingrid’s insistence of otherwise.

COOKING

Petra has already told Dorothea her cooking is horrendous when they were students and since then Dorothea has done her best to improve when she’s had the chance, but it wasn’t often when the kitchen and food had to be used by all the students, faculty, and knights. It’s not until after they go to Brigid that Dorothea has more of an opportunity to learn how to cook under the tutelage of cooks in Brigid. She learns how to make Brigid dishes, never as well as professional cooks and never anything that would be considered as tasting “amazing” by most people, but Petra always appreciates Dorothea’s attempts and finds the eventual slightly off-attempts to be part of the charm.

Byleth would do her best to hide the fact that Dorothea’s cooking, at least in the beginning, is terrible. Prior to teaching at Garreg Mach she was known as the Ashen Demon, showing little to no emotions, so that comes in handy once she and Dorothea are together and she’s eating meals Dorothea’s made. Unfortunately for her, Dorothea has learned that when she isn’t showing emotion when eating it means the food tasted bad. She sighs whenever Byleth eats while expressionless and hasn’t said that the food was good. Byleth is no gourmet chef herself though and mostly only knows the basics, but she’s better at cooking than Dorothea and ends up making most of the meals for them both. She does, however, have Dorothea join her in the kitchen and teaches her things about preparing food here and there so they sometimes cook together. The meals are, more often than not, simple but they both enjoy them nonetheless.

Edelgard is much more expressive and grimaces at Dorothea’s first attempts at cooking. She tries not to sound harsh about it, but she does tell Dorothea it’s bad though suggests Dorothea use the kitchen to practice and get help from the cooks. Dorothea practices in her free time between writing an opera about Edelgard and reading/writing poetry. She slowly improves and Edelgard makes certain that Dorothea knows this. Meals are never extravagant, nothing that someone might ever think to serve a royal, when Dorothea cooks but Edelgard still likes it all the same.

Ingrid loves food, everyone knows that, but the first time she has Dorothea’s cooking it’s obvious that it’s not good when she doesn’t even finish her first serving. She tries to offer Dorothea tips, but she’s more of an eater than preparer herself as her focus has always been on training and being a knight first and foremost. Dorothea’s largely on her own with learning how to cook and only ever manages to pull off simple dishes, but she learns to make at least 2-3 servings when she does cook because Ingrid has a large appetite. It makes cooking tiring, but Dorothea does her best when she’s left to cook, which starts to be more often as she improves, but it never falls solely to her to do.

POETRY

It takes many years for Petra to become more fluent and comfortable with the Fodlan language so she doesn’t write many love poems to Dorothea, but she does buy books of it when she finds new ones for her. It’s not until much later that Petra tries to write a few, but she’s not confident with them and most likely had help from someone. It’s typically Dorothea that writes love poems.

Byleth reads love poems for a while, knowing that Dorothea likes them, trying to get a feel on how the author wrote them. She tries to mimic the styles and word choices, but it sounds rigid at first and doesn’t give them to Dorothea. However, Dorothea knows Byleth has been writing them from the crumpled and discarded sheets of paper and half-finished attempts she finds that haven’t always made it to a wastepaper bin whether it be because Byleth left them on her desk or she missed when she tossed the crumpled ball of paper. She keeps practicing which doesn’t go unnoticed by Dorothea, and eventually she’s able to respond to Dorothea’s love poems with her own.

Edelgard picks up on writing love poems more easily than the others, but is never confident with her writing skills when it comes to matters of the heart. Like Byleth, she too ends up with many discarded attempts before writing a poem that she feels is acceptable enough to give to Dorothea. She always loses confidence though as soon as the poem reaches Dorothea’s hands and becomes embarrassed by her own writing. Dorothea loves them though and refuses to let Edelgard throw them away.

Ingrid isn’t a poet at all, so Dorothea’s the only one who ever writes love poems. Not wanting to only ever be able to thank Dorothea with her words though, Ingrid does her best to find nice gifts for Dorothea in return (usually with the help from Mercedes) despite knowing and being told by Dorothea herself that they aren’t written with the expectation of receiving anything in exchange.

#dorothea #edelgard #byleth #petra #ingrid #fire emblem #fe three houses #*headcanon #answered

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giantchasm · 6 years ago

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1, 8, 9 and 10 for the salty thingy?

1. What OTPs in your fandom(s) do you just not get?

This is the part where I’d say J.oshn.eku, but I’d get anon hate. True story.

Uhhhh I’m not too particularly big on Ed/Winry, Asano/Ren, Homura/Madoka (Bite me) or Kazuma/Bishamon, all of which I know are fairly popular. But I wouldn’t say I “don’t get” any of them. I’m just not super big on them for. Differing reasons.

