#if you don't understand what it means to love every queer

[drop-dead-dropout]

op of this post dmed me and condescended to me about how I "didn't understand" what she meant. proceeded to tell me transandrophobia is made up. i'm just not interacting idc anymore rant in the tags if anyone wants to hear it

haha yeah girldick! awesome! hey quick question how do you feel about trans women and transfems when you're not talking about fucking them or them fucking you or just using them as the buttend of your sex jokes. no don't run away internet transmasc speak into the mic boy. 🎤

[fatliberation]

If its ok to ask; how do you feel about fat kinks? I havent seen any fat acceptance blogs talk abt it. /genq

I know it's a sore spot for a lot of fat liberationists (and yes, I'm quite familiar with why so please do not take to my inbox), I think people are scared to talk about it. personally, I think it is crucial that people with fat kinks are able to access fat liberation spaces so long as they leave the kink at the door. I say this not only because the majority of them are fat people, but because that community is steeped in a deep shame and feeling of brokenness for taking delight in fatness and/or weight gain, which perpetuates rampant fatphobia. and fat liberation is what will heal those wounds. I don't understand it when fat activists tell kinksters/fetishists/feedists, whatever you want to call them to stay out of the fat liberation movement. because what is the alternative? do you want them against the movement? that doesn't make sense at all. I think people are so uncomfortable, disgusted, or afraid of this community they don't understand, that they just wish they wouldn't exist. they aren't going away. kink is akin to sexuality, to identity, to queerness. I think what people really mean when they say feedists should stay out of fat lib is, "kink should stay within spaces designated for kink." we aren't talking about kink when it comes to who can belong in a movement, we are talking about people. it is wrong to equate every person who has a kink or a fetish to a predator. it causes very real harm to those people, because they internalize that message that their kink makes them a bad person who is inherently worthless, who has to hide. if feedists aren't welcome in fat liberation, they aren't welcome anywhere.

I think that people who love fat people, love feeding people, love their own fat bodies, who see their fattest selves as their most satisfying selves, would be natural allies to this movement once they find their way to it and feel safe and accepted here. I want to make it absolutely clear that ANYONE is welcome on this blog as long as they aren't harassing or harming anyone. so many of my followers and biggest supporters are kink blogs. some of my closest friends and fat liberationist allies are feedists. I know feedists who are way more educated and passionate about fat lib and body politics than most people I've met. I don’t wish for anyone to feel alienated on my blog - especially fellow fat folks and fellow fat allies. we are 100% FAT POSITIVE AND SEX POSITIVE on this blog, babey‼️

In fact I feel really glad when I see fat kink/feedism blogs engaging with my content bc it means that person is putting the work in to understand systemic fatphobia, how to be an ally to fat people (if they aren't fat themselves), but also healing their community through education and acceptance. and HOT TAKE, BUT: when it does happen?? when feedists aren't shrouded in internalized fatphobia, shame, and isolation, and instead start embracing this innate, powerful appreciation for fatness, it's literally so fucking beautiful? and so very queer?

choosing to gain weight on purpose as an act of self creation. because it feels Right for you. gaining weight to affirm the relationship you have with your body. getting fatter because you feel so much of your identity (even gender presentation!) is attached to your fat body. feeling sexiest when you're fat. someone else worshipping that about you. giving unlimited permission to nourish yourself and/or others - and taking carnal delight in it. releasing food rules and food guilt through centering pleasure. food and fatness as an erotic and sensory experience. finding feedist partners who also have this ingrained love of fatness that can't be replicated, partners who are willing and eager to support and adore your fat body, NOT merely tolerate it. reclaiming tropes used against you through kink, and turning a loving gaze inward. saying "fuck you" to the system and choosing to take up more space in a world that consistently tries to shrink you. never denying yourself pleasure even though everyone is telling you you don't deserve it. feedism is such an interesting facet of the endless spectrum of human sexuality and I think that once people in that community find liberation and heal their relationship to the kink, it can be one of the most radical forms of self acceptance and exercising complete bodily autonomy.

I already know that a love letter to feedism coming from a fat lib blog is gonna piss people off. I'm going to lose a lot of followers, I'm going to get a lot of hate. but. kink in general is SO demonized and SO misunderstood and as liberationists we should also be open to sexual liberation. so much of this discomfort around feedism comes from a lack of education and understanding about kink in general. feedism doesn't = fatphobia in the same way that bdsm doesn't = misogyny or abuse. quite the contrary, if practiced ethically, with informed consent. every community has assholes. especially when those communities are small, ostracized, and so young that there are next to zero resources for self acceptance, safety, education, and accountability. in fact, the assholes are the ones that you're going to SEE because every respectful person is staying away and out of your business. if you've been harassed by someone with a fat kink, that is so shitty and I'm sorry that happened to you. I know it happens a lot. try to remember that what you experienced was abuse, not kink.

what consenting individuals choose to do with their bodies is entirely their business and there is nothing wrong with kink. (and I will not stand for sex-negative, puritan bullshit in my inbox, thank you very much.)

reminder: fat pleasure is fat liberation.

[bengiyo]

Let Free the Curse of Taekwondo: We Are So Fucking Back

I am glad that we are all having a normal one in reaction to Hwang Da Seul's latest project (@chicademartinica, @dropthedemiurge, @shortpplfedup, @lurkingshan). I'm still meditating on the whole affair, but for now want to get into how Hwang Da Seul feels so compassionate to closeted men, and how I also am stuck on the removal of the cross (@my-rose-tinted-glasses).

Shan already linked back to The Knowing, and I keep thinking about how rare it is to see two boys who've already come to an understanding of themselves meeting each other, and also including a bully who knows himself. What stands out for me with Hwang Da Seul is how old the pains weighing on her characters feel each time.

Dohee has suffered the abuse of his father, abandonment of his mother, and dissolution of his closest friendship, and he's just pushing through to leave all of this. His pain is obvious and lived in. He doesn't have to sit around moping exclusively about how he feels, because it's ever present. Like anyone else living with chronic pain, you just have to do stuff while hurting a lot of the time.

Juyeong is so fascinating to me because his exuberance and passion makes it almost impossible to hide who he is, and I will always be a sucker for the characters who love so loudly that you can't turn it off. I also keep thinking about how he has been communicating his attraction through his eyes so often, and how he's made desire known through all of his careful flirting.

The building romance between them hits for me most because they're paying attention to each other. Dohee made food that he realized Juyeong would like, is careful about hurting him in their sparring matches, and went for the ice cream that Juyeong said he wanted. Juyeong heard Dohee say he wanted to see snow, and so he made snow for him!

Now, back to that cross. Rose's post and one @benkaben posted have been rattling around in my head for hours. We know that Juyeong's mom is a pastor, and that he's being sent here as essentially conversion therapy (as Shan already pointed out). It's not just that he takes the cross off before confessing, which clearly shows that he's setting everything associated with that aside. It's that he's also confessing through a wall. It's such a small detail in how you can set aside the weight of responsibility and guilt associated with your queerness, but you don't lose the cultural touchstones: for some Christians (I was raised Catholic) you confess your signs through a mild layer of anonymity by putting some sort of wall or separation between you and the priest. There's something so subversive about having Juyeong set down his cross but still confess his feelings like a Christian.

I am also curious where Hyeonho will feature in the rest of this story. It's clear that he and Dohee felt something between each other at some point, and that Hyeonho ran from it. He doesn't want Dohee to get hurt too badly, and he's observing the growing relationship between Dohee and Juyeong. I'm so happy this character exists, because it gives us three characters struggling with the pressures on them to be a certain way. If we had to have a character who will make ugly choices around that, it helps for it not to be part of the main pair, and it also shows that these boys have not been the only queers around that they knew of.

Finally, let me just thank Hwang Da Seul for not being precious about the kissing. I like that their first proper kiss was their second kiss, and I like that it was awkward. I loved them false starting multiple times, trying to make sure they weren't observed too closely (considering their history), and I like that they built back to it. I know that kissing early means we're in for much pain, but it's so nice to have a show not dance around the kissing, or have it be especially mild. I like when two boys like each other and go for it.

I'm so happy that Hwang Da Seul is back. Every time I watch her shows I feel like I'm talking to someone who understands what the inside of the closet looks and feels like. I always feel seen by her in a way that feels gentle. She lets me remember how scary and ugly all of that was without it being a triggering or jarring experience. Peak drama season is upon us, because we're also about to get Love in the Big City in just three days. See you all on the other side.

[steviewashere]

Kiss and Tell

(Can be found on ao3)

Steddie WC: 2,279 Tags: Post Season 4, Steve Harrington Has Auditory Processing Disorder, Eddie Munson Loves to Talk, Minor Angst, Mostly Fluff, Queer Eddie Munson, Steve Harrington Has a Bisexual Awakening, But He Already Knows (Sort of), First Kiss, Lots of Kissing

Based on this post that I made. Happy reading! <3

-------- Steve has a staring problem. He knows this. He's been told this. And it's not something he can help or fix or find an alternative for. This is just what he knows.

