#if you ever feel so inclined

[xxplastic-cubexx]

erik will genuinely jump at any chance he can to steal charles' last name and be so catty about it i know this for a fact WHAT is his deal

[Magneto (2011)]

[sadkachow]

You cannot claim to be anti-AI while still actively seeking out and using AI.

Once again.

You cannot claim to be anti-AI while still using generative AI, no matter the reason.

(Bold/italicized text: You cannot claim to be anti-AI while still using generative AI, no matter the reason.)

Even if you’re just using it to make fun of it or show how bad it is.

Even if it’s only for your personal use, and you don’t plan on sharing it with anyone.

Even if you’re “just” roleplaying on Character AI.

If you are willing to justify your usage of a system created and profiting off of stealing from artists and writers, a symstem that is destroying the Earth, then you were never as “against that system” as you think you were. Being anti-AI isn’t something that exists only in name. You can’t claim to be against AI if you are willing and able to use it as soon as it benefits you. You can’t say you’re for writers’ and artists’ rights if you’re using the very thing that is causing them harm. You can’t claim to care about climate change and saving the Earth if you are participating in the system that is destroying it.

There is no middle ground here.

There is no “Oh, but I-“.

If you have the knowledge of what generative AI is doing, of how it is hurting people, and you choose to use it anyway, you aren’t  against it. You aren’t fighting against that system, you’re upholding it.

You can say how much you hate AI and how horrible you think it is, if you choose to use it anyway, then your actions and your words are not lining up, and the former reveals so much more than the latter.

Stop pretending like AI is something you can condemn only in name, while using it to your heart’s content in your free time. All it does it tells writers and artists that you don’t really care about us, and that any actions you claim to be taking to protect us are performative at best and lies or even outright malicious at worst.

You are—and I mean this in the kindest way possible, even with the fury that generative AI invokes in me—a complete and utter hypocrite. AI is not your friend. It is a tool, and it is a tool that steals from writers and artists in order to function. It is a tool that is using levels of energy and emitting amounts of polution in order to be maintained that are actively damaging the Earth. No matter how much you try to justify using it to yourself, that doesn’t change.

Stop hiding under the guise of being anti-AI while continuing to use it yourself.

[shalom-iamcominghome]

The most liminal feeling in judaism is knowing history that's deeply shaped jewish communities and yet... nobody but jews talk about it. Obviously, this isn't unique to judaism, but it's a very specific reminder that jewish history matters more to you than it does anyone else

[bumblingbabooshka]

I can't read Janeway/Chakotay if Tuvok isn't there with the same energy of a passenger in the backseat putting his foot on Chakotay's chair and slowly increasing the pressure so Janeway doesn't notice but Chakotay does. Bc. He should have been in the front seat. And Janeway's the one who asked "Do you mind getting in the back, Mr. Tuvok?" and he said it was fine, absolutely fine, and she thought nothing more of it but everytime Chakotay glances in the rearview mirror he can see that man's eyes staring back at him. I know people cast Tuvok as the wingman in Janeway & Chakotay's tragic love story but I think it'd be way funnier and perhaps even MORE tragic if anytime Janeway tried to softlaunch the idea of Chakotay as a romantic interest Tuvok conveniently had a memory about her and Mark Johnson to share. Do You Remember when we all went to the Recreation of The Ancient Olive Garden, Captain? And you said you two were Mates of Each Other's Soul? That just occurred to me for some reason. Anyway, what were you saying about Chakotay? After Mark Johnson is out of the picture for good, Tom teases that Janeway & Chakotay would make a good couple and Tuvok, serious as a heart attack and with a dire warning in his eyes/tone (insulting the captain is a grave offense) says that the captain would Never do something like that. She is a woman of morals. She is a woman who holds herself to a high standard. She would Never. And Tom never brings it up again and Janeway is both touched by Tuvok's belief in her and...something else. Something that feels like being doomed. Tuvok doesn't even dislike Chakotay at this point, it's not about him at all - it's All about Janeway. Like, personally I don't think Tuvok would be that personally invested in Janeway's romantic life one way or another (they seem to me like they'd be uncomfortable talking in depth about that kind of thing) but if he's going to be invested wouldn't it be so funny, so intriguing, for him, as the only member of Voyager who has pre-existing history with Janeway, to represent the Past. The things Janeway wants to return to, what she fights to keep alive - and this is shown to us the audience through Tuvok reinforcing and nurturing her belief that she should NOT become romantically involved with her first officer? Janeway has standards for herself...and Tuvok will Ensure she lives up to them. Because he believes in her ability to do so. They are 'in this together', are they not? They will assist one other, will they not? Like always.