8. Have you received anon hate? What about?

You want the beans about the J.oshne.ku thing? I’ll SPILL THE BEANS about the fucking J.oshn.eku thing.

I’m gonna put this below the cut (Haha. Below the cut. That’s part of the story) because it’s LONG

Back in the day in the TWEWY fandom, I was a part of the RP community. Mostly a great place! But I... Was 14. I’m not exactly going to call myself a saint, ‘cause I was a total passive aggressive brat, but I was just a kid.

Enter Not-Neku-Kin and Not-Joshua-Kin.

As you can imagine, Not-Neku-Kin and Not-Joshua-Kin roleplay Neku and Joshua. They are borderline kindating. Let’s be real here.

For the most part, I get along with these two! I don’t like their ship, and make some admittedly VERY IMMATURE comments about not liking their ship, but remember: I was a literal middle schooler. They were over 17 at this point. They were well aware I was 14.

(*As a note here there were some other borderline ableist comments I made here, but they were never once directed at real people, but rather fictional headcanons. I don’t want to go into explicit detail because this involves extreme trauma for me, but it was about a mental illness I have, and never once left the realm of “Ahaha I’m not really comfortable with that headcanon”)

So they have every right to be annoyed by me, but maybe not to make claims of being “traumatized” by me?

Enter the porn.

This is back in the days of yore and Tumblr not being a functioning website. Tumblr did not have a “below the cut” feature!

Not-Neku-Kin starts roleplaying porn. Fetish porn. (With a fifteen year old character, mind you, but that’s besides the point, uwu) Me and my best friend are deeply uncomfortable with this. Not-Neku-Kin does not put any of this below the cut because “Wah! I’m stuck on mobile!” Despite the fact that they KNEW they had a large amount of minors following them.

This is the part where if they were a mature ass person, they probably would have decided to move their porn to something private like Skype (Once again: This was before Discord. If that puts into perspective how long ago this was), or perhaps passed up roleplaying porn at all until they could properly hide and tag it. Nope! Explicit NSFW on our dashes!

My best friend sent a polite anon something along the lines of “Unfollowing because of the porn. Sorry! ^-^” I don’t remember if it was any more aggressive/passive aggressive than that, because it very well could have been genuinely sort of rude: But remember: Putting uncut porn on the dashboard of a bunch of middle schoolers.

Sometime or another I unfollowed them for a different reason and told them in the public TWEWY roleplay community skype server. They and Not-Joshua-Kin FLIPPED THEIR SHITS. Best friend admitted she sent the anon. They flipped their shits on the both of us and left the server.

We thought that was the last of it.

No, lmao.

Two or three years later, I make a post ON MY MAINBLOG that’s like “Considering coming back to the TWEWY roleplay community. How active is it?”

Not-Joshua-Kin sends me an anon saying something along the lines of “The TWEWY community doesn’t want you”

OOOOKAY, then.

Around this time one of them (I don’t remember who) also got in contact with a friend of mine (Who can back this up, for the record,) and sent him a VERY passive aggressive anon along the lines of “I like your content, but I’m gonna have to unfollow :/ You reblog from an ableist abuser” (REMEMBER. ONE OF THE REASONS THEY FLIPPED OUT ON US US AN ANON ABOUT UNFOLLOWING)

Obviously when said friend asked they specify he was told it was me (And once again I’m deeply uncomfortable with their willingness to namedrop me like this, alongside seemingly stalking my blog). He got in contact with me and I told him the full story. He was like “Oh, okay.” And that was the end of it.

Two more years later. Now I’m a Senior. This drama went down when I was in 8th grade. These people are like 21 now. The TWEWY remix comes out. The fandom is blooming!

Not-Joshua-Kin makes a fandom discord.

Quite frankly I don’t even realize it’s them. I join. Insta-kicked without any information or contact given as to why. I get in contact with them, realize who they are, and we decide to maturely talk about it like adults.

I write an extremely long apology, both detailing how immature my behavior was at the time, and disclosing some of my very personal trauma behind my actions. I also express worries that they’re smearing my name in the fandom by barring me from spaces like that.

They reply and say that A) They would never smear my name in the fandom, and would never spread gossip, even if they don’t like me. B) They’re still not sure if they and Not-Neku-Kin are comfortable inviting me in, but they’ll keep me updated.

Radio silence.

They don’t even have the balls to tell me directly “No, I’m not sure I’m comfortable with that.” They downright block me. Okay! That’s comfortable, considering all I just shared with you!

Annoying, but I’ll survive.