It's something he's tried to maintain since he was a little boy. And, on that same note, is something he picked up while being a boy in a room with two adults who were fast talkers and big negotiators and all-in on the nature of their careers. But his parents certainly hate that he has a staring problem. Which, that's not unusual, most people hate that he does. Because he doesn't look them in the eyes for more than thirty seconds at a time. And even if he does, he doesn't hear a single thing they said, politely asking they start over, and feeling hurt when they just scoff as loud as possible and walk away from the conversation all together.

The audio just doesn't process. Never has. Probably never will.

He listens to music, but doesn't understand any meaning. He talks over the phone, but must have all other sound blocked out and the curtains shut and his eyes closed to imagine what the words look like leaving the other person's mouth. He argues, but loses track of the original point of the argument—when he laughs instead of apologizes.

And it would be fine—if—he wasn't close to losing his life every year. Where he has to listen to everybody and the important tiny details and the plans and the reasons for what they're doing. Which leads him to danger. Which gives him a bruised face. Which makes the listening even harder, once the concussion leaves and he's just got the leftover damage of his quirkiness.

It would be fine—if—he wasn't made to feel so stupid for what he must do. The jabs and the constant reminders and the...yeah, his sob story.

But there was Tommy Hagan and Carol Perkins, who he could keep up with. Because they'd talk about the same things over and over, until he could practically relay all the information, pulled straight from the deep crevices of his brain, and it ends up that they had forgotten, rather than him.

And there was Nancy Wheeler, who was polite enough to repeat things. Who had flash cards and a soft, focusing voice. It was easy to write off looking at her lips. "Eyes up here, Steve," she'd say. "Sorry," he'd respond sheepishly, "getting lost." And he'd chuckle and she'd giggle and then they'd kiss a little and he wouldn't be reminded that he's just a little weird. That, maybe, he just isn't normal.

Robin Buckley makes things easy-ish. She talks fast. And a lot. And she never looks him in the eyes, unless she's asking for a very serious favor, or he has something on his face, or she just feels the need (she claims it's that she hasn't looked in a while, but he shrugs her off every time). (If he can get away with staring at her lips, then she can get away with never looking him in the eyes.) He's mentioned, though, that he has a hard time following her sometimes. That he needs the words repeated a few times. Explained the lip thing, with a tense voice and a quake in his chest and his fingers tapping at the sides of his thighs. And, for a brief moment, he had felt like a creep. Like one of those weirdos that preys on the idea of women kissing. And he wanted to open up Family Video's register, shove his head inside, and sort himself out into the container of fives. But she shrugged, said "Okay," and went back on some ramble, to which he was immediately drawn to her mouth. And saw her repeat the name, Vickie, at least twenty times. He grinned and then when the store was empty, he leaned across the counter and teasingly said, "You have a big fat crush on Vickie, don't you?" To say that he was proud of her sputtering is an understatement.

Now, Dustin and the others were harder to get through. Because they moved at their own pace. And they don't really stop to add him to the conversation. He gets it, to an extent. He knows that he's not really all that intrigued in what they enjoy. (Even if he really leans into the conversation when they mention Sherlock Holmes or Dracula or Star Wars or, even, Star Trek. And he pretends to not be interested in their science fair projects. Or the one time he caught them huddled around a Sports Illustrated, in which he fought the urge to chat their ears off about both baseball and basketball statistics.) But there's a point in the conversations where he's made to feel a little dumb; even if he was staring where they were speaking, but they always grow frustrated, a huff of air released, when they notice he's not "paying attention" (translation: looking them in the eyes. "Because, Steve, it's just talking etiquette!" Dustin had shouted once).

He loves all of them anyway. Even if he misses words. And he loses track of what they were saying. He just wishes they were a little bit more forgivable about it at the end of the day.

Then, Eddie Munson is walking along side him in an alternate universe. He's peeled the vest off his back and chucked it at Steve. And they're talking. Jealous of one another, but talking. But, Eddie's voice goes soft and quiet, his eyes pointing towards Nancy's back.

Steve is looking at Nancy, words fading into the background. And it's not a moment of realization. Or a moment of longing. Yearning, what say you. No—it's one of his moments in which he's "listening," but not processing. So he looks back. And for a mere second, Eddie's eyes are big where Steve stares. Big and wet and curious. Big and wet and persuasive. Big and wet and not at all his lips and Steve is still not listening.

But his lips. Well, Steve's seen lips. These are pretty. They're pink. Chapped and bitten and plush appearing. Mesmerizing. Stretching over Eddie's sharp teeth, exposing dimples and smile lines, making his recent stubble more noticeable than it's ever been before. But his lips are pretty.

Like girls lips, Steve muses. Not really taking in what that means. Because Eddie's saying something about true love. And—shit—okay. Steve can get behind an act of true love. He can get behind sharing denim and coating Eddie's clothes in blood and staring down his lips and—god, his eyes, Steve can't help but notice once more.

Eddie's like a vulnerable cow. With pretty lips, he has to point out. Or a baby deer. With such pretty lips. And he's talking and Steve's finally listening. But it's not just processing. No, Steve's intrigued, interested even. He tilts his head like a curious puppy. Leaning in. Eddie's breath ghosts the tip of his nose. And, sure, it's a little rank. But weirdly sweet. Warm where Steve is otherwise cold. Warm in places Steve's never considered to feel warm in, but he's willing to give in, to wrap up in whatever Eddie has to say. If it all means more of him.

So, it makes sense that after all that they go through, Steve finds himself in Eddie's orbit. As a friend. As a trauma bond. As everything Eddie needs him to be.

He sits on the Munson's couch. On the cushion that dips a little too low. The lights orange and dim and casting beautiful streaks of almost candle light on Eddie's soft, beautiful features. Highlighting where his nose is the most bulbous. His pronounced Cupid's bow. The outer edges of his irises, golden and honey against the off-white of his scleras.

Eddie talks like Robin does. Excited. A lot. Fast. But his voice is soft, focused on the information—like Nancy's. It's teasing, like Dustin's. Soft, though. So gentle. Murmured. Which makes sense, if Steve were to stop and think about it for just a moment. With how late it is. With the little amount of weed they smoked. And it all just fits, with how slow and careful Eddie's lips move. As if testing the words. As if searching for what he means.

But, god, Steve is following along. Of course he is. Hanging onto each one of Eddie's words.

"So, the cashier at the record store got all apprehensive about selling me this tape. Which, I guess makes sense because it's a special edition. Comes with a photo card or whatever, but like—Come on, y'know? If he wanted it so bad, he should'a bought it the moment it dropped. Not my fault he slacks on not just his job, but also his opportunities," Eddie rambles. And, that's right, he's complaining about the music store encounter he had today. Trying to buy some album for some band. Steve got lost part of the way through, so he's not sure who exactly Eddie was getting a tape for. The style of music. But he has most of the information. He just—

Has to squint harder.

So, Steve leans in. As casual as he possibly can. And narrows his eyes at Eddie's lips. The word pretty comes to mind again. Because of course it does. And he can't pull his eyes away, no matter how hard he tries. For some reason, the tips of his fingers tingle a little. Wanting to reach out. Trace his lower lip, right where it sticks out, just above the divot of his chin. Would it be soft, he asks himself. Does he wear chapstick? Steve sighs softly. I wish I could...taste it. His eyes widen, just the tiniest bit. But he ignores that in favor of whatever Eddie is saying. If only he could make it out. He leans impossibly closer.

And there it is again. The soft puffs of warm air. On the tip of his nose. His own lips. Tickling his stubble. Eddie's breath smells like weed and strawberry Tab; a little bit of Kraft macaroni and cheese. Maybe the smallest trace of pepper—

"Uh, Steve?" Eddie nervously calls out. But gets no response. Steve is only a couple inches away from his face. Eyes hooded. Glassy. Zeroed in on Eddie's lips. He's not talking. Doesn't even give a hum. Just...keeps staring.

Eddie sucks in a breath. Eyes darting over Steve's face. He doesn't talk again, hoping maybe Steve will stop. But, nope. In fact, the only thing Eddie gets as acknowledgement for the fact he's stopped talking, is that Steve pouts. Upset. As if his lips no longer moving is some great catastrophe to Steve, some tragedy, some misfortune.

And, Eddie, the awful wreck that he is, can only assume that this means one thing.

Steve wants a kiss. And is, maybe, too chicken shit to close the gap.

So, with no other option. And definitely not wanting to get away from the heated, stirring, calm mask of Steve's face—Eddie presses his mouth against Steve's. Hesitantly smushing their lips together. Dragging his lower lip against Steve's soft scowling one.

And he pulls away. Because Steve isn't doing anything in response.

No, in fact, Steve is extremely expressive now.

Wide eyes. Mouth opened into a silent "Oh." His cheeks are flushed. And as quick as it came upon him, whatever realization that was, fades. Like a cartoon character, Steve's face melts into one of pure infatuation. Mouth lilting. His posture slouching. Eyes going soft against the extreme red of his face.

"Do that again," Steve whispers.

Eddie obliges. And he obliges. And he keeps obliging until they're under a cool top sheet, skin slick with sweat and eyes piercing one another's mouths.