[buwheal]

ouhhhh debating whether or not i want to show these but i cant help myself... when im bored i love love love to think up just. poses and activities. for you to interrupt him in. (bottom left excluded this is my doodle page) And i dont think ill do any of these soon anyways. besides the top right one. which you wont see. one million things for him to do..... I can do anything i want.... and i can make /him/ do anything i want.... Is the point of the askbox not just for you to hang around with him during his day? his week?? his year???

[icewindandboringhorror]

Just curious what the average level of personal investment in these sorts of things is. Like, how much do people usually get into silly stuff like this their friends ask of them? etc. etc. Which I know, only surveying a small sample on a very specific website means I'm not getting an exact average idea lol, but.. curious nonetheless .. Maybe reblog for bigger sample size but also this is not very serious at all/not worth a call to action gbhjbhjb

[gardensnakie]

I have not been mentally well this week, can I be told that I should eat cherrios in the morning, only if you want to

[spark1edog]

does anyone have any idea how to get past the idea that telling someone about a traumatic experience is somehow cursing or contaminating them or poisoning them against you

[moeblob]

Not sure how important this is to people but:

If I draw something that you think should be tagged for whatever reason (alcohol mention, cussing, a specific ship) you can totally send an ask to say so! I don't think much of it when I draw it but if anything topically is something you would rather I tag... please tell me. I am just drawing what makes me happy most days but that doesn't mean I want you to be uncomfortable looking at it!

Also in regards to ships: I can try to use my best judgment for it but I'm prone to enjoying banter and stupid/silly conversations that are not intended as romantic. So I do draw people interacting that I might ship but in a platonic (to me) interaction and I don't think it would count as tag-worthy for it.

[foulfeast]

Ohhhh i now remember why i got shy about talking abt ocs

24/7 fear that someone will tell me my ideas are cliche/stupid/bad in some other and it will hurt more bc these are my own creations and not just fun and play

[jackofsometrade]

i need aziraphale to come back to earth to reunite w crowley (bc he desperately needs his help) just to find him in a full fledged drag career with a massive following and he Will Not Quit

[saturdaynightghostclub]

Hi loves! How are we feeling about the Seattle series? Anything you wanna see? More drama? Less drama? Fewer cliches? A rain-soaked love confession? I’m at your mercy 🫶

[no1ryomafan]

I like to say I’m okay with my interests having very small/pretty non existent fandoms because that means no stupid drama even if I wish the things I liked were more acknowledged, it’s better to take them in a vacuum then mainstream cause some of the stuff I like if it got bigger would be more mixed, possibly even controversial-

and I still stay true to that but I also remember how my interests could’ve been decently popular yet all of them got screwed over in some fucking capacity somehow regardless if that was intentional or not and I low key get a little mad.

LIKE JUST AS A POINT OF REFERENCE (I’m listing these all in chronological release order):

Big O: flopped in Japan but when it was brought over to the states it apparently did well enough to get a season 2, but cn were fucking stupid and aired the second season on adult swim rather then its original home network toonami, which is likely why it fell into obscurity when it could’ve been up there with other old animes if people saw the entire thing because a lot of anime popular from toonami are remembered

Kikaiders anime: Was like only popular in Hawaii but the anime was dubbed and aired on adult swim- only problem is they gave it a 12:30 am time slot and even if it first aired in summer a lot of people probably skipped out on it- also I have a hunch that even tho big o on adult swim definitely got less traction it and kikaider afaik aired around the same time, and big o time slot came first. People if they did know big o got moved probably only watched adult swim for that then shut off the tv for kikaider, which further shows putting big o on adult swim was not a good idea. (Oh and the fact this was a anime reboot for a toku even if it was somewhat more accurate to the manga probably didn’t help the reception in Japan, next to how little interest there seemed to be for it given it was so short)

Shin Jeeg: Literally flopped so hard in Japan that it wasn’t even considered getting a dub besides Thailand and Italy, Italy being the only place Jeeg is fucking remembered. It’s no wonder this one probably the most forgotten among my interests despite being a dynapro mech and a reboot directed by fuckinv Kawagoe.

