#if something changes about my writing... it could be my editing ^^'

[genderqueerdykes]

hi um. i’d like to ask you for some advice, since it seems like a lot of people come to you when they need it. i’m a trans girl who’s been taking estrogen for 2.5 years but. i’m just so disappointed and unhappy with what hrt has done for me. i feel like i’ve been completely taken over by doomerism from me constantly comparing myself to other transfems both online and irl, and from spending too much time on trans reddit (i’m sending you this ask instead of writing another vent post on r/mtf). through this i’ve convinced myself that i will never be happy with my body, or that i’ll never have real boobs or a feminine body at all. i really really don’t want to give up hope, but it just seems so far out of reach, and i’m stuck down here in this inky abyss. what do you do in dark times when you need to regain hope, but you can’t do it yourself?

first of all, i wanted to say i'm sorry that you're feeling this way. medical transition is a very finicky thing. there is no way to predict what will happen and when, so it's okay to feel just. completely bummed the hell out when you're not seeing the changes you hoped for yet. i definitely see how it can be crushing, especially when you know your body needs to look a different way for you to be happy. it's important to consider people look a lot different irl than they do in photos and videos. camera lenses can only capture so much. pictures and videos can be edited. it's hard to compare yourself to something like that

& i did want to say that you're definitely not alone! there are a lot of girls in your exact situation. with everyone responding to HRT differently, you'll see girls who get changes right away, and girls where it takes a long time. changes with HRT generally happen very slowly, way slower than the eye can perceive, so it's okay if you feel like nothing is happening. your body just may need more time to adjust

have you ever increased your dose? if not, that is totally an option! you may also want to look into progesterone if you find that you're not happy with your breast growth after some time. it's best to look into progesterone first to make sure it's right for you, as it will affect more than just breast growth, but i wanted to throw it out there as an option! if you're not on an androgen blocker, this could also potentially help you

for both estrogen and testosterone HRT, it can take a minimum of 5 years for people to begin seeing the effects they were desiring. 5 years, minimum! that's a very long time, comparatively, you are very early on in your journey. the effects you want to see may just come along further on down the road. i know it's easy to fall into the trap of comparing yourself to others. it's good to remind yourself that they are not you, they do not share your genetics. they look like them. you look like you. it's okay that you don't look like those people- they're not you.

it doesn't make you any less of a woman just because you haven't seen these changes yet. there are plenty of women who look just like you, cis, intersex, trans, genderqueer, and otherwise. there are many cis and intersex women who don't "pass", and it doesn't make them any less of a woman: the same applies to you, and every trans girl. dysphoria can be a real pain in the ass and make things harder than it needs to be. it's okay to not be content with where you're at now. it's okay to be frustrated that you're not seeing the changes you want to right now. many, many trans people feel just the same way you do.

you may feel awkward and uncomfortable right now because you're literally in a transitional phase. think about when teenagers go through puberty, about how awkward they look and feel. cracking voices, bodies that are "in the middle" and not fully developed. that's what you're going through at the moment, and its okay. it just takes time for things to fully settle in.

what i would suggest is trying to find ways to do some self care that affirm your gender that don't involve your appearance. validating yourself in other ways is extremely important. building yourself up takes time. if you feel insecure about how you look, it's okay. you can start building your confidence in your identity and gender in other areas of yourself, first, then move on to your appearance. try to spend time with people who respect you for who you are, no matter how you look. try to surround yourself with people and things that affirm you

i hope you start seeing those changes you want to see soon. if you need more advice, feel free to ask! if any other trans girls on E have any advice for the asker, or relate to the experience, please feel free to chip in with some feedback on this ask, or by sending an ask! due to being intersex, i was taking estrogen and progesterone despite not wanting to, so i was not cataloguing what was changing or anything like that, so i can't speak from personal experience there despite having been on E HRT in the past.

take care of yourself for now. try to go easy on yourself, you're still in your coocoon. the day where you emerge as a butterfly is on its way, it just takes a little time. please feel free to come back any time. i hope we can get some good insight for you

[lanternlit]

smokedanced is now lanternlit

And with this I return, so excited to be writing again! Further changes...

I have moved Castiel and the Thirteenth Doctor here from their previous blogs (waywardfeathered/dochaes). If you were just followed, we were probably mutuals there! Hi! I plan to slowly follow everyone I had ongoing interactions with or asks I planned to reply to, on those blogs. Slowly, because I want to double check people's guidelines pages first. If you follow me back here, I plan to automatically reply to our things on this blog :)

I've rewritten my guidelines. The contents are mostly the same, but a lot has been reworded, and some minor things have been added or deleted, so it'd be awesome if you could give them a read. I guess this is technically optional, since they're mostly the same as before.

A few muses have been dropped. Kenna de Poitiers, Jeremy Bradshaw, Juliet Burke and Tyrion Lannister have been dropped as muses.

New muses have been added. Cas and Thirteen have been moved here from their previous blogs, and I have added Fifteenth Doctor as a muse. Jake, whom I added, um, nearly a year ago... finally has an about page, now, as well. You all get free shots to fire at me about how I had an OC among my muses for a year almost without any kind of an about page.

Some muses' stories have been altered. Namely, Mary Stuart is now a modern AU based muse, and I don't write her in Reign canon at least for the time being. Ella Finnegan has had her story altered, as well, basically the way her psychic abilities work have been changed. The latter will be easy to retcon in any ongoing interactions.

All muses have at least a dossier and a character premise page. This one is something I am proud of myself for, but also fuck, I got so frustrated trying to write the character premise pages that I can see it when I look at them, what with some of them having the most simple sentence structure and all, but I figured... better some information for my characters than none??? Everyone has something, now! Also, no more half the muses only having placeholder images on their pages! PRAISE THE ABSOL... I mean, my self-discipline. Because these past weeks I have just wanted to COME BACK AND WRITE, but I made myself have those tabs for all the characters first.

It is currently nearing 2am so pleaaaaase excuse me if this post is chaotic. Hi dash love you dash.

Lots of muses have been switched between their activity status. Current list goes:

primary muses: cas, hannibal, iris, izzy, jillian, the tardis, thirteen, will

secondary muses: edi, ed, ella, ever, garrus, lucius, mary, tali, ten

tertiary muses: charlie, clara, dean, river

test muses: chloe, eloise, fifteen, hurley, jake

Speaking of, right, Eloise has been released from "I need to rewatch Bridgerton first!" jail, and she's open for interactions sksksksksk

Guys, I don't remember what else I was meant to say.

The blog has had a bit of a makeover. Nobody look at my navigation page, the only thing I edited there so far was the colour scheme, it is outdated. I know me saying not to look is going to make people look but what can I do. Look at my muse directory and guidelines if you want to look at something, you sneaky sneaks.

The interest tracker has been updated. Chloe and Jake have been finally added on it. Cas and Thirteen have also been added on it. Fifteen has- you understand.

The tracker is the same one I've had before, but if you are interested in any of the added muses, please edit your responses. If you haven't done the tracker before, this would also be a very nice time to do it!

Going forward, I am going to go through my unaswered ooc messages and reply to people, I know there are a lot of you who have been on hold with plotting. Thank you so much for your patience. I am also going to start replying to things again, obviously. Now that my muse pages all have at least something on them, I can continue to work on them while my main focus for the blog is generally, well, roleplay. The pages being in such a state of WIP was a huge source of executive dysfunction for me.

I also plan to re-read everyone's guidelines just to make sure neither of us have edited ours so that we don't match anymore, but that'll not be done overnight with all of you.

I hope the url change isn't a huge inconvenience. If you could give this post a like, if you've seen it, that'd be awesome of you, though not at all necessary! I am genuinely very excited to be here again.

[yandere-sins]

So I thought I’d give a little life-update as there’s a lot going on at the moment and I think it’s visible on my blog as well. Maybe the positives first:

I do really like my new work, I like that I have set hours (even if I do overtime here and there) and though it got incredible stressful the last few weeks, I think the four people that work in my office space are the coolest in the whole company and I love the support I am getting, it’s something I always wanted for my work-life tbh! My dog is also doing very fine, she’s really a total sweetheart and I wouldn’t know what to do without her, and at least I, myself, am doing pretty okay-ish physically, so nothing to complain there.

Now to the negatives.

Unfortunately, my mom’s cancer returned but is quite hard to pinpoint. She went back to an even more aggressive chemotherapy and we’re hoping for the best. Honestly, I don’t wish cancer on anyone, it’s such a tough battle and even just as the primary caretaker it’s been really hard to deal with for me, luckily I have grandparents and a brother who all deal with it and help and support, so that’s good! My mental health though is suffering. It’s biting my own butt now, but I cancelled therapy to focus on work at the beginning of this year and now my therapist is fully booked, so I will have to sit out this month probably. I am telling that because that’s the reason I am struggling with concentrating on one thing for a long time, which includes writing, which explains the fluctuation of posts you are seeing, since I try to get requests and drafts done on the weekend when there’s less stress. Sadly only works like 30% of the time...

Going forward I have decided to indefinitely pause commissions. I have noticed that they put too much pressure with the deadline and expectancy on me when I am already struggling and sometimes need a day to myself. I can’t say when they’ll come back, but thank you all so much for your interest and support, it’s always a pleasure to write your ideas and I never had a bad experience with commission ♥

Good news for Mermay: it’s still happening! ... buuuut I am shortening the story I came up with. I think I was too ambitious with the three routes I teased, so I am trying to figure out how to ensure that it won’t drag out as much as Atreo’s story last year. Unfortunately, the start will be delayed some more, but we were going to celebrate Mer-June anyway, so at this point it probably doesn’t make as much difference (’:

Because the question arose a few times already, I will not be playing Honkai Star Rail. It has a few reasons, but the main one is I don’t have the time. Sorry to everyone who asked about it, but it’s just not the right time for me at the moment! ): I’ll probably be miserable again later when everyone has moved on to it and I am stuck behind but I have to make cuts somewhere ;;

I actually have some commissions and requests that I haven’t released yet, so I will try to schedule some of these in the meantime while I work out how to go about stuff. If you’ve been around for a while you probably know I like routines that’s why it’s always important for me to build them and keep them up. Other than that, I’ll probably focus on Mermay and my own writing projects which will happen rather irregularly. No guarantees on posting, sadly ):

I do realize tho that it just isn’t always possible to keep up frequency of posts and interactions I had when I started this blog, as much as it saddens me. I have to prioritze my real life before my internet presence (and I really need to not feel guilty about taking breaks from everything ever so often ;;), so if you see me vanishing for a few days, it’s just that really.

Thank you everyone who stuck around and supports this blog ♥ There’s another big milestone coming up veeery soon and I am always in awe that so many people would stay to read my silly little stories!! If you have some time and don’t mind waiting for a response, I’m always happy to chat and answer questions, so please don’t hesitate to hit me up!

Thanks everyone ♥

[roomba-mangga]

thoughts on thistle and yaad's dynamic that i vomited in the tags of another post but will now try to articulate here: they're not actually family, or at least they shouldn't be. not in a conventional sense anyway. framing them as uncle and nephew (even in a non-literal, silly fantasy world way) rides more on technicality than anything concrete.

what i mean by this is yaad calls thistle by name and says he and delgal were raised "like" brothers. he talks about thistle like he's an outsider imposing himself into the melinis' space, and it's clear that thistle was never legitimized as a member of the family. for thistle's part, though we don't know how he would treat yaad pre-demon brainrot, it's safe to assume based on the way he punishes him—turning him into a doll—and how little is shown in the way of any sort of relationship between them that thistle only cares* about yaad as an extension of delgal (otherwise i'd expect something like kabru and milsiril, because it's not like another complicated interspecies family dynamic would be out of place, yet there's next to nothing on them even in bonus content, just their scant interactions in the main story).

in essence, they're strangers to one another. thistle's desperation to preserve the illusion of a family, a model where he doesn't even fit, was the snare they were caught in for the past thousand years of stasis. yaad-as-nephew is a prop to uphold that illusion, and thistle is playing a role he's unfit to play. in the context of post-canon interactions, attempting to reconstruct that facade would only be a reenactment of trauma for them both (in a deeply compelling way i'd love to watch unfold, tbh), as that "uncle and nephew" framing places thistle in an implicit position of power over someone he's already traumatized through misuse of authority in the past, a role which also perpetuates his adultification and yaad's infantilization in turn. it'd mostly be an obstacle to any real connection.

best to burn the melini family bridge, i think, and if there's still anything salvageable left in the rubble, let something different supplant it.

[icewindandboringhorror]

boy in silly sitting positions compilation

[lemonthepotato]

Cringe warning: very bad Esperanto.

Mi povas mergi min en Esperanto čar mi ne faris multe da progreso ekde 2019. Mi kredas mi komencis lerni en 2019, sed mi rezignis dum (por?) unua jaro. Mi rezignis la hispana, la franca, la japana kaj la irlandano čar… nu, estas evidente kial. Tro da lingvoj lerni (por lerni? Lerni sentas malgxuste.)

Sed, mi restis kun la Esperanto(n?) čar gxi estas facila. Mi volas lerni lingvon por la sakeo (that’s… is that seriously the word? Sakeo? I joked once that Esperanto is 80% English words with -o and the end and 15% other languages with o- at the end, but I digress) de lerni lingvon. Homoj diras ke tio estas malbono kialo, sed, kial? Estas amuza… ne estas krimo amuziĝi.