That's when, in the silent air of Eddie's tiny bedroom, Steve admits the greatest thing in the world. "I don't really process when people are talking unless I'm looking at their mouth. I have to read their lips. I didn't—I wasn't trying to kiss you at first, but—" And the motherfucker giggles. "If that's all it took..." Then he's kissing Eddie again. Like it's the last thing he'll ever get to do. And Eddie thinks, If I die from running out of breath doing this, then I've done everything in my life correctly.

So, sure, Steve has a huge staring problem. And he doesn't really listen. And it's something he'll never fix, even if there's a way to.

But he finds that his technique—the thing he's crafted since he was a little boy—no longer works. At least, not on Eddie. Because suddenly, looking at his gorgeous pink lips makes Steve only able to think about one thing: Kissing. And he can't follow along unless he fulfills that want.

Eddie could be in the middle of a deep, all inclusive description of his recent trap in the campaign he's crafting. He could be singing. He could be complaining about some movie he rented. But that doesn't matter. Because he stops talking the moment Steve leans in and kisses him. Kisses like he needs it to live.

And though he rolls his eyes. Huffs a breath. Smirks and barrels on. There's that giddiness, that love pooling in Eddie' heart. Just knowing the effect he has on Steve. And the way he's affected, too, when Steve just whispers, "Sorry, I got lost again. Start over?"

He obliges. And he keeps obliging. And his lips are usually swollen by the time he's finally done rambling.

Steve stares. Eddie talks. And it's the combination of a lifetime.

--------

❤️

[brbsoulnomming]

Tell Me Sweet Little Lies Part 1

By the time Eddie is twelve, going to live with his uncle in a trailer in Hawkins, he only has a dozen or so words from his soulmate.

It used to make him guilty, that his soulmate was the kind of person who rarely lied, getting stuck with Eddie who spit lies out like they were the shells of sunflower seeds. Then it made him angry, that he only had a handful of shit like he did it! and I already washed my hands. A small spattering of normal kid shit, while Eddie had to say things like no, officer, I don't know where my father is and Mom's just not feeling well today, Mrs. Anderson.

Then, a year or so before his dad got caught for good, he got It's nothing, I just tripped and Yeah, Mom, I understand, I know he won't do it again and he thought - maybe his soulmate is the kind of kid who knows sometimes it's just better not to say anything.

Eddie can understand that.

Living with Uncle Wayne is - hard. It's hard because it isn't hard, not the way it should be. It makes Eddie say more things that he knows his soulmate will see on his skin, things like I never wanted to be here anyway, and I want to be alone, just leave me alone.

His uncle is endlessly patient, and it grates on his nerves because he wants it. He wants it so bad to be real, but he just - keeps waiting for the other shoe to drop, for something to be too much.

For Eddie to be too much for him.

It comes to a head one night when Eddie's mad at him over something or other, asks why he's doing all this.

"You're my kid, and that means I'm not going anywhere," his uncle says, all gruff and raw honesty, and Eddie can't bear it.

"You don't think your soulmate's going to get tired of all these lies that keep showing up?" he snaps, even though he regrets it the moment it's out of his mouth.

He regrets it even more when there's a heavy, aching silence, and he finally looks up at his uncle, eyes wide and terrified as he thinks this is it, he's finally gone too far -

"It's not a lie," Uncle Wayne says finally, holding Eddie's gaze. "You hear me? It's not a lie. I'm not going anywhere."

Eddie nods, and his uncle relaxes a little, then grimaces, like he isn't sure he wants to say anything else.

"I don't have anyone for lies to show up on, anyway."

He says it like it doesn't matter, but Eddie bursts into tears anyway.

Not everyone has a soulmate. The majority of people do, but it's not uncommon for people to never have words written on their skin. In school, they teach that it doesn't mean you can't be happy, it doesn't mean you can't find love. They teach about soulmate bonds that didn't work out - there's whole plays and novels and movies written about that kind of tragedy and misery, after all.

But sometimes there's still an undercurrent of pity, of bitterness. Outside of school - or inside it, when it isn't the teachers talking - some people say there's something wrong with people who don't have soulmates, some people say that they were meant for bigger and greater things.

Some people say that soulmates are supposed to be between a man and a woman, and every time someone who's queer gets a soulmate, it's because they stole them from someone else.

And Eddie doesn't believe that, not really, but he can't help but wonder if maybe his uncle does, and he can't stop crying.

Now his uncle is the one who looks terrified.

"Son, come here, it's all right, it really is." Uncle Wayne gathers him up in his arms, holds him close the way no one's ever done for him before, and just lets him cry and cry and cry.

Later, Eddie thinks about just letting it go, but - he has to know, he just does.

"Do you think someone stole your soulmate from you?" he asks as he's washing dishes, not looking at his uncle and hoping it doesn't sound anything like do you think someone like me stole your soulmate from you?

Uncle Wayne scowls. "That's a load of horseshit, is what I think. No one can control whether they have one soulmate or two or none, and it doesn't make someone greedy or a thief."

Eddie opens his mouth, then closes it again. He's known about people with two soulmates before, of course, the same way he knows about people with none - and he's heard the comments about them being greedy same as he's heard comments about them being lucky, or a dozen other things people've theorized to explain it. It's just that it doesn't really tell him what he'd wanted to know, and he can't figure out how to ask without being more specific.

Uncle Wanye is looking at him real close, though, and there's something like a quiet acceptance that flashes over his features.

"No one can control who their soulmate is," he says softly. "Whoever yours is - they were meant for you in a way they aren't meant for anyone else. Love like that can't be stolen, kid, it can only be given."

He thinks about that for a long moment, then nods. "Okay."

"Good," his uncle says gruffly. "Now finish those up and get off to bed."

------

First part of a Steddie and platonic Stobin soulmates AU I'm working on, where any lie you tell gets written on your soulmate! No idea how long this is going to be - it was supposed to be a oneshot but it just keeps growing, so I wanted to share at least the first bit of it.

Now with Part 2

[roboticchibitan]

I remember when same sex marriage was legized in my state (3 years before obergefel vs Hodges which legalized it nationwide). It won by a very narrow margin.

People who had taken care of me when I was young, people who were like second parents to me, (along with half the other people I knew) were saying it was the end times because I could now get married. And I couldn't help but wonder... would those people have protected me, cared for me, let me play with their children, if they had known I would grow up to be queer?

I came out in 2011. I was lucky. My parents were accepting. My mom was clearly uncomfortable at first but she made it clear she loved me no matter what.

Except.

My dad didn't care if I was queer and assured me that didn't mean there was anything wrong with me (in a speech I didn't need to hear but I think he needed to say). But he still said "that's gay" and "that's faggy" anytime my little brother showed vulnerability.

And I was a lucky one. My father used homophobic slurs around me regularly. He turned the word gay into a slur with his homophobic mouth. And I was a lucky one.

When I came out publicly, my grandmother stopped speaking to me for a while. I'm lucky that she changed her mind. I'm lucky that my grandparents let me bring my girlfriend with me when I went to visit them in October. October of 2022 and I still consider myself lucky that my grandparents let my queer partner into their house. My other grandma likewise visited with us, and was polite and friendly, but she still refused to call my gf anything other than "your friend." Still lucky. Incredibly lucky.

People don't understand just how bad things were as much as ten years ago. When I came out at school, I was lucky. No one bullied me. No one shoved me into lockers or called me slurs. They all just stopped talking to me. I became invisible. I went to a small school. I was the only person who was out. Exactly one person talked to me the rest of the year. And I was a lucky one.

When I was in middle and highschool, the go to insult was "that's gay." I heard it constantly. Every day. Sometimes people said it to me to insult me, long before I even knew I was queer.

I was lucky because the worst that happened to me was social isolation and people using slurs around me or turning my identity into a slur. No one called ME faggy. No one beat me up behind the school bleachers. I was incredibly lucky.

I have experienced the word "gay" used as a slur far more than I ever heard the word "queer" used as a slur. Young "queer is a slur and only a slur" people need to know the world you live in is not the world the rest of us live in. Why is "queer" a slur but "gay" isn't? My homophobic father thought the word "gay" conveyed just as much offense and disgust as the word "faggot." So why is queer the horrible word that can never be reclaimed but people say "that's gay" as a compliment now? The loneliest I have ever felt was in a room full of teenagers who thought my identity was the height of insults. So why is gay fine but queer isn't?

I am a fat butch queer and I do not hide that. My shoes have a pride flag on them. I have a masculine haircut and wear men's clothes. I look queer.

And I am afraid. I dress like this anyway, because I want other queer folks to know I am a safe person. I dress how I do partially because I like it but also partially so any queer person in the room, no matter now closeted, can see me and feel a little bit safer. Because I will protect other queer people with my life if need be.

Because I am openly and visibly queer and live in a world where being queer can get you killed. Because it can. Gay bashings still happen. The alt right are getting bolder in their violence, and that includes homophobic/transphobic violence. There are organizations in the US that are actively pushing to make homosexuality punishable by death in Africa. They know they could never accomplish that here. But they would if they could. People want us dead.