Few months later, I learn from ANOTHER friend they HAVE been gossiping about me. And not “some person.” “Sack.” They’re namedropping me in the TWEWY roleplay community, directly calling me annoying and ableist out of context. This is stuff they’re bringing up completely unprompted, too. So alongside being a liar and a gossip, they’re dragging my name across the mud and effectively exiling me from a fandom because I...

A) Didn’t like a ship

B) Didn’t like their one (1) autistic headcanon

C) Am closely associated with someone who told their S/O to stop putting creepy fetish porn on my dashboard in MIDDLE SCHOOL.

That’s EXTREMELY comfortable considering, once again, I really genuinely opened up to this person about my trauma and was 100% willing to try and make a new start with them. But now for all I know they’re STILL actively gossiping about me and sharing my trauma.

De-lightful!

And THAT’S the story of how I got my first anon hate.

9. Most disliked character(s)? Why?

Kazuma can eat my fucking boots.

Additionally I’m not fond of any of the bad guys in Assclass (In particular Yanagisawa, Takaoka, Gakuho, and Hiromi make me VERY uncomfortable), Homura PMMM (Eat shit bitch), or Lusamine Pokemon (Abusers Die Challenge)

10. Most disliked arc? Why?

I don’t think it’s bad persay but the entire mood of the current arc of Noragami makes me so deeply uncomfortable I’m literally having to take a break from reading it. It’s very well written, but seeing the characters take such steps backwards in their arcs makes me feel a little sick.

As for Assclass I... Don’t think the 2.0 arc is excellent. Don’t get me wrong, I LOVE Irina and Karasuma’s developments during it, but 2.0 is just suchhhh a bad villain. He’s too OP to the point of bending my suspension of disbelief. It ends up not being fun, and instead just downright FUNNY to read. “How did he do that? Oh my god! DID HE JUST DO SHADOW JUJITSU?” It totally takes you out of it.

#i doubt there are receipts for most of the twewy thing anymore but i have SEVERAL friends who were there at the time that can back me up #Anonymous

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motorcyclegirlfriends · 7 years ago

Note

What is the bechdel test?

Also relevant:

@lena-in-a-red-dress replied to your post “youngbloodbuzz: [me seeing everyone reblogging that post claiming how…”

With the Bechdel test, I couldn’t remember if it was a total conversation test (where any dude talk took the convo out of the running) or a time test (which the scene would tech pass), so I admittedly have research to do. But I do wish men hadn’t been mentioned at all… from a storytelling/performance perspective, they could have easily hit all the same plot-necessary notes elsewhere in the plot-necessary notes without infringing on girl time at all.

(Bare with me, I’ll also be addressing some other recently popular fandom opinions in this break down.)

Application of the Bechdel Test:

The Bechdel-Wallace test is simply, “The movie has to have at least two women in it who talk to each other about something besides a man.”

It was inspired by the writings of Virginia Wolf in which she observed that women were rarely portrayed in ways other than in relation to men, with particular note that this weasels it’s way into fictional female friendship.

I think I’ve seen individual studies expand upon this by specifying that it has to reach some designated length of time (one minute, for example), but I’ve never seen it interpreted so that men being mentioned earlier in the conversation negates the fact that they were afterward talking about something other than a man.

If it were so, it’d seem rather arbitrary a rule. Would the second half of the conversation suddenly pass if they had cut away to something else in the middle, making it a separate conversation? How does that method tell us anything about the quality of the show or the characterization of the women?

Furthermore, the Bechdel test is not meant for singular scenes, it is meant for entire works. In this case—entire episodes.

Sometimes whole conversations between women will, in fact, be about men. And that’s okay, as long as there are also conversations between women about things other than men within the text. In this episode, there certainly were. There will be more episodes in the future with multiple women interacting without mentioning men at all.

Something that people seem to be forgetting is that there’s nothing innately wrong with women talking about men, it’s when it’s made to be the entirety (or majority) of their characters that there’s an issue.

The point of the test is not to stop women from caring about men or having any storylines to do with men, it’s to make sure that there’s more than that. That they aren’t reduced to only that.

So people’s issues with the scene actually have little to do with the Bechdel test, and more to do the fact that these women got together on a girl’s night and, for about half of the portion of it that we saw, they talked about guys.

People are upset about it as a sort of… girl’s night trope in a feminist way, and—more strangely to me—in a queer activism way.

The Queer Activism Way:

Recently (the past few weeks or couple months), I’ve seen an alarming number of posts with regard to Supergirl in which people forget that their experiences are not universal and that their personal discomforts do not necessarily equate injustice.

Perhaps the mere mention of relationships with men makes you uncomfortable because you headcanon the character speaking about it as a lesbian or it reminds you of how alienated you felt growing up and not being attracted to men, but that does not actually make the mention of relationships with men homophobic.