Honeste, mi estis (estis for ‘have been?’ doesn’t feel right…) uzi Google Translate por helpi min, sed ne por lambastono. nur por kontroli se mia gramatiko estas bona. Ne estas, evidente, sed… mi estas nesekura pri gramatiko. Mi scias ke gxi ne estas bona, sed gxi estas probable pli bona ol mi sed mi ne uzis gxin.

Cxiuokaze… mi havas punkton kun ĉi tio; estas malfacila mergi en konlang! Jes, mi povus aligxi servilo de Discord, sed… la embaraso. Mi estus kiel, “Bonvolu… mi estas…” kaj havas furzo de cerba! Cerba furzo? (Googling how to stutter in Esperanto. Great.) (also I’m realising I said bonvolu instead of… oh my god? Am I seriously forgetting hello? Oh, Saluton!)

Cxu mi probable lernu la lingvon de miaj lando, la irlandano? Probable, sed honeste? Neniu parolas la irlandano en la nordo. Ili apenaŭ en la sudo. (Ne estas sude, mi ne zorgas se Google translate diras alie… ne sentas gxusta.)

Cxu mi havas punkto kun cxi tio? Ne. Sed, hej, diras al mi kiel CLAPPED mia Esperanto estas. Kaj, jes, mi eĉ ne provis traduki clapped cxar gxi estas pli amuza al ne.

Mi estas tiel malbona pri Esperanto. Mi devas fidi al tradukistoj por helpo. Mi uzas Google Translate por helpi kun tempoj kaj gramatikoj, sed la vortoj estas plejparte el mia cerbo, se tio havas sencon.

Mi ne havas kialon pri ĉi tio. Mi supozas, ke ĉi tio estas testo de miaj kapabloj. La rezultoj? Tre malbona, sed, hej, mi afiŝos ĉi tio, ĉiuokaze.

Edit: after writing this post, I got an easy, actually video about languages recommended… lol

[sisterdivinium]

That Sylvia didn't know from the beginning of shooting the show about Mother Superion having been a halo bearer before is absolutely wild based on her performance. Talk about intuition...

[hiiragi7]

Not my usual content, but I made something I wanted to share...

Edit: Now with an ID from @a-captions-blog! Thank you for writing it!

[Art description: A Pokémon-themed comic featuring OP as a Pikachu. Long description follows.

1. The tips of Pikachu’s ears are shown with text that says, ‘I’m a Pikachu / My world is filled with lots of cool stuff. Sometimes it feels like anything is possible!’ Under this is a collage showing a Charizard, a Pidgeotto, a Nidoking, an Eevee, and an Ivysaur, all in the background as the Pikachu looks up in wonder. Text reads, ‘All sorts of types, all sorts of attacks, all sorts of Pokemon.’

2. Text says, ‘But...only two ways a Pikachu’s tail could look.’ Two boxes in the upper corners show the male and female Pikachu tails, respectively. The male has a rectangular end to his tale, and the female has a heart-shaped end to hers. Text continues, ‘So then, what am I?’ A large drawing of the narrator Pikachu is shown, with an arrow pointing to their tail, whose end is split somewhat like scissors and doesn’t match either the male or female drawing above.

3. Text says, ‘Too pointy to be [female], too much of a V-shape to be [male]. I thought there was something wrong with me.’ Under this are three cascading panels showing the Pikachu from below at an angle emphasizing their tail. The second panel shows mel further away, and in the final panel she have disappeared entirely. Text on the panels reads, ‘I felt / very, very, very / alone.’

4. Text says, ‘But then, something happened. I found others like me.’ The art shows the narrator reaching out to another Pikachu. Under this are three other Pikachu. One has a rounded tail, one has a tail that has been stitched up to be rectangular, and one has a tail with a slight spike at the tip.

5. Closeups are shown of each of the tails from the previous panel, with text that says, ‘Round tails, scarred tails, spiky tails.’ Under this is a drawing of the Pikachu all hugging with lightning coming from their cheeks. Text reads, ‘They told me nothing was wrong with me, and I wasn´t alone anymore.’

6. Text says, ‘There are many ways a Pikachu’s tail can look. I’ve heard there’s at least over 30 different variations.’ Under this are two panels. The first panel shows the narrator lying on their back on a background of male and female symbols. Text reads, ‘Some days are still hard.’ In the second panel, the Pikachu with the scarred tail is shown with text that says, ‘My friend tells me her tail used to look just like mine. It was taken from her.’

8. The narrator is shown sitting and looking upwards. Text reads, ‘Some trainers won’t accept Pikachu that aren’t [male] or [female]. They alter our tails without our consent. But things are getting better. We are making change. We’re fighting so that our tails will be left alone.’ Under this is a panel showing the four Pikachu running happily towards the right. Text reads, ‘We’re all on a spectrum. Every tail looks different; anything is possible.’

The final text reads, ‘This is a comic about intersex people.’ The watermark in the lower right says @ PostManic. \End descriptions

[gremlinhourz]

genuinely expecting to fail my first class in college!! and its like as much as i can get upset at myself for continuing the cycle of procrastination that ive been trying to break free from for years, i also feel like the reason im primarily upset is because i feel like im disappointing others and/or giving them a bad impression of me. like im not upset because i think i could have done more, im upset because i think other people will think i could have done more. when like honestly with school ive just developed an "it is what it is" attitude, like all i can do is try and try again, and if that means taking eng111, crashing and burning, but most importantly learning, then taking eng111 again, so fucking be it

[skyburger]

new title & bio... hopefully the way the number displays is just on my tiny phone screen? so if its like that on everyones screens well. My bad guys

[say-duhnelle]

Fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck youuuuuuuu

Hello, Tumblr. 

If you joined us before November 2022 and predominantly post on web, you will be familiar with the two post editors—the legacy editor and the “new” web editor (formerly known as the “Beta editor”).

Beginning May 15, we’ll gradually be working to remove the legacy editor as an option for creating new posts. New posts created on web will be created in the new web editor. We hope to complete this change by July 15. 

This change only affects accounts created before November 2022. Newer accounts already default to the new web editor.

This will not affect posting on the apps because we switched to this new editor on the apps about four years ago. If you use the apps, you’ve been using the new editor all this time!

This will not affect what you can include in a post, only how you get there: You can still include all the different types of media in a post, only now, you’ll do that via the new web editor’s content blocks instead of selecting a post type from the post type bar at the top of your dash. So, if you’re halfway through a text post, and you decide that what this post really needs is your pet reptile, then click on the little red image icon in the post editor, select an image, and voilà. Lizard boy steals our hearts.

If you still prefer to post on web using the legacy editor, please keep reading because the rest of this post is for you.

How can you prepare for this change?

Once we have completed this update, you won’t be able to create posts using the legacy editor. You will be able to edit posts made using the legacy editor, at least for now. 

Start using the new web editor ahead of the switch. This will help you help us troubleshoot any issues you might encounter. It’ll also mean you’ll already know the ropes before the switch is final. 

Talk to us. Send us feedback. Especially if you’re switching from legacy to the new web editor. We want to hear about your experience: Are there any specific workflows or features in legacy that you want to see in the new editor?      

If you use a theme, make sure to check whether it supports posts made using the new web editor, and update it if that’s not the case. 

For those of you trimming reblogs: @rpschtuff has created an incredibly detailed master post that gets into the nitty gritty of that practice in the new web editor.

XKitters: XKit Rewritten was explicitly designed with the new web experience in mind. This means that you will need to use XKit Rewritten when creating posts in the new web editor.

That’s all for now. Remember, you can always get in touch with us. If it’s regarding the new web editor, then Support is the place for you. If it’s about something else, @wip is your guy.

[physalian]

How to Make Your Writing Less Stiff Part 3

Crazy how one impulsive post has quickly outshined every other post I have made on this blog. Anyway here’s more to consider. Once again, I am recirculating tried-and-true writing advice that shouldn’t have to compromise your author voice and isn’t always applicable when the narrative demands otherwise.

Part 1

Part 2

1. Eliminating to-be verbs (passive voice)

Am/is/are/was/were are another type of filler that doesn’t add anything to your sentences.

There were fireworks in the sky tonight. /// Fireworks glittered in the sky tonight.

My cat was chirping at the lights on the ceiling. /// My cat chirped at the lights on the ceiling.

She was standing /// She stood

He was running /// He ran

Also applicable in present tense, of which I’ve been stuck writing lately.

There are two fish-net goals on either end of the improvised field. /// Two fish-net goals mark either end of the improvised field.

For once, it’s a cloudless night. /// For once, the stars shine clear.

Sometimes the sentence needs a little finagling to remove the bad verb and sometimes you can let a couple remain if it sounds better with the cadence or syntax. Generally, they’re not necessary and you won’t realize how strange it looks until you go back and delete them (it also helps shave off your word count).

Sometimes the to-be verb is necessary. You're writing in past-tense and must convey that.

He was running out of time does not have the same meaning as He ran out of time, and are not interchangeable. You'd have to change the entire sentence to something probably a lot wordier to escape the 'was'. To-be verbs are not the end of the world.

2. Putting character descriptors in the wrong place

I made a post already about motivated exposition, specifically about character descriptions and the mirror trope, saying character details in the wrong place can look odd and screw with the flow of the paragraph, especially if you throw in too many.

She ties her long, curly, brown tresses up in a messy bun. /// She ties her curls up in a messy brown bun. (bonus alliteration too)

Generally, I see this most often with hair, a terrible rule of threes. Eyes less so, but eyes have their own issue. Eye color gets repeated at an exhausting frequency. Whatever you have in your manuscript, you could probably delete 30-40% of the reminders that the love interest has baby blues and readers would be happy, especially if you use the same metaphor over and over again, like gemstones.

He rolled his bright, emerald eyes. /// He rolled his eyes, a vibrant green in the lamplight.

To me, one reads like you want to get the character description out as fast as possible, so the hand of the author comes in to wave and stop the story to give you the details. Fixing it, my way or another way, stands out less as exposition, which is what character descriptions boil down to—something the audience needs to know to appreciate and/or understand the story.

3. Lacking flow between sentences

Much like sentences that are all about the same length with little variety in syntax, sentences that follow each other like a grocery list or instruction manual instead of a proper narrative are difficult to find gripping.

Jack gets out a stock pot from the cupboard. He fills it with the tap and sets it on the stove. Then, he grabs russet potatoes and butter from the fridge. He leaves the butter out to soften, and sets the pot to boil. He then adds salt to the water.

From the cupboard, Jack drags a hefty stockpot. He fills it with the tap, adds salt to taste, and sets it on the stove.

Russet potatoes or yukon gold? Jack drums his fingers on the fridge door in thought. Russet—that’s what the recipe calls for. He tosses the bag on the counter and the butter beside it to soften.

This is just one version of a possible edit to the first paragraph, not the end-all, be-all perfect reconstruction. It’s not just about having transitions, like ‘then’, it’s about how one sentence flows into the next, and you can accomplish better flow in many different ways.

4. Getting too specific with movement.

I don’t see this super often, but when it happens, it tends to be pretty bad. I think it happens because writers feel the need to overcompensate and over-clarify on what’s happening. Remember: The more specific you get, the more your readers are going to wonder what’s so important about these details. This is fiction, so every detail matters.

A ridiculous example:

Jack walks over to his closet. He kneels down at the shoe rack and tugs his running shoes free. He walks back to his desk chair, sits down, and ties the laces.

Unless tying his shoes is a monumental achievement for this character, all readers would need is:

Jack shoves on his running shoes.

*quick note: Do not add "down" after the following: Kneels, stoops, crouches, squats. The "down" is already implied in the verb.

This also happens with multiple movements in succession.

Beth enters the room and steps on her shoelace, nearly causing her to trip. She kneels and ties her shoes. She stands upright and keeps moving.

Or

Beth walks in and nearly trips over her shoelace. She sighs, reties it, and keeps moving.

Even then, unless Beth is a chronically clumsy character or this near-trip is a side effect of her being late or tired (i.e. meaningful), tripping over a shoelace is kind of boring if it does nothing for her character. Miles Morales’ untied shoelaces are thematically part of his story.

Sometimes, over-describing a character’s movement is meant to show how nervous they are—overthinking everything they’re doing, second-guessing themselves ad nauseam. Or they’re autistic coded and this is how this character normally thinks as deeply methodical. Or, you’re trying to emphasize some mundanity about their life and doing it on purpose.

If you’re not writing something where the extra details service the character or the story at large, consider trimming it.

—

These are *suggestions* and writing is highly subjective. Hope this helps!

[fictionalmenxyn]

hi can you write rafe x wife. Happily married and have 3 teen kids. Sons friends comes over and talks about mom as milf( idk maybe something else up to u) and Rafe and his wife hear it! Then Rafe f*cks her

of course I can!!

•———•

ఌ𝐌𝐲 𝐖𝐨𝐦𝐚𝐧ఌ

Pairing: husband!rafe x wife!reader

Warnings: SMUT, language, p in v, fingering, no mentions of protection (be safe, wrap it before u tap it!), breeding kink, dirty talk, possessive/jealous Rafe.

Feel free to send more reqs! Thinking of doing dad!Rafe so send me things you’d like to see! Or more husband!rafe idm! Anything!

🝮🝮🝮

Just getting home from work, you got out of your Range Rover. Collecting your handbag, laptop and some papers from the back seat.