Young people need to understand that. And they need to understand that the people who did the most work to free us from criminalization were queer. They identified as queer. And they weren't the perfect law abiding queers toeing the line of what's acceptible. Because being queer itself was illegal. You could end up on the sex offender registry for being gay. In fact, there are queer people who are STILL registered as sex offenders just because they were queer in 2001. Pride wasn't a permitted parade with wells Fargo floats. It was angry queers illegally marching down the streets, screaming "We're here. We're queer. Get used to it."

Being openly queer is a radical act. It is still a radical act.

I did not live through Windsor vs the united states, the referendum 74 debate, my father punishing my brother for being human with homophobic slurs, and the pearl clutching fearmongering about "the gay agenda" (that was a go to phrase for 2012 homophobes) for some LGBT kid to come at me with TERF bullshit they got off tiktok about how my identity is a slur and I'm a horrible person for using it.

I was a lucky one and I'm still saying "no, absolutely not" to this bullshit.

Queer is more inclusive. Queer accounts for any possible fluidity because people change. Identities change. Queer is there for people who know they're Something Different but are not sure of the details yet. Queer is intentionally vague. When you're young you want everyone to know exactly who you are but as you get older you realize actually my identity is none of your business. In fact, sometimes when you tell someone your identity, you're handing them a bludgeon for them to hurt you with.

If you have trans classmates, you do not understand the world the rest of us grew up in. Trans people were not a public topic. They were not even acknowledged as existing by most people. I didn't know what being trans was until I was like 17. I'm nonbinary now and consider myself trans 10 years later.

And I didn't even have it that bad. But you know what? It still sucked and it was still hard and I can't imagine what it was like to grow up a decade before I did. I had it easy compared to most people.

If you can jokingly say "that's gay" when someone expresses queer love, then you can fucking handle people using the word queer as their identity.

The infighting and policing each other has to stop. You're oppressing queer people with this bullshit. It does not matter what words queer people use to describe themselves when there are people actively killing us. What are you doing? For fucks sake look at the bigger picture. Direct all that rage at our oppressors and the people who mean us harm. Queer people and he/him lesbians and bi lesbians and people who use neo pronouns and whoever else is the discourse of the day do not deserve this kind of treatment. Punch a homophobe and maybe you'll feel better.

[paraphwrites]

followup on my post about dbda & loneliness.

'dead boy detectives' is a show where fundamentally, every character is very very lonely. but, they make each other less lonely. jenny is a surrogate parent for crystal, edwin and niko are always there for each other, crystal and charles understand each other, charles and edwin complete each other. there's just something so beautiful that even though they are all in pain and lonely, they are not alone, they have friends who would literally die for them.

i realized i was queer pretty young and in a very non-accepting environment. i was the only queer person i knew for a really long time, and that was really hard for me. and there was something devastatingly beautiful about watching edwin go through the a similar journey and not be alone.

dbda is important for a million reasons. but i would like to focus on one reason in particular.

'dead boy detectives' illustrates that there are multiple different ways to realize one's queer identity. you have simon, who is so wrapped up in self-hatred that he tears other people down with him. you have edwin, who is utterly unwilling to express any desire in such a way but ultimately embraces it. you have monty, who seems to have always known he was queer and always been very okay with that. you have charles, (i include him because i believe he is, but that can be debated) who goes on a long journey to realize it due to his circumstances. and they are all valid, and they are all real, and some of them hurt other people. because when the world hurts you so fundamentally, sometimes you end up hurting other people too. and you have people who have never had an issue with being queer, and that's great. and you have people who have to come to terms with it and it is hard and it is beautiful but they don't have to do it alone.

and that MATTERS. so often in media, we have a narrow, limited perspective for what realizing one's queer identity means. but there are so, so many different ways to figure yourself out, and dbda shows that in a very tangible and real way

the stories you tell are the stories we hear. so if @netflix only wants to tell stories about straight white people (maybe featuring a token gay character, so they can put it under the lgbt section), then that is the stories that people will hear

chimamanda ngozi adichie gave an incredible ted talk, back in 2009, called 'the danger of a single story.' in it, she discusses how, when you only tell & hear a singular story about a certain group of people, that becomes how you perceive the entire populace.

when a coming out journey is limited to its popular depiction (*realizes* *is kinda sad* *gets a bf*) then that is what all queer people are reduced to

look, i get that netflix has a couple of great shows featuring multiple queer characters, and i've watched & loved most of them. but god if i am not tired of people telling me to watch heartstopper. (i did & it's great & that's not the point.) the point IS that there should not be Two Gay Shows on your platform. because then the entirety of queer people are reduced to that.

now, maybe if it was just dbda, i wouldn't be so up in arms.

BUT THE FUCKING PICTURE OF DORIAN GRAY ADAPTATION?????????????????????????????????

you CANNOT reduce queer people to shows that aren't worth renewing. you CANNOT erase queer characters from classic lit just because you want it to be more mainstream. when you do that, you are reducing queer identities to the single story you are willing to tell.

(to be clear i'm not blaming all of homophobia on netflix. i am simply pointing out a way in which they are contributing)

[love-takes-work]

I've seen a fair number of people interpret Rebecca Sugar's (and the Crew's) decision to put Ruby in a dress as subversive, and I want to discuss why that feels like a clear miss to me.

Every time--every single time--I've heard Rebecca Sugar talk about the queer relationships on this show, it comes with this expression of wholesomeness, and often glazed with a sheen of wistfulness, flavored something like "I needed this as a child and young person, and I didn't have it." Much of Rebecca Sugar's work to bring this wedding (and other unapologetic queer relationships) to the screen was framed as an emergency--as in, we HAVE to get this out there for those kids we used to be, because we know they're drowning.

Yes, it's funny sometimes when people make jokes about Sugar deliberately "adding more gay" or "making it gayer" as a big eff-you to the people who spoke against it, but that doesn't sit right from where I'm standing. It took so much strength (and resulted in so much battle damage) to fight that fight, yes. But from everything I can see from the interviews and conversations I've seen and read, this wasn't served up in a "ha-HA, take THAT!" kind of way. These characters having these kinds of relationships should have been a non-issue, and the fact that their very wholesome kids'-show wedding and very sweet kiss and very adorable love for each other was seen as Political when it should have been just two characters in love is so sad to me.

I've seen dozens of people suggest that Ruby is in a dress and Sapphire is in a suit "to fuck with the bigoted censors in other countries" or "to give the finger to gender roles," but again, I think it is simpler and sweeter than that. Rebecca's said that Ruby in a dress is how she feels in a dress. Celebration and exploration of feminine-coded stuff felt wrong to Rebecca for a long time, like it wasn't hers, because she wasn't really a woman and didn't want it forced on her. As a result she was robbed of all the beauty that should have been a non-issue, from what TV shows and toys she was supposed to enjoy as a kid to what kind of person she was supposed to marry and what she should wear as an adult.

Ruby never got a choice about how she looked really. Once she got to choose her presentation for a significant event, this is what she chose. It means so much more to see that than to construct it primarily as a reactionary measure, as if it would somehow foil the sinister censors in more homophobic countries (who, incidentally, are not therefore forced to show Ruby in a dress even though they tried to hide that Ruby was a "she" or that she was in a romantic relationship with another "she"; y'all, they just don't show the episode).

We see plenty of other examples of gender-role-related expectations being casually stepped on and squashed, like when they took the trouble to give traditionally masculine and traditionally feminine "clothes" to some watermelons to make the audience think there was a husband and wife watermelon only to have the wife be the warrior and the husband stay home with the child. With stuff like that, yeah, sure, maybe it's designed to make you think "oh isn't that very feminist of them!" Or maybe it's more "well why do I see this as a 'reversal' when it's just a thing that happened?" This show is full of ladyish beings who fight and have power. And as for Steven. . . .

Nobody has negative reactions onscreen (or even particularly confused reactions) when Steven wears traditionally feminine clothes, and it is (of course) also not presented as a "boy in a dress gag"--it's not supposed to be funny. When they go all in slathering Steven in literal princess tropes throughout the final act of Season 5, we understand that it's because the powerful Diamonds expect him to be Pink Diamond, not because the show is trying to girlify him or embarrass him or even make the audience think positive thoughts about boys in girls' clothes. It's more neutral than that in my interpretation: "these are literally just pieces of cloth, and while some of them have meaning, they don't inherently have a gender." I don't see this as transgressive. It's just in a world where putting on what you want to wear doesn't HAVE to be a political statement. (Though obviously it CAN be, and plenty of people wear a variety of clothes as a fuck-you to whoever they want to give the finger to. I just don't see that as happening here.)

Don't get me wrong; Rebecca Sugar certainly knew about the politics (intimately) and has lived at many of their intersections. She was not ignorant of how queer people are seen in this world. She was silenced as a bisexual person because her identity supposedly didn't matter if she was with a man and planned to be with that same man forever. She was shunted into "omg a woman did this!" categories over and over again, which she wore uneasily as a nonbinary person while accepting that part of who we are is how the world sees us. But what is it like if everything someone like her embraces is seen as a statement synonymous with "fuck you" to someone else?