First, the writers are under no obligation to make their characters the specific sexuality that you desire, especially when there is no lack of lesbian representation within the text. Moving forward with the romantic and/or sexual attraction that they have chosen for a character is not a violence against you, and believing that it’s a move designed just to hurt you comes off as rather paranoid and egocentric.

It’s also worth noting that the writers stating that a character is attracted to men in no way prevents fans from shipping the character with a woman. Because, idk if you know this but… bisexuality exists!

Saying “we get it, you’re straight!” every time the character mentions having had a relationship with a guy is reductive and inaccurate.

(And I think it’s also worth noting that you’re probably making your local bisexuals uncomfortable when voicing how horrible it is that your headcanoned wlw is mentioning her relationships with men.

It may be coming from a place of “but we were attached to her being a lesbian! I was attached to her representing me, and having projected myself onto her, I feel uncomfortable when she is attracted to men,” but fans acting as if it is not simply a personal discomfort but an injustice that the character is made to be attracted to men? As a bisexual, it’s not a fun message to receive.)

And with regard to lesbian alienation in the face of discussion of relationships with men, Alex and Maggie were not uncomfortable hearing about their friends’ past significant others.

That is your personal trigger that you are projecting on two characters who are not at all left out in that situation, and who are actually—as the only characters in the room in a relationship—in a more enviable place than those there who are attracted to men.

This was a group of friends talking to each other about their past relationships. Just as it wouldn’t be wrong for your straight friends to talk about their past relationships in front of you, it is not wrong for the writers to have Alex and Maggie talk to their friends about their past relationships.

(Also, It’s likely that if Maggie were not there, they probably would have had Alex talk about her relationship with her.)

The Feminist Way:

It’s a bit of a cliche to have girls get together and talk about guys, but is it really that bad a thing?

“But the scene perpetuates the stereotype that women get together and just talk about men!”

But the presence of stereotypical behavior within characters is alright, as long as there is enough representative content so that viewers do not get the impression that the stereotype is true for most/all people or most/all situations.

To compare, if there is a show filled with primarily bisexual characters and one of them cheats, it’s within the context of a group of bisexuals who have not cheated and thus can’t be mistaken for being representative of all bisexuals.

(This is why token characters can be so harmful.)

So if there is a show in which female characters regularly get together and interact in different ways and with varying topics, one half of a conversation in which they talk about their significant others who happen to be men is not indicative of negative representation of women.

This is why we use the Bechdel test, as low a bar as it is—to judge the discussion of men against the rest of the work. If it were not important to judge it against the whole of the text, the test would simply be “The movie has two have two female characters who never talk to each other about a man.”

Could this all have been avoided?

I really don’t think there is a different, natural way to bring up all of the elements that they wanted to bring up in this scene without mentioning significant others.

These are the topics they likely wanted to touch on:

1. Faith as a theme (“he asked me if I was baptized”)

2. Alex’s want for kids vs. Maggie not wanting them

3. Sam’s struggles with Ruby

4. Kara’s depression

Bonus: The tangible dynamic of Alex and Maggie being fully in the know with Kara, Lena knowing the half truth, and Sam knowing nothing

I’d be interested to see if any of you can actually come up with an alternative script for this scene in a way that isn’t too heavy or addressed later in the episode.

(Using mothers as the link between these topics would work logically, with Kara’s depression being linked to the loss of her mother, but it’s a Heavy topic in a way that can’t be moved passed as easily as Kara’s “break up.” Not to mention Lena’s issues with her mom… It’d screw up the tone of the scene, and would be just a bit too on-the-nose with Alex’s current predicament.

It’d also effectively skip through Sam’s storyline this episode right to the climax, because Lena would logically have given her the “my mom sucked, you’re doing pretty well” speech right there. (And again, that was a heavy scene that has no place at girl’s night.)

I also don’t quite know how you’d introduce faith as a theme or have Lena tell a funny story that doesn’t make everyone mildly uncomfortable if the topic is mothers.)

Perhaps you can figure out a way to have them avoid mentioning men at all, but you’re also more focused on that than the development of a natural and effective character interaction.

I think there’s a certain point where this becomes less about feminism and more about an intolerance to hearing about men.

And it’s understandable that this tolerance has suffered after last season’s focus on Mon-El to the detriment of Kara’s characterization and the Danvers Sisters interaction, but if you’re expecting them to actively avoid mentioning him or other men, you’re simply expecting too much.

#supergirl #kara danvers #lena luthor #alex danvers #supercorp #sanvers #long post #Anonymous #analysis: you're gonna suffer but you're gonna be happy about it

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