You headed into yours and Rafe’s estate. Walking through the front door. You already knew your three sons had friends over. Your eldest, Cody had asked you over text. You slip your heels off by the door and walk through the large foyer and over to the spacious living room. You smiled as you saw your boys Cody (17), Morgan (16) and Ollie (14 1/2). You spoke “hey boys, you all having fun?” They all said their “heys” and “yeah, thanks”.

You subtly noticed the way their friends eyed you up. Teenage boys never really cared if you saw them checking woman out. Well, these lot didn’t. You looked over to the attached large kitchen, smiling as you see Rafe.

You walked over, putting your things onto the counter. Rafe was leaning forward. His elbows on the counter as he watched the tv from the kitchen as your sons and their friends had soccer on. You walked over to Rafe. Smiling as you put your hand on his back. “Hey, love, you ok?” He turns his head to look at you. His famous grin plastered on his face. “Yeah, all good, how’s work?” He pulls you by the waist. Giving you a soft but firm kiss, showing you how much he missed you since you left this morning. You pull away to answer “good, made some great photos today, all I have to do is change the lighting and tone..” he smiled and pecked your lips “good, can I watch it while you do it?”

Rafe loved what you did. You were a photographer for models, perfume/jewellery commercials or fashion designers. You took the photos and edited them to put on magazines or advertisements. He loved how much you enjoyed your job to.

You nodded “of course, Rafey” he smiled “good girl..” you pecked his cheek.

You sat at the island counter, going through the photos on your laptop. As Rafe leaned against the counter, arms crossed, taking the occasional sip from his drink.

You both overheard Cody and his friend talk. His friend, Jack, asked “dude, is that your older sister or something?” Cody asked “who?” Jack replied “the one that’s in the kitchen with your dad.” Cody shook his head “nah man, that’s my mom.” Jack replied “no fucking way?? She’s so hot, dude, your mom is such a milf, no joke.”

Rafe practically chocked on his drink, as your eyes widen and press your hand to your forehead. A quiet gasp escaped your lips. What did Jack just say? You couldn’t be going mad, Rafe heard the same thing.

Cody spoke “shut up! Don’t say that!” Jack shrugged nonchalantly “dude, I’m just saying, I’d tap that if I could.”

Your eyes widen, Rafe’s jaw clenched. Rafe didn’t need to be and wasn’t jealous… not exactly… he just didn’t like the fact that a seventeen year old friend of your sons had just said that about you… his wife, the mother of his children, his childhood friend, his lover…

Through the rest of the day, Rafe stuck to your side. You’d changed into some sweats and a crop top. Once you were done you both sat on the couch; Rafe next to you. He had his arm around you the whole time. Occasionally kissing your cheek or temple. Showing the boys, your his. He’s the one that put that beautiful diamond ring on your finger. He’s the one that put three beautiful and handsome boys in you. He helped you create life. He’s the one that gives you happiness.

🝮🝮🝮

Soon after, the sun started to set. Your three sons had asked both Rafe and yourself if they could stay the night at one of the boys house. Rafe agreed and told them to be safe and have fun.

As soon as he had shut that front door. You were in for a real treat tonight. Rafe walked back over to the couch. He put his one knee on the seat and he placed a hand on the side of your neck. His cold metal of his rings and watch press gently into your warm neck. He crashes his lips into yours like a starved man. His tongue quick to be shoved into your mouth. You knew what he was up to. You could tell it from the exact moment Cody’s friend said what he said about you.

You knew Rafe since day one, knew him better than he knew himself. So you knew what he was doing. And you were definitely not complaining.

Rafe placed one hand one your thigh and guided you so you laid back on the couch. While he stayed on top of you. He groaned against your lips. He mumbled “‘m gonna make you feel so good, baby” you gasped softly when you feel Rafe’s hips press against yours. He puts his free hand from your thigh, moving it to the waistband of your sweats.

Putting his hand down your sweats he could feel the material of your panties and your soft, wet skin. He groaned “you wearing the black lace ones?” You nodded. He grinned “all f’me…mine” you mumbled “yes, Rafey…”

His fingers slowly move up and down against your heat. You moaned softly. You gasp when you felt his middle finger slip in. He tilted his head and started to kiss along your neck. He groaned, his finger slowly pulling in and out. As he inhaled the sent of your vanilla perfume, he groaned once again. He mumbled against your soft skin “feel so good on my finger, want another, babe?” You nodded. He replied “words. y/n.” You whispered “another, please, Rafe” he slipped his ring finger in. Causing you to gasp softly.

After a few more seconds he pulled his fingers out. You whimpered, he grinned “oh we aren’t done, just wanna take you upstairs… prefer the bed.” Your mouth practically waters as you watch him move his fingers to his mouth. Cleaning you off his digits.

He picks you up, over his shoulder. Taking you upstairs and not wasting anymore time.

Placing you down on the bed, he was quick to take your clothes off. All piece of clothing on the floor. While he starts to take his off, you watched in awe. Your reaction to him will always be the same. It’s like looking at him for the first time, over and over. You never got tired of him. Never have and never will.

You watched as he was swift to remove his boxers. His huge length springing free. He moved onto the bed. His lips go to yours as his hand moves to his length. Pumping it a few times, then lining up with your entrance. You gasp as he started to push in. Once he was all the way in he leaned over you. His chain dangles by your chin. His hands either side of your shoulders. His biceps flex as he looks down at you.

“You’re so pretty under me, sweetheart.” You moaned softly as he slowly started to move in and out. He chuckled lowly “you know, what the boys said… was right..” he groaned. “You are a milf… my milf… such a hot momma, baby… I know you want another… want me to give you one?” You moaned as he picked up the pace a little more. “Words, sweetheart.” You nodded “yes, fuck! Want another…”

He moaned hearing your words, “fuck Y/n, I’ll give you another… I’ll fill you up, make your baby bump come back. Love you baby bumps… every one of them…” you moaned. His one hand moves to your lower stomach, pushing on the bulge on your lower abdomen. Causing you to moan, as he goes deeper.

He picks up his pace, he moaned “fuck, gonna make you pregnant again. Wanna see you with my baby in you again.” He goes harder. “Fuck can feel you round me, that make you excited, baby? Thinking of me getting you pregnant again?”

You nodded, grabbing onto his bicep. Nails digging into his tan skin. He groans at the feeling. He spoke “gonna give ya a girl this time, I wanna girl, so I can spoil you both, yeah? Let you two have the world.” You moan “oh Rafey!” He grinned. “Yeah? Like that?” You nodded. He leaned back. Grabbing your hips, guiding you against him as he thrusts into you.

He can feel your close, “gonna come f’me? Let me have it, sweetheart. You do that f’me and I’ll do it for ya..” you placed your hand on his chest. Then holding his chain. Wanting him closer, he knew you well. He knew that meant you were about to finish. He leaned down. You moaned “fuck, gonna-” “do it, finish over my cock f’me, love…” those words hit you like a brick wall. Every. God. Damn. Time.

And he knew it too.

You moaned one last time, then finishing. Causing you to tighten around him. He chased his realise and finished inside you.

He moaned as he slowed his pace. Still thrusting, just slowing down. Chasing both of your climaxes. Once he came to a spot. You had you usual ‘thank you’. He kissed both cheeks, then your forehead, temples, chin, nose and then your lips. He mumbled against your lips “you ok? Feel good, baby? You did so good..” You nodded “so good.”

He gently pulled out, causing you both to inhale sharply. He gently picked you up. Going ahead and doing your aftercare. For all the time you both knew each other. And past Rafe, with his many hook ups. Not once did he do aftercare. But for you? His childhood friend to girlfriend to fiancée to wife to mother of his children?

He’d give you the world, he’d kill for you. Protect you. Die for you, live for you. He’d do anything for you. Even if it’s as simple as aftercare. He loves you. You love him.

🝮🝮🝮

[soaps-mohawk]

Cherry Red, Crimson Blood

Chapter 34: The Whole Truth

Summary: In life, we will be confronted with difficult choices. Sometimes you won't know you've made the wrong choice until it's too late

Pairing: Poly 141 x reader

Word Count: 12,900 words

Warnings: Dead dove: do not eat, Angst, graphic violence and torture, mentions of predatory behavior towards a minor, Phillip Graves is a major creep, lots blood and injuries, kidnapping and its aftermath, hostage situations, anxiety and panic attacks, language, very explicitly described torture, ‘mega gets hit a lot, choking, biting, ‘mega gets stabbed with an ice pick, author can’t write COD missions, vomiting, lots of heavy emotions, detailed descriptions of pain, guns, background character dies on screen, descriptions of guilt and grief, lots of POV changes, some descriptive language of gore and blood at the end, rehashing of ‘mega’s injuries from the last chapter, a lot of angst and very heavy content, Alpha/Beta/Omega dynamics, Alternate Universe

A/N: This chapter deals with some pretty heavy content. Please, please, please read and heed the warnings. I have included content warnings for the more graphic parts before they happen, so if you don't want to read those, you can skip ahead to the next part. I suggest taking breaks if you need to, read it in installments if necessary. And I cannot stress it enough, please heed the warnings.

11/30/24 **This chapter has been edited and rewritten from its original version**

MASTERLIST | <- Previous | Next ->

“Hi darlin’.” His grin widens like he’s happy to see you. “Been a long time.” 

You squeeze your eyes shut for a moment, your brain still sluggish. You feel sick as you try to process, try to figure out why and how. You try to move your arms again, but your wrists are stuck, hands burning as you pull. You desperately want them free, desperately need them free. 

“Easy,” Phil says, putting his hands on yours, pushing them flat against the arms of the chair. They’re warm and calloused, the same hand that had been on your face a few moments ago. “You’re gonna hurt yourself. More than you already have been.” He lifts your left leg, making you groan quietly as a deep ache throbs down to your foot and up to your hip. 

Running. A gunshot. Pain.

“He had strict orders not to harm you.” Phil says, adjusting the bandage wrapped around your calf. “Don’t worry. We got you all fixed up.” He sets your leg back down gingerly, his touch lingering for a moment before he looks back up at you. 

“Why?” You croak out, trying to make sense of what happened. 

Corporal McKinney broke into the barracks and chased you into the woods. He shot you and drugged you and now you’re here, restrained in a chair staring at a man you haven’t seen for years. A man who was once your dad’s best friend. 

“A lot has happened since we saw each other last.” He says, pushing himself to stand. “I left the Marines after a few years, formed my own group of military contractors. Invited your dad to join, but you know how he is. All honor and duty and serving the country. Of course, you haven’t seen him in quite a while, have you?” 

You stare up at him, starting to get scared. You never liked Phil. There was always something about him that put you off. He always stared too long, always sat too close to you. He always greeted you with a hug that lasted too long, squeezing you too tightly against him. He was sweet on you in a way he wasn’t with anyone else. He could be intense, brash and almost downright rude sometimes. He was a firm believer in traditional packs too, even if he never spoke about his own pack, his own omega. He had to have one, if he was as dedicated as he said. 

He was far too much like your father. 

Phil was always kinder to you, though. Softer. Not quite as callous and bellicose as your father in public. He was polite, always happy to lend a hand, always glad to roughhouse with your brothers to get their energy out. You saw the way your mother looked at him though. Perhaps her apprehension bled into you, those dormant omega instincts picking up on something she was projecting. 

He made you uncomfortable, and she knew it. 

What could an omega do, though, in a world where they don’t have opinions, they can’t argue, they can’t disagree. Your mother never said anything because in the world your family existed in, the world Phil existed in, she couldn’t. 

“He was so angry when he called.” Phil continues, staring down at you. “Ranting and raving about how his oldest daughter betrayed him by presenting as an omega. He couldn’t stand having such a useless child in his perfect pack.” You flinch at his words, even though you heard your father spew those very words after your presentation firsthand. 

“He called you?” You ask, the pieces starting to come together as your brain finally snaps fully into awareness. You knew he called someone, but you hadn’t thought it would ever be Phil. 

“Of course.” Phil chuckles. “We were good friends, pals, buddies. He knew I could help him.” A shiver runs down your spine. You know what he’s going to say next. “So I did. I have some contacts in some high places, people who owe me favors. So I made some calls, pulled some strings, got you into FIOT immediately, with some strings attached of course.” He leans down so you’re almost face to face. “I wanted you. They put a note in your file. You wouldn’t be placed in the registry when you were old enough, you would go to me and my pack.” 

Bile churns in your stomach as you process his words. It all makes sense now. The stares, the hugs, the closeness with your father, your rapid enrollment in an institute that can take weeks to process applications. It was all so you could be his. Something he’s wanted from early on. 

“You would have been mine,” He pushes himself up straight again, starting to pace back and forth in front of you. “If the fucking CIA hadn’t gotten involved!” You flinch as his voice raises, the frustration starting to darken his scent. “They froze your file, made the claim null and void. All for what, their little initiative that never really existed in the first place?” He huffs out a laugh, a smirk tilting his lips. “Small world, though. Who knew we’d be seeing each other again after so long.” 

He steps closer, looking down at you. You hold his gaze, suddenly feeling afraid. Even though you know him, even though you spent a good part of your childhood around him, you’re afraid of him right now. Your mind starts to revert back, the urge to lower your eyes, break eye contact like you’re supposed to flashing through your mind. 

Don’t stare alphas in the eyes. They’ll take that as a challenge. It’s not your job to challenge them. Your job is to be subservient. 

You would have been subservient to him if the CIA hadn’t gotten involved. You would have been under his control, bowing to him and his will. You’d have pups by now, at least one. He’d always talked about having a big pack with lots of pups someday, always glancing at you when he said it. 