She is married to a person who happens to be a man and happens to be Black. Her relationship isn't a "statement" about either of those aspects of his existence; her love is simply something that is. She is Jewish working in a society that's largely Christian. Her cultural perspective to NOT center her cartoon around Christian holidays and Christian morals; her choices to make an alternate world in this specific way is simply something that is. Her queer perspective as a nonbinary bisexual person has helped inform the Gems' radical philosophy of "what if we learned to explore and define ourselves instead of doing the 'jobs' we're assigned and being told it's our nature?" Her decision to include queer people in a broadly queer cartoon isn't designed PRIMARILY as a battle against baddies, or to drown out all the relentless straightness, or to deliciously get our queer little paws all over their kids' TV. It's an act of love.

So this is just to say that though I DO understand that sometimes subversion and intentional transgression are very necessary, I do not think that's the HEART of what's going on at this Gem wedding. We got a wholesome marriage scene between two of the most lovely little flawed-but-still-somehow-perfect characters, and I very much want to see their choices as being about them. About how Ruby feels in a dress. About how Sapphire feels about not having to always wear a dress. About them incorporating a symbol of their union into their separate lives so they can have some independence in their togetherness. About them celebrating their love by letting Steven wipe his schmaltz all over them.

There are many choices in the show that ARE carefully constructed to counter existing narratives, you know, giving the Crystal Gems' only boy all the healing, pink, flower imagery; having a single-sex species that's ladyish with all the members going by "she"; featuring many nurturing male characters who cry and cook and raise kids without mothers; pairing multiple fighty ladies with gentler guys; and importantly, intentionally loading up the show with stories, characters, and imagery any gender will find appealing despite being tasked with expectations to pander to the preteen boy demographic.

But it's very important to me that the inclusion of queer characters and the featuring of their choices be seen primarily as a loving act, and way way less of a "lol screw the bigots." I want our stories to be about us. Yes, I know it's a necessary evil that sometimes our stories are also about fighting Them. But every time I see someone say they put Ruby in the dress to "piss off the homophobes" or "stump the censors" I feel a little gross. Like the time I picked out an outfit I loved and my mom said I only dressed in such an obnoxious way to upset her, and I was baffled because my aesthetic choices, my opinions, my choices had nothing to do with her. Yet they were framed like I chose these clothes primarily to cause some kind of petty harm to her, when not only was it not true but I was not even that kind of person who would gloat over intentionally irritating someone.

The queerness of this show isn't a sneaky, underhanded act trying above all to upset a bigot or celebrate someone's homophobic fury. It lives for itself. Its existence is about itself. It's so we can see ourselves in a show, and it's so people who aren't queer or don't have those experiences can see that we exist, we participate, we want very similar things, and definitely are focusing way more about celebrating our love at our own weddings rather than relishing the thought of bigots tearing their hair out and hating us.

It's dangerous to turn every act of our love into a deliberate movement in a battle strategy when their weddings just get to be weddings.

I think there’s this idea that that [queer characters] is something that applies or should be only discussed with adults that is completely wrong. And I think when you realize that talking to kids about heteronormativity is just like air that you breathe all the time, it’s kind of amazing that that is not true in any other capacity. I think if you wait to tell kids, to tell queer youth that it matters how they feel or that they are even a person, then it’s going to be too late! You have to talk about it—you have to let it be what it gets to be for everyone. I mean, like, I think about, a lot of times I think about sort of fairy tales and Disney movies and the way that love is something that is ALWAYS discussed with children. And I think also there’s this idea that’s like, oh, we should represent, you know, queer characters that are adults, because there are adults that are queer, and you should know that’s something that is happening in the adult world, but that’s not how those films or those stories are told to children. You’re told that YOU should dream about love, about this fulfilling love that YOU’RE going to have. […] The Prince and Snow White are not like someone’s PARENTS. They’re something you want to be, that you are sort of dreaming of a future where you will find happiness. Why shouldn’t everyone have that? It’s really absurd to think that everyone shouldn’t get to have that! --Rebecca Sugar

[nothorses]

I came across this paper:

https://www.academia.edu/71372307/Trans_masculinities_embodiments_performances_and_the_materiality_of_gender_in_times_of_change

I'm not well-versed in academic language so I can't really understand all of it, but it seems kind of gross and condescending, especially when it's using testimonials of transmasc's desire to be seen as men to, idk, prove that masculinity isn't really queer or something? I'm curious how other (smarter) people would interpret it.

I mean, your understanding of it is just as important as mine! I'm happy to add my thoughts, though.

My understanding is that their thesis is essentially "masculinity is related to maleness and the male body specifically, and we know that because transmascs want to have male bodies". They allow for some nuance here in references to other literature, and I agree with that angle of their argument overall, but their premise is fundamentally flawed in the exclusion of trans theory and trans narratives.

Like, yes, masculinity is in some way related to appearance and the "male body", and there are a lot of reasons for that! But is the dysphoria of trans people really ironclad "proof" of what maleness and masculinity are? And why don't they spend any time talking about what dysphoria actually is, what trans people think it is, why trans people think they feel the way they do, or what trans academics have to say about any of this?

I have a lot of other issues with this paper as well, and I could probably write a paper just as long as theirs going into all of the reasons for that. But I think that answers your biggest question; what they're trying to prove, how they're trying to prove it, and why that comes across so weird.

To your other question ("is it condescending?"): I think this is kind of subjective overlay, but the way they go about analyzing their data is pretty condescending, in my opinion. They tend to frame their participants' responses as kind of misguided or ill-informed, particularly Diniz- who they definitely discuss as "trying to justify his choices" to identify as nonbinary while also seeking medical transition, like this is inherently contradictory and must therefore rely on some kind of delusion or desperation. It's weird!

I do also want to point out, briefly, that they also really cherrypick which claims they bother sourcing, and how they try to back them up.

They argue that trans men have male privilege based on the opinions of, like, three of their 30 total participants- and then carry this as "fact" through the entire paper, uncontested. That's extremely fucking weird and super suspect in a paper like this! I just wrote my own qualitative research paper based on interviews (which is what this is), and it's pretty standard to acknowledge the limitations of your research, and to position your results as non-definitive. Like, that's been a major part of every discussion with everyone I've talked to about my research. I would not have been greenlit to receive my degree if I hadn't been careful to avoid framing my research the way these people frame theirs.

The other weird thing they do is cherrypick statistics- or rather, one single statistic- to "prove" that transmascs do not suffer as much as other trans people, or possess some kind of privilege. They only cite murder statistics from one source; apparently that's the only relevant metric for quantifying all oppression? They also fail to acknowledge any possible shortcomings of this statistic, like the issues of under-reporting and misgendering of transmasc victims.

I could go on; I have a lot of gripes. But I think your criticism is totally valid, this was a weird and frustrating read.

Also curious if @genderkoolaid has thoughts- you tend to talk about gender studies from an academic position more, and you probably have a lot more field-specific expertise than I do. I'll boost other additions too, I love a good academic discussion!

[jenny-in-a-jar]

🌈 2 Days Until my Surgery 🌈

(Picture taken June 8th, 2024)

I'm very very excited for my surgery (it's my second gender affirming surgery but this one is more significant to me since it'll be top and bottom surgery) and I'm obviously counting the days until it and I thought some people might be interested in my trans journey 🏳️‍⚧️ I finished up most of the story yesterday so today I'll queerness bc it's pride month under the cut! 🌈🌈🌈

But you can read through my journey starting here

First, let's talk about this outfit. Yes, I bought the shorts and top at Spencer's and honestly you can easily find someone who matches it at a large enough pride event. But, it's hard for me to not be sentimental about it. Especially since I wore it at least once the last three years.

(Pictures taken June 11, 2022 and June 10, 2023)

And you can see how it and I have subtly changed these last three years of my transition. (Too bad I didn't have for my first year of transition but such is life 🤷‍♀️). And every year I get excited to wear it again!

Because being queer means a lot to me. I wasn't one of those people who always knew they were queer. But, I never felt connected to my cishet peers either. It's odd looking back and thinking about how my normal group of friends were cishet but at things like summer camp and then college I would quickly make friends with queer people. I really wanted to be like them but couldn't know why because I felt like I didn't deserve to be as cool and free as them.

But, when I let myself dive head into queerness I finally realized that I queer people are mostly awkward nerds and all of them just want to live their lives as fully honestly themselves. And that I could relate to. And that's what made it easy for me "to rip off the band-aid" and transition. It's what let me walk out into a world where I knew I would get hateful stares because I knew I wasn't alone. And seeing how other queer people's eyes light up when they see me showed me I made the right decision because I made them feel less alone too.

And making friends in the queer community is so much easier than in the cishet community. Because there's a lot more likelihood that they'll understand your awkwardness and admire your weirdness. I said earlier that I had gone to a few house parties and actually enjoyed myself for the first time. I think the best way to show why is this anecdote. I remember being in this circle of people standing around awkwardly silent and then someone said "I'm autistic and house parties make me uncomfortable can someone start talking?" and someone replied with how they felt the same way and how they felt the same way and then a conversation started about how hard parties are and social interactions in general but we were glad to be here and to try to connect with people.

And I love studying queer history a lot. Mostly because I'm curious how I would fit in to a time/culture in history. But also I love seeing how we don't fit in existed and how society understood our non-conformity. We have always existed. Queerness is part of the human condition.