Casshern Sins: I have zero clue what japans reception of it was but probably not high when it’s “an edgy reboot”. As for the west it did got aired on toonami and is LITERALLY the only anime I like that is legally watchable on crunchyroll but it became forgotten cause it aired on toonami when people stopped caring for it, and crunchyroll only tends to show what’s popular so you’d only find this show from really digging.

Getter the only thing I’m not listing here next to it’s still decently remembered-big o is too, but at the same time it goes under a lot of mecha fans radars-but also cause I’m perfectly accepting of “the times it aired on tv it was super old and only part of it got dubbed, then the rest of it were ovas before not getting anime content for fucking years” like that’s a fair reason to be forgotten- but everything else just feels like I’m cursed 💀 (and I wonder how the cycle will continue when I gain yet another old anime robot interest because it will happen- eventually)

[menstits]

this is a 100% slash gen question but how do you stay motivated to keep playing genshin after this long? i first got it back when it was still pretty new, around the second ever banner, and played it for a good year but the more things they kept adding the more overwhelmed it started to make me. i do miss it tho, so i wonder how you manage to still play it so consistantly

In all honesty for most of my time playing genshin i've been obsessed with a handful of early game characters (kaeya and his ugly brother and childe mostly, and they're still my faves) and largely didn't give a shit about everyone else, so up until like halfway through sumeru i was playing like. Waiting for kaeya/abyss and khaenri'ah related lores to drop mostly. Like in all honesty especially during inazuma it was dire i didn't give a shit about 90% of the cast and the environment was unpleasant to explore too 🧍‍♂️ but after getting past the samsara part of the sumeru archon quest i started getting genuinely more invested in the storyline. When i got to fontaine i expected it to be a bit of a filler region honestly but the writing quality has been steadily increasing after inazuma imo and the conflicts have become more engaging too... Like i think the main issue for me in inazuma was that they kept trying to get me to give a shit about some npc whereas several of the playable characters felt underutilized and their presence kinda pointless. From sumeru onwards they've started writing the playable cast as more fleshed out and interconnected to one another which is something that i was really missing from early game, and this is even more apparent in fontaine's writing too where everyone has some kind of beef going on with everyone else (it was really fun imo how everyone in mondstadt knows each other because it's a small town and i wasn't really hoping to see that degree of characters being all up in each other's business again in later regions so fontaine was a nice surprise in that regard).

As for your question honestly i think that. In order for genshin to be enjoyable at some point you have to allow yourself to not give a shit about whatever doesn't compel you and instead try to focus on what you do like, for example i kinda hate doing spiral abyss so I don't really touch it unless I'm pressed for primos and instead run around and explore a lot. For story quests i prioritize ones for characters I'm already invested in and leave others for whenever I don't have anything better to do. I'm an insane completionist about this game but it's genuinely fine to focus on the parts you personally find more engaging. I guess sumeru was annoying because long as fuck world quests gate the exploration of certain areas, but fontaine is MUCH better in that regard and the world quests feel much more manageable.

Also tbh i think the increasing relevance that khaenri'ah/abyss and celestia-related stuff has both in the world quests and in the main story along with more harbingers making on screen appearances also contributed to keeping my interest active because that's what I'm mostly invested in other than kaeya-centric stuff 👍

[jenna-louise-jamie]

does anyone have any media that specifically makes you cry/get really emotional? could be a show, movie, song, book. heck even a painting or something.

i have several. here are some examples that make me bawl my eyes out every time i watch/listen. the moominvalley episode called “the invisible child.” more specifically i suppose the episode from moominvalley (2019) season 1 episode 12. there's this youtube video called “love the dogs” by kaya's kosmos and it gets me everytime. a song called “flight” by devin townsend.

like damn. people make such beautiful art that can pierce your soul. that's what we're here on earth for.