You’re going to vomit all over him. 

It’s not just the truth that scares you, though. You’re being held captive here. That thought has registered in your mind now, the reality settling in as you get over the shock of the last few minutes. Corporal McKinney kidnapped you from base, and now you’re restrained in a chair surrounded by unknown alphas. Phil isn’t going to help you, take pity on you. He’s not here to be nice, to have a little chat and catch up on life.

That possibly ended as soon as he was denied what he wanted. 

His hand cups your chin, holding your face up as he looks down at you. His thumb is rough as it strokes your jaw, a tickling feeling starting in the back of your mind again. There’s an almost bittersweet look in his eyes as he holds your gaze. You refuse to lower it, refuse to give him that satisfaction. “You’ve grown up a lot.” He says, his hand sliding down your neck to the collar of your shirt. “You always were cute, though. I knew early on you were going to be an omega. You were far too...calm and compliant compared to your brothers. Always so polite and eager to please. You can tell if you pay attention, you know. Those dormant instincts start to show themselves long before presentation.” 

His hand pulls your collar to the side, revealing your mark. His eyes harden as he stares at it, his lips turning down into a frown. A shiver runs down your spine as the darkness in his scent intensifies. He’s not holding you hostage just to tell you about what could have been, what direction your life might have taken. He’s here for a reason, and you know your pack is involved. Something has happened, something behind the scenes, something John was looking into. 

“What’s going on?” You ask as he releases your collar, taking a step back. 

“Well, you’re being held hostage.” He says, like it isn’t already obvious. “You’re...shall we say...leverage to ensure your pack follows orders.” 

You blink at him. You haven’t heard from or spoken to your pack in weeks. You should be relieved that they’re apparently still alive, but what if you had been right and they don’t want you anymore? Why would they take you if your pack has abandoned you? Or did they take you to ensure they wouldn’t...

“Laswell stuck her nose somewhere it shouldn’t have been.” Phil says, crossing his arms. “It’s only so long before your pack finds out. Let’s just say...they’re not going to be happy about it. So, to ensure they don’t do something impulsive and reckless as they are known to do, you’re going to play hostage.” 

You gulp as you stare up at him, suddenly feeling very afraid. Your scent spikes in the air, clouding it with the bitter scent of anxiety. It was the plan all along. You knew it even if you hadn’t been told outright. Deep down you’ve always known it wasn’t about strengthening packs. It wasn’t about studying how an omega would increase or decrease the efficiency of military packs. With the events of the last few months, the idea had started to form in your mind. You know you weren’t alone in those thoughts. John and Simon were digging into the cameras for a reason. They were put up for a reason. 

It was always about control.

That was the point of the initiative. That was why they put cameras up, that was why General Shepherd was so invested in the state of your pack and if you had been mated. He needed to ensure you were close enough to them so if something happened that wasn’t supposed to, you could be used against them. 

You’re nothing more than leverage. 

Your scent spikes in the air, clouding the room as reality sinks into you. Something happened that caused this. Something called your pack away to isolate you, to leave you vulnerable. They wanted you alone as a contingency. 

Something did happen. 

Now you’re here, being held captive by a man you used to know, a man who could have been your alpha had things not played out the way they did. The thought has your stomach churning. How far will they go? How far will Phil take things? Could he be merciful because of your history? Or will his ruined plan make him more ruthless? 

You’ll be punished for something you can’t control. 

Phil makes a soft sound as he looks at you, shaking with fear in the chair. “Don’t be scared. As long as your pack does as they’re told, I won’t have to hurt you.” He turns the light back to face you, nearly blinding you. “Now, smile for the camera.” 

They’re safe. 

It had been close. A rough position to be in, but they managed it. He never doubted them and their abilities, but four against nearly fifty with no backup were not good odds. He’s been in tighter places before, and while he had his doubts, he is grateful Johnny and Simon were sent in when they were. Even if it was a bit suspicious.

“All accounted for.” John says as he sinks down onto one of the jump seats next to Kyle. 

They’re all battered and bruised from their final fight. He’s ready to get home, ready to get back to you. From the sound of it, things were not going well, according to Johnny and Simon. He has a lot to make up for, a lot of apologies to make. 

“Fucking Russian PMCs.” He says, speaking to Kate over the comms. “It’s not a coincidence Kate.” 

Kate lets out a sigh that crackles through the comm. “No, it’s not. My team and I came across some information while we were digging into the cameras.” 

“What information?” He asks slowly and carefully. He doesn’t like being kept in the dark, especially when it comes to his pack. Especially when it comes to you. 

“Not just information on the initiative, but information on General Shepherd.” 

“What information?” He asks again, slower this time as Johnny and Simon move in closer. 

“Shepherd was the one that sold those weapons to AQ and the Russians.” 

John looks at the other three members of his team. He knew something was wrong, something was off about the way Shepherd had acted while informing them about this mission. “He wanted those missiles found and destroyed so he could cover his own ass.” He says, his stomach starting to twist. He doesn’t like the way this is going. 

“But we found out the truth before you could find all the missiles.” Kate continues. “He sent you on a wild goose chase to give himself a chance to escape.” 

John’s hand tightens into a fist. “Where is he now?” 

“He’s gone dark. Totally off radar.” 

John pushes himself up to stand, the adrenaline pumping again. “I’m going to find that bastard-” 

“John.” Kate says, cutting him off. “There’s something else.” 

The twisting in his stomach intensifies. There’s a bad feeling tickling in the back of his mind. He doesn’t want to entertain the dark thoughts that are brewing. “What?” 

“They took your omega.” 

His stomach clenches, his breath catching in his lungs. The other three shift on their feet, all of them stepping closer. The scent in the plane thickens, anger and confusion mixing into a toxic cocktail. He hopes he heard that wrong, that there was some kind of interference in the connection and his brain made up the words he missed. “Repeat that.” 

“They took your omega.” Kate says again.

He lets out a long breath, his muscles tensing. He’s had a bad feeling tickling in the back of his mind for the last few days. Something was wrong, something was off. He should have known it was all a ruse. Why would AQ and the Russians store a missile in any of the places they had been sent to in the last week? It hadn’t made sense, and he had wanted to voice his doubts, but the consequences of a missile being launched because they decided not to look in one place was greater than his own perceived doubts. 

They had been right though. 

Of course it had all been a plan. Of course there had been something fishy about it. He’s hardly ever wrong. He’s been praised on his instincts on the field and off. He should have known. Pulling Simon and Johnny when they did should have been enough evidence, even if they had been needed in the end. 

“You’re positive?” He knows she is. There’s no mistaking something like that, there’s no doubting it. 

“There’s a video.” Kate says, John’s stomach dropping. “I’m sending it to you now.” 

John pulls out his phone, his fingers white as he holds it up. He’s angry, beyond angry. If they’ve laid a hand on you...if you’ve been hurt because of his own failings, his own inability to see the truth...

He clicks on the video when it comes in, a familiar face popping up on screen. “Hi boys. Been a while.” 

“Fucking Graves.” Johnny growls, his hands closing into fists in anger. 

“I have a little something of yours I think you might be interested in.” He turns the camera around, your face popping up on screen. You’re restrained in a chair, wrists red from the zip ties, but there’s a glare on your face, looking as mean and threatening as you can. There’s a bruise on your cheek and what looks like a healing cut on your lip. Someone hit you. 

“Smile for the camera.” Graves says, a bit too cheerfully. 

You don’t smile, your glare sharpening as the camera gets closer to your face. There’s still fight left in you. Whatever has happened hasn’t been too bad. Yet. 

“Let’s make this simple.” Graves says. “You stay away from Shepherd, and I won’t have to hurt this pretty little face. She is pretty, isn’t she?” 

You shift in the chair, your leg lifting before you kick outward. 

“Ow, you little bitch.” The camera jostles for a moment before it’s straightened back up, a hand shooting out to wrap around your throat. There’s no sign of any struggle, the glare still prominent on your face. “Feisty thing. Gotta keep up with those wild boys somehow.” 

The hand tilts your face just slightly, showing the mark on your neck. It is you, not that John doubted that from the beginning. It may have been almost two months, but he wouldn’t forget your face that easily. 

“Like I said,” Graves continues. “Follow your orders and she’ll be released unharmed.” 

The screen goes dark and John resists the urge to throw his phone. He shoves it back into his pocket, turning towards the wall of the plane. He throws his fist against the metal as hard as he can. It hurts, but he can barely feel it over the rage burning hot in him. 

“Fucking Shepherd!” He shouts, rearing back to throw his hand against the wall again.

Graves has his omega. Graves has his omega and now you’re being used as leverage. They’re all being played like puppets. 

A hand catches his fist before he can punch the wall again, easing him back. “Easy.” Kyle says, trying to soothe him as best he can. “We have proof of life, we know that she’s alright for now.” 

“For now.” He growls, looking around at the members of his team. “But for how long?” 

“They knew we’d go after Shepherd as soon as we learned the truth.” Simon says. “This has been in the plans for a long time.”

“They’re trying to get us to make a choice. Focus on getting our omega back while letting Shepherd escape, or go after Shepherd and let our omega be tortured.” Kyle says. 

“Those fuckin’ wankstains.” Johnny says, shifting on his feet. He’s angry, the bitter scent filling the enclosed area of the plane. They’re all angry, angry at those responsible, and angry at themselves for falling for it. “They were usin’ us the whole time.” 

John lets out a long breath. He needs a clear head going forward. He needs to be able to beat them at their own game and cause the least amount of damage to you as possible. As much as going after Shepherd first is tempting, cut the head off the snake and end things before they get too far, he knows that won’t stop Graves. He’ll continue even after Shepherd is dead. 

There might even be a second contingency. They kill Shepherd, you die too. 

“John, we can’t leave her.” Kyle says, still holding his hand. His fingers are wrapped tight around his wrist, trying to ground him as best as he can in this tumultuous moment. 

“The longer we wait, the worse things will get.” Simon says. “We go after Shepherd, we may never see her again.” 

There won’t be anything to come back to. 

He stares at his pack, all standing there, staring at him, waiting for him to make his decision. He’s their Captain, he’s their alpha. It is his decision in the end. He’s the one that they will follow, even if he makes the wrong decision. Even if he tears them apart in the end. 

“Where is she?” John growls, into his comms. 

“We’re working on decrypting the video now.” Kate replies.

“I need a location, Kate.” John says impatiently, heading towards the cockpit. For all he knows those flying the plane are in on it too. 

 “We’re doing the best we can with what we’ve got. You’ll be the first to know as soon as we find something.” Kate tried to placate him. 

“I better be.” He growls. 

Kate lets out a sigh as the comms close off. It’s not a captain she’s speaking to anymore, it’s an angry alpha. His pack, his omega is being threatened and now they all have to face the ramifications of it. She’s just as much a cog in this machine. She fell for this, she brought you into this, and now you might get hurt because of it. How she didn’t see the reality has shame burning through her. They were all blind, all led astray, all fooled by the red herring. 

There was never an initiative. It was never about strengthening packs. It was always about control. They wanted a way to control packs. Shepherd knew if the secret ever came out, there would be no stopping the consequences. Legal or illegal, retribution would come for him if the truth was revealed. 

This was his way of stopping it. 

That's why the 141 were the guinea pigs. 

They are the most dangerous threat to Shepherd, and he handed them a way to control them under the guise of strengthening packs, experimenting on how their dynamics and efficiency would shift with an omega added in. Even worse, they all fell for it. 

Time is of the essence now. Graves won’t stop, even as word reaches Shepherd that they’re easing off of him. Her only hope is that Graves won’t kill you. That will give them nothing to live for, and it will make them more ruthless than they already are. They’ll go after Graves, and then they’ll turn their eyes to Shepherd. 

No matter what you’ll always be a way to control them. 

If she can find Graves, she can send out a team to get eyes on his location. That way, they’ll have a direction she can point them in, and they won’t be going in blindly. This is a delicate situation, and she can’t trust Graves to uphold his end of the deal in this. They’re not going after Shepherd, but will that stop Graves from hurting you just because he can? 

There’s more to this than they’re letting on. She knows it, deep down. There’s something else, something even deeper below the surface. 

She’s got a lot of work to do. 

They’re going to need help. 

Christine can’t sit still anymore. She can't take it. It’s been almost eighteen hours since your disappearance and there’s been nothing. No word, no news. She knows you’re alive. Kate had confirmed that, but that hasn’t eased the burning questions eating away at her mind. What is your current state? Who took you and why? Where is your pack and are they even aware of what’s happening? 

She’s been sitting and twirling her thumbs. She can’t bring herself to do any paperwork, any research. What is there to do besides sit and worry? She doesn’t have a patient to take care of because she lost the one she was supposed to watch. 

She huffs out a breath, pulling her phone out of her pocket and dialing Kate. If Kate won’t call, she’ll call herself. Kate’s probably busy though, so Christine can’t blame her too much for not calling. She’s probably so far from the front of Kate’s mind right now. 

The phone rings twice before Kate answers, sounding tired and disheveled, just as much as Christine feels. 

“Laswell.”

“Kate, I need to be there.” She doesn't hold back, doesn’t try to make small talk. There’s no time for it. She knows how Kate is doing, and it’s not great. 

“Christine, I don’t know if I can take that risk.” She says. 