The queer community is far from perfect. We all come from very different backgrounds and often have biases we need to work on. But, it's worth it to carve out your place in the community and to find people who understand and support you and to reciprocate for them. Because the alternative is being alone.

And we all deserve to feel loved, in whatever form you need. And because I'm feeling sentimental so here's a picture of me and my love 🥲

(Picture taken June 8th, 2024)

I have one last update before my surgery tomorrow where I'll look towards the future ✨

Next part

[jesncin]

Where the Wild Things Are, morals for kids, and queer art

One of my favorite things about this children's book is that the way adults respond to it is a great litmus test for how much they get kids.

At it's core, Where the Wild Things Are is a book about a tantrum. Max misbehaves, is sent to his room without supper, imagines a world where he gets to be in charge and let all his monstrous rage out, but when he's had his fun? "Max the king of all wild things was lonely and wanted to be where someone loved him best of all" he says goodbye to the beasts and makes his way back home where "he found his supper waiting for him. And it was still hot." It's still hot. The book describes his journey into and out of Where The Wild Things Are as taking "years, weeks, days" that he can smell his supper "far away across the world" but that's because everything feels so big when you're a kid. Your tantrums feel like they last an eternity but by the time you're back from it, your supper is still hot.

Deep down, Max understands that his mom sent him to bed without supper because she cares about him. Because when he's out having a wild rumpus with the beasts that follow his every command, he still sends them to bed without supper. Max might not understand why, but he sure does repeat that action to the beasts he watches over as king. Supper is still waiting for Max when he returns because his mom understands that even though Max misbehaves, it's not coming from a place of malice. It's a tantrum, and kids come back from that. They don't mean the cruel things they say or do.

So when I see grown ups read this book and go "what the heck?' This book is about a spoiled jerk who gets to boss monsters around and come back home to a nice meal? Where's his punishment??? He didn't learn a thing! What's the lesson?" I'm just amused. "he threatens his mom and she lets that slide??" Dude, the mom calls him a "WILD THING!" and he responds "I'LL EAT YOU UP" a child can't threaten you. "what if this book influences my child to act out, thinking they'll be rewarded??" Kids are going to act out no matter how you raise them.

This book has stayed with me because it's pretty to look at, it scared me, understood me and as I grew older I learned that the author, Maurice Sendak was queer. Sendak was also the son of Polish-Jewish immigrants escaping the Holocaust. He never told his parents he wasn't straight. "All I wanted was to be straight so my parents could be happy. They never, never, never knew." Adults constantly demand moral closure from kids' media. To them, kids have to be taught and disciplined and influenced into the right behaviors. But Where the Wild Things Are isn't that kind of book. This book gave me a space to let out my messy, ugly, tantrum feelings without being judged or punished for it. I didn't have to learn a lesson. I got to go to Where the Wild Things Are and come back when I'm ready.

I'm a children's book author now, and there's something so special about being able to connect to another queer creator through their work like this. My book also talks about how important it is to have the space to just feel and make sense of change. A lot of queer art is inherently challenging. To know that even the stuff we craft to nurture kids can still confound and challenge their parents? "What if this book influences our kids??" some things about queer art never change.

[bloggingboutburgers]

If it's okay to ask, how do you handle acephobia as an adult? I know that's a broad question, but it feels like ever since I become an adult, the acephobia in my life has kicked into overdrive. Suddenly, if I'm not an active, excited participant in 18+ conversations, I'm being @'d and teased for it no matter how many times I disengage from the conversation or say to just leave me out of it. I've had (ex, otherwise extremely toxic) friends tell me that my version of aceness doesn't exist because "nobody is that sex repulsed" because I don't read fics if they have 18+ scenes, that I can't be childish forever, and that they hated that people wrote fics about sex repulsed aces. My mother told me that she regretted not being more openly loving with my father because she thinks that's what caused me to be asexual as an adult. Being a kid gave me a shield to hide behind, but now that I'm above 18, there's just this assumption that if you're not totally comfortable with 18+ topics, you're either an infant or a puritan, and you need to be fixed, and I don't really know how to handle it without making these people feel validated that I'm "just a puritan." I just don't like being the butt of the joke because of my sexuality all the time.

Hmmm... I'll be honest, I guess I didn't see that much difference between as a teen and as an adult myself? But I guess it might be a cultural thing about the rapport to sex related to age. In my country, at least when I was growing up, you were very much expected to have an interest in sex-related topics in high school already.

That said, everything you described is true. And because I've wanted to hiss so many times at what you've described, here's deconstructed thoughts:

I'M that sex-repulsed, anyone who says that shit can fuck off

Anyone who says they downright HATE that people write things about sex-repulsed ace has a queer hate issue. That's downright what it is. It's fucked up and they oughta check themselves and their aphobia.

Aah yes, the classic "sex=adult and that's the only thing that equals adult ever". While we're at it I'll also assume that when they say "18+" they just mean sex and none of the other many many things only a person over 18 experiences and understands?

Anyway... It sounds like you're surrounded by pretty fucking sucky people. Granted personally there's a fuckton of bullshit I just smile and nod at on a daily basis, and I don't hang out in group spaces, much less in fandom spaces, because sadly with the state of how things are, I know they're kinda anti-me by nature. It's lonely and heartbreaking and I won't pretend it's easy every day, far from it, but the alternative of having to force oneself to put up with even more hate and erasure is worse.

So yeah, lots of self-preservation reflexes. Lots of laughing at a person's aphobic joke like "Wow that's a glorious asshole if I ever knew one and I'm gonna stay as far away from them as I can from now on." Got very tough when that description involved some coworkers in the past, but hey, at least my dance of joy was all the more satisfying when they left the company.

And on the flip side, if a person is friendly and open to listen, and learn if needed, without dismissing me? Oh you bet I'll hold on to those people for dear life and do my best to hang out with them more. Such people are scattered across my life, but they helped me build a support system of self confidence that made it much easier for me every day, and helped me build the confidence to come out as ace to my whole family over time. (I also have amazing bros who somehow always seemed to consider my asexuality as an obvious part of me and their opinion is the one that mattered the most to me from the start family-wise, so y'know, I'm lucky.)

So yeah... Preserving myself from people who invalidate me and cherishing those who don't really did a lot for me. It made me more and more confident over time to mention that I'm ace casually to new people, because these people taught me that hey, sometimes you tell someone you're ace and they somehow DON'T turn you into a laughing stock for it! And yeah, it's kinda fucked up that this has to be some kind of incredible news, but... Hopefully the fact that it's possible nonetheless can bring you a bit of hope.

Ofc that also means that sometimes I'll be having like, dinner with friends of a friend that I've never met before, and suddenly I'll find myself thinking "Wow these people who just met me and know nothing about me just made like 3 jokes involving me having sex in the span of 2 hours, and I forgot that was apparently 'normal'." It's weird for sure. Bit of a survival game of sorts sometimes. But hey... It's a life, ig, we didn't choose our lives so we gotta play the hand we're dealt. And uh... How did that Bojack Horseman quote go again? Oh yeah.

[kevin-the-bruyne]

why I thought the kristsingto dance was offensive

My reaction to the KristSingto dance was, in fact, pure and utter shock with an immediate follow up of "well good for Thailand for being so progressive" and that was what I thought would be the end of my engagement with that performance and yet when I read this post by scarefox with commentary added by thebroccolination and hallowpen (mentioned to give credit untagged because I have social anxiety and forcing people to read my post is my worst nightmare) my mind was filled with thoughts that took me the greater part of the day to sort through and I still don't know if the following will be adequate. Because OH HO HO as it turns out Thailand isn't that progressive which means that this performance was constructed to be like this ON PURPOSE. This post is in conversation with some of the concepts brought up in the linked post so it will be helpful in understanding the direction I've chosen to go with this. But the linked post is a great post and you should read it regardless. There is much to love about the Kristsingto concert and even more to love about their sexy dance - the primary of which is how it makes every single one of my Asian sensibilities ring MAD alarm bells. I'm a diaspora south asian but I moved to the US alone when I was 18 which means I have an intact sense of Asian respectability, regularly replenished by my parents. I MEAN LOOK AT IT - THEY ARE ON A FREAKING BED!!!! SIR THAT IS A BEDROOM ACTIVITY ONLY

But some serious highlights as to what about this performance sets it apart: 1) The performance is focused on sensuality and desire. They're dressed like dancers and not particularly sexy ones. Everything about this performance is pared down to only focus on their movements. The costumes are simple, the bed is simple, the lighting mostly monochrome. There is nothing to see here BUT their desire for each other and the sex they are simulating

2) They are playing to each other and ONLY to each other and not the audience. This is probably THE REASON why it clocks differently from literally every other raunchy performance. They are dancing for EACH OTHER. The performance starts behind a screen, and the sex simulation is the most intense at this stage but then THE SCREEN FALLS but for the purposes of the performance, KristSingto don't even acknowledge it. The audience is THRUST into the position of a voyeur and remains so throughout the performance. Like there is a BED that looks like it came straight out of Krist's bedroom like give me a fucking BREAK sir those are inside house, behind closed doors activities you are engaging with on stage.