[roobylavender]

considering what you have spoken about regarding selina do you also get frustrated with like…i cant quite explain it but sometimes especially in more recent years shes been posed or positioned like some sort of damsel that needs a big strong man to save her and like im not saying she should be portrayed with the “hollywood level feminism” for lack of a better term im just think about how old versions of selina would have hated that. like im just thinking of anytime in the reeves movie where bruce grabs her or forces her mouth shut or even when he didnt allow her to kill falcone and im just thinking she should claw the fuck out of him for that. i just miss a version of selina who wouldnt allow anyone to walk all over her personal autonomy like that

oh absolutely! in fact this is specifically why i can't stand loeb's take on her character lol (and as we both know that was a significant point of reference for the reeves film). it's really jarring to transition from her volume one and two canon to the long halloween / dark victory / when in rome. i think a lot of people tend to latch onto these books because tim sale's art is to die for and it's obv hard not to enjoy a good murder mystery. in that aspect they're still books i can enjoy in isolation. but i find it very difficult to enjoy them as a selina fan specifically because in every single one it's like she's looking for solace and security in a man and i'm not sure why. like what was so bad about her original backstory of having a deadbeat dad (whether you ascribe to the volume one or volume two version of him) and why did she need to go looking for her "real" father in carmine falcone. why did she need to seek out temporary boytoy relief in italy. why did she dream about being saved by bruce. none of it really has a reason other than to create a "lack" in her for the sake of it being there, because she'd never needed a man like that before in her post-crisis narrative. as you mentioned it was quite to the contrary and she was fiercely independent and protective of her own peace, esp from men. when she felt empty or without a connection or lifeline to someone real, it was mostly about people like maggie or holly or arizona. her people

what i think it ultimately comes down to are two things: the first thing is the diminishment of her post-crisis origins. after all, it's convenient to ignore how distrustful selina is of people, and of men with power at their leisure to abuse specifically, when her post-crisis origins are no longer relevant to her personal characterization. although selina's status as a sex worker is more prominent now, it was more or less completely swept under the rug for the bulk of volume two. loeb also refused to engage with it in any capacity. it only really resurfaced with the conclusion to volume two because it drew direct parallels to how we initially found her in volume one, and then brubaker expanded on it once again in his take on the character, which was notably juxtaposed against a pre-existing romance with bruce and brings me to the second thing. i've already waxed about this at length so this may very well be recap but i really don't think selina's lack of control over her personal autonomy can be divorced of the modern portrayal of the romance. when selina looking for security and understanding and comfort in bruce is what drives the romance forward there's not much room to maintain her original values and guarded demeanor, if not her outright defensiveness and hostility. a lot of people look at the extensive trauma selina has experienced and argue that she deserves to be in a relationship with someone who allows her to let those walls down. this isn't incorrect in theory. but it does repeatedly ignore who she is. it's kind of like the point i was making about bruce yesterday. exploring the inherently abusive nature of robin or of bruce's right to his children in light of that fact is interesting to do, but the actual execution has rarely managed to take into account who bruce actually is

for however nice it might be for selina to let her walls down romantically and look for solace in bruce—and i say this mostly for the sake of argument, personally i would argue against its necessity—it's realistically not something she's actually going to do. at least not as willfully as she's been portrayed to. realistically she's going to make it extremely hard, which if anything is precisely the appeal. i love it when selina gives bruce a hard time. i love that it's not supposed to be easy or maybe even a possibility for him to win her over bc there's so much about his own ideological stances that's flawed and in opposition to her own. she doesn't have to be any less unrelenting in her principles and worldview for that romance between them to be compelling bc at the end of the day the entire crux of it is that against all odds bruce cares. for however wrong he thinks she might be in a given moment or in her stance against the government, he knows who she is and how hard she's fought and what she's survived and it makes him sympathetic to her because she's real. she's a wonderful character through which to explore the logical limits of bruce's self-righteousness and categorization of crime, as well as a wonderful mirror to hold up to his face as he starts to ask himself whether what he's doing is really the only means of keeping the city safe. and the novelty of it all is that you don't have to sacrifice her character for any of that to be true. writers have simply deluded themselves into believing that they have to and that's why we are where we are today