“I need to be there. I can't take sitting around here anymore. When...” When not if. They will find you. She knows it. “When you find her, she’s going to need someone she knows there, someone that knows how to take care of her.” Christine lets out a breath, the relief of getting her thoughts out taking some of the weight off her shoulders. 

Kate sighs, but she has to know Christine is right. She’s not sure what state you’re in, and depending on how bad it is, and where your pack is, you’re going to need her. Even if you think she was behind this. “I’ll have a plane ready to go in thirty minutes.” 

“Thank you, Kate.” She says, letting out a sigh of relief. 

“Don’t miss the flight.” 

Christine hangs up, gathering a couple things from her office before closing and locking her door. She nearly runs to her barracks, packing a bag quickly. She’s not sure what to bring, or how long this will take. She’s not even sure exactly where she’s going. 

She hurries to the airfield, phone in hand. She’s not sure where the plane is or which one she’s taking. She’s just relieved Kate is doing this for her. 

Her phone buzzes as she reaches the tarmac, making her pause. She lets out an annoyed sigh before answering the call. 

“Of course you have to call at the worst possible moment.” She says. 

“I’ve always had the worst timing.” Alex’s voice comes through the speaker, and she can almost hear the smile on his face. 

“I can’t talk long. I’m about to board a plane.” She says. 

“I know. We’ll pick you up on the tarmac.” 

She blinks in surprise. It’s been years since she’s seen her brother, months since she’s spoken with him. Ever since he retired from Delta Force, his regular calls have been happening less and less, and they’ve reached near radio silence over the last couple years. Now he’s involved in this too? 

“Kate called in a favor.” He continues, and that’s all she needs to know. “We’ll see you in a few hours.” 

“Yeah.” She says, tears brimming in her eyes as she smiles. Despite everything, she’s glad she gets to see her brother again. Glad she has some support in this. Your pack will be mad. They’ll blame her. She’s not afraid of them, but she knows Alex will stand behind her no matter what. “See you then.” 

**Content Warning: light torture, ‘mega gets punched, further injury to previous injuries, panic attack**

Your hands are starting to go numb. The constant attempts to free yourself from the zip ties isn’t helping, but you’re beginning to get twitchy. Your omega is scratching at the back of your mind, begging to be free, but you know you won’t survive it. The room is full of armed mercenaries, and you’re sure if you tried to take out Phil first, you’d be pumped full of bullets before you could even do any damage. 

He’s leaning against the wall far too casually, staring at the phone he’d used to record the first video of you. His explanation had been simple. Your pack stops going after General Shepherd, you don’t get hurt. The longer they chase Shepherd, the more Phil gets to torture you until they decide your life is worth more than Shepherd’s. 

Will they choose you over Shepherd? What if they’ve already decided to abandon you? What if your fears were right and they’ve given up, and that’s why they were gone so long? They won’t care what happens to you if they have written you off as a burden, as a loss. They’ll let Phil torture you to death and they won’t even blink an eye. You’ll just be another casualty. 

It makes your stomach hurt, the idea of your pack letting you die. Even the idea of someone who had once been a friend of your family being so cold towards you has nausea bubbling in your belly. He doesn’t care. His only worry is money, not the past. He doesn’t care. He’ll do the bidding of whoever offers the highest price. 

He lets out a sigh, pocketing his phone as he pushes himself off of the wall. “Looks like your boys don’t follow orders well.” He bends down, putting his hands on his knees so he’s face to face with you. “They’ve decided to leave you here with me. Looks like Shepherd was wrong. They don’t really care about you as much as everyone thought they did. Makes me sad, them abandoning you so easily.” 

You try to ignore his words, try to convince yourself he’s doing it on purpose, trying to mentally break you. Yet you can’t deny those words play exactly into your doubts, your fears. Have they really left you here, choosing Shepherd over you? Would they decide to do that? How easy had that decision been made?  

Tears blur your vision as you stare up at Phil, your eyes burning as you try to put on the bravest face you can. You won’t let him have the satisfaction of knowing he’s getting to you, playing into your fears. 

“Unfortunately, that means I have to hurt you.” He stands up straight, staring down at you for a moment before pulling his fist back, hitting you across the face. 

You see stars for a moment, your head snapping to the side. The left side of your face is numb, the taste of metal flooding over your tongue. You’re bleeding, blood pooling in your mouth. A hand grips your chin, pulling you back so you’re sitting up straight in the chair. You stare up at Phil, the fear fading away to anger as you glare up at him. Your face is throbbing, and you know it’s going to swell and bruise later, more than it already has thanks to Corporal McKinney. 

Traitorous bastard. 

They all are. 

“I do feel bad for hurting that pretty face.” He says, stroking your jaw with his thumb. 

The movement is impulsive, the anger becoming too much. You spit the blood in your mouth in his face, the droplets splattering across his skin. He turns his head away for a moment, bringing his other hand up to wipe at the blood. 

“That wasn’t very nice.” He says, looking down at you. 

“Fuck you, you fucking creep!” You yell, kicking at him with your bad leg. 

He releases your face, catching your leg easily. He pushes his thumb against the bullet wound, all the fight leaving you as pain tears through your body. You let out a scream, trying to pull your leg away but he won’t let you. He holds his thumb there as you scream, the tears streaming down your face. 

“Okay, okay please! Please stop!” You beg, the pain radiating up into your hip and side. You can’t take it anymore, your brain starting to go fuzzy as you hyperventilate. 

He releases your leg, his hand wrapping around your throat to lift your face. The tears are streaming down your cheeks, mixing with the blood from the cut on your cheek. There’s no sympathy, not even regret in his eyes as he stares down at you. 

“I don’t want to hurt you, but if you can’t behave, I’ll have to do just that.” He releases you as you continue to hyperventilate, your eyes starting to glaze. You’re distressing. Will Phil help you? Will he do what he has to do to keep you alive? If you die, there won’t be anything stopping your pack. The entire plan will be over. They’ll go after Shepherd, then they’ll hunt down Phil. 

Cold ice water hits you in the face, shocking you back into clarity. Phil is holding the cup of water he’d been letting you drink from periodically. You blink at him as water drips into your eyes, your breaths hitching but far slower than they had been. You’re awake and aware now. 

You didn’t even know it was possible to do that. 

“Don’t distress on me now.” He says, putting the cup down. “We have so much ahead of us.” He moves around to the back of your chair, bending down until his breath hits your ear. “Besides, you make me help you out of distress, I might not be able to stop myself.” 

Your eyes pinch closed as his lips brush the shell of your ear before he stands back up, tears mixing with the icy water still sliding down your face. 

“Please tell me you have good news.” Kyle says as they stand around the table. John is still fuming, anger rolling off of him like it has been since they found out the news. He’s hanging onto the quickly fraying strings of control he still has on his alpha. 

“We’ve narrowed down locations to the US.” Kate says, standing bravely before them. It’s not the first time she’s been before an angry alpha. It’s not the first time she’s been before an angry John. 

“Damn it, Kate, we need a location.” John says, slamming his hands down on the table. 

“We’re working on it as fast as we can.” Kate says, unflinching. “We’ve got limited people and resources now. We can’t trust just anyone anymore.” 

John lets out a long breath as Kyle puts a hand on his chest. He’s tired. They can all see it in his face. He’s tired and angry and rapidly losing control. 

Simon pushes Kyle to the side, blocking John’s view of anything but him. The big alpha puts his hands on John’s shoulders, looking him right in the eye. “You won’t do her any good by raging like this.” He says, his voice flat and calm. “You know these things don’t happen immediately. They’re underground for a reason and we just have to be patient.” 

“She doesn’t have that kind of time.” John says loudly, but there’s a strain to his voice. 

“It’s better to wait and have a direct location than to run around on a wild goose chase. That’s what they want. They want us angry and thinking on instinct.” He squeezes John’s rapidly drooping shoulders. “We all want her back, but we just have to trust Graves will keep his end of the deal.” 

“She’s stronger than she looks.” Johnny says. “She’ll give ‘em hell.” 

John runs a hand over his face as he begins to deflate. They’re right. It’s better to wait and know for sure than to waste time running around and exhausting themselves. 

“Please tell me you have any news.” John says, moving back towards the table. 

“I do.” Kate says. “I’ve called in some backup. They’ll be here shortly.” 

Christine nearly runs down the ramp once the plane has stopped on the runway. She’s jet lagged and worn out after eight hours of worrying, but she’s eager not only to finally get some news on you and your status, but to see her brother for the first time in a long time. 

It’s not hard to find him. 

“Chrissy!” He grins, hugging her tightly. 

She has half a mind to complain about the nickname she’d endured her entire childhood, but she can’t find it in her as she hugs her brother tightly. She’s missed him, more than she realized. Their jobs have kept them busy, her with her medical studies and practice, and Alex with...whatever it is he does. 

“It’s been far too long.” She says, pulling away from him. She’d love to stand there and hug him for an hour, but she can’t. They have more important things to do. Time is of the essence, if her worst fears are true. 

“A lot has happened, a lot has changed.” He says. 

She looks him over, spotting the more noticeable changes in comparison to the last time they were face to face. “You could say that.” 

“We can talk about it later.” He turns to the other person with him, a woman. “Christine, this is Farah.” He introduces her. “Farah, this is my baby sister Christine.” 

“Nice to meet you.” Farah says, shaking her hand. 

“You as well.” Christine looks between them for a moment. She knows that look in Alex’s eyes as he looks at Farah. 

“We should get moving.” Farah says, ignoring him. 

“Laswell has moved off the grid.” Alex says, opening the driver’s side of the SUV. 

Smart, if things are as bad as she thinks they are. 

Christine gets into the back, letting out a long breath. She’s closer now to finding out what’s happened to you. The guilt is still eating her alive. If she just hadn’t left, if she hadn’t believed the phone call, put it above your safety. 

Things might have been worse if she had stayed. 

“Kate filled us in about everything.” Alex says as he drives away from the airfield. “At least in regards to the pack and your involvement.” 

“There’s some things she’s not telling us.” Farah says. “Though if things are as bad as they sound, I don’t blame her.” 

“I don’t know much of anything.” Christine says, staring out the window as they drive out of the city. “I feel like it’s my fault. If I hadn’t left her alone...” 

“It’s hardly your fault.” Alex says, glancing at her in the rearview mirror. “If this was all planned, there wouldn’t have been anything that would stop it from happening.” 

“They might have done worse if you had stayed there.” Farah says, speaking Christine’s own fears aloud. 

“I wish I could see her. Make sure she’s alright.” Christine says. “If something happens to her...” 

“From what I hear she’s a hardy omega.” Alex says, trying to comfort her. “She’s withstood a lot. She can survive the 141, she’s probably giving them hell as we speak.” 

**Content Warnings: light torture, choking to the point of almost passing out, blood, very detailed descriptions of pain, non-fatal stabbing**

It’s getting hard to breathe. Phil’s grip around your throat is getting tighter and tighter, less and less oxygen getting to your bloodstream and your brain. Your mouth has an almost permanent metallic taste as blood drips down your chin. Blood stains Phil’s arm from where you bit him, teeth marks red and angry looking from where they broke the skin. 

“You fucking bitch.” He growls, jaw clenched. “Your alpha should have taught you some manners.” 

His hand squeezes tighter, cutting the air off entirely. You begin to panic, tugging against the restrains with your raw, cut up wrists. Black dots begin to dance in your vision, your legs straining against the zip ties keeping them attached to the chair. Your hands and feet are going numb, your entire body tingling. This is it. You’re going to be choked to death. 

He holds his hand there for a moment, letting you struggle before he lets go and you suck in a gasp of air. You slump over in the chair, blood splattering on the floor as you cough, your throat raw and sore. Tears burn in your eyes as you heave, trying to get the oxygen flowing through your body again. 

Phil bends down to your level as you sit there, head hanging as blood drips from your mouth. Your tongue is raw from how many times you’ve bitten it. It’s impossible to tell how much time has really passed. There’s no windows in the room. The only light source is the cracks around the door behind you. Even then with the bright light in your face constantly, it’s hard to tell anything anymore. 

“Feisty still, but everyone has their limits.” His hand cups your chin as he stands, lifting your face to follow him. His hand holds the back of your head up as he wipes at the blood under your nose and on your chin almost gently. 

Tears stream down your cheeks as you stare up at him, unable to even care anymore that his hand is so close to your neck. All he has to do is move it down just slightly and squeeze and you’ll be unaware of anything around you, at the mercy of his bidding. 

That would almost be a relief. 

He dumps another icy cup of water over your head, keeping you from slipping too much into a panic. The cold water stings the cut on your chest and the one on your arm as it slides down your shoulders. You’ve lost the ability to feel the throbbing in your calf, numb to most of the pain in your body. 

Why haven’t they come for you? Where is your pack? 

Have they written you off for good? Was finding Shepherd more important than you? 

Phil’s phone goes off, your stomach dropping. He stares at the screen for a second before turning back to you. 

You shake your head, the tears cascading down your cheeks. “No,” You start to shake. “No, please-” 

“You know I have to, darlin’.” He moves behind you, tugging on your hair to keep your head up as one of his men stands in front of you with a phone in hand. 

He counts down on his fingers before pressing record. 

“Having fun yet?” Phil says as he reaches around your head, holding your chin in his hand. He tilts your head back making you look up at him. “We sure are. Aren’t we, darlin’? Tell them. Tell them how much fun we’re having.” 

You’re still crying, unable to stop as you stare at the camera. They really have given up on you. They’ve deemed you unworthy of saving. They’ve let you sit here and be beat up and tortured all because they put the job first. 

They really have given up on you. 

Are they even watching? 

“Please,” You croak out, half begging your pack to care, half begging Phil to have mercy. 

“Since you can’t seem to bring yourselves to care about your own omega,” He shifts slightly, someone handing him something behind you. You catch a glint of metal, your heart rate picking up. You’re panicking, breaths coming in shaky gasps. You know he can do worse. He’s threatened worse, but what is he going to do? “It seems you need a little more...motivation.” 

You try to wiggle out of his grasp in panic, wrists bleeding again from tugging at the zip ties. They’re coated in your blood, your leg throbbing but you don’t care. You need to get away, get free. “No, no-”

You let out a scream. 

It’s sharp and piercing, but nowhere near the sharp pain in your neck. It fires through your very nerve endings, making you aware of the very cells in your body. It shoots up into your brain, igniting every neuron in your brain. Your very blood feels like it’s boiling, your skin on fire from the pain. Every inhale feels like you’re breathing in sand, and every exhale is like glass shards dragging through your lungs and up your throat. The tears streaming down your face may as well be slicing through layers of skin, every wound pulsing and throbbing with a new kind of angry vengeance. 

You’re sobbing, nearly choking on air as the pain continues to pulse in your body. It’s too much, every sensation inside and outside of your body meshing together in an agonizing harmony. 

“Shhh.” Phil tries to shush you as he bends down, his cheek resting against the side of your head. “I know, I know. You’ll be alright.” He presses a kiss to the side of your head before letting you go limp in the chair. 

Your scream still hangs in the air even after the video ends. 

It’s otherwise silent in the room, all eight of them feeling the weight of their decisions on their shoulders. The scents in the air are full of pain and regret and guilt and anger. 

“Was that fatal?” Kate asks, breaking the tense silence. 

“No.” Christine chokes out, her voice shaky. Her hands are trembling where they’re tucked against her sides. Her arms are crossed over her chest, trying to bring herself some kind of comfort after what she had just watched. “He went for the scent gland. It’s not a fatal injury, unless you go too deep, but he knew what he was doing.” She swallows the lump in her throat. “It’s just incredibly painful.” 

Her words hang in the air for a moment, all of them still trying to process what they had just seen. 

John slams his hands on the table, all of them jumping. “I fucking told you.” He says, his voice laced with the deep growl of his alpha. “I fucking told you Kate, she should have been flown out here as soon as you made the call.” 

“I know.” Kate says, undeterred by his anger. She’s seen it many times, though she’s rarely been on the receiving end of it. “I know, I made a bad call. None of us knew they would take it this far.” 

“But we knew something was going on behind the scenes.” John says, still radiating anger. “All precautions should have been taken.” 

“There was no guarantee her being here would have stopped them. She might not have been any safer here.” Kate says, trying to ease his anger, even though she knows it’s completely warranted. “This goes far deeper than we thought it did. Even before this plan was set into motion.” She waits a moment, letting the air settle. “A year ago, a convoy was smuggling missiles and other weapons into the Middle East in an off-the-books operation. The convoy was attacked and the missiles and arms were stolen by a Russian PMC group. The operation was conducted under the command of Shepherd, and the soldiers in the convoy were all Shadow Company.” 

“That’s how Graves is tied into this.” Kyle says. 

“It goes deeper than that.” Kate says, pulling up a file and displaying it on screen. “The missiles and weapons being smuggled weren’t being sent to aid allies in the Middle East. Shepherd sold them to AQ and the Russians. The PMC group that attacked Shadow Company was hired by Shepherd to make it look like an ambush.” 

“Fucking weasel.” Simon growls. 

“I don’t know how much Graves knows, or how much he helped hide the entire operation, but his ties to this go even deeper than that.” Kate says, and they all shift closer. “Graves has history with your omega.” She says, pulling up an old photo. “We combed through one of her brothers’ Facebook pages. Found an old photo of her dad with Graves. They served on the same base when her family lived in Texas before Graves left to join MARSOC. She would have still been a child at the time.” 

They stare at the photo, Graves clearly identifiable as he stands next to another man, beers in their hands. There’s two other boys in the photo, young and grinning at the camera. Standing in front of Graves is a little girl, a happy grin on her face. They’re all in various combinations of red, white, and blue. 

4th of July, they assume. 

“That’s how she got into the institute so fast.” John says, staring at the photo. He’s never seen a photo of your father before. You must take after your mother. “Graves pulled the strings.” 

Kate nods. “He did, but under the condition he would be the one to claim her when she grew old enough. The CIA wiped out that claim when they froze her file.” 

The 141 all shift on their feet, sharing looks. John feels a sick twisting in his stomach at the implications. Your position in the photo suddenly makes sense. Anger burns in him, deep and bubbling like magma. He’ll kill the bastard. 

“This is revenge then.” Johnny says. 

“In a way, I think.” Kate says. “We took away what he wanted. Graves wasn’t going to pass up this opportunity. He’s not afraid to get his hands dirty.” 

“This all is what the initiative was created for.” Christine says, leaning against the table. “A contingency in case this all was uncovered.” 

“A way to control us.” Kyle says. 

Kate nods. “Yes. It was all a plan to give the 141 a weakness, a way to be controlled should the situation arise. In this case it just so happened to be the uncovering of his traitorous arms deals.” 

“We were all pawns in this.” Christine says. 

“We let them walk right in and take control like that.” John says, turning to Christine. “You let them walk in and take our omega.” 

She turns to face him, undeterred by his agitation and anger. “I did what I thought was right at the time. I got a call from one of the front desk workers in the med center saying that someone was waiting in my office for me.” She explains. “They wouldn’t say who it was, and the whole thing felt off. I knew whoever would be visiting me was not going to be friendly, so I felt it was safer to leave her in the barracks than take her with me and risk something happening in a place she doesn’t know well. In the barracks at least she’d know places to hide and barricade herself.” 

She takes a deep breath, still facing down John fearlessly. He’s coiled tight like a spring, ready to jump at any moment should he deem it necessary. It’s those protective instincts, the knowledge that his omega is somewhere else, taken unwillingly and being tortured feeding into that need to fight. 

“My office door was open when I got there.” She continues. “I always leave it locked. I went in prepared to fight, but I was attacked from behind. Hit over the head and drugged with something fast acting, something that would keep me incapacitated long enough for him to strike.” She stares up into his eyes, projecting her scent just a bit to try and get him to calm down. “We all made mistakes here, things we thought were the right choice at the time.” 

She’s not wrong. They all know it. They had just seen proof of it.  

“The assailant?” John asks, turning back to Kate. 

“Corporal McKinney.” Kate says. “He was in Shepherd’s pocket from the start. Someone who could watch first-hand. Someone who could sneak into the barracks unnoticed without many questions. He was likely the one that put the cameras up.” 

“Fucking wanker.” Simon growls. “He approached her once in the mess. Early on. Tried to introduce himself to her. Backed off as soon as I intervened. Never tried again, at least that we know of.” 

“She never mentioned him.” Christine says. “Or anyone else on base that might have tried to approach her.” 

“Where is he now?” Kyle asks. They’re all angry, frustrated. How had they not seen this happening? 

“Local police tracked his car to an abandoned airfield not far outside of Hereford.” Kate says. “He was dead inside. Police ruled it suicide.” 

“I’m sure it was.” John says. 

They all know it wasn’t. 

“Shadow Company likely picked her up from there with orders to stage a suicide.” Kate says. 

“One less loose string to worry about.” Simon says. “Covers their tracks in England.” 

They all go quiet. How this had all happened right under their noses? They’re all guilty of falling for it, for being too trusting in a world they know they can’t be too careful in. Allies can turn on a dime and become enemies. Betrayals can be easily bought. Things can turn downhill within a blink of an eye. They’re supposed to be prepared for the worst, ready for every possibility. 

They had written this off as a conspiracy, and now their omega is paying for it. 

“We need a plan.” Farah says, breaking the silence. 

“We can’t let Shepherd get away with this.” John says. 

“We cannae just leave her.” Johnny argues against his head alpha. It’s a brave thing, considering his alpha’s current mental state.  

“I don’t know how much more she can take.” Simon backs his beta up, the desperation and pain on your face still visible in all of their minds. 

“Let us go after Shepherd.” Alex says, offering up a solution. “He’s obviously watching for you to come after him.” 

“We can move undetected.” Farah agrees. “He’s less likely to expect us. You need to focus on your omega. Shepherd will show himself again eventually.” 

“Do we have a lead on their location?” Kyle asks, turning back to Kate. 

She nods. “We do now. I sent a team out to try and track location through the videos and where they were being sent from.” She pulls a map up on screen. “We have a location.” 

“Texas.” Alex says. 

“He took her home.” Christine says. 

“We have a plan then. We go after Graves, Farah and Alex start tracking Shepherd. Kate is eyes in the sky for us.” John says. 

“She’s going to need medical attention as soon as possible.” Christine says. She looks at Kate. “Where is the nearest military base from their location?” 

Kate types on her computer. “Naval Air Station Joint Reserve Base in Fort Worth.” 

“Get me there and I’ll be waiting. She’s going to need someone she knows.” She says, looking at John. “She’s not going to just let anyone close to her after this. She may not even let you close.” 

John stares down at her for a long moment. She stares back unflinchingly. She doesn’t get intimidated easily, not after years of dealing with institutes and alphas alike. 

He lets out a breath, staring down at her for a long moment before he nods. “I trust you.” 

“Short reunion this time.” 

“I’m just glad I got to see your face again.” Christine says, looking up at Alex. 

“Things are...complicated.” He says. “Maybe after all of this is over we can go and get some coffee. Talk about our lives...as much as we can.” 

The corner of her mouth twitches up in a smile. “I’ll hold you to that.” 

Alex pulls her into a hug, holding her tightly. “You’re doing good work, Chrissy.” 

She shakes her head at the nickname, but she holds him just as tightly. “I’m trying to.” 

Alex pulls away, squeezing her arms. “I’d say you are. You care a lot. To the point some might call it a character defect.” 

She scoffs, slapping his chest playfully. “Not like you’re much better.” She glances at the car where Farah is waiting patiently. “I’m happy for you.” 

“Oh, we’re....” Alex blushes to his ears. “We’re not...” 

She gives him a look. “Mhm sure.” She looks up at him one more time. “Be safe.” 

“As best I can.” He says. “Take care of yourself. Don’t be too hard on yourself either.” 

“I try not to be.” She squeezes his hand before stepping away. 

She watches the SUV drive off, stomach churning with nerves for both of them. Shepherd is dangerous, but Alex has fearlessly faced down danger since he was a kid. He’s always been brave and determined, loyal and unafraid to do what he thinks is right no matter what. She trusts him to take care of himself, she trusts Farah to help him, even if she only met the woman today. 

She trusts them both to take care of each other. She trusts them both to help put an end to this. 

Your body aches, muscles screaming. You can’t take much more. Your cheek throbs painfully, swollen to the point you almost can’t see out of your left eye. The pain burning from your neck makes the other pain in your body nearly irrelevant, nearly nonexistent. It’s like electricity, burning through your very cells. Every movement seems to make it flare, makes the electric shock jolt through you. The burning pain that follows makes you whimper, a pathetic choking sound squeaking out from your bruised throat. 

The pain makes you nauseous, vomit staining the front of your shirt and pants. It’s mostly bile and the little food you’ve gotten since your kidnapping. 

Nutrient bars, meant to keep you fed and nourished for a short period of time. 

You may never be able to eat them again. 

“Fuck.” Graves curses, staring at his phone. “They’ve backed off.” He steps up to you, looking down on your pathetic form. “Looks like your boys do care about you after all.” 

Do they? Are they really coming for you, or have they simply given up chasing Shepherd because they lost all their leads. Will they come for you, or will they leave you here to rot? What will Graves do then? Try to take you as his own omega? Kill you out of anger? 

Your stomach churns and you can feel the bile rising. 

You vomit again, the warm liquid splashing into your lap. You can’t lean far enough anymore, not without the risk of not being able to pull yourself back up, not with the pain burning your every movement. You can’t even lift your head anymore, your body weak and battered and bruised. There’s blood everywhere, on you and on the floor. You can still taste it in your mouth, mixing with the sourness of bile. 

Graves gives you a disgusted look before turning to the others in the room. “Duran, Lewis, keep watch. The rest of you come with me.” 

He leaves the room for the first time in what you assume is days. For once the cocktail of scents begins to disperse, all but two of the alphas finally disappearing. Where they’re going or what they’re going to do, you don’t know. You can’t bring yourself to care either way. You just want to go home. You want to see your mother again, your brothers and sisters, even your father would be a welcome sight after this. You want your alpha, you want him to hold you, to take you in his arms, keep you safe.

He abandoned you. He left you to suffer like this. 

Your breathing picks up as you sit there, chin to chest as you stare at your bloody shirt. The smells in the room are awful, the scents no longer there to block out the sour bile and metallic stench blood. Tears are streaming down your cheeks, pink tinted splatters dripping onto your pants. What are you going to do now? What are they going to do to you now? Will they keep you alive long enough for your pack to arrive then kill you in front of them? Will they torture them too, make them watch as the life slowly leaves your eyes in revenge for chasing after Shepherd? 

A sob rips through your sore throat up out of your lips. 

You just want to go home. 

You just want to be free. 

You can be. 

Distress. The final defense. The last ditch effort omegas have to save themselves. Distress will lead to your omega taking over, and if nothing else, a quiet death you won’t even realize is happening. Your body will give out and you’ll be safely tucked into the back of your brain, comforted by your instincts. You won’t have to worry anymore. You won’t have to care. 

If nothing else, the pain will be over. 

I’m sorry. 

You begin to breathe heavier, ignoring the pain in your body as you push yourself to hyperventilate. The alphas behind you might do something, might try to stop it. They could, but would they even know how? Would it even work if you got too far? They’re not your alpha. They can’t comfort you, bring you back from the edge without forcing you. Will they even bother? 

You tilt your head to the side, putting pressure on your injured scent gland. You sob at the pain, the burning flowing straight into your very cells, making them scream. You push through it, your wrists twisting against the zip ties, digging them further into your already damaged wrists. The pain pushes you to a point of panic, your heart rate through the roof. You can feel it, the tightening of your muscles, your joints locking into place. 

You’ve never done it purposefully before, but in this state, it’s not hard. 

They left you. They’ve abandoned you. They’ve given up. It’s all your fault they left. They’re not coming for you. You’re not worth it. 

The thoughts send you down the spiral, the edges of your vision starting to go dark. You’re floating away, hands and feet going numb as your wheezing, shallow breaths block the oxygen from getting to your brain. You’re sinking, your body floating as you begin to retreat into the back of your mind. The cage is open, your omega soothing you as you drift off, curling up in the back recesses of your mind. 

You’re safe now. She whispers. 

There’s no going back. 

You’re going to get out. 

Even if you have to do it yourself. 

The last breath you remember taking is shaky, making you cough before your vision begins to fade to grey, then to black. You’re getting out of here no matter what. You’re going to go to sleep. If you fail, you’ll never know it. Your death will be quick and gentle and you’ll never know it happened until you’ve moved on to whatever is next. 

You won’t remember any of this. That’s your only consolation. 

Your vision fades to black as all memory and awareness leaves you. The last thing you remember is the snap of the zip ties around your wrists as they break. 

“Graves has moved with some of his men to the western building. It’s likely the hostage is being held in the eastern building. Gaz and I will go after Graves. Ghost and Soap will try to secure the hostage.” 

“Keller is on her way to NAS JRB as we speak. They’re on standby for medevac.” 

“Stealth is our priority. They know we’re here, we risk losing the hostage. Quick and quiet, take them by surprise. The faster we do this, the sooner it will all be over.” 

**Content Warning: blood and slight gore, someone gets shot offscreen, some gorey and explicit imagery towards the end**

He’s not unfamiliar with high stakes missions. It’s his specialty. He’s cool and calm under stress and pressure, which is why he gets chosen for them. He can detach easily, get the job done and then go home and forget. 

So why are his hands shaking? 

This isn’t a high stakes mission, not like one he’s used to doing. The stakes are higher, higher than he’s ever had before. It’s not just eliminating some faceless target, it’s not just rescuing some faceless hostage. 

It’s rescuing you. 

How much did he get for this assignment? How much did he settle for once he learned you were involved? 

He hates that you were involved in all of this. He hates that they all fell for it, blind to the truth, blind to Shepherd’s traitorous actions. They refused to entertain those conspiratorial thoughts, and now you’re paying for it.

He hates it.

He should have never left you alone like that. He should have argued against Price and his decision to leave when they knew something wasn't right. They should have known something was going on behind the scenes, that there was a higher purpose to all of this.

His conspiracies had been correct from the start.

He hates that it had to come to fruition.

How could Graves torture an innocent omega? You're not just an innocent omega to him, though. You're a broken promise, a lost opportunity, one he'd waited for, for a long time. Of course he wouldn't have stopped as soon as they started going after him. He wouldn’t give up just because Shepherd told him to stop. He’s ruthless and uncaring of who he hurts and why. He gets his orders and he completes them, no matter what, so long as whoever is giving those orders can pay a high enough price.

Far too much despite that fact, most likely. Maybe he should become a merc. Less rules and more money.

It’s not a bad idea. 

He lasers his focus on the building as they creep through the trees, moving silently. Two against however many are inside. It was impossible to tell with how many were moving between the two buildings constantly. 

He brought the whole squad. He planned on putting up a fight regardless. 

At least they have the element of surprise on their hands. 

“We move silently through the building.” He says as they approach the door. There’s two guards standing outside. “They know we’re inside, things could go downhill quickly.” 

“On you, LT.” Johnny says, taking point beside him. 

“Drop one, I’ll take the other.” He says, aiming at one of the two Shadows guarding the door. 

It’s quick and quiet, their bodies slumping onto the damp dirt. Simon scans the area before moving forward to the door. It’s unlocked, Johnny pushing it open slowly to check for a trip wire. 

None. 

Sloppy, or perhaps on purpose. They can’t be too careful. Shepherd will have let Graves know they’re not on his trail anymore. He’ll be expecting them. 

They split up, combing the bottom floor of the building. He takes out two more Shadows, checking every room for a sign of their target, but they find none. 

“Second floor.” He says, waiting at the base of the stairwell for Johnny to join him. 

“You think she’s in here?” Johnny asks as they creep up the stairs, careful not to make too much noise. 

“Well, we’ll find out.” 

It’s far too unguarded to where they’re holding you. Graves will have assumed they’d split up. He must have moved most of his men to the western building to put up as much of a barricade as possible. He can picture Graves standing there, the smirk on his face as he holds a gun to your head. Will he take that risk, shoot you in front of them and give them nothing to live for? Or will he use a knife, letting you die a slow, painful death in front of them? 

Or, maybe he moved them to the western building to make them think that’s where you are. Focus their attacks there so they leave you behind. He gets cornered, he send the word to kill you before any of them can get to you. 

More red herrings. 

He pauses before he reaches the top of the steps, taking out the shadow standing down the hallway. They split up again, looking through rooms at the top of the stairs, making their way down the hallway. 

One of the doors is open, and he silently motions for Johnny. He counts down silently in his head before rounding the corner, rifle up as he scans the room. His stomach churns as he looks inside, taking a couple cautious steps forward. He’s seen a lot of things in his time, done a lot of things, but this is different. 

“Screaming Jesus.” Johnny says, lowering his rifle as he steps in behind Simon. 

There’s blood everywhere. 

It’s coating the floors, leaving a sticky residue as it dries. It’s the room you were in. He recognizes it from the video, and the bright light in the corner is a dead giveaway. The chair in the middle of the room has been broken, the wood of the arms snapped off and splintered. There’s four bloody zip ties on the floor, along with several instruments on the floor including the ice pick. 

He wants to shove that into Graves’ eye for what he did to you. 

There’s two bodies on the floor, one of them dead in a pool of his own blood, the other choking as blood seeps onto the floor under him. He steps up to the shadow, putting his boot on his chest and pushing. The Shadow lets out a groan, coughing up blood. 

“Where the fuck is she?” He growls, staring down at the quickly paling face. 

“Fucking bitch went crazy.” He chokes out. “Went running.” 

Simon steps back, pulling out his handgun and firing two bullets into the Shadow’s head. 

“Price, we found the room.” He says into his comm. “The hostage isn’t here. A half-dead Shadow said she bolted.” 

“LT.” Johnny says, motioning to the door, the only other exit from the room. There’s a bloody handprint on the door, one too small to be one of the Shadows’. 

“I think she managed to get out.” He says, staring at the handprint. His stomach drops, his hand tightening around his rifle. He glances down at the bodies, throats cut and faces bloody. “I think her omega took over.” 

“You and Soap go after her. She’ll do the one thing she knows to do, the one instinctual thing she can do if she has nothing to fight.” Price says. “We’ve got Graves cornered.” 

Simon pushes the door open, cool air flowing into the stuffy room. There’s bloody shoe prints heading down the stairs. He can see the rapid turn on the concrete below before they head off towards the trees. 

“I’ve got a trail.” He says. 

“Go.” Price says. “Simon...you know what you have to do.” 

He does.

He motions for Johnny to follow before hurrying down the stairs. The longer they delay, the further you’ll get. He doesn’t doubt some Shadows followed you if you made that much of a ruckus. The more time they waste, the more dangerous things get, and not just because they might lose you or the shadows might catch up. 

He races towards the treeline, rifle in hand, but there’s no one else standing guard. Price and Gaz will have taken care of those in the other building, and those that were outside probably went after you. 

He slows once they break the treeline, trying to catch any hint of your scent that might be left. His only hope is that you’ve left a trail. He’s a tracker, he knows what he’s doing. His senses are stronger, more in tune. He can find you. He can track you down. He has to. 

The guilt is eating him alive. If something happens to you, he’ll never forgive himself. He’s right here, so close and yet so far. You’re running on borrowed time and there’s only so much of it left. Eventually you have to slow, eventually your body will start giving up. Will it be too late then? If a Shadow finds you when you can’t fight back...

“Dead Shadow ahead.” Johnny says, motioning to the slumped over body ahead of them. “We’re on the trail.” 

“Let’s hope she left more markers on the way.” He says, kicking the Shadow, but the stab wound in his neck is all Simon needs to know. “Keep going straight.” He says, continuing on the path they’ve been following. He needs just a whiff, a hint of your scent. Something. 

They come across another dead Shadow, this one off to the side of the path they had been following. He turns, making an adjustment before moving forward. Johnny keeps close, both of them watching for more Shadows, or for any glimpse of you. All they can hope is they’re on the right path. 

He nearly sets off in a run as he hears a sound ahead. It’s a yowl, almost like a mountain lion. It sends a tingle down his back, his alpha blaring warning alarms. A threatened omega is a dangerous thing. Fierce and protective of themselves, capable of great feats and lethal if you get too close. 

It’s you, no doubt. 

Price had been right. 

He has no choice. 

He pushes forward, his steps quick as he makes his way through the bushes. He spots you near a boulder, trying to fight off a Shadow. He’s got the upper hand, using his size against you. You’re getting tired, your movements slowing. Simon aims with his rifle, a shot to the head dropping the Shadow. You drop into a crouch, surveying the trees. You’re covered in blood, a knife in your hand as your wild eyes search for them. 

“Distract her.” He says to Johnny. “Make yourself as unthreatening as possible. I’ll go around and get her from behind.” 

He doesn’t even wait for an acknowledgement before he’s moving, slipping around to the side of the boulder. Johnny steps into the clearing slowly, holding his hands up, talking to you quietly.

“Easy, kitten. Ye know who I am.” Johnny is careful not to get too close, his steps slow as he moves to the side, getting you to turn. “We’re just here to help ye. Get ye home and safe.” 

You’re holding the knife up, brandishing it at Johnny. Simon isn’t sure if you’ve ever thrown a knife before, but he doesn’t put it past you to try in this state. 

He hopes Johnny’s reflexes are fast enough. 

He slips out from behind the boulder as you pause, wasting no time as he races up behind you and grabbing you before you can bolt or go for Johnny’s neck. You let out another yowl, struggling against him as he wraps an arm around your chest. Your teeth sink into his arm and he lets out a curse, but he doesn’t let go. If he lets go, they won’t get another chance. It’ll be too late. 

He doesn't want to do it. His mind flashes back to his father and mother, one of the few times his mother fought back. It hadn’t lasted long before her body went limp, practically a ragdoll in his father’s hold. Simon had grabbed Tommy and ran, barricading them in his room. They didn’t want to see what was going to happen next. 

He doesn’t want that kind of control over you, he doesn’t want to put you through that trauma. The disorientation, the fear, the confusion. That must have been what it felt like after being sedated during your heat. You had been sick for days, crying in Johnny’s room. He had heard every sob, every attempt to soothe you. 

He put you through that. He made you face that despite the fear on your face as Johnny escorted you to the med center. 

And now he has to do it again. 

He has to this time. He has no choice. His only other option is to let you die. Price will never forgive him. Johnny won’t even look at him again. He’d betray them worse than you did, worse than Shepherd, worse than Graves. 

You never really betrayed them in the first place, though. 

You were afraid, untrusting of them, unsure because of your past. He had been foolish to blame you, foolish to think it was somehow your fault. You acted out of fear, out of terror. How you must have felt in those moments when that beta showed up, when you faced down Shepherd alone, when you returned to find your space invaded and those cameras all over your room. They weren’t there to protect you, they weren’t there to support you. They left you alone and you hid it from them because you didn’t know any better, because you were so afraid. 

He’s a goddamn fucking prick he’s been. 

Tears blur his vision as he tucks his free arm behind you, shifting your position just enough so he can get his hand around the back of your neck. You kick out with your legs, releasing his arm, your head tilting back in a last ditch, instinctual effort to protect yourself. 

His eyes squeeze closed as you let out a yelp, his fingers digging into the back of your neck. It’s hard enough it will leave a bruise, but he has to be sure. It’s the only thing that might save you. It’s his only option, his only chance to keep you alive. 

“There you go.” He says quietly into your ear. “Need you to relax for me.” 

Your body goes limp in his hold, head resting back against his hand as he holds you there. Your muscles twitch as the tension leaves you, eyelids fluttering before they close. His arm stings where your teeth had sunk into his skin, hard enough to draw blood, but he doesn’t care. 

“Keep resting.” He says, easing his hand from the back of your neck as he shifts you in his arms. “Gonna get you somewhere safe.” 

You’re like a ragdoll in his arms as he lifts you up, cradling you against his chest. You’re warm, hair sticking to your forehead. 

“Call it in.” He tells Johnny, his eyes still glued to your face. “We need that medevac now.” 

“Price, we got her.” Johnny says into his comm. “We need medevac stat.” 

You look so peaceful despite the blood soaking your body. Partially yours, partially the Shadows you killed in your escape. You look like a gruesome painting, a gorey depiction of an omega pushed too far. Something they’d put on display in a museum, a photo that would win prizes in celebration of such a natural state caught on camera. It would be circulated for decades, something talked about centuries from now. 

A raw view of humanity’s inner beasts. 

He can’t stand it, seeing you like this. They did this to you. They are the reason you’re like this. They made the bad call in the end, they put you through this. You won’t forgive them, not after everything. You went weeks without them, without a word and then this happened. Innocence tainted in the blood of the guilty. The bloodstained omega held in the arms of the blood-tainted alpha. He should be the one covered in their blood. He should be the one carrying the weight of torture and desperation on his shoulders. 

The guardian dog covered in blood in the name of protecting his innocent sheep. 

How he’s failed you. How they all failed you. 

He pushes past the pain, past the grief, past the guilt and the horror of what they did to you, what they put you through. 

They’ve got you back. You’re safe. 

It’s over. 

NEXT ->

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[choucon]

THE NOTES THING

Okay, Um, the note thingie.

(Btw, pink is finished)

Uh

Where should I start...

So

10 notes - I'll really die my hair purple

50 notes - I'll go out touch some grass or idk

100 notes - I'll draw something (if you want something specific- nevermind, there's no-one reading this anyway)

150 notes - I'll finish my presentation on mental health

200 notes - I'll write another page of the thing I'm writing (I really can't call it a novel or story, it's just some sh*t)

250 notes - Um I'll try telling my mother about the shadow people I see in the dark (ik it's just an illusion, but-...yeah, it's dumb)

300 notes - I'll write down the song I wrote

400 notes - I'll tell my brother about how I think I have depression (heh, he'll just laugh it off)

500 notes - I'll go out and take some pretty photos of....something?

1000 notes -Um okay, this one's the most important probably, or at least should be, so I'm gonna tell someone something, just don't know what to who (Yeah, I know it's dumb)

And yeah, also.

10 000 notes - and I'll start taking my goose plushie to school every day (idk, just random- I LOVE THE GOOSE (sorry))

You can tag anyone you want, but, yeah, idc

Edit: heh, maybe I could put here some tags

Second edit: omg omg, thank you, Internet peopleee. Love you, moots. <<3333. Never would have thought it'll get so manyyy

Second edit: okay, so I changed the last amount of notes because I love the goose nad kinda wanna take it with me to school. Though, I'm still letting it on 10 000 now. Sorry, it's a lot. But just idk.

[changeling-droneco]

Hi I'm that person who made the original post about "no doesn mean no" when a small bit of the mr beast company document was leaked, well, now we have the full document (thanks rosanna) so I'm going to go over it. Please note I am not a lawyer or a business man, I'm in college for psychology, so I might misunderstand some things or make the wrong conclusion. However, if this is a document made for the average mr. beast employee, if I cannot understand it properly, then im sure some employees also struggled

First of all, the opening paragraph. Like I get it's supposed to be like, to put people at ease, but

This is so strange? Like, first of all, this is your EMPLOYEE MANUAL, you should have run it through like, a spell check? Or had someone edit it? This is already incredibly unprofessional. Also the promising of a thousand dollars if you pass a quiz on it? It's bizarre and I'd love to see if it's an actual quiz.

Jimmy, hun, please god get an editor for this you're already trying my patience.

YOU SHOULD, you genuinely should, while interconnected these are all COMPLETELY different jobs, if you think you could write a separate manual for each branch you SHOULD

I'm sure I'm about to get an answer but what the fuck is the best YOUTUBE video then? If it's not comedy, its not production, its not quality, its not look, then what the hell is left? (monetization, it's monetization)

First of all, Jimmy, why are you using internet lingo in this, it's not a text message, this is not a place for, idc, and lol, and not capitalizing your headers correctly??? Also like I said, he's chasing trends for monetization, and also he's just wrong, there are plenty of hollywood level shows and the like on youtube. You fully admit you do not care about trends and actively rush things?

This is just fucked??? Like of COURSE IT MATTERS??? Results based company is bullshit, your employees that worked for five weeks and failed aren't "lesser" then James, it's a structural failure! They still worked for HOURS to try and succeed?? That shows merit and loyalty??? What the fuck???

Rosanna covers this one in her video but it's worth restating that this is FUCKED??? It's clear overwork "your job is your family" culture. Especially the use of the word obsessive? If you do not OBSESS over your work, you are considered poisonous. NO WONDER we have so many reports of employees doing things they feel is dangerous or unsafe, if they don't they're considered POISON to the company.

The formatting in this doc continues to fucking kill me, what are you DOING man GET AN EDITOR

This feels like such an easy fix of just...make the thumbnail after the fact? Or only make a rough draft of one first? Like if production makes a red bouncy castle instead of a yellow one, that feels like an easy fix to the thumbnail OR a communication error, and again, that's on management

A lot of the next stuff is like analytics stuff that for the most part I can't really speak on as someone who does not do any of this stuff. There are a few things though

Which like???? what??? a lull??? what do you mean "watching a video without even realizing they are watching a video??" That doesn't scream good or even mediocre content to me. If I'm actively tuning out as I watch a video, that's bad. Especially because there have been plenty of times I've been like half way through a video i go "hey this sucks actually" and click off. They actively want their audience to not be paying attention to the video so it runs all the way through, that's kinda pathetic.

I don't actually know if this is common or not in this industry, but as an outsider this seems INCREDIBLY micromanaging to me, to an immense degree.

Jimmy why are you putting swears in your employee manual?? sir??? and also something about this whole thing icks me out, I don't quite have the words but the whole emphasis on "im different im special no one else can be me" just reeks of something kind of manipulative

Why is production changing so much Jimmy??? Infinite growth is the mindset of a cancer cell Jimmy! This is incredibly unstable working conditions! Also again with the word obsession, if you take time out of your own day on your own time to watch hulu, that's seen as not being obsessed enough for the company. This is nonsensical!

Again, this is INSANELY micromanaging, and also so fucking unhinged??? "God himself couldn't stop you from making this video on time" is NOT a healthy work mindset, things HAPPEN!!!

In this segment he's actually talking normal things but I did just want to highlight his use of "freaken" who the hell puts that in an EMPLOYEE MANUEL

Again with the micromanaging, and the immense pressure on employees for problems OTHER people do. While he's not fully wrong that you should be in more contact with the contractor then the example, this is too much in the other direction. How much time in the day does he think people have?!

My kingdom for a fucking paragraph break dude, my fucking eyes. Also this is a lot of "im so great and do everything and you should do more for me and if i dont know something that's your fault" for something titled "I am not always right"

I'm getting lazy with my highlighting, but again, the micromanaging? If you're SOOO busy, the first question should be the ideal? it's quick and makes a quick decision, while the second one meanders and meanders

Again, Jimmy is pushing blame for HIS mistakes on OTHER PEOPLE. For again, a section called "i am not always right" hes taking NO accountability for that and just making the SAME excuses he's berating in other places.

I can't even tell what he means here AN EDITOR JIMMY

Autism Hell tm, PLEASE email me so I can DOUBLE CHECK IT, things in writing are SO useful

Again the language towards "C-Players" which as mr beast has said, are the people who y'know, are NORMAL employees who DON'T live and breathe this company

Okay first of all, a Lamborghini is like 300k so that's already A REALLY hard task, and i sure hope don't usually put typos in the tasks. SECOND of all the fact he thinks its okay to go "hey if the studio is literally on fire around you and you stop working to get the Lamborghini, you're not doing good enough" even if he claims it as a joke is NOT OKAY what the FUCK

We've covered this before, but to reiterate this segment is named after a sexual assault reference when it could have been named ANYTHING ELSE and harasses employees and pressures them to break rules, don't do that.

I'm not an editor, so maybe this is normal, but as someone from the outside it seems strange to put this much emphasis on dividing focus between so many videos at once.

Jimmy, hun, are you paying extra for this? Because if I'm an editor and you want me FILMING stuff then i want to be paid more for doing TWO jobs and I probably still wont be as skilled a TRAINED CAMERA MAN

First of all now THAT'S a type, consteatants. Also the fact they are aware that leaving contestants out in the sun is bad, why are you not doing MORE TO STOP IT BEYOND "hey maybe giving them three hours of heatstroke is bad, try only two next time"

Don't we love favoritism, more shitty unprofessional writings, and a completely unstable work environment?

If your people have to pull all nighters period something is wrong, and if something happens to an employees car that could have seriously hurt someone, i sure hope you care more then just "LOL FUNNY" Who's picking up the broken glass? Who's reimbursing the car owner? That one meme of "your first care should be commitment to the bit" is a MEME jimmy, it's not ACTUAL ADVICE

Ah shit I hit image limit, well, you've seen enough screenshots to know these are screenshots, we're almost done I'll put them in as quotes

"Let’s say you are tasked with finding us a castle to live in for 50 hours and while doing research you find a castle and a number to call for the owner. So you do call, and he answers. Only problem is he says he quit the castle renting business to pursue his dream of building a 100 foot tall lego catapult. You can obviously tell where i’m going with this. Ideally you’d recognize that’s badass as fuck and try to convince him to let us use it when we do find a castle. This is a bad example because it’s so obvious but if you’re doing your job right you will be doing an absurd amounts of calls and data collecting. While trying to complete your prios and prepare for the video you should always be on the lookout for new things you can bring to your creative team to inspire them. Because just like me, they don’t know what they don’t know and you can’t just say “i’m in production and i’m not very creative” because that’s literally the equivalent of saying I suck at what I do. You also need to apply this same mindset when problem solving because many people lose sight of this stuff when in the weeds. If a problem appears, always always always ask yourself if your new plan is whats best for creative, not just the easiest bandaid."

First of all it's really funny seeing all the red lines pop up, second of all this insistent blurring of everyone's job seems so strange? Again maybe this is normal, but it really feels like Jimmy wants everyone working every job, instead on focusing on what they are actually hired to do.

"What is the goal of our content?

To excite me. The goal of our content is to excite me. That may sound weird to some of you, especially if you’re new but to me it’s what’s most important. If I'm not excited to get in front of that camera and film the video, it’s just simply not going to happen."

That's fucking weirddddd, like I get that he's trying to be like "im authentic" but it always feels like a bad sign when the goal of a company is literally just "What amuses the boss" like...bad sign

"this is youtube and there are constraints. You know the video can’t be a minute so you’re obviously going to need a story to hold the viewers and there are rules to storytelling. Our audience is massive and because of that you have to be simple, for 50 million people to understand something it must be simple. Content can be anything but there is structure and rules that we must mold it into that I want to teach you about, because virality doesn’t just happen. Every frame of our videos will be seen by 10s of millions of people"

Gross

"I'd say the average MrBeast viewer is a teenage memer that likes video games."

Mr Beast is completely aware of his demographic and puts screen shots of it, he is very aware his stuff is aimed at kids, even when its about gambling or hiring people not around near minors

"I feel silly for having to write this but all the time I talk to 32 new people that have at most seen like 5 or 6 of our videos and it’s mind blowing that they don’t see a problem with that lol."

It's almost like your audience is teenage memer and that people who working here are not in fact, teenage memers.

"What you consume on social media, when you watch youtube, tv, the games you play, etc. are what I like to call your information diet.

How do you stay up to date on the latest memes? How do you know what’s going on with celebrities? What’s trending on youtube? What other creators are doing? What’s popping on tik tok? Your information diet. Consume things on a daily basis that help you write better content."

If my job as a creative writer had my boss tell me to have to see whats "popping on tik tok" as part of my job i'd quit also again, the micromanaging of someone's life as well pops up again, it's weirddd

"It’s okay for the boys to be childish

If talent wants to draw a dick on the white board in the video or do something stupid, let them. (assuming they know all the risks and arn’t missing context on why it’s not safe) People like when we are in our natural element of stupidity. Really do everything you can to empower the boys when filming and help them make content. Help them be idiots"

More favoritism

"If you’ve made it this far you are probably at least semi interested in this being your career. So I wanted to chat about it. Because if you're ambitious and want to dedicate your life to work, you picked the best company in America to do it at. I really don’t care to hoard a bunch of money and I deeply believe in rewarding the people that help this business get where it needs to be. But before I get into that, let’s talk about the future. As I write this we have 2 teams, that will grow to 4 in the next year. (and possibly 8 in the next 2 years but I can’t talk about that cause james will kill me haha). We need more leaders in the company. Weneed hard working, obsessive, coachable, intelligent, grinders that can step up and take some of these leadership spots over the next 2 years. Every single department has an opportunity for you to grow in and you’re in luck because we don’t do yearly reviews. We do whenever the fuck you want reviewes"

Lack of communication from management, and more emphasis on grinding and crunch culture, goodie, all while riddled with typos! God.

"I see a world where this company is worth billions and one day 10s of billions. And those of you that help build this will be rewarded. I want nothing more then for you to go all in, obsessive all day everyday, and become so god dam valuable this company can’t operate without you. And in return for becoming so valuable I hope to give you incredible experiences, a fun place to work, and of course, more money then you could ever dream of making at any other company."

I feel like I'm reading a fucking pyramid scheme document here, "youre so so valuable spend literally every minute of every day on this company haha" good GOD man