Even the parts where Krist or Singto face the audience it is a) never together at once and b) they are mirroring each other's movements highlighting their connection to each other over their individual connection with the audience. There is no hip thrusting, no flirtatious looks, absolutely nothing that would even remotely suggest that they're trying to titillate the audience. All the titillation is directed towards each other. This feeling of looking into a private moment is deeply, deeply uncomfortable.

3) It's KristSingto. So much to be said about this and I have a strong feeling that I am not the person who should be speaking about this. But it's Krist and Singto, highly respected veterans of the industry who don't 'need' to be engaging in these types of 'extreme behaviors' to get ahead. So why would Kristsingto need to 'resort' to these behaviors?

Well, because the purpose of art, and I would argue quite specifically queer art, is to push the boundaries of how society allows the 'self' to behave and express itself. There is a reason why BL has captured the fascination of so many straight women. I would argue this is true everywhere but specifically for Asians, the shackles placed on queer sexuality did not feel so different from the shackles placed on women's sexuality period. Queer sexual liberal *is* sexual liberation and there are a lot of outgroup parties who have a vested, personal interest in pushing this agenda forward. I have to stop before this gets so long that I have to find a university to grant me a masters but 'Fanservice Is Wrong' and 'Fanservice Has Finally Gone Too Far' is just the fan service discourse. But the truth is that Fanservice *IS* radical queer visibility and always has been. I started my fandom journey in JPOP nearly 15 years ago and that was the conversation then [link takes you to a fanservice kiss between Ninomiya Kazunari and Ohno Satoshi from Arashi in 2008 that was 6 years in the making but I digress] and apparently if KristSingto will get to have their way that will be the conversation now. To deny their dance as offensive is to deny the incredible ways in which it's in conversation with the society they're operating in, the risks they are still taking even amidst widespread celebration for the Marriage Equality Bill in Thailand.

KristSingto had totally blown the doors, windows and glass ceilings wide open with SOTUS that I would argue had rippling effects on the BL being produced throughout Asia, not just Thailand. And the pressure of that was SO high, that attention so unexpected and burdensome that neither could actually stay and enjoy that moment. OffGun and TayNew had reaped more fruits from KristSingto's labor than Krist and Singto. KristSingto isn't just another branded pair - they are quite literally BL royalty and they are not here to play games. Except this time they are pushing the envelope with their eyes wide open and I am buzzing to see what's next for them.

[buffkitties]

Thinking about how Komahina is literally canon.

People dismiss the fact that they canonically have a strictly romantic relationship because it's apparently not "obvious" enough, but for a game from 2012, it is actually rather clear.

I feel like people don't understand that media tends to portray queer relationships in more subtle ways as opposed to straight relationships because of the stigma surrounding gay characters. Danganronpa is not, and will not ever be, the only game to not outright come out and say that the characters are queer and that they are into each other.

Even if these details can be missed, I think it was mostly the localisation that didn't deliver the implications right because when you actually pay attention, they're basically confirming it without saying it.

In the original version, Komaeda blatantly flirts by saying things that are vague enough that they COULD be missed, but those who know will recognise the meaning. His confessions, worded in ways that wouldn't be understood unless you knew his characters to some degree, and the context for his words (EX. Chapter 3), would be misleading or telling you nothing. Chapter 4, he mentions their good chemistry and admits he cares.

Additionally, Hinata, too, gives us subtle signs that he finds him attractive. He speaks of a bond and meaningful relationship, and he constantly says that he would like to understand him better/be closer to him. It also goes as far as very vague answers or questions, such as the scene with Komaeda telling him he wouldn't mind if he just wanted to see him naked, and there being nothing except his little, "You don't mind..?" (Neither a confirmation, nor denial, just genuine wonder; curiosity; he wanted to know more, to prompt him on it).

Komaeda is just more obvious than him, but Hinata is aware of his advances, and he does spend time thinking about them.

For example, in his last free time event, when he walks away from Komaeda. He hears him speak, and even if he had already left, he listened to every word he said, then carefully considered them. He was most likely aware of what he meant, and even if somebody didn't know the actual words, it's still very hinted at in the English translation.

» "If he obtains the hope he desires, what will he do? Strangely enough... I feel like I want to see that." <- Referring to Komaeda speaking of the hope inside him; he implies that he would like to see Komaeda obtaining the hope... That Komaeda apparently was in love with (although that was just a panicked lie, and the English version messed it up). In other words, he wants Komaeda to have him, or whatever he said he likes about Hinata. The implication is still there, with or without the confession being messy.

Additionally, Komaeda is the first person Hinata meets, which points towards him being important to him, at least more than the others. He was the one to stay by his side when he needed it the most, and the one he trusted first; he was the first person he saw—and that is the person he still sees, even in the end, when he's resentful towards him: "If I'm a nobody, then... You should've just left me alone." -> Hinata, after Komaeda is already dead, remembering their first meeting with a feeling of bitterness in his heart because he couldn't handle Komaeda's death. It's another example where he feels abandoned by him, just like in the first trial, just this time, he goes as far as wishing he'd left earlier, right at the very beginning, rather than when he couldn't imagine him gone. And I say that because Komaeda is the only person he didn't expect to die—he'd experienced this before, finding a dead body, but it was never Komaeda, and he'd never felt so empty and in disbelief, and he was never angry at the person who had died, instead of the killer. Before they find out it's a suicide, he blames Komaeda, or rather, targets him with his anger like he was saying, "Why did you have to go and die on me? This wasn't meant to happen." And he imagines him there, during the trial, a lot: Things he'd say, things he'd do. He gets sensitive about their relationship being mentioned, and when implied to be friends, he gets snappy. He's very touchy about the subject of Komaeda, just like any other person grieving their loved one would be.

Komaeda is the one he trusted the most and believed in his abilities. He trusted his ability to stir the trial any way he wanted, he trusted that he was saying the truth, he trusted that he would be hiding something, he trusted that Komaeda would be difficult, he trusted that Komaeda would help him if he needed it, he trusted that Komaeda would give him hints, he trusted that Komaeda knew, he trusted that Komaeda would oppose him, and he trusted that Komaeda would bring him closer to the truth. Most of all, he trusted Komaeda with information, and he trusted the information he was provided, and he often didn't break that trust, especially when they whispered between each other, and kept the evidence to himself until the trial. He investigated with him. He gossiped with him. He bantered with him. He listened to him. He saw him—for worse, for better, for all that he was. He judged him, and he was annoyed with him. He didn't even like some of his traits, but he still loved him. He knew what to expect from him.

To love someone is to see them and not turn away. To love someone is to want to see them, and even if you're unable to, you're willing not to turn away and trust them. To love someone is to allow them to see you.

Because Komaeda saw him, too. He saw past talent, even though he was most likely aware of his lack of talent. Even if he didn't know, there was never anything to go off on. There was just Hinata, one who was neither talented nor untalented, just an unknown status. He was just Hinata Hajime.

And he saw the stubborness, and he saw his will and the pressure he was under. He saw his anxiety, he saw his fears, he saw his efforts, and he saw his abilities. He was there for him, and he was there when Hinata needed to grow. He was there to push him. He was there to distribute a flame enough to make him act, but never to burn him. He was there to give him confidence and to boost his will to live and do something for himself, rather than depending on others. He passively encouraged him, and he made him feel like it was just his own achievement rather than because he was there to push him. He forced him to have to believe in himself and to stick to his word, even if he was in a tough situation, and to fight for what he wanted—for what he thought was right. He forced him into a position where he needed to defend himself, but not in a way that would break him, unlike many others, who just wanted to win. Every time he opposed him, it was for a purpose, and he never had the desire to silence him, just to see him do his best. And he helped him fight, not out of desire to win, but to see the meaning in it.

To love someone is to guide them, even if it requires a push. To love someone is to be there for them, not coddle them.

And he, too, saw Hinata, just like Hinata saw him, for a person, not talent. They saw each other for who they really were, the people they knew and trusted with their lives.

[ninyard]

last but most certainly not least. pt 3 of the bonus chapters (TKM)

Aaron's chapter (once again going to be putting like. the whole thing here.)

One of these days Aaron would love to know what about that mouthy liar had people bending over backwards for him [...] He could waste his time being angry, or he could go the tried-and-true Minyard route of infuriating everyone else around him.

i love how much he despises neil fr. and the Minyard route???? i love that

"Hey, Bee," Aaron said.

why did this like. give me such nathaniel neil vibes. hes so cunty for this im obsessed

Andrew looked relaxed where he was tucked into the corner of the couch, one knee hugged loosely to his chest, but Aaron wasn't fooled. They were twins: there was too much of them in each other despite all the years they'd spent apart.

one) andrew is so cosy <333 two) ouch. THERE WAS TOO MUCH OF THEM IN EACH OTHER DESPITE ALL THE YEARS THEY'D SPENT APART????? literally screaming into a pillow at this one

"Did you know Andrew's fucking Neil?" [...] Andrew cut in with a flat, "I'm not." Andrew wouldn't waste his breath lying when Aaron was right here to argue with him, but Aaron knew his accusation wasn't far off the mark. [...] That Andrew hadn't sealed the deal yet was the least important detail, but Aaron was willing to be an ass about it.

I love that andrew is banking on the technicality that like. no he's not. they haven't. and aaron saying andrew hadn't "sealed the deal" has me SCREAMING. thats so funny

"Go slash some tires, or whatever it is you do for fun."

HES SO FUNNYYY

"You made him a priority," Aaron said. "[...] but for the record, I think he's an insufferable asshole. [...] Exy this, Exy that, get a fucking hobby. Oh, but i guess he did?" He sent a pointed look at Andrew.

GET A FUCKING HOBBY. aaron minyard i'd die for you.

"You know, I asked him about you. I asked him if he was taking advantage of you. He tried to punch me out." "You bring out that urge in people," Andrew said.

i'm so glad that we know now that andrew knows about this interaction. like i wonder how he felt hearing that.

"Betsy and I were talking about Monday." [...] Andrew hadn't called her "Betsy" in over a year. He'd never seen Andrew so hard on a back foot, and it was as terrifying as it was thrilling. [...] Andrew didn't want to talk about Neil with Dobson because once he broached that subject he either had to lie to all of them or admit Neil was more important that he wanted him to be.

throwing up, literally no words just throwing up

"I like Neil's promise ring, by the way."

AARONNNNN. HIS PROMISE RING. PLEASE. and also the "Matching set, very cute." why is he so funny

Andrew's smile was all ice, and he wielded honesty like a knife. "They're not decorative, you ignorant little shit. Someone like you wouldn't understand the importance of hiding scars." [...] Aaron would have to figure it out later, but not now. Andrew was trying to pull him off track and [...] he'd never find his way back if he followed it to whatever ugly truth Andrew was hiding. He forced Andrew words aside to haunt him later

this just made me wonder if there's every going to be a moment where aaron figures out what this means. like. my stomach feels sick thinking about it just him having this moment where it clicks and makes sense and he realises what andrew's hiding and will they ever be able to have that conversation?????

"It bother you your pet project is queer?"

AARON

"I'm not always okay with what he is, but these days it's less that he's gay it's that he's [...] weaponized it. It took him so long to come to terms with it that now he lashes out first, pushing as hard as he can to figure out who's safe and who isn't."

nicky baby :(( why does this make me so sad

"I don't care that you're gay, and I don't care that you picked the literal most irritating person on the planet to fall for. I care that you're being a hypocrite."

Aaron Minyard #1 neil josten hater.

Andrew was picking idly at his jeans: an agitated tic that had mostly disappeared once his medicine was out of his system. [...] Maybe he needed a few more moments to come to terms with their easy acceptance. [...] Finding out how important he was to Andrew was an ongoing, eye-opening experience. Finding out just how important Dobson was, that Andrew wouldn't risk her unfavourable opinion by telling her the truth about his sexuality, was equally fascinating. [...] She truly mattered to Andrew when so few people did anymore.

once again andrew :((( my boy :((( why am i crying

"I love Katelyn. I love her more than anything. I want to spend the rest of my life with her, but I am trying so goddamned hard to wait until graduation because you asked me to. So why aren't you doing the same?" "You have abysmal taste in girls," Andrew told him.

KATEAARON YOU WILL ALWAYS BE FAMOUS TO MEEE

"Neurosurgeon, right?" [...] He and [his mother] had been watching a medical drama with dinner while Andrew hovered silent and distant in the doorway, and Aaron had foolishly said, I want to do that. His mother laughed him out of the room for daring to think he could make anything of himself."

one) andrew talking about aaron to bee two) andrew being the only person who remembered or knew he wanted to be a neurosurgeon three) his mom laughing at him :(( for daring the think he could make anything of himself???? what the fuck and also andrew signing to the team for aaron's sake to get him through college to follow his dreams??? sobbing

"I'm trying, okay? I'm trying. Years too late, I know, but you refused me first. I begged you to come home with me. You can't blame me for not trusting you." "I am capable of multitasking," Andrew said. Aaron heard what he didn't say: I blame us both.

SDHFGAOLFGAJRDHGJDF

"She's just another tiny skirt here to use him up and distract him from what he wants."

ANDREW

"My hands are full with too many idiots," Andrew said. "When she shows her true colors, I will not have the energy to put him together again."

one) liar. i know you'd go to the ends of the earth again and again and again for him. two) TOO MANY IDIOTS

"You can't be brothers while you are each other's jailors."

:D screaming

"Says the man dating a mafioso." "I'm not dating him," Andrew said, with a hint of impatience. Aaron saw right through him, and it was enough to make him smile as he turned his gaze out the window. "Liar."

sobbing. they love each other so much and Andrew is such a liar and i can't deal with them. they kill me

[zan0tix]

May I just say I really really appreciate your approach to and respect for the transfemininity embedded in Homestuck. Like the fact that you depict Jake as a kind of "genderfuck" (for lack of a better word) character without trying to divorce that from transfemininity as so many others do, as well as being able to depict Roxy with certain clocky characteristics without disregarding her femininity or making it feel fetish-y, is all really admirable in my eyes. It gets extremely frustrating seeing large swathes of the fandom constantly trying to separate the story of Homestuck from transfemininity despite it having a transfem enby author, so I really appreciate that you don't shy away from it in your art :)

I am so glad!!!!! Its something ive Always noticed in like every fandom since i first got onto the internet the disparity between the amount of transfems i knew vs how often their story got to be uplifted in fandom spaces or get to be celebrated how transmascs did considering how queer dominated they are but then i grew up and realised how badly male centric queer spaces are too😭

Homestuck is one of the spaces that has a big amount of transfems openly engaging in fandom activities and that makes me really happy to see! since i often see gross rhetoric from transmascs or cis women about fandom spaces abt “who is allowed” and “fandom being a safe space” cough blatant transmisogyny (sobs everywhere its so bad)

I DONT UNDERSTAND HOW PPL BRUSH PAST HUSSIE BEING TRANS SO OFTEN ISNT THAT INSANE. To me it reframes homestuck how the creators of the matrix being trans does. Like I dunno maybe that informed the works presentation of gender somehow. Maybe all the commentary and critique and displays of frustration at the contradictory nature of gender but especially trying to fit “being a man” in society came from somewhere when they were writing it 🤔🤔🤔 hussie said it herself that alot of homestuck was just stream of consciousness. Everything that comes out of daves mouth near the end seemed very plausible to be a reflection of hussies own journey realising that Actually these boundaries of what defines A Good Man and A Good Woman are ridiculous and no person can possibly live up to that no matter what were told from birth.

But i try my best to reflect the innate transfemininity of homestuck and the majority of its cast, its something integral to the works themes and just the community who built it! It saddens me how skittish other transmascs are about engaging with or portraying the transfeminine stories when its just. Practically textual. And all you need to do is Listen and empathise. I love learning how other feminine people see themselves in this story like how often do you get such a menagerie of in depth fem characters. And i love seeing what the experiences transfems see echoed in homestuck are because its all such insightful stuff About femininity and its beauty and its ills all at once. Roxy..kanaya.. wipes tear from my eye.

I want to actively include and celebrate transfem features and bodies as much as transmasc ones get to be around here and i am glad my jake and roxy do feel that way 🥹🥹 my aim with my designs is to make them feel like some everyday people youd see, no fetishisation/sexualisation or demonisation, just Existing and appreciating. Because i know how much it can mean to see yourself in something and for that to be treated with care and kindness. Its why i create in the first place! Because of how others creations gave me that comfort when i couldnt find it elsewhere

I feel similarly about how people portray fat women or just like. Women in general. its sad how badly the whole sexualisation = acceptance warps how people portray things fatness or transfem features. Never ever saying these things arent hot or sexy or to be appreciated. Duh. I think how i portray jake says enough abt what i think of that LOL just that It feels like its the only way people try and show theyre accepting? Which just feels so gross and dehumanising the only way they think to display they feel empathy is through saying “Yeah i can get off to people like you”😭

Rlly bad in society in general so also in the homestuck space. Worlds hardest challenge is liking the alpha kids. Im so sorry for what they do to you jane and roxy🥲🥲🥲 Its baffling because Homestuck is Prime Example Numero Uno of how to humanise characters. Just display them being people; their thoughts, their feelings, their insecurities, their passions, their woes, their loves, their losses. So much can be communicated through how a character speaks with their friends.

I wana do that for jake and roxy! They get to be dimensional too! I like showing their laughs and their sorrows, just them Existing with the people around them. They get to be a part of the lighthearted comedy just as the rest of them do. They get to be a part of all the gender and sexuality insanity going on in their friend group, can point out their flaws and mistakes and insecurities. I dunno its rlly not that hard to just empathise with them and want to tell their stories.

I am so invested in the raw unabashed Humanity of homestuck. Its just one person pouring their brain contents into this huge thing and it displays the best and the worst and the absurdity and the questions. Its so interesting and hussies transness IS JUST BAKED INTO IT. Thus the characters contain that too and it kinda stinks of transmisogyny to throw that out!

YAPPING TOO MUCH OMG but i rlly appreciate this ask🫶🫶🫶makes me so happy